#the point of statements isnt to point out every single thing that could be in it.... its what clearly was terrifying the statement giver

[trans-estinien]

people really love to conveniently forget trans men exist when they talk about feminism. or if they dont they make us out as also part of the problem as if we somehow are able to have the same amount of privilege as cis men. absolutely wild

[sm0kebreaks]

such a pet peeve to read things where ppl refer to the mass ritual as the watchers crown

[ditzydoodiary]

autistic ramble about twilight sparkle because i love her sm and shes my fave autistic comfort character !!!

this took a really long time to make, and im really proud of it, so any reblogs/reshares would be appreciated ! especially if you like mlp !!

when people say she isnt autistic, i always find myself very surprised. i think to myself, have these people even watched the show??because yes, while the writers and lauren faust may not have intended for her to be explicitly autistic, she is very clearly portrayed that way, intentional or not. not to mention that lauren faust (creator of friendship is magic) has recently responded to a tweet saying that she thought pinkie pie being adhd was obvious; lauren faust has adhd herself, so its not surprising that so many of the mlp fim characters also posess many of the same traits as her. and i also raise the question; if she thought pinkie pie was obvious as having adhd, then why would twilight be any different?? she is very clearly autistic, but i dont think twilight's obvious neurodivergence has been addressed by lauren yet (unless im wrong of course, but i just haven't found anything about it when ive searched for it).

anywho, to list just a few of twilight's autistic traits:

- trouble socialising and making friends (this is literally the main plot point of the first few seasons and is even still present in the later seasons, so its not like this was just a one time thing). an example of this would be in the very first episode when twinkleshine, lemon hearts, and minuette invite her to moondancer's party; she awkwardly declines, saying that she needs to catch up on her studying instead. to this the other ponies say, "ugh, does that pony do anything except study? i think shes more interested in books than friends"

- she has a very obvious special interest in reading, books, research, and the study of pony magic. she indulges in these interests to such a level where she often loses track of time and stays awake all night, and often misses out on opportunities to socialise with her friends. when she cant indulge in them, she gets upset. this ties into finding comfort in routines, too.

- taking things literally (e.g: that part in "look before you sleep" where she takes rarity's statement about them getting warmer in regards to playing a game literally). look before you sleep is also a great episode showing her need to have everything planned out; in this episode, twilight has her first slumber party, and uses a slumber party planning book as a guide. she thinks has to follow every single instruction in the exact same order, and when rarity and applejack dont oblige, she gets upset.

- HEAVILY relies on schedules and planning. she utilises all kinds of lists; visual lists, written lists, checklists, etc. when she's unable to stick to her routines/plans, she becomes irrationally upset and/or angry, lashes out at other people and can have meltdowns. this is again shown all throughout the show, but is more prominent in the episode "lesson zero".

- LOVES organising, lining things up, and finding visual patterns in all sorts of things. she'll often just do this for fun and as a way to calm down, while others might find this more of a chore. i suppose this can be done as a form of visual stimming? I don't really know what this is called; but i know a lot of autistic people do it. i suppose this could also tie into needing routines and structure, as organising things can help autistic people feel more in control and can provide a sense of stability.

- she can often come off as insensitive or rude without meaning to, and sometimes she struggles with tone as well as being quite blunt. this is most likely due to her misunderstanding or being unable to read typical social cues. this could also perhaps be linked to low empathy, which is something a fair few individuals on the spectrum experience. this is especially true in the earlier seasons, but still shown in the later seasons as well.

- twilight also struggles with regulating her emotions and having meltdowns; this is typically the result of her needs not being properly met and her routines being changed. and when she's not having full blown meltdowns, she can at least be seen being snappy towards her friends when overwhelmed.

- stimming !!! oh boy does she stim a lot. stomping her hooves, jumping up and down, PACING (this is a big one), teleporting spontaneously when overwhelmed, flapping her wings, etc. in fact, twilight once paced so hard for so long that she made a groove in the floor without even realising !! (this was seen in the episode "its about time" - which is also a good episode that showcases her autistic traits)

- shes also sometimes shown struggling with overstimulation; in the third episode of the series, "the ticket master", twilight gets overwhelmed by her friends crowding around her and loudly shouting, resulting in her running off and snapping at them.

- shes often shown struggling with generalised anxiety, which is another common trait of autism.

and the best part is, this is obviously a common occurrence, and her friends fully support her through her struggles !!! her meltdowns, overthinking and anxiety are so frequent, that her friends know exactly what to do and how to help her.

obviously, this isn't every trait, this is just all the surface level stuff !!

i would have included more video and photo examples, but tumblr has a limit on how many you can add to a post :( i hope i still got my point across despite that !!

all in all, i think she's wonderful autistic representation !! even if this wasn't intentional, i still think it's great and love the way her personality and traits were portrayed. the main character of a children's show possessing these traits is awesome and something you don't see too often !! i hope lauren or at least someone on the production team talks about this, because it means a lot to myself and many other autistic people who love mlp <3

[hopepunkhealer]

Hey hey hey!! Ghostflower!!

On the topic of physical media, for that debate, if it ever comes up again, tell your teacher that when they get married (or imagine the wedding they already had). The DJ they hired shows up. Their entire system is built on streaming because it’s accessible and the easiest way to get into DJing anymore.

But uh oh. The service isnt great. Or they forgot to download something to play offline. Or the wifi is being weird. Or they were planning on using spotify and suddenly spotify changed their terms of service and wont function as a third party service for DJ equipment (cause that actually happened). So now the DJ you hired doesnt have access to many songs, let alone the ones that you requested for specific moments. So now what? Without physical media, your wedding is out of luck.

The point is, just because the majority of people dont use it regularly, doesnt mean its not something that other people dont need. DJs *need* to be able to make and use physical media. Im sure there are more professions that need it too. But if you want your wedding to go smoothly (music wise) you should 100% have a DJ that has physical media at least as a back up.

(Using weddings as an example cause that tends to be the end all be all event for a lot of people that they always want to go perfect - same could be applied to any event you hire a dj for)

- @safety-pin-punk

my teacher was on my side of the argument, it was my classmates who were against it.

it started because we brought up music streaming, and I mentioned if you lose the account you bought music through or streamed through, you lose that music, and one particular classmate told me I was wrong (her favourite thing to do, mind you), and that streaming services are a perfectly fine way to do music. and yes, spotify is quick, its convenient, etc. but the example I had was ITunes, specifically the fact that my mum lost hundreds of dollars of music when apple switched from Itunes to apple music, because she doesn't use apple anymore and couldn't sign anything in.

classmate and i then went back and forth for another 10 minutes and classmate finding some kind of counter for every single (what I thought were good) argument I made.

but either way, my general statement in most things, is that physical media is so important, not only because of the "it means you own it" argument, but also for media preservation. so many streaming services just take down shows or movies or music just to clear server space, and it means there is more and more lost media.

like think ahead in your life if you have young kids in your life (be that students, friends kids, family, etc) and you want to show them what you were like as a kid/teenager/young adult/etc, one of the best ways to do that would be pictures in a photo album where yes, something could happen to that photo album, so its a good idea to keep back up copies online anyway, but having that solid tangible picture is so special.

[unlimitedhorsepower]

been rotating t&b2 cour2 in my mind like a 5D object...

i wanted to write more comprehensive post to air some of my grievances, and of course finally releasing my exclusive statement on my special beast ryan goldsmith.

however when i started to write this i realized i have a shitton of thoughts and could rewrite the entire cour if i really thought about it, so i actually mention most characters in this self-indulgent essay of mine and you can just skim through if you were interested in my thoughts.

i talk a lot of yuri here even if i went into this thinking that ive already talked about him enough, because he fascinates me...

anyhow, here they are, my more comprehensive thoughts under the cut because theyre not spoiler free:

this is unbearably long: ive bolded some key sentences that build up to something if youd like to skim it instead of reading it. i also suggest you using Ctrl+F to find mentions of characters you care about because ive literally mentioned every single character in this in some way and it genuinely is incredibly long and convoluted.

i talk about some characters way more because i wrote those parts earlier and felt more full of energy. i also talk a lot about ryan. perhaps even more than he deserves! but he is my favourite character, youve been warned. i didnt even mean to make him seem so important because hes not, lmfao.

ill say, it can definitely be a bit confusing if its not being read it order but like, meh... i guess it was also more important for me to get my thoughts out so that i can have other thoughts again.

this entire thing got away from me and at many points devolved to me not only ragging on t&b2 but extensively discussing my alternatives which couldve imo built the entire thing into something more worthwhile...

ive added like three screencaps to make it a little more exciting to scroll through, and if i have energy left im gonna add more images to make it less like a huge wall of text, which it is. but right now i just wanna post it because i genuinely spent 10 hours straight writing this and then woke up today and spent another 10 hours writing it.

i think this is my therapy over yuris arc, because that genuinely made me sick. maybe im unreasonable and just pissed off about that specifically, but who knows. not me!

so, to begin... t&b2 cour2.

hmm.

i initially called it “good” and said i enjoyed it besides yuris arc, but that feeling was born from the sheer emotional turmoil yuris death gave me. in comparison, everything else in the cour was fine- great, even!

there can be missteps and flaws that diminish your enjoyment but that are easy enough to fix in your mind, and then theres a misstep of the sort of a character dying after the narrative spends a lot of time giving me what i can only describe as trauma porn.

i already wrote about that here, so ill skip some of the things related to yuri (i just cant get over it... i keep circling back to him throughout this document because hes such a central figure to what we got and what i thought we would get).

cour2 had such a solid basic understanding of characters, but there was just way too much going on at the same time and way too many loose plot threads. cour2 was like building a house of cards on top of a solid brick foundation and expecting it to hold water.

cour1 isnt perfect, but it was pretty good in introducing us to new concepts, new characters (three new heroes to our ensemble cast, one returning talent from the rising who needs less establishing, and the new villains, and more) and the new plot threads, but i also feel that misogyny unfortunately played a great role in who got arcs and what sort of arcs.

season1 isnt perfect either, of course, but one could imagine a sequel follows up tonally with its predecessor and also improves upon it, especially because this has been explicitly suggested by the creators (like improving on nathans portrayal, for example!).

cour2 majorly failed to follow up on the promises of cour1 and the overall promises of what t&b is like in tone and content. there were too many plot threads and too many characters. i wouldve entirely cut out aurora and large parts of yuris/lunatics “arc”. the latter i wouldve tied into LL audun and a greater plotline of mr.legend and heroism.

speaking of mr.legend, yuris hallucinations of him were excessive and felt extremely cheap. i know i said i wouldnt focus on yuri, but i feel like i have to... mr.legends force ghost saying anything will never amount to any healing or retributive action from the man himself, but i felt like i was supposed to feel it was “good” he knew those things.

i felt that the narrative was telling me that indeed, yuri had loved his father once, and he had positive qualities, but i already knew that. i also never doubted that both of his parents had once loved him- its just that those things dont take away from how poorly they treated yuri in the end.

im willing to extend some sympathy to yuris mother, but to mr.legend, never. in one of the mangas mr.legend in the past asks young maverick to wipe his memories of him ever having powers (even though the memories will return to him in due time since thats a major thing to change) so that he can be free of the guilt he feels.

even without that, i already knew that the real mr.legend most likely felt some sense of guilt over his actions, not just the mr.legend force ghost/yuris hallucination.

i know: i simply dont care! he may have been put into a shitty situation and suffered, but it was his choice to hurt others. it was him who used his status to fix fights and beat his wife and child. he was in a position of power, and he took advantage of it to make himself feel better.

side note, alcoholism keeps being equated to evil by it being explicitly referenced with mr.legend and gregory sunshine even if by itself its a taxing addiction and addicts are people who are suffering, not caricaturish evildoers. antonios drinking habits have been equally worrisome sometimes -if you look at his schedule in KOW the rising, he is very much using alcohol to drown his sorrows- and this briefly comes up in cour1.

in cour2, its played up for jokes: antonio took ivan drinking and ivan drank way too much and did funny things while he was drunk (more on this later). antonios just different actually, because hes fundamentally good.

it was shown to us that mr.legend was very active in the match fixing himself... i think it wouldve been more fitting to show child yuri spying on his fathers discussion with maverick trying to suggest it to test the waters of seeing how easy it would be to manipulate mr.legend into it, perhaps about to offer him coffee to signify hes about to change memories if he needs to, and mr.legend jumping on the offer instead of declining it and shattering yuris high opinion of his father.

maverick not being included just reminds me how yuri is somehow a secret child nobody knows about. we remain in the dark on how yuri ended up taking care of his own mother and what he did to attain the position of a judge.

we still dont know the details of who covered up mr.legends death and why and how. it wouldve only made sense it was maverick, but how the hell did he then not know that yuri must be the one with the powerful NEXT power?.. how did he in general not recognize yuri once he became a judge? was he not distrustful?

more importantly, why did he not try to manipulate yuri? wouldnt it have been a huge boon for him to find a vulnerable child who is mr.legends son no less, and to raise him into a tool like he eventually raised barnaby?

i could see that yuris mother olga (i think its officially translated as origa, but its definitely olga) actually protected him back then. after all, he was the only remaining family she had left, even if she too grew to resent yuri at some point for some reason (and somewhat understandable, given how she was portrayed in s1 accepting mr.legends treatment: she had submitted to her fate and become traumatized).

however, olga has calmed down from her potrayal of throwing plates at yuri in s1 and the change happened without explanation but an acknowledgment from the caregiver, and she is never given any depth as to why she could blame yuri so deeply and fervently in some of her more lucid (?) moments.

in cour2, she becomes just a vessel for inflicting more trauma on yuri, and its her only purpose: shes not her own character. shes a woman, specifically a mother, and thats all we need to know about her.

i know that my tinfoil hat theory of gregory sunshine being yuris biological father is implausible at this point after all that talk about hero blood in yuris veins, but it wouldve genuinely given olga much more depth to give her a reason (not a justification) on why shes been so aggressive towards yuri and blames him specifically, if yuri had been an illegitimate child or somesuch. but i wrote about that already in the linked post and its replies.

back to parental figures, i think laras mother zamira was a great character in cour1. shes not a morally good character, no, but i think her portrayal was strong? it was very clear to me that shes treating lara as an extension of herself instead of her own person. she controls her and her life, and she reprimands lara for having thoughts and feelings beyond her control.

it is her who has set lara on this path to heroism, and it is for her benefit. lara is a vessel for her to life through, and this could be easily contrasted with yuri and his burden about being mr.legends son.

however, in cour2 the entire premise is undermined when zamira is proven to “actually care” about lara. if i dont remember wrong, paolin even says that “she reminds her of her own mother”, which i was meant to understand in a positive way. this is presented in tandem with mr.legend(s ghost) somehow “really caring about yuri” in that odd scene they had together.

its also proven that zamira wasnt an unreliable narrator about her prior tennis partner pamela, because we see pamela easily blame NEXT for existing in the news as proof that she is cruel. i get the sense were supposed to think zamira was just sad and trying her best to raise lara and make sure nobody takes advantage of her like she was taken advantage of.

i frankly dont care! she had, undoubtedly, treated lara the way she treats her in cour1 for laras entire life: shes 14. it leaves a lasting mark she can never take back. “im sorry” doesnt even begin to fix it.

i wrote about yuri adopting lara here, so i wont delve into some very specific AU, but it wouldve felt much more reasonable and realistic for lara to be freed from her mother, not even necessarily in the way my pipeline dream describes, in a way that couldve emphasized yuri and his good qualities.

t&b has never been free of misogyny and other issues, but i feel like this cour really brought a lot of those issues to the surface instead of improving on them... instead of a nuanced portrayal of a fractured mother-daughter relationship, we were given something that just felt like underlining the fact that zamira is a mother, of course she cares about lara in more ways than for her own benefit.

zamira is a mother like olga, and thats what we “needed” to know about them in addition to knowing that they experienced trauma that just made them forget about their motherhood for a moment, but we learn that olga cared too, she even made those cookies. their mother-son relationship is similarly glossed over.

lara -like yuri- is done a great disservice in the process of redeeming abusive parents. shes a kid who killed a villain on accident in self-defense in cour1, and it felt significant. cour2 doesnt bring this up as a plot point in any way.

i was imagining her getting a much bigger arc that couldve overall easily tied into revealing mr.legend as a horrible parent instead of being its own distinctly separate arc.

speaking of mr.legend being exposed, it was ridiculous that yuri revealed mr.legends awfulness to kotetsu and barnaby and it fell fully flat due to kotetsus and barnabys reactions, or rather due to their lack of reactions, which was strange for them both.

its realistic enough to have yuri do something like that, even if it was sudden: it feels like he was under a lot of duress and clearly seeking help in any way he could, justifying it to himself in some “logical” reasoning for it because i dont think he would consciously realize he needs and wants someone to believe him.

before i get into that and how i think they shouldve reacted with far more compassion, i want to say that to me its clear that kotetsus career in heroism has led him to neglect kaede, especially in the past when kaede didnt know that her father was a hero. this is brought up a bit in cour1, and for example is prominent in the beginnings additional scene where kaede begs for her father to show up at the ice rink just this once.

the series shows their father-daughter relationship mostly from kotetsus side, so that we know hes trying his best and really wants to be involved in kaedes life but hes genuinely busy, but if you think about it from kaedes perspective, kotetsu hasnt always been a good father to her and kotetsus business doesnt take away from his failings.

misogyny plays a role in this portrayal, and that i cant blame kotetsu for as a fictional character, but the fact that some of his actions are played for jokes and the fact that he continues doing them bother me, like pretending hes doing yoga like kaede suggested and instead of actually doing it. i wish he was more honest with her, even about those little things!

narratively in the rising, again, kaede is forced to adopt a tomoe-like role in encouraging her own father to continue his hero work, which isnt cute to me at all. its extremely emotionally taxing to have to be more responsible than your own parent and give them advice.. in cour2 she is again protecting her father from the truth that his mother is bedridden (nothing, afaik, comes out of that by the way?).

why is kaede protecting kotetsu, and why does she feel the need to do that? shes a child! she should be able to depend on his father, not feel like she has to protect him just because hes a hero.

those things frustrate me about kotetsu and the narrative around him and kaede, because i think this moment especially couldve used to do something about this dynamic and parenting. however, every parenting-related thing in cour2 was atrocious.

kotetsu has flaws and i think he has done wrong despite trying his best (sometimes your best isnt enough!), but he isnt cruel and genuinely does care about kaede, and he cares about others even if theyre not his family (he is a busybody, after all). he is a single father and a widower whose late wife pushed him into hero work, and his old mother supports him greatly, as does his brother.

despite family being so important to kotetsu, he ends up not reacting much to yuris admission that mr.legend beat his wife and child. doesnt that seem like something he wouldve focused on? good-hearted as he is, wouldnt he have been utterly shocked to hear that someone who “saved” him couldve been so thoroughly rotten?

it shouldve shocked him more than match-fixing and clinging to the identity of a hero: imagining himself becoming a cruel parent (and a husband).

i think he shouldve admitted that his own hero career has caused him to neglect kaede, and that he didnt even properly realize until as of late how much it had affected her- that he has flaws too and cant claim to be special or that mr.legend was an outlier, and that he cant imagine how hard it mustve been for yuri to go through that.

it wouldve been far more compassionate of him, and he really has a lot of compassion for others! i refuse to watch that scene again right now so maybe i remember some part wrong, but still: in my opinion he was a dick to yuri, and very defensive about himself. he didnt try to console him, it felt like he wanted to set himself apart as a better person than mr.legend.

i dont understand why he didnt at least try to find yuri after hes stormed off and hes realized that he said stuff yuri probably didnt want to hear? thats a thing kotetsu does all the time: he meddles. he gets things wrong, sure, but he meddles, and pulls people aside to have a chat with them and to try to help (like he later on does with barnaby).

kotetsu believes in heroism and his ideals of heroes, and its also very personal and family-related to him, so for him to be more shocked by mr.legend clinging to his hero image than the abuse part explicitly was a weird narrative choice to inflict more pain on yuri. i dont think yuri felt understood at all.

i think kotetsu wouldve been able to discern the most important part of this: that mr.legend was a bad father and husband, and he shouldve extended compassion to yuri (even if yuri didnt ask for any). thats what he did with barnaby in s1 as well!

just like kotetsus nonreaction to what really mattered in what yuri told the two of them, barnaby didnt have much to say which made the entire scene feel more callous.

its a deliberate choice, and its as odd as kotetsus reaction.

barnaby saw his parents dead in front of his eyes and was taken in by maverick and regarded him as a parental figure he could depend on up until the moment it was explicitly revealed to him that maverick had killed his parents and used him like a tool.

i could understand kotetsu initially being defensive (hearing someone he was “saved” by being thoroughly awful is not easy!) if barnaby had chimed in and snapped kotetsu out of it, which wouldve also played into the idea that people need others to support them and also to “steer them on the right path” so that kotetsu manages to focus on the most important but also the most painful part even if it also hurts him to think about, including admitting to his own failures as a father.

