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#their relationship is like that meme where the :| character has the >:) character on a leash and I enjoy that about them
bweirdart · 2 days
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nearly oc-tober time again - time for some prompts for 2024
F.A.Q
do i have to draw? not at all! you are free to participate with any medium that suits you... writing, artwork, free bases and templates, simple text posts, in-character-as-your-oc roleplay, whatever! (just no stealing or AI)
do i have to make new content? nope! re-uploading old stuff that fits the prompts is allowed (and encouraged) ... old art that didn't get the appreciation it needed always deserves a chance to be shared again, it's a fun throwback!
do i have to post every day? nope! only 10 days are mandatory (the ones in red with a star symbol) and everything else (yellow) is 100% optional! if you're busy or tired, please skip as many as you want
can i start early? you can prep your posts in advance if you need to ... but please wait until the right day in october to share them!
can i re-upload your prompt list to another site? i would prefer if you dont - i have accounts on most sites, so just reblog/retweet/share from me!
event tag? #bweirdOCtober
have fun!
image desc/text version ↓under the cut↓ or on bweird.art/october
prompts:
WEEK 1: OC INTRODUCTIONS
⭐ 1: FAV OC what makes them your fav? 2: NEW OC how recently did you make them? 3: OLD OC how long ago did you make them? ⭐ 4: UNDER-APPRECIATED OC an oc you feel like you don't talk about enough, or you haven't fleshed out as much as you would like 5: RE-DESIGNED OC an oc who has changed a lot (what changed about them?) or, if you haven't redesigned an oc: is there anything you might want to change about an existing oc?
WEEK 2: BUILDING BACKSTORY
⭐ 6: PAST where is your oc from? what did they look like as a child? 7: LIKES what do they like (and why?) 8: DISLIKES what don't they like (and why?) ⭐ 9: RELATIONSHIPS doesn't have to be romantic! can any kind of relationship (frienship, family, rivalry etc) 10: PERSONALITY what are your oc's main personality traits 11: SYMBOLISM/THEMES what represents your oc? is there a specific colour you associate them with, or a specific animal? 12: FUTURE what will your oc look like in the future? do they have any plans or goals?
WEEK 3: FUN + GAMES
⭐13: MEMES do any memes remind you of your oc? are there memes your oc would find funny? maybe you want to redraw your oc as one? 14: WHO/WHAT INSPIRED YOUR OC are there existing characters that your oc looks like? was your oc based on yourself? is your oc originally from a specific fandom? 15: MUSIC share a character playlist, write a songfic, post lyrics that remind you of them, etc ⭐16: EYES CLOSED or NON DOMINANT HAND draw a picture of your oc with your eyes closed or with your non domminant hand, write or type a paragraph about them without your eyes closed, etc ... have fun, and don't worry about it looking "bad" -it's meant to!! 17: DnD ALIGNMENT CHART put all your ocs into a DnD alignment chart, or any other similar chart if you prefer i've compiled a few templates on my site, but you can find more easily if you google "oc alignment chart" ⭐18: SWAP swap something between your ocs - their role in the story, hairstyles, personalities, fashion taste, species ... whatever you want! how would this difference change them? 19: PALETTE CHALLENGES draw your ocs with as many of these colour palettes as you want (or just skip if you don't draw/don't like doing these!)
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hex codes for the colours: palette 1 - #3C1E81 #6D1EA2 #B059E8 #FE0876 #FE5284 #FE7C96 #E0CFE3 #FFD5C3 palette 2 - #352823 #673F28 #AB541C #BA8233 #897128 #A68B2F #F7BF6A #DAC3A4 palette 3 - #A42E25 #D7412B #E47C29 #F7A233 #FCC02D #FCE4A6 #486548 #FEFDE8 palette 4 - #2F4769 #39597E #53779C #94D1E7 #AADDE7 #D48DB7 #D498B5 #D2BABA
WEEK 4: COMMUNITY
20-26: A WHOLE WEEK OF SOCIAL STUFF if you don't have the time/energy to do every day this week, ⭐ day 23 is the only one marked as mandatory! you can skip the rest!
some ideas for what you could do: talk about a friend's oc you like, make gift art/writing of them, collabs, trades, reblog/appreciate ocs in the event tag, make interactions between your ocs and other people's
WEEK 5: HALLOWEEN
⭐27: FEARS is your oc scared of anything? do they have any phobias? are they startled easily? would any of your ocs try to scare ppl on purpose? 28: MONSTER what would your oc be if they were a monster (eg: werewolf, vampire, eldritch beast.. whatever) or, do you have an oc who is already a monster? 29: PUMPKIN CARVING your ocs carving pumpkins, a drawing of a pumpkin carved to look like your oc ... or even carve it in real life! 30: GHOST this can be literally a ghost, or a concept that haunts your oc! up to you! ⭐ 31: COSTUMES what are your ocs wearing for halloween?
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wilcze-kudly · 9 hours
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Someone once said Aang and Katara’s romantic interactions have no impact on their relationship. Which I find a ridiculous notion, given how
One: The Series genuinely wasn’t built around romance.
Two: We do gradually see the characters develop feelings for each other more across the show.
https://www.tumblr.com/melu-lis/762094698681745408/one-of-the-most-baffling-thing-about-kataang-to-me?source=share
Honestly, the fact that Katara and Aang's relationship has that strong aspect of friendship is one of my fave parts of it.
Like, maybe this is an unpopular opinion and I'm just a degenerate little dyke but I'm so so tired of romances having to follow the typical usually heterosexual conventions that have been set ib place both irl and in media.
And not to sound like an old man shaking my fist at a cloud, but in an era where romance is very standardised (look at the plethora of YA romance books selling basically the same plotline but in different aesthetics). It's nice to find a relationship that doesn't fully fit that mold.
Like people have joked about this but Aang and Katara really do follow the famously memed lesbian relationship stereotype of "we've been besties for ages and we've kissed a few times and she's said she loves me and I'm starting to think she's into me but idk". And I love that for them.
Also OP's examples aren't really saying much. They mention that "sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it" while disregarding the fact that Aang did try to get advice from Sokka, and it backfired. Did we all forget "Soooo... papaya?" (also Sokka didn't realise that Aang had a crush on Katara? He thought Aang had a crush on Meng.)
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Another argument from OP is that: "aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all" which I find a bit of a flawed idea because there's not really anything in Katara's perception of Aang to change? Like she was already seeing him as a viable romantic partner from at least the Fortune Teller, she was blushing when considering kissing him and offended when he didn't immediately agree to it.
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(I actually think this is the moment where Sokka realises there's something between Katara and Aang man look athis face.)
We do not see Katara's pov, but we can pick up her thoughts from how she's animated and other clues because atla makes it quite easy to emphasise with its characters. I talk more about it in the Kaatang and female gaze post.
OP using the description of "natural development of a platonic relationship becoming a romantic one" is also mildy annoting because just because a romance doesn't follow established conventions and timelines, doesn't mean that it's not natural or badly written. We study tropes and aechetypes usually in order to subvert them.
The concept that romance has to be a series of events followed by switches flipping automatically in response is incredibly limiting and, frankly, overdone. I can see the appeal of romantic stories being a series of actions and reactions between two people, but I personally find a slow, budding development even more compelling. But once again, thsi is up to preference. If OP doesn't like this style of romance, than that's fine. Though I will stress the golden rule: your preference doesn't mean that everything else is bad/unnatural/unethical etc.
