#the way i had so much poses i wanted to draw so i ended up doing all of them 😭😭

[petorahs]

end of summer 🌤️

(based off this! thank you for letting me draw it)

[ghostedbunnie]

nightmare in the daylight

knight!ghost x fem!reader

based on my prompt that you can find here.

warnings: non-con/dub-con, size kink, spanking, oral (f.receiving), fingering (f.receiving), thigh riding, biting, creampie, breeding kink

a/n: i feel so rusty so please be gentle i rewrote this way too many times, it was a lot longer and had more plot but i might just end up writing pt.2 if there is interest, I added a tag list for those who wanted to see this! 🫶

Ghost hadn't anticipated encountering a robbery on the forest trail while en route to collect his king's future wife. It was unexpected but not unwelcome; he was yearning for a skirmish, for blood and broken bones. The recent tranquility had left him restless. These bandits wouldn't pose much of a challenge, but they would at least satisfy his craving.

The skies began to pour as soon as he dismounted from his horse, startling the highwaymen. They were engaged in a one-sided fight with a few knights who had undoubtedly been sent to protect the carriage on its way to his kingdom. Before any of them could react to his arrival, heads started rolling. Chaos erupted once more, with screams of terror cutting through the forest and startling the remaining fauna.

After the final enemy fell to a sword through his abdomen, Ghost approached the carriage with slow, deliberate steps. As he opened the door, he was taken by surprise as a curtain was thrown into his face and a shard of glass was aimed for his neck by a scrawny, wild-looking maid. Despite your trembling, there was a fierce determination in your eyes, a vow that you would not give up without a struggle. Beneath his face plate, the corner of his mouth curled up, and with a wry snort, he deflected the shard from your bleeding hand. Seizing you by the back of your neck like a feisty kitten showing its claws, he pulled you out of the carriage and dropped you onto the chilly, muddy ground. As he turned back to the carriage to retrieve the princess, he realized she was no warrior; she had fainted at the sight of his imposing figure silhouetted against the moonlight.

As he carries your mistress to his horse, you launch at his back, kicking and screaming, trying to make him let her go. He unceremoniously deposits her on the horse like a sack of potatoes. Finally, he turns back to catch your hands, which have been beating at his back, with one of his much bigger hands. Your eyes go wide with terror as the reality of your position with this beast sinks in. He can't help but relish in the look of you now, wet hair sticking to your face, wild eyes, and scratches on your cheek from the broken glass. You look like a tasty meal for his beastly appetite and he's been starving for far too long. You are unaware of it but attracting his attention will be the worst mistake of your life. As he draws you closer with your bound wrists, he whispers into your ear so that you can hear him over the pouring rain, “Yer brave but stupid, girl.” After that, he hits the back of your neck and everything goes black.

The next thing you know, you are standing in front of the king who explains the entire situation. However, somehow that doesn't help the sinking feeling in your stomach, especially when the king mentions a reward for the behemoth of a man towering over you. He is still covered in blood, and daylight doesn't make him any less terrifying. He stalks around like a nightmare in black leathers that hug his form tight and emphasize his width. As if sensing your thoughts, he takes a step closer, taking up more of your space, and before you can move away, you catch the last words uttered by the king: “You brought me, my bride, Ghost, it's only fair you get a reward. Take your pick - anything you wish for will be yours.”

A weighty, gloved paw settles on the nape of your neck, causing you to startle. "I'll take 'er." Your mistress immediately starts to protest but despite her objections, the king simply nods and smiles, disregarding you entirely. You have no option but to allow the beast, that he called Ghost, to guide you away with a firm hand on your nape.

After navigating through several twists and turns, you find yourself in an unremarkable room. It contains only the absolute necessities—a bed and very little else. The one thing that draws your attention in the room is the sizeable tub that is still emitting steam, indicating it was just filled a few minutes ago.

Silently, Ghost pushes you towards the tub, and you promptly begin to retreat away from it. You refuse to bathe in his presence. Even though you are just a servant, you are still a virtuous lady.

“Either you go voluntarily or I'll throw you in kickin' and screamin'.” He growls and then says, "I'll relish it either way." You can sense the predatory undertone in his voice. You're fighting a losing battle, as going willingly gives him complete control, yet resisting might provoke an even more... primal response.

You break free from his hold, realizing that he let you go willingly. 

"Can you... turn around?" he scoffs, moving to a chair that creaks under his weight. Leaning forward, elbows on his knees, he gestures for you to proceed. Though you want to scream or lash out, you hold back, sensing that he's waiting for you to lose control. Instead, you turn around and slowly peel off your muddied and torn dress. As you reach the chemise underneath, you sneak a peek and notice he has removed his helmet and face plate, revealing short dirty blond hair, black coal marks around his eyes, and prominent scars cutting through his lips and brow. Despite his broken nose, he remains strangely alluring, which frightens you. Hastily, you turn back, slide the chemise down, and attempt to hide under the steaming water.

"Good girl," he growls, satisfied with your obedience. Just as the relief that maybe this is all he wanted starts to sink into your bones, it's replaced with dread when you notice he starts shedding his clothes too. He loosens up his dark, blood-stained leathers with ease and deftness you wouldn't expect from a man his size.

"What are you doing?" Panic is evident in your question, but it doesn't seem to bother him at all.

"Can't bathe with my clothes on," he answers matter-of-factly. Once again, a wave of indignation courses through you, but it's quickly overshadowed by a pang of heat that forces you to rub your thighs together underwater. Your eyes can't help but stay glued to him, just as he did to you when you were taking your dress off. He is now down to his breeches, and when he pulls them down his thick thighs, you audibly gasp when you notice he is not wearing anything underneath. This earns you an amused chuckle, especially when he catches you looking again through your fingers.

Your mouth goes dry at the sight of him, but before your thoughts can drift to what lies between his powerful thighs, he steps into the tub with you. Water spills over the edges, though he doesn't seem to mind. He pulls you close, turning you so your back presses against him, your body nestled between his legs, leaning on his firm chest. The light tickle of his hair brushes against your skin, and his strong arm rests across your stomach, fingers splayed making you feel even smaller. The contact makes you squirm, but as you try to pull away, you only stir the hardening length behind you, making you flush with heat.

“Relax,” he grunts into your ear, more command than a suggestion.

“How can I possibly –ah.” Your reply gets cut off by a moan as his other hand falls from the edge of the tub and wanders between your legs. Your attempts at closing your legs seem futile even with one hand he is strong enough to force his way in and drag his fingers through your folds nearing the opening. Your spine arches instinctively and he answers with a nip to your neck and jaw, while forcing a finger up to the first knuckle in. 

“Gotta loosen you up a bit, pet.” You have no choice but to surrender to his touch as he sinks his finger in and curls it, drawing a moan out of you before you clap a hand over your mouth to keep the sounds in. But all that decorum is forgotten when he adds a second one and scissors them before slowly prodding you with the third making you see stars. The tension building in your body suddenly snaps, sending you reeling, legs going numb and your fingers digging into his arm still wrapped around your stomach. 

With your mind hazy from your first-ever orgasm, you don't even register that he pulls you out of the bath, drying you, and carrying you to the bed in the center of the spacious room. Your body already half asleep.

His gravelly voice pulls you out of your post-orgasmic haze. “Naive, little thing.” Suddenly he is trailing hungry, open-mouthed, and nippy kisses down the length of your body. Marking your neck and collarbones with angry red marks, biting down harder than necessary on the underside of your breast leaving behind imprints of his teeth, and making you hiss when the pain mixes with the pleasure, he licks a trail down your stomach and in a moment of clear-headedness you try to fist his hair and tug him up and away from your center but his hair is cut too short for any leverage. When you lock eyes with him, between your legs forcing them open with hunger and lust written all over his face you try to get away just for him to deliver a loud smack to your outer thigh before dragging you closer and licking a stripe through your folds with a loud guttural groan that you feel more than you hear it.

His thumb circles your clit while he alternates kissing, sucking, and fucking you with his tongue. When your squirming in an attempt to get away turns into grinding your hips against his face, his other hand rests on your stomach adding slight pressure and making you cry out which only spurs him on. The sounds that reverberated through his chest were nothing short of animalistic and when your second orgasm shot through your core, you fell limp against the sheets with a moan that would make you blush if at least half of your brain was still functioning properly. A new wave of panic sets in when you realize that he isn't stopping. On the contrary, he probes you with his fingers in addition to his tongue. You can feel the coil in your lower belly tightening again, heating up with his ministrations.

You plead with him, saying you can't take anymore just for him to disregard it with a growl, “You've got plenty more in ya.” 

You've lost count of how many times you came when he manhandled you around onto your hands and knees propping your hips up with a pillow. You turn to look at him with heavy-lidded eyes and your breath catches in your throat at the sight of him standing behind you with his massive hand tugging at his thick, angry-looking, and leaking cock with his eyes glued to your core, still pulsing and wet from all your previous orgasms. Without warning he grabs your hips, aligns the blunt head of his cock with your entrance, and pushes in. Your fingers dig into the sheets from the sheer stretch as you mewl and whimper when he drags himself all the way to slam back in. Everything is too much and not enough at the same time, with every thrust his fingers dig into your hips and you are sure there will be fingerprints left with how hard he is gripping you and the idea makes you wetter. Prompted by the delicious drag of his cock your walls keep tightening around him, as he pushes you closer and closer to your release. One of his muscular arms circles your waist, his chest flush to your back, as his other arm comes to rest next to your head with one of his legs still firmly planted on the floor and the other resting next to you on the bed for better purchase. This new angle combined with the gravelly grunts so close to your ear become your undoing and you hurtle full-force into another mind-numbing orgasm with Ghost following close behind.

“Come f'r me, pet.” Again, not a suggestion but a command and who are you to refuse him? So you do as he says, pussy fluttering from the aftershocks as he fucks you through it, thumb circling your clit before he fills you up, not allowing you to move an inch, keeping your hips propped up and when he pulls out which drags another set of whimpers from you he meticulously pushes his spend back with thick, calloused fingers. “Gotta make sure it takes.” 

If your consciousness weren't slipping away, you'd likely be alarmed, but instead, your eyes begin to close again, and this time, sleep claims you.

You wake to a heavy weight pressing down on your back, and it takes a moment for your mind to catch up with the events of yesterday. When it does, your entire body flushes and you attempt to move out of bed, only to find it futile. You're pinned beneath strong arms marked with scars—some from arrows, large and small, and others older, circular, and still appearing raw.

Your thoughts are abruptly interrupted as a thick, muscular thigh presses deeper between your legs, forcing them apart. Without much thought, you begin to grind against it, a primal urge stirring within you. Despite the lingering soreness from yesterday, a fresh wave of need starts to build, and any trace of resistance fades in the face of overwhelming pleasure. It feels shameful, but you can't stop the tentative movements, slowly finding a rhythm—until the sudden flex of his thigh makes you gasp, your eyes rolling back.