i think barnaby shouldve immediately been sympathetic towards yuri, and it couldve also signified how far he has come from his first appearance in s1 where he explicitly had closed himself off from others, and perhaps even realized that yuri is acting like he once did and is deeply lonely.

his sudden admittance to being mr.legends son is an urgent cry for help!

canonically, the moment started and ended and neither kotetsu or barnaby cared enough to say anything nice or follow after him. i think it was out-of-character, and they were forced to act like that to make sure yuris downwards spiral would continue. it was cruel.

the plot often felt explicitly manufactured towards a certain endpoint instead of feeling natural and in-character, going so far the narrative took explicit steps to prevent certain things from happening.

the “prevention of things” was especially obvious with ryan.

this is going to be long because not only is he my favourite character, but ever since his introduction in the rising he has occupied a specific niche that couldve played into the theme of questioning who really is a hero and why, and what makes a hero.

because karina forms blue golden with ryan, i dont think i can discuss ryans lack of any real arc without bringing her up, especially because karina and ryan have both been positioned as being more of “main characters” than the rest of the supporting hero ensemble, which is why i especially expected more out of them.

karina has been central ever since the pilot of t&b, in which she is featured: she has a lot of connections to kotetsu including her childish crush, and out of all heroes, it is her who kaede calls when she wants to plan something, and ryan was introduced as a main character in the rising and embodies traits from both kotetsu and barnaby, including visually.

to begin with, ryans themes from the rising arent contradicted by cour1 setting him up as having very personal beef with gregory sunshine, the most prominent antagonist because the heroes never properly meet rosicky and LL audun is a last-minute addition (who wouldve deserved more screen time, more on him later).

in cour1, we come to know that gregory caused ryan collapse a building on himself and nobody helped him, his fellow heroes laughing at him before they leave him bleeding underneath rubble. in cour2, we see more of it and that he didnt only get buried underneath large amounts of rubble, but that he majorly injured (or worse) a large amount of civilians as well.

again, im not sure because im not going to rewatch, but i understood it was supposed to be the same instance as the one where his fellow heroes laugh at him, unless its just a nightmare he has that civilians were injured as well.

regardless, he was personally affected by gregory, and he wants gregory to not to run free, and its a fact that hes actually very emotional and acts impulsively under duress, like trying to leave sternbild the moment he thought karina was going to ditch him as a buddy (because he, like yuri, is actually lonely and wants people to understand him but gives up way too quickly).

he also breaks the door into gregorys apartment without a second thought (this is breaking&entering!), and later on we see him yelling and gesturing at blue goldens manager in a quick background scene about their new contracts.

however, his reaction to mattia allegedly ratting them out to gregory is “slightly miffed” at best, even if gregory was so close to being caught by him. it feels unbelievable to me, especially because i think his loud and genuine emotions are his strength but also his potential flaw.

i think he shouldve acted way more unreasonably emotional about it, instead of only bringing up how anyone can betray you at any time. to take a detour to karina for a bit, it was also ridiculous that karina had nothing significant to say to that.

she has difficulties speaking up sometimes, but karina shouldve been allowed to feel personally slighted by ryan after all the buddy hero arcs being about trusting each other.

it seems that she can only be given arcs that revolve around men and not, for example, her feelings about herself and being able to take pride in being a very hard-working hero, idol, and now a friend too, especially when the new manga shows her reoccurring troubles in trying to balance different aspects of her life like studying and being a hero.

it wouldve stung to hear ryan say that like he was brushing her off: did ryan learn nothing, and was he just saying all that stuff earlier to put her at ease instead of being genuine? it also ties into ryans issue of always being genuine but his eccentric personality making him seem fake/suspicious, like in the rising.

his personality felt utterly stagnant in cour2 with smug quips, however, and he was just positioned as “morally good” instead of the narrative allowing him to reasonably continue his arc and meaning for the narrative by going after gregory as a hero even when its against the law.

some of the themes of ryans character pair off with yuris and any arc he couldve been given with gregory wouldve been perfect to compliment an arc with yuri/lunatic, the truth about mr.legend, how LL audun couldve tied into that.

yuri is positioned as a vigilante, even a villain, but hes shown to save kotetsu on-screen, and he follows his code of justice very strictly. we know his reasons to act the way he does, and he is sympathetic. ryan, on the other hand, is positioned as a hero, but he can be kind of a prick and his idea of justice is remarkably lax in some ways. we can make a good guess why he acts like that, and like yuri, he is sympathetic.

they both are characters kotetsu and barnaby know well, and theyre both more severe than the titular protagonists. kotetsu has bent the rules on occasion to act according to his idea of heroism, but in my opinion ryan is set up as someone who would explicitly break rules for his idea of heroism (or lack thereof).

ryan is a good person and very much a hero, but he isnt the flawed but idealistic hero full of passion like wild tiger, or the humble and pure-hearted storybook hero like sky high, hes the egotistical heracles clad in the golden pelt of the slain nemean lion who knows just how good he is (and thats all he has going on for him, that ego of his).

its obvious that he can be a bit selfish: in the rising he uses his gravity dome to not only to save the building, but he traps all the other heroes in it, including pulling sky high from the air. from the movie commentary track ive gotten the idea that he did it on purpose since he can control the height of the dome he creates.

he also stretches out his dome later, so it begs the question if it was ever necessary to get any of the other heroes trapped in it to begin with.

he does save that building and the civilians within and causes no significant harm because he really is good at being a hero and hes not evil, but the narrative shows that he doesnt treat heroism like the heroes of sternbild do: he lacks the same sense of honorable justice our sternbild heroes have.

being a hero is first and foremost his career, which is why he brings up that “the money is good”, and because hes positioned as an experienced hero, he mustve started out as a child, given that he is younger than barnaby (even if in my opinion is not so much younger than he is).

the rising is strongly themed around justice day and the myth, and its also about him seeing the heroes of sternbild care about each other and their bonds with each other, instead of them all regarding each other as competition like hes used to people treating him, given how unbothered he is by figuring out barnaby didnt only distrust him but outright suspected him of being a villain.

due to seeing the bonds of the heroes of sternbild, he starts to “carry a heart of justice” as per the myth. barnaby suspected that he is a villain and the goddess of the story even if he ended up being more like the people cast aside by the goddess for their selfishness.

in the end he makes a choice: he can stay and keep the central bond between kotetsu and barnaby broken, or he can leave and mend the bond his hiring caused and bring the two of them back together as a duo. in the last shot, the winged lion of apollon media faces away from the camera like the way ryan leaves, while the justice tower smiles.

justice was enacted and she approves of it, and funnily ryan never thought that he could be a part of these bonds which is why he wholly leaves sternbild. in his KOW the rising schedule he meets up with a lot of people but theyre all just acquantaices, and he talks with his iguana. he moves around a lot, its in his title of the “wandering gravity prince”.

he lacks bonds like yuri lacks them, but by giving him a buddy partner in t&b2, he becomes more of a part of sternbild heroes, but its not just going to change who he has grown into overnight.

its intentional that ryan has wings on his hero suit like the ones the goddess is portrayed with, and the rest of his imagery plays into the this theming of the goddess/the sun while echoing kotetsus “tiger”.

lions are associated with the sun, even the zodiac sign leo is ruled by the sun. royals and gods have been linked to the sun in many places, so his old hero suit and title play into it. gold, similarly, echoes this sentiment.

in the opening, ryan “sun” is composed of the streets of the city and missing its center where the sponsor is displayed, but knowing the legend, its where the city was caved in, and it uses the same colours as the illustrated parts of the legend of justice day (in which the sun is displayed similarly, and yes, if you disagree on it looking like the sun, you could be right, perhaps that part is a coincidence.)

yuri is shown in the opening of the rising as well, his slide after ryans and his red moon the central piece of his background and juxtaposed with ryans hollow sun.

and i want to be clear, ryans background changes into a sky full of stars before yuris slide is displayed, which also makes sense for ryan because the heroes of sternbild are portrayed as stars more than once (and its funny for ryan to be the sun because the sun is just a star, its just closer to earth. hes not special, hes just loud about it).

its also significant to me that all heroes are portrayed with slides with a side-view of buildings in the background whenever applicable, even keith who can literally fly: it is ryan who has a momentary birds-eye view.

its the opposite of yuris, in which the lines around his red moon are buildings as if someone was looking upwards from the ground and also somewhat echoes the parts, including colour-wise, where the people are trapped in the cave by the goddess.

lunatic features prominently in the rising once yuri figures whats going on, and kotetsu gets to talk to him about how hes trying to save virgil/andrew from the burden of having killed and whatnot. the entire movie is themed around a holiday called justice day and showing mercy and who deserves mercy and why?

i genuinely thought that ryan being brought back indicates that tiger&bunny continues to question what being a hero really means, by giving the titular protagonists and the narrative someone to contrast with lunatic while ensuring kotetsu and barnaby can stay on the side of “good”/heroes for the sake of them being the main characters.

it wouldve been a purpose fulfilled for ryan to go against the law and becoming a vigilante because of how badly he wants to catch gregory: he has a huge personal reason to do so.

instead of the narrative following the logical conclusion of ryan going rogue due to how badly he wants to see gregory out of the streets, we get a scene specifically to explain why ryan cant follow through with the logical next step of his arc?

what a waste of everyones time, and i get the sense that the writers understand how strongly ryan feels about it (the foundation is there!) because it required both the company owner and manager to hang karinas fate over his head to ensure he doesnt just go on his merry way.

(i dont, by the way, understand that scene, and i cant bear to look at t&b2 scenes again... if you can explain it to me, then please do lol. like i specifically dont understand why ryan doing anything would cause harm to karinas privacy.)

not only wouldve it been meaningful for the entire narrative and ryan, this couldve so easily been used to give karina a satisfying arc that also shows that she is just as capable and deserving of an arc as the guy heroes of the cast, especially as the most prominent woman hero. now, instead, she ends up being a plot device to make ryan feel one way or another.

even if blue goldens buddy arc included ryan realizing that he doesnt need to protect karina, it was immediately undermined by “protecting karina” being his only reason to not go rogue to find gregory?

instead of letting ryan go rogue and giving karina agency in going after him by his own choice, we get that. what was the point?

one buddy pair explicitly going against the (unjust!) law couldve served to put lunatic in a different light and interrogate the hero system as a whole, and it wouldve make sense for it to be blue golden due to their proximity to the titular main characters.

realistically i imagine ryan would have enough respect for karina to tell her beforehand what hes about to do, but unaccustomed to working together with people, he would imply that hes going alone and karina puts her foot down about it: shes not going to stop him, but shes not letting him go alone, because shes going with him.

it is her decision, and it gives her agency and an active role.

they cant have a character essentially say “yeah misogyny and gender roles and that shit is kinda fucked up” and then follow it up with Absolutely Nothing and also give karina an another arc about her crush on a man.

karinas potential as a character is squandered time and time again. in s1 its incredibly easy to miss that shes almost always the 2nd on the hero leaderboard because more attention is paid to her funny moments like her “cutie escape” and general fanservice which is awful by the way, considering that for the most part of it she is a child.

its also realistic for the idol industry, and at times the show comes close to making some sort of commentary out of it but it never quite manages, in no small part because karina is never allowed to really shine.

either way, shelving the heroes couldve been more impactful for muddying the waters about the hero industry. the cartoonishly evil interference from the cops only serves to promote the view that the heroes are acting Morally Good because theyre being hindered by not the hero system and the law but the individually selfish police chief and ouroboros interference, and serves to imply lunatic is definitely Morally Bad for acting outside of the law.

it is eventually agnes who “gets everyone to break the law, together!”, and it undermines any reasonable narrative meaning for the entire thing and makes it feel like our heroes couldnt be heroes for a bit for the sake of a meaningless and boring shock twist included for some shock value because nothing really comes out of it.

having blue golden go rogue and the police going after them wouldve forced their hands into actually fighting against non-heroes and the law, not just being on the run while they try to find gregory. ryan and karina could cause significant infrastructure damage very easily to make sure the police dont catch up, and it wouldve been easy to summarise it as collapsed roads frozen over.

while i wouldve in this hypothetical scenario loved an extensive focus on this because ryan is my favourite, i think the whole “going rogue” part couldve been conveyed without taking up an absurd amount of screentime, and couldve easily been condensed for time by having the other heroes watching a news segment about it which wouldnt have felt an out-of-place gimmick given that heroTV exists as a central thing and the fact that this has happened more than once in t&b...

kotetsu and barnaby, and the rest of the heroes could be watching a live feed, and surprised to spot ryan and karina on the run because its unlike they wouldve announced thi. our hero ensemble, especially the protagonist pair, would know that theyre not evil and that they definitely havent turned against the people of sternbild, no matter that theyve now been labeled dangerous NEXT vigilantes.

they couldve been compared to lunatic, which is a very overt way to make the hero ensemble question lunatics status as a vigilante both loved, hated and feared by the general public.

it would be ridiculously easy to play up ryans “evilness” by including a reporter from that introductory press event in the rising where he just randomly used his power on all people in the room to introduce himself (why did he do that. hes so quirky and random.), and then another shot from the rising where he traps all heroes in the gravity dome and thats feels like proof enough? they couldve also recycled the animation.

the narrative couldve made a statement on positioning medias reaction to the beloved idol blue rose on the run as “ryans bad influence” instead of granting her agency, and maybe some of the heroes couldve thought that as well, leaving it to someone else (most likely kotetsu because he is our main character!) to remark that karinas not the type of person to let ryan talk her into this sort of thing and that she mustve instead agreed with him.

having ryan on the hunt for gregory feels natural, but it couldve also been meaningful for karina.

another established thing about gregory is that hes a fucking creep. and karina has dealt with creeps her entire life due to being objectified idol. in cour1, we see that guy trying to hug karina “just this once!”, and it wasnt made into as much of a big deal as it shouldve been because we focused on ryans feelings instead.

that wouldve been fine if it was brought up again, and its utterly wild to me that it feels like they perfectly paved the way for karina to have some sort of arc with gregory herself with ryan bringing up “hug the gregory”, but then the show entirely bailed on it? why the hug theme, then?

it couldve been plot-relevant for karina and the narrative to question what being a hero means for her when her career in heroism has notably led her achievements being belittled in favor of “cutie escape" -moments and even now the media thinks shes out here because of “ryans influence” and not her own choice.

frustrated karina affirming the media somehow that shes doing this for her sense of justice, not because of ryan when some civilian fan of hers tries to save her, the poor little girl, from this vigilante escapade: what wouldve yuri thought of that?

to give karina cool moments wouldve been more impactful and couldve been plot-relevant instead of the disjointed ~girlboss moments~ of rosicky telling gregory to stop being a creep which equated to so little when rosicky is also killed by gregory.

capturing gregory couldve meant something, not been a footnote, and by showing us that fight with blue golden and gregory, they couldve showed us what they half-heartedly tried to show with the quick LL audun fight scene, with karina being the one who ends up protecting ryan after he was knocked out first?

ryan doesnt even need to have his skull caved in like that, all they wouldve had to do is to give ryan a reason to use his power and not be able to let go by having to continue holding something down with his gravity, calling back to barnaby accidentally letting him get knocked unconscious because he wanted to save schneider, except karina actually saves him.

in the process of capturing/pursuing gregory, karina wouldve had a reason to give us some sort of opinion on what she thinks about creeps without it being shoehorned in and how she has to tolerate them because theres so many loopholes in the law but finally, gregory is the one she can fight back against and its because now other people agree that hes evil!

also i genuinely think ryan wouldve loved to not only capture him but to beat the shit out of gregory because he really is different than our heroes from sternbild (and i think he wouldve been justified to do so too, lol).

to exemplify the themes of bonds, karina couldve stopped him but remarked that she feels like gregory wouldve deserved it, and she couldve vocally acknowledged shes having doubts on whether lunatic is so wrong or not, because has anyone or the hero industry itself ever really protected karina from creeps? no!

lunatic is actually making some sort of point when he kills a guy who is a serial killer of women? a bit drastic but hey. it works. that guy cant kill anyone ever again.

it would mean so much for karina to acknowledge that there indeed is something wrong with the hero industry as it exists now and heroes and heroism isnt just “morally good” by default, which also begs the question whether vigilantes etc are ontologically evil by default.

and personally, i dont think ryan would disagree with her? he is well-traveled and has seen so much more than just sternbild: im sure he has met corrupt heroes and heroes who arent even nice or “good”. im sure some places have very fucked up hero systems?..

they couldve made both ryans and karinas arcs mean something by having them face off against gregory (ive been talking of capturing, but they wouldnt even had to been successful and instead gotten captured by the police themselves or been forced to retreat), and it feels so obvious to me?

both members of blue golden wouldve gained something out of it, the overall plotline wouldve gained something out of it, and the setup of the plot wouldve benefited?

the viewer would also know that gregory deserves anything coming for him regardless of the media/public opinion because he is a freak, and the heroes too could explicitly acknowledge that maybe theyve been too harsh on lunatic by not trying to understand him like how blue golden is now misrepresented by the media without any grace? is lunatic just a killer, or... he does keep talking about that justice, after all.

both ryan and karina have interacted plenty with our protagonist pair, so it wouldve served well to draw kotetsus and barnabys attention to it. continuing to question lunatics “evilness” feels so central!

some of the children already said in the cour1 in that that law class of yuris that they thought lunatic was really protecting them and kotetsu was there to hear it, and then nothing came out of that? are you fucking kidding me? he was just like nope, wrong! its evil, end of story.

its like they were given the perfect foundation to do something interesting and valuable, and they didnt end up do any of that just to punish yuri for daring to exist in the way they forced him to exist since t&b is who made yuri the person who he is... but anyways.

yuri is prominently featured in cour2 for all of the wrong reasons, but his prominence couldve been interesting instead: he couldve been standing there looking over the heroes reacting to two of their friends gone rogue and given a cryptic statement on how it seems theyre no different than lunatic in the eyes of the public now that theyre pursuing their own brand of justice...

and everyone couldve been like alright director petrov:)! but also genuinely considered this while yuri is just there, observing the discussion and wondering how their bonds with the two new vigilantes makes it harder for them to be so sure who is a villain to be stopped and who is not.

unrelated to things i think explicitly realistic or in line of t&bs spirit, if i could choose i wouldve also had ryan and lunatic interact.

i think it wouldve been in-character for lunatic to show up to question what ryans going to do with gregory once he finds the man, with ryan answering genuinely but flippantly while karina is bewildered ryan is just trying to have a casual conversation with an fire arrow dramatically pointed at him.

lunatic questions his end goal, like are you gonna kill that guy maybe, and ryans like i dunno, i didnt think that far. now that you mention it maybe i should lol? and karinas like im sorry what is wrong with you?

we couldve gotten the yuri petrov comedy hes hard to rope into by having ryan act like he usually does with lunatic? you try to be dramatic and brooding when some guy is arguing with his emotional support buddy hero girl? ryans only prior interaction with lunatic is in the rising and saying that he looks creepy: he didnt care about a vigilante showing up because he knew the mecha flying over sternbild was the thing he should stop.

its funny because ryans notable trait is “treating everyone equally”, i dont see why he wouldve acted differently with lunatic, and to imagine karina interacting with lunatic because he showed up and ryan isnt having a normal reaction to it by being concerned. but why would ryan be concerned?.. hes good at insight and im sure he knows lunatics justice is very serious to him, and ryan knows hes not a killer so why would he be concerned right now?

but yes, the barebones idea of using ryan especially as a vessel to force the hero ensemble to reconsider vigilantism and lunatic couldve in my opinion been done without the two of them ever interacting directly, because its about what they stand for in the narrative.

what we needed to see was kotetsu (and barnaby) forming some sort of opinion on this, since we mostly see the hero side through kotetsus eyes: he is the main character, after all. all the narrative had to do was let ryan to go do what he clearly wants to.

my description of this all is very elaborate and keeps the entire thing somehow separate from the other heroes, but i think the idea or something akin to my elaborate view couldve been conveyed in a fairly conservative amount of scenes, because the cour only has limited time!

theres also a huge potential for the other characters to join in on the vigilante shenanigans like what ended up happening in the end in canon with all of them “going rogue”, and ryan and karinas involvement couldve been greater than other heroes but still far more smaller once kotetsu and barnaby get their ball rolling over the matter...

t&b2 has a lot of characters, and i think they couldve made it work, but the scenes wouldve had to been carefully picked without wasting scenes on counteracting things they had already set up?..

i dont feel like i can answer the question of “what narrative purpose did it serve to make sure ryan doesnt try to capture gregory on his own?” without pivoting back to “it had to be like this so that yuri would suffer and die and our heroes would stay morally Good unlike lunatic!”.

like, i LOVE ryan, hes my favourite character! and many of the scenes he was in i couldve lived without, because they didnt really add anything of worth to the overall narrative or plotline save for reminding us that he exists.

the entire thing where blue golden separates from the other heroes to go try to find gregory in the jail itself was similarly needlessly drawn out and condensed all the same?..

i understand it as necessary somehow (for the current plotline) to introduce LL audun, but because ryan and karina dont really have anything to do with the guy, it feels wasteful.