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trilobi-te · 1 year
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Cider expressions without the visor (in practice he'd still be wearing it in these situations so pretend it's invisible here or something idk). Why did I decide to draw a Cider conglomeration including several accursed Dandies? I was bored I guess. I don't even know what this is lmao
Also I named the expressions plus an update on archiving the Chipspeeech twitter content (below the cut)
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I like how half the Chipspeech artists out there decided that Dandy has Phoenix Wright hair
That "Something went wrong. Try reloading." message is the bane of my existence right now. I am so close to being done with copying down everything from the chip twitters but I have to stop every few minutes due to the site continuously freaking out. Also why do Dee, Bert, and Dandy have so many tweets ffs.
On the topic of the archive thing I'm still deciding whether to make a website for it or just an extremely long PDF. For the sake of readability, navigation, etc. a site would obviously be better but all of the free hosting services seem to be either limited in size or when it's online. Maybe I can just make a bunch of little sites and link them to each other. I can use CSS but I am severely lacking in the graphic design department so a potential site would probably be.. less than beautiful. In order to avoid ugliness and save space things usually end up rather sparse. At least I could set up navigation though.
Also none of my ideas on how to make threads (and the standalone tweets that were made chronologically in the middle of them) readable are so great but I think that has more to do with the fact that they weren't readable on twitter in the first place. Twitter is a mess.
The main argument for just making a PDF is that it'd be so much faster, though the fact that it'd be several hundred pages long without any navigation other than ctrl+f is a giant drawback. All of the time I've had to spend on Twitter for this has made me very passionate about navigation. Have I mentioned how much I hate twitter navigation. I'm a n g y
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brawlqueen · 2 years
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unpopular opinion but while i get how mentally unstable / ill ryuki is, i still get uncomfortable a bit with how people attribute that as his only character trait. not how he’s shy or gentle or outdated in his jokes, how he’s a kind person, how he works so so hard even if he’s clumsy socially -- how he genuinely is trying his best to live off the dream of his dead brother. it’s just these constant slew of jokes about how seriously ill he is and after contracting the tc-perge that only gets worse and we see that happening as we play as him on his route. 
we see ryuki get worse and worse until the six year time skip and he’s having hysterical fits; drinking himself to death at only 29 and as much as i adore boss it just feels.... lazy almost, that she just is written to just yes, give him off time, six years of it, but i feel like who genuinely were the most concerned on him as a person and not a pysncer / detective was obviously tama, the person and artificial intelligence literally living in his brain via nerves / left eye socket, date of course, who genuinely mentored him in and off work and probably was the most likely human wise to voice concerns to boss about his mental health? and thirdly, mizuki, who wants him to not work period, and tries to talk logic to him which doesn’t work - and aiba points this out, but even aiba says he’s ‘a real maintenance to work with’. these kind of themes genuinely made me sad and mizuki wasn’t the only character among the three,  date, mizuki, ryuki, that had various degrees of being sacrificed for the twists.
i guess to a point i get why we’re making so many / memes and jokes but i won’t go into that but. it still feels .... uncomfortable? because the entire time i’m playing yeah at first i’m like ‘oh hi what the hell here we go again mr. ryuki’ but then it morphs to like...genuine horror and concern and i do think that’s intentional. and i don’t even write the newest blorbo of ai. i just really want him to get therapy. please don’t get me started on what they did to date and mizuki either, as the date family aiba included, are my favorite things about the entire series. 
and believe it or not, while i don’t like the bibi twist, like her as a character, just not her in any relation to mizuki, but mizuki herself. mizuki date. she constantly is asking aiba if ryuki is ‘going to be okay’ and even before the timeskip after the explosion that took her left eye clean out? she asks boss in the opening of the game if she’s giving him /time off/ making you wonder how keenly focused mizuki is on him because he’s important to date, and while she’d never say it aloud unless it was serious and even /then/, that matters to her. and she’s a caring person. her tongue holds no mercy but she literally says:
“ boss, are you giving him vacation time ? “ i know as he’s the second protagonist because again, my portrayal i’m not even putting bibi in as a protag, i’d have to know a bibi to even try to make it make sense without spitting on mizuki’s individuality -- but like? these three people cared, noticed, hell the entire game is telling you something is not right with him, and because of protag plot armor, ryuki can’t really go to the hospital? and when tama begs him to go saying that ‘a god or a shrine or buddha etc isn’t going to heal your heart! ‘ and ryuki like what, checks in, BLACKS OUT, then by the forcing of the plot, tama HAS To let him leave, despite caring for him the MOST.
i know realistically we couldn’t have ryuki like --- be in the hospital the whole game in its entirety but like, i wish we had instead of mizuki post time skip asking aiba if he’s okay and aiba being like ‘we can’t worry about him’ but people treating his actions with less ‘i hope he doesn’t do anything stupid’ and more to ‘wow he’s really not okay maybe i should keep an eye on him and get him a counselor more break time’ would i don’t know just showing the cast actively cares about him with his extremely serious mental illnesses / disorders would mean a lot? because it’s just sad to watch even on this playthrough, that the majority of the cast is reacting like that. ryuki is so mentally unwell he can’t even remember that he betrayed abis siding with tearer, or that he shocked bibi with a g.un, causing her heart to worsen, or even little moments of where he blacked out.
instead i just see tons of jokes about it and it’s an uncomfortable feeling. i’d literally slam a button on a poll fifty times to get this fictional blorbo to therapy. i don’t even know where to begin with mizuki even getting therapy, she’s so traumatized it’s another matter entirely.
but he kind of felt like the punching bag of the game for an agent so skilled, and it’s sad that i personally, just me, mind you, felt only date, tama and mizuki were actively worried about his health condition.
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ariaste · 4 months
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So listen i have this book coming out in uhhh 10 days and I am Worried about it, because it is a Comedy, and comedy is really hard to market (why????? it's funny pirates, what's not to like??) even when it is, yanno, normal mainstream comedy.
It is even worse when it is Unhinged Comedy That's Mostly Going To Be Funny To People On Tumblr. (For example, the main character being a supreme gremlin made of 90% memes by weight (examples: carries around a bag that is never called anything but his "little rucksack"; has a near-verbatim "stick me legy out real far" moment; talks about his metaphorical "orphan gruel bowl" which is a direct reference to that one Oliver Twist gif) because those are funny to me personally.) Unhinged Tumblr Comedy is difficult because tumblr is not a platform where it is easy to market things to people, because we are generally violently anti-capitalist and LOATHE advertisements and reflexively resist being marketed to for most anything. I LOVE that about this website. Except for right now, because I have bills to pay and a cat to feed. So look, fellow tumblr gremlins, I am just trying to say that if your personal brand of comedy is laughing at the kind of jokes that could only be produced on this hell website, and:
you like pirates
you're queer and want to read more books by queer authors
you want your fictional queer characters to be a hell of a lot more Messy and Unhinged than they often are depicted as being
you're interested in seeing a love triangle (M/M/NB) that resolves into polyamory
you want books where the hottest character gets to makes Passionate Speeches about rebelling against oppressive institutional regimes like governments and organized religions
you believe that capitalism is the most oppressive institutional regime of them all
you think it's fun when two characters have been in a 15-year-long relationship where the vibes have been "We're Newly Divorced" nearly since day one
you believe that All Cops Are Bastards and want to know what to do when you get pulled over by the boat cops
you think the Great British Bake-Off would be improved with weaponry, ritualized bribery/coercion of judges, and elaborate shit-talk
then this book might be for you. Beneath the wall-to-wall hijinks, it is political and it is righteously angry and it is the funniest thing I have ever written (which is saying something, because I have written some funny shit). It's called RUNNING CLOSE TO THE WIND. Here's a picture of it.