“So needy,” he growls close to your ear but there's no trace of anger in his voice, if anything he sounds pleased. “Come on, ride it harder.” He punctuates the sentence with yet another flex of his thigh and a nip to your neck, making you shudder but follow through with his command. As you grind back against his thigh you take a note of his cock stirring, resting heavy and hard between your bare ass. You push against it absentmindedly and find yourself pinned under him, your legs still held apart with his thigh that's now embarrassingly slick with your arousal. The visual of it makes you turn your head away, eyes closed and whimpering. Ghost doesn't like that. His massive paw of a hand grabs at your cheeks, your lips puckering involuntarily while he grunts at you to keep those eyes open for him. As he licks into your mouth, it suddenly dawns on you—this is your first kiss. You had already let this beast inside you before even sharing a kiss, and everything felt so out of order, that it made you want to scream and cry. Instead, you settle on throwing your hands around him and clawing at his back as he aligns himself with your needy, sore pussy and thrusts to the hilt without so much as a warning.

Even after yesterday, the burn of the stretch to accommodate his length makes fresh tears spring up into your eyes and roll down the apples of your cheeks. You swear you see his scarred lips twitch up into a savage smile at the sight of them before he licks them clean off your cheeks with a satisfied groan. In retaliation you dig your nails deeper into his sturdy back, hoping to break the skin and leave a mark that only ends up urging him to fuck you harder, faster. The sounds reverberating in the room drive you crazy; over them, you don't even notice a soft knock at the door but whoever it was scurries away registering the sound of the moans he wrings out of you with one particularly hard thrust that pushes so deep you swear you can feel him in your throat. Effortlessly he manhandles your legs on his shoulders to hit a different angle. As you struggle with the overwhelming feeling of fullness he leaves a deceptively soft kiss on your ankle before he folds you in half again and wrestles another mind-shattering orgasm out of you and succumbing to one himself, painting your insides with his spent. Pulling out, he doesn't bother moving, he simply rests his head on your chest between your breasts, squeezing the air out of your lungs with the sheer size of him. “Rest now, pet. Plenty of time for more o' that later.”

At that moment, you know there is no turning back; you've been taken, branded from the inside out. You wonder if this is truly so horrible, perhaps this nightmare of a man will drive away all the other nightmares plaguing your mind.

Or perhaps he is even more dreadful than your imagination could have ever conjured.

taglist: @a66-1 , @ghostlythots , @rttxcmt , @september-22-1998 , @fluffysmiko , @gyusbrownie , @bumblebeesfromvenus , @magicalforestcat , @nommingonfood , @tami-doodles , @fateisnotafactor , @m-a-l-a-c-z-a-r-n-a , @nicolebarnes , @msdevil333 , @lilpothoscuttings , @tealeaftallulah , @not-reptilian , @moonfloweronmars , @aliceinwonderland-5678 , @marshmelloe , @i-love-you-just-the-same, @lazyperfectioniste , @tragedyinwaves , @thisisforthebest97 , @talkingcorn , @hxnneydew , @resplendantrosewood , @telvannitea , @the-casual-act , @hello-lemons, @kiwicopia , @just-a-sewer-goblin

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[scoutswritingcorner]

Can I request Hazbin Hotel characters reacting to an artist!reader that draws a lot but never shows anyone their work but one day accidentally left it out and their partner finds it and sees several sketches and finished drawings of them? Sorry if it’s an odd ask, I’m an artist and I thought it would be a cute idea I don’t see nearly enough, it’s okay if you can’t. Thank you either way!!!

Artist Rendition

Hazbin Gang x GN!Reader

TW:A little flirty with Angel’s reaction. Other than that none!

A/N: Not an odd request at all, Friend! For Angel’s part I did write for a male Reader and Fem Reader for Vaggie! KINDA SHORT I APOLOGIZE FRIEND!

-🦌Alastor🦌-

-🦌 Alastor was very curious to see you carry a sketchbook around all the time. He wanted to pry so badly.

-🦌 But he didn’t, he simply ignored the book and only ever asked about it if you were near him. You always get flustered and hide the book even further. Oh now he’s wondering what kind of dark secrets you have in there~

-🦌 But to his surprise when he finds it open and on a page, he sees drawings of him, he carefully flips the page and sees a half down sketch of him sitting in front of the fireplace.

-🦌 Oh boy you just made his ego inflate and his undead heart soar to new heights. His tail starts wagging and that’s the only way someone can catch how happy he is.

-🦌 Now? He’s going to poke a little fun at you, “My Dear, if you had to pick anyone in the hotel to be your muse who would it be?” 

-🦌 Silly deer man loves you and your abilities, he often tells you that your work needs to be displayed in a museum.

-🍎Lucifer🍎-

-🍎 Oh boy- when he finds out you can draw? Oh he gets super excited and asks if you can draw him a duck- even if it’s a little doodle! He doesn’t care!

-He doesn’t really ask or pry into your hobby much but he will admit he does want to see what you draw.

-When he does see that you drew him of all people he gets all flustered and he’s prideful cause his partner?? His darling little angel drew him?!?

-He will volunteer to pose for you, he’s used to sitting still for hours on end! 

-He will even pose naked if you want him to! Just say the word and he’ll drop his clothes right there.

-🎰Husk🎰-

-🎰 He watched you sit at the bar and draw to your heart's content and never really commented on it.

-🎰 When he does peek into your sketchbook it’s to pull behind the bar into a safe place so nothing ruins your work.

-🎰That’s when he notices the drawings and doodles of him and his tail curls happily. The way you captured him doing menial tasks sends his heart into overdrive.

-🎰 You were too good for him, damn it. The next time you find it? It has a little sticky note on the cover of your sketchbook and it has a little drawing of you with a small message, “Had to go out with Alastor. Love you, Dollface.” 

-🕷️ Angel Dust 🩷-

-🕷️ Oh this man- he loves it! You’re an artist and he’s also like an artist! But of a very very different genre.

-🩷 He also doesn’t pry much as he understands privacy. He wants to give you that as much as he can since he doesn’t get much of it.

-🕷️ Once he finds out you draw him? He’s over the fucking moon cause his man? His precious boyfriend draws him! 

-🩷Expect him to start flirting more and more but with art related flirts. “Come on, Suga’~ Draw me like one of your french girls~” im sorry. He’s very supportive!

-👑Charlie👑-

-👑 oh this baby girl..she’s been so busy lately that if she did notice it completely slipped her mind!

-👑 But when she finds your sketchbook? She gets super excited cause you draw this good?? She’s so proud that she immediately goes to find you!

-👑 She is another who fully supports you! You need anything, don't hesitate to ask!

-👑 Will try to convince you to start painting for the hotel! You can say no it won’t offend her.

-🎀Vaggie🎀-

-🎀 Much like Husk she won’t point it out or comment on it.

-🎀Will find out you draw her when she sees it when cleaning up and gets all blushy cause this is how you see her?

-🎀 Comes clean immediately about seeing your drawings and tells you how amazing they are.

-🎀 Shyly asks if she can pose for you next time, how could you say no to her?

[bloodymarymorstan]

So yesterday I watched all the historical scenes of Crowley and Aziraphale in chronological order and then feverishly came up with a new interpretation of the "you go too fast for me Crowley scene" so here it is:

Ok so now we know from season 2 that the Dirty Donkey pub where Crowley holds his heist-planning meeting is right across the street from Aziraphale's bookshop. This means that when Aziraphale goes to meet Crowley in his car he literally just walks across the street, but it also means that when Crowley offers to drive Aziraphale somewhere he isn't offering to take him home. The previous implication of that interaction was that Crowley was going to drive Aziraphale back to his bookshop, but Crowley knows that the bookshop is only a 30 second walk away so that's obviously not the case. In fact, Crowley doesn't actually ask Aziraphale if he wants to be driven home, what he actually says is "can I drop you anywhere?" and then "I'll give you a lift, anywhere you want to go".

So now we know that Crowley isn't trying to drive Aziraphale home, the conclusion we have to draw is that he's asking him if he wants to go somewhere else with Crowley. This is kind of a covert way of wording things, but Crowley is still testing the waters at this point in their relationship. He pulled this same tactic in 1941 when he said he would give Aziraphale a "lift home" and then ended up taking him somewhere else which led to them spending the entire evening together. "I'll give you a lift" has essentially become code for "let's hang out". This also explains why Crowley looks genuinely disappointed and upset when Aziraphale turns down his offer (and why Aziraphale acts apologetic about it).

But, considering that we know Aziraphale has fallen for Crowley by now AND that they went out together in 1941, why the "you go too fast for me Crowley" line? My explanation is this: in 1941, Crowley nearly got in big trouble with Hell simply for having been seen with Aziraphale, and not only did he not seem that bothered by it but he is now asking Aziraphale if he wants to go out again even though they've both been directly confronted with the risk this poses for him. I think it scares Aziraphale that Crowley is willing to risk so much just to spend time with him - he's not ready to confront the truth of what that means yet, and he's also not yet at the point where he'd be willing to take the same risk with Heaven. As usual, Crowley is a step ahead of him in terms of his commitment to their relationship, hence "you go too fast for me". Keep in mind that Aziraphale was very caught up in the moment in 1941 and has had a lot of time to reflect since then about the potential consequences of a relationship with Crowley, and he's just not ready yet even if he definitely wants it.

As a side note, I think it makes a lot of sense that this is the point when Aziraphale agrees to give Crowley the holy water (and why Crowley is more determinedly seeking it in the first place), because now both he and Crowley more fully understand the the danger Crowley will be in if Hell finds out what the two of them have been up to.

[sommerbueckers]

BABE OKAY I HAVE THE BEST IDEAAAA

okay so paige and r go out on like a really cute date and then at the end paige sets up the camera to propose but when she does r pulls out a ring too and they both just start DYINGGGG and btw i literally love you so freaking much

𝟐𝟒𝐊 𝐌𝐚𝐠𝐢𝐜

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✰ ❝𝐓𝐰𝐞𝐧𝐭𝐲 𝐟𝐨𝐮𝐫 𝐤𝐚𝐫𝐚𝐭 𝐦𝐚𝐠𝐢𝐜 𝐢𝐧 𝐭𝐡𝐞 𝐚𝐢𝐫❞

✰ 𝐰𝐜 :: 𝟏.𝟕𝐤

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PAIGE WAS DELICATELY HOLDING your heels in her hand, careful not to hit them against each other and scuff the ends. The two of you were strolling along an empty beach in Kill Devil Hills, the sun disappearing over the horizon as the hours ticked by. Your girlfriend had fallen in step with you, her hair blowing to the side as the sun casted a golden glow on her tanned cheek.

"You look so pretty baby," you murmured smoothly, brushing a stray lock of hair from her face.

A shy smile crossed her face, and she turned away for a brief moment to release a breathless laugh. You loved how nervous she got whenever you complimented her.

"So do you mama," she said, one of her arms breaking free from the hold she had on your shoes to snake across your shoulders. She pulled you closer to her, drawing a giggle out of you as she placed a kiss on top of your head. "Lemme take a pic of you."

Paige fumbled in her pocket for her phone, feeling her hand brush over the tiny velvet box that she'd been waiting all night to bring out. She couldn't decide on the write time, she wanted you to be completely caught off guard. But you were making it harder than ever, you hadn't taken your eyes off of her the entire time.

"Is the lighting good? Make sure you can actually see my face," you told her, glancing back at the sun and slightly shifting in the other direction. "Stand over there so you can see me better."