the pacing felt awkward to me overall. i was actually bored in some of the first episodes of the cour! and after that, everything starts happening so fast: the LL audun situation is especially sped through.

in cour1, heroes got progressively taken out until only “the essentials” in completing the arc were left, which was a great idea for the sake of stretching the limited screentime available.

it also had real in-world impact, unlike blue golden getting up a while later even if gregory flaunted that “it was so easy for LL audun to kill heroes”. it served so little purpose and was a waste of everyones time for a cheap “shock” because since it happened off-screen, i easily guessed they wouldnt kill a character off like that.

in cour2, we start knocking out heroes very late to the episodes and its not even semi-permanent. it wouldve been way more sensible to have some of the cast get knocked out somewhat early to let the remaining heroes to shine! they couldve even made to go berserk by gregory, so that we couldve then knocked HIM out and then gotten most of the heroes back for a grand finale of sorts, probably facing off LL audun and accompanied by lunatic.

even in the canon scenario, subaru couldve charged in (his whole thing is that hes hot-headed and a bit stupid even if his heart is in the right place!) and thomas couldve shown up earlier, eliminating many scenes that had little worth and focused on efficiently introducing LL audun.

they couldve had that fight with him and thomas couldve swiftly explained key details about him for exposition and made it natural because we already knew hes a fan. i also think their arcs werent so bad i suppose, but them fighting together was the conclusion to the mr.thomas buddy arc, so getting knocked out for a few episodes because theyre still rookie heroes and a bit silly wouldve made sense...

especially when they already were in the last fight in cour1!

it wouldnt have been a disservice to their arcs and wouldve given others more time to shine, and it wouldve been interesting to have other heroes react that the rookie team is presumed dead? they wouldve been fighting even harder against LL audun!

which leads me to say that the one good thing about cour2 for me was LL auduns character, but his potential wasnt realized. he was so prominent as imagery in cour1, with the twins and thomas both idolizing him.

we also know that mr.legend was a corrupt hero and there probably were others? instead of auroras introduction (it was such a gimmick), and gregory getting so much screentime for being creepy, it wouldve been far more interesting to focus on the fact LL auduns time active in vigilantism overlapped with mr.legends time as a hero.

i keep coming back to this, but LL audun couldve been the perfect setup for mr.legends crimes becoming public? it wouldve added intrique to the viewer too by have mr.thomas presumed dead and LL audun fighting the remaining heroes.

that wouldve made it harder to believe mr.legend really sucked so much by the general public and many heroes! kotetsu and barnaby wouldve felt inclined to share some part of what they learned from yuri earlier?

i feel like this wouldve been such an interesting way to make kotetsu and barnaby realize even more things about mr.legend, the hero system itself, medias part in who gets to be a hero and whos not, and lunatic... in a deeper way than the canon, half-hearted attempt at sympathetizing we got, because i just think its not in-character to have them react like that!

in-show its mentioned that LL audun “started to think hes a true hero around his tenth year in prison” but it felt like pure ouroboros/maverick interference to me (even if the current narrative mightve meant it for real).

wouldnt it have made more sense that LL audun was actually a "true hero” fighting against the establishment of the hero system itself, not because he hates heroes, but because he had figured out it was already rotten to the core becasue of maverick?

his simple nature was refreshing (in the same way i really liked fugan and mugan because they were villains but also funny about it) and kept the scenes with him light-hearted, a quality ive always been fond of in tiger&bunny. i do like intense scenes, but i think tiger&bunny should also be a little bit funny and not hard to watch.

he couldve lost his grip on reality a little bit since he spent decades in solitary confinement and focused very hard on his idea of heroism, or maverick couldve even fucked with his thoughts and made him into a ticking time bomb of wanting to destroy so many random people if he ever got out?

how the hell did maverick, mr.legend and the heroes of that time, realistically defeat LL audun back then? its not explained (again i could misremember) and its not important to the canon as-is, but imagine if the canon had focused on idk, being nicer to yuri and on the angle of mr.legends crimes and what if maverick, with mr.legend in tow, had promised to destroy sternbild if LL audun doesnt let them have their way?

it wouldve been, i feel, very easy to let us catch on that maverick was manufacturing LL auduns crimes and spread them on the media for the benefit of mr.legend and heroTV, and that LL audun couldnt stop maverick because he had been honorable about it, like a “true hero”?

hundred power is extremely versatile since it heightens all senses and weve seen that it can even boost recovery, and he can activate it almost continuously: what was it that stopped him from cracking mr.legends skull like an egg once the man himself had fully lost his power, given the canon itself features mr.legend worried about having to face someone he cant realistically win against?

LL audun outright refusing to kill mr.legend and/or maverick feels like the logical conclusion to the question of why he could be defeated. it would also give kotetsu something to think about, to realize this on the screen as our main character!

mr.legend was the hero who saved kotetsu, and then he learns from yuri that mr.legend was actually an awful person, and then, as i suggest, he sees a buddy hero pair go rogue- and then they all have to go rogue?

and to bring all of that to a satisfying conclusion, he faces off against LL audun, with the man questioning gregorys claims about who the real villains are because theyve all protected each other.

some further exposition later he could learn that mr.legend wouldnt have been able to be so awful if LL audun had just killed him when he had the chance, and that maverick couldnt have manipulated barnaby and been evil overall if LL audun hadnt taken up my suggested deal from maverick to voluntarily get imprisoned to protect sternbild and had gone the lunatic route instead?

kotetsu has always been so against killing people, and i dont think hes wrong to think so (well yes i think he is wrong. i think its morally okay to kill evil people! albeit not without emotional consequences for the person taking up that burden like lunatic. but i think its important for kotetsu to disagree with killing) and he wouldnt have had to abandon that principle of his, but this troubling reveal couldve given the narrative way more depth?..

and when kotetsu talks of the goal in the rising being saving virgil/andrew from himself: couldnt he have recognized the emotional toll lunatics actions take on him, and the emotional toll LL audun has taken due to his inaction?

like a real bit of some gray morality that actually has a purpose!

thinking about it makes me want to break something- i feel like everything was so perfectly set up for something like this, and not even this scenario but the concept of sympathizing with yuri further and helping him heal!

it couldve happened without revealing that lunatic is yuri and letting yuri continue in his position as the director of the heroes after the season has concluded (i wouldve enjoyed this personally so that i can imagine him out there), because i feel that revealing mr.legends crimes wouldve changed yuris position so significantly, and for the better!

kotetsu, as the main chracter, wouldnt have had to reveal judge petrov is mr.legends son either, maybe just lunatic for example! imagine yuri seeing people condemn his father? that wouldve been incredibly cathartic? that people agree that whoever mr.legends family was, they mustve suffered, truly and deeply?

yuri couldve gotten a scene like what kotetsu got at the end of the rising, with heroTV broadcasting random people having various positive opinions on him instead as he stands somewhere, contemplating taking off his mask and killing himself for his sins and his justice and whatnot while kotetsu and barnaby arent able to calm him down?

we couldve had a dramatic scene like that, and one of the manga chapters features that scene where yuri revealed his face to the terminally ill woman who had wanted to know who the man behind the mask is: he couldve even revealed himself to kotetsu and barnaby at least since theyre the main characters and still retained his anonymity by using his fire to shield himself from heroTV.

and on the broadcasted heroTV screen people from across sternbild could thank him for what hes done: could yuri, at that point, deny himself the possibility of being forgiven in some way?

it couldve also given us the hilarious dynamic of kotetsu and barnaby at least (and just for me, as a treat, ideally most if not all heroes) knowing that yuri is lunatic but they have a pact to keep his secret.

lunatic half-bleeds to death before jumping off but he doesnt set himself on fire and we dont see him fully fall but it serves as a momentary death fakeout.

then theres an ending scene of judge petrov opening the door to the hero lounge to give a briefing (returning us to the start of the season with yuri briefing everyone about buddy heroes) and he looks incredibly beat up.

agnes asks what the hell happened to him and he says he “got caught by one of the rampaging NEXT” or something else not unbelievable but ridiculous with a straight face, and none of the heroes contradict him.

like, wouldnt it be on-brand for kotetsu to try to joke about it while barnaby tried to shush him and causing someone like keith to quip that he doesnt really get it, isnt it a secret? and agnes could just scoff because whatever are the heroes talking about now...

my dream scenario is everyone laughing about this with yuri who is also laughing a little in confusion because now he has those bonds he hasnt had before? ngl i dont care i just want to see him happy lmfao<3

anyways see how ive lost the plot of this opinions document? bible-length and ive rambled about various topics, jeez. i also said i wouldnt talk about yuri so much but he just feels like such a central character and i like it- i just wish theyd been gentle with him instead of whatever we got. and yes, im about to talk about yuri again...

its unfortunate that with such a big cast, again, only the titular protagonists are often given scenes to interact with plot-relevant matters personally and with any depth...

of course, kotetsu and barnaby should remain at the centre of it all since theyre the protagonists, but cour2 especially included us seeing tidbits from the perspective of so many random characters, it begs the question why add so many bits from characters when i think its pretty clear the fans are interested in tiger&bunny for the ensemble cast too and want to see more of them?..

sorry to fervent mario the announcer fans or something i suppose, but if cour2 had used its time more wisely, we couldve gotten great moments from various heroes in the same time we didnt get anything done?

wasnt a single writer aware that the fandom adores the titular protagonists but theres also large fandom pockets for the other hero characters AND yuri? didnt anyone think that s2 and its buddy hero premise couldve more effectively been used to give us more lore and funny moments also for the supporting cast?

this makes me, for example, think of the scenes where everyone is deliberating X rampages and gregory things.

youre telling me that weve got all of these characters in a room and youre capable of making them act in-character while interacting with each other, but you chose the most boring ways to do it in pursuit of some sort of unneeded seriousness?

those scenes by themselves couldve been majorly improved by playing into what ive seen as the strength of tiger&bunny, with the way every hero has a distinct personality easy to play up for light-hearted moments without making it unnatural or forced?..

for example, they could be trying to talk of something serious when ryan, kotetsu and subaru get into a nonsensical argument because theyre all so loud and kotetsu and ryan actually get along well, so they couldve argued on purpose to ease the mood, while subaru got really serious about the argument because hes 17 and goofy?

barnaby, karina and thomas are all collectively sighing because of course their buddy partners are acting like this, and this goes on while keith is trying to get a word out on something actually valuable he thought of but hes too polite to interrupt the conversation, so nathan has to raise her voice and be like “boys can we please calm down keith wants to say something<3 you have 30 seconds before i get mad!″

and kotetsu, ryan and subaru are forced to apologetically sit on the floor or something, just to let keith convey an actually good point he came up just now while listening to them argue. expositional scenes dont have to be boring and lifeless?

of course its sweet to have them work together, but giving them light-hearted moments wouldnt have diminished that. theres just so much potential with the cast we have, and while they had a great foundation, the real potential was never really reached.

the way they neglect the strength of their ensemble cast repeats with who interacts with lunatic/yuri. and i know- kotetsu and barnaby are our main characters here, but sometimes i feel like hes in protagonist jail, because there are so many great interactions to pursue with him that could actually add something to the narrative!

nathan was kind of accidentally framed by him in s1, but we dont really get any follow-up on that. and for me, one of yuris greatest moments is in the manga when he saves keith (civilian) from dying while keith is trying to save the two criminals from dying himself, and keith is never none the wiser about it.

but thats more of a self-indulgence than a realistic critique, i imagine. however, from this i can get to talking about the heroes i didnt yet mention, because i can see so many ways to tie the supporting cast into the narrative and not just include scenes for “fanservice”.

the peripheral material has done this and more, why not include some of it in the show?

this is all mostly just a lot of musing on how underutilized everyone was, and how a lot of it felt disjointed and a bit wasteful of the time they had to convey the entire story.

ill start with keith: it was disappointing how he only smiled through the entire cour2, especially when you think about LL audun, who pretty much shares his “simple” worldview on heroism. we didnt even see him fight LL audun at all if my memory serves me right.

he didnt have any reaction to when the heroes get shelved, and keith arguably has pretty much no other life than being a hero, but he never has any sort of thoughts about the matter.

closest we get is firesky reminiscensing on the moments they had respectively gotten their hero suits, and keith remains one of the heroes whose backstory we know absolutely nothing about. i actually thought keith would drop some backstory lore there, but he didnt.

i feel that cour1 did a fantastic job on telling us what sort of guy he is in the episode nathan complains about him to kotetsu and barnaby: he is insecure despite all of his fame and how “perfect” he is without trying by nature, and he still he tries to act even more perfect to make sure other people would like him.

cour2 didnt really give us anything? i was genuinely expecting keith to break down at some point and that he was trying really hard to act unbothered to not make anyone else lose heart, especially after kotetsu remarked in cour1 that its keith and nathan who are really doing most of the advising around here and not himself and barnaby, the real senior buddy hero pair.

it wouldve not only given us a continuation of things from cour1 and given keith some sort of arc for the 2nd cour, but it couldve given us a character-driven moment used to show us why its kotetsu who is the protagonist even if we all know keith is such a picture-perfect hero.

ive always thought that kotetsu is more approachable than keith on purpose: hes a very normal person with normal concerns that are easy for many to relate to, and that is his charm and his strength, and he doesnt particularly stand out or excel, hes in the hero business purely out of his conviction and doing his best.

wild tiger isnt the most popular hero, but he has dedicated fans, okay! hes goofy and easy-going and meddlesome, and hes trying to make the world better, whereas keith could never be the protagonist in the same way kotetsu is because hes just too good, like how nathan found his projected perfection unnerving.

to let kotetsu participate in reassuring keith (since hes the protagonist and a busybody!) besides nathan as his buddy partner couldve served as a plot point to strengthen the idea that kotetsus various flaws are a part of what makes him great, and it couldve been used in tandem to again, interrogate the narrative about what heroism is, who can be a hero, and so on and so forth.

and with regards to my earlier thoughts about LL audun, keith represents the same type of ideal LL audun at least thinks himself to be, and the sort of ideal LL audun couldve embodied if they let me write t&b2, lol.

there couldve been some sort of plot-relevant parallel there that lets kotetsu actually figure out that LL audun is genuinely thinking hes doing the right thing and gregory was taking advantage of him- something to let kotetsu take the initiative in making LL audun question whether he actually is fighting against villains or not, because LL audun randomly questioning it himself was a bit too convenient.

it couldve been a time for kotetsu to shine with what he does best, trying to talk his brand of sense into the people hes fighting against, like how he always has a lot to say when hes facing off lunatic, or how in season1 his entire plan for making people remember who he is includes him showing up in his old hero suit and talking to them.

isnt that part of kotetsus charm as a protagonist?.. and LL audun wouldve been perfect for a discussion, because his personality wouldve lended itself to a very campy “two heroes having a dramatic discussion during a fight”.

i suppose i also personally dont need or want kotetsu be really good at fighting with the most powerful NEXT power, because thats not what makes him a fun protagonist. him goofing off and slipping on a banana peel on his way to an arrest makes him fun, and him talking the socks off of his opponents is just part of his way of being a hero.

kotetsu is into the whole “superhero flair”: heroes need to have secret identities, and heroes need to be a bit campy with thematic outfits and have dramatic discussions while they fight, and thats the spirit of tiger&bunny, isnt it? isnt that what were here for?

i at least never watched tiger&bunny for a yuri petrov suffering arc, when tiger&bunny has had an uplifting message throughout even if it tackles more adult issues due to the adult protagonists?

either way, to return to keith, i just feel like hes overdue for having that sort of very human moment to his character, because his nuance has largely been confined to manga and peripheral materials... it wouldve been nice to see him get a big moment on-screen.

even in cour1, the episode with firesky is largely shown to us from nathans perspective. having keith break down wouldve also been a great way to show how serious the shelving of heroes is and making the situation feel tense because keith especially is always so happy.

it couldve been a tipping point of sorts, where everyone starts to lose heart whether theyll manage to figure out the X rampage issue or not, because despite the boring seriousness of those scenes, i at least never felt a real sense of urgency or huge concern about them not being able to be heroes?

keith confessing that he is having a very hard time with the circumstances and making everyone visibly falter wouldve actually left an impact, and couldve let kotetsu shine as a protagonist by him trying to pick up the pieces.

it couldve also have bit of a callback to that scene where in the beginning movie hes called everyone together and claimed that the heroes and barnaby want to meet each other and everyone gets upset and leaves, one by one, but i guess it couldve been more that everyone leaves buddy pair by buddy pair since the season makes a big deal of pairing them up with them buddy pairs whenever possible.

it wouldve made me sad but not in an utterly desperate way because i know that the heroes will pull through and save the day, it wouldve been a good sort of sad.

this couldve also given nathan more of a spot to shine, because shes keiths buddy hero partner! she wouldve been there for him, but i also dont want to suggest any sort of reduction of nathan to a mammy stereotype-adjacent spot where her main function in the narrative is to take care of others, but more on nathan later.

the scene where nathan offers to hire keith as a secretary especially perplexed me and was left in the forefront of my mind. it was funny and cute, but thinking of keith losing his hero status and not immediately looking into civilian ways to help like finding volunteer organizations to sign himself up for them is so unbelievable to me, sorry...

and because i think cour2 shouldve used their episodes and screentime wisely, any such things with keith couldve been, again, tied to the bigger themes of heroism and such, right on the nose in fact! i dont think its far-fetched to have a moment of hopelessness by having keith break down and then reveal later on that hes signed himself up to ten different volunteer organizations when prompted by kotetsu.

one remark and everyone figures keith is so sad too, but hes still trying so hard to help?

keith is in many ways the best of them, and even if he was so crestfallen and suffering, hes juggling ten volunteer jobs at once even as people have complicated feelings about NEXTs due to the X riots and whatever. hes trying so hard to get people to like him and hes troubled by having NEXT powers and possibly putting people in danger if he lost control somehow (like, is he bad by showing up as keith goodman without admitting first thing he has NEXT powers, and also maybe without admitting hes sky high, as if it was a crime).

it was actually so odd how none of the heroes were ever really concerned about losing control?.. especially the heroes with powers that have the capacity to be really destructive?

and to return to keith, in my opinion he wouldve also suffered with the very human desire to be a hero again: its a huge part of his identity and it occupies almost all of his time! i think he would feel guilty that even if hes helping still in his own way by volunteering, he would specifically want to be reinstated as a hero.

it would feel selfish to him, that he has such a private desire. hes also extremely introspective and he canonically spends a lot of time thinking. he couldve delivered a very neat and conscise but very human monologue on the topic and it wouldve given the other heroes a great character-driven moment to share a bit more about how they feel about the situation?

to have our hero ensemble shelved from hero work and dedicate no scene for them to talk about how they feel about it specifically is such a waste, when it couldve showcased their personas and furthered the plotline by having them remember why theyre heroes in the first place and/or why they want to continue being heroes, etc...

what bothered me with firesky was that they also felt oddly separate from the rest of the cast at times during cour2 and the trailer made their role seem far bigger than it ended up being.

they had a bunch of nice scenes together that very funny and showcased their personalities, but i was very disappointing how those scenes kind of failed to tie into the main plotline so that they were just... there. even though theyve been a part of the main cast since the start:/

they didnt even get a major fighting scene with a big bad because LL audun knocked them out off-screen.

nathan suffers from many of the things keith suffered... she also didnt really have any significant role and well, it wasnt too bad i suppose, it was just oddly disjointed.

the heroes met up at helios energy, i think, but they couldve done so much more with nathans position as the CEO of helios energy.

it has always been a footnote in the show, even if the new manga shows us that nathan is aware of various changes in the hero system before anyone else by getting to participate in the discussions about those changes as her own boss! which is also weird ethically, but i guess its not taken so seriously.

it could have been easy to make nathan more prominent because of her CEO status. what if wed gotten to see the mayor talk to a wider board of people that included the owners of the hero companies etc and nathan was allowed to be there, hearing the talk about shelving heroes and being like wow! that certainly is a suggestion, but!..

this couldve also been used to emphasize that as his buddy partner nathan knows how important keiths job is to him? she couldve even alluded to how some heroes have really dedicated their entire lives to hero work and this is no joking matter!

instead of us getting scenes of the mayor and the assistant or somesuch, we couldve literally had a character there and given her a moment to shine while keeping it plot-relevant?.. she couldve given kotetsu and barnaby some insider knowledge on how to talk with the mayor, too?

i think her being a CEO and a hero is interesting because i dont think “CEO” is a very heroic civilian job, but i dont know if id want the series to ever delve into it overmuch because i dont know how it would be respectful to nathan who has suffered from being reduced to a homophobic/transmisogynistic stereotype before...

not like nathan is the only rich hero either, its just very different to gain income from only from hero work versus being a CEO. the peripheral material sometimes comments something about it like a gag strip making nathan say she wishes the heroes wouldnt go on a strike due to her being one of the shareholders.

what this does remind me of is that i dont think t&b2 really had any significant commentary on how money makes things go around? in s1, it felt kind of prominent. kotetsus old hero company literally went bankrupt and antonio suffers from his unpopularity driving down his sponsors profits.

