#that's really what it boils down to

[debbiechanclub]

If he'd just stop doing the Bullet Club thing I wouldn't be such a hater

[autumnrory]

She's often accused of playing the victim, that's a big line in like the Kanye stuff, and so on, like she's self-victimizing. But to me, what's actually kind of interesting, and it's almost an artistic flaw of hers, is that she is unable to be the victim. Like, in Dear John, which is one of her best songs, she has that, you burned all the other girls you date out, but not me, I got your matches before you could burn me. And so like, she actually doesn't play the victim, she's just kind of honest. Like, if somebody releases a music video of you with like, a giant nude wax Taylor doll, she'll be like, that's kind of revenge porn and I don't like it. That's just hitting back, right? So like, what actually irritates people about her is her refusal to be the victim of a situation, but like, they call it playing the victim.

B.D. McClay, Know Your Enemy: Taylor Swift Derangement Syndrome

[wield-the-mighty-pen]

Just to clarify, having a favorite side of the lovesquare is not- ‘this side is objectively better and more moral than all other sides’ or ‘this side is the only side worth shipping’

Having a favorite side of the lovesquare is loving and appreciating all sides of the lovesquare because they are all the same two people and just overall enjoying the lovesquare as a whole, but also having one particular side that makes your heart extra giddy whenever you see them and makes you especially excited to watch their scenes

[ninjacat49]

Ok so I’m gonna go through this scene cause some people need it but also cause I really love it so here we go:

Tommy asks if Bobby is okay, and Buck gives him an update (a positive one thank goodness)

Tommy makes a joke about how the 118 should have their own dedicated wing at the hospital (which is so true of him to say), but it’s obvious Buck is not feeling it

Tommy notices, and asks if Bucks okay, in which Buck opens up about how Bobby is more of a dad to him than his own father

This leads to Tommy opening up about his own dad (Tommy lore!!!) and how Gerrard was not an improvement whatsoever (obviously) (also that’s really depressing. Buck you better cuddle with this man rn)

Then Buck starts the iconic part of the conversation, “So maybe we both have daddy issues.” If you’ve paid attention to Buck at all during this show, it’s very obvious that by the tone of his voice and the look in his eyes/face that he’s flirting

And of course we all know the rest, with Tommy returning Bucks flirty energy - “I don’t.” “But you think I do?” “God, I hope so.” Which first of all, Tommy’s voice for the “god, I hope so” has me going insane and if I was Buck I would’ve passed out, and second of all, Buck’s “but you think I do” is very much him still being flirty and trying to get a reaction from Tommy (and he succeeds)

And that’s the end of the scene, where Buck and Tommy are both pleased with the direction their conversation went

For such a short scene, I love how much we got out of them. And for such a short scene, it’s insane how much backlash it’s getting by certain people. Somehow people are saying that Tommy made the conversation sexual right after Buck was vulnerable about his dad, and how that’s messed up, but that’s literally not what happened? If anything, BUCK is the one that made the conversation sexual after Tommy was vulnerable. And you know what? That’s completely okay, because they’re grown adults and have the capability of changing the vibe of a conversation. If Tommy didn’t like the direction Buck was going, he would have stopped it from going further. But he didn’t. Because again, they’re two grown men. Dang I didn’t really mean to go on a rant, but I’m so tired of the horrible takes of this scene. I’m glad that all the people I’m following are also loving this scene and Tommy and bucktommy (though I guess kinkley works better now huh)

[fumifooms]

Dungeon lord Chilchuck

What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.

When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.

Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).

— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.

— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".

What each bit says: — Long version in another post. Tldlr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.

— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.

— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.

On top of that we just have general info on Chil. How does Chilchuck deal w his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.

Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).

Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.

You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…

The actual headcanons finally

I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.

Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.

The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…

But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.

A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…

I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…

Other dunlord Chil takes I’ve seen that are fun and good:

@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!

And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~

In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3

A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.

… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end

[bigskydreaming]

Imagine if you were a gay or bi man who tried a certain firefighter show because of all the attention it was getting for one of its mains having a later in life bi awakening.....and between seasons you ventured into its fandom in search of material to tide you over til the next one. And you're greeted by a deluge of posts and fics that are just cheerfully homophobic towards one half of the newly out bi character's canon relationship on the basis of 'well he's not the RIGHT gay guy' and pushing the idea that actually its fine to cheat on him because Reasons and he's sexually predacious based on......behind the scenes implications people have divined like they're reading fucking tea leaves.

But don't get it twisted....this fandom, like all fandoms, really cares about representation!

Sorry not sorry, but we really need to kill this idea that fandoms are welcoming and inviting and inherently progressive when they're frequently insular and reductive as fuck. Every single fandom I've been in has had major trends of people doubling down on their own headcanons and fanon interpretations of the characters and willfully enacting trends aimed at running off people who like the 'wrong' characters (usually characters marginalized along one or multiple axes), like the characters in the 'wrong ways' or other bullshit.

