street interviewer: what's your type?
tim who's just trying to get to work: i have a boyfriend
street interviewer: so what's your type then?
tim: my boyfriend
street interviewer: and what does he look like?
tim who will absolutely gatekeep bernard from the general public: he looks like my boyfriend
street interviewer: so what would you rate me out of 10?
tim: um i can't do that
street interviewer: can't rate me at all?
tim: i can't rate you at all
street interviewer finally realizing that this is going absolutely nowhere: what would you rate your boyfriend out of 10?
tim smiling stupidly: he broke my scale cause he's so beautiful
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more of this au... i kind of like it actually
[id: sketches of dsmp!wilbur and qsmp!wilbur in a comic. q!wilbur is sitting in a chair, watching tallulah sleep. behind him, leaning against the wall, his dsmp self says, “i tried, you know. changing things. making my world ‘better.’ you want to know how that worked out?” and he replies “not particularly.” dsmp!wilbur approaches him, and says “hey, i won’t stop you. you can play at peace for as long as you like. maybe some of those friends of yours will even join you.” he leans close to wilbur’s face, smiling, and says “but sooner or later... something’s got to give.” end id]
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this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it
and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?
anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode
two hours later edit: you're allowed to reblog this! sorry about the confusion
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Eddie knew this was going to be a trainwreck ever since the moment Buck asked Cap if he could bring Natalia to the Grant-Nash barbecue. Now, of course, he had assumed it'd be mainly an internal trainwreck on his part, aching at the sight of Buck's arm around her waist, gritting his teeth as he smiles at her and attempts to be overtly polite. He just didn't expect the trainwreck to breach containment quite so spectacularly.
Its just...
Natalia says something about Buck's death being awesome and the entire garden falls deathly silent. Bobby's face freezes like he's caught in some terrible memory, whether its smoke or rain he's smelling, Eddie couldn't tell you. Hen steadies herself on Karen's arm, and Eddie is only the slightest bit bitter that the person he'd steady himself on isn't his to be steadied by. Maddie's eyes fill with tears almost instantaneously, and Chimney wraps her up, his own face tight with grief. Athena doesn't react beyond a poorly concealed scowl. Even Christopher has stopped playing with Denny to stare.
Still, its not quite a trainwreck until Christopher meets Eddie's eyes. The devastation on his face is enough to have the words falling off Eddie's tongue before he can bite them back.
"Awesome?" Eddie chokes out, swinging his gaze over to the happy couple. His eyes land on Buck, however, a ghostly pale, tight and drawn Buck. "What about it was awesome exactly?"
"Well, I mean, its pretty spectacular you have to admit," Natalia says, a hint of apprehension lining her words.
"Oh, sure. Spectacular. That's exactly how I'd describe it." Eddie nods, lets a cold, rueful laugh bubble up from inside of him and it feels like its been building ever since he joked about lightning striking twice. "What exactly about it was spectacular? His heartbroken sister sobbing in a hospital hallway, wondering if she'd have to watch another brother die? Oh, or was it his captain praying desperately by his bedside because he couldn't bear the thought of losing another child? Was that spectacular? Or was spectacular his brother-in-law's guilt heavy with grief and anchoring him to the hospital room because he thought he was supposed to be the one on the ladder? No." Eddie shakes his head, eyes darting to Buck's blank shock. "Do you know what was really spectacular? The eleven-year-old boy in the hospital waiting room begging to see his Buck on the brink of death just to ask him to come back. Was that spectacular?"
"N-no, of course not," she stammers out, eyes wide. "I'm sorry, I didn't mean it like that, I just..."
Eddie ignores her, eyes locked onto Buck's faraway stare. He takes a step closer, tries not to preen when Buck's eyes immediately focus on him.
"You think she sees you?" Eddie asks, voice raw and way too honest for an entire family and a stranger to hear. "She can't see past the lightning bolt, Buck. But I've been here the whole time." Its here that his voice breaks, cracking into an ugly, pained whisper. "Seeing you, just waiting for you to see me too." He squeezes his eyes shut, shakes his head, takes a step back. "Chris, its time to go, come on."
Eddie grabs their jackets from where they're folded over the back of a garden chair and puts a hand on Christopher's back when he's close enough. Eddie doesn't look back as they disappear into the house, but he catches Maddie's mumbled thank you when they pass.
The ride home is silent, Christopher's eyes teary and Eddie's throat still clogged with the words he left unsaid. They'll talk when they get home. Eddie will ask Buck to talk later too, not an apology for the words, but for how they were said.
Its fine, they have time.
But the blare of truck horns feels a lot like a wake up call.
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You know I feel like the placement of Beast Yeast and Odyssey is kind of confusing for newer players, especially if they don’t really interact with the fandom and know when the stories are supposed to take place
Odyssey’s not as bad, but you unlock it after finishing Episode 12, when it only happens after Episode 14, after the Dark Cacao storyline. It’s probably not the worst thing, but if you decide to start it after Episode 12, I feel like it could be confusing as to why Dark Cacao’s there at the least, since you haven’t met him or you’ve only barely seen him if you’ve started Episode 13
But as for Beast Yeast, you unlock it after finishing Episode 8, despite it taking place after both Odyssey and probably more importantly, Episode 18. Heck, you unlock it right before the Pure Vanilla story. So I mean starting off, you might not even understand why Pure Vanilla’s there. As I recall, you don’t really know what happened to Pure Vanilla by that point and that he’s still around, we were still led to believe he’s dead, right? And then you don’t really have the full context as to why they’re in Beast Yeast, since we only get the reason at the end of Episode 18, or who the Crème Republic is that gave them the airship, and if the other Ancients are referenced later on, what the heck they’re doing there. I mean okay, it might not be incomprehensible, players can probably understand that these are story events they just haven’t seen yet, but why place unlocking it so far behind the rest of the story? Because those new players don’t have context for over half the story by this point
Yeah it’s not as confusing for us already having played the game and being there when the story updates come out, but what about newer players who don’t have that context and maybe don’t interact with the fandom that much to know what’s going on?
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