its why the heroes have to also keep up appearances- its not enough to just be a hero, you have to work to be popular as well. in s1 kotetsu & barnaby cant go to a crime scene because theyre doing an interview and other popularity stuff so their hero alerts were cancelled for the duration.

we get the whole “ouroboros controls everything, actually!..” and a vague allusion to affecting The Economy, but thats it?

anyway, disregarding all of that, i feel like they couldve used nathans CEO status for something. what if she had put her career and status on the line to use her connections and money to reacquire the hero suits of those whose companies had really put them under lock and key...

i also think back to momentarily developing some sort of mega optimism brain rot and thinking that karina couldve had some sort of gay crush plotline with the girl who was trying to pretend shes rampaging and how incredibly sweet it wouldve if the noted LGBT icon of our lineup, nathan, gender-haver extraordinaire, had been able to support karina with that... like yeah ryan wouldve been there for her but... hes ryan. lol

overall, i thought the buddy pairs were fun, but man, i want to see the hero ensemble interact with everyone and not just one assigned "important” character per hero. it also made a lot of scenes a bit disjointed with how buddy pairs were a bit separated, in my opinion... it worked better when it was just kotetsu and barnaby, because theyre the main characters! of course theyll have more plotlines than the others.

one thing i already found a bit strange at the start of cour1 is that nathan didnt talk with antonio almost at all, and we know the new director is a huge antonio fan (which is actually funny to me, and you can see the antonio love shining through).

but.... in prior content nathan has also been regularly paired up with antonio, and i dont mean in a shipping sense (even if that has happened as well but it has only really been to make gags on nathan being creepy because of her poor portrayal before), just that theyve specifically been portrayed as friends before.

so it feels like nathan got sidelined purposefully while making antonio have that entire thing about agnes seep from mainly peripheral content into the main show... (i have a huge brain and am a gay antonio truther, btw.)

it left a bit of a bitter taste in my mouth that someone who has some say over the happenings in the show (?) and loves antonio hasnt acknowledged their friendship in any way... and nathans portrayal prior has been unfortunate, so it wouldve meant something to see nathan get to be friends with antonio with the gross sterotypes removed?

its not enough to say things have changed and you want to improve on nathans portrayal: i want to fucking see it!

while their dynamic is funny, the above has made me worry that nathan and keith were paired as a buddy pair because the writers didnt have anything better to do with them and keith is “naive enough” to hang out with nathan without them having to address anything about nathan properly, and cour2 really didnt ease my fear about it.

like one thing nathan has done explicitly in various material is to behave in a specifically “boy crazy” way which i as a lesbian dont really care about, but i think it wouldve meant something to let nathan act in that way without making it weirdly creepy and uncomfortable, and instead let nathan be a whole person of her own.

i am a serial friendzoner of everyone except characters who havent interacted in canon (lmfao) but the purposes of respectfully portraying nathan and proving that the horrible stereotuping is over, i think there couldve been real narrative worth in her being canonically romantically interested in keith and have that relationship develop, to show that nathan is so much more than those creepy stereotypical actions forced on her characterization before.

it wouldnt have to be keith in the case they didnt want to introduce any romance between the hero ensemble, but any romance plotline for nathan couldve been used to show they really did want to improve on nathans portrayal like nathan would deserve.

it couldve easily been used for a scene in which nathan properly brings up their identity because sure, its been discussed some more in peripheral material and the rising improves on what she was given before, but still retains multiple harmful elements... and it just makes me mad to imply youre going to improve on stuff like this and then not do anything with nathan.

as far as i know, her civilian outfit in the rising seems to be inspired by a japanese comedians gag character called “hard gay”, whose ensemble includes a leather bodysuit, and hard gay isnt exactly a respectful portrayal.

i also love to read tiger&bunny opinions online through google translate, from people who would understand nathans identity/possible tropes better than i do by the virtue of being LGBT+ and japanese.

one of the things ive seen raised is that nathans declaration of self-love in the rising is more compassionate than their prior portrayal, but that it unfortunately is somewhat of a trope in itself given the wording of it, which i think further explains how i think nathan wouldve deserved a bigger role?

theres also the recurring issue of misogyny, because nathan specifically says (dirctly copied from netflix translation): “they say a man is made of courage, and a woman is made of love. so what does that mean for people that are gay? we are invincible!”

men being courageous and women being loving is a cliche, which they included as a narrative choice and is not nathans fault... and t&b2 really didnt improve on the baked-in misogyny, which ive already talked about...

and ill be honest, i dont know how nathan romance shenanigans couldve tied into the main plotline lmfao, but they couldve called back to s1 and keith asking the girls for romantic advice, except now it wouldve been keith with the younger girls in tow trying to advise nathan, which wouldve been funny.

it wouldnt even had to have been a fuck you to people who like firesky romantically, because nathans plans couldve fallen through (by for example having the guy have been an antagonistic force in some way, perhaps interested in getting close to a hero after theyve been shelved just for the gossip, like an evil reporter, to make a point about media) and they couldve included a buddy hero scene afterwards where nathan remarks how keith would not do that.

because its true, keith would not do that, and it wouldve given people something fun to elaborate on?..

instead of remarkable improvements for nathans character besides the passive “no more creepy things”, we also get that scene at the end of the skyfire episode where subarus quip comes across as somehow homophobic to me, and i genuinely dont know what im supposed to feel about it. if youre wiser, then please enlighten me.

at this point i realized that talking about each character individually might kill me, because i have so many opinions, and maybe i should focus on buddy hero pairs a little better since thats how they were given to us in s2.

i also probably have more opinions on keith and nathan than the rest because keith is one of my favourite characters and i do really like nathan too, im just frequently haunted by the narratives past crimes against nathan and the currently occurring crimes as well, lol.

talking of subaru, his buddy partner thomas, and his sister ruby, why didnt they do something with thomas and the fact that nathan has been mentioned to have a little sister she cares a lot about? that couldve tied into the plotline?

i was very surprised ruby had no particular role and felt very separate from the rest of the narrative, and how nobody except subaru seemed to notice thomas wasnt present?

subaru begrudgingly (because hes 17 and wants to be independent) asking nathan or the firesky duo for advice because kotetsu saw he was acting weird and pulled him aside to talk about it and directed him to nathan on the subject matter couldve been a fun addition.

it couldve again showed that kotetsus strength is more than just some imaginary scenario where hes the smartest and strongest with all of the answers, because its not true. kotetsu couldve put himself down about it like oh bunny, i couldnt do anything, see! its those two giving advice again!

but barnaby wouldve correctly assessed that its only because of kotetsu subaru is doing this, and without kotetsu meddling, nathan or keith wouldnt have noticed to help subaru either.

mr. thomas overall had an alright arc. ruby was introduced, but much wasnt done with her. i sincerely thought she wouldve been adopted by ouroboros after everything that happened in cour1 and the mentions of orphans.

this drives me up the wall, because yet again, they had an obvious route to question heroism and villainy, and who is a victim of their circumstances and what acts exactly are evil.

kotetsu and barnaby wouldve had a lot of sympathy for ruby just because of their own backstories and personalities, and nobody else wouldve been unsympathetic either?

ruby is reduced to “little sister who loves and supports thomas”, and thats all: she barely has any real agency, even if it was her who sought thomas out. her personality is “gentle and understanding”. she continues the theme of being a woman in the show being reduced to narrative vessels to make the guys of the show do or feel something...

i also talked about them a bit earlier, so i dont have much else to say.

but one huge unresolved plot thread is their entire company? why did they even introduce the owner and manager of jungle when they werent relevant? and why did they seemingly sabotage subaru in cour1 by having his PDA not go off when heroes were called?

i thought it was significant? i thought jungle was sabotaging him?.. nothing came out of that?!

origami rock kinda won... they had a lot of good scenes. antonio was clearly beloved by the narrative. ive also spent two days writing this post so im kinda sick of writing it and this is one of the last parts im bothering to comment about so itll be kinda short, but...

like i mentioned earlier, alcoholism was kind of painted as something evil people do and antonios drinking problem was kind of bypassed entirely, when i feel like its a major thing for him? in the KOW the rising schedule, he really goes hard in on drowning his sadness and loneliness in alcohol.

it was also made into a joke moreso, with antonio and ivan apparently having gone drinking together?.. i feel like a more healthy direction for antonio wouldve been them focusing on things ivan wants to do... like, ivan went out drinking? seriously?

i guess that does feel like a major step for him in the sense that hes less shy and far less mortified by knowing he did silly thinks while drunk which is good for him to be less self-conscious... but its also like... i dont know, just weird me out that antonio would introduce ivan to that part of his life, which i felt was just his loneliness coping mechanism.

last but not least, kid cat... they really got the short end of the stick. they even lived in a dorm together and nothing ever really came out of that? it felt like a waste. i already talked about them a little bit.

paolin didnt really get a separate arc but she did really shine in cour1 at least, and maybe its just me but the whole situation around laras mom and kid cat being shoved into it soured their entire thing for me, especially the part of paolin comparing laras mom to her own mom, again... oof. that shit hurted.

i disliked that paolin was pushed into somehow vaguely motherly/caretaker-esque role with lara with her even looking up those damn parenting books and her fun energetic and somewhat goofy personality wasnt so well preserved. i wish a girl character was allowed to be goofy while still having serious and cool moments: they could do this with subaru but not paolin.

i already talked about karina earlier, but again, even if its actually incharacter and natural for karina to be be “the responsible one” in her dynamic with ryan which i do enjoy, i cant help but notice the narrative forcing all girl characters into that sort of role... i would include nathan (haver of gender) in this, because i feel like being goofy on the occasion is very central to her as well, but hmm.

its not even that i dislike karinas and nathans dynamic with their buddy hero partners, its just unfortunate that all girlies had to do similar things, because i cant ignore it... t&b2 really goofed with that.

it disappoints me personally that even if i dont understand how it wouldve made any sense wrt the narrative, i wish paolin had allowed to show her gender non-comformity somehow?.. i probably had my hopes up after hearing about them essentially saying they want to add a bit of representation into t&b2.

but i suppose that mainly meant ruby mentioning she has two dads and the girl with an ex-girlfriend.

all of the girlies got sidelined, which ive already talked about...

i feel like karina got the most major arc which does make sense because shes more of a main character than the rest, but it was also taken a little bit too seriously in my opinion, i wish the characters clearly treated it as karina being a teen who has a crush on some old guy because teens do that.

it was also kind of like a waste for me... i didnt need so many scenes about it personally. shouldve made karina do things for herself.

i have to admit that for a moment i genuinely thought that karina talking to that fake rampaging girl about her unrequited love for an ex-gf was going to awaken some feelings in karina, lmfao.

another thing about mr.legend i didnt manage to fit anywhere is that we still dont know his name? hes just mr.legend, even yuri doesnt say his name. it makes sense, but narratively, this ensures that mr.legend remains the stuff of myths. it feels like this is what they wanted, but it sucks!

to give him a name behind the hero gimmick wouldve brought him down from his status to that of a normal human. ive always been certain that petrov is yuris mothers maiden name as well, so dropping mr.legends name wouldnt have immediately implicated “yuri petrov” of anything.

nobody even knows he had a family! it feels like maverick scrubbed all of that clean, just in case.

as for mattia, i think his character has worth but is used wastefully: not only is he the one to develop the drug that drives much of the plotline, he gives us more insight to the worldbuilding of t&b and normal peoples opinions on NEXT powers. he doesnt hate the NEXT, but if he could choose, he would have NEXT powers himself.

this sets him apart from other similar characters like ben or saito, who are both normal people at the periphery of the heroes without NEXT powers who have been portrayed heroically in the past, since he explicitly wishes he could attain a sliver of the heroism he sees barnaby have, and he thinks he needs a NEXT power to be able to do so.

this couldve been, yet again, used to reinforce the theme that heroism is so much more than just having a powerful NEXT power. mattia couldve also been used more intelligently, and while connecting him to barnaby is nice to give him a new friend, some of his functions couldve been covered by kotetsu or some other members of the hero ensemble.

it couldve worked better if, for example, the hero ensemble had more strongly reacted to suspecting mattia to have ratted them out. i already said that i think ryan wouldve been more than annoyed about it, but the moment couldve been used to showcase various characters and their reactions to it!

i think the moment couldve been drawn out instead of being immediately resolved, maybe even included something about how mattia needs to prove himself to not to be a spy for ouroboros, not because i think its reasonable, but it couldve meant something to have our heroes be utterly wrong about someone!

i come back to this again and again, but it couldve been used as a point that the heroes arent necessarily right just because theyre heroes, and that mattia couldve worked with saito and proven himself to act more “heroically” (alongside saito!) than how the heroes treated him.

and, unfortunately, the narrative itself undermines mattia because of auroras existence.

she introduces a huge plot hole for me. mattia has worked hard to try to develop a NEXT drug, and has actually gotten results, its just that he hasnt gotten the specific result he wanted: why doesnt he just mail that drugs composition to aurora and have her complete it, since her unclear NEXT power seems to have no limits and gives her a vast intellect without even trying?

in fact, when theres any sort of problem, why dont we ask aurora about it? if shes so important, why havent we ever heard of her before? her inclusion didnt feel natural at all.

i really hated aurora, because her character felt so cheap and gimmicky in every possible way. sure, she was foreshadowed in cour1, but since she obviously didnt exist in s1, it felt incredibly stupid that there conveniently is one single person ouroboros has to assassinate to ruin all relations between people who have NEXT powers and those who dont...

her power makes no sense: if shes so fucking smart and has been Thinking of ways to better the world for literally decades, then why capitalism all over the world?

i do think its realistic to expect she cant force the world to become an utopia, but the way shes introduced and dealt with doesnt really give me a well-nuanced view of her. she looks to the side and saves some lizard species form extinction with an idea.

i think her character couldve been interesting if they had used the whole season to set her up and i guess made the themes of the season somehow align with her and “not being able to fix the world alone no matter how smart you are etc” and included her as the brain and LL audun as the brawns and how neither of them could ever fix the world alone according to their opinions, and only in their bonds can our heroes find the most of their strengths, including connections with other people like how kotetsu could chat with a child in s1 to ease him down from his rampage at the ice rink etc.

buuuut i feel like that couldve been the plotline for some other season altogether. now that we know LL audun, he could get him back later and see how hes doing, etc... in the case he was given more nuance or something and not just sent back to jail, i mean.

theres also the moment where aurora opened her eyes and i guess i was supposed to feel it was significant but i genuinely didnt care. like okay. yeah i noticed that. no i dont care that the day was saved and “she felt comfortable closing her eyes again”.

was that purposeful?.. the implication that shes closing her eyes from the world?.. and she only opened them when she realized she personally was in danger?..

that was so wild to me, i still dont know what the purpose behind that was, but that certainly was how the overall arc felt about yuri. eyes closed, who cares if some guy suffers for no reason.

rosicky was interesting to me, and it was a waste she got shot before she could have any sort of discussion?.. she just felt like a cheap trick to get yuris body fucked up. it couldve been an interesting moment overall, but, well...

not like were going to get anything about yuri reacting to how all of that went down? so it was just... weird.

and then rosicky died and gregory "won” their little squabble, and i wish gregory had fucking exploded because lunatics been making some points and i fucking hate him...

also just to return to the ouroboros ties of the season, they made ouroboros so all-powerful it was stupid and lost a lot of meaning to me. like alright, they can do anything, why are we even fighting, and why is rosicky alone in charge of this operation... makes no fucking sense, its such a forced situation.

the ending of cour2 was... well, it existed. i mean, i dont personally mind kotetsu retiring for good overmuch i suppose, but i think with everything that happened (especially in the way i think things should have happened) he couldve just continued as proof that even people without NEXT powers can be superheroes...

and also as a some sort of proof that it was mr.legends refusal to change any part of his hero image that really did him in: kotetsu could cling to his heroism while accepting hes just a guy without powers and not make it such an issue.

and i suppose if he retires, i wouldve loved to see him take some sort of director-like role instead: i dont think he would be able to let hero stuff go completely, but him being a senior you ask for advice would still give him a lot of things to do.

right now its also a bit of my fear, if they have any thoughts of continuing tiger&bunny in any way ever and yuri had to die so that kotetsu could take over the spot he ended up occupying as a director...:( genuinely makes me make a sad face in real life.

by the point we got to the end they had already fucked up the entire premise and any message they wouldve hoped to send and if they had some sort of uplifting message after yuris death, i failed to understand it. but it felt like a giant fuck you to the fans of the show called “tiger&bunny” to get that last bit of tiger&bunny pair disbanding because of reasons.

i mean, theyre not even remotely my favourite characters and i dont think about them overmuch, but leaving it more open-ended wouldve been so much more fun for so many fans? they really fucked up the shows undercurrent of interrogating who can be a hero and why in the first place, but like...

yeah that shit sucked ass sorry. i dont even have anything to add. people who showed up to see more kotetsu and barnaby content getting that half-hearted discussion about where theyre gonna go from here and then showing their plaque in the “true heroes” hall...

i feel like it undercuts kotetsus character so much, because hes always been the “underdog”, and hes pulled through everything that came before this. they explicitly mention that hes been working really hard to supplement his waning power, and then leave it at that: if i was supposed to understand from that part that kotetsu isnt really retiring or anything, it didnt really come across due to the other circumstances.

and again, i dont even really care about kotetsu! its just that he really exemplifies the tone of the show as a fact, and i like to think i have a modicum of media literacy. and by undermining the uplifting message of the show, they directly undermined him, and by undermining him, they further muddied the spirit of t&b.

i feel like an ending i wouldve killed for is one that couldve included that sort of tour of a museum, but it wouldve showed mr.legend paraphernalia being moved away from “true heroes” and also included our protags being inducted in there if they so wished, but leaving it more open ended... and definitely proving that mr.legend was not worthy of being thought of as a hero.

it was weird that the second league isnt brought up at all during the entire season from what i can remember? i dont even have anything significant to say about it, but i think second league heroes are and have been important, just by existing, to the narrative asking the viewer who really is a true hero and who insnt and what it all means.

they just didnt care, just like they didnt care about that question and yuri. again, they fully ignored anything they had set up before, and kept introducing new characters when old side characters couldve been brought back.

i have some thoughts on the police chief being a younger version of the police chief from double decker... im unsure if the implication is that double decker is more than a spiritual sequel and its not just cameo, or if its something more.

mattia did off-handedly mention that hes developing now trying to develop a drug that takes NEXT powers away if i read and understood it right, which would, i guess, make a canonical disappearance of NEXT powers possible.

i have actually never seen double decker myself, but i understand it references tiger&bunny while being separate and clearly “in the future” from it, and as far as i understand, it doesnt have people with superpowers.

i personally think that imagining double deckers world as a canonical sequel to the world of tiger&bunny sucks, but i dunno what the real implication there is.

i also want to talk about the art direction of t&b2 since im airing out my opinions and complaints, so why not: the art direction kinda sucks. everyone has been smoothed and thinned down and the essence of t&bs charming style has been lost in some ways.

you can really see the jump between older art and the newer art with ryan, for example... ill talk about ryan now because this is my post and i love this guy.

he is downright ugly in some parts of the rising, and i love calling him ugly, but in a serious way, yes, i think hes explicitly supposed to be handsome (because what else does he have going on for him even except being loud and looking good lol).

hes just a different kind of attractive than barnaby who is pretty, and theres various scenes in the rising where you can see that barnaby has more of a button nose while ryan has a sharp, short nose, unlike yuri for example, who just has a large nose overall (and its his charm point!).

ryans most notable quality is that his eyes are drawn to look hooded and deep-set with straight eyebrows that make his strong brow even more prominent, and he usually has a very distinct wrinkle across his forehead.

and what does he look like in t&b2? certainly nothing like that.

i know that the rising has a much larger budget for the designs than the episodic show, and either way they wouldve had to simplify ryans design to translate it into the episodic format. and we all know the goofy parts of season1 they fixed in the bluray release...

that never was a huge problem, and i wouldnt mind it. yes, i guess ryan couldve been changed for marketing, but he looked like that through-out the entire movie and was hugely popular regardless and BECAUSE of how he looks. but its not just ryan, its that the art direction changed drastically, and it made all the characters look so much more generic and samey.

just after the scene i screencapped above, you can see barnaby and ryan from further away with less detail for a scene that passes by quicker, and you can see that less care was used to make them look good but they still were kept distinctive and different. (and sorry to barnaby, i caught him in in the middle of a movement, so he looks extra goofy.)

t&b2 doesnt even have a lot of scenes that i can remember that really let the chracters emote and make goofy faces: kotetsu has always been hugely expressive! i want to see him make a funny face! kotetsu is also the main character, and part of his thing is being an Old Man (even if he isnt even that old for real, but thats beside the point).

he has wrinkles around his eyes in that shot even if its not hugely detailed, and in contrast i feel he was very smooth in t&b2. the art direction felt as aimless as the bullshit plotline, and equally as uncaring towards established characters!

everyone was drawn very samey. another example to me is the scene in cour1 where thomas inspects keiths pectorals is just sad, because hes been thinned down like everyone else. what was there to inspect? absolutely nothing.