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If all that sounds cool, you can read a review of it here and the first chapter of it here to see if it as funny as I am claiming it is, and then if you think that it is, you can preorder it here. It comes out on June 11! Ten days from now!
Thank you for letting me market to you for a minute. Signal boosting would be very much appreciated.
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workingwhileidream · 10 months
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Okay Burrow's End had me thinking some thoughts... So here are my favorite Dimension 20 moments that rotate like a rotisserie chicken in my brain (in no particular order other than the order I thought if them).
- Riz goes into the butthole of the Corn Ooze Monster (Fantasy High). The first absolutely insane shenanigans move anyone makes on D20, setting the tone the show will have forever.
- Raphaniel kills Queen Pamelia (Ravening War). I think I saw Brennan's soul leave his body briefly when he got that How Do You Want To Do This from Matt. Time was an absolute flat circle that day.
- Hank convinces Brennan to let him role savvy instead of sneak (Mentopolis). Hank is one of the most famous content creators, having him on the show was phenomenal to begin with. Then right out of the gate, he pulls this move in his first episode. And it just works. Hilarious, instantly iconic.
- Jet Dies (A Crown of Candy). When Lapin dies, it is shocking but I wasn't attached to him as a character. Lapin was a bit antagonistic and his death happens early in the season. On the other hand, Jet is instantly likeable. Emily and Siobhan are amazing as siblings, their performances this campaign are some of my favorites. I have siblings and I am very close to them, so this hit me like a ton of bricks.
- The entire epilogue of Burrow's End. "Are you pitching and Air Bud ending?" is one of the instant hall of fame quotes from this show. I started crying I was laughing so hard.
- Ylfa's bottleneck and the TPK (Neverafter). There are so many close calls for total party kills in Dimension 20 history, but this is where it finally happens and it's only 3 episodes in. I was on edge, expecting another TPK at any turn, for the rest of the campaign.
- 3 nat one initiative rolls for the battle that literally opens the season (A Starstruck Odyssey). The beginning of a new season is always full of excitement. This season was extra special, having everyone back in the dome after the pandemic and the season being based off Brennan's Mom's comics. The zoom energy is still in the air and I still think about this season opener a lot.
- Mother Timothy Goose breaks Snow White's concentration with a cantrip (Neverafter). Only Ally Beardsley could and we all damn well know it. Still didn't stop me from being so far in disbelief that all I could do is laugh.
- Hob's "You will never know another lonely day" speech to Rue (A Court of Fey and Flowers). I will still cry about this if I think about it for too long. Rue and Hob's romance is the heart of this season to me. I won't be over it ever.
- Gertrude convinces Nyruth to give the Questing Queens very powerful boons after the Queens tried to rob them only a few hours earlier (Dungeons and Drag Queens). The fact that this season exists drives a level of serotonin into my brain that is unimaginable. This is the definition of a big swing and when Bob rolls well, Brennan has no other choice than to honor it. This is one of the moments I have made a meme of. I cannot wait for season 2.
- Wuuvy shows up to the duel and she did not come to play (A Court of Fey and Flowers). Aabria has talked about how Wuuvy is one of her favorite NPCs and I feel the same. Wuuvy and Rue's relationship has such a great arc and this moment is so pivotal.
- Fabian's no good very bad day (Fantasy High Sophomore Year). An iconic moment in D20 history that was truly wild to watch live. For everything to go so fantastically bad for Fabian and Lou was unprecedented. There is a reason why people still talk about this moment to this day.
- Amathar survives being pushed off the castle (A Crown of Candy). Brennan tried to kill Lou so many times in this campaign. I really thought Brennan had gotten him with this one, my stomach sunk. But Lou pulls it out and Amathar lives once again.
- Pib plays "Smoke on the Water" (Neverafter). "I stepped out to play 'Smoke on the Water' " is also a hall of fame quote to me. This list could be all Pib moments if I'm being honest, he's my favorite Zac character. And the fact that Zac doesn't roll well makes this moment funnier to me.
- Buddy Bear gets planted with the All Blossom (Dungeons and Drag Queens). Jujubee and Brennan owe me a therapy session for this one. I sobbed. My cat is my baby and I will be ruined the day she leaves me, so I get it. I really do.
- "Eat your dice, Brennan" (Fantasy High Sophomore Year). A great bit made physically possible by Siobhan. I hope Siobhan gives him gummy dice or something like that so that Brennan can continue to eat his dice for Junior Year.
- Orange Top Hat Fairy (Neverafter). It's a horror season and the cast is doing bits about how hot a mini is the entire finale and the Adventuring Party that followed. I felt the stress and off the walls energy through the screen. The Smooth Criminal pin was the first piece of Dimension 20 merch I bought.
- Viola's epic takedown of Phoebe (Burrow's End). Watching Rashawn absolutely crush it her first time in the dome was amazing. I loved Viola from the jump, her arc was so satisfying and fun to watch. Also the idea of a tiny stoat kicking a gun just the right way to get it to fire is hilarious. No notes other than please have Rashawn come back on every season she possibly can.
- Evan Kelmp warns the Rosemont student not to duel him (Misfits and Magic). Brennan's deadpan warning matched with the reactions of the other players and Aabria really make this scene. An underrated Brennan moment for sure.
- Stacey Fakename turns out to be real (Mentopolis). This was such a good reoccurring bit, so to have Stacey be real at the end of the story was too funny. In a season of bits, tropes, and puns - this one has the most payoff to me and is definitely my favorite.
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struwberrii · 2 months
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haikyuu boys in relationships ˚⋆౨ৎ˚⟡˖ ࣪
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here are my headcannons on how i think haikyuu boys would be in relationship (inarizaki edition :3)
characters: kita, atsumu, osamu, suna
𝜗𝜚 ⊹ ‧₊˚ 🦊
kita
takes such good care of you and always packs stuff for you that he knows you’ll probably forget
memorized all your favorite products and randomly buys you refills when you’re running low
helps you study (he’s better at teaching than the teacher)
not one for pda but def leaves kisses on the top of your head and cheek quickly, love language is probably acts of service or quality time
always joking about marrying you (it’s not a joke guys i think he wants to marry you)
very open with how he’s feeling/his emotions, believes communication is key
genuinely the healthiest relationship guy ever
loves to bake for you, i feel like he’d make really good bread
his grandma loves you
atsumu
stupid but in a cute way
work him up on purpose he’s so cute when he’s frustrated with you
like a puppy in love with you, like he is genuinely star struck by you
calls you beautiful/pretty/handsome 24/7
loves carrying you in his arms.
i feel like his love language would be gift giving so your bed is covered in plushies from him and he’s constantly giving you chocolates
super flirty, always keeps you blushing, but he’s also like rlly cute about it idk
osamu is tired of you guys and constantly makes fun of tsumu for being so obsessed with you
takes you on surprise dates to like aquariums or arcades
jokingly makes fun of you often
osamu
brags about you/ shows you off constantly
also obsessed with you but more nonchalant about it
cooks for you, loves inviting you over to cook with him as a date night too
love language is probably words of affirmation or quality time
his mom loves you so much
always keeps you laughing
asks you to help him studying but you guys never actually end up studying
has a 3 month tiktok streak with you
has matching bracelets or rings with you
will make flirty/bold comments then get super embarrassed and blushy
his profile picture is you and him
always talks about his goals and how he plans his future with you
forehead kisses
suna
nonchalant king
very funny and bold on text but like chill and quiet irl
that one meme where ur talking all that game thru text then get all shy in person
also teases you jokingly but if you do it back he gets really flustered really fast
loves when you touch/play with his hair
love language is probably touch or quality time
always has an arm around your shoulder
gets you snacks and walks you home everyday
knows all the coolest spots in town and takes you there late at night to stargaze
he knows everything about everyone bc he’s quiet and kind of just eavesdrops so he tells you all the drama
randomly sends pics of u he secretly takes
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togglesbloggle · 4 months
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For the Reverse Unpopular Opinion meme, Lamarckism!
