#the ever evolving preferences

[platypotoo]

I started watching the show assuming (from pictures and such) that Sydney and C*rmy are the main couple. I didn't even know Richie existed.

But having finished the second season just now, I can't feel anything romantic between Syd and C*rmy. I expected to like them together, even to ship them at least a little. But I just don't.

Syd and Richie on the other hand? Wow.

In season 1, where they absolutely hate each other most of the time, their interactions are already so meaningful:

- The first time that we as viewers see Richie be vulnerable, Syd sees it too.

- His worry whether she is okay after the gunshots. Should be normal between colleagues, but... they used to dislike each other so much...

- When Syd resolves the fight between the gangsters, Richie looks at her in irritation, but also almost... awe? It also makes him actively change at this point already, actively change himself and how he sees certain things.

It's really a testament to the writing of this show, to the complexity of its characters that Richie is such a scumbag in season 1, in some ways saying exactly what you'd expect a guy like him to say, yet he could have been so much worse. He never crosses a certain line. And then in season 2, he becomes so much better.

Their interactions kind of hit me like a freight train - completely unexpected, raw, realistic, extremely emotional, almost forceful.

Thematically, too. The very new one and one of the oldest. At the beginning: always at each other's throats. Fighting, pulling, pushing. Is it possible that they might find peace with each other? Find even more?

The structure of season 2 had the main cast interact less, and since Syd and C*rmy were the ones working most closely together, I was sure that the strange vibes I got between her and Richie would disappear in favour of Syd/C*rmy. But except for the table scene (which I just didn’t read as romantic, more a continuation of Syd's personal arc), there were very few meaningful scenes between Syd and C*rmy.

There weren't many big scenes between Syd and Richie either, but... nobody really expected them to. However, we did get two scenes of weird awkwardness, like they didn’t know how to behave around each other without fighting. (her jumping away when nearly bumping into him! Their weird interaction when she's seeing him in a suit for the first time! "You smell good"?! Wtf? Ultimately it probably means nothing but I can't stop thinking about it!!) And of course the one scene in the last episode, when they are more than amicable colleagues - they are the perfect team without ever training together, same focus, same drive to make things exactly as they should be, helping each other, supporting each other and being impressed by each other.

It's just so weird how Sydrichie completely surprised me. I wouldn't even call it only "chemistry" or something. It's their entire dynamic, the way they made each other madly, almost exaggeratedly emotional in season 1, then went on parallel paths apart from each other - did some soul searching, improved themselves - and ended up as this weirdly perfect force together. I never expected it. I've never seen anything like it.

Right now, I think there's a 50:50 chance that in canon nobody of The Be*r's staff gets romantically involved, or that Syd gets together with M*rcus. No other option is realistic. But I'll be thinking about her with Richie for a good long while.

[eek-a-tron]

CATWOMAN & RIDDLER ARE DATING

So much wild stuff in Catwoman: Lonely City by Cliff Chiang

[vaugarde]

very very subject to change depending on if i can get pokego to work but here is what i'm thinking for my team....

[roboromantic]

why in the got damn is Old School Runescape called that when it was actually released Long after I stopped playing

[transingthoseformers]

💞thinking thoughts about the stuff people add to the TFP au💞

[chloedecker0]

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Talk To Analyst: https://quadrant-solutions.com/talk-to-analyst

[corkinavoid]

DPxDC Not So Artificial Intelligence

Barbara thinks it was Bruce, with his love for new additions to the Cave. Bruce thinks it was Tim, with his late hyperfixation on AI. Tim thinks it was Babs, with her ever evolving network of keeping everything under control.

They are all wrong, but the fact stays a fact: the BatCave has an AI assistant now.

It is not very good at first, not recognizing voices very well and messing up commands, but the Bats write it off as a learning curve. Besides, it never makes the same mistakes twice, and in a couple of months, even the tiniest slip ups fade away.

Its name is Betty. First, Dick named it Bat-AI (a reasonable name), then it transformed into Bat-I for easier pronunciation, and then Steph called in Betty once, and the name was sealed.

And they all love Betty. Betty is the best, keeping track of their everyday lives, reminding them of their civilian meetings and vigilante business, alerting them of any suspicious activity in the city. Oracle finally gets to sleep for more than 4 hours in a day with Betty's help. Tim gets company when he is three weeks in and elbows deep in a case - it's easier when he has an illusion of someone to discuss the matter with, and Betty even offers him insight. Damian learns to do digital art just to have a little competition with Betty. He wins, but the AI is a worthy opponent, in his opinion.

Even Bruce begrudgingly likes the AI assistant. She is competent and helpful, and Alfred seems to approve of how she doesn't let Bruce overwork himself when he escapes medbay to keep searching for answers.

That is, until one day, Tim installs speakers specifically for Betty in the Cave.

The voice that comes from them is not robotic or mechanical.

It definitely has human intonation.

"Hello, Red Robin," the voice - a male voice, actually - greets him with slight amusement. Tim feels an uneasy feeling sinking down in his stomach.

"Betty?"

"You know me as such. I would prefer it if you called me Danny. He/them pronouns."

Remind him, who installed the AI?..

---------------

Danny got trapped inside the Batcomputer somehow - I suspect Technus had a hand in it - and decided to embrace it. He used to be a vigilante himself, so why not help this whole family of vigilantes while he is at it? They look like they need a hand.

[nereidprinc3ss]

hourglass

in which spencer disappears from fem!reader's life entirely for three months, right as it seems they were finally about to make things official. when he comes back they reunite, all the while knowing things can't be the same as they were.

18+ (smut, angst) warnings/tags: oh god so many. NOT canon compliant in the slightest, i make shit up, softdom!spence, nipple stuff prob, fingering, oral f receiving, piv sex, unprotected sex, pet names, tara mentioned, depression, mentions of trauma cause its the prison arc duh, passing mentions of alcohol, mentions of spencer losing weight, reader mistakenly thinks spencer tried to kill himself BUT ONLY FOR A SECOND, where is diana reid, nobody knows or cares, probably filming glee, optimistic ending a/n: haven't posted smut in forever but this wip required it and the angst was so angsty i just had to finish it. it was started in jan or feb and subsequently added to and changed months apart and then edited so the writing quality varies from section to section which i apologize for. originally based on good guy by julia jacklin... also the odyssey by homer? can't really explain that one you'll just have to see for yourself anyway byeeee ilysm!!! PLS tell me if you liked it! or if you hated it! but preferably if you liked it! MWAH! wc <12k

It’s been about three months since you last saw Spencer Reid.

About three months since you had an early Valentine’s Day celebration (even though you weren’t a couple) complete with champagne (even though he doesn’t usually drink) and slow dancing (even though you swore you’d be terrible and he spent the first ten minutes laughing at you as you stepped on his toes.)

About three months since you finally settled your head on his shoulder and let the warbling vinyl carry you somewhere distant as the two of you danced slow circles on the parquet floor for what felt like hours.

You’d have liked him to stay later that night. You’d have liked him to stay all night if you were being honest with yourself, but at 11:45 he gently pulled away and told you he had to go.

“Curfew?” you joked, the corner of your mouth lifting a little and you hoped you were hiding your disappointment well.

“Actually, I’m going down to Texas for a few days to speak with one of the leading doctors in experimental Alzheimer's and dementia treatment. I’m going to see if he can get my mom into a clinical trial. I leave early tomorrow morning.”

“Oh my god, that’s amazing, Spencer! What are you doing still here? You should be at home getting ready to go!”

A rosy blush stains his cheeks and he looks down at the ground, laughing that little self-deprecating laugh of his. It makes your heart dance to see him so happy, makes you want to wrap your arms around him and never let him go so that he knows how much you absolutely adore him—but you settle for an affectionate squeeze where your hands have come to rest on his biceps.

“I wanted to see you tonight because I won’t be here for Valentine’s Day... but I still really wanted to spend it with you,” he admits meekly.

If before your heart was dancing, it is now melting.

The dreaded ‘what are we’ talk has been lurking in the dark corners of every conversation you have with each other lately—at least, in your mind it has. What you have with Spencer is not easily defined, and near impossible to explain to your friends—you act like a couple, you go out on dates, he introduces you to his team like you’re his girlfriend without ever putting it into so many words—but this validation that your pseudo-relationship might be evolving is better than any flowers he could have gotten you (although the peonies he brought will look very nice on your bedside table.)

“Four whole days... what will I do without you?” you whisper, brushing a hand along his face, and your chest aches with the heavy truth of it—despite the fact that he often is gone for stretches about that length. They don’t ever start to feel shorter.

“Well, you can start by reading that copy of The Odyssey I annotated for you.”

“Depressing,” you admit. “And a little ominous, considering you’re about to embark on a hero’s journey.”

“I think you’ll like this one,” he smiles.

You chew on your bottom lip, looking up at him as you think.

“Give me something to look forward to,” you say, earnestly.

“I—well, honestly, I just really want to kiss you and I’ve wanted to for a long time now and, you know, if that’s something you’re maybe also interested in then we could, uh, figure out a time to—”

“You want to kiss me?”

“Wh—you couldn’t tell?” Spencer says, like he can’t believe it.

As if on reflex, you lunge up and capture his lips with your own. It obviously catches him by surprise, but when you lower from your tiptoes he follows you, pulling you in closer and holding your face in his hands.

It’s too natural, too right, to be exhilarating. There’s no rush of adrenaline—it's more like stepping into a hot bath or warming your freezing hands at a fire. Like pieces clicking into place. It’s a relief.

You breathe into it, letting more and more of yourself melt against him. He keeps coming back to you deeper and deeper like a rising tide, and you want more than anything to keep getting closer to him—but then he stops. He stays close enough for you to breathe his air, but dodges your kiss gently before supplanting it with a gentle one to the corner of your mouth.

“I really have to go,” he breathes, before moving away from your mouth to kiss your forehead and speak softly against your skin. “If I don’t leave now I’ll be here all night.”

Which is exactly what you want, and the implication does little to make you want him less. But you care about him too much to be so selfish.

At some point, his hands found their way into your hair, and you gently grab his wrists.

“Incentive for you to come home.”

Nearly three months since that night.

At first when he stopped answering texts, you’d assumed he just had too much going on down in Texas. Which you could understand—you knew how stressful this situation with his mother was.

Even when four days came and went without even an alert from him that he was back in town, you thought, okay, maybe he’s been called away on a case. It wouldn’t be the first time he’s disappeared because of his work. But even then, he’d at least text you enough information so that you would know he was alive. Now, radio silence.

So you tried not to be clingy. You tried to act like an adult, to focus on school and your life outside of Spencer, but when Tara Lewis cancelled your weekly meeting due to an “unforeseen work-related emergency”you called her immediately. Tara was something of a mentor, and it was she who had connected you and Spencer to begin with. You had met the other members of his team by that point, yes, but none who you knew as well as Tara.

When she had informed you that Spencer had been arrested in Mexico and was now facing prison time for murder, you laughed.

Laughed until you realized her end of the line was silent.

Realized it was not at all a joke.

In a catatonic state of tranquility, you asked her for more details. Beyond assuring you of his innocence, she couldn’t (or more likely, wouldn’t) provide them. Asked where he was now. Asked all the right things that made sense to ask.