this screencap from s1 has more to inspect than the scene where keith is supposed to be noticeably buff. by the way, this entire scene with the girlies and keith has more personality and goofiness than most of cour2.

and heres a screencap of keith from that episode, where his face shape and features are distinct.

ts been a decade and i know that anime production has gone through changes in this time and netflix-style mass drop of episodes may be harder on people in general, but comparing my s2 screencap below to the screencap above just makes me miss the old style because im scared to but s2 keith next to the one above... his eyebrows were so sadly thin and so were his face and body.

you know, lunatic doesnt even have a distinctly large nose, and his eyes arent even particularly sunken and he doesnt have many wrinkles around his eyes like i think is charming for him, because everyone is just smoothed down... and the above screencap isnt even a good example of it, but the charming thickening of lines at some parts is entirely missing in t&b2 from what i can remember? i feel like the linework used to be stronger and more interesting overall.

anyhow, yes, t&b was also fixed up for the bluray release but i feel like the atrocious-looking parts are kind of funny to look back on. i wonder if theyll be editing s2 visually? (and please revise the entire storyline for yuri too, thanks.)

speaking of s1, where did this entire sentiment disappear to? into the ether?

also, i cant help but be plagued by thoughts because the episode i got those keith screencaps from, kotetsu & barnaby are interviewed by kids who are taking the reporting very seriously, and their reaction to kotetsu saying the person he looks up to is mr.legend is lukewarm at best.

then barnaby talks of his parents and robotics, and they light up, which is funny because barnaby is way more popular, but it also narratively, in my opinion, shows that especially the new generation of sternbild thinks mr.legend isnt that impressive and would be more willing to accept that despite the myths around him, he was a man who severely sucked.

theyre ready for new heroes to commemorate, ones that really deserve it, and they (even in cour1!) dont see lunatic as a villain but an antihero who protects them.

oh well.

thanks for reading, even if you didnt read all of it and just read interesting parts or skimmed through it! i guess writing this was like free therapy for me because i need to deal with how deeply yuris cour2 canon arc affected me lmfao.

i dont think ive ever been so blindsided and taken aback by the total surprise i felt at the direction his arc took and that definitely factored into how deeply it fucked me up because if i couldve anticipated that yuri could for example die, i wouldve been a lot more normal about it.

but out of all things, i cant believe that tiger&bunny would do that to me, and make me see all of that pain... genuinely fucked up not going to lie. fugan and mugan and their father being shot to death is one thing because its shocking of course, but yuri has been in the show since the start.

yuri has existed in the minds of people for over a decade, now, so it feels so unexpected they would so callously kill him off, it feels entirely uncharacteristic, and i feel like its not something that anyone couldve expected, and maybe it wouldve been less shocking if season2 had come out like, say, an another year after the rising...

but still, i dont understand how we make the jump from yuris portrayal and the overall themes of the rising into t&b2 and his role in cour2. its wild, i dont know how to get over it.

breathing through gritted teeth how i published a few fanfics with yuri in a huge hurry before cour2 dropped because i wanted to have them started in case some major yuri details drop and ill feel compelled the rewrite the yuri parts of them but huh... well.... cry laugh

i love imagining scenarios with my favourite characters, but i tend to include yuri in the core ensemble cast of heroes: trying to imagine any post-canon shenanigans feels so hard right now like watching a VHS reel that ran to the end and has to be rewound, and actually makes me incredibly sad.

theres that new audiodrama coming out with ryan featured in it and i cant even be excited because i just get sick, like physically... i guess imagining myself casually engaging with tiger&bunny content makes me feel like im spitting on yuris nonexistent grave. woe is me. fuck you tiger&bunny2 cour2. TL;DR - my opinions, this entire post condensed somehow:

the whole arc for yuri felt like a giant fuck you not only to him and all of the fans too, and same with the ending kinda

ryan was brought back for a fun cameo only because he never became plot-relevant really so what was the point lol? screentime waste

plot points set up in cour1 and further before were ignored and scenes were specifically used to counteract them?!

big misogyny moment for all woman characters of the show

hero ensemble overall was underutilized

new characters/excessive focus on side characters like the fucking mayor and the police chief in cour2 felt gimmicky and unnecessary and generally didnt add much worth. i dont care show me my funny heroes instead

they tried to do too many things and lost sight of why t&b has been so great and why the idea of a more self-conscious t&b is so exciting: of course the show has had a lot of flaws, like nathans initial portrayal, and to imagine a show that has the same spirit but improves on those flaws is amazing. its just not even remotely what we got</3

never expected a flawless show but there are flaws that you can headcanon away and there are flaws that undermine the entire theme of the show this far. i dont know how to make s2 any better after seeing cour2 without totally ignoring any of it happened

cour1 wasnt even bad. it was solid. shit just hit the fan in cour2

the art direction was a huge downgrade, but maybe it was just budget constraints, so i dont know how harsh i want to be about it.

leave a comment if you want, lo, i love to talk, its relaxing. i also mightve mixed shit up so dont embarrass me too much if you notice any overt mixups since i really did marathon the cour once and i dont know how i can bear to look at it again. i also have some confusion over some parts of the story which i detailed above in my manifesto so if you wanna educate me, please do, lmfao...peace out...

[vampxrebarbie]

an entire fucking thesis could be written on the evolution of vernacular and linguistics in online social culture among the 'online generation(s)'

like. text is flat, which is why punctuation is ungodly important in written fiction. use it right and the audience will read it with the right mental inflection.

that's why tone reading falls flat as soon as you hit online social spaces--we arent narrating in places like tumblr or twitter, we're TALKING. sure we've got exclamation points and question marks and periods and all, but there isnt anywhere near enough punctuation marks in existence to properly convey every little nuance present in speech. in text you have no vocal intonation, no nonverbal communication (expressions, gestures, tics) to further clarify what's being said behind what's being actually said.

so those of us present in online social circles invented our own social intonation to help each other communicate as many of the little nuances not present in text as possible.

like, i'm putting a flat period here at the end of a sentence.

just one.

to most of us who've been communicating online for years, that 'flat' period reads as incredibly harsh and borderline hostile depending on context, so a lot of us tend to omit it entirely in casual dialogue.

the more punctuation marks you use at once, the stronger the 'tone' it conveys. for example:

this topic is so exciting??? i love it so much???

doesnt so much read as a question as the mark implies. willing to bet most people in online social circles will 'hear' disbelief, shock, or excitement from an overabundance of question marks.

overabundance of exclamation points? you are feeling A WHOLE LOT and just NEED TO GET IT OUT!!!!!! doesnt matter what it is you're feeling but you SURE ARE FEELING IT!!

periods? well they sure do draw things out...........and depending on context can function either like a comedic twist on the traditional use of ellipses or a purposeful extension of spoken Dramatic Pauses those traditional dot-dot-dots just don't properly convey.

then there are the little oddball vernacular rules such as:

using a question mark at the end of what would otherwise be a flat statement because, somehow, our brains translate that to a verbal uptick in tone, basically the text format of a shrug, and if someone asks what for all you can do is say "idk it just feels right?"

keysmashes. we all know. we just do.

you're in the middle of typing something and decide you Need To Capitilize These Specific Words. why?

and jumping off of that:

MEMES oh my god. memes. m e m e s. let's talk about memes. i love memes as a method of communication i love them so much. why?

because i can post this

and theres a good chance a majority of you who've been around online social spaces (specifically tumblr) for long enough will know exactly what This Specific Meme is saying without needing a caption or context to infer it.

you just know.

you know the origin of it, you know how it was first used or have seen it used the way it's been traditionally used before, and because of that you can pretty much context clue your way into understanding what it's conveying when used at any other time provided it's being used in a similar way.

and that brand of communication can stack!

take any meme that began with a subtitle/caption that's been in circulation long enough for your brain auto-translate it on sight, have someone else add another caption-less meme in response, and anyone who knows the vernacular of online social spaces will know exactly what the two of you are communicating without a single word being typed/spoken.

we've reinvented fucking hieroglyphics, people!!!

all because us humans are so gosh-darned SOCIAL as a species that we're willing to rearrange our own learned grammar structures and methods of speech for the express purpose of communicating as clearly as possible in a medium that wasnt originally and to an extent still isnt meant to be used for casual dialogue and interaction with complete strangers.

this is why there's such a hard disconnect in online communication between anyone who spent most of their life offline versus those of us--primarily millenials and Gen Z--who grew up online.

we are literally speaking a completely different language from older generations.

[faesystem]

Personally we block anti-endos far more often for racism, ableism, and misinformation. The amount of anti-endos who have blatantly said that other culture's spiritual beliefs are made-up bullshit, that think psychiatrists are infallible gods and that psychiatric abuse isn't a big deal, and spread misinformation about how DID forms so that they can gatekeep people is wild

pretty sure this falls under *checks notes* being a dick. which i said i block 8/10 anti endos i see for being.

whats your point here?

well

i think i know what your point is

if i just said that i blocked 8/10 anti endos i see for being a dick, you would agree with that

but when i said i also block 8/10 pro endos i see for ableism, racism, and misinfo, you now dont agree with my previous statement. not because we disagree on many anti endos sucking, but because you think pro endos... are better.

which, well, id ask you take a look at this big long post i made about in group and out group mentality. its based on the stuff i was learning in my psych class.

a quote that sums up what i think about this whole thing youve said here is 'if you engage with pro-endogenics you will see the worst of anti-endogenics, and if you engage with anti-endogenics you will see the worst of pro-endogenics.'

i think everyone sucks because i exist outside of this in group and out group mentality. i engage with people, not labels, i dont care whether someone calls themselves whatever stance provided they arent bitter horrible people. which means, i engage with pro endos and therefore see the worst of anti endos. and i engage with anti endos and therefore see the worst of pro endos

the difference between the 8/10 pro endos i block versus the 8/10 anti endos is the flavour of sucking they tend to do. the common thread here? all of these people are heavily involved in discourse, and that generally makes someone pretty unpleasant.

discourse, in group out group mentalities, and group conformity turns people into fucking horrible people. sure, not all of us, but every single person who is so strongly attached to a discourse position that anyone outside of it is horrible and anyone inside of it isnt are the exact sort of 8/10 i block

just

look

i cooked my dad dinner, ate it with him tonight. he told me how he went to a japanese restaurant last night and wants to try some japanese cooking. we made plans to cook together

after he showed me this tech project he did. he was coding some different speeds for fans for my mom's biltong making. it was his first time using the program c, and he showed me the whole process.

he showed me how he was able to convert some ratios in three lines. i found out that the program he used before, assembler i think, was only able to divide and times by two. we had a laugh as my brain broke, trying to figure out how someone would even begin to tackle that problem

after he was done there and he gave a demo of everything he had explained in practice, i went to my nan's attached granny flat. i asked if she wanted to watch 10 more minutes of that sam i am movie she wanted to watch with me. we decided we're going to take it in chunks

i got us some wine and some cheese and crackers and we ended up watching for about half an hour before i had to tap out. i do think its a beautiful movie-- i just get a lot of second hand embarrassment when watching it and its kind of painful. but i love my nan and i love watching it with her

ive gotten into cooking a lot recently. not been able to do it as much as id like, ive been sick, but ive been falling in love with it. i want to start growing my own veggies soon

tomorrow, my brother's disability support worker is coming for the first shift. hes a chef and i asked my mom if he could ever do a shift with me to teach me how to cook. she said not yet when i brought it up first, because she doesnt want my brother to feel like im taking his support worker from him.

and earlier he was freaking out because he has a five hour shift tomorrow with this guy. he doesnt think he can handle being around someone for five hours. so i suggested that the support worker could teach me how to cook if james doesnt want to do something with him

and my brother calmed down immediately, it was a huge weight off my back, and im so so excited for tomorrow.

why the ramble?

because we all live

every single person around you is also just living a life as vivid and complex as your own. even the people i block because i think theyre stupid and they rub me the wrong way.

and i think people are worthy of compassion and respect and care regardless of what judgements you make about them

its not that people cant be bad or you have to have them in your life or that its wrong to debate or argue or vent about what they do. its just

i dont know

i find it kinda ridiculous youre in here defending pro endos by saying you generally see anti endos who are worse. of course you do, youre pro endo, youre surrounded by many pro endos because thats your community. you see a lot more of them than i do, i only really see the assholes that get 5 minutes of fame in syscourse. same with anti endos. theres probably a lot, lot more pro/anti endos that did not make it into my 8/10 statistic because i dont even know theyre pro or anti endo, because it doesnt come up and theyre not insufferable people

i just

i just find syscourse so ridiculous now

[eldritchmochi]

i keep seeing posts about how the term "boundaries" is constantly misused to inflict rules on other people when boundaries "only relate to rules for yourself" which..... isnt true according to things ive discussed with my therapist? like yeah the overuse of medical terms as get out of jail free buzzwords is bad but also strict black or white rulings of a concept in a tweet or two is also bad, especially since i have not seen a damn one of these come from a credible source, either a mental health professional or like, clinical terminology sources

CONCRETE EXAMPLE where i set a boundary with roommates that required behavior changes on their part that my therapist named specifically as a boundary when i described it:

dishes are the biggest point of contention in basically any living situation with multiple people. my previous roommates were really bad at doing them, in a way that resulted the kitchen being really gross if i hadnt just cleaned it. even after many requests to do basic things of "empty the sink trap of soggy food so it doesn't rot" and "dont hoard dishes long enough to grow an ecosystem" over m o n t h s, i got nowhere with dishes being done regularly in a way that didnt bother me

in the end it was so continuously upsetting that i told them to not do the dishes at all ever whatsoever, i would take care it. mind, i was the only one who worked out of the house while commuting via bus as a chronically ill person with severe fatigue and i was putting in an average of 50 hrs a week every week for werks on end at the time. me deciding to take this on was not done lightly, this was me recognizing that it was better and healthier for all of us for me to take on this one task. it would result in me being much happier in that living situation at no real cost to the other party other than maybe the dishes would stack up a bit if i was particularly exhausted one day, but things would get caught up within the week

this did not go down well despite my best efforts, and i would not be surprised if this black and white portrayal of what boundaries are influenced that. this nonsense went down over like six solid months and every single session i had with my therapist had him absolutely baffled because he couldn't think of a single thing i could have done better

i am not a mh professional i do not know the specific difference between "dont do this thing it upsets me" and "dont do this thing that 'upsets' me because i am controlling you", but the blanket statement of calling something like this a boundary is misusing the term is black and white thinking. i have bpd, ive done some dbt about it and the first thing they teach you is how to spot black and white thinking because it us incredibly mal adaptive and *really fucking dangerous* and this specific trend is going to be taken advantage of by abusers just as much as coopting the use of "boundaries" to justify their behavior

tldr "boundaries are never about other people's behavior" and "you can't do xyz thing because it violates my boundaries" are two sides of the same abusive coin. people who have put in the work in a tangible and meaningful way, who are able to examine their motives and give grace to other people within their boundaries, can recognize that boundaries are a spectrum, like everything with social relationships and mental health in general

[cynettic]

hi, i hope i'm not bothering you, but i can order a Scaramouche × Kitsune reader, the two met before the vision hunt (and before he was a fatui if you want) the reader was always in the same place, sometimes having a conversation , the good old routine, but with the hunting of visions the reader disappeared not wanting to give up his own vision, and years later a reunion, SFW or NSFW is by your will, thank you, I really admire your work

Summary - Scaramouche met you as a child, growing up with the constant assurance that you would be right there, sitting at your spot where he could meet you with every visit. He isn't happy when you suddenly disappear.

Pairing - Kitsune!Reader x Yan!Scaramouche

Warning - Slight Yandere warnings?

Penpal - Ahhh- hope this is what you were looking for. I couldn't find a spot to put much nsfw unless I considered writing more for the series ( I could, just put a request in if thats what you’re looking for ). But I hope you liked it!! You're not bothering me at all and I'm glad you like my work!

A/N - Alright- so considering that with the 2.1 update with Scaramouche coming in, I just wanna state beforehand that I wrote this prior so I dont know if we learn about his backstory or anything!!

Link for Part 2

Stay With Me

Scaramouche was used to the routine he’d found himself going along with every visit to Inazuma. As a child he’d pass through the wild fields that stretched just beside his hometown, adventurous and curious with all the tenacity of a child.

And of course you, a kitsune that sat perched on the ground awaiting the Kitsune Saiguu, was bound to notice him. Unlike the other earth kitsune statues, you hadnt turned to stone during your wait. Instead, staying in the same place did you interact with travellers and the locals, which included Scaramouche.

“Fox person!” The little boy chanted, pulling at the hems of your clothing. Bright blue eyes bore into your own, and you slowly shifted your head to pay attention to the boy who was on the verge of bouncing on you.

Humming in reply to his excitement, the little boy paused, both of his small hands still tightly clasping the fabric of your clothes. Soft matted hair brushed past his face in a messy manner, calling out the boy for his boundless running and rebellious urge to keep his hair messy despite his parents wishes.

“Play with me!”

Staring at the boy only a moment longer, you simply chuckled at his antics. “I’m afraid I cannot move from the spot in which I dwell~ Perhaps I’ll be able to entertain you if you bring cards?”

But the young boy had made up his mind at the statement to which you couldn't move. A pitiful frown enfluged his face as he cast you the nastiest glare a five year old could muster. “Boring!” He shouted into the distance of the fields, dramatically turning on his heels and bouncing up into a sprint away. You watched his small figure fade away into the background, absentmindedly sighing and returning to your mindless thoughts.

As a child, Scaramouche would pass by you fairly often. Frequent when he asked you to play with him, and storming away with the same expression when you denied him. Nothing out of the ordinary, you’d lived for an exceptional amount of time, and even though grumpy children were not your specialty, you’d grown accustomed to their behaviour.

Growing up, Scaramouche got no better. You soon noticed his violent tendencies before they became an issue, the way the children shied away from him when playing Temari. Hiding in front of a tough exterior, he scared them away and laughed, approaching you later with tearful sob.

“Will you play with me?” He asked again, trying to hide the fact that he still wept when the other children pushed him away.

But your answer stayed the same, helping him wipe his tears and coaxing him into your arms. Not the first time you’d made contact with a human, but the first time you held them in such an affectionate manner.

It was clear Scaramouche was beginning to see you as some sort of pillar of reassurance when he began running away from home to simply ask to be held. You always welcomed him with open arms, urging him to head back to his household and sort things out. There was no harm in simply providing love and comfort for a child who received none was there?

“Now now, hurry back home little one. Your parents must be growing awfully worried if you’re out by this time at night.”

“My parents dont care about me!”

Darkness slowly pooled into the fields, an obscure shade covering the two of you from the tree you were under. Biting back form your normal emotionless statements, you pondered for something to soothe and convince the boy. Misunderstandings and hardships were normal from what youd seen with children, and you could only offer your hand on his shoulder, a promise. “Go back, I promise to stay here if anything further happens. But you shold give them another chance dont you think?”

And so he’d sprint back to his hometown, and you wouldnt hear from him again till he ran up right up to you a few days later. Begging you to play a game with him. The normal you supposed, and with a grin that seemed to stretch wider with every day, you told him the same thing you told him every single time.

“You cant move?!” Scaramouche nearly yelled one time, tiny fists curling at his side. “Thats… thats stupid!”

“It is isnt it?” You only smiled in response.

Unsatisfied with your response, he clawed your arm, pulling you with all his might. Strong, you realized with surprise that he was much stronger than most children his age. Easy enough to tug away from, but strong enough to take you off guard.

Snapping your hand back to your side, you narrowed your eyes. You weren't angry… no, you hadnt felt strong feelings like that after the disappearance of the Kitsune Saiguu. “Do not attempt to move me,” was your curt response, said in the most stern voice you’d used with the boy.

He’d looked at you only a few seconds longer before bursting into tears, turning away and running. You didn't feel regretful for defending yourself, only turning once more with a tired sigh to stare at the distance.

But just as you stayed ageless, Scaramouche grew older. Still, crossing each others pass was inevitable when you sat in the plains, just alongside the path that lead to his hometown.

With a permanent scowl that seemed to stain his face, he still seemed to have mature a tad bit. Maybe hadnt improved in the social department, because he now scared children and adults and alike, but more mature…

“Hm? Whats this?”

Once again, sitting criss cross under the large tree that provided the perfect shade on sunny days, you stared at the boy expectantly. His hands hesitated at your question, but he resumed shuffling. “Cards,” he simply said in response.

A small featherlike feeling flitted across your chest, making you feel lighter and… almost ticklish. A small smile crossed your face, and you recognized the emotion to be one of adoration. For him to have remembered words you’d spoken years ago, it gave you a warmth you’d sorely missed. A warmth akin to watching him and the other children grow up.

“Ew, dont smile like that, its creepy.”

Swatting at his head, he frowned further when you laughed. “You’re more mature,” you pointed out, lazily leaning back. “You need to work on your people skills though, as someone who hasnt moved in years, thats pitiful that I know more than you.”

“Shut it!”

But as he grew up, you hardly got to see much of him. He’d reached your height and then fully disappeared, leaving no goodbye. And much as you hated to admit it, you hardly noticed, not when days passed in a flurry. You were used to being by yourself, entertaining the kids and greeting the people that passed by.

