the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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I think a lot about Leo standing up for his brothers in the things that really matter to them.
Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.
Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.
And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.
All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.
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whoever popularized the “amity wants hunter dead” fanon is literally my worst enemy. like look at this. they’re buddies. imagine being wrong about Everything
and the fact that amity is second to the airship before they realize that hunter wasn’t actually taken.. she does not hate that boy!! they are friends!!!
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Hello I love your art!!! I was reading through your changeling au and Felix mentions that fae are creatures of mirth. They literally need attention to survive. But what kind of attention? I guess I'm wondering because Adrien has been in the public eye for a while now, but has been personally neglected for even longer. What does that mean for him? Is he starving? Is he in danger of dying? Does he even know it? (I assume not given he doesn't even know he's Fae).
If he is starving / in danger of starving who is the first to realize this?
it depends on the mirth, on the attention, on what it is they seek. Without making things too complicated - I don't like to define everything into neat little boxes after all, there's fun in nuance - Felix is just explaining from his experience, the Fae he was with tended to be "entertained" by certain aspects of their playing, which was the mirth that kept them relevant. Relevancy more than anything is really what keeps their wheels greased.
In Adrien's case though, the reason he's cloying for so many names and to have so many thralls and attendants is because he SHOULD be a more social creature and has been kept woefully alone. He is kinda starving in the way a fae starves - he's relevant, but only in an image his father constructs OF him, which means it isn't REALLY him - and he has no one to play with. No friends, no lovers, and no rivals, makes a very sad fae
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I've seen a lot of takes on what would happen if Sonic and Tails returned to West Side Island and confronted the people who were so abusive to Tails, and I had an idea for a somewhat new spin on it.
What if, now that Tails is a world famous hero, the Islanders try to try to basically gaslight him into thinking none of the abuse ever happened? They find out he's coming and they throw a big "Welcome Home" party and give him a medal and stuff, and when confronted about their treatment of him just completely deny or twist it. Like "oh yes I'm so sorry there were a couple kids who were bullies but that happens to everyone you weren't being targeted, and we tried to get them to stop it" or "we didn't know you were alone and homeless, if we knew we would have taken you in" and all sorts of garbage like that
And Tails, who's maybe a tween-young teen now, and no longer has distinct memories from that early in his life, starts to question if maybe he really was blowing things out of proportion. Maybe he really was just bullied by one or two kids, and they weren't really that bad. Maybe people didn't really chase him away and refuse to even let him go through their garbage for food. He knows he has anxiety. Maybe he was just imagining how much everyone hated him. And he almost wants to believe it, to believe that he was never truly hated.
But Sonic remembers. Sonic remembers the gang of older kids beating and violently attacking toddler aged Tails, and only stopping when he physically intervened with his own fists. He remembers questioning the townsfolk about the two-tailed fox he'd seen and being meet with sneers and complete disdain. He remembers how skinny Tails was, how his ribs were visible even through his fur and how he wolfed down the food Sonic offered him so quickly that he nearly threw it up later. He remembers how Tails flinched from any quick movement or attempt at touch. He remembers the long process of gaining the fox's trust, a process that tested his nine-year-old patience as he spent literal weeks urging Tails to come closer, keeping his hands slow and his face friendly, finally getting the fox to join him at the campfire, to walk beside him without dashing away when moved his arm too fast, and then, eventually, to let him touch him. He remembers the first few times Tails let him try to brush out his matted, dirty fur, each knot a testament to neglect, and finding scars and wounds on the skin beneath that spoke of so much abuse. He remembers realizing for the first time that normal, everyday Mobians could be just as cruel as Eggman.
Tails doesn't trust his own memory. But Sonic remembers. And Sonic is not quick to forgive.
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