Then you hung up and had a panic attack because Tara said something about 25 years and you saw Spencer evaporate from your future like an apparition.

Slowly, you felt him evaporating from your past, too. Those memories from the night he left, became visions of you swaying with a ghost. Holding nothing but light between your hands as you kissed the peony air of your apartment.

He doesn’t want to see you, she had said into the phone one night, her tinny voice cutting in and out. You’re not on his list of approved visitors.

“You asked him about me?” you had whispered, curled up on top of your made bed in the dark.

I tried. I’m sorry. I’ll call you when I know more.

All your days melded together like a muddied smear of paint. Suddenly you felt you had nothing to look forward to. No anchor, no goal. Yes, a PhD... and then what?

The only thing that punctuated one 24 hour period from the next was the time you spent crying because Spencer was in prison and he didn’t want to see you and by the looks of things you may never see him again. When you weren’t crying, you were thinking about how your life was a big cosmic joke. An unfortunate statistical anomaly that didn’t mean anything to anyone else, and that you couldn’t do anything about.

That copy of The Odyssey, which wasn’t even bound and instead was a thick stack of printer paper organized by a single black clip, became something of a manifesto for you—a tome that your poured over, reading and re-reading each note in the margins, each word beautiful and imbued with meaning because you knew Spencer had selected every single one specifically for you. You traced the letters reverently, because in a way this was the last thing he had said to you—about Lattimore’s faith to the original text, Merrill’s strict use of dactylic hexameter, the stylings of Wilson and Lombardo, and how he thought you would enjoy Hammond’s prose just as much as he did.

Day by day it was becoming more prophetic than fictional, and you allowed yourself to sink into madness. You would rather be a deluded zealot than be nothing at all.

He didn’t want to see you.

He might as well have been dead, for all that you were grieving him. And you started to hate him, because he wasn’t dead, but wouldn’t do you the kindness of proving it. Like a festering wound, scratched open day after day so as not to ever heal, you had to live knowing he was less than an hour away. So no, you weren’t exactly over it. You lived day by day, waiting for the occasional call from Tara to keep you updated on Spencer, but either she didn’t want to share much about how he was doing, or he had specifically barred her from doing so, because she was always sparse on the personal side of things. That thought actually lifted your spirits, because it meant he was at least acknowledging your existence in some tiny way.

But your routine was becoming more regular, and so you staid on top of your classes and your non-Reid related meetings with Tara once a week, and you learned to dip your toes into existential dread and the oily black pool of depression every night without ever fully submerging yourself. You learned hope, because it was pretty much all you had, and the BAU had confidence that they would get Spencer out one way or another so you did too.

So you didn’t really think about it when you missed a couple of calls from Tara some evening in May. You were preparing for finals and had way too much on your plate academically to think about anything else which was a welcome relief so you fully embraced it. I’ll call her back tomorrow, you think, as you clean up from dinner before going back to the living room where your textbooks and papers are completely covering every available surface. Maybe I have no idea what I’m going to do with my life after school, but I’ll be damned if I don’t even make it that far.

Hours later, well into the night, you’d all but forgotten about the calls. A knock at the door takes you a bit by surprise, and you frown as you stand again, tugging your Georgetown sweatshirt down over your shorts as you shuffle to the entrance of your apartment. You’re not expecting anyone, so you crack the door, peering around the edge of it.

And you couldn’t even consider trying to hide that shaky inhalation of dead air when you see Spencer standing on the other side.

Surely you’re hallucinating.

Surely this man in front of you who looks like he just got back from a day of work didn’t spend three months in prison pretending you didn’t exist.

He looks the same. Hair a bit longer, maybe—and gaunter even more than is normal for him. 

But it's him.

You can’t think about the apprehensive look on his face—you can’t think about the impossibility of him being here. You can’t think at all. Without your explicit permission, your body surges forward into his, and he’s real, and alive, and warm, and he is an anachronism in the hallway as he accepts everything you pour into the embrace, doesn’t flinch when you move your arms from around his waist to loop around his neck and back to his waist again with crushing force because you just can’t get him close enough.

“I’m sorry,” Spencer mutters into your hair, I’msorryI’msorryI’msorryI’msorry, he keeps saying, rubbing your back as you try to find a solid grip on the sleek material of his suit—try to gather all the pieces of him, already afraid he might fall apart and float away again.

“You—dis—disappeared,” you hiccup after an eternity, pulling away enough to look up at his pretty face. Tears blur your vision and darken the front of his jacket, bending the florescent lights so they form a kind of halo above his head.

Through the surreal haze you can see his throat bob.

“I know.”

He knows?

He knows?

You scoff.

“You have no fucking idea, Spencer. What the fuck is wrong with you? I—I'm—”

The hot anger is such a relief for a second, boiling the oceans of your despair into a wrathful, scorching fog, but as soon as you try to tell him how you feel, the barbed wire cuts into your throat again. You shove him away, skin burning where his hands had been.

“I’m sorry,” he croaks, hands hanging uselessly at his side. There’s that kicked puppy look about him—and it’s familiar, but now there’s more damage. You don’t know anything about his time in prison, you haven’t heard a damn thing, but beneath the glassy desperation in his eyes there is an unfathomable void that seems to be preventing him from being fully present—and you realize for the first time that he is different.

It chills you.

Before, you and Spencer shared everything. There wasn’t one part of his internal machinations that you didn’t understand, nothing you kept from each other. But as you study him now from a few feet away, you realize there might as well be a yawning chasm between the two of you.

He is so different.

Those eyes look deeper. No gears turning just behind the slashes of gold and brown anymore—only an endless dark corridor that goes places you will never go.

Gone is the perpetual boyish up-turn at the corner of his lips that always made him look slightly vacant in a way that you found incredibly amusing. Something you had been so fond of, even if you teased him.

He seems to have aged ten years—if not physically, then in demeanor. And now you feel like a little kid throwing a tantrum.

You cross your arms, suddenly unable to meet his eyes.

You’re embarrassed. And pissed. And relieved. Everything is worse and better. You want to fall back into his arms, but you have been jarred by the revelation that this might not be the same Spencer. It might not be the same relationship. You have no idea where you stand.

He says your name gently, with so much familiarity you’re briefly jerked into the past. It makes you wish you could look up to find him as he was three months ago. Wish this was just a bad dream. But that’s not fair to him.

“Sorry,” you mutter, studying the grey carpet fibers instead of looking at him.

“Don’t apologize,” Spencer says immediately, “you’re right. I don’t—” he clears his throat— “I’m being incredibly selfish. I shouldn’t have just shown up, I’ll just—I'll leave. I’m sorry.”

A silent moment passes.

You don’t look up as he turns and swiftly begins to move down the hall toward the stairway, leaving as quickly and silently as he had come, like a few bars of a song sighed in and away on a fleeting breeze.

Your bare feet are concretely planted, imagining him jogging down the steps and speed-walking away from your building—

And suddenly you’re sprinting after him, feeling like you might puke because Spencer was just here and you let him go again—and even though you’re still so mad and confused and hurt, the realization that he is leaving again makes the entire building spin and lurch.

“Wait!” You yell, almost wiping out as you run down the stairs and whip around corners in your slippery fucking socks. “Please, wait!”

The lobby is already empty as you spill out into it, and cold dread tightens around your neck like a fist as you shoulder your way through the double doors and right into Spencer.

“Please don’t leave again, you just—I'm sorry, I really need you to not go—” you blabber, lachrymose once more, gripping onto his forearms for dear life.

“I’m not going,” he breathes shakily. “I tried to leave because I think you were right and maybe I should and maybe it would be better for you but I can’t.”

“You can’t,” you agree, more sob than spoken word. He cups your jaw, then your cheeks, wiping tears and brushing away hair like he can’t figure out how to hold enough of you between his hands. The wild kaleidoscope of his eyes, bright and alive and real as he scans you desperately captures your attention enough to slow the tears to a trickle. He notices this and stares back, entranced.

A silent agreement is made, or maybe an inevitable fate is accepted—either way, something was set in motion three months ago and it matters to see it through. Spencer kisses you and you’re ready for it. You don’t need slow or tender. You need to feel how he feels. You need to know what he knows.

You sling your arms around his neck and he pulls you closer until you almost tip backward, chasing the bruising kiss even as you regain your footing. You want to drink him in and you do your best, breathing deeply as he kisses you deeper, backing you inside and toward the elevator.

“Is this okay?” he manages, only after blindly reaching for and mashing the up button on the wall panel.

Ideally it wouldn’t happen like this, but the world you live in obviously isn’t ideal and your personal situations as they coincide are far from ideal, so this is how it has to happen. But it’s hard to explain, and you’d rather not admit that this is so far from what you wanted for both of you and follow up with the fact that despite that you need him like you need water. So you don’t say a word as the metal doors slide open promptly. Instead you pull him in and let him press you to the chrome wall as he hits your floor button, and that very hand comes back to grab your ass like you didn’t think Spencer Reid capable of. It almost aches as his fingers dig into the flesh, but it’s a good ache because it means he’s real and he’s there.

You gasp as he hitches your leg up, arching into him. The shorts that you’re wearing leave very little to the imagination to begin with, but they become downright indecent like this.

Quickly the elevator stops and the doors hiss open. You don’t hesitate to pull Spencer by the hand down the hall. When you notice you left your door wide open, you don’t even care. Neither does he, apparently—once you’re inside he slams it shut, flipping the deadbolt while his eyes are glued to you like you’re already naked. Now Spencer is shameless in the way he drags his eyes over every curve, every place your clothes and hair are disheveled from his touch and eye-fucks you so obviously it makes your face warm. Three months ago Spencer would have at least been bashful about it when he met your eyes again, but this Spencer is far from apologetic as he pins you with his burning gaze once more. His hand stays stuck to the door like he’s holding himself back.

“Is this what you want?”

There’s an undercurrent of sorrow below the gravely arousal, like this isn’t what he wanted for the two of you either. But you’re both at the mercy of fate. This is all you have, and it might be all you can do for each other anymore. So you don’t need to say that, because he understands.

“Yeah. Yes, this is what I want.”

For just a second more he watches you from his place by the door, and there’s an unexpected softness to it. He looks at you the way he would have looked at you before. Like as long as he stays there he can entertain the idea of being that person again.

Need wins out quickly, though, and he surges forward. Immediately you’re caught in the riptide of him, helpless as he kisses you all the way to your bedroom.

He’s never been in here before. You find yourself glad it’s relatively clean—one of the pastimes you’d picked up in his absence was keeping everything tidy. It was something you could control.

A lamp glows at your bedside. You lean against the footboard of your bed, hands timidly behind your back and suddenly shy to have in him in your intimate space. Both of you set aside the heaving desperation long enough to catch your breaths, and for him to scan the room like he too is being forced to reconcile with the innate and unexpected intimacy of the moment. He cuts a harsh, dark gash in your sweetly decorated bedroom, radiating something wild and powerful and unsure of himself like a chained bull as he takes in the soft, pale bedding, the paintings and photos taped to the walls, the woven rug and the sheer drapery. His breathing slows as he studies it all—eyes eventually catching on something behind you. Looking is unnecessary. You’re sure he’s spotted the dried peonies in their ceramic vase. Or maybe the now worn stack of papers that is his Odyssey, marked up and soft around the edges from constant flipping-through.