Sometimes, there’d be the reminder of the warmth he’d given you. But it was quickly overshadowed by your duty to remain seated in wait for the Kitsune Saiguu. A dedication kept in its earnest, but beginning to dwindle.

Inazuma was beginning to change.

“The vision decree…” you repeated, staring at the traveller who’d mentioned it to you. “Care to elaborate?”

The new archon threatenening to take away visions from every inhabitant of Inazuma. It was preposterous, so much that you didnt move. Your vision meant the world to you, but so did the Kitsune Saiguu. You werent sure just how you weighed the two till you saw civilians passing by you, ones you recognized, ones that didnt recognize themselves.

It was snowing, cold snowflakes melting into your skin while your hair soaked in the water. Unflinching, you hummed to a little tune, awaiting someone to pass you so that you could attempt to strike a conversation of somesort. The unnatural weather distanced all who entered the field though, and you simply waited. For the Kitsune Saiguu, for someone, or for some form of entertainment, you didnt know. You Slowly closing your eyes, you decided not to care.

“Im gone for five years and you’re still sitting here like a dumbass.”

Eyes snapping open, you find yourself face to face with a complete stranger. Dark purple hair with dark blue eyes, piercing and dangerous in a way you dont recognize at all. Fancy clothing that you cant identify or put a name on.

The boy took a step towards you, crouching down to stare at you directly. His eyes scanned over your figure briefly, and he brushed the snow out of your hair and ears with one flick of his hand. In the next, he was offering a coat to you. “Take it, you’re probably getting cold.”

You leaned forward, ignoring the coat he offered you. Gently, you raised your hand to brush the hair from his eyes, centred on the way his pupils widened. Offering a small moment of surprise and one glimpse into the small childlike blue eyed wonder he was. “Kiddo,” you breathed, pulling your hand back and scanning him once again. “You’ve grown.”

“And you havent.”

Snickering at his comment, you took the coat. You didnt need it, but he looked like he didnt either. He was already wearing clothing that kept him warm, and with careful observation and an untouched coat, you settled on the fact that he’d brought it here. Brought the coat here for you.

“Still havent improved with those social skills of yours have you?”

He scoffed, letting himself fall back till he was sitting fully. “I dont want to hear it from someone who refuses to move an inch for years. Lazy ass.”

You open your mouth to retort, but instead laugh at his comment, shaking your head. “Gained some humour on your journeys have you? Bad words too it seems. Anyways...” He had sat down, which meant that he meant fully well to sit, chat, and catch up. That familiar warmth filled your chest, a contrast between the cold snow. “Welcome back.”

It wasnt often that Scaramouche visited Inazuma, but when he did, he was sure to visit you. The two of you would sit down for hours, talking about the most trivial topics. He never mentioned what he did in his time away, and you never asked.

But things began to go downhill when news of the vision decree finally took action.

“Its no joke anymore! The Raiden Shogun has taken custody of almost a hundred visions!”

In that moment you made your decision, weighing your vision over the Kitsune Saiguu. Awfully selfish you knew, but you’d spent decades sitting there in wait.

And for the first time you sat up from your position on the ground, clumsily stumbling upright but gaining balance. It takes a few steps until you’re back to normal, and you begin your journey in order to escape the Raiden Shogun’s vision hunt decree.

_-_-_-_

You didnt expect to see him again.

Long grass tickled at the skin of your legs, making you adjust your footing to no avail. Sun slowly descending past the mountains to mark the start of an evening and the soon approaching night. A normal day of exploring the mountains and islands of Inazuma, observing the constant changing situation, and running away from the vision decree like a favourite past-time.

With the exception of a firm grip on your wrist.

Dark purple like hair, same hate brimmed eyes and lavish clothing. You recognized Scaramouche the moment he had appeared, looking just as surprised as you were. That being before he snatched your wrist and snarled, “You.”

You wouldve considered it pure luck to find him, an unexpected reunion with someone you actually remembered. But no, his tone had some predatorial edge to it that had you cringing. Hard. “Yes, its me.” You answered back with a frown, trying to loosen his hold. “Nice to see you too, is something the matter?”

He only seemed confused at your words, pulling you closer.

“Something the matter?” He asked as if it was the most obvious thing in the world. “Well, to start, you’re not sitting at your damn spot.”

Taken aback for a moment, you wondered if that sole fact was what drove the boy to such lengths. Surely he couldn't be so troubled over the fact that you moved… “The vision hunt decree, I'm sure I mentioned that I was sticking around in wait for the Kitsune Saiguu. I decided to wander around and avoid the conflict until I could settle back.”

“You could’ve waited for me,” he stated almost instantly. “I could have protected you.”

You felt your brows furrow quizzically. “Wait for you? Why in the world would I-”

“Why wouldn't I?” He pushed you closer till he could fully grab both wrists, taking a step closer as if his words would resonate clearer in your head. “You took care of me as a child, it would only be fair for me to repay the favour.” But he only seemed to be looking for excuses. “And besides, you can't just up and leave… I didn't know.”

Before you could interject with the obvious answer that he didn't need to know, you stopped. You’d lived decades, nearly centuries if you’d kept count, and you had learned to read people's expressions even when you’d stayed away from them for so long. He didn't know. It hit you in the most unpleasant way that he wasn't aware that it was none of his concern. To him, you were just another thing he needed to keep track of, something he had control over. His face basically screamed, ‘I depended on you to stay in that place.’

Deep breath in and out. You’d lived long, longer than him, you could deal with a child throwing a tantrum.

“Don't worry,” you gestured to the vision ta your side. “I'm strong enough to protect myself, I appreciate your concern, but I’ll be back when the vision decree ends.”

Unconvinced, he pulled you closer, just until your faces were mere inches away from each other. “No,” he said in a stern voice. “I’d rather you by my side, where I can protect you. I hate to question what you’re capable of, but you’ve been sitting down for as long as I’ve known you for.”

“I’ve lived decades more than you,” a simple reply, hopefully enough to get by him. You snatched your hands back with ease, ears flinching slightly when a cold breeze swept past you. But you stayed firm, not wanting to look vulnerable against the imposing air he had around him.

Still unconvinced. “You’re coming with me.”

“No I’m not.”

You’d known him as a kid, watched him grow up along with all the other small ones in his hometown. And maybe you admit you cared a smudge bit about the warmth he gave you when settling down to play cards, but he was different. He had changed in the worst way and you weren't about to deal with it.

“So you’re not coming with me voluntarily?” He asked softly, taking a small step to which you responded by stepping back. He had his hands up, as if telling you he wouldn't hurt you. But the way he said voluntarily sent shivers up your spine.

“No.” Hand on your vision, you held your own hand up threateningly.

He took his time when tilting his head, taking a deep breath in, and then appearing in front of you in just a short stride. Too quick to react, you hesitated before you could attack him. You didn't want to hurt him, he was still a child in your eyes, and you paid the consequences for that. He slid his hand just along your neck, and a jolt of electricity seemed to thrum inside you just as you collapsed in his arms.

Scaramouche was quick to catch you, hoisting you up into his arms dearly. “I do hope you’ll come to understand,” he said softly, cradling your unconscious form in his arms. Making sure not to crush your tail when carrying your legs, he looked past the mountains, sigh resting on his lips.

Because Scaramouche liked to have control of the things he held dear. Like keeping all your valuables neat and tidy in a closet, he was happy knowing you were safe and stable in that spot you always sat on.

And he couldn't have you moving could he?

[thekingofwinterblog]

Do You Even Want To Be a Hero?

The Joker once famously said that all it takes to create a villain, a madman out of anyone, is “One bad day”.

On the surface, the league of villains seems to be an argument in favor for that statement.

For Shigaraki, it was the traumatic events that happened the night he killed his family.

for Toga, it was the day she snapped and attacked one of her fellow students for his blood.

and for Touya, it was the day he lit himself ablaze.

However, what the series goes out of its way to do, is to deconstruct the narrative that all it took was one bad day.

in Shigaraki’s case, while the events that killed his sister, his mother, his dog, and his grandparents were just an unavoidable accident, the way his father died was not.

shigaraki murdered his old man in a rage, lashing out against his abuser who had just hit him for the last time. the final part of an entierly avoidable drama of parental abuse.

even after the event, Shigaraki might not have turned into such a monster later in life, if a single person had reached out to try and help him in the aftermath of it all.

Toga’s case is a bit different, as what happened with her, was that she was was raised by her parents to hide away any bit of her natural bloodlust in order to fit into society, which predictably ended when her natural bloodlust reached a boiling point, and afterwards.... there was no way back.

Then, in Touya’s case, while the event that finally crystalized Dabi into a new person only took an afternoon, the actual process of him going completely nuts was the result of years, and years of emotional abuse and the utter refusal of his parents to actually get him mental help. leading to his one and only emotional support being his little brother, who was way too young to either understand Touya or actually help him.

in every case, there was a point where each of these three people could have turned out differently. 

In Shigaraki’s case, had anyone reached out a hand when he needed it, or if his dad hadnt been such a dick, and his family hadnt just stood by and let it happen, maybe things would have turned out differently.

in Toga’s case, when she first came home with that dead bird and her fascination with blood becoming obvious, her parents could probably have arranged some form of healthy outlet for their daughter’s lust for blood. instead they forced her to bury that bloodlust to fit in to society, leaving her with no way to actually deal with any of it, until one day she snapped.

in Touya’s case, his childhood was one, long, burning of abandonment issues, parental issues, and being raised to become something, until suddenly he wasnt good enough anymore, at which point his father literarily bred forth a third and fourth child to replace him.

it is easy to say that had Endeavor not been such a piece of shit dad, Touya might have turned out differently. this is absolutely true. but for this article, i wanted to explore the final moment of Touya Todoroki, the final real chance there was for someone to try and get him down a better path.

Touya did not have a good set of parents. while Endeavor was far and away the worse of the two, his wife also suffered from her own issues, in particularly a lack of selfawareness, and an inability to put her foot down, as we’ll explore here. 

Upon finding her son about to go out, Rei immediatly manages to piece out that he’s going out to train, but rather than doing the responsible thing, and forcing him to stay home if she doesnt want him to train, she instead tries cajoling with him instead, trying to make him abandon his training with words, when a strong, firm hand was what was required for the situation.

the sad thing is though, that she ALMOST suceeds.

Rei genuinly asks her son the one, singular question that actually has to be asked for him to consider it. the one singular line that manages to pierce through his obsession with living up the ideal successor his father burdened him with at a young age. 

its pretty clear that this isnt a question Touya has ever asked himself. and once he’s faced with it, he immediatly freezes on the spot.

rei asks him point blank if he actually WANTS this life his father has chose for him. its a powerfull moment, and frankly, if she had just handled this a bit better, Touya might have abandoned the path of a pro hero. instead, after having actually managed to pierce Touya’s shell, she immediatly ruins it.

note that what rei says here, isnt about him, not really. its about rei, her perspective on it all.

“As your mother... It looks to me like youre suffocating because of who your father is, and youre suffering for it.”

nothing of this is untrue. but its NOT what Touya needs to hear after her asking him if this seriously is something he actually wants. 

what Touya needed to hear in this moment, was that his mother would have his back no matter what he choses to do with his life. instead, he got a very generic speech that doesnt really hit anywhere close to the matter as her previous line is. 

She focuses on how SHE feels about it all, when the entire reason the actual question hit so hard was that for once in his life, somone asked him what HE actually wanted.

and not only that, but she follows that up with something much, much worse. by being incredibly hypocritical.

Rei asks her son to look beyond his father, that there are plenty of other roads to take, and if he just tries, she’s sure he’ll find the path that is “Right” for him. note, she isnt saying here that if Touya actually decides that yeah, he wants to be a pro, even if he does decides not to try and become the number one, she’ll support him. she’s telling him that he has other options, and to abandon the path his father once upon a time put him on. that is the only “right” choice.

coming Rei however, that sentiment is incredibly hypocritical. which her son calls her out on immediatly.

Rei asks her son to NOT follow the path his parents set for her.... when she did the exact same thing she just told him NOT to do.

Now, i want to make this perfectly clear that im NOT blaming Rei for any of the abuse endeavor put her, or their children thorugh. that is ALL on him. however, that does not make rei a saintly parent. not to shoto, not to her second and third child, and most certainly not to her oldest Touya.

though he phraces this in a really ugly way, and he does that because he knows it will hurt, touya isnt wrong. 

he spitefully calls his mother out on her having “No Choice” in wheter or not to go along with her parents selling her off as a bride for money, because that is what her parents wanted.

The fact of the matter however, is that Rei DID have a choice. that choice might very well have been between this marriage and either becoming destitute, remaining poor but still have a roof over their head, or being disinherited for refusing.

some would say that it wasnt a choice at all, and that she HAD to do this. but the fact remains, that rei COULD have refused. it wouldnt have been an easy choice, and one way or another, it WOULD have consequenses. but it was a choice nonetheless.

instead, she went along with what her parents wanted out of her. She went along with the sale, and she went along with it, knowing fully well that her new husband didnt marry her for love, for looks, for appearances sake, but exclusively for her genetics.

Endeavor wanted her quirk, and that, and NO OTHER reasons, is why Touya was born. 

Again, Touya words this in a really ugly way, but he is not wrong in this moment. Rei DOES share some blame for putting Touya on this path, because she went into the marriage with her husband knowing fully well that this was what endeavor wanted an heir for. to surpass him. the fact that she, unintentionally or othervise, tries to give advice withouth acknowledging that fact, and that she is trying to tell him to essentially “Do the opposite of what i did” withouth a shred of selfawareness of how hypocritial that sounds, is what really gets touya so mad in this scene.

that is the great tragedy and beauty of this scene. because Rei almost does get her son to begin questioning why he even wanted the stupid number one spot anyway... Then, not really understanding that she’s at an extremely critical point, she follows the moment up by completely ruining it, and instead making her son double down on the path, in part just to spite her hypocricy.

this was her final, last chance as Touya’s mother to prevent the creation of the monster he would become, and she screwed it up. not due to not caring, but an inability to actually understand her son’s perspective, and acknowledging her own shortcomings.

However, there is another layer to what happened in this scene, which is this earlier moment, which, if the order of the flashbacks is to be believed, happened before this talk with touya.

the thing is, that while the words are different, this is basically the same thing she said to her youngest son, to encourage him to become a hero on his own terms, a moment that while he later buried it, really was critical to Shoto’s decision to become a hero of his own choice.

she is essentially trying the same thing she did with her 5 year old son, just in a the opposite direction, and im honestly not sure if this is intentional similarilty regarding the arguments on her part, or just her being the same person she was in both instances.

the difference, is that touya was 12, and shoto was 5. the much older boy was able to look beyond the pretty words, and judge the person behind them in an critical manner, while the 5 year old ate the words right up, because to him, his mother was the greatest person in the world.

[tezzbot]

applejack headcanons in a sort of timeline i have in my head based on the flashbacks/statements in the show lol this is gonna get long i apologise

aj is born in the sweet apple acres barn to bright mac and pear butter :D

we get the apple family reunion episode flashback where she is lichrally baby asking for apple fritters 🥺

she grows up a bit, just by family gene pool luck shes a strong little fucker and as she grows her family realises she's not just physically strong but strong willed too, it becomes a running joke that shes secretly part mule with how stubborn she can be :P

bright mac had a dog from when he was younger that he loved with all his heart, big mac loved him too but applejack thought was a grumpy old lump of a beast she just Did Not Like This Animal you know how kids can be lmaooo

applejack and big mac dont really leave the farm all that much, theyre homeschooled by their parents and granny smith so, generally they dont have that many friends their age in their childhood, they say hi and play a bit with fillies and colts they pass while helping out with deliveries, aj and rarity possibly have a few interactions through this but nothing really sticks at this point, they know each others names and thats probably it, the apple siblings are a big hit with usual customer and ponies who sell them things in the market

pear butter teaches aj how to play the guitar and she practices until her hooves hurt, her ma is very proud of her, they like to play duets when they have some alone time :] then, deciding to branch out from that applejack also picks up other instruments like the banjo and the fiddle, they find out she has quite a knack for music! (applejack is only slightly disappointed she doesnt get her cutie mark from it, but unlike applebloom would be in the future, she doesnt mind all that much, after all granny smith always said it'd come with time 😌)

not long after little applebloom is born we get the great seedling episode flashback which is a turning point in applejack, a moment like finding out santa or the tooth fairy isnt real, she matures a little bit that day, gains more of the work ethic we see in her as an adult

around this time is when bright mac and pear butter die :( i dont have a concrete headcanon on How they die but the dangerous trade routes the apples have to take to make deliveries may have had something to do with it, or maybe they were trying to protect the farm from something coming from the everfree forest, im not sure

the rest of the apple family make their way to sweet apple acres to give their condolences and help out in any way they can around the farm while our apples grieve :( its sad but it brings aj and big mac closer than they'd ever been

after shes recovered a little from that, i think aj kind of loses herself, i mean how can you not after losing both parents :(( so she decides to leave the farm in the hopes she'll be able to find herself again in manehattan, this is the cutie mark chronicles flashback and where she realises she belongs in ponyville, Runs home and gets her cutiemark

after a little bit, to help her become a little bit more social with foals her age, applejack goes to camp friendship where she meets little coloratura and the two Immediately click, aj gives her new best friend the nickname rara and they're practically inseparable the whole summer, their friendship starts to grow into something more but rara is heading back to manehatten after camp and applejack belongs back in ponyville, so they decide to give a lonb distance relationship a try, they manage to exchange letters back and forth for a long time, ultimately deciding a long distance relationship wasnt gonna work so they mutually decide to break up but still stay pen pals! after a while, the letters stop and they become just a memory in one anothers minds

sweet apple acres eventually returns to a business as usual state, with groups of relatives stopping by the farm now and again to give a helping hoof considering its now run by a late-middle aged lady, two children and a baby lol, applejack, while still doing a lot of tree bucking, is starting to take on a more maternal figure role in applebloom's life as well as being her sister, her and big mac feels more responsible and protective of the foal since she would be growing up with no ma and pa, they sort of took on those roles, applejack more intensely i guess i just see her as having strong maternal instincts embedded in her or something lol, but she for sure isnt "single mom"ing it, with granny smith and other relatives ready to take the little bugger when aj needs to get stuff done :P it takes a village and all that lmao

since at this time aj and big mac are starting to go into town more often and are free to do as they please as long as their chores get done, they start actually interacting more with teens their age in ponyville! applejack starts hanging out with fillies like rarity who she had known in passing but now could finally get to know and the cake's new apprentice and ponyvilles youngest party planner, pinkie pie

after starting to hit some awkward growth spurts as she reaches her teens lol, she starts taking an interest in the business side of the farmwork too, dealings with customers, looking into trade routes stuff like that, this is when the where the apple lies flashback takes place i fuckin love that episode please watch it, and this starts applejack's lifelong promise to never lie ever again which she keeps bc shes a legend as fuck <3

one day aj notices cloudsdale passing through probably to start preparing ponyville for the next season, and she hears a Thud coming from a row or two over from where she's working, she goes over to investigate to find a pegasus filly shaking off what aj can only assume was a crash, she asks if shes alright, n the filly is like of course i am im so tough toughest around actually thanks<3 and aj is internally like hm. this kids kinda annoying. they introduce themselves and applejack finds out rainbow dash is looking for her friend fluttershy, she likes to come down from cloudsdale to play with animals or something, but applejack hasnt seen any yellow pegasi fillies around so the little blue filly says thanks anyway and zips off at what aj can only describe as probably the speed of light, she somehow has a strange feeling this isnt gonna be the last she sees of this kid

she turns out to be right when shes invited to a happy visit to ponyville from cloudsdale party thrown for rainbow and fluttershy, apparently rainbow had bumped into pinkie while asking around ponyville for any idea where fluttershy and of course pinkie Had to make an event out of it once she had helped rainbow find her friend, the party was of course a lot of fun rainbow and aj somehow managed to turn every party game into a competition and despite their first impressions of one another they actually got along really well and gained a good amount of respect for each other, aj eventually found fluttershy sort of hiding away from most of the party and fluttershy actually opened up a little after talking with aj bc of how calming her presence was for her

over the next few years the five got to know each other quite well, anytime cloudsdale passed by rainbow and fluttershy would drop into ponyville to hang out or just say hi, and once they were old enough they moved into their ponyville houses and the five of them became just a regular friend group youd see hanging out on the streets of ponyville, fluttershy helps aj pick out a border collie puppy for help with wrangling critters on the farm (applebloom was getting too old to be sent off to mindlessly run after little animals all the time and she had started going to school so she wasnt around as much lmaoo) and just as a companion for applejack, she names her Winona :]

and then after those few years Twilight shows up! you know the rest from there :P

if i missed anything uhhh whoops<3 lol

[jean-does-not-have-a-horseface]

oooh may i request eren with a female s/o who doesn't put up with his bullshit? Like when he gets jealous n stuff

So I turned this into a break up fic because why not!? I live to hurt my own self while writing. I was listening to Noir By Sunmi while writing this hence the title.