Scott is a Bad Friend fics overtaking Teen Wolf fandom was not incidental, it was a FEATURE of the fandom, because the vast majority of that fandom did not want to share its space with anyone who had the nerve to like its main character. Survivors complaining about or criticizing the prevalance of rape fics in a certain fandom has in my experience always led to a reactionary UPTICK in those fics, with gems like 'this character can, will, must be raped' in the tags making it crystal clear that some of these fics exist because how fucking DARE anyone try and push forth a narrative not agreed upon by Fandom Main.

I could cite examples for so many other fandoms, with the commonalities always being that vast majorities in these fandoms are explicitly reacting defensively to being asked to be more mindful of fandom trends revolving around or exacerbating racism, homophobia, transphobia, rape or abuse apologia, ableism, etc....

With the most prolific fucking rallying cry across countless fandoms being "No the fuck we will NOT be doing that," because lolololol.....

Fandom is an inherently progressive space, didn't you hear?

[kiiingsnake]

Thank you for answering that mecha ask, it was very helpful!! Though if I may, could I ask if you have any advice/tips for people who are new(ish) to drawing mecha? or just struggling in general I guess

first off, sorry for taking so long to answer this- it made me really have to think about how the hell i structure my mecha drawings in the first place. so here's my best advice, structured in a very on-brand confusing and shitty manner:

really, when you're just starting out its all about taking a base shape and warping it. the biggest thing is exaggeration- what you exaggerate and where you do so really does depend on your own tastes/goals for the robot. high exaggeration reads as super mechanical/otherworldly/technical, while keeping it close to the base shapes you want to replicate will make it seem more organic.

a good thing to remember the whole time is that you're putting a shell around a frame! it's like trying to draw an animal but with only hard bits (well, most of the time). so your base shape layouts aren't exactly indicative of what will be your mecha's internal and external structure. you can exaggerate inwards to make it seem like, say, an armored skeleton, or only exaggerate outwards to seem like a carapace on a bug. it's really just a whole lot of pushing and pulling within your original silhouette and weights!

[thestarlessdark]

The scene where Mitsuri's parents secretly watch her as she dyes her hair black in order to look like an acceptable bride is a scene I think about a lot.

The look of sheer pain and sadness on their faces feels like a punch in the gut to me, mainly because I've never encountered any parent who actually cares that much about their child. In fact, I nearly cried when I first saw that scene.

Where I live, first impressions are everything. If you mess up in front of others, you are seen as a disappointment and parents can go to almost any length to make their children seem like perfect angels in public, going as far as pressuring them to hide their true self and craft a more palatable persona for others to interact with.

Mitsuri's parents are the opposite of this. They love her for who she is and are never seen telling her to 'act like a lady,' which is amazing considering the time KNY takes place in. They are anguished instead of thrilled when they see Mitsuri trying to cover up her real personality.

Seeing parents truly love their child for who they are will never feel boring or overdone for me, considering how rare it is in real life.

[nintendont2502]

btw i will forever recommend just. refusing to engage in discourse. its free its easy and you literally arent missing anything LMAO - 99% of discourse on here is just on the most pointless petty shit that literally doesnt mean a single thing to anyone in real life (i am looking directly at you "pRo/AnTi" shippers), and the other 1% is genuinely important shit... that isnt going to be solved in any productive way by insulting '''the other side''' online. arguing with strangers online never changes anyones mind all youre doing is making yourself *and* your cause look annoying as hell :thumbsup: maybe chill out. find a hobby.

[oneshotgremlin]

Stupid critters that love each other very very much

[jamtartandsunshine]

It starts small, inconsequential really. But Roy, he knows the signs, this isn't his first rodeo, as Ted would say. That thought makes him curse beneath his breath. Sounds like something fucking Lasso would say. It makes Roy's blood boil a little. He hates that the fucking cowboy coach has gotten into his head. But the point is, Roy notices. It's small but its there. Roy notices the way Jamie tips back the protein shaker, as he stands in the locker room laughing with the boys, but the liquid inside doesn't actually seem to go down. He notices the way Jamie's hands sometimes tremble as he picks up his water bottle in the gym. Having pushed himself harder then any of the rest of them. He notices the way Jamie jots down notes in a little pocket notebook at lunch. Roy doesn't see what's in it, but he'd bet his championship trophy its that stats of whatever Jamie's eating at lunch. Its not new. Everyone has macros to track, protein goals to reach. Carefully controlled carb intakes, but there's a darkness to Jamie's eyes as he scribbles hastily in his little notebook. Roy knows that look, and a part of him wants to look away, pretend he didn't see it, pretend he doesn't know the signs for what they are. He looks around the room, everyone is eating and laughing, they don't see what Roy is seeing. Most of them barely even spare Jamie a glance. Fuck. Fucking fuckity fuck it. It has to be Roy, it can't be anyone fucking else.

[miquella-everywhere]

So I've been seeing a lot of people say that Miquella charmed Mohg and then Ansbach challenged him after the fact, all of this happening before Miquella cocooned himself, which honestly can be so easily disproven thanks to the Empyrean-Blood Burgeon.