Then Spencer looks at you, and that softness seeps in again. Along with something like... fear? Grief?

In some other universe your first time with Spencer is sweet and giggly and kind and he smiles at the decor in your room and looks around with wonder because it’s another way he gets to know you. It’s a different way to learn you from the inside.

You sense that he’s caught in between universes right now as well, painfully aware of what he would have given you that he can’t anymore.

He breathes your name like an apology, and foolishly you let a second go by in which you think he might offer you one. But he doesn’t. Not with his words, anyway. His eyes tell a different story.

“It’s fine,” you say unprompted on a whispered exhale, then a little louder as you push off the footboard, crossing the space until your hands are on his chest. You focus on his tie, not making eye contact as you rush to undo it. “It’s fine.”

He lets you do this for a few seconds before finally covering your trembling hands with his own. You still can’t meet his eyes.

“We don’t have to do—”

“No! No, please. I want to. I need—I need us to be okay.”

“Hey,” he murmurs, catching your chin and forcing you to look at him. “We are okay. Me and you are fine.”

It’s a pretty thought, but it’s not true. In fact, it’s a hideous and abject affront to the truth. Sure, maybe you’re fine in comparison to last week. Maybe anything feels fine compared to an eight by six cell. But it would be impossible for you and Spencer, for your relationship, whatever that relationship may be, to be fine. It’s especially impossible for him to make that claim, after all he did or rather didn’t do while he was gone. What you need is for him to stay anyway. What you need is to find a way to be with him, to exist with him, even when you are so clearly not fine.

“I just need you to stay,” you whisper, and he’s already nodding, wide-eyed like he’d do anything for you. You ignore all the bitter venom rising in your throat. You pretend this isn’t all happening after he cut you out of his life with a dirty switchblade. Instead you focus on his hands on yours, the familiar smell of him, which invites you to let go of each and every thought and worry. He must’ve showered before coming here, you realize. How long has he been out? What happened? 

“Okay. Okay, I can stay. What else can I do? How do I make it better?”

You sniffle and look back down.

“You can untie that for me.”

He hesitates, then nods some more, fingers working under yours to undo the tie around his neck.

“Okay.”

A moment goes by and after that final whispered word, the tension begins to build again. Spencer senses it in the way your fingertips linger on his chest and you step even closer, dragging them down to his belt. The metallic sound of it unbuckling, despite being your own doing, still manages to flip your stomach. How many times have you pictured this? When was the first time you realized you wanted it? You’re sure you haven’t stopped wanting it even once since then.

Spencer tosses the tie away and is shrugging off his jacket now, then before you see it coming he’s kissing you again, ducking down to do it. He feels taller this close up, and especially in your bedroom, where he just seems rather out of place. But you want him here. God, you want him here.

You break the kiss, forced to look down as you fumble with his belt.

“Sorry,” you gasp, embarrassed by your lack of dexterity. The light is barely sufficient to see what you’re doing, especially when he’s wearing black on black and your eyes are still bleary.

“You’re okay,” he assures you, and it’s so Spencer a fresh round of nerves electrifies the tips of your fingers. That thing is happening—the thing you’d hoped to avoid if you hadn’t lost momentum partway through, where you’re allowing your actual feelings for him to get in the way rather than getting swept up in the pathos of the moment and letting everything be easy and mindless. “Here, can I help you?”

But he doesn’t actually wait for an answer before he’s finishing off the belt for you, tugging it loose from his hips till it’s a leather coil in his hands. Your fingers brush the material and he lets you take it as if it were your prize. It’s heavier than you thought it’d be, and you just feel the weight of it in your hands for a moment, your dropped head brushing his chest.

You have a terrible feeling that if you do this now, it doesn’t mean everything will be alright. Because it can’t just go back to normal. Spencer has told you nothing of what must be an enormous trauma, and you haven’t spoken about it at all, but you sincerely doubt that after this he’s going to be ready to just jump into that committed relationship the two of you had been toying with for months before his absence. You’re almost... scared of him, now. Scared of where he’s been and what he’s endured—things you’re sure you couldn’t have taken. What that does to a person, you can’t imagine. He seems so solid and real in front of you now—but you know that’s not always enough. Maybe you’re just scared that somehow whatever he’s been through will have made him care for you less. That you were too far removed from the whole ordeal, and now you’ll never understand. If you could understand, maybe you could fix it for him. Maybe he’d stick around.

Still—even if you do end up pushing him further away in the long run—won't it have been worth it to have had him so completely, even just once?

You toss the belt to the ground, compressing all of these very complicated thoughts and feelings into a few seconds so short he can’t ask you any questions about them. Instead you find his top button, and just as you manage to undo it with relative ease he’s gently grabbing your wrists. You look up at him, immediately surrendering.

“If we’re going to do this I need you to relax a little bit.”

Gears grind in your chest. You feel need and anxiety comingling in every square inch of your body. It’s a sick buzz—a high on an empty stomach.

“I can’t,” you admit.

“Yeah, you can,” Spencer gently disagrees, slowly lowering your hands. When he’s sure you’re not going to try ripping his clothes off again, he releases, and his eyes lower to the zipper of your hoodie. His fingers follow, warm against the soft triangle of revealed skin at your chest as he grips the small piece of metal between barely shaking fingers. “You can.”

You match his eyeline, breathing shallowly and watching as he slowly drags the zipper down. You wonder if that sound has haunted his fantasies the way the sound of his belt has haunted yours. If he’s seen this hoodie on you and wondered what’s underneath, staring at you and daydreaming during movie night with you none the wiser.

Both of you have your eyes glued to the span of skin as the zipper parts. Spencer stalls with the zipper at your sternum, just below the band of your bra.

Right. No shirt.

You look up and find his eyes already on you, tinged with a curious kind of humor.

“I wasn’t expecting guests.”

The words come out shy. Spencer’s chuckle has its own nervous airy quality as he resumes tugging on your zipper, leaning down until your noses bump.

“You don’t have to explain yourself to me.”

Then he kisses you again, a little sweeter now. Sweet enough to give you butterflies and for them to flutter right out of your stomach and spill from your lips in a little whimper against his.

It comes as a surprise when he pushes the fabric from your shoulders without looking or asking. Not that you’d have said no—you're just underprepared for how assertive he is in this foreign context.

Left just in your flimsy shorts and your thin bra, you feel quite exposed—but Spencer’s hands are as demanding and hungry as his mouth. They skim up your sensitive sides and sweep lower, suggesting less proper placement over your ass and pulling at your bottoms until you gently put a stop to their wandering.

“Wait. We’re... we’re uneven.”

It’s a struggle to get any words out at all when he keeps chasing your lips, nipping at you like he physically can’t stand not kissing you, but they catch his attention and he laughs airily, pulling back to let his gaze pour over your less clothed form. It lingers and catches and lights you up everywhere it touches, drops of heat soaking into your skin and making you feel all fuzzy and needy.

“We are,” he acknowledges, tone low and colored with the faintest smile. “You’re a lot prettier without your clothes on than I am.”

“I don’t believe you.”

The challenge comes immediately and thoughtlessly. Spencer’s golden eyes flash up to yours. He’s breathing a little harder than usual.

“You want me to show you what I mean?”

If that means getting him naked, then yes, absolutely.

You nod, but rather than immediately stripping, he takes your hand and holds his own open next to it. A thick pink scar bisects some pretty significant palmistry lines, but you don’t mention that. Instead you swallow—your thoughts, your words, your nausea.

“That’s new.”

You wonder how you hadn’t noticed it earlier.

He nods.

“A lot is new.”

It sounds almost like he’s challenging you—there's a kind of tremulous force in his voice, despite the perpetual softness there, like he’s inviting you to say it’s ugly. And you realize he’s referring to more than just the glowing scar cutting an asteroid trail against the flesh of him palm. The scars he obtained in prison must form a constellation over his body.

“I don’t care. I wanna see you.”

Spencer swallows, cupping your face with the scarred hand once more. You can’t feel it against your cheek but you know it hasn’t gone away.

“I’m sure you think you do,” he permits, and that’s where the conversation ends for the moment—with his hand on your face and his lips back on yours. “For now why don’t you let me worry about you?”

Obediently, you breathe, “okay.”

This is, for whatever reason, amusing to him. The brief levity dies as quick as it comes like a snuffed-out brush fire as soon as he lets his hands fall back down to your hips.

“I want... I want to give you slow. But...”

But slow is for people who didn’t lose three months of their life. Slow is for people who don’t know what it’s like to be starving. Slow is not for the desperate.

You understand the feeling.

“I don’t need slow.”

You’ll let him use you up like quick-burning fuel if that’s what he needs. You’ll go as fast and as bright and as hot as he tells you.

“But you want slow,” he murmurs, a secret acknowledged into your own waiting mouth. You’d keep it there forever. You could be the object he hides his soul in. “I know you do. You deserve to get what you want.”

“I can go fast. I want whatever you can give me.”

Spencer’s shuddering exhale is like a drug, dizzying as you inhale it and your eyes flutter at the high, pressed head-to-head with him. For so long you’ve needed him so badly. It’s overwhelming to have him now, all over you. If only your walls could breathe him in the way you are, if this room could remember what it feels like to hold him the way you will, if any inanimate object could bear witness to how you’ll give yourself, any part of yourself, over to him, so willingly.

“I’m going to try.” Spencer’s voice is hoarse as he walks backward to the bed, taking you by the hips as he goes. “I want to do it right. I want to do this the way I... the way I imagined it, before...”

Now he’s sitting, and you’re standing between his legs as he finds the clasp of your bra and undoes it, his fingers a comforting pressure where they ghost down the slope of your back. Your heart is pounding at the confession, at the way his tongue darts over his bottom lip and his fingertips journey back up to your straps, looking up at you with haloed irises as if he’d find anything other than the most dangerous kind of smoldering devotion in your eyes—the kind cult-leaders seek and spend years nurturing, and he’d earned with a mere brush over your bare skin.

The fabric slides down your arms, and as it falls to the floor, you watch something like despair flash-flood his eyes. It is a deep, distinctly human grief. The ineffable kind where something is almost too beautiful; so perfect it offends the mortal senses because it should be permanent, but nothing is, and the clash of divine beauty with unstoppable time which oxidizes copper and covers marble with vine is almost as grotesque as metal rending delicate flesh. It is the grief that drove the first poet to write and the first parents to press their baby’s painted hands to the walls of a cave. It is the desire to do the impossible—to capture ephemeral perfection and make it eternal, and the knowledge that it is hopeless. You recognize it because you’ve felt it for him.

“I thought about you all the time,” he whispers, doesn’t bother calling you beautiful but you don’t mind because he’s telling you with his hands and his eyes and the waver of his voice. “When I was gone, I thought about you—”

You’re just as quiet, just as soft.

“Don’t, Spencer.”

He doesn’t get to tell you about when he was gone. Not now. Not after he acted like you didn’t exist.

“Okay.” He swallows the things he’d wanted to tell you like you choked on the things you needed to tell him for three months. “I’m sorry.”