The blonde shook her head, "How 'bout you turn around and i'll get you looking that way."

"Oh, good idea!" you grinned, twisting around in the sand. You were silent for a moment, giving her a chance to take a few photos before you glanced around. "Should I change my pose?" you asked.

"Turn around!" she laughed, her other hand quickly retreating from her pocket. You were making this harder than it needed to be without even knowing it. You had your own thoughts running wildly through your head. Your curls were up in a bun on the top of your head, and concealed within the bun was a ring tied to a string.

You had no where else to put it.

You had everything all planned out; you'd start by telling her how much she means to you, how the thought of settling down used to make you nervous but now you could do it with confidence because that's how secure she makes you feel. You'd tell her how proud you are of her basketball career and that she stayed true to herself, to God, and to you. You'd thank her for the patience she had with you and your journey through medical school. All the late nights she had stayed up with you to help you study for exams even though she had practice early the next morning. You'd express to her how you had never felt more certain of a decision than you did right now, and that's when you'd do it. You'd take your hair down as majestically as you could muster, and then you'd get down on one knee and ask her, the love of your life, to marry you.

You spun around on your heel, "Okay, let me see them now."

You looped your arm with hers as she swiped through the pictures, favoriting a few as she went by. When she got to the last one, she smiled and shut her phone off, staring down at you. It was the perfect moment, and you would've taken advantage of it if Paige hadn't decided to interrupt it instead.

"You wanna do a fit check?"

"Aren't you supposed to do that before you go out?" you quirked your eyebrow, but the blonde wasn't listening. She was already heading away from the water and toward a couple of rocks that she could set the phone up on.

"You go first." She clicked the tiny pink button and backed up to you.

"How long is this?"

"I put it on ten minutes," she laughed, gently nudging your shoulder with her hand. "Now go."

"Okay guys, this dress is from Hello Molly, all my jewelry and stuff I got from a little shop here, and my heels," you pointed to the shoes that Paige still had dangling from her fingers, "are Christian Louboutin."

She kissed your temple briefly.

"Aight so the shirt and the shorts is a gucci set 'cus y'know I keep it fresh, the shoes are from StockX, and.....the ring is from Verragio."

You stared at the camera for a moment with a smile before turning to look at her outfit. You remembered the day you had picked out the set for her, casually pointing out how you liked the patterns on it as you walked past. Next thing you knew, she was at the register with it in her hands. But there was something else you noticed about her, about her hands; she wasn't wearing any rings.

"What ring?" you frowned.

She reached into her pocket, taking a deep breath as she pulled it out. "This one."

Your eyes widened as she held up the box, her hands trembling slightly. Paige's eyes searched yours, her expression a mix of hope and nervousness. She didn't wait for you to say anything, she was afraid that if she didn't get the words out immediately then she would never have the chance to.

"For as long as i've known you, you've always been the one to make me feel understood. You know exactly what to say after i've had a bad, you never complain about having to massage my back, or my legs, or my feet," she flashed that familiar gummy smile. "You always stay late with me at the gym when I wanna get in some extra reps, you offer to grab my rebounds and play one on one with me even though you don't know a thing about basketball. All that matters to you is that i'm happy.

I love how you never let us go to bed angry at each other, how all your apologies always start off with you offering me food. I love how you anytime you try a new recipe or make a new sauce, you always want me to test it — even though you know it's already perfect. You're always doin' spontaneous things like cutting your hair or taking random trips. I love how determined you are — like you're the only person I know who has the mental capacity to go through medical school. You're so strong willed and independent, and those are things that i've always admired about you. Those are the traits I want you to give our children...someday...in the far future.

You know it's gonna pay off in the long run, and I love how you focus on that instead of how stressful the work is that you're putting in now. But most importantly, I love the way you love me. You make me feel heard, you make me feel seen. And if the world were to end right now, I'd spend my last breath telling you how much I love you. I want you to know that I see you too. I want you to make me the happiest woman in the world and marry me."

It was then that Paige got down on one knee, opening the velvet box and revealing the most gorgeous ring you had ever seen. A white gold, square diamond ring, the kind you had always talked about wanting when you'd go on your tangents about getting engaged. Paige had been listening the entire time, she had heard you. She was staring up at you with red-brimmed eyes, she had started crying. You were crying too, you weren't sure when you had started.

"Baby," she whispered, voice trembling. "Will you marry me?"

Your hand moved to cover your mouth, to cover the choked up cry that you had let out. You had been planning to propose, you hadn't planned on being proposed to. You had come to realize that it was an entirely different set of emotions to prepare for. You fanned for face to dry the tears, laughing and rolling your eyes at her.

"On one condition," you say, reaching up to pull your hair tie from your bun. Shaking your hair loose, you catch the string before it falls to the sand. You hold it up to her, her eyebrows furrowing. It caught the light, a simple yet elegant band that perfectly captured her style—understated, but undeniably beautiful. "You marry me first."

She stood abruptly, glancing back and forth between you and the ring. A breathless laugh escaped her, "You're unbelievable."

You threw your head back and laughed as well, "Dude! I had it all planned out and you beat me to you!"

"You told me you wanted me to propose to you! Forgive me for not expecting you to pull a ring our your hair!"

The two of you were smiling uncontrollably, your cheeks beginning to hurt. Paige's hands were in yours, her lip between her teeth.

"What do you say?" you beamed.

"Yes! Wha— yes!"

You slipped the ring onto her shaking fingers, and she did the same to yours. You squealed at the way the diamonds caught the light, sparkling with a brilliance that seemed to echo the joy in your heart. Paige laughed, the sound full of relief and happiness, her own eyes transfixed by the ring now resting on her hand.

Paige’s smile widened, and she pulled you into a tight embrace, the warmth of her body the only thing keeping you from practically floating with excitement. You were both trembling, hearts racing in sync, as if they too were celebrating this perfect moment.

When she finally pulled back, her eyes were misty with happy tears. "I love you so much," she said, her voice catching.

She leaned in, pressing her forehead to yours, and you could feel the cool metal of the rings against your skin. The world around you seemed to slow, the moment stretching out, filled with nothing but the two of you and the love that connected your hearts.

"I love you more."

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[leighsartworks216]

You Have A Type, Don't You?

Astarion x gn!Tav/Reader

Based on this post

I wrote this instead of doing any of the work I need to do! I'm gonna go do that now lol

Warnings: innuendos, minor references to sex, the barest hints of jealousy

Word Count: 1,601

Masterlist

AO3

Tag List Form

Your pencil scratched across the paper, drawing Astarion over and over again on a single page. This wasn’t anything surprising; you drew all of your companions. Gale, Wyll, Karlach, Shadowheart, Lae’zel - they all had pages of their own, but it was usually only one drawing. Some had even posed for it. It was just a way to relax, and their faces always lit up when you showed them, even if they tried not to show it.

Everyone needed a break from fighting and exploring day in day out, so you decided one more day here wouldn’t hurt. As such, you’ve spent the better half of the day just drawing. At first it was little doodles of Scratch, but then you realized you hadn’t drawn the vampire spawn yet.

Most of the expressions you captured came from memory. You’d occasionally sneak a glance for quick reference, pretending to stretch or get distracted by some birds. But at some point, he’d disappeared from camp. You just assumed he’d gone off hunting.

That assumption was proved quite wrong when a voice tsked over your shoulder, almost directly in your ear.

Startling away from the sound, you whipped around to see Astarion crouched down. He wore a self-satisfied smirk and settled down into a full sit on the ground.

“It seems someone is infatuated,” he teased. “So who is it? Someone we saved from peril, perhaps?”

Oh. Right. It had completely slipped your mind.

You cleared your throat as your cheeks warmed and smiled. “Y-Yeah, something like that.”

He chuckled. “Come on, darling, there’s nothing to be shy about. Spare none of the juicy details. What’s he like?”

“He’s, well,” you stammer, “he’s interesting.”

He scoffed. “That’s hardly juicy or a detail. Or is he just another pretty face?” He leaned forward, trying to get a better look at your drawings. You wanted to pull them away and hide them, but why? All the others had drawings done of them, and you loved showing it off when they were done. Why was this any different?

“No, he’s a lot more than that,” you admit quietly. You weren’t good at lying - usually Astarion took the lead any time you had to - but maybe if you didn’t tell a complete lie… “He’s funny, charming. His laugh lights up my world. He’s had a rough go of it, but he doesn’t like it to show.”

“He must like you if you know,” he hummed. Your heart leapt into your throat as he pointed to the pin pricks drawn on the neck. “Is he a vampire, too?” He chuckled, but it sounded strained. “You have a type, don’t you?”

You scoffed even as warmth flooded to your cheeks. “No! I do not have a type.”

“No, of course not,” he played along. “Certainly not for creatures of the night who bite into that pretty little neck of yours.” Despite his smile, there was a tension in his eyes. “I don’t mind, dear. I’d be more than happy to scrounge around some nights so you may indulge your new lover.”

You shook your head. “You don’t have to do that, Astarion,” you assured. “He’s not… We’re not together.”

“No?” You shook your head again. He opened his mouth to give you advice or console you, but you cut him off. It was better to end this fantasy now, before it began to hurt too much.

“It doesn’t matter. Besides, you shouldn’t be sneaking around so you can look over my shoulder. I could have been drawing something terrible.”

He laughed. “All the more reason to risk a peek. You’re so good, it would be nice to know you can be tempted.” Then he scowled. “Unless it’s something terribly dull. You deserve much more than missionary.”

If your cheeks weren’t already blazing hot…

“In any case, I was only wondering when you’d draw my portrait. You seemed more than happy to provide the others with a likeness. And…” He looked past you, seemingly far away. “I haven’t seen myself in two centuries. One gets curious, especially when you’re as vain as me.”

If he heard your heart start racing, he didn’t comment on it. Drawing him would make him realize it wasn’t some other vampire crush you were drawing. But, it had been a while since your adventure began, and you’d drawn everyone else. You swallowed down your anxiety. “Yeah! Of course! Did you wanna pose, or anything?”

He blinked and suddenly he was back in the present. A sly smirk covered up whatever emotions could be lingering on his face. “If your little vampire friend doesn’t get too jealous. I would actually like if you could draw me just,” he paused, “smiling. It would be nice to know what everyone else sees. Make sure I’m not off-putting, you know how it is.”

Once he was sitting comfortably, you turned to a fresh page and began drawing. The paper was hidden from his view, but he watched as your hand, wrist, and arm all moved in tandem like a clock’s gears to create an image. Your eyes moved between the sketch and him multiple times. Sometimes you’d glance up and draw for almost a minute. Then other times you kept going back and forth, constantly checking for reference.

Watching you work was fascinating. All your surroundings faded away. Karlach being her usual loud self, Wyll dancing, Gale cooking, Lae’zel sharpening weapons - nothing could turn your attention from him. He almost felt subconscious with the intensity of it. Your eyes studied him, taking in every single feature, and translated it to your journal. What did you see when you looked at him, he wondered. What did the world see? It had been so long, he couldn’t even remember his face. All he knew was he was attractive.

With a final few marks, brushed away to blend them into the rest, you looked down at your masterpiece. You were so caught up in the drawing you forgot why you were hesitant before, but now that Astarion stared at you from two different angles, your anxiety came back full force. There was no way out of this.