(This is an excellent ask.)
Lamarck got done a bit dirty by the textbooks, as one so often is. He's billed as the guy who articulated an evolutionary theory of inherited characteristics, inevitably set up as an opponent made of straw for Darwin to knock down. The example I recall my own teachers using in grade school was the idea that a giraffe would strain to reach the highest branches of a tree, and as a result, its offspring would be born with slightly longer necks. Ha-ha-ha, isn't-that-silly, isn't natural selection so much more sensible?
But the thing is, this wasn't his idea, not even close. People have been running with ideas like that since antiquity at least. What Lamarck did was to systematize that claim, in the context of a wider and much more interesting theory.
Lamarck was born in to an era where natural philosophy was slowly giving way to Baconian science in the modern sense- that strange, eighteenth century, the one caught in an uneasy tension between Newton the alchemist and Darwin the naturalist. This is the century of Ben Franklin and his key and his kite, and the awed discovery that this "electricity" business was somehow involved in living organisms- the discovery that paved the way for Shelley's Frankenstein. This was the era when alchemy was fighting its last desperate battles with chemistry, when the division between 'organic' and 'inorganic' chemistry was fundamental- the first synthesis of organic molecules in the laboratory wouldn't occur until 1828, the year before Lamarck's death. We do not have atoms, not yet. Mendel and genetics are still more than a century away; we won't even have cells for another half-century or more.
Lamarck stepped in to that strange moment. I don't think he was a bold revolutionary, really, or had much interest in being one. He was profoundly interested in the structure and relationships between species, and when we're not using him as a punching bag in grade schools, some people manage to remember that he was a banging good taxonomist, and made real progress in the classification of invertebrates. He started life believing in the total immutability of species, but later was convinced that evolution really was occurring- not because somebody taught him in the classroom, or because it was the accepted wisdom of the time, but through deep, continued exposure to nature itself. He was convinced by the evidence of his senses.
(Mostly snails.)
His problem was complexity. When he'd been working as a botanist, he had this neat little idea to order organisms by complexity, starting with the grubbiest, saddest little seaweed or fern, up through lovely flowering plants. This was not an evolutionary theory, just an organizing structure; essentially, just a sort of museum display. But when he was asked to do the same thing with invertebrates, he realized rather quickly that this task had problems. A linear sorting from simple to complex seemed embarrassingly artificial, because it elided too many different kinds of complexity, and ignored obvious similarities and shared characteristics.
When he went back to the drawing board, he found better organizing schema; you'd recognize them today. There were hierarchies, nested identities. Simple forms with only basic, shared anatomical patterns, each functioning as a sort of superset implying more complex groups within it, defined additively by the addition of new organs or structures in the body. He'd made a taxonomic tree.
Even more shockingly, he realized something deep and true in what he was looking at: this wasn't just an abstract mapping of invertebrates to a conceptual diagram of their structures. This was a map in time. Complexities in invertebrates- in all organisms!- must have been accumulating in simpler forms, such that the most complicated organisms were also the youngest.
This is the essential revolution of Lamarckian evolution, not the inherited characteristics thing. His theory, in its full accounting, is actually quite elaborate. Summarized slightly less badly than it is in your grade school classroom (though still pretty badly, I'm by no means an expert on this stuff), it looks something like this:
As we all know, animals and plants are sometimes generated ex nihilo in different places, like maggots spontaneously appearing in middens. However, the spontaneous generation of life is much weaker than we have supposed; it can only result in the most basic, simple organisms (e.g. polyps). All the dizzying complexity we see in the world around us must have happened iteratively, in a sequence over time that operated on inheritance between one organism and its descendants.
As we all know, living things are dynamic in relation to inorganic matter, and this vital power includes an occasional tendency to gain in complexity. However, this tendency is not a spiritual or supernatural effect; it's a function of natural, material processes working over time. Probably this has something to do with fluids such as 'heat' and 'electricity' which are known to concentrate in living tissues. When features appear spontaneously in an organism, that should be understood as an intrinsic propensity of the organism itself, rather than being caused by the environment or by a divine entity. There is a specific, definite, and historically contingent pattern in which new features can appear in existing organisms.
As we all know, using different tissue groups more causes them to be expressed more in your descendants, and disuse weakens them in the same way. However, this is not a major feature in the development of new organic complexity, since it could only move 'laterally' on the complexity ladder and will never create new organs or tissue groups. At most, you might see lineages move from ape-like to human-like or vice versa, or between different types of birds or something; it's an adaptive tendency that helps organisms thrive in different environments. In species will less sophisticated neural systems, this will be even less flexible, because they can't supplement it with willpower the way that complex vertebrates can.
Lamarck isn't messing around here; this is a real, genuinely interesting model of the world. And what I think I'm prepared to argue here is that Lamarck's biggest errors aren't his. He has his own blind spots and mistakes, certainly. The focus on complexity is... fraught, at a minimum. But again and again, what really bites him in the ass is just his failure to break with his inherited assumptions enough. The parts of this that are actually Lamarckian, that is, are the ideas of Lamarck, are very clearly groping towards a recognizable kind of proto-evolutionary theory in a way that we recognize.
What makes Lamarck a punching bag in grade-school classes today is the same thing that made it interesting; it's that it was the best and most scientific explanation of biological complexity available at the time. It was the theory to beat, the one that had edged out all the other competitors and emerged as the most useful framework of the era. And precisely none of that complexity makes it in to our textbooks; they use "Lamarckianism" to refer to arguments made by freaking Aristotle, and which Lamarck himself accepted but de-emphasized as subordinate processes. What's even worse, Darwin didn't reject this mechanism either. Darwin was totally on board with the idea as a possible adaptive tendency; he just didn't particularly need it for his theory.
Lamarck had nothing. Not genetics, not chromosomes, not cells, not atomic theory. Geology was a hot new thing! Heat was a liquid! What Lamarck had was snails. And on the basis of snails, Lamarck deduced a profound theory of complexity emerging over time, of the biosphere as a(n al)chemical process rather than a divine pageant, of gradual adaptation punctuated by rapid innovation. That's incredible.
There's a lot of falsehood in the Lamarckian theory of evolution, and it never managed to entirely throw off the sloppy magical thinking of what came before. But his achievement was to approach biology and taxonomy with a profound scientific curiosity, and to improve and clarify our thinking about those subjects so dramatically that a theory of biology could finally, triumphantly, be proven wrong. Lamarck is falsifiable. That is a victory of the highest order.
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sabertoothwalrus · 20 days
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I probably missed it, but what IS your favourite Dungeon Meshi ship?