But his hands—his hands are perfect over your waist and his lips are perfect where they kiss your ribs like they’re his homeland. You could forgive a thousand wrongs for each kiss he puts to your skin. Light from the full moon stretches over the room like a blessing from the cosmos, and you have every intention of making the most of that gift, how the silver gilds the planes of his face and highlights curls like they were carved, and invites you to search for something in each shadow.

Some of his kisses land over the sensitive skin of your breasts though you doubt he has much intention or that there is any sort of end-goal with the trail he blazes—in fact, you have to root your hand in his hair and pull gently back when he doesn’t seem to realize that he’s making you wait again. His eyes are glassy and cheeks slightly pinkened—you weren’t expecting this wave of fondness to knock you on your ass but here you are, falling all over again.

“You don’t have to go that slow.”

A slow smile splits the heart of his mouth at your bashful tone and he’s emboldened to bring his hands higher for a moment, thumbs brushing particularly delicate though not downright indecent spots. Nonetheless, your breath catches.

“Impatient girl,” he scolds, and though it’s lighthearted it still inspires heat to dance across your face. Oh, I think I’ve been plenty patient, you itch to say, but you bite it back because it’s only sad and true and unkind.

Still, he gives you the beginning of what you want, really only the tip of the enormous iceberg that is your desire for him, by slipping his thumbs into the waistband of your shorts and tugging them down. His hands slide up the fronts of your thighs, tracing the trim of your underwear, and you’d swear he’s not even breathing. The moment one of his hand loops behind your knee and pulls forward until it’s pressed to the mattress and you’re half-kneeling, half standing, desire begins to truly cloud your mind. Manhandling never seemed like Spencer’s style, but when paired with how softly he reveals your hip, pulling gently down on the fabric of your underwear just to admire you up close, you don’t mind it.

More kisses are littered over your stomach, and he takes you by surprise a second time with a quick maneuver landing you on your back and him on top of you.

“I wasn’t doing you justice with my imagination,” he murmurs against your mouth. “I couldn’t have known.”

“Couldn’t have known what?” you pant as he shamelessly digs his fingers into the plush of your ass. You almost hope it bruises.

“How pretty you would be,” he coos like he means it, and you dissolve, slipping through his fingers like sand in an hourglass. “You were holding out on me.”

It’s a tease, not at all serious, but you manage to hit him with a, “Was not, asshole,” and he chuckles, placating your little hurt with another sticky kiss, and you get another disorienting glimpse of some other timeline where you’re both a little less damaged. Where it’s a little easier.

But in this timeline, his touch becomes starving and ragged and urgent, and you accept the drag of his thumb up your thigh and between your legs, gasping when he runs his knuckles up the center of you. This touch is metal on screeching metal. It does not pretend to be anything more than what it is—brute, powerful, executed to elicit sensation. You get the sense that Spencer’s never touched anyone this honestly, and while you do envy the girls who got to have him gentler, you’ll take this as the compliment that it is. A kind of vulnerability that is nearing primal.

His lips, though—always his lips—are kind when they brush and land on your skin guided by some invisible map. A dip down your neck and chest and then a plunge, his tongue dragging over your hips, chasing the fabric of your underwear as he almost pulls it off and then reroutes, making room for himself between your legs and pushing lace aside to mark the hinge of your inner and upper-most thigh. Your chest heaves and you don’t dare move for fear he’ll stop leaving signs of himself on your body and you won’t be able to reassure yourself that it was real and he was here and it was not another dream.

Because something in you knows, if only consciously recognizing it for the first time now, that he will disappear again. That this may be your only chance.

The desire to make the ephemeral eternal. An impossibility.

He’s clearly losing himself to something, eyes shutting blissfully. You wonder when the last time he let his guard down even a  little was. You’re okay with being the thing he gets lost in, even if you’re not exactly okay with him—something you are becoming more acutely aware of as each touch makes a part of you want to cry. Maybe you still have some things in common. A strange pain that doesn’t quite feel like it belongs to you, for one thing.

You slam back into your body as his nose nudges against you through fabric, and his lips catch on cotton as he drags himself up, eventually settling a kiss against the little bow at the waist of your underwear. There he stays, eyes closed, mouth pressed to you.

“Is this okay?”

You swallow, buzzing. Is this really what he wants? After everything?

“You don’t have to...”

“But is it okay with you?”

Nothing more than an airy whisper, you reply, “Yes, if that’s what you want.”

Being emotional at this point seems wrong, but it’s difficult to ignore the fact that you have thought about this before and it’s finally happening but it’s not exactly as you’d imagined it. There is an indelible sadness to it, to the way he’s so hungry for you because he’s been deprived, to the desperation with which he touches you because he’s had everything taken from him.

For a moment, before he tugs your underwear down, he pauses, and you wonder if he’s freezing one moment in time, this moment, and grieving all the other ways it could’ve been, and accepting that this is the way it is going to be. You are.

These higher realms of thought abandon you as he finally pulls the last barrier down your legs and encourages you to spread them further. You don’t have time or energy to be embarrassed, not even by his staring, or the way his eyes dart up to yours and back down again, wide and shining, as if to say, have you seen yourself? Do you have any idea how beautiful you are?

All you feel is the lack of him on you, the pull to have him closer so strong it’s almost sickening because he could be gone at any second. Maybe he understands that because he doesn’t waste anymore time before he’s kissing the most sensitive part of you. The drag of his tongue has you loosing a shuddering cry.

His mouth wanders, making connections you wouldn’t have realized the value of until you feel them on your skin. Your hips buck as he traces you and you’re unable to stop yourself from tangling your hands in his hair. Speech fails you—hell, you can hardly breathe as you watch his with a furrowed brow and parted lips, only expelling air from your lungs in the form of little cries and gasps and failing to hold your hips down to the bed.

The tip of his tongue teases around your entrance and he catches your leg as your foot rises off the bed, slinging it over his shoulder and consuming you more fervently until you have no choice but to moan though you’ve never been one for theatrics. Nobody has done this for you like he’s doing it for you. Locks of hair fall in front of his face and you hold them back for him, shuddering as he shifts his weight and presses the tip of his finger to your cunt.

“Ah—please,” you manage, your first words since he started. Spencer groans against you and the sound is so wonderfully unexpected, so much better than in your dreams. You cant your hips up in further invitation, chirping as he takes it, pushing two fingers into you at once. Your eyes screw shut and you bite back a whine at the slight stretch, unconsciously writhing your hips either to get further away or take him deeper, you’re not sure.

Spencer pulls back, kissing your hips and thighs and pumping his fingers very slowly as you adjust.

“’M sorry,” you pant, “it’s been awhile, I...”

“Don’t apologize,” Spencer says like it’s simple, his own breath coming quicker. “How’re you feeling? Need me to stop?”

“No! No, it feels really good, I feel good.”

He holds your burning gaze, matching it with his own, and his hair is tousled and his cheeks are flushed as he continues to move his hand.

“Yeah?”

“...Yeah.”

This little show of obedience, of call and response, has him smiling before he occupies his mouth with something else once more. It’s a different smile than you’re used to from him, but you decide you don’t at all mind it.

Like that, with his tongue and fingers working tirelessly, your orgasm comes on quickly. The feeling is rare but not entirely foreign, and in that brief moment of utter disconnect between your brain and reality, of sheer white-hot pleasure, you don’t feel you’re missing out on anything at all. How could you be, when you are here and Spencer is here and for a moment all your neurons are lighting up and flashing neon? How could there be anything more to life than the searing feeling of him slowly withdrawing his fingers from you, than your hips between his hands like he’s cradling the world, and his lips, indiscriminate with where they kiss because every part of you is worthy of attention?

You’re reeling, and your legs are gelatinous as he so affectionately sucks the darkest mark yet onto your inner thigh like a parting gift, like he’s signing his trembling work. If you could clamp your legs shut around the almost painful aftershocks you would, but he’s climbing back up your body, so all you can do is wriggle against him and release delayed, stunted little moans. He stops to kiss your neck before he makes it to your mouth and drinks down all your sounds until you’re gentle and pliant for him like you haven’t been yet.

His voice is soft and sympathetic when he speaks. “Better?”

Wordlessly you nod, both comforted and unsettled by how well he knows you. What, exactly, has been made better, you’re not sure. Not trust. You don’t trust him anymore. Something cheaper, but temporarily effective. A sense of permanence, maybe, however fleeting it may be. You’ve completed something with him now, and he’s still here, still sweet.

He looks into your eyes, then, for a moment—and there is just enough light in the room for you to tell yourself that the shadows dancing there as he looks at you are love.

They morph as you watch into haunting, wild hunger. Pained even now.

He sits up abruptly and so do you, scooting back against your headboard and pulling your knees to your chest to protect your pounding heart as Spencer takes you in with darting eyes and quick breaths. His fingers find the collar of his shirt and he begins to unbutton.

“I need you to remember it’s all going to heal.”

He swallows, and you hardly have the wherewithal to study the way he unbuttons his shirt, a way he exists in the world that you had previously not been privy to. The words are too distracting.

“What?”

Sometimes he reminds you of a deer, with those big brown eyes that can’t help betraying anxiety. Moreso in those old pictures he’d shown you from his early days at the BAU—but it shines through occasionally even now. It’s reassuring to know that something inside of his has remained soft.

“Just...” his fingers don’t stop at their task, and you come to the disturbing realization that his knuckles are bruised. “Please don’t freak out, alright?”

Your mouth goes dry, eyes glued to the lengthening span of revealed skin.

And before he even has his shirt fully undone, something isn’t right.

He’s like a Pollack of bruises—starbursts and watercolor blots of discoloration blooming over his side and stomach.

You’re glad the light is off for two reasons: one, being that you don’t think you could handle the bruising in all its glory, and two, you hope the look of horror painted on your face is at least partially obscured from Spencer.

But you can’t. You simply don’t have the gas in the tank to freak out, as he’d said—at least not externally. Those bruises shouldn’t be there, but 96 days is a long time to be gone.

You drag your eyes back to his—nervous, deeply insecure and mistrustful. A deer. Just like those pictures of a 24 year old Spencer in an FBI jacket that was too big for him.

It’s enough to have you scooting on your knees across the mattress to him. Those big eyes stay glued to you as you draw near, falling as you carefully push open his shirt, cautious not to bump any tender spots as it falls to the bed. A flash of white gauze wrapped around his forearm that makes your stomach flip. How? You want to ask. Why?

He doesn’t seem to know what you’re going to do, and neither do you, until you’re grabbing his hands, bruised knuckles and all, and just... holding them for a minute.

“I lost weight,” he says quietly, as if that’s the most shocking thing about his current appearance, though it is noticeable.

“You’re still pretty.”

He smiles at this—a true Spencer Reid smile. Flattened lips, eyes tinged silver with sadness, voice quiet and anxious and wavering.

“I didn’t have a lot to spare.”

A moment goes by.

“I’m not going to ask you about them,” you promise, though you care so much and you want to know but you already understand that he won’t want to tell you.

Another moment. It doesn't surprise you to watch the shiny vulnerability in his eyes to freeze over completely. But he squeezes your hands once in thanks, and you know it’s still the same Spencer.