“All done, dear?”

You smiled shakily up at him and turned the journal around. His face scrunched up in confusion. When he met your eyes, he was decidedly unamused. “Darling, if you’re going to draw your fleeting fancy, don’t trick me first. I know it’s hard to see past the depraved bloodlust, but we don’t all look alike, you know.”

“No, Astarion, it’s not- I-”

While you fought to find words, Karlach picked up the slack. Cupping her hands around her mouth, she shouted across the camp, “IT’S YOU, FANGS!”

Dread washed over you. You closed your eyes. If a merciful god was going to kill you and rid you of this embarrassment, now would be the time. A bolt of lightning, perhaps. You’d even welcome decapitation.

You risked a glance when you felt your book being tugged carefully from your hands. His eyes were wide, mouth slightly open as he tried to comprehend what the fuck had just happened. Gods, now he was going to leave camp. You buried your face in your hands. He was going to pack everything up and leave before the sun even touched the horizon. And you’d never see him again. Maybe you’d go find Cazador yourself, just to kill the bastard.

“All these drawings… are me? Darling?”

You inhaled deeply and lowered your hands, but you couldn’t bear looking at him. He could stab you with his dagger and you’d apologize to him for it all. Hell, you’d let him drink you dry if it meant leaving this all behind you. “You’re very pretty,” you admitted quietly. “I didn’t know how to ask, and just- You can rip the pages out, burn them, whatever makes you feel better. And if you leave, I won’t blame you or chase after you or-”

“I’m not upset.” Your head never shot up so fast. “Well, a little. You’re not subtle when you stare, you know. I thought you were just uncomfortable being around a vampire, but this…” He turned back to the portrait you’d just finished. “This is really what I look like?”

You swallowed away a small portion of the shame. At least he wasn’t running away. “As best as I can capture you, anyway. Y-You’ve got these sharp eyes, and your hair curls around your ears, and you get little wrinkles around your eyes and mouth when you laugh - and I just like drawing you.”

The page flipped over again. The page of expressions, capturing everything you described. When he smiled full and bright his fangs were on full display, accented by the laugh lines on either side of his mouth. And the puncture wounds on his neck…

“Ah, so when I said you had a type…” He chuckled, but it didn’t hold as much warmth as usual.

“Your laugh does light up my world,” you admit. His red eyes were on you in an instant, flickering over your whole face. “Just, for the record.”

He glanced at the drawings once more, contemplative. Then, he held the book back out to you. “I wouldn’t be… opposed to trying this. Whatever this is.”

You reached out to take it, but he pulled it away. “But, no more sneaking glances across camp when you want to draw me. I would be delighted to model for you again, in any pose your sweet heart can concoct.” He held the book out again. “Deal?”

You grabbed onto the book, finally relaxing as you smiled. “Deal.”

---

Tag List:

@satelliteapotheosis @hypopxia @mjmygd @flsalazar @thedevilssinner @marina-and-the-memes @softempest @rebeccasship @pinkishredlemonade @faeoran

[badbtssmut]

Jimin and YN are models during a live painting class (you know the ones where they use people as models on the spot), the class is called "sexual anatomy 101" so they have to be basically fucking? i mean doing sex poses? but just posing (but he has his cock inside her), not moving so they are horny af , so as soon as the class is finished, they go at it like crazy (hehe do you get the reference???) while people are still packing up their things

Admin note: so so so sorry for the long wait anon ❤️ also “Students” are all adults!!

—

The students’ pens scribbled over the paper hastily, drawing out lines and shapes and colours over their easels. You and Jimin were surrounding by the artistic adults, who had signed up to do the Sexual Anatomy class. You were on all four, and Jimin was behind you, his cock deep into your pussy. Your fingers were intertwined together as you held the pose, waiting for the time to tick by.

Your body felt hot— today was the first time you were posing with Jimin, and you couldn’t help but notice how hot he was when you entered the room, and truthfully you couldn’t keep your eyes off him.

“Let’s wrap up, all.” The teacher clapped her hands, signalling the end of the class. You felt the students packing their things, and your body relaxed a bit as the teacher went around to look at their work.

“You know, we can stay like this.” You heard Jimin whisper.

“What do you mean?” You knew what he meant… but you needed to hear him say it.

He chuckled softly.

“You don’t think that…” His hips pressed up against yours, his cock going deeper. “I wouldn’t notice how soaking wet you are?”

You couldn’t deny that.

When the arts room was nearly empty, you felt his hips pull away from you, his cock slowly moving in and out. Jimin’s pace was slow and steady, making you feel every inch of his cock.

“Yes…” You whispered, closing your eyes as you lowered your upperbody, your ass up as he started to pick up the pace. “Wanted this cock the moment it was in…” You admitted.

His hands held your hips, pulling you back against him.

You were a moaning mess, as his cock hit every right spot.

“I knew I wanted this pussy the moment it took me in so well.” Jimin responded, eyeing how your ass bounced against his hips. “Fuck, nice ass.” He growled, and his hand spanked against your skin.

You yelped, surprised at the spank. But you liked it.

The last adult students were wrapping up and leaving the classroom.

Jimin didn’t care if they were watching or not, he was enjoying this way too much. His cock was already throbbing, wanting to reach his high.

“Right there…” You whimpered, at which Jimin leaned forward and wrapped his fingers around your throat, pulling your upper body back, your back now pressed against his chest.

“Take it.” Jimin groaned, his hips picking up the pace and fucking into you harder. Your pussy clenched around him and your hands held onto his firm forearm.

"Ah, ah, ah’” You nearly drooled at the sensation, squeezing your eyes shut as you felt him thrust harder.

The door of the room closed, the final adult student gone.

His fingers around your neck tightened, and your hips were pushing back, meeting his hard thrusts. Jimin fucked you so well, he made your body shake and then you came. Your mouth was open, trying to form words as your pussy clenched around his cock but you could only leave out a series of whines.

Jimin was groaning, feeling your pussy clench around him, riding out his errection on the waves of your orgasm, only halting when you stopped.

[choochooboss]

Sketch dump! Vol. 3 August 2022

Literally dumping all the presentable works here as promised, whether I’m proud of them or not!

The first image was inspired by a color palette of a random YT playlist thumbnail! I really loved it and wanted to turn it into a cosy travel & rain scene with colorful city lights smeared like dripping wet watercolors. The second one is a KH3 reference! Do you recognise this scene? I don't know how he would possibly end up there in the first place, but he sure is determined to find his dear brother by breaking through the edge of the world!

How to make Ingo smile, step 1: Make him spell "Emmet"! And a goofy cartoon collision moment ahah!

They are very satisfied after a challenging match, win or lose, and they want you to come back for another ride! I love the twins as they appear in Pokémas the most and try to capture the personalities their English VAs give in my art. They are adorable, excitable, cool and very much admirable!

Emmet always wants to look cool, and Ingo surely gives the most heartfelt handshakes! This piece was to celebrate 1K followers on Twitter! The first three months were wild as so many people found my works!! I fondly reminisce that time, not only I was doing well with my first fanart account, I also felt very happy in general! I was so in the zone with art, being super creative free of worries. It's awesome to see most of the people who commented this back then are still posting/in contact with me!! Thank you so much for sticking with me and my little shenanigans!

I still really like these sketches here, love to see this trio having a blast together! The clips are from a movie classic "Singing in the Rain", and below is the final piece:

Doodles~

Early Breakmas AU sketch (Team Break Submas); going full speed after trainers to collect their pokémon... What would you do if these two giant traffic cones approached you at high velocities?

Excadrill & Archeops, the soft & fluffy guys! Some of my first sketches of the submas mons. Excadrill has become my no. 1 submas mon, I adore that tough little missile knight! Archeops is definitely one of the most appealing ones! I love how he kinda has 4 wings he glides with. However I cannot unsee the snake in a parrot suit ahahah, pardon me! Also I pity the poor guy's in-battle idle animation where he has to flap SO HARD just to stay afloat!

Also Durant & Galvantula! I never was a fan of Durant but I've found ways to have fun drawing this little mischievous creature. They're after your ankles nyehehehe~ Galvantula also wasn't appealing to me until submas fever hit but now I think it's a pretty cute beast! I really like how I drew that fur, which is funny because it was that bristly blue fur that didn't strike my fancy back then!

Still enjoying this sketch! Took me some time to read the lines though ahah, the sketch so loose. He's leading a complete opposite life now...

Surprise!!! I held an art raffle on my Twitter account once but I never finished the piece for no good explanation other than getting stuck with the depot agent designs. I wanted to finish this so badly but just couldn't get over that mental block. It still bothers me I couldn't do it!

More KH inspired attempts, this time the stained glass!

Some expressions! Those snouts I draw for them are so silly ahah

Oh yikes, mood shift! The situation is looking dire, is his brother okay?? I like how the pose & water turned out!

'How's it hanging bro?' Who hung him up there anyway?

Another intense situation, what could this Team Break guy possibly want from him..?! Man, this piece feels so old now but I still like the movie like vibe! That's all just from August!! I was extremely productive back then ahah, it's cool to see how creative and varied stuff I could do!

More and more sketches & WIPs are waiting in the queue! Hope you had fun checking these out!

UPDATE: I had accidentally uploaded some sketches I had already shared in the July 2022 sketchdump so I replaced them with other sketches I had actually forgot I made in August!

Sketch dump Vol. 1: April-June 2022 Sketch dump Vol. 2: July 2022

[ask-whitepearl-and-steven]

Is shattering permanent in the comic (especially with the force fusions and cluster) or can it be fixed down the line like future did? Asking for your opinion on this too bc I found out about it in Future and it makes me feel weird (bc now it feels like any SU stuff and shattering has no consequence or tension, so haven’t been able to read or write stories). Maybe I’m seeing this wrong? Would love your thoughts

Hmm...

So to answer your first question: The comic for WDAU works on the same rules as canon does. I have no intention to over-write anything canon clearly stated to be true.

The ability to put back together shattered gems is definitely a part of that.

So yes, theoretically, even in WDAU, gems being shattered is not 'the end' because they can be eventually re-instated through the work of the diamonds, IF they someday decide to Change Their Minds like they did in the original series.

That being said...

I want to talk a little bit about something you said, because it tickles my brain in an interesting way:

"now it feels like any SU stuff and shattering has no consequence or tension"

And the best way to talk about stuff, I've found, is to ask questions about our underlying assumptions. So my questions for you (all) today are:

For us humans, death certainly IS a constant that remains ever-permanent, and thus it's easy to compare it to shattering and draw that parallel... but is that a fair comparison?

In fiction, death is often circumvented and there still remains reasonable tension in things like magic-heavy worlds, vampire novels, sci-fi where almost any sickness is eradicated, etc. Is this not quite similar to what shattering is for gems?

Is the perceived permanency of shattering the only reason it feels like a heavy consequence?

Are there OTHER consequences of being shattered that make it just as interesting, if not more than, to be explored as a plot device?

Must there be an ever-looming threat of something horrible and permanent happening to make a story good?

There isn't a right or wrong answer to these questions, necessarily. I'm not posing these in order to lead you to a singular, 'absolutely correct' conclusion or way of writing.