WELL SINCE YOU ASKED, I have a chart already hdhshdh
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1) Farcille is my number one!!! I wish I’ve drawn more of them, but most of my ideas for them are longggg and angsty and take a lot more mental bandwith. I’ve said before, I approach comics like I’m pitching an idea, and I mostly* agree with people’s depictions of them, so I have less to say.
*I say mostly because I cannot stand when people depict Falin as possessive, or disregard her characterization to give her generic dommy alpha monster traits hdhshdjs NOT THAT IT’S BAD it just doesn’t feel true to her character. I find myself bored by it.
I’m also put off by some of the folks I’ve seen in the farcille tags. They’re like,,, cliquey?? There was a point where people were dunking on mlm ships that came off borderline terfy, as if most of the dungeon meshi mlm shippers aren’t transmascs and lesbians?? I wasn’t a fan of the hostility like lmao it’s cartoons man
2) labru……… I love them….. mostly just post-canon. I really love Kabru (I think he’s my favorite character overall) and I loveeee the poetry of their individual character arcs and how well they play together. Guy who struggles to be honest, even with his own feelings vs Guy who doesn’t even consider being anything except honest. Kabru needing to carefully, painstakingly craft a mask tailored to each individual he interacts with, vs Laios, who is the only one to make all of Kabru’s masks fall apart. Also I think they’re kinda aro about it. They’re really good t4t flavored too.
The main appeal is post-canon. The King and his advisor. His right hand man. But it’s also the way like,,, Laios is DEFINITELY not the one in charge in their relationship dhshshsh (and this is what peeves me about how @myszkaa’s labru comic got memed to hell and back…. they don’t understand the later of comedy is from the KING asking for PRAISE from his SUBORDINATE!!!)
I will say!! This ship has a lot of folks with good takes on it, but it’s not immune to flanderization and boring yaoification. It’s popular enough that there’s enough of the good stuff.
3) chilshi!! I’ll admit this one has less canon validation hdhshsh but I think they have a lot of post-canon potential, and I think their difference in lifespans + the contrast in their lifestyle habits is really interesting and directly addresses a lot of the Dungeon Meshi’s core themes.
Part of the reason I like hanging out with chilshi shippers is cause most of em are chill, more nuanced in discussions, and are actually willing to draw fat & hairy people. And middle aged people.
special mention Kabumisu. I WISH I LIKED THIS ONE MORE!! I’ve tried,,,, I see the potential but I’m so picky about it and most of the content for it does absolutely nothing for me 🙈
Another thing is I HAVE to be able to like a pairing platonically to ship them romantically. Obviously shipping isn’t the only thing that matters to be about dungeon meshi.
I could say a lot more. Feel free to ask about my thoughts 👍
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picturejasper20 · 3 months
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Another thing about Steven Universe as character (and the series) that has been mischaracterized over the course of the years and the source of a good chunk of discourse online is the relationship that Steven has with the Diamonds.
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A lot of videos, posts and memes have spread around the idea that Steven went to Homeworld in the final arc of the series because he wanted to ¨be besties¨ with the Diamonds, when what happens in the actual show is very different.
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In the episode "Legs from Here to Homeworld"-which takes place after the episode ¨Reunited¨ that Blue and Yellow Diamond find out that Rose Quartz was in fact Pink Diamond- Steven shows to Blue and Yellow one of the corrupted gems (Centipeetle) and helds them accountable for making a lot of gems end up this way and orders them to fix the mess they caused.
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Steven: ¨Do it again! It was working!¨ Yellow Diamond: ¨How long do you expect us to hold her together?¨ Steven: ¨I don’t know. Forever! You did this! So you have to do something!¨
Seeing they need White Diamond to fix the corrupted gems, Steven thinks of going to gem Homeworld to see if he can talk to White about the corrupted gems and convince her to come to Earth and help them.
That's the main reason Steven goes to Homeworld- he doesn't like the Diamonds nor wants to be friends with them- he just wants to see if White Diamond can listen to him and help to heal the corrupted gems.
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He is aware that the Diamonds listen to him because he himself is a Diamond-Pink Diamond. So he goes along with this little game pretending to be Pink thinking that way White Diamond and the others will listen to him. He believes that maybe as ¨Pink¨ he can make them see the errors of their ways and stop this mini war conflict that he has been caught on in the last few years.
Others have made more detailed analysis about this in the past, that a good part of this arc has a huge trans/queer metaphor for Steven's character- where he keeps being refered to and imposed an identity he doesn't see himself as. He gets called by the Diamonds and other homeworld gems as ¨Pink Diamond¨ and refered to as ¨She¨, when he often corrects and clarifies that he prefers to be called ¨Steven¨.
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The final showdown against White Diamond is about this: White keeps trying to play mind games with Steven, making him believe that Pink/Rose is still alive in him and he is in fact Pink/Rose. Because Steven doesn't know this for certain, it proves to be effective for a while, making him feel very confused.
White believes that she is perfect in every way- it is what all her identity is about. She is obsessed with her own perfection so much that she doesn't allow herself to think that she has flaws nor she can't be wrong about something- and because she thinks she has to be perfect, that means that she is right about Pink Diamond still existing inside Steven.
The reality proves her wrong when she takes out Steven's gem and everyone sees that the gem part turns into Steven. As a way of metaphor to a trans allegory and self love, Steven sees that he has always been himself and he shouldn't let other people define what his identity should be, that only him should decide that.
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So, in a way, the Diamonds Days arc is intended to be seen as a metaphor to a LGBT+ kid/teenager standing up against their relatives, grandmothers or aunts in this case- and prove them wrong about their identity, that they are what they are and their family can't change that.
Okay, so Steven proves the Diamonds that they are wrong, they change their minds and they help with healing the corrupted gems by the end of ¨Change Your Mind¨.
Does this means Steven becomes friends with them after this?
Well... no
In Steven Universe The Movie, during the song sequence ¨Lets Us Adore You¨ the Diamonds beg Steven to stay with them a bit longer because they miss having Pink around, Steven is seen very uncomfortable around them and wants to get out as quickly as possible to return to Earth.
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He sees them as somewhat allies and tries to persuade them in different ways to improve the current situation on Homeworld but he doesn't seem to like them much and doesn't enjoy being around them even if they aren't acting antagonistic towards him anymore.
He has a similar reaction when they come to Earth near the end of the movie. He is very done with them and says that they staying to leave on Earth isn't a good idea on the long run. Instead he shows Spinel to them and Spinel sees this as an opportunity to make a new friend again.
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Well, about SU Future? How does Steven feel about them in that series?
In Future is where Steven begins to show real strong PTSD trauma symptoms (something he has had for a while except it wasn't nearly as strong). He knows that he has a problem most of the show but he avoids going to ask the Diamonds for help because he just feels very uncomfortable around them and it reminds him of traumatic experiences he had with them in Diamonds Days arc.
He doesn't go to them until after he accidentally shatters Jasper in ¨Fragments¨ and sees himself as a monster because of this. He separates himself from the rest of the crystal gems, feeling like he is as terrible as the Diamonds were. In ¨Homeworld Bound¨ he interacts with the three Diamonds, asking them for any way they can help him with his powers.
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Most of the episode he feels frustrated because A) He can't find a solution to his problem and B) Sees that the Diamonds and Spinel are doing pretty well and he has been getting worse. It makes him get more and more angry the more time he spends in there.
The scene that leaves pretty clear how he feels about them, specially White, is when he talks to White. As shown in the gif above, when White touches Steven near where his gem is, Steven pushes her hand off from him, clearly being reminded of the time White ripped his gem off him in ¨Change Your Mind¨.