“Lie down.”

Oh. Right.

This.

You do as he says, taking a deep breath to try and exhale the concern twisting your stomach like a poison. Somehow your room feels so unfamiliar, so new with him in it. Even the whorls on your ceiling look different as you study them, trying to time the pattern of your breathing with the pattern of the paint and plaster and not let the sound of Spencer further undressing quicken your heartrate too much.

Soon he’s coaxing your legs apart again, reverently, and kneeling between them, studying every part of you—lingering not on the parts you’d expect. He traces the scar on your knee with his thumb, follows a line down your thigh to the freckle on your hip. The scrutiny is unnerving and warms you everywhere. Perhaps he senses the microscopic clench of your thighs as you imagine pushing them together, if he weren’t in the way.

“You alright?” He asks, still stroking your hip. Tender again. It’s so hard to keep up.

“I...”

Suddenly your heart beat is a deafening echo in your own ears. The tide of your breathing is too powerful, too in and out and whooshing, leaving you always too empty or too full but never comfortable.

Maybe he’s changed, and he’s harder to know now, but he is the same Spencer. He is the Spencer you’d fallen in love with. The hard part is knowing that now you may never get a chance to tell him that. You don’t know if he’d be able to hear it.

There are things you can’t have with him anymore. Not now, at least. Maybe not ever. But you can have this. It will be different, but you’d rather him be different and here than the same and only in your memory.

You swallow.

“I’m good.”

Tangling your hand in his hair once more, you pull him down into a kiss. It’s hesitant, at first—maybe he can taste your thoughts, where they’d been balancing just on the tip of your tongue. But the uncertainty fades and he kisses you deeper, harder, in a way that is hard to keep up with. You like the messy overwhelm of his lips, teeth, tongue. That’s the only way he knows how to want you.

When you go to wrap your leg around his waist he catches it, running his hands over the soft plush of your thigh. The hard line of him presses against you like memory foam and you gasp and he breathes it in deeply as your brain short-circuits, as you realize this is really going to happen, that you’re going to have him like you’ve never had him before and in ways you’ve only imagined and immediately felt ashamed for.

“Spencer,” you whisper. He ducks to leave open-mouthed kisses along your neck and your eyes flutter shut, craning your neck but not losing sight of your objective as you reach down blindly. When you find what you’re looking for he freezes, groans against your neck at the same time as you breathe the tiniest whimper. Just in your hand he feels impossible, hot and imposing and hard. Your heart palpitates.

Without thinking, you angle your hips up and encourage him closer, until the tip of him is smearing through your folds, and you both go utterly silent like the breath had been stolen right from your lungs. The moment crystallizes, time around you hardening like preserved amber to keep you frozen there forever.

And then he rolls his hips, catching the underside of his cock on the crux of you, and then he does it again, and you choke out a moan and so does he, and it’s beyond perfect—it's nirvana, more than you could ever have conceived of, with his weight pressing you into the mattress, arms caging you in, his heavy breaths hot against your neck and vice versa as you twine together like serpents on a rod, your foot floating in the air as you widen your legs to make more room for him.

And you’re not even fucking yet.

“Oh my god,” you whine, just for him, barely audible under the heavy cloak of night, the thickened air in your bedroom and the sound of panting and fabric shifting. It’s like your heart is trying to reach through your chest to his own where they’re pressed together—that is how hard it’s beating.

Spencer only breathes a long, low curse and shifts so he can grasp himself. Your fingers drift down the shaft of him as he slots himself at your entrance, notching half an inch in and you hold your breath, and you brace yourself—and then he’s kissing you again, but gentler this time. Reassuring. You soften, you can’t not, releasing all your air in a soft gust through your nose, and then he’s pushing in.

Your lips part at the stretch as it fuzzes your mind, but he stays right there, nose pressed to your nose, lips ghosting over your own. He’s not going anywhere, you think, and you’re glad for it, when it burns ever so slightly, and the tiniest whine escapes your open mouth.

“Shh,” he soothes immediately, low and soft, only fractionally louder than you had been. “You’re okay.”

Spencer. Your Spencer.

For a moment, you’re living in that alternate universe. The kinder one. The flash of pain you feel then has nothing to do with the way he’s opening you up.

This is the closest you have ever been, and in some strange way, the furthest apart.

Together, fingers brushing, you guide him until he settles at not quite your deepest point. You can feel that he’s not giving you everything yet, but you’re okay with that, as you adjust to the full feeling. Spencer again senses your desire to close your legs against the deep intrusion, and gives you the best he can by encouraging you to wrap your legs around him.

“Good girl,” he whispers tenderly, nudging at your jaw with his nose and dragging kisses along the ridge of it. Your stomach flips at the moniker and your brain turns to warm sludge as your eyes flutter shut. It makes you feel all light-headed and you flutter around him. Spencer chuckles into the junction of your neck and shoulder and the vibrations send a chill down your arching spine. “I thought you might like that one.”

“Mhm.”

“Mhm. How are you? You okay?”

“’M ready.”

“You’re ready?” His tone is dripping sarcasm and faux-disbelief as he pulls back the slightest bit only to push right back in deeper, this time. Your toes curl, one thigh sliding higher up his waist as you cling to him.

“Fuck,” you manage, a pitiful, high pitched curse tossed to the wind. He echoes the sentiment.

“Oh, my god,” he groans, continuing with that slow pace, “you feel so good, angel.”

You grapple at his back, searching for purchase as your brow knits. “Faster.”

This inspires another breathy chuckle, but he obliges, and you cry out softly. It’s almost unreal, your head buried against his neck, drunk on his scent and the drag of him like a shock felt in the far reaches of your body, again and again.

There’s nothing you can say that will accurately demonstrate what you’re feeling, so you elect not to speak, to remain silent and try to get a grip on this cacophony of sensation and emotion. But it’s too much to be alone with. You feel you have to get it out, to seek understanding. You can’t do it alone.

“Spencer.”

“Hm?”

“I don’t know...” the sentence trails off into a gentle keen. He moves to kiss you, speaking against your lips.

“You don’t know?”

Shyly you shake your head. Spencer sighs wistfully.

“Do you know how much I missed you?”

It’s like he can sense your need for comfort. For something grounding.

And while this topic was off-limits earlier—you're softer now. The stone walls that form your boundaries have been chipped away and lowered.

Spencer continues unprompted.

“I thought about you every day. Every night while I was falling asleep. You were always on my mind, angel girl.”

You whine. Whether it’s pleasure or distress is anyone’s guess—including your own.

“You were gone so long,” you whisper, eyes shut.

At this, Spencer slows again, and the tension that was building settles back to a simmer.

“I know. I wish I could—I wish I could change that. But I’m here, okay? I’m right here with you.”

Then he makes sure you feel every last inch, and it takes your breath away. If your thoughts were any more coherent, they’d be something along the lines of: but for how long? How long until you leave again?

“You’re here.”

You say it like a mantra, once out loud, and then again and again in your head, timed with every clash of your hips. With each repetition he becomes more real. Every little ache, every tingling, head-emptying brush against that most sensitive spot inside proves to you that he could not be any closer. This can’t be faked. It can’t be another dream to wake up in tears from.

“You’re here,” you gasp as it hits you, as it truly sinks in.

“I’m here,” he breathes.

There’s so much you want to say—three months of words you need him to hear, of things you need to talk to him about, things you need to yell at him for and things you can only say crying in his arms and things you can only say laughing or whispering or drunk or half-asleep—and in this moment you can’t manage any of it. Every word condenses into one drop of salt water, drifting away from your eye and down your cheek. Spencer doesn’t tell you to stop crying. He only kisses the tear away, and murmurs I’m here I’m here I’m here over and over again against your skin until he’s not even speaking it out loud anymore. But you feel it. With every brush of his lips, every breath, every movement, you feel it.

Soon he’s adjusting his angle, gradually picking up the pace but retaining that unforgiving depth, and your nails bite into the skin of his back as your jaw drops. Spencer hisses, pressing impossibly closer.

“I’m sorry!” you squeak.

“Do it again.”

“Wh—what?”

“Please,” he begs, low and hot against your jaw, just beneath your ear. “Do it again, honey.”

Honey.

You’d do anything for him if it meant he calls you that again.

When he shifts his weight to one arm and reaches down between your bodies to play with your aching clit in exactly the right way, you don’t really have a choice. You arch and moan wantonly enough to feel embarrassed as your nails scratch down his back. At the same time he’s making noises of his own, and you almost feel guilty for marking him up like this only you think he likes it. The most perfect and troubling tension is building in your core, so taut you almost fear the inevitable rebound when it snaps. But you’re driven to be exactly what Spencer needs right now, and to let him try and be what you need. Even if it scares you. Even if you’re not sure how.

Spencer groans, head tucked to the bend of your shoulder. “I’m not gonna last.”

Any response you might’ve been about to muster is annihilated by a sudden, deep bolt of pleasure.

“’M gonna cum,” you mewl like it’s a secret.

“Are you?” he asks, coming up breathless. If your eyes were open, you’re sure you’d see him above you.

“Mhm.”

“Look at me. Look at me.”

It is unmistakably a command—one you fight to follow.

You cry out as you meet the intensity of his gaze, those shadowy corridors suddenly ablaze and alive. They are not unending, like you’d thought. They are a door thrown open to let the light in, or maybe to let the fire out. They’re open in this moment for you.

No more words are spoken after that—you cum hard, gasping as you fall and spin. Spencer follows very shortly after, like he was holding it together just for you, and your eyes are still locked though everything is a bit bleary.

“Fuck,” you whine as he continues to fuck you for as long as he can, despite your writhing hips, but you’re entranced by him, unable to look away now that you’re hooked. Until he slows to a halt, glances down at your mouth, and you just have time to pray that he’ll kiss you before he does. You whimper against his lips—a plea for understanding. A plea for him to stay, even though this is over. He kisses back so soft and sweet it’s like he can read your mind. Echoes of I’m here I’m here I’m here still buzz across your skin. His eyelashes tickle your cheek. Your heart stops beating quite so quickly, melting and warm like the rest of your body.

Soon the kissing ceases and you’re just breathing together, trapped and faced with the knowledge that it must end just the same as you had waited for it to start.

Eventually the air between you becomes mostly carbon dioxide and you let your head fall to the side, dizzy and giggling breathlessly as you nearly avoid asphyxiation. Spencer laughs too, letting his head fall to your shoulder once more, and you finally let your eyes flutter closed. To do something as simple as laugh with him again is its own small euphoria. It’s unexpected, and a soft landing once all that tension breaks underneath your combined weight.

It can’t last forever, you know that well. But the slow fade of it makes the next parts a little easier.

Spencer presses a kiss to your neck. “Is your bathroom through that door?”

You hum a confirmation and are only slightly disheartened when he pulls out and rolls off of you. You’re further disturbed when you see there’s gauze around his thigh, matching what’s around his arm, and you wonder how you missed that. Spencer scoops up his clothing and disappears into the adjoining restroom, assuring you he’ll be right back and leaving you alone with your thoughts and the whorls on the ceiling which have seemingly shifted into entirely new constellations.