This, and considering the fact that Miquella's body in the Mohgwyn palace has no evidence of any injury, means that Ansbach traveled to the RoS through Miquellas cadaver and challenged him there, cleaved him open and then was subsequently charmed. And then Miquella went off to shed his flesh while bleeding out from the wound Ansbach gave him.

[lokh]

fastest way to piss me off is to try and add something to a task im in the middle of doing because 'youre already doing it so this shouldnt be extra work tee hee' THATS NOT HOW THIS WORKS

[asharaks]

we've talked about wyll's bit and we all know about astarion's bit but let's talk about gale's bit. let's talk about his presentation as the Ideal of what it is to be an archmage. the man wears purple velvet pajamas with an embroidered collar to camp in the underdark. he wears a gay little earring with mystra's symbol on it. its all fun and games to joke about his jammies but let's be clear: those things Fuck. he dresses well, he dresses richly, he is a wealthy lavish man who, in a world where things like long hair are not traditionally associated with femininity, is not what I would call gender nonconforming, but I think he does have a very interesting presentation.

robes and jewellery are traditionally associated with wizardry and femininity - or, if not femininity, at least nonmasculinity. theyre the garments of monks, eunuchs, and nuns, people who stand outside of the typical sex/gender binary for socially accepted reasons. traditionally most archmages are men (karsus, mordenkainen, elminster, etc) who perform this exact presentation. the doylist explanation is, of course, that dnd canon is inherently misogynistic, but the in-universe implication would suggest that to present in this way is not regarded as gender non-conformation but as class conformation. so our options are:

wizardry is for gayboys

'wizard' is its own gender

gender presentation is less important than getting that sweet sweet +1 spell save dc and everyone knows it

class is a gender modifier. this has interesting implications for the other classes - particularly ones like clerics, which might have prescribed uniforms or vestments - but given that faerun does have a not-insignificant classless, non-adventurer population- how does it work for them?

regardless, I think it's fair to say that gale's bit - like wyll's is the Blade of Frontiers and astarion's as the seductive rake - is The Archmage. he presents himself, from the start, as an academic, as a wizard. he's a friend of elminster, the (ex-)chosen of mystra, gale of waterdeep - he's everything a Wizard should be. even when he's tadpoled, camping in the woods, he carries a stack of unread books, wears mystra's symbol, wears his purple velvet jammies. he's presenting himself with care and thought, and giving a highly specific impression. I think it's really interesting that, as much as wyll and astarion, he's putting on a front, and it plays into his story. do you encourage the side of him that's ambitious and daring, the archmage, the man who pushes the boundaries of power and knowledge - or do you try to break that down, and place the value on the man who just wants to sit in front of the fire with his cat and read a book?

[localguy2]

Zane... Ooooooooh boy...

I really really like the Wyldfyre shorts, they're a great way to explore Wyldfyre's grief without having to dedicate screentime from the main show.

At the same time, excuse me Wyldfyre, what did you just say he told you?

I am annoyed more so at the writers and not the character, tho his character is a close second.

The ONLY good thing about his character from Crystalized just got thrown out and into the garbage for... No reason?

And this isn't like, Wyldfyre being an unreliable narrator, because she's literally quoting him, even if it's in condensding manner, and you can't tell me Zane doesn't know the difference between Humans and Nindroids... Like- ugh...

I'm just upset, S1 of DR had his character pretty well I'd say, but S2 has just NOT BEEN IT in the slightest, they seen to be doubling down repeatedly on his robot self and not his human self, and I'm sorry but there's not even any comparison between the two when it comes to which one I like more...

Zane's whole thing was that he was a very very VERY human machine, a person even, and it seemed like he could function as a machine while still maintaining his humanity and personality.

Now, with what we've had since SotFS and now this line, it feels like that balance has completely gone out of whack, it feels like he's favouring his robot self over his human one, and there's nothing inherently wrong that.

Unless... You repeatedly literally don't do anything with his character and just keep building up on the fact that he's "Silly nice robot man :p", and especially when you use his 'Cardboard Cutout' character during the Wildbrain Era as a sort of justification for his current character state.

Mind you, that Cardboard Cutout didn't go through a single character arc up until Crystalized to justify making him feel so much more robotic, and it's hella infuriating when you remember they TRIED to give him an arc after SotFS (Tommy said that they previously wanted to have a Zane PTSD/Depression arc for Prime Empire that was scrapped).

If you can't tell, I'm not happy with his current currently in the slightest...

[thisonetimeinmeridian]

I saw a targ stan on twitter say the targ loyalist in them was starting to get annoyed when a bunch of tiktok videos kept appearing all reacting to the Stark theme and Winterfell in episode 1. All basically saying that that's where their true allegiance lies, and it felt like going home hearing that. Like ok go off, but you could've just kept scrolling on past, but instead, you decided to get pissed off and mouth off on twitter that people loved and were loyal to a house that wasn't your pro-incest and blood supremacy house. It just makes me laugh and gives me a concerning amount of joy.