White uses her powers so Steven can talk to own self. This leads to an iconic scene that Steven gets angry at himself and White. He has a very strong intrusive thought of crashing White's gem into a pillar for what she put him through. He gets shocked for this and makes him run away scared as result.
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This scene leaves clear that Steven has a lot of buried resentment for what the Diamonds did to him, mainly White. Being around them reminds him of his trauma, it makes him deeply uncomfortable and he would rather avoid them as much as possible.
The Diamonds get concerned about Steven and show up during the events of ¨I Am My Monster¨ when Steven transforms into gem like monster. The Diamonds and Spinel blame themselves for Steven feeling this way because of their past actions. White feels it is her fault because of how she hurt Pink Diamond and this brought problems to Steven.
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They help with calming Steven down and him returning to his human form. Now there is some argument to be said about why they took part of this hug aside from using their powers to help the gems. I have talked more about this in here but i think it is to represent Steven accepting himself as being part Diamond and maybe forgiving, realizing that he isn't an ¨irredeemable monster¨ because of what he did, that way he stops seeing himself as one and goes back to his normal form.
After this, it is a bit unclear where Steven stands his opinion on his relationship with the Diamonds. I would assume that it is probably not much different than it was before. He still doesn't like them and probably doesn't want to be around them even after all that happened.
In short: Steven sees the Diamonds as allies and post the events of ¨Change Your Mind¨ he shows to be uncomfortable being around them, he doesn't seem to like them and mostly prefers to avoid them. He is glad that they are changing their ways for the better but he would prefer to not interact with them if he doesn't have to due to his own trauma.
The Diamonds regret how they have hurt Steven (and Pink) and care about Steven but he thinks it is better for him to have a distant relationship with them for the reasons i discussed. They can still improve and make amends for everything they did and Steven doesn't have to feel forced to have a relationship with them if he doesn't want to.
There are other things that could be discussed, about how the Diamonds Days arcs should have been longer or how the Diamonds needed more screen time- However, the point of this post is talk about people have mischaracterized Steven's relationship with the Diamonds, saying Steven is best friends with them when in reality he doesn't like them and spends most of Future series avoiding them.
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bokutosbabe · 2 months
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It's Nice to Have a 'Friend'
( soft launching with the haikyuu boys )
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a / n — these are fun to make so i thought i'd do one for my favorite boys. find the blue lock version here !!
content — haikyuu characters x gn! reader, takes place during timeskip, fluff, tried to make it as gn! as possible, but the photos have women, lmk if i missed anything!
synopsis — soft launching with the haikyuu boys <3
✿.。. “ sun sinks down, no curfew, ” .。.✿
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has a great following for being 'aesthetic' even though they rarely try. most things they post have photos of things they've done in the week like pictures of their food or them working.
their followers are used to aesthetic photo dumps with 10 photos each that have no rhyme or reason to them, so when they get online and see a post from their favorite account with only 3 photos and the caption
" my love " with the song 'my love mine all mine' by mitski attached? there was immediate reactions, some trying to find out who this mystery person is while others seemed to be happy with just these little snippets of the relationship.
theyluvmeee: OMG?? anyone know who this is??
↳ anon2001: it's a soft launch for a reason. that's like- common sense i fear.
they don't think of themselves as a 'content creator', they just like posting their photos. however, they did like how much strangers on the internet would stand up for them and your relationship.
°❀⋆.ೃ࿔*:・ AKAASHI KEIJI, ennoshita chikara, ARAN OJIRO, daichi sawamura
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has a decent amount of followers, mostly just people they'd known in high school and family, but there were a few hundred people who followed for the cute quotes that they would post before one of their chaotic photo dumps.
their usual feed was filled with the first picture being a quote that really made you think and then the craziest pictures. them face down in a puddle after a night out? yep it's there. pictures of them at a scenic dog park? also there
people began following them for the stark contrast that showed in every post they made, but when they posted something with no quote and it was a soft launch? their fans had immediately blown up the comments.
volleyballfreak: A SOFT LAUNCH? with who? omg.
and they had replied to almost every comment asking just who you were with...
' my lover <3 '
oh he was down bad.
°❀⋆.ೃ࿔*:・ YAMAGUCHI TADASHI, aone takanobu, SUGAWARA KOSHI, osamu miya, NISHINOYA YUU, kita shinsuke, TANAKA RYUNOSUKE
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so so so sooo many followers (that came with being a professional volleyball player you supposed) many people who didn't even enjoy volleyball followed them because of the silly stuff they posted.
their fans watched their stories where they would post memes and such, something that many pros didn't do on the daily...because they had a reputation to upkeep. to be fair, all of their followers never knew them to be the brightest, so nothing they posted caused up a stir.
until they posted photos they took with, what was supposed to be, some mystery person with the caption ' a soft launch on MY minecraft server ? '
and it would have been an AMAZING soft launch...if they didn't tag your PERSONAL ACCOUNT on every. single. picture.
you weren't a pro volleyball player, you weren't an actor, you weren't even a manager, nope! you were just some normal person who lives an everyday normal life.
they had the spirit, just not the execution, but that's why their fans (and you) loved them <3
°❀⋆.ೃ࿔*:・BOKUTO KOTARO, atsumu miya, HINATA SHOYO, KANJI KOGANEGAWA
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didn't get a chance to soft launch you before the paparazzi put out the tabloids of the both of you. the titles always saying something like "STAR VOLLEYBALL PLAYER WITH MYSTERY LOVER??"
the article was posted ten times over on every single social media platform there was, with many people with many different reactions replying to it
MSBYmomma: ur joking. he's literally mine
goofgoob: thank god one person on this team is in a loyal relationship.
the two of you hadn't even gotten the chance to open your own social medias before hundreds of texts invaded both of your phones. only from the people who knew of your relationship and were worried about the both of you.
so what did they do? reposted the photo on their story with two simple emojis...
"👍❤️"
°❀⋆.ೃ࿔*:・ USHIJIMA WAKATOSHI, kageyama tobio, OIKAWA TORU, sakusa kiyoomi
✿.。. “ twenty questions, we tell the truth. ” .。.✿
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i love soft launches and haikyuu <3
likes, comments, and reblogs are appreciated!
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bweirdart · 1 year
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EVENT OVER! THANKS EVERYONE WHO JOINED IN U ALL DID AN AMAZING JOB <3 SEE YOU AGAIN NEXT YEAR IN MARCH FOR #mARTch OR NEXT OCTOBER (2024) FOR A NEW SET OF PROMPTS!!!!!
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OC-TOBER 2023 PROMPTS!!
general tag: #oc-tober / my prompts: #bweirdOCtober
F.A.Q:
Do I have to draw EVERY DAY?
NO! I highly encourage skipping as many days as you need to avoid burnout! There are 10 main days in the event (marked with a ⭐ star) that you can focus on if you don't feel up to doing every day, or you can choose your own adventure and just do the prompts you personally like!
Do I have to DRAW?
NO! You can also write fanfiction snippets, repost older art that fits the theme, tweet headcanons/backstory, roleplay in-character as your oc ... genuinely anything that fits the theme is OK!!
Can I start early?
YES! I understand some people work at a slower pace and might need a head start! So long as you wait until October to post it, you can start working as early as you need!
I missed the start of the event .. do I have to catch up?
NO! Please don't stress about days you missed, you're allowed to just skip to the current prompt!