For some stories, death DOES need to be permanent in order not to make light of what the characters go through! In some forms of writing, there IS no other way around that consequence.

But I daresay SU is not one of those stories.

Let me put it this way - 100 years ago, medicine had only BEGUN to develop into the thing we know it as today. Sure, there were therapies and treatments for diseases, broken limbs, poisonings, etc. Some of them were quite good, even! But overall, the death tolls back then from basic illness were MUCH higher than they were today.

Pnumonia, Malaria, Syphillis, Smallpox, Bubonic Plague, AIDS.

These were things that people died from, with near CERTAINTY, for the LONGEST time. They were considered the road to a permanent black screen.

And today? Even though they are still, without proper intervention, JUST as deadly, we now have new tools and vaccines to combat them. Hell, if you get vaccinated fast enough you can get bit by a rabid dog and live to tell the tale, unscathed! Rabies used to be a one-stop-shop to the afterlife.

Despite this, we still view these diseases with appropriate fear. They are still dangerous - in the right conditions.

In the right conditions, the consequences for a LOT of things can be permanent. If permanency is what you're looking for.

So alright, the Diamonds can heal shattered gems now. Booooring. How easy it is to fix any shattered gem! What a simple solution to anything tragic.

But................... will they ALWAYS do so?

In fact...will the Diamonds ALWAYS be around?

Will the gems who got shattered always be picked up, piece by piece, and be brought back to them, perfectly preserved? Or will they lose pieces of themselves along the way - literally?

And what NEW consequences can we think of, when we stop thinking of the permanency of death, and start thinking of the Impermanence of those tools that keep us here longer and longer?

Just food for thought. 👀

[mibkid]

Can i just say as both an artist and cosplayer i am so greatful and amazed over Jojo's amazing linked universe comic and just how much time and effort she puts into it.

i mean i am floored over 10 pages a month fully colored with detailed backgrounds and good story, believe me it's crazy amount of work. ...and speech bubbles. eurgh typography...(u can guess which part of comic making i enjoy the least)

Not only that but i am eternally greatfull for just how many angles we get to see the characters in the comic, the varied poses and expressions are not only amazing to look at and great way to show personalities, but also just such great reference points when either drawing the characters or trying to figure out how the hell a costume is built up.

AND jojo has drawn them in various stages of their clothes on during the comic, so you KNOW HOW THE LAYERING WORKS.

How is Time's armor built up? Boom right there in multiple angles and sometimes off.

Ah how does Hyrule's layering work? BOOM right there with an interesting maybe leather based under-armor??

How large is Twilight's chainmail and how is it built up? BAM right there.

Jojo literally drew a whole page of how Sky's clothes are built up, layer by layer.

It's truly a blessing!

AND IT IS CRAZY that jojo added so much beautiful embroidery to the characters' clothes.

(my brain is like "oh but me like to know every detail of the embroidery of every character", and i end up looking at the pictures and say "sush brain don't be a spoilsport they're already detailed just use your imagination of what jojo has drawn and what could fit the specifics", because that is fun too! like Sky's embroidery on his over-undershirt could very much be berries of some sort on twig together with some sort of classic skyloftian forms, like lingon berries though it isn't,( i know that lingon berries don't exist in hyrule...) but it would be a fun idea!)

As you can see by my... detailed oriented nature i am very interested in their designs. But again the whole comic is a true wonder, i mean, so many angles not just the characters but the surroundings. So many different zoom-outs and zoom-ins utilized, the comic knows when to change from one character to another to more than one. So it's great on a technical standpoint too. And it's SO cool to see how Jojo's art has changed through time. (that is not a pun)

Anyway, i felt like i had a lot to say, and this was me saying it. I guess it's a Appreciation post for jojo, for showing other artists and creatives so much different and amazing artwork. (and giving us amazing references)

But also it's that i want other people to see(though i think they do already) how much time and effort and love has been put into it, not that it matters much coming from me as a random person who happens to enjoy her work.

But i think it's fun to show appreciation for artists and writers anyway.

[kozachenko]

Here, have a fairly light sketch dump with two relatively complete sketches and some of the process for the main Zanmu one. Also, Gensokyo's specalist girl makes an appearance here too

Artist's Notes;

Zanmu is such a fun character to draw, like, there's so many little aspects in her design that you can emphasize, and her colour palette is so satysfying too. The reason I ended up drawing this was because when I was scrolling on Pinterest I found a specific pose that just screamed Zanmu to me (it was the skull that did it for me) and I just had to draw her in that pose. I did end up taking my liberties with my reference though, and also I am not drawing feet, I just straight up don't like it, and this is mainly something more on the sketchy side so it didn't really matter lol. Also, IDK too much about the hands, I'm usually pretty good with them but I struggled with them a bit this time. Also Zanmu is sitting on nothing because I just didn't feel like drawing what she was sitting on (plus I already drew in the clothes and including what she was sitting on would mean having to change the sleeves and I just didn't wanna do that lol). Also realized that I should probably start trying to improve on drawing frills in clothing, and I tried a new technique for drawing them. I do like how they look, but at the same time it can still be better.

I do love how Zanmu's pose turned out the most in this batch of sketches. In my process, I put the reference image on the canvas and then roughly blocked in the silhouette. One change I knew I wanted to make since the beginning of the sketching process was opening up the space between the bent arm and body more, mainly to make the silhouette of the pose clearer (even though with the addition of the clothes it does get closed up a lot). I also wanted to turn the torso towards the viewer and change the position of the legs to something more cross legged/casual. In another sketching pass, I just kinda quicjly scribbled what I wanted the pose to look like just so I could get my idea out and I'm glad I did that because that helped me focus more on the pose itself rather than the small details. Afterward, I did a sketch of the body, clothes, and hair all together and then coloured it to get the coloured Zanmu sketch!

Again, I could've done a better job with the feet and the legs themselves for that matter, but the nice thing about sketches is that they don't need to be perfect, and I was more so focused on the gesture/feel of the pose rather than the minute details. With her facial expression, I knew that I wanted something very specific with her eyes, so I just simplified it into this "almost closed" eye and I do like how it turned out a lot. Also, a problem that I often have drawing Zanmu is that in the poses I put her in, I don't really know how best to draw in those triangle cut outs she has, so instead, I added these little triangle details onto her sleeves and pants to add some visual interest and allude to them instead, also because they can kinda allude to a crown and Zanmu is the king of Hell so it fits lol (also, love it when people add details like that onto sleeves sm lol). The hair and tassles did a lot of heavy lifting when it came to making the drawing have a nice flow to it, and I have the headcanon that Zanmu is just able to make those float on there own by.... honestly I don't know, I just like the idea of her tassles defying gravity and floating all the time. Also IDK if you can see them, but I did make sure to include her scars as I'm basically adding that as a part of my way of drawing Zanmu. It just adds a certain something, y'know? Also found a specific reference for the skull and made it the red that it is in Touhou 19, and also because drawing skeletons and skulls is just fun lol.

Now onto Reimu, so that face drawing was mainly there just so I could get a better idea of how I wanted to draw her face in the future. My main concern was trying to make it different to Keiki and Zanmu's faces, so as I was sketching hers I had the drawings of Keiki and Zanmu's faces turned on to make sure I wasn't drawing the same thing again. Down here I included this little test I did where I hyper simplified the eyes of the three faces and just traced over their face shapes, noses, eyebrows, and mouths. While the nose is the most consistent trait shared among the three of them (tbf that can just be chalked down to an aspect of my style), I feel like the three are different enough from each other to where they don't have same face syndrome, even if you simplify the eyes into dots and also didn't include the detail of Zanmu's scars on her face.

I'm obsessed with giving Reimu these tiny little eyebrows for some reason, IDK it just works for her. I also really like using a red as a highlight for whenever I draw her hair black, mainly because it helps to give the illusion that her hair is just a really dark brown and incorperates her main colour of red into another aspect of the design. I also wanted to try and draw Reimu's eyelids differently to try and imply monolids but tbh IDK how well that reads. I also like how her pupils turned out, as I'm experimenting with different characters in my style having different kinds of pupils. I didn't even bother properly rendering her clothes, so I just did them linelessly (I think I wanna try drawing in my lineless style again for a future piece sometime as I kinda miss the feel it had). I of course had to give Reimu her big bow, and also use that specific shade of red. IDK what it is about that shade of red specifically, but I just love it, it looks so nice to me you have no idea- Now that I think about, I kinda wanna draw Reimu more now, as I feel like I can still do some more experimenting with how I draw her eyes specifically. Also because I've got some ideas when it comes to how I wanna draw her body type.

[dustofthedailylife]

The Art Of Desire

→ Masterlist || → Taglist

Pairing: Alhaitham x (gn!) Reader

Summary: You are in need of a model for your anatomy class assignment. However, the last thing you expected was that your crush would volunteer to help you and that he would end up standing in front of you without a shirt.

Tags: Fluff, Suggestive (but still completely SFW)!, shy reader, partial nud*ty I guess? (Alhaitham is shirtless at some point), flirting, kissing

A/N: *throws fic into the room and leaves*

Being an artist while also being a scholar in Sumeru had always been somewhat difficult for you. The arts had never been something most people in Sumeru City appreciated or even actively looked down upon. It was a city of scholars after all, and the arts were too abstract to properly grasp for most of them.

Things had begun to become better after the old Grand Sage had been replaced and the new Archon had been freed but a lot of scholars still didn’t show much interest in the arts.

But due to that an assignment for one of your classes proved difficult. Anatomy.

You had no idea how learning human anatomy would help you as an architect later, but you did what you had to do. And it would surely help you with your personal art projects later on as well.

The only thing you had to find now was someone who could pose for you. Surely Kaveh would be able to help you right? He was your best friend and was once in the same situation.

You sought him out where he hung around the most - the Tavern.

As you walked through the Tavern door, warm air that smelled like wine and spices wafted your way and filled all your senses. You loved how homely it always felt here.

You scanned the tables to find Kaveh. Unfortunately for you though, he wasn’t alone. As you feared, Alhaitham was with him. You already considered turning around to leave again but Kaveh had already spotted you and was enthusiastically waving for you to come over to their table. 

And that was precisely the reason you rarely ever came here nowadays. Kaveh often met up with Alhaitham here for lunch. And your crush on the latter had slowly but surely turned you into a nonsense-blabbering mess during conversations with him. At this point, he probably thought you were stupid.

You hesitantly tiptoed over to their table and greeted them while your heart pounded heavily inside your chest. You sat down on the bench next to Kaveh who was already a bit tipsy. It wasn’t much of a surprise, since he was such a lightweight and practically got drunk as soon as he looked at wine the wrong way.

“Kaveh, I need your help!” You pleaded, trying to avoid eye contact with Alhaitham as much as possible once again.

“And that would be, my dear friend?” Kaveh replied in a singsong voice.

“Alright so… I need someone to pose for me. I need to draw a couple of detailed torso drawings for the anatomy course I’ve been taking, and since you also took that once I thought you could help me. I mean, you could also give me some tips. Right?” 