He leaves the door cracked which is oddly reassuring—the sliver of warm light and the sound of the sink running. Only a few moments pass before he’s returning clad in boxers once more to sit on the edge of the bed, pushing away the sheet you’d just pulled over your chest and pulling one of your legs over his lap. Your face warms as he brings a washcloth between your thighs. As soon as he glances up at you and catches your eye you’re looking back to the ceiling.

“I should’ve asked first,” he says quietly as he cleans up the mess he’d made of you.

You speak just as softly, like you’re both afraid of disturbing some peace, of waking some sleeping giant. “It’s okay. I would’ve told you if I didn’t want it.”

His reticence, his unreadable face, make you nervous.

When he’s done, he rises to toss the dirtied cloth in the laundry bin, and with his back to you (as scratched up as it might be) you feel braver.

“Are you gonna, like... hate me now?”

It was a mistake. That’s clear by the way he turns around, brow knit deeply and grimacing slightly like even the suggestion offends him.

“Am I going to hate you?”

Again you pull the sheet up, and again you look away, studying the pattern of moonlight stretching out over the floor and scooting to make room for him when he steps in it.

“Not hate, I just...” the bed dips beside you and you are indescribably glad he’s not immediately running out the door. “I’m not dumb. I know what this was.”

He pulls you into him and you settle against his chest. It feels good. “I never thought you were dumb.”

This is your first real conversation since he’s gotten back, you realize. And how quickly you’re falling into familiar patterns, familiar syntactical beats. You know when to speak. You know when to bite your tongue and keep him talking.

The silence goes on longer than you’re used to. Maybe he got good at not speaking while he was away.

Eventually your eyes wander, falling to the white strip over his thigh where it is parallel to yours on the bed, only over the sheets.

“What happened?”

You said you wouldn’t ask, but that was then, and you’re upset again. You almost want to hurt him. To piss him off. You don’t know.

But it doesn’t work.

“Do you really want to know?” There’s a note of something heavy in his voice, and you look up at him. It’s a privilege to have him this close—his beauty is a constant surprise that you’d become unaccustomed to over the months. You say nothing, and he takes that as the yes that it is. “I... I did it to myself.”

He may as well have reached down your throat and grabbed for fucking heart for all its clenching. Tears well almost immediately, though they’ve been waiting in the wings all night.

“What? Did you—were you trying to—”

His eyes widen.

“No! No, honey, no.” You wilt as he gathers you closer, a deeply confused frown still contorting your features, too heartbroken even to cling to him, or to appreciate the ease with which honey slips past his lips again. “No. I was—it's complicated. I didn’t—I wasn’t trying to hurt myself, but I had to—I had to do it before someone else did something worse.”

The bruises covering his abdomen.

You sniffle and pull back enough to look up at him tearfully. “Why would they want to hurt you?”

Mist fills his eyes even as he’s looking down at you, a layer of separation, as if he’s two places at once. Even as he goes to brush your hair behind your ear, to stroke your cheek.

“I’m... not... the same, as I was.” It’s not an answer to your question—but it’s the beginning of the answer to a question you’d been too afraid to put into words.

“Don’t say that,” you beg, because you know where this is going. He keeps smoothing your hair like it’ll make this easier.

“But it’s true,” Spencer says gently, the slightest waver betraying his own emotion.

“You’re just going to leave again.”

And you’re losing to the tears.

“I’m right here. I’m not going anywhere.”

“But you will,” you insist, like a child crying to a parent come to comfort them after a bad dream.

“Not right now. Right now I’m here.”

I’ll stay until you fall asleep again.

For now, maybe that has to be enough. 

You cry on his shoulder. He kisses your head and doesn’t tell you to stop. 

Eventually, you sniff and wipe your eyes. 

“We were so close. Before you… we were almost there.”

You’re sure of it. You’re sure that if he hadn’t gone when he did you would’ve been a real couple. You would’ve told him you loved him. 

“We’ll get there again,” he promises, rubbing your arm. “I just… I need a little bit of time. I think you do too. But we’re going to get there again.”

Maybe it will never be like it was. 

But as so often is the case—Spencer is right. Difference doesn’t mean it won’t ever be good again. 

You have to believe that, just as you had to believe you’d see him again. 

You look to The Odyssey on your bedside table. 

The sun has been obliterated from the sky, and an unlucky darkness invades the world. 

But the sun has a habit of rising, time and time again, after the longest nights, after the darkest storms. 

You feel the beginnings of its rise, see the golden tips of it lighting the room as he holds you. Even now. 

[sgtbradfords]

something wild and unruly

Pairing: Tyler Owens x reader

Summary: You and the Tornado Wranglers seek shelter from the tornado inside a theater that was most certainly not up to modern building codes.

Warnings: life or death situation, minor character injury, hurt/comfort, dirty talk, flirting

A/N: It’s been a hot minute since I’ve written an x reader, but after watching the theater scene in Twisters, I just couldn't get this idea out of my head. Enjoy! :)

----------------------------------------------------------

‘This is it.’ you think, pushing yourself further up underneath a row of theater chairs as the sound of a freight train grew louder. 

In the two years that you had been working with The Tornado Wrangler, you had witnessed Tyler and Boone have numerous, exhilarating, and successful intercepts with one of nature’s most destructive forces, but always from the safety of your vehicle several miles away. Your job of keeping up with the ever-evolving data was rather tedious and very important, but it didn’t always require you to be in close proximity with the rotating column, which was something you preferred. Especially when staying back allows you to capture the beauty of the storm from behind a lens. 

For a moment, you allow yourself to go there, to imagine what this tornado would look like from the safety of an open field. In your mind, the massive wedge wasn’t wrapped by sheets of rain, making it one of the most photogenic you had ever captured, even though it was obliterating everything in its path. Through the screen of your camera, you would be able to see whole trees, sheets of metal, planks of wood, as they circulated through the air. 

Dexter yells something from the other end of the row, his words unintelligible as it pulls you out of your reverie, reminding you that you didn't have to imagine the destruction because you were living through it.

You adjust your sweaty palms along the base of the chair in front of you, muttering underneath your breath that everything was going to be okay. It was only going to last a few more seconds, right?

“Shit!” cries out a familiar voice as the screen at the front of the auditorium is pulled away, revealing the beast which rages outside.

Turning your head slightly to the right, you glance towards the floor of the row behind you. 

Tyler is frowning prominently, you might add, but that wasn't what unnerved you. No, what chilled you to the bone was the unmistakable fear in his glaucous colored eyes. Because if the Tyler Owens was scared, then the world as you know it was ending. 

The vibration in your palms intensifies as a decades worth of old dust and stale popcorn is sucked out of the building. There’s a small part of you that hopes that that’s the worst of it, that this little podunk would remain otherwise unscathed. But like a fool, the tornado proves you wrong by pulling the row of chairs in front of you away, leaving you suddenly exposed. 

“[Y/N]!” You hear Tyler yell, but by then it was too late.

You scream, a loud, guttural sound of peril that is lost to the wind as one of your hands loses its grip on the chair. Frantically, you look around for something, anything, that would be worth holding onto in a last-ditch effort in saving your life, choosing to grasp the leather of the armrest that was just within reach. 

The thought that you were quite literally about to die, crosses your mind as your body is lifted off the sticky floor and into the air. 

“Tyler!” you scream, knowing that you wouldn’t be able to hold on for forever. 

You watch as furiously he twists and turns, firmly wrapping the toe of his boot around the base of the chairs behind him, before reaching out towards you.

With both hands, you hold onto his wrist for dear life, your weightless body swaying in the air as more debris flies past you. It feels as though the moment lasts a lifetime, time slowing to a standstill as Tyler attempts to pull you back down, sending an intense throbbing sensation up your arm. 

You don’t know how long you hold on, but just as quickly as it began, did your buoyancy end, sending your body crashing to the floor. 

“Holy shit [Y/N],” Tyler says, kneeling in front of you. “Are you okay?”

“What's your definition of okay?”

It was a miracle that you hadn’t flown out the gaping hole at the front of the theater. So, were you okay? Not by a long shot, but was it better than someone finding your mangled body in a tree somewhere? Absolutely. 

You watch as his concern deepens, his brow pulling further inward as you give him a shaky smile. “I’m fine Cowboy, at least I will be.”

The look understandably fails in easing his worries. He glances towards your thigh. “You’re bleeding.”

“Am I?” You tell him, looking downward to find your jeans now tainted a crimson color thanks to a small jagged wound that ran across your thigh. You should probably be concerned about that, right? “I am. I’m bleeding. And I'm missing a shoe.”

“I need a first aid kit!” Tyler yells a little too loudly, causing you to wince.

“It's not that bad.” To prove a point, you move to your feet, only for your legs to wobble underneath your weight. 

Tyler rolls his eyes, “You resemble a newborn giraffe.”

“A cute newborn giraffe.” You giggle, easing yourself down into a theater chair. “I think I'm in shock.”

Raising a brow, Tyler kneels on the ground before you, first aid kit now in hand. “You think?”

So what if you were in shock or that you had what looked to be an insignificant wound that needed to be treated? There were people out there, in far worse condition than yourself, that needed help. 

“Better think of your happy place sweetheart, cause this is going to burn like hell.”

Tyler murmurs low apologies under his breath when you release a hiss as the alcohol pad sanitizes the cut, but the pain was short-lived as tenderly, he continues to provide treatment. 

You watch him closely, noting his features; the way his nose was furled, the way his lips thinned, or how his brow furrowed as he focused intently on putting a couple butterfly bandages over the open wound. It’s the same look he gets when trying to decipher where the hell the team was going to chase for the day. You shake your head at the imagery.

“All done,” He says, giving you a panty melting smile. Damn him. You can feel your cheeks warm, heart beating wildly inside your chest as you move to your feet. “Does the patient want a sticker or a sucker?”

“What the patient would like is to get out of here.” While you long for the opportunity to take a hot shower, you know that it'll be hours until you find yourself in the bathroom of a motel room. Instead, you brush off the dust off your clothes. “But for future reference,” your lips twitch into a smirk as you lean in close, whispering. “I prefer to do my sucking on my knees.”

It takes everything in you to walk away calmly, to not look back, not even once, but that doesn’t mean the intensity of his stare has no effect on you. More than once, does your knees threaten to buckle, but by some miracle you manage to keep your head held high. 

It was going to be a long couple of hours. 

[dex-starr]

Okay sometimes playing along to some chugga chugga riffs is fun I take it back

[asstrolo]

astrology observations for sad people

— the signs who I personally believe are really misunderstood by their peers are often capricorns and aquarius because of their saturnian tendencies where they become the mature, bigger person or are aloof of how they're presenting themselves, they always think they know better or people feel very intimidated by their personalities and, because people don't understand them, they alienate them,

— aries and scorpio as they are very intense, over confident people, other's might feel put-off by them, they can be very controlling and have a "I don't care" kind of personality that doesn't usually goes well with others, their ways of always trying to make themselves clear and understood causes the opposite effect, they are often misjudged as villainous or mean,

— geminis are also put in a place of having to know better, not given a chance or space to mess up as they are very intelligent people and show it, others might have big expectations which are often not met since they prefer to do what makes them happy and makes them curious, they tend to over-inflate themselves, or the opposite, and people take their words too seriously or not at all, very polarizing sign.