RULES:
1. MAKE FRIENDS! The community is the best part of this event .. please try to follow new people, ask questions about ocs you like, compliment people's styles, ask friends to create with you, etc!
2. TAKE IT EASY! Skip a day if you're tired, busy or just not interested in the prompt. You don't have to catch up on it later. This is supposed to be fun, not work!
3. BE KIND! Please think about the people around you - don't give people unwarranted harsh criticism, content warn for themes/imagery in your work that could trigger someone, don't create anything hateful, etc
MORE:
text version / tips and ideas on bweird.art or below ↓
star = main prompts | no star = optional
INTRO WEEK
1: FAVE OC ⭐
-Which of your characters is your favourite right now?
2: NEW OC
-Who is your newest OC?
-Design a new OC right now
3: OLD OC ⭐
-Do you remember the first OC you ever made?
-Is there an OC you haven't drawn in a long time?
4: RE-DESIGN
-An OC who has changed a lot over the years
-Take an old OC and update their design right now
 
BACKSTORY WEEK
5: RELATIONSHIPS ⭐
-Who is important to your OC?
-Do they have a partner?
-Do they have a best friend?
-Are they close to their family?
6: SYMBOL
-What imagery do you associate with your oc?
-Are there any colours, flowers, animals or concepts that symbolize them?
7: PERSONALITY ⭐
-How does your OC behave?
-What are their positive traits?
-What are their negative traits?
-Are they extroverted or introverted?
8: PAST
-What was your OC like as a child?
-Where did they grow up?
-Are there any significant moments from their past that shaped who they are?
9: FUTURE ⭐
-Does your OC have a goal they're working towards?
-What will your OC look like when they get older
-Do you have a planned ending for their story?
PALETTE WEEK
10: pumpkin patch palette
#251604 #1E3807 #5B5E1A #A2A657 #EBA00F #F3ECCC
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11: hot cocoa palette
#520B13 #BB382E #E27E6D #88392C #AF5D40 #E1AFA4
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12: midnight zone palette
#000007 #000049 #183885 #004D4F #0E8788 #FFF1C0
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13: peachy palette
#DE6450 #DB9171 #FFC1AE #FEE1AD #FFF2E0 #D9D8D8
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14: haunted house palette
#552506 #6E25AA #ED690B #F925A0 #8F8BA7 #A6C1AA
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FUN + GAMES WEEK
15: MEME ⭐
-Post memes that remind you of your OC
-Draw your OC as a meme
-Fill out a character meme (classic deviantart style)
16: FOOD
-What is your OC's favourite food?
-What is their least favourite?
-Can they cook?
17: EYES-CLOSED ⭐
-Draw your OC with your eyes closed! No cheating!
-Write a scene without looking at the keyboard! Keep the typos in!
18: SWAP
-Swap the style or aesthetic of two of your OCs
-Species or gender swap AU
-Invert an OC's colour scheme
19: INSPIRATION ⭐
-Is your OC inspired by any pre-existing characters?
-Are there any particular songs/lyrics that inspired something about one of your OCs
-Do you have a dedicated pinterest moodboard for your character?
20: INVENTORY
-What does your OC carry around with them on a daily basis?
-Are there any objects that have sentimental value for them?
-Loot drop for your DnD OC
 
FRIENDS WEEK
21-25:
There's no specific daily prompts for this week, but here are some ideas you can try ...
-Art trades with friends who are doing the event with you
-Your OC interacting with a friend's OC
-Gift art for someone whose OCs you like
-Work together and collaborate on something with a friend
-Roleplay an OC scene together with someone
 
HALLOWEEN WEEK
26: FEAR ⭐
-What is your OC scared of?
-Draw one of your OCs trying to scare the others
27: MONSTER
-Do you have any monster OCs? (eg: vampires, werewolves, creatures, ghosts...)
-Draw a human OC as a monster
-Design a new monster
28: TRICK
-Play a trick on an OC
-Do you have an OC who would play tricks on people?
29: TREAT
-What is your OC's favourite halloween candy?
-Give an OC a special treat to make up for yesterday's trick
30: MAGIC
-Do any of your characters have magical powers?
-Give an OC a magical or cursed artifact
-Create a magic-using OC like a witch or wizard
27: COSTUME ⭐
-What is your OC dressing as for halloween?
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raguiras · 2 months
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TWST Olympics AU #1
Part 1: Heartshackle trio designs!
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Reblogs are hella appreciated!! I'm likely shadowbanned 😭
As the Olympic Games are officially starting in a week, I decided to finally sketch some of the designs for my Twisted Wonderland Olympics AU! Next up are Riddle, Trey and Cater.
Everything about the AU below!
AU rules
Feel free to add your own OCs to this AU!
Fan content is obviously allowed! Just tag me in it, please.
AU summary
This is a magicless AU where all of the TWST characters are Olympic athletes in the real world. Some win medals, some barely qualify — but all of them live in the Olympic village. The students are aged up here (usually early to late twenties) while the faculty members have no set age and work as sports reporters.
♤ Character introductions ♤
ACE TRAPPOLA — A 21-year-old Italian prodigy basketball player. He's considered to be his team's ace (pun intended) and is great at tricking his opponents, making tons of baskets for the Italian team, and efficiently assisting his teammates.
DEUCE SPADE — A 21-year-old Japanese track and field athlete competing in various smaller disciplines falling under the "track and field" term. He's extremely average at most things other than sprints, often ends up in the bottom 3, and is secretly incredibly insecure about not being the best at anything.
ALLEN ALAGONA (YUU) — A 21-year-old Japanese-Italian gold-winning figure skater competing for his current home country, Ireland, along with his best friend and sports partner Alcestris. He gave up on his original dream — becoming a musician — and is now working hard to be the best male figure skater in the world, hoping to kickstart a career as a musician later on.
♤ Relationships ♤
ACE & DEUCE — Their friendship originally started when Ace posted a picture of himself watching a sprint competition while Deuce made a grimace in the background, causing the photo to go viral and become a meme. Deuce originally DMed Ace to take the picture down and got teased for it, but this teasing slowly developed into a friendship. While they get along well, Deuce is secretly a bit jealous of Ace for pretty much being a prodigy.
ACE & ALLEN (YUU) — Ace is a fan of Allen and views him as a fellow gold medalist. Being open-minded and "eager" to make new connections, Ace simply DMed Allen one day and the two became unlikely friends. Nowadays, Ace also functions as a matchmaker, being the only person to know just how much Deuce likes Allen...
DEUCE & ALLEN (YUU) — Deuce knows Allen as the most famous figure skater in the world and is absolutely stunned by both his appearance and humbleness. The two accidentally meet at a coffee shop during the games one day, decide to have a drink together, and strike up a conversation. Deuce is fanboying on the inside and trying to hide his surprise that Allen genuinely recognizes such an average athlete as him. Allen, however, already knows Deuce due to closely following all Japanese competitions, and has also noticed how incredibly ambitious Deuce is. Knowing Deuce's pain of carrying other people's hopes and never being the best at anything all too well from his teen years, Allen wants to get to know him better... and what starts off as mutual admiration and a celebrity crush on Deuce's side develops into full-blown love.
♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤
If this post/AU ends up being well-received, I'll introduce Riddle, Trey and Cater next!
♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤
More about the Deuce x Allen ship in the canon lore:
part 1 // part 2 // part 3
Friends who participated in the original AU development some months ago 🫶
@althea-and-alcestris @miss-atena @vanrouge13 @spookyavenuestreet @heyhellohihowareyou @nyx-of-night
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icarusallusion · 5 months
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One of the main reasons I've been so fond of Otasune since I first knew it was a thing was because I think they're genuinely one of the purest forms of love in Metal Gear.