“Oh.” His smile faltered for a brief moment and his facial expression told you everything you needed to know. There was apparently a reason he couldn’t help but he didn’t outright want to turn you down. You knew how he is, he simply couldn’t say no and would inconvenience himself any time for his friends. And you definitely didn’t want him to do that for you. You’d be able to find someone else somehow.

“It’s okay if you can’t do it. Just say no.” You reassured him.

“I have an appointment in the desert with a client, but I’m sure I could make some ti–”

“I’ll help you.” Alhaitham cut Kaveh off.

Both of you snapped your heads in his direction in disbelief.

“Are you sick?! Why would you volunteer to help anyone but yourself?” Kaveh gasped and looked at the Scribe as if he’d lost his mind.

“It’s not much work, is it? They could just come to my office and draw me while I just sit there doing my work. Isn’t that correct?” Alhaitham inquired, boring his turquoise eyes into you. You simply nodded in reply and could feel your breath hitch in your throat. You were sure that if you would be standing right now your knees would’ve probably given in by now since they felt like jello. On top of that, your nervousness skyrocketed so badly that you were able to feel your heartbeat in your throat. 

The thought of being alone with Alhaitham for a prolonged period of time while ogling him as closely as you never dared before, made your heart flutter. You probably wouldn’t be able to concentrate on drawing properly but if he was already offering it, you couldn’t possibly refuse. Especially since he usually didn’t do anyone any favors to begin with.

“Besides,” Alhaitham continued. “It gives me an excuse to decline every other meeting for the rest of the day.”

“Tch, typical. Of course, there’d be an egoistic reason for your volunteering.” Kaveh scoffed.

“I don’t see any issue with that. I help them with their assignment while also helping myself. It’s a beneficial endeavor for both of us.” Alhaitham reasoned, twirling his own wine cup between his fingers before turning to you again. "Wouldn't you agree, too?"

You slowly nodded before quickly averting your eyes again since you couldn't bear to look at Alhaitham for longer than a few seconds without getting flustered. You had no idea how you were supposed to look at him for a prolonged period of time to draw him if you were already reduced to a flustered mess by talking to him. The thought alone made your heart almost jump out of your chest.

Kaveh shook his head in annoyance and turned to you once more. “Just say the word and I’ll take a day off to help you. Rest assured, it would be no problem for me.”

“No, Kaveh. I couldn’t possibly ask you to neglect your own responsibilities for my projects. Just keep your focus on yourself. If Alhaitham is so kind to offer his help I’ll take him up on that.” You reassured him while trying to hide how nervous you actually were about the situation.

“Well, shall we get going then? My lunch break is almost over.” Alhaitham interrupts, immediately getting up from the table.

You somewhat hesitantly got up as well since you didn’t expect he meant you could draw him right now. You had no time to mentally prepare for it so this would be interesting.

“Oh, so now you suddenly care about getting back to work on time after your lunch break,” was the last thing you heard Kaveh yell before the door of the Tavern fell shut behind both of you.

As you quietly tailed behind Alhaitham back to his office the realization that you’d actually be drawing him now suddenly began to dawn on you.

Oh, just what did you agree to here? And how in the world should you avoid making this awkward now?

Once you arrived at his officeAlhaitham unlocked the door and motioned you inside.

“You can sit down at the table over there. Do you need anything?”

“No. I should be fine.” You replied with a shy smile.

You were in fact everything but that.

While you were trying not to have a meltdown as you unpacked your stuff, Alhaitham was brewing some coffee and handed you a cup as well.

“Do you need me to do anything?” He asked.

“Hm?”

“In terms of posing.”

“Oh. Uh– no actually not. Just sit on your chair and read or whatever?”

“Nothing easier than that.” He replied with a faint smile, grabbing a book from the bookshelf beside you and walking back to his desk.

You busied yourself by scanning the books on the shelves that littered his office while sipping on your coffee before you turned around again and had to stop yourself from immediately spitting your coffee out again. Although as soon as you did you wished you had never done so.

Alhaitham had unclasped his cape and had loosely thrown it over his desk and was just about to pull his shirt over his head. You were trying to process what was happening before your eyes but your mind was racing so fast that you failed to fully grasp the scene before you.

“W-what are you doing?!” You stammered.

“Didn’t you say this was for your anatomy assignment?” He inquired, seeming entirely unbothered before ultimately removing his shirt completely.

Well, yeah you did. And for that bare skin was sort of a requirement. You knew that full well, too. It just sort of slipped your mind that taking Alhaitham up on his offer would actually entail seeing him without a shirt as well.

“Y-yes.” You replied, moving your eyes over his now exposed abdominal muscles. His usual shirt already left little to the imagination, but actually seeing his trained body without the thin piece of fabric covering it was a sight for sore eyes.

He claimed to only be a feeble scholar but that notion couldn’t be any further from the truth.

“Then there you have the answer to your question.” He stated matter-of-factly before sitting down and opening his book to read. His face still looked as unbothered as it did before and he immediately lost himself in his book.

In the meantime, you tried your hardest to get yourself together again. Not only did you need to keep your eyes from wandering but also your mind. 

You traced every well-toned muscle of his upper body. How light and shadow formed their contours and how his pectorals moved whenever he flipped another page. You took note of every detail and etched it into your memory while suppressing the urge to brush over his defined muscles.

You sat down at the table and held onto your pen for dear life as you continued to analyze every little detail of his body. The embedded gem between his collarbones and hot it beautifully shimmered in the light of his office. The sharp V-Line that started right above his hips. The symmetric curve of his collarbones leading up to his shoulders. And his turquoise eyes that were boring into yours once again.

"Is anything the matter?" He inquired, lifting an eyebrow.

"N-no. I'm just trying to find a starting point." You stammered your poor attempt at an excuse.

After all 'Sorry, I was too distracted by staring at your body' wasn't something you could just say either.

“T-tell me if you’re getting too cold and we can take a break.”

“It’s 40 degrees outside, I’ll be fine.” He chuckled seemingly amused about your concern.

“Ri-right. Yeah. Okay.” You awkwardly bit your lip. For Archon's sake, why couldn’t you just behave normally around him?

After overcoming the first awkwardness you eventually started sketching. But the more the shapes on your paper resembled the beautiful man in front of you, the more flustered you became again and the more aware you became of the fact of how closely you were actually looking at him. Your attention to detail for this sketch was even more on point than it had ever been before. Upon realizing that it was because you were enjoying what you were seeing your cheeks started to burn in embarrassment.

You spent about an hour immersed in sketching, carefully studying every contour of his upper body. It felt so intimate that you couldn't help but wonder if anyone had ever looked at him this way before. And even though you kept telling yourself that this was just a regular art study session to avoid getting flustered further, the endeavor proved completely unsuccessful. 

Eventually, you finished your piece and dropped your pen on the table. You lifted your sketchbook up to evaluate the page and the final result.

The once-blank page was now filled with an intricate pencil sketch of the handsome man with a dreamlike physique. You had to admit, he truly was the perfect subject for anatomy studies. And while you wouldn’t mind seeing him shirtless more often you doubt your heart could handle it another time. Because despite sitting the entire time you felt like you had just run a marathon.

“Your talent is quite impressive.” Alhaitham’s voice rang right next to your ear and made you flinch. You didn’t notice how he had approached you. And what made things worse is that he was still shirtless while standing next to you so closely you could feel the heat that emanated from his skin and smell his after-shave.

You gulped and got up from your chair avoiding looking into his eyes as much as possible because you feared that if you did your heart would burst out of your chest. 

“Thank you. That means a lot. I-I mean… it was quite easy to see the muscle definition on you.”

Facepalm. Why did you say that? You internally cringed at your choice of words and continued to avoid looking at him while you hastily started packing your bag again.

“Is that supposed to be a compliment?” He remarked with a smirk and lifted your chin up with your sketchbook, forcing you to look into his eyes.

You opened your mouth in order to say something but everything you could’ve said died in your throat. So instead, you simply continue to stare at him while your heart felt like it was about to combust and you wanted nothing more than to sink into the ground in shame.

He huffed in amusement at your evident flustered state and closed the gap between your bodies, placing his arm next to your head on the wall, towering over you.

“Do you have any idea how obvious you are?” He asked.

“What do you mean?”

“I see the way you look at me, or rather how you always avoid doing so now. And Kaveh happened to slip up and revealed your secret when he got drunk. And that’s why I can tell you that I feel the exact same way about you. And I’ve longed for a moment to tell you. You didn’t make it easy since you kept avoiding me lately.”

You didn’t know whether what was happening was wishful imagination or a fever dream because it felt surreal. 

He put your sketchbook back on the table and lifted your chin with his free hand now. He took hold of one of your hands and placed it on his abs.

“This is what you wanted to do the entire time, am I right?” He whispered while the bud of his thumb brushed past your lower lip. You slowly nodded as your traced along his toned stomach with a featherlight touch, feeling how the muscles moved below your fingertips.

“May I kiss you?” He whispered in a low tone when you looked up into his eyes.

He had barely even finished asking when you leaned into him more and took the initiative to place your lips on his for a shy kiss. But it was so fleeting it had you longing for more and it seems that the feeling was mutual.

He quickly snaked his arms around your waist and pressed you against him with fervor while he hungrily crashed his lips into yours once more. You slung your arms around his neck and entangled your fingers in his soft gray locks while pushing his face even closer to yours than it already was.

You could feel him smiling into the kiss, as you did so. His lips continued to gently caress yours like a tender whisper of affection shared only between you two. It made you feel lightheaded while also leaving you longing for more. It was an intoxicating feeling like no other. One you certainly could get addicted to - and maybe you already were. 

At some point, you had no idea for how long you had been standing there kissing but it felt like an eternity yet not long enough at the same time.

You were sure of one thing though – You needed more of it.

Do not repost, copy, translate or edit - © dustofthedailylife || reblogs, comments, and asks about Genshin or my fics are always greatly appreciated and motivate me! Maple dividers are mine - do not copy.