Pairing: Eren/ Reader

Tags: angst, breaking up, seriously angst, modern au

Warnings: mentions of jealousy, angst, seriously. Just angst.

Noir

There is a despicable attire masking the way you're looking at Eren. The feeling that's boiling in the depths of your chest as you're sitting across from him on your kitchen table is indescribable. It's mixture of anger and determination, merged with heavy specs of remorse, whether it is for yourself or him, you haven't decided yet.

Your reflection in the glass of the kitchen table is mocking you. In it you can see a few of the cupboards behind you, you can see your inox fridge that's decorated in numerous small polaroids and you can see your hair, being messy and tousled, just like it always is when you're staying indoors. But you- no, your face. Your face looks deformed and blank, lost in the aggravating aspects of an angered expression.

Setting your eyes to any where but Eren isnt a simple task. Rather, you find no interest in looking at the borders between the marble tiles of the floor. They were plain and annoying to look at, but if you could you'd pretend they could calm you down. Keeping your huff in though, you alternate your gaze onto the top of the counter, onto the tap of the sink. You squint, pretending to take a good notice of the forms that light reflects into the object.

"I just don't want other guys being too touchy with you." Eren groans.

"Aren't we over this?" You roll your eyes.

"Yes, just pointing out that you wouldn't like that either."

There he goes again and you can't help but immediately snap your orbs to his direction. You have lost count of how many times he has mentioned it in only the span of five hours. He mentioned in while taking a shower, he mentioned it while working out, be mentioned it while cooking yet you've chosen to ignore him. Yet you know that ignorance doesn't benefit anyone, ever.

And you shouldn't act as if you're surprised, especially since you haven't addressed this. This is Eren. This has always been Eren. Expressing your concerns to Eren about how you feel he should trust you more has never worked, why should it work now?

"Eren, I can trust you that you won't let anyone do that!? Don't you trust me?"

"Yes, but."

"But?"

"I don't trust what others want to do to you. And what if you give in? Did you just wake up one day and decided to just devote ourself to me specifially?"

Eren is bitterly jealous. There's this spite that's hiding the aqua lines of his eyes, this sour mood that he always carries around when he gets in it. This stops him from being able to eat even slightly to normal; his hands are nervous and sweaty, his fork is abandoned to the side of his plate, his thumbs tapping onto the flat sides of his plate as if he's waiting for a response. There's not even the hint of a crump going down his throat, more so there's not a single bite taken off of his sandwich.

"Eren no one was touchy with me. Jean, Reiner, Armin, Marco... these are literally our friends since school!" You speak, munching onto your own food.

"I know."

"Then? Want to talk about it?"

You hate the way you make it sound like it's okay to casually be tender to him when he's judging you but you've been munching onto that bite of your cold noodles for a long time now. Your throat is refusing to take down bites anymore in result of you having stuffed your mouth to the full. It's an effort to shush yourself, to silence that voice that begs to come out and speak words you might regret.

"It's just." Eren pauses.

And you wait for his words to come out. By tapping your own hand onto the the glass of the table, you fixate your gaze onto Eren's uncomfortable form. You watch as his face gets buried to the palms of his hands, you watch as he refuses to face you while he clicks his tongue. His foot is rapidly tapping onto the floor, his hair is being pulled back by his fingers. The loud exhales he takes are indicators to the heavy weight that's sitting on his chest.

"It's so hard for me because I imagine you being with others, I don't want anyone to get their hands on something that's mine. And it's driving me crazy (y/n)."

Out of spite you push your eyes to the side. Facing Eren isn't something you feel like you're free to do at the moment. It's horrendous that you have to answer to that. Your heart is alternating between hammering inside your chest and dropping to your stomach. Your mind is confused as to what you should begin to think, or say. This is Eren, you keep repeating to your self, your spongy brain though is refusing to believe it.

It makes you wonder; Is this a time to be kind or is the last straw?

"Eren this is destroying you isn't it?"

Eren nods and then hides inside the neck of his hoodie, he pulls his sleeves over his palms and brings his elbows to the top of the table, setting them down as he leaned his face into his now clenched fists. You take it upon you to swallow that amount of food that's in your mouth up until now and when you do it goes down your throat dryly, painfully even. Your eyes are somewhat stinging, tiny little droplets are already starting to form in their corners.

"I don't want to feel like this anymore."

"It's destroying me too. Your jealousy."

Your chest rises and falls, your eye brows furrowing paid fully over your eyes as you look down. You can feel the gaze that's fixated on you; Eren is burning holes through your form with his piercing gaze, even if you can't see it it's a fact that you can't help but ignore. You heart the clenching of your teeth as your jaw locks onto place, trying to salvage every aspect of what can be saved between you and Eren.

"Then what did you suggest we do?" Eren quarries with a soft voice, his arm reaching out to wiggle underneath the grip you have of your face and hair.

"I-"

Maybe you can try. Couples try and fight for each other. And then things are supposed to get better. When you're down he's supposed to help you reach the top and you're supposed to do that too. It just doesn't feel like that with Eren anymore. You feel like Eren is holding you back, you feel like he's digging and delving into the past in such way that present doesn't matter to him anymore. You hate to think that it's not healthy to stay with each other anymore. If you weren't so exhausted by this being your new reality, you would be willing to try.

Your hands move reluctantly from their grip on your head, your thumbs shivering as you moved then down and along Eren's cubits. You trace imaginary lines over his slightly olive skin. Your fingers, shaking as much as your thumb work into taking his hands on yours, as you're pressing your palms onto his knuckles slightly.

"Maybe we should take a break from each other."

Your lips feel lighter than air as you mouth the words, still you're more concerned about how Eren is taking the sentence up. It's not easy to digest; you moved your eyes onto his form and suddenly they're stuck there, that pained expression is suppressing your lips in a puckered state, harsh lines spreading all over the volume of your lips.

"I didn't say this for you to tell me that."

Eren throws his hands in a orbit that's years of light away from yours. He's not touching you anymore, and you lose every ounce of affection in your body. The stinging tears that had threatened to fall are starting to vanish, hiding inside the sponge tissue of the corners of your eyes. A shiver runs through you as you watch Eren's nervous foot stop it's rhythm.

"I know."

"I'm sorry. I've talked about this with you so many times. And I'm just not feeling like I can do this anymore. I wish I could fight about us even more, but I can't be the only one fighting. I feel horrible for saying this but Eren, saying this sentence felt liberating for me. I feel free."

"There's no need to explain yourself. It's fine. Fine. I made you feel this way and yeah." Eren bit his lip as he spoke.

"I didn't think we'd end like this."

"Me neither." He snarls.

"I'm sorry"

"Don't be." His nose scrunches as he sniffles.

His eyes trace the uneaten sandwich in his plate, then they followed a forbidden path to you. But before he meets your eyes, he snaps his gaze back to what he was originally eyeing to distract himself. He wants to lash out, he wants to shout, but for what he doesn't know. It is rather odd to just sprout nonsense to someone who doesn't want to be standing across from him just because his devotions belonged to them up until second day ago.

Thus he bites on the inside of his cheek, pointy teeth digging into the soft flesh with fury, opening holes that he knows will be a pain in the ass before they heal again.

Without him, you'll be free. The phrase is a loop that's repeating into his head like a snap to reality.

Eren watchea as you bite your top lip and push your chair backwards, prompting your self up and away from the table, with your lips pushed into a thin line. He can see that it feels like a walk of shame, from your point in the kitchen to the sink, the way that your feet sound when clashing with the tiles of the floor indicate your need to not disturb him further. As if you're pitying him.

Eren grows to hate the way your pity presents it self. As if he is sick. But you are right.

"I'll go to sleep to Sasha's tonight and I'll come get my stuff tomorrow." You announced, without ever turning to look at him.

If he can work on himself he can try to get you back, he thinks and sighs. Nontheless he refuses to reply; he hasn't been given a right to reply to such statement. He can only let you go, and try not to be swallowed by the suffocating thought of you moving on without him.

At least now you can be free of that.

Taglist: @sasageyowrites @levisbrat25 @puredivinity @ackermans-freedom-inc @callmepromise @nobody-knows-anymore @berrijam @lzrers

[probably-haven]

after binge reading i have come to a new revelation: I’m not a fan of most Xiaoven fanfics

Don’t get me wrong, I love the ship and its one of my favorite to think about.... but most of the fanfiction for the ship just- doesn’t sit right with me for a number of reasons. 

Disclaimer: these are personal opinions from my own taste and are in no way an attack against any authors out there, because frankly fanfic authors are great and not like i could do better lol. As these are personal opinions, I acknowledge here and now that a number of people disagree and that they are under no obligation to change their opinions in any way as it is not and never will be my intention to tell others what they should be thinking That said- read at your own risk if you want- meh, anyway-

time to share some opinions that have been on my mind lately

The biggest reason.... is how they handle Xiao. And I don’t even mean mischaracterization because Xiao is such a complex and yet simultaneously simple character that as long as you’re somewhere in the range of “Xiao vibes” it’s really hard to write him out of character because of his complexities. What I mean is something that i actually completely agree with as being accurate to his character. In nearly every single fanfic I’ve seen, there is some element of idolization that Xiao has for Venti, or for the sake of reference, Barbatos. He tends to think himself beneath Barbatos and/or indebted to him, whether that be because he’s an archon, because he saved him, or simply because of Xiao’s tendency to dehumanize(yes i see the irony in that word usage) himself.  This by itself isn’t an issue but its often how this trait of his is treated.

Imma just list a few ways I’ve seen this be handled within Xiaoven fics. - It isn’t handled, it’s just there and accepted as a part of who he is in the story - It isn’t handled but his trait is treated as source of humor within the story - Venti(and others) roll with it (finding humor in it, just cant change it, encouraging it, making jokes about it, etc.) - Venti takes advantage of it(whether accidentally or purposely) - it’s actually addressed(by Venti or someone else or the narration- can go a number of ways, but just- even a brief reference to the fact that its not a good mindset fits in here) - savior!Venti(Where venti disagrees with it but the way it’s written gives off “god among mortals” vibes- like he’s just being humble and truly is above him in reality) - its the focus of the story  - not directly addressed but shown to be destructive.  - they chose not to not include this in the story’s characterization of Xiao(just saying that this is valid ahead of time) Theres others but i have a lot already.  Note that I tend to read more ‘serious-toned’(idk if that makes sense) fics so that may skew my perception

Now there’s a few that i have issues with on their own- both instances of it not being handled, Venti(and others) rolling with it, Venti takes advantage of it(purposely(and without good intent)), and savior!Venti. Xiao not only has this trait, but he is unfamiliar with what is normal in relationships or emotions as a result of isolation and inexperience. He is also either not aware of or not concerned with what is considered strictly “healthy.” Combining these makes for a rather dangerous combination and just accepting it as “oh he’s just like that, it’s who he is” or making it out to be something funny- It’s not wrong or bad by any means necessarily, and I could still possibly enjoy it to an extent depending on a series of different factors, but its- not as often.  Even in the case where I do enjoy reading it however, I would still feel uncomfortable sharing it with or recommending it to others because in the first instance it feels like normalizing a destructive and dangerous mindset, and in the second case it does the same while simultaneously making a joke of it. It’s the same deal with Venti or other characters rolling with it, but that’s probably gonna be mentioned later too. Not to say that this is a “wrong” way to handle it, that it makes the fic bad, or that authors even are normalizing anything by doing so, just that in my specific instance- not a fan. 

I’ll get to the others when i talk more about Venti, but for now: It’s the focus of the story. I think I saw like... 2? where the story was like- focused on this and why its a problem which- power to them, address those real world problems like a boss- but also i wouldn’t actively seek it out or anything- like, good job, but doing so just leaves it open neutrally for other factors to decide how good a story i think it is. 

not directly addressed but shown to be destructive. You’d think i wouldn’t like this- but frankly in fanfiction not everyone wants to address every character flaw verbally because it can through off story, narration, dialogue, and general flow to do so. This can be with an event, an action, a dialogue, a mere comment, making it actually fit into the it’s actually addressed category except that its- subtle enough to make its own category. plus i live for show not tell- in everything- its a thing. im- very much a fan of when the fics do this but the subtlety is easy to miss and its not common so- 

It’s actually adressed- doesnt have to be a lot- just mention anywhere or imply anywhere that maybe idolizing someone as a god and savior and being in a relationship with them while having little knowledge of standards, emotions, relationships, or healthy behaviors in general- maybe isnt the smartest idea in the word. (”Call me Venti, not Barbatos” by itself is not enough to fit in this category tho as a note)

-

Now lets talk about Venti...

uh.... those who have followed me for awhile will probably already know this but... I have a lot of opinions on Venti and a pretty- “niche(?)” perception of his characterization that isn’t shared by a lot of others- so I don’t actually read as much Venti fanfic in general as you might expect because I often end up disagreeing with how writers portray him, which again, in no way is their characterization wrong, but- “their perceived truth” conflicts with “my perceived truth” and by extent so does the characterization, though neither is any more correct than the other from an objective point of view, if that makes sense... but anyways now that that’s said, moving on before this becomes a philosophy lecture, as fun as that would be for me.  I’ll try to keep my “perceived truth” out of this for the first bit. 

Venti’s response to this: 

He rolls with it: this depends on the mood of the fanfiction. If they dont put a lot of stress on that trait of Xiao’s it totally fine but if the trait seems to be a major part of Xiao’s character, it seems like normalization once more. (more on this later)

he takes advantage of it purposely: if its an AU or something and Venti’s like a villain(i saw a few) then- villain venti isnt my cup of tea but i have no qualms. If they don’t portray Venti in a negative light while having him take advantage however that’s a bit uncomfortable to read for me because it feels like normalizing taking advantage of that mindset as well as the mindset itself. However, i did see a number of instances of Venti using it as leverage for like- self care- which i definitely have no qualms. Xiao: [insert probably destructive idolizing statement about being indebt] Venti: How bout you pay me back by actually sleeping for once smh or other variations are okay and depending on the vibe are actually a really fun dynamic as long as it doesnt turn into romanticizing or normalizing it, y’know?

Venti accidentally taking advantage of it.... I love angst- and in most of these theres a sense of guilt when he realizes- and i just think thats a lovely way of addressing the dangers of such a mindset for both sides. As long as it doesn’t keep repeating to the point of romanticization its totally cool to read in my eyes(not irl ofc). If Venti never realizes he accidentally took or is taking advantage it feels a bit like normalization, and if he does but just- doesn’t care thats- a rip.

savior!Venti...... i- i hate. the story giving off vibes that Xiao’s mindset is technically correct while Venti oh so humbly tells him to treat him as an equal like the wonderful and charitable person he is.... i just- no. of course thats over dramatizing it- I think the main thing that gives it this vibe is when Venti doesn’t seem either concerned, surprised, uncomfortable, or otherwise have a negative feeling towards Xiao’s mindset. Just- it makes the whole thing weird in my eyes when Venti doesnt really seem to have his own reason to oppose the mindset idk- 

-

fact time!

Venti is the god of freedom. His backstory is freeing Mondstadt from a god’s tyrannical reign. His origin is a windsprite, just another breeze bringing changes for the better. His form is a nameless boy who played an instrument and then died, thus failing at his only dream and only ever accomplishing anything because of the help of others. He slept for a thousand years after the archon war to avoid putting Mond under the rule of yet another tyrannical god. He only even became a god because Andrius chose to let him. He wouldn’t have even had that chance if the nameless bard had survived, he’d remain just another wind while his friend ascended to godhood. Venti sacrifices his own power for his people’s freedom. 

now that I’ve laid out a number of canon facts, time for opinions:

Venti has little to no desire to be seen as a god. He thrives in, comes from, and emphasizes a lack of superiority in quite nearly everything. The first Ragnvindir, who canonically turned his back on Venti after Decarabian’s fall, likely did so because one- he anticipated power would corrupt and Venti would soon become just another tyrannical god, two- he suspected Venti used the nameless bard in an attempt to rise to godhood, or three- idk insert other possibilities to acknowledge again that i could totally be wrong.

Look me in the eyes and tell me Venti wouldnt trade godhood for his friend in an instant. His godhood was only granted to him because his friend died and could easily serve to constantly remind him of what could have been and what he lost. Venti takes no enjoyment from being seen as superior and in my opinion, I feel that it could actually make him largely uncomfortable when his divinity and abilities as an archon get involved-

also self promotion for my favorite posts- check out #archon war era venti if thats interesting to you

so anyway Venti rolling with it or making jokes about it just doesn’t sit right with me.- 

-

Okay! enough talking about that mindset!

idk- i have... a few/lot of other gripes and stuff or just things that kinda throw off the vibe for me but that’s the main one plus my general personal pickiness when it come to Venti fanfics- but this has gotten long enough already- 

idk i just felt like rambling about it and i haven’t done a long post in a while so-

again, I love the ship and its actually one of my favorites- just the fanfic isnt my thing..... that doesn’t mean i don’t still love it and come up with a whole ton of brainrot and ideas on it tho lmao

[bloodbenderz]

humaniterations (dot) net/2014/10/13/an-anarchist-perspective-on-the-red-lotus/ this article from oct 2014 is very dense — truly, a lot to unpack here, but I feel like you would find this piece interesting. I would love it if you shared your thoughts on the points that stood out to you, whether you agree or disagree. you obv don’t have to respond to it tho, but I’m sending it as an ask jic you feel like penning (and sharing) a magnificent essay, as is your wont 💕

article

i know this took me forever 2 answer SORRY but i just checked off all the things on my to do list for the first time in days today so. Essay incoming ladies!

ok im SO glad u sent me this bc it’s so so good. it’s a genuinely thoughtful criticism of the politics in legend of korra (altho i think its sometimes a little mean to korra unnecessarily like there’s no reason to call her a “petulant brat” or say that she throws tantrums but i do understand their point about her being an immature and reactionary hero, which i’ll get back to) and i think the author has a good balance between acknowledging like Yeah the lok writers were american liberals and wrote their show accordingly and Also writing a thorough analysis of lok’s politics that felt relevant and interesting without throwing their hands up and saying this is all useless liberal bullshit (which i will admit that i tend to do).

this article essentially argues that the red lotus antagonists of s3 were right. And that’s not an uncommon opinion i think but this gives it serious weight. Like, everything that zaheer’s gang did was, in context, fully understandable. of course the red lotus would be invested in making sure that the physically and spiritually and politically most powerful person in the world ISNT raised by world leaders and a secret society of elites that’s completely unaccountable to the people! of course the red lotus wants to bring down tyrannical governments and allow communities to form and self govern organically! and the writers dismiss all of that out of hand by 1. consistently framing the red lotus as insane and murderous (korra never actually gives zaheer’s ideas a chance or truly considers integrating them into her own approach) 2. representing the death of the earth queen as not just something that’s not necessarily popular (what was with mako’s bootlicker grandma, i’d love to know) but as something that causes unbelievable violence and chaos in ba sing se (which, like, a lot of history and research will tell you that people in disasters tend towards prosocial behaviors). so the way the story frames each of these characters and ideologies is fascinating because like. if you wanted to write season 3 of legend of korra with zaheer as the protagonist and korra as the antagonist, you wouldn’t actually have to change the sequence of events at all, really. these writers in particular and liberal writers in general LOVE writing morally-gray-but-ultimately-sympathetic characters (like, almost EVERY SINGLE fire nation character in the first series, who were full on violent colonizers but all to a degree were rehabilitated in the eyes of the viewer) but instead of framing the red lotus as good people who are devoted to justice and freedom and sometimes behave cruelly to get where theyre trying to go, they frame them as psychopaths and murderers who have good intentions don’t really understand how to make the world a better place.

and the interesting thing about all this, about the fact that the red lotus acted in most cases exactly as it should have in context and the only reason its relegated to villain status is bc the show is written by liberals, is that the red lotus actually points out really glaring sociopolitical issues in universe! like, watching the show, u think well why the fuck HASN’T korra done anything about the earth queen oppressing her subjects? why DOESN’T korra do anything about the worse than useless republic president? why the hell are so many people living in poverty while our mains live cushy well fed lives? how come earth kingdom land only seems to belong to various monarchs and settler colonists, instead of the people who are actually indigenous to it? the show does not want to answer these questions, because american liberal capitalism literally survives on the reality of oppressive governments and worse than useless presidents and people living in poverty while the middle/upper class eats and indigenous land being stolen. if the show were to answer these questions honestly, the answer would be that the status quo in real life (and the one on the show that mirrors real life) Has To Change.