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Throughout the series we see horrible relationships between horrible people trying to get by and then that relationship gets dragged through the awful scenarios they live with, be it war, internal struggles, infidelity etc. Despite this common place struggle with so many other characters, we see Otacon and Snake steadfast loyal and healthy throughout every struggle they go through.
They may not be an official couple, but they will always stay the most communicative relationship even outside of shipping. I see people joke about how Otacon kind of bosses Snake around (especially in MGS4), but I always saw it as refreshing. In the series, there is so many times where x character does something horrendous and y character just sits aside and silently sulks about it.
But this doesn't happen, like at all, with Dave and Hal. There are many times where Snake doesn't think about consequences to his actions as a general rule of soldier, however Hal has never been a soldier. So when these things happen, Otacon tells him off and it's something Snake genuinely needs to hear. It's something human, away from combat. Because Otacon is one of the very few characters that talks to Snake as a person, as a human, not as a soldier or fucked up clone baby.
Snake has gone his whole life scrapping the bottom of the barrel to stop feeling so lonely, he flirts with every woman he sees, he attaches himself very easily onto superiors, etc. Snake is a man who has spent his whole life trying to appeal to people, to get the praise he was never allowed as a child. Otacon gives him the comfort he never got. While any military superior can say Dave is the best of the best. None will look him in the face and tell him he has to live to just live.
Hal also opens a lot of doors to Snake's own discovery about himself. While this next point might sound a little cringy, stick with me. People may joke about the anime interest Snake and Otacon share, but it always came across so genuinely sweet to me. Snake's only interests up until he met Otacon have been, stop feeling lonely and war. I think even part of his musher life and interests within sledding can contribute to part of this. I mean come on, not even a regular musher keeps 50 dogs in their house and dogs are a natural remedy to loneliness. But in all seriousness, David refers to the huskies as his only family and I don't see him connecting with any other mushers he works with, it reads as him wanting to not be alone while also still being so lonely. As well as how mushing is considered a more normal interest than being an otaku, especially in the early 2000s. Mushing is a sport, and being an Otaku was pretty much unheard of or hated. Watching this guy who has been stuffed full of war propaganda scream a dorky "falcon punch" and "ninjutsu" with his best friend is so heartwarming in a way.
As well as Otacon's whole meme turned question of "do you think love can bloom on the battlefield?" Is something that I think Snake needed to be asked. It's probably been something he's been thinking about. It is also one of the most human things Snake asked throughout the game. About finding love in fear. Otacon constantly prods into Snake's heart and brings out the good in him.
Not only does Hal open up a space for Snake to have genuine unashamed interests and show true pure humanity. He also shows off their childhood. Both Hal and David never got proper childhoods. They connect that with each other through cheesy animes, talking about uncertainty in love, finding out what life is all about, navigating feelings, and through that damn cheesy handshake hug. It's all genuinely pure and wholesome love that connects what they didn't get to explore in childhood with one another. When Snake opened that piss covered locker and saved Otacon, he brought his own salvation into his life without knowing it. The very presence of Otacon saved Snake. It's why MGS4 felt so depressing for me especially, the strain between Snake and Otacon left a hole in my little heart and made Snake feel even more hopeless.
I also want to talk about how Snake benefited Otacon.
Otacon begins as cowardly and timid, he's an incredibly insecure character that struggles to connect with others, probably stemming from the issues in his younger life. When he meets Snake, he's faced with someone he could relate to that has an outward appearance that makes him seem so much more confident than he is. Snake is not this, he's as insecure as Otacon. Indirectly, Snake is the whole reason Otacon gets on his feet to take action against terrorism, takes action to become a better person. Snake shows Hal that he doesn't haven't to be strong to do the right thing. Throughout time, Snake helps Otacon come to terms with his own self worth and issues.
In MGS2, it has one of my favorite examples. The infamous bro hug scene.
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Before it, this is when Otacon allows himself to open up about his childhood, not even just Infront of Snake, Infront of Raiden too. This showcased such a development in his character because he's proudly talking about it, while even through tears he doesn't hide it anymore.
Did you know that during that scene if you pan the camera to Snake, you can see that he is crying too?
When Hal has a breakdown over his sister's death, Snake is there to comfort him as well as tell him how it is in bluntness with a hand on his back that he needs to save people. It isn't cold or callous, it's letting Otacon know that he has something worth fighting for after a loss like that. Then when they face one another, they embrace each other and Snake tells Hal that he believes in him. Hal spent a lot of time as a scientist, hoping for someone to believe in him, while Snake puts all of his belief into Hal.
I can never forget the iconic "You're the only god I can pray to, Otacon" line. Snake has a deep loyalty, love, and belief in Otacon that Otacon has never been truly given before.
They both, in turn love each other till the end of their lives. Their love was one of the most heart wrenching and beautiful things in Metal Gear Solid and it's no surprise it captivated so many people. Their relationship, whether you ship them or just see them as a bromance. There is no denying the love they feel for one another as friends or lovers is one of the most iconic and sweetest bromances out theres They have impacted so much pop culture and I love them forever, as I'm sure many of you do who read all the way to the bottom.
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its-your-mind · 8 months
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The Mighty Nein as textposts 18/???
{ID - series of screenshots from Critical Role showing the players together, playing their Campaign 2 characters. Matt features as Essek. Each picture has a meme/tumblr post attached.
1 - Fjord and Beau squaring up to someone. post (playscript) reads, "enter two clowns"
2 - Essek grinning at Caleb, who is staring back curiously. post (youtube comment) reads, "Hey guys, even though this looks like the development of a gay relationship, this is actually the natural of expression of affection between two men who are just very close to each other because they're gay for each other"
3 - Beau in the middle of an impassioned speech. post (onion headline) reads, "Gifted, Passionate Student Really Stretching Limits Of School's Resources"
4 - Caleb looking vaguely upset. post (tumblr) reads, "the impulse to set things on fire just to make a fire. where does it come from."
5 - Caduceus looking concerned. post (tumblr) reads, "every group of friends has a mom friend and if u don't have one then u are the mom friend"
6 - Caleb and Essek facing off with each other. post (uquiz result) reads, "i wanna get better: you're like super gay and super sad and you just wanna like. scream. and you're valid."
7 - Beau and Caleb together. Beau is pointing at her journal whilst Caleb casts a spell. post (tumblr tag) reads, "they're both autistic your honor"
END ID}
ID by the stupendous @queerdisagreeable!
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sunshine-jesse · 10 months
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Control: The Strange Dynamics of Andy and Leyley or
The Incest End Is Not The Fucking Bad End, Stop Coping
EDIT:
Hey guys! This post is blowing the fuck up, but this was my first essay on this game, and I think I've had many more insightful things to say since then. Here's a link to a masterpost with all of my essays, which I'd definitely suggest reading after this one:
Anyways, without further adieu...
I heard a lot about this game going in. I knew the general story beats and the funny haha incest memes. I knew it was about a toxic codependent relationship where Ashley, the sister, acted like your standard overly-controlling person who used various abuse techniques to keep someone in line. I expected Ashley to be a yandere-type character where she was borderline psychotic, irrational, and had a skewed perception of reality. I expected her to be a crazy bitch, and I love me some crazy bitches.
But then I actually played through the game. ...That is not what I