[quibbs126]

So I’ve been making this

So basically last night, I was listening to some music, specifically Not Gonna Die by Skillet, more specifically a version on YouTube with the intro (because I’m not the biggest fan of Good to be Alive where the intro actually is). Anyways, when it’s night, my imagination tends to be more active and I tend to have more energy. While listening to the song, I eventually got this mental image in my mind of this scene with Dark Choco, and the more it crystallized the more I wanted to draw it. I was going to go to sleep and maybe do it in the morning, but I realized that I probably would forget the vibe and not have as much energy, so instead I decided to power through and draw the idea

It was a bit difficult since I had limited references for the pose I wanted, and I suppose I can admit the sword looks a bit off anatomically, but it looks good enough I think, and lets me keep the eyes revealed

I did eventually have to stop drawing, because my iPad had been worked all the way down to 4% (and it was at 30% when I started, the poor thing), not to mention it was around 11:30 already which is pretty late for me, and my earbuds had been running nonstop for over 2 hours (yes I was listening to the same song, it’s how I keep the vibe). I was at least able to get the pose, base colors and lineart done, and I’m still pretty proud of where I left things last night

Today was mostly just doing the background and lighting, which admittedly I may have fumbled. I’m not very good at backgrounds and I didn’t know how to draw lightning. I tried my best, but honestly I don’t think I got the image in my head. Didn’t help that my brain was playing the wrong Skillet song this morning

Oh yeah and by the way, the background is supposed to be from this. That’s what I used as reference

The lightning both feels like too much and too little. Like, it’s crowding the picture, and I can’t have more because it’d be way too crowded with it, but also at the same time, it doesn’t feel like enough, like there isn’t as much power as I wanted

Actually wait, maybe I can add some small particle effects to like, enhance the lightning feel. That was in the original sketch but I omitted it in the final. If you see one with that, you know I did that

Edit: I did indeed do that

To be fair though, I don’t think I have the art skill to properly convey the image in my head. Basically the scene is that Dark Choco is using absolutely every amount of his power for this final swing down, so much that it’s too powerful and the Strawberry Jam Sword completely shatters. But also it’s too powerful that Dark Choco’s body simply can’t handle it, and he basically ends up exploding. The scene depicted would be the wind up to that final swing that destroys the both of them

This isn’t necessarily the first time I’ve come up with this scenario, and the setup would basically be that he turned on the Cookies of Darkness slightly earlier, because he didn’t want to destroy his homeland again, and he tried to get rid of them while in the kingdom but not yet at the Citadel, but he ended up failing, so with nothing to lose, he chases after them and decides to put everything into destroying them, even if it likely ends in his death. After this he probably killed Pomegranate and crippled Licorice in some way (I don’t think he’d attack Poison Mushroom), so his final act did have some effect, but he’s still dead by the end of it. And he and his father never got the chance to properly reconcile because Dark Choco thought that could never be a possibility anymore and he had resigned himself to his fate

But yeah, I just don’t know how to convey that sheer overwhelming power and emotion that this scenario suggests. I tried my best though

I also want to submit this to the Dark Cacao Forever contest, but I’m not sure if it’s good enough for it. What do you think?

[existentialcrisis-9-5]

DCA Subnautica AU

Version #2 of the designs, including the bioluminescence! + fun tidbits on each of the goobers and a visual on Y/N!

(Edit: it’s out now! Check my bio for the link)

Eclipse is up first!

Theirs was the first design I drew out in any detail (as shown in the crude MS Paint drawing), so it's the one that needed the most work. Even after making the more detailed version with the lights, I still ended up changing things as I got a better grasp on what direction I wanted to head in. Fun lore tidbit! Eclipse is a freak of nature and should not look like that! They're properly split down the middle between day and night. Also I messed it up in the drawing because I was tired when I made it, but they're also covered in scars and bite marks.

Sun !!

I did Sun next, and here I had a better idea for what I was going for. There were still a few problems with this design though, which got changed. This is also where I started drawing the pattern on the tail, which I felt looked weird in this picture. Fun tidbit! Sun has an inability to express his feelings in the appropriate fish mermaid way, leading to much confusion.

Moon !!

Moon was done last. Once again, I learned from this drawing and changed Moon's design to match, however Moon is the one that remains the most unchanged! I knew what I was going for by the time I got to him each time, so I guess that helped. Something I did alter, however, were some of the lights. I found that they either blended together too much or weren't as visible as I would have liked. Fun tidbit! This is pose actually based on a scene in one of the chapters. It was actually one of the earliest written scenes.

Y/N, my beloved <3

I did 2 versions of Y/N, one with longer hair and one with shorter. It was important for me, when writing the story, that I kept the person I'm imagining as vague as possible, with the only physical descriptions being "physically fit" and having a few scars (for plot reasons), so this is only for me and whatever drawings I do. As a result of trying to keep it vague, I ended up going with the shorter hair (though in the final reference I made it a bit longer than shown here). Fun tidbit! The green is because whenever I'm sketching, I have 4 colours I sketch in to differentiate parts of the picture (usually background vs foreground or different people), and green was the one I used here (red, blue and purple were taken, I'm sure you can understand why). It ended up sticking, since I didn't want to go with the orange that's on Ryley's suit in order to avoid possible confusion.

That's it for now! At some point, I'll post the full references for each of them, but until then, the next thing I post will probably be chapter 1!

[mythicalviper-fr]

FR Skin Contests and You (and Me)

Let’s talk about festival skin contests.

This post will be 1) about win conditions 2) my breakdown on my wins/losses. Before we start, please know a lot of this is guesswork, and based on my own perspective. Still, I hope this will be useful for some people ^^

***August/888 and I (but August mostly as it’s his idea) will be hosting an event encouraging new artists to join festival contests on 8/8. It will have a lot of tips and references to help get you started, so please keep an eye out! 

-

When it comes to skin contests, people generally enter for one of three reasons: 1) for fun 2) because it’s seen as a milestone of skinmaking, or 3) out of a desire to push yourself to the limit knowing you’ll regret it like a Sunday hangover– but I hope that’s just me.

In my two years of participating in skin contests, I’ve seen a lot of artists join with a lot of excitement, only to give up or drop out because they aren’t winning. Some blame it on skill, others blame it on the staff, and some blame it on fellow competitors. 

Here’s what I will say: like any contest, winning the festival skin contest is based on a combination of luck, knowledge, and skill. Just like any contest, there is a strategy to it and there are win conditions that you have to fulfill if you want a chance at winning. Some artists find these win conditions quickly and are able to adapt and cultivate the skill needed to pull off a win. Some are aware of these win conditions but do not yet have the skill to pull off a win. And some aren’t aware at all. A loss is usually (but not always) a result of not fulfilling those win conditions, or not fulfilling them as much as another artist. 

So, let’s talk about these win conditions.

The Biggest Win Condition: Breed Variety

In my opinion, the biggest factor that makes or breaks an entry is breed variety. Over the past ten years, there's been a consistent trend of staff picking one winner per breed/pose, though there are occasional outliers (most recently, two Aether M for Brightshine, but previously also Undertide M and Spiral M). This means whenever you submit a skin, you’re competing against artists that also submitted the same breed/pose. 

For those who aren’t aware, breed variety has been dropping in contests, along with the number of submissions. The result is that there are very few submissions for less popular breeds. Take a look at Brightshine 2023 - the majority of the submissions were Aethers. But even if there ended up being three Aether wins, that meant none of the other Aether skins made it in. 

I want to explain this with numbers. Say Aethers (M&F) made up 60% of the Brightshine 2023 submissions but could only make it into 2 or 3/16 of the winning slots. That’s 60% of the submissions eliminated from making it into the remaining 13/16 slots. Where would the other 13/16 skins come from, if staff were to stick to their trend of 1 breed/pose skin per festival? The flight breeds - Imp and PC might take up 4 more slots. But that’s still 9/16 slots that need winners and only 30% of the submissions to pick from. Additionally, ancients will generally make up at least 40% of the winning submissions, if not 50%. That’s why having 100 submissions might mean there aren’t a lot of winners the staff could pick, and why there weren’t any Fae skins for Starfall 2022 or Spiral M skins for Mistral 2023. 

I tested this theory with F Ridgeback submissions. I mainly focused on three breed/poses that I saw as the least submitted - F Noc, F Bog, and F Ridgeback. I went with Ridgeback because it was the base I liked the most. The result? Out of the 22 contests I’ve entered, I won 5 with F Ridgeback. That’s a 25% win rate with one breed/pose alone. If we factor in wins I’ve had with these three poses combined, that’s 8 wins or a 36% win rate.

Drawing on an unpopular breed/pose is a good way to make sure you don’t have too many competitors (and also show some of the more unpopular breeds some love). This is particularly true if you’re a newer artist like I was. I started doing art in June 2021, so I knew there was no chance I could outcompete better artists on the same breed/pose. 

Of course, choosing the right breed will not always net you a win - you still need good skin composition and skills to catch the staff’s attention, which is what we’re going to talk about next.

Statutory Win Conditions: Flight Themes & Colors

When it comes to making a skin for a festival contest, I always recommend people look at the apparel, lore, and familiars for that flight, because these items are usually the closest to what’s canonically considered a flight’s aesthetic. A lot of the entries I’ve seen win are based off of the fest fams or match a fest apparel.

There are exceptions. The game aspect of the Lightning Flight isn’t canon, but we’ve had hivemind and gaming skins win. Why? Maybe that contest only had a total of 12-15 breed/poses submitted, maybe it was just the best executed skin for that breed/pose, maybe a staff member just really liked it. However, generally winners will match the flight’s canon aesthetic.

The trend of skin contest winners also suggest a favoring of elements that are placed on the dragon’s wings and head (leaves, vines, fairy/insect wings, gears), or accent/tattoo-like effects that involve gradient, sparkles, or abstract smoke (see 888’s 2023 brightshine win). Skin compositions that are balanced (elements throughout the body, as opposed to just one part of the body) see a higher win rate. Skins that have lower accent coverage tend to see higher win rates when they’re gradients/accents (linings on the dragon, runic/circuit effects) or when they’re concentrated on an easily noticeable/central part of the body (like the wings, or the dragon’s back).

In the end, knowing what to draw really comes down to research and knowledge. Before each contest I would review all the past winning entries and try to glean what staff did or didn’t pick. I noticed that staff didn’t tend to pick whiteout or body morph skins, and they tend to pick skins with higher coverage. I also checked past festival winners to see the color theme for each contest. There are some contests during which colors that aren’t necessarily the flight’s colors are still picked, and there are contests that haven’t seen a festival skin which didn’t match the flight’s colors. Like any contest, there’s always going to be a small bit of luck involved.

Ultimately, while I can’t speak for the staff, I do think there are win conditions that need to be fulfilled. You need to have a basic level of art skill. You need knowledge on skin composition and colors. Then, of course, you need to know which breed/pose to choose.

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I hope my analysis helps a little when you’re entering your next contest, or that it made for an interesting read. If you just came here for general tips and tricks, that’s all I have for you - you can also scroll all the way down to see my final thoughts on contests. But generally, just keep trying different things, doing your research, and making sure you’re sticking to the flight theme.

For people who want it, here’s my breakdown on each series of contests that I’ve entered, and reasons why I think I won or lost. 

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Personal Analysis - Brightshine 2021-Brightshine 2023

I’m a very competitive person and more importantly, I love to compete. So the moment I found myself capable of making skins, festivals were on my radar. I studied what previous artists did, what techniques and designs seem to win the most. What skills did I need and what skins caught the judges' eyes? More importantly, what bases did I feel confident with and could perform the best on? As soon as I felt like I understood the contest, I entered Brightshine 2021 with about 2 weeks’ worth of art experience.

Then I proceeded to lose four contests in a row.

So, what happened?

Brightshine 2021 (loss)

Sometimes unearthing your old art is like watching an old video of yourself in your cringey teenager phase. But knowing why you lost is important in understanding how you can win (and what to absolutely not do again).

For Brightshine 2021, I submitted a Guard F design with two recolors. At the time I only had the skill to draw lanterns and filigree, so I went “that’s Light enough” and did exactly that. Although I would say my theme was (kind of) on point, it was my execution that was lacking:

Issue No. 1: Colors. In review of previous Light winners there’s a umber/gold palette or gold/sunlight palette that appears to be the meta. There have also been cases of red or purple winning even though they aren’t used in official Light items, and some rainbow entries. While one of my recolors followed this scheme, it fell short because–

Issue No. 2: Composition. Skin composition is the balance of elements and how well each element pulls their weight in a piece of art. In my Brightshine 2021 entry, most of the base was left bare. Artists like August are really good at skin comp where their entire piece looks tied together; mine was far from that.