— a stellium in 4th can be super difficult to deal with, specially if it falls on not easy planets like mars, or saturn, uranus, or pluto. These people are always dragged back to their family issues no matter how much they try to escape, their parents maybe gave them too much responsibilities as little kids or vented to their child without thinking of the consequences, if these people ever decide to have a family they should always consider if they're doing it because they want to or because it is what's expected of them.

— chiron in social signs as gemini, aquarius and libra feel very alienated at all times, having social interactions is a learning experience for them, whether is good or bad, I also notice people usually get obsessed with them? They don't respect these people¡s space or it could be the other way around, to me is a placement where you'll learn to not be socially inept or teach people how to treat you right for some reason?

— saturn IS a complicated planet, it depends on the person's other planets and aspects how they deal with saturn, a person with moon conjuct saturn has a harder time dealing with their emotions than a capricorn moon. Even when the energies are similar, they don't have the same impact.

— now, a person with a capricornian stellium or dominant does deal with the saturn energy much comfortably than a person with sun trine saturn, because they were born with it. I personally believe you accommodate, or your aspects accommodate to you as you grow and evolve as a person.

— a pisces stellium, specially if is on moon or ascendants, is very perceptive to other's opinion on them, not in a superficial way but more on a "does this person thinks i'm being fair or mean?" Let's not forget the sister sign of Pisces is Virgo, so these signs also share the analytical or more neurotic way of seeing the world. A Pisces Rising is very self-aware of how they come off to people or how they are seen, they might not show it or say anything about it, a Pisces mercury might be self-conscious about how they approach others, how their voice sounds or how they come off when talking.

— I do believe leo's have a harder time being appreciated by people, as they devote to other's so easily they could neglect themselves in the process. Is the kind of person who is always looking out for someone to make happy or to make them feel comfortable because is something they want reciprocated. But this is a thing that can happen to fire signs a lot, they can be overbearing or too kind to people that it ends up backfiring on them, they have a very childlike mentally.

— is true what they say, a 12th house stellium in a natal chart makes the person passive and/or too in their own world, they have premonitions in dreams, but I've also seen these individuals have a really hard time with sleep, they have paranormal experiences a lot that some of them are used to it. They can be in some sort of medication, but not all, and not always these people are medicated or doing substances, they have an easier time to have out-of-body experiences, like lucid dreaming or sleep paralysis, these can occur because these people are super sensitive and get easily drained and stressed. Is important they are taking care of their energy at all times, I've met many that have one, two or more 12th house placement where I've found out some other person has been doing some sort of witchcraft on them, or have a big negative energy that this 12th houser sucks accidentally.

— having a mercurial dominant or rising can be super difficult when it comes to feeling, they tend to rationalize everything too much, are easily distracted and indulgent, they are very, very anxious at all times on all situations, even if they show otherwise. they overthink things too much, are the kind to be incredibly self-aware or completely out of touch with themselves.

— the ascendant aspecting negatively the mercury gives the individual speech impediment or a very shy personality, an almost inaudible voice or a raspy one, people with this placement have a harder time getting their thoughts across, or people might misinterpret them.

— keeping the conversation going, mercury negatively aspecting saturn makes a shy and reserved person, someone who, as a kid or a teen, has problems with being heard, or people simply didn't care or asked for this person's opinions, they might had been very codependent on an adult or somebody else to talk or to get to be seen, as they grow older they learn to communicate rather excellently, they might want to treat their shyness or whatever problem they have with unwanted attention or negligence

— neptune in personal houses like the 1st, 7th, 4th or 10th is really tricky. you might ignore gut feelings bout certain individuals, or on the contrary, believe someone is good when they aren't. these people can be their own worst enemies as they are super perceptive of how they come across to others, or how others make them feel.

— neptune in the 1st is common on actors and models and singers, usually on famous people, because they can create a fantasy of how they want people to see them, or act like chameleons around people, this creates a series of identity crisis during their lives.

— neptune in 7th is prone to feel things that really aren't there? they convince themselves somebody hates them or likes them for just one interaction, these individuals are like a sponge in social situations and they take everything somebody tells them to the heart. they also are known to lie a lot to people on behalf of good manners, they like to be liked.

— neptune in 4th house has a really confusing or unclear family situation, they might adopt the role of the parent when they shouldn't, or are treated as a child even as an adult, something in their family, in what they think is normal growing up, isn't. the most likely to stay in a bad situation for many, many years because they don't know any better, or think it's normal.

— neptune in 10th, although it deals with fame and impersonal relationships, to me, is just as fundamental as the houses listed above. they don't see themselves through their own eyes, or feel like they depend on other's perceptions on themselves too much, they are confident, or pretend it really well. these individuals know how to act the part, how to commit to the bit, they never feel that sense of belonging anywhere, because they might show different parts of their personalities to different people

— for me, the hardest moons to have are capricorn, scorpio and virgo.

— capricorn moon is a strictly analytical sign, they don't feel comfortable in the moon as is where the emotions and insecurities shine the most.

— scorpio moon is a very intense sign, as opposite to the Capricorn, they can be super emotional, or completely numb, very extremist and their emotions are black or white, polarizing.

— virgo moon is extremely difficult, they don't like to have to feel things, they like to think and act with precaution and it's hard for them to let their emotions slip, the kind of friend who'd have the most practical advice to all sort of topics, a helpful hand in all situations, but when it comes to them as individuals, they let themselves be too much, their head is always at a thousand percent. From what I've gathered of this moon is that, yes, they are neurotic when it comes to certain things, but completely careless to others, and it's usually to themselves, you won't ever see a Virgo moon misbehave or dress bad, but they can hold a lot of suppressed shame or anger or sadness, like they tie it with a bow in a box and keep it locked.

— lastly, no aspect or moon or sign is bad, they are just more difficult than others, there are people with easy aspects, like sun sextile or trine jupiter, they are prone to idealization and inferiority complexes. it's true that a person that has the harmonious aspects is lazier or gets unmotivated way easier. nothing is really set in stone, you can have a moon conjunct saturn and a cancer mercury in 9th house, your way of expressing yourself is more reserved, but optimistic and even childlike. when it comes to astrology, every single aspect and sign, and house counts to describe a person.

[wherewolf]

the responses i’ve seen to shiv’s ending seem very quick to write her off as just another sad victim of the cycle, which isn’t without truth BUT!!! that is not even remotely the summation of shiv’s story.

i don’t think she votes yes to “save kendall” or to try to finally set her brothers free. and i don’t think her main concern was that ken was becoming their dad. she absolutely noticed and didn’t love it, but that was not her motivation in betraying him. she was thinking about herself.

it’s tempting to make a martyr out of her as she is the only female child and we see her suffer the onslaught of misogyny that comes with that. but to make her into a saintlike figure who got beat takes away the power and intelligence behind her decision.

at this point she’s stuck between two non ideal choices, but she recognizes that they have accidentally made her the single most important player in the game. because while she can’t have the outcome she’d prefer, she has the power to decide the fates of everyone else. the written off lone woman now holds in her hands the fate of every man in her life.

so she thinks about the long term benefits of both options and realizes that one side leaves her completely without any leverage.

her brothers have proven to her multiple times in the last few days alone that they will cut her out and walk all over her the first chance they get. siding with them leaves her nothing to bargain with. she would just have to hope that ken would actually take care of her. and that level of vulnerability is not only unacceptable to her, it’s stupid. and shiv fuckin roy is not stupid.

so she thinks about the other side and about what she actually wants for her life. and against her better judgment, it’s becomes unfortunately clear that she wants tom. the way she wants him is not altogether loving or even good but it is necessary to her. she sees relationships as having winners and losers and she chose this man specifically so that she could be confident in her ability to win. except now he’s grown some balls and made himself unavailable to her.

she may not like the way her husband is evolving but she already placed her bets on him, so she’s sure as hell not losing to him now. there’s also a part of her that feels intrigued by this new man she’s married to. it’s interesting to have a sparring partner in him instead of having to looking for excitement outside of their marriage.

so for maybe the first time ever, she processes what tom has said to her and thinks about what he actually wants.

he needs her to prove that she cares. he needs to know that she is capable of sacrifice. if she can’t find it within herself to do this for him, then she will lose him, and by extension, she will lose.

siding with tom gives her the opportunity to once and for all make a grand-stand gesture of love, but more importantly, it creates leverage for her. never again will he be able to hold the moral high ground over her head. never again can he say she doesn’t love him. never again can he call her selfish or uncaring. above all, he can never betray her again, because she just removed all of his moral justification for turning on her. he doesn’t realize it yet, but she’s just taken back all the power in their relationship. just in a more subtle way than she’s used to operating.

and just like that, she has the ceo of a multi billion dollar company in her pocket, while situating herself as the only descendant of logan roy to still be playing the game, having removed her brothers from the equation permanently. she may still be far from the top but she’s creating a path for herself to climb.

so yes, she’ll let tom play king for a day, and she’ll have his baby and say “congratulations,” and play the gracious wife, but tomorrow is a new day with lots of room to maneuver. and when her husband puts out his hand, she’ll place her own on top. but she won’t grasp it because she doesn’t need to.

[drizzledrawings]

Do you have a full master post of like your cowgirls lore, how they met, their backgrounds and situations they got in ect. I absolutely am obsessed with them.

Why thank you so so much

I’ve talked so much about them on here, but it’s scattered, and quite a lot of it has evolved lore wise

So let’s make this that master post:

Basic lore for this universe:

Set in a non specific time of the Wild West (implied to be the tail end of the era)

But with a magical twist. The folklore of things that are not quite human living alongside humanity is real, and they are hunted for their skin. It is a known fact that shapeshifters exist, and they are illegal. Though some peoples “magic blood” don’t always show itself as Shapeshifting, it can also appear as accelerated healing or acute senses. These people are generally referred to as beasts or animals

These transformations are hard on “beasts,” they take up a lot of strength to preform them, and if you’re injured in one form, it can take time before you’re able to switch. If you’re injured enough it can be permanent.

Brunette: Flora Guerra

She was born to an Italian immigrant family with strict parents, as well as the youngest daughter to five other children. When she was 16, her parents arranged a courtship with a much older man. Flora was furious, this rage culminated in her first transformation, unfortunately this happened in front of the man as well as the rest of her family. They immediately turned their backs on her, disgusted with what she was. Terrified, she fled. She hopped on trains and resorted to petty theft to make her way west, to a land she hoped would be freer than the life she left behind!

Her first big brush with the law was when she stole her horse Bandit from a man who was treating him poorly. She fled the scene but only after shooting one officer. (Thus her first ever bounty was for murder)

Her main way of making money was seducing men and robbing them blind while they were distracted by her beauty, unfortunately she picked up the wrong trick one day, a notorious gang leader, who instead of shooting her outright, brought a then 17 year old Flora back to his gang. She became “his girl” and used her looks to help him get what he wanted.

In the gang however there was one man who was like her! He could turn into a wolf, like how she could turn into a jackalope, they formed a bond, and when the gang fell apart, he was the one to get her out safely.