So they avoid answering these questions honestly in order for the thesis statement to be that the status quo is good. and the only way for the show to escape answering these questions is for them to individualize all these broad social problems down into Good people and Bad people. so while we have obvious bad ones like the earth queen we also have all these capitalists and monarchs and politicians who are actually very nice and lovely people who would never hurt anyone! which is just such an absurd take and it’s liberal propaganda at its best. holding a position of incredible political/economic power in an unjust society is inherently unethical and maintaining that position of power requires violence against the people you have power over. which is literally social justice 101. but there’s literally no normal, average, not-politically-powerful person on the show. so when leftist anarchism is presented and says that destroying systems that enforce extreme power differentials is the only way to bring peace and freedom to all, the show has already set us up to think, hey, fuck you, top cop lin beifong and ford motor ceo asami sato are good people and good people like them exist! and all we have to do to move forward and progress as a society is to make sure we have enough good individuals in enough powerful positions (like zuko as the fire lord ending the war, or wu as the earth king ending the monarchy)! which is of course complete fiction. liberal reform doesn’t work. but by pretending that it could work by saying that the SYSTEM isnt rotten it’s just that the people running it suck and we just need to replace those people, it automatically delegitimizes any radical movements that actually seek to change things.

and that’s the most interesting thing about this article to me is that it posits that the avatar...might actually be a negative presence in the world. the avatar is the exact same thing: it’s a position of immense political and physical power bestowed completely randomly, and depending on the moral character and various actions of who fills that position at any given time, millions of people will or won’t suffer. like kyoshi, who created the fascist dai li, like roku, who refused to remove a genocidal dictator from power, like aang, who facilitated the establishment of a settler colonial state on earth kingdom land. like korra! she’s an incredibly immature avatar and a generally reactionary lead. i’ve talked about this at length before but she never actually gets in touch with the needs of the people. she’s constantly running in elite circles, exposed only to the needs and squabbles of the upper class! how the hell is she supposed to understand the complexities of oppression and privilege when she was raised by a chess club with inordinate amounts of power and associates almost exclusively with politicians and billionaires?? from day 1 we see that she tends to see things in very black and white ways which is FINE if you’re a privileged 17 yr old girl seeing the world for the first time but NOT FINE if you’re the single most powerful person in the world! Yeah, korra thinks the world is probably mostly fine and just needs a little whipping into shape every couple years, because all she has ever known is a mostly fine world! in s1 when mako mentions that he as a homeless impoverished teenager worked for a gang (which is. Not weird. Impoverished people of every background are ALWAYS more likely to resort to socially unacceptable ways of making money) korra is like “you guys are criminals?????!!!!!” she was raised in perfect luxury by a conservative institution and just never developed beyond that. So sure, if the red lotus raised her anarchist, probably a lot would’ve been different/better, but....they didn’t. and korra ended up being a reactionary and conservative avatar who protected monarchs and colonialist politicians. The avatar as a position is completely subject to the whims of whoever is currently the avatar. and not only does that suck for everyone who is not the avatar, not only is it totally unfair to whatever kid who grows up knowing the fate of the world is squarely on their shoulders, but it as a concept is a highly individualist product of the authors’ own western liberal ideas of progress! the idea that one good leader can fix the world (or should even try) based on their own inherent superiority to everyone else is unbelievably flawed and ignores the fact that all real progress is brought about as a result of COMMUNITY work, as a result of normal people working for themselves and their neighbors!

the broader analysis of bending was really interesting to me too, but im honestly not sure i Totally agree with it. the article pretty much accepts the show’s assertion that bending is a privilege (and frankly backs it up much better than the original show did, but whatever), and i don’t think that’s NECESSARILY untrue since it is, like, a physical advantage (the author compares it to, for example, the fact that some people are born athletically gifted and others are born with extreme physical limitations), but i DO think that it discounts the in universe racialization of bending. in any sequel to atla that made sense, bending as a race making fact would have been explored ALONGSIDE the physical advantages it bestows on people. colonialism and its aftermath is generally ignored in this article which is its major weakness i think, especially in conjunction with bending. you can bring up the ideas the author did about individual vs community oriented progress in the avatar universe while safely ignoring the colonialism, but you can’t not bring up race and colonialism when you discuss bending. especially once you get to thinking about how water/earth/airbenders were imprisoned and killed specifically because bending was a physical advantage, and that physical advantage was something that would have given colonized populations a means of resistance and that the fire nation wanted to keep to itself.

i think that’s the best lens thru which to analyze bending tbh! like in the avatar universe bending is a tool that different ethnic groups tend to use in different ways. at its best, bending actually doesn’t represent social power differences (despite representing a physical power difference) because it’s used to represent/maintain community solidarity. like, take the water tribe. katara being the last waterbender, in some way, makes her the last of a part of swt CULTURE. the implication is that when there were a lot of waterbenders in the south, they dedicated their talents to building community and helping their neighbors, because this was something incredibly culturally important and important to the water tribe as a community. the swt as a COLLECTIVE values bending for what it can do for the entire tribe, which counts for basically every other talent a person can have (strength, creativity, etc). the fire nation, by contrast, distorts the community value of bending by racializing it: anyone who bends an element that isn’t fire is inherently NOT fire nation (and therefore inherently inferior) and, because of the physical power that bending confers, anyone who bends an element that isn’t fire is a threat to fire nation hegemony. and in THAT framework of bending, it’s something that intrinsically assigns worth and reifies race in a way that’s conveniently beneficial to the oppressor.

it IS worth talking about how using Element as a way to categorize people reifies nations, borders, and race in a way that is VERY characteristic of white american liberals. i tried to be conscious of that (and the way that elements/bending can act in DIFFERENT ways, depending on cultural context) but i think it’s pretty clear that the writers did intend for element to unequivocally signify nation (and, by extension, race), which is part of why they screwed up mixed families so bad in lok. when they’ve locked themselves into this idea that element=nation=race, they end up with sets of siblings like mako and bolin or kya tenzin and bumi, who all “take” after only one parent based on the element that they bend. which is just completely stupid but very indicative of how the writers actually INTENDED element/bending to be a race making process. and its both fucked up and interesting that the writers display the same framework of race analysis that the canonical antagonists of atla do.

anyway that’s a few thoughts! thank u again for sending the article i really loved it and i had a lot of fun writing this <3

[fineosaur]

first line game 

thank you for the tags @littlerockerao3 and @salty-wench, i haven’t done one of these in a while and this one was super fun to compile (fair warning this IS quite long)

rules: list the first lines of your last 20 stories (if you have less than 20, just list them all!). see if there are any patterns. choose your favourite opening line. then tag 10 of your favourite authors.

pieces of you stuck on me (but i’m careless and i’m wicked) -- a rickon x lyanna fwb multichap

He’d woken up alone, something he was often used to, but in the last months, he had grown more accustomed to waking up beside just one particular person. More or less a year if he was being honest with himself. But he wasn’t completely alone either, he was just alone in her bed.

we both coincide (when the world’s wasting time) -- a rickon x lyanna story that shows their relationship spanning over a few years

The moon is already out when he still finds himself at her side. She’s solid and warm in his embrace, swaying lazily with him to the strumming harp and the melodic voice that sing the words that seem to weave their way in his head, taking root as he tries to focus on just being there with her.

in the highlands of our dreams -- a single dad!rickon x lyanna fic that’s a lot on the softer side than my usual work

Most of his life had felt like there was an errant thumb on the fast forward button. At times he knew it had much to do with the way his thoughts often ran too fast, and even with long enough legs to chase them, they just kept their brisk pace. Other times, he wasn’t so much to blame. 

watch me wary -- a rickon x lyanna fic where rickon goes off the grid for a few years and has to come back to face his family (aka rickon’s apology tour)

“You’re late again, kid.”

He rolled his eyes despite the verity in the statement. Pulling off his helmet, he held a hand out to shake the shorter man’s hand. 

watch me wary (prequel) [title in progress] -- set in the stormlands 2 years after rickon leaves home and involves him falling in love with steffon seaworth

There was a feeling between relief and guilt that followed leaving home. Often times thought of as ‘running away’ or ‘disappearing’, at least ‘leaving home’ sounded so much more tempered. 

an empire for two -- a canon-divergent robb x theon & rickon x lyanna fic which involves established throbb and an arranged marriage for lyckon

It was warmer inside the castle. It always was; with the hot water from the springs running through its walls, the castle lived and breathed through each change of season, chilling winters and weeping summers, not buckling for any. 

where the stars do not take sides -- a oneshot set in a canon-divergent setting where rickon x lyanna spend a few last hours of peace together before they return to war

The snow falls around them rather gracefully. There’s often peace in the Godswood, and the distant howls of the wolves do nothing to deter from that. Though nightfall has come and its chill alike, they stand stiffly facing one another. 

be with you -- a rickon x steffon oneshot that shows their relationship as well as how they fell in love

The floor manages to feel warm despite the hour. If he thinks hard enough, he guesses that they’re one of the only two left there. 

His father’s office is littered in papers, stacks of words that blur into one with his boredom. Really what keeps him going is the way the man in front of him continues to push his mop of brown hair back, no matter how many times it falls back into his face as he leans over the glass desk. 

sight for sore eyes -- mixed pov which has tommen pining for rickon who is pining for lyanna — true heather style

There’s a moment of reprieve that comes once the moon has passed its apex. Its scattered light plays amongst the stars that pepper the sky and the hazy streetlights that guide them through the night. 

to feel like gold -- a lyanna x myrcella oneshot where myrcella chooses to indulge in a little rebellion with the girl that’s been on her mind for months

The room is almost too bright for her liking. It hardly fits her resentment. The brisk night air streaming through her windows suits her well enough, rippling over her arms in goosebumps as she feels the frown between her eyebrows deepen.

forest fires -- an arya x gendry oneshot set with a lunar eclipse and a brief moment of repose for the couple

The night’s brisk breeze doesn’t unsettle him like it used to.

It’s still cold though. The wind makes the hair on his arms stand up and he wonders why he hadn’t thought to wear a jumper over his thin cotton t-shirt.

help! -- a stark family -smutty crack fic- that involves ned and cat accidentally stumbling into each one of their kids in precarious situations with their partners

It almost felt like nothing had changed like her children were all still children.  Like they’d never flown the coup. But as she stood there, holding a jug of freshly squeezed orange juice, she knew that a lot had changed, that every one of her kids had grown up, fallen in love and were seemingly happy. It flooded her with such relief to know so, though the still gentle tug at her heart was there, telling her that her babies would no longer run to her begging to be held after a nightmare.  

it’s all hope -- canon compliant robb x theon oneshot that involves a love confession before theon sets off to pyke

Much like the fire within the hearth that beckoned him with its flickering warmth, he felt disquiet within himself.

The air felt thick, far more humid than that of the North’s. He could easily make out the Red Fork by where he stood, pulling at the laces of his tunic. It unsettled him, the rushing water, so fresh, unlike the brine of his home.

take one last look back-- a jon x satin drabble where the couple has a little spat in the car

The wind becomes distracting. With the way it whistles through his ears, blowing at those perfect curls of his, it even makes it abundantly clear how much his eyes sting.

When he leans back in his seat, his eyes meet the rearview mirror, where he can see his grey eyes, dark and stormy, the perfect juxtaposition to the gleaming sun that threatens a headache.

second nature -- a rickon x lyanna drabble that has a drunk rickon confessing his affections for his best friend, lyanna

She’s sitting in her car with one leg crossed when she sees him take a minute to check each side of the road before crossing. It’s 4 am, her car is really the only one on the road.

Her car is flanked on the side of the road and it’s completely unsurprising that his first instinct is to lower himself to her opened window and flash his stupidly white grin at her.

a troubled mind -- a robb x theon oneshot, after his parents’ deaths, robb overloads himself with responsibility and on the verge of falling apart he seeks comfort in the one person who’s always been there for him

He’s never gotten the opportunity to let it all get to him. There’s never been time for it. Not when there’s always been at least one other person that needs the safety his arms provide.

It’s part of being the oldest son, he tells himself far too often.

calmest wave -- an arya x gendry drabble, a post-show canon fix it where the couple are parents in the stormlands

The shattering waves could still be heard, breaking onto the rocky coast of Shipbreaker’s Bay, even from where they walked, with withered leaves crumbling underfoot.

There was tranquillity within the godswood, interspersed by the humidity carried across the Summer Sea and yet he still felt a breeze pick up, cooling him down as he gently held the small hand in his palm.

you were just dancing on your own -- an arya x gendry drabble where arya seeks comfort with gendry after a bad night

It’s still dark when Arya wakes up in her car; windshield covered in a think layer sleet. Her teeth chatter as she pulls her jumper tighter around herself, yellow haze in her eyes from the streetlights.

She’s in the passenger seat of her car, seat pushed back the most it can go. Her heater doesn’t work, no matter how much she bruises her knuckles against the vents.

high, high love -- an arya x gendry oneshot - set in the pieces of you stuck on me universe. after a few years away, arya returns to the man who she’s always loved

She had been back in Winterfell barely two weeks, in a way, things fell into place, though it was in the most disjointed way possible.

Arya found her footing, day by day, acclimating to the changes she had missed, she had to anyway; this was her family, and no matter how much they had changed, how many things she had missed, they made her feel like home, and she  was  back home now, for good.

stubborn-hearted blue -- an arya x gendry oneshot where arya moves into the same building as a man she had a fwb arrangement during her college days

She was still adjusting to life in the new city.

Arya hadn’t been in the Riverlands since university, and at this point, it felt like a lifetime ago, a distant memory, more like a dream. But now she had been back for almost a month and boxes still littered her living room, still waiting to be unpacked. between her new job and just trying not to pass out as soon as she was back home, there wasn’t much room for unpacking.

okay WOW i cant believe that managed to date back to over a year. this is pretty much a whole year of my writing summarised in opening lines. 

if it isnt obvious, about half of these have yet to be posted, but this was still fun to give a little teaser for those ones. 

i’ll be tagging @yanak324, @evax3, @selkiedams, @livhatesolives, @lightninginabottle0613, @watersandwolves, @estrangedandwayward, @jeynepoole, @sneetchstar, @treaddelicately, @bobafettsslut, @nalgenewhore

also, hi! enjoy! 

ps, i hope everyone is taking care of themselves and keeping safe x

[witchcraft-in-wonderland]

Ships and Shells (Pt.1)

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There were a great many things that Virgil didnt know, how to solve complex math equations, how to balance a book on his head, how the ocean could be so close to him yet so obscenely far. Really that was what confused him, a title of 'Prince of the Seas' and yet he hadnt set foot near one once in his life.

For a kingdom based so heavily around aquaculture, it was rather odd that his parents seemed to fear water more than they feared the idea of poison in their goblets.

Of course, that didnt mean they'd halted the economy all together, oh no, it was perfectly alright for other people to do the dirty work of the oceans, so long as the nobility stayed away from it.

But that's the thing about keeping an eighteen year old boy trapped in an expansive palace with windows pointing out to a place he wasnt allowed to go. It never worked.

In the case of this particular rebellion, Virgil had strayed off nearly every day at night to watch the tides, to feel the water on his feet, to call out to the distant shore that seemed oh so welcoming when he wasnt allowed to accept its invitations.

And if he couldnt sneak out, he watched ships dock and leave from the harbor as often as he could, his mind swimming with ideas of what it might be like.

"But mother I dont want to go to my classes! The instructor is all boring and- creepy-" Virgil complained, dragging his nails along the table and pouting slightly.

"Well if you didnt want extra classes than maybe you shouldve paid more attention the first time," the queen responded coldly.

"Well how can I! You've placed the classroom right next to the ocean! If you wanted me to pay attention so badly why would you give me a view like that!" Virgil responded, throwing his arms up.

"Well I'd expect you to have a little more self control than that!" And that settled it, if Virgil's mother was mad, there would be no further questions. Virgil mumbled a bit before he stormed off to his classes, fidgeting with his hoodie strings as he walked.

Of course, he still didnt pay a single lick of attention, simply stared out of the window and cringed at his professor's comments until it was over.

And then it happened, he'd walked out of the study, and heard a loud crash from outside. He raced to a farther window, pressing his face against the glass.

A large black ship was docked in the harbor, and the harbor itself, was on fire.

Virgil had to duck as something hit the window, a quick look allowed him to recognize it as a grappling hook. So Virgil began to run as fast as he could, watching pirates was one thing, getting taken by them was another.

Unfortunately for Virgil, he was fast, but pirates with ropes were much faster. Virgil froze as he heard boots land on the floor in front of him, and attempted to turn back in the other direction, only to run into another pirate.

"Aaawwweee, poor thing, he thinks we're gonna hurt him doesnt he!" Said one of the pirates, cackling. Virgil looked up and spat in his face. The man blinked, pouting slightly.

"Well fine, since you want to be so rude about it, Janus? Roman?" The man looked over Virgil's shoulder, Virgil attempted to break into a run again, only for his arm to get caught by someone else. He swilling around and attempted to bite his captor, only to feel someone else press against his neck, his vision went spotty, and then faded entirely.

He woke up in a cell, the smell of salt water filled his nostrils, he had cloth wrapped around his mouth, wrists, and ankles.

"Terribly sorry for the lackluster greeting, we're not used to skittering mice," Virgil glared at the man standing outside of his cell.

"Gee, you could kill a man with those eyes," the man cackled. Virgil let out a low snarl.

"Oooohhh, I'm shaking in my boots!" The man leaned against the cell, lifting on leg up and propping it on a barrel behind him.

"Tell me, what exactly do you think you'll be able to do to me when you're stuck in there, and even if you were out, pompous prince like you couldnt even throw a proper punch," the pirate said with a grin, Virgil noticed silver fangs glinting at the front of his mouth. Virgil lunged at him slightly, only to end up falling on his face. The silver-fanged man let out another sickening cackle.

"And dont get any ideas about escaping, you're on Captain Remus Duke-Prince Kingsley's ship now, and you'll abide by my rules, or you'll find yourself hanging from a fish hook off the hull," the Captain's voice took on a sudden threatening tone that sent chills down Virgil's spine. Virgil watched as Remus turned on his heel and strode out of the room, wishing ever so intensely that he couldve broken his bonds and strangled the man before he even set foot outside the door.

It felt as though Virgil had been alone in that cell for hours before someone showed up, he was short, with messy auburn hair and bright green eyes. He looked guilty, sad even.

"Here's your food, I'll uh- get that cloth off now-" he stammered, slipping the tray through a slot in the cell, Virgil turned his back to the man, waiting patiently as he felt the man's fingers working through the cloth bindings. Almost as soon as he felt the last piece of cloth fall from his body he bolted upright and tried to push his way through the cage bars. The man who'd delivered his food gave him a pitying look, but didnt stop him. It wasnt until Virgil had managed to tire himself put and collapse onto the floor that he spoke.

"Well, I suppose if you're quite finished, youd like to ask questions, then?" He said, raising an eyebrow. His face was soft, even the mildly annoyed look spread across it now didnt take away from the rosy flush of his cheeks, nor the faint glimmer of his irises.

"Yeah, question one, what the hell do you think you're playing at," Virgil said, slamming his arm against the cage bars again, ignoring the vibration it sent through his body.

"Ok, dont get mad, which is probably a redundant statement since you already look like you're going to explode, but, I cant answer that particular question yet," he said, the guilty expression quickly resurfacing.

"Ok, sure, fine, can you at least tell me what you need me for? Because it clearly isnt a ransom or I'd already be dead," Virgil grumbled, smirking slightly at the worry this seemed to cause the man.

"Well uh, I dont have all of the details, but uh- well- Remus says- I think- we need your help with something? Like- finding something, he says we cant do it unless you're with us," the man stuttered, shifting his feet on the ground.

"Oh really? So if I were to- say, remove myself from the equation, you'd be at a loss hm?" Virgil said, the man let out a terrified squeak. Virgil gave a merciless laugh, for a pirate, whoever this man was, he was nowhere near as threatening as his captain.

"Well uh- yes- that's, how I assume it would work- but uh- I dont think it would be very beneficial to you either-" the man continued, his boots now tapping more frequently on the ground.

"You and I have very different ideas of beneficial," Virgil replied.

"Roman? Is everything alright my darling?" Virgil paused as he heard another voice, this one deeper, almost silky in tone.

"I'm alright Janus-" Roman replied, Virgil heard shuffling.

"Are you going to eat? I dont think it wise to starve yourself, after all, a prince of the seas die in the middle of the ocean? There are far less ironic alternatives, and with much more bravado than that," Janus said, Virgil muttered a bit before he turned to the tray, which was, by some odd miracle, still hot. He glanced in the direction of his co-captors to get a better look at the second figure. Janus was tall, with wavy brown hair that was parted to the right, the left side was shaved, there was a very prominent yellow snake skull drawn on the right side of his face as well, and he, to, had metallic fangs, though his were gold, and were visible even with his mouth closed, Roman, it seemed, had no such additions. Virgil eyed them both carefully before he started eating, and he hadnt realized how hungry he was till that exact second.

"And dont worry about excercise, you'll only be trapped here until we're in the next town, of course you wont be getting off the ship, so dont get any ideas," Janus said calmly.

"And what makes you think you can stop me?" Virgil said, glaring up at him.

"Who exactly do you think incapacitated you upon our arrival at the castle?" Janus said plainly, flexing his hands, upon which were gold accents that seemed to trace it like a skeleton.

"Well, enjoy your meal, and dont sit still for to long, it gets dreadfully uncomfortable for your joints to get that stiff," and with that, the pair were gone, Janus fixing his hat, and Roman clinging to Janus' arm like a lovestruck puppy.

And there was Virgil, alone, and very much unhappy.

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