Issue No. 3: Quality. If you compare my Brightshine 2021 submission to my 2023 one, you’ll see what I mean. My art style relies on rendering, or applying lighting and shadows, to bring out each element. Basically I need rendering in order to win. This isn’t necessarily a requirement for you; some artists do lineless, others do painterly, and others don’t render at all, but overall the art style should have a specific level of quality that rendering brought out in my art.

In short: wrong colors, bad lineart, skill issue, no skin comp - overall it was a piece of art not even its creator could love. (I tossed the psd in the recycling bin and hit delete. Except looking in the database now apparently I printed it, so now I have to live with the shame of its existence.)

There is one takeaway that I got. By the time the contest ended there were no other Guard F entries. I realized then that had my art been better, with the breed/pose’s lack of competition, I could’ve had a shot at winning the contest. 

Thundercrack 2021 (loss)

Alright, 2021 Myth thinks, I’ve learned my lesson from Brightshine. The skin composition was not good. That means I should put more stuff on the base and I’m sure to win!

Have you ever just looked in the mirror and realized you, yes you, are the most punchable thing in the world?

In all fairness, the skin comp of my TCC entry did improve. Like Brightshine, I did a single design with two recolors on an unpopular breed. Improvements I made: additional elements to the skin aside from the one big element on the wing, and a color palette that matched the flight. Of course, I wished my theme of hivemind/code also matched the flight aesthetic, but just like my love life, the only thing my submission matched with was loss and disappointment.  

Issue No. 1: Design. Upon reviewing past winners, very few featured fake apparel or clothing. As mentioned previously, staff do not appear to favor whiteout or body morph skins, and prefer elements that adhere to the dragon (like wings) or add to the dragon (like bones/feathers).

Issue No 2: Technology. For my entry, the circuit patterning on the wings did not take resizing well. I drew this on a 750x750 canvas and the resizing blended the many circuit lines into a single line. This isn’t a program issue. It was a lack of understanding of how resizing works.

Issue No 3: And we’re still here with my biggest problem: skill issue. Art is not a skill you learn in two months. I did learn to render, but not well enough. I wasn’t good enough. Yet. 

Starfall 2021 (loss)

So… fun fact! During all of this I was writing my thesis. As in, I was writing my thesis after not writing my thesis for a year. It was stressful. I don’t have much to say about this contest because I did this skin as a meme for the sole reason that somewhere in my 3 am sleep deprived brain I thought “Emergency Portal-col” was hilarious.

I did not expect to win and I didn’t. Still, I did notice more and more that certain breeds just weren’t submitted for contests. Ridgeback F, I noticed, had anywhere from 0 to 1 submission for each contest while M pose generally had 0. Same for Nocturnes. 

Riot of Rot 2021 (loss)

By this time, 2021 Myth had given up on the “one big element + some other accessories” idea. It hadn’t worked for Light or Lightning and it wasn’t going to work. So I thought, what if I just went for the accessory elements? My ROR skin featured the spider lily, smoke, and sparkles. I also started experimenting with dark gradients on the limbs of the dragon, which I’d noticed in winning fest entries.

Gradients and sparkles help with skin composition. Especially if you’re a newer artist who can’t pull off more complicated effects. Oftentimes a skin looks empty in certain parts, but adding elements to those parts would make things look messier. That’s where gradients/sparkles come in. However, I lost because:

Issue No 1: Composition again. While my elements tied together well, I had no main attraction other than the empty void that was the center of the Ridgeback wing. I essentially did a background scene and didn’t add a main character for it. This made me think that maybe my “one big element” skin comp idea was still worth a shot, but I needed a different take.

Issue No 2: Aaaand skill issue again.I was still bad at rendering, and sometimes skill is just why you lose. Not because you don’t have good ideas or because your execution was bad, but because you do not yet have the skills to defeat your competitors. You can do a really good looking skin, but if someone else in the contest did an even better looking skin on the breed/pose, then you’re not going to win.

Gala 2021 (win)

Losing four times in a row was pretty discouraging. But here’s another important element to skin contests: consistency. The frequency of your submissions should result in a win so long as you fulfill all of the other win conditions such as good composition, understanding of the theme, and the basic level of art skill required to win. 

For the Gala, I realized that wings would be the best big element to put on a base while tying in all of the other elements. This is probably the most complicated skin I’d worked on at that time. But because I’d learned minimal rendering, because my skin composition was actually good, and there was no competition for Ridgeback F, I won. For the very first time.

Trickmurk 2021 - Starfall 2022 (6 wins 2 losses - 12 skin designs submitted total)

Here, I’d found my strategy. As long as I kept to the theme and made sure my skin comp and rendering was good, I would win. Especially because I had no competition. Again, breed variety is a huge issue in skin contests, because people - particularly the really skilled artists - are more likely to go for a breed that they like or is popular. As a newer artist, I was well aware that there was a 100% chance I’d lose if I tried to fight anyone for the same breed/pose. (And part of knowing the win conditions is also knowing artists you definitely are not winning against.) 

3/6 of my wins during this time was F Ridgeback. The others were: F Coatl, which had no competition during Trickmurk, and F Nocturne, which had no competition during Wind and Arcane’s fests (but competed against my will to live because this is a terrible base to work on).

But relying on unpopular breed advantage was about as reliable as internet connection in a college dorm. 3/6 of my wins were ridgeback but that meant all of my losses were also ridgeback. On top of that, the number of Ridgeback submissions peaked at one point to 5-6. I was still winning, because I had the skill to beat my competitors. But I had to up my game. My skins had to be more elaborate, closer to the theme. I began submitting two designs per competition, which was… going to be a problem for me later.

The idea behind submitting two designs per competition is simple. Instead of just relying on one unpopular breed/pose to net you the win, now you have two shots at winning. 

My goal that I’d made during this time was to either win 11 in a row or to win once for each holiday. This was to keep my motivation. Keep in mind I was also writing my thesis, so I really needed a goal to go towards, especially when I committed to doing two designs per contest. 

(I defended my thesis successfully in May 2022 and graduated with high honors!)

ROR 2022 - Brightshine 2023 (7 wins 1 loss - 16 skin designs submitted total)

Here’s where I found another niche in the skin contests. Flight-breeds. These are breeds that belong to each element and surprisingly - they don’t actually get that many submissions. Seeing Starfall 2022’s skin turnout as an Arcanite was tough. When it came to reviewing Starfall 2022, anyone would’ve won as long as they submitted a good quality Fae skin that didn’t break the rules or stray too far from the theme and had a skin composition that the staff liked. 

I decided to put my theory to the test with Earth, Ice, Wind, Water, and Nature. Are you surprised there were only three Snap F submissions for Earth, one Tun M for Ice, two SDM for Wind, and something like two Undertide F entries for Water? I was. Especially with Undertides because the breed had been released only five months ago. By noticing the flight-breed meta, and having the time, skill, and experience to make skins for those breeds that fit the criteria, I was able to win.

At this time I started straying away from my “one big element + smaller accessories” composition. My art had gotten better so I was able to expand my designs. Wavecrest 2023 was the biggest show of that, and I’m really proud of my entries for that contest. It was essentially a turning point in my art style… but it did take a lot more time and effort. From that point on, my skins were hitting 90+ layers and taking me at least two weeks to draw.

The last skin contest I entered with that art style was Brightshine 2023. By the time the contest ended, I was pretty sure winning would take a miracle or a relationship with god that I did not have. The competition for Imp M was difficult, and I was pitting my submission against artists who had far more experience and skill. I had some hope for my Ridge F entry, but again, relying on unpopular breed advantage is, well. Not reliable. 

I lost. It was crushing, because not only did that mean I lost Brightshine three years in a row, Brightshine was the last contest I needed to win to fulfill either one of my goals: winning 11 in a row or win once for each elemental holiday. However, losses happen and it sucks, but it’s not the end of the world. I simply lost to a much better artist, and I am okay with that. 

Final Thoughts

Heart-to-heart time. 

I know some people become discouraged because they don’t think they have the skill, or they compare themselves to other artists. I felt discouraged for the same reason. After losing so many contests in 2021, I thought I would never improve. I would never be as good as artists that started long before me, or even some that started after me but learned so much faster. 

I still think that’s true. I have a long way to go and I may never catch up to these other artists. But here’s the thing about art: it’s a skill that constantly evolves and you cannot see that evolution unless you keep trying. And you need to keep trying if you want to win, because you aren’t going to without reaching the right skill level. 

The hardest truth about competitions is that you can’t expect to win just because you tried. If everyone could win just by participating – that contest isn’t worth winning. There are no stakes so there is no value. But when you put in a lot of effort and time, and you win? That win is something that will stay with you. That is a worthwhile win - because it was hard and because you lost so many times.

Sure, the staff could let everyone who enters win. Maybe winners should be judged solely on participation. Maybe that would make more people happy. But would you really be happy to win, knowing there’s no chance of losing? At that point, would being a festival contest winner mean anything?

In the end, a contest is supposed to be fun. Throw everything I’ve said out the window if that’s made contests un-fun for you. Most, MOST importantly, you should join the competition because you enjoy it. If you’re joining just to win, and you take losses very hard, and participation becomes a chore - then that is never going to be worth the toll on your mental health.

Take it from someone who took it too seriously. Drawing two skin designs monthly was taxing (remember it was taking me at least 2 weeks per design), and by Nature 2023 I had severe burnout. When Brightshine rolled around, I sat down for 11 hours to finish my Imp entry, because I knew I wouldn’t have time for art later. By the time I finished, I was running on about five hours of sleep and a very unhealthy attachment to caffeine. 

Then, three days before Brightshine, I was diagnosed with tendonitis. 

I started feeling discomfort in my arms/wrist since March, hence why I stopped releasing public skins. But this is effectively the worst arm related injury I’ve had, and while drawing is not the main cause, doing so for 11 hours straight didn’t help. My left arm has minor pain. My right arm is swollen and in a brace. This could’ve been avoided by taking breaks and doing exercises. But the lack of proper precaution led to injury. (And yes, I drew my Bogsneak TCC 2023 entry with a mouse for this reason. I could not use my tablet pen so… circle and line tool it was. But I had fun ^^)

I hope my analysis of the contests will be of some use to you. But please do not hurt yourself, mentally or physically, in competing. UMA artists make around 3kg per run of skin, so if you are entering contests for the prize, that’s not the best use of your time and energy. When it comes down to it, you are going to be doing free art for the site, and that is never worth injuring yourself for.

As a final note, thank you to the FR staff for allowing artists to participate in the site. My art experience is purely derived from skins and contests have encouraged me to improve myself. Thank you also to my friends who cheered me on along the way, the many wonderful artists who gave me tips on line weight, coloring, and rendering. And of course, many thanks to August for being the best cheerleader I could have. I would not have made it to Brightshine without him as a competitor and fellow artist. 

(However nothing you do will make me like Gaolers and that is a hill I will die on.)

Happy almost-Flameforger’s everyone! Here’s to the next fest cycle.