Ginger: Mattie (Matilda) Hayes

Mattie is the eldest daughter of her odd family. Her father and mother immigrated from Ireland, her mother dying during childbirth of her youngest child, Ben. Because of this, Mattie became the sole caretaker of him, very much raising him herself. The entire family were beasts of some sort.

Mattie could turn into a fox from a young age, her brother as well started to transform around the same time. (Though he was a cougar)

Their father, was also odd, in more ways than just beastly. He was a sour old man with a mean streak, drink had a mighty hold on him. After an incident that broke the camels back, involving hateful words and a smashed beer bottle, Mattie had enough. In a fit of rage she set fire to her father’s barn, in the aftermath She packed her bags and set to leave. She tried to get Ben to come, but he refused and told her to never come back. So she listened.

At 18, her and her horse June travelled the desert, finding odd jobs, pulling off some robberies, and failing at pickpocketing, this left her with quite a price on her head.

After a couple years of travelling by herself, the way she preferred, she ran into Flora for the first time.

First meeting:

They met as their animals first, Mattie was trying to hunt Flora but got startled by her horns.

Later on, she was trying to rob a man on the side of the road. Only for Flora to swoop in at the last moment and get the trick instead. (By “saving” the man, but picking his wallet a moment later)

That night, Mattie was nursing her hurt ego by drinking her weight at a saloon, but alas she couldn’t even enjoy her whiskey in peace, when the woman who stole her prize sat down at the bar with her.

Pissed off Mattie tried to storm away but bumped into an angry drunk, this turned into a full on bar fight. Which Flora dragged her away from and offered to patch up her wounds

They stuck together after that. But didn’t become lovers till much later

Flora fell first, but Mattie fell harder.

JESUS this is long I’m sorry

Anyways main plot:

Word gets to Mattie that her father is dead, and her younger brother has resorted to a life crime. He is being set to hang once he’s caught. She sets out to find him.

Flora’s old gang has picked up on her location, and they are hunting her down. Scared for Mattie’s safety she works with her old friend to figure out how to keep them off their trail.

The two of them have also been found out to be beasts by the law, so on top of being wanted because of their crimes, they are also being stalked by beast hunters.

Everything seems to be going okay, Mattie finds Ben, and together her and Flora help him get away from the noose, they look after him and bring them to their camp. They thought they were evading the hunters as well as the gang.

What they didn’t know was that Ben still held a grudge for Mattie leaving. He blames her for their father’s ultimate death.

He rats them out, not only to the hunters, but to Flora’s old gang. He figured that if he gave them their location, the law would let him go. They took the bargain.

The hunters and the gang ambush them, Ben leading the way.

Flora gets injured during the fight in her human form. Ben nearly kills her.

The siblings go head to head in their beastly forms, and against all odds, the fox beats the lion, killing the last remaining member of her family.

Flora, incredibly injured, cannot transform, and for reasons unknown to Mattie, she cannot switch back.

Years pass, Flora has a limp that doesn’t go away. She is never able to be her animal again. And Mattie, well, she didn’t get too injured that day, though it seems like something broke inside because she lost her human form.

They move north together, and live a peaceful life, even though it’s not quite normal. What with Mattie being a fox and all that.

A decade or so after everything, they’ve been out of the life for a long time, is when Mattie finally finds herself again. Though she’s very different to what she used to be, her human form had changed, more fox like and more wild, though still her. She can only take that form for bits at a time, but it’s something. They’re happy

If you read all of this… damn thank you!!

[meo-eiru]

Do elves have ruts?? Or more specifically do Silas ever get into rut? And if he does, how would he deal with it with and without his darling!!!??!? A darling who's willing to if Silas ever gets too needy??!!

Elves have pretty long life spans so I don't think their biology would evolve in a way that would push them to breed quickly.

But do not worry, Silas might not have a rut but he is already a horn ball for you 24/7. It's like dealing with a guy in his rut everyday!

Outside of that Silas doesn't enjoy pleasuring himself alone. It's still a new world for him but he prefers experiencing all the pleasures with you. He would masturbate only if you're watching him or helping him with it, like sucking on his tits or kissing him.

[temis-de-leon]

Dateables realizing their feelings for reader

Characters: Diavolo, Barbatos, Solomon, and Simeon (x reader, separately)

Main Masterlist

Part 2 , Part 3 , Demon Brothers version

Romance Anon: Could I request headcanons for Diavolo, Barbatos, Solomon, and Simeon realising his feelings for gn reader?

A/N: I think the reason why this one took so long is that I already described part of their crush in Part 2 (originally Part 1), so this feels just like an "extra". I don't really like it and it feels very OOC and incomplete, but it's the best I could do <3

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Diavolo

He has always been thankful for his ability to read emotions. It helps him distinguish between those who try to take advantage of his positive nature and other, more honest, people willing to open their minds to his ideas, even if they disagree. 

This gift tends to leave him drowning in isolation as if he were observing a party he wasn’t invited through a window. Would he rather live amongst lies and blissful ignorance? Would he prefer not knowing when someone has intentions of hurting him?

Those are drastic thoughts, he knows, but they roam his mind nonetheless. 

Diavolo is painfully aware of the main root of his recent ruminations; not a traitor amidst his court or a threat from far away, but, instead, something more heartbreaking: his new human friend. 

The moment his daydreamings begin to include you more and more, the dread of realization stops his heart. He’s never fallen in love, let alone with a human. What is he supposed to do?

The possibility of letting you go so both could find a better fit crosses his mind, but his unwillingness to lose you doesn’t let him entertain the idea. 

Would you fall for him as well? You, the one who treats him like a friend and not a loyal servant? The one who, after seeing the leathery wings behind his back and the ornate horns above his head, still pushes him to become what he could be? To reach what he yearns to achieve?

He’ll have you if you allow it, and he’ll wish for it if you don’t.

Barbatos

He'd like to have more time to evaluate how strong his feelings for you are, but, ironically, there's no such thing for him.

Your smile stays in his mind while he runs errands and the melody of your laugh follows him in silent moments. He writes your name instead of food while listing groceries and your voice stands out the most when everyone is reunited.

Attraction; the birth of affection.

He thinks (hopes?) those aren't stable enough to evolve into something more frightening, but how wrong he is.

In reality, Barbatos is as jealous as Mammon, but his resentment towards said demon doesn't appear until the brothers start to argue about you when you aren't around.

Is it true? Is Mammon "your first"?

Although composed as ever, there's no denying his change of heart. He feels frustrated, but not at you, and the sourness fills his mouth no matter what he eats.

When the misunderstanding is clarified, after another one of Mammon's fits and Satan's exasperation in retaliation, the sense of relief leaves him dizzy.

It is serious then, isn't it? Nothing he can escape unless wanting heartbreak.

Forcing and rushing your reciprocation is not something he feels comfortable with; what would be worth if it weren't natural?

He's willing to wait, being the patient demon he is, and while his longing grows with each passing day, enjoying the journey feels just as exciting.

Solomon

The human sorcerer falling for the other human exchange student?

It's a slow process and he doesn't notice the change until it's too late. One moment you're just acquaintances and the next he can't do anything without thinking about you.

He has a book you might like, why not go to Purgatory Hall for a quick visit?

Are you okay? Do you feel lonely? He knows the brothers can be a handful sometimes, so don't worry and talk to him whenever you need to.

He supposes it makes sense, but that doesn't make it less disheartening.

How cliche of him to develop feelings for the only person in the Devildom he will outlive.

The memories of past long-lost lovers haunt him as he ponders the idea of giving you a chance. He knows loving you would feel wonderful, but do you even like him back? Is the risk worth a chance?

Will it compensate for the pain that your eventual passing would bring?

As time passes and the potential of your powers arises, Solomon decides that he'd rather try and lose than not try at all.

Who knows? Maybe fate will trick you both and let him have you for the rest of eternity.

Simeon

From all the things Simeon thought he would learn while living in the Devildom, experiencing love was not one of them.

The feeling per se isn't foreign to him, he knows it in many forms, but what he finds in you doesn't resemble anything he's ever seen or felt before.

It fills his heart until it's bursting at the seams and, yet, he still wants more.

He daydreams a lot, captivated by your image to the point of losing awareness of his surroundings. He blushes and humms, doodling and making romantic interests for his stories according to everything he sees in you, both the good and the bad side.

Simeon has a positive mental attitude around his growing infatuation towards you, since, while the possibility of not being reciprocated is there, he knows your friendship goes beyond that.

Perhaps that is why you settled so easily in his heart: the roots of platonic love wouldn't go to rott if being rejected were the case.

This is new and exciting for him, an unknown path he's willing to explore regardless of the results.

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Taglist: @ilovecandys2010  @ollieoven

[heartswithinreach]

LaDS with an autistic MC

a/n: another one i’m writing for me. but i tried to touch on different symptoms so others can feel included 😊

Xavier

He’s been asked if he’s on the spectrum more than once so he’s aware of what autism is but not much else.

That quickly changes when Xavier finds out you’re autistic. He does as much research as he can, both through books and online articles, and then subtly does his own study with you.

If he’s on his phone, you can bet he’s noting your preferences (food, texture, smells) and your interests for future reference.

Pleasantly surprised by how you start to change as you become more comfortable around him. He’s very glad to be allowed into your inner world.

Xavier never wants you to feel like a burden or you’re broken somehow. You are simply you. And he wouldn’t change a thing about his beloved partner.

Zayne

Autistic!MC 🤝 Autistic!Zayne

Zayne was diagnosed before you but didn’t pay it much attention until you got the same diagnosis in your teenage years. He added autism to his studies for medical school, learning how to care for you and himself at the same time.

When you come back into his life, he surprises you by remembering all the strategies and signals you made to support each other when you were young.

Masking has always been difficult for him. Hiding aspects of himself exhausts him so he makes sure you know you never, ever have to pretend with him. You can be yourself around him.

Zayne is in no rush when it comes to how your relationship evolves. You can both take your time in figuring this out and he’ll always be there.

Rafayel

“Yeah, I knew you were a weirdo from the day we met.”

Rude! But if you were worried telling him would change how Rafayel sees you, you have nothing to worry about. He’s loved you for so long, it’s just something new about you he gets to discover.

He loves how radiant your smile is when you talk about your interests. He could listen to you for hours, just basking in your light.

Rafayel also loves the opportunity to play hero.

“What’s wrong, cutie? You’re anxious and wanna leave early? Eh, this party was boring, anyway. Come on, I’ll get you something sweet on the way home. Don’t worry about offending anyone, I’ll take care of everything — you just breathe, okay?”

Sylus

With how rocky the beginning of your relationship was, it’s not unreasonable to think he would get frustrated with you the same way he did when you couldn’t resonate with him.

But no. Sylus is actually your most fierce and loyal advocate and very protective of your peace of mind.

He takes care of potential issues before you can even think of them and is slowly turning his home into a place of comfort for you — while keeping his aesthetic, of course.

Sylus happily allows you to cling to him in public, taking pride in how you go to him for protection. And if you have to go somewhere alone, you’ll hear Mephisto’s cry following you.

Never touches you without warning and always stops at the first sign of discomfort. Anyone who doesn’t do the same is swiftly handled by Luke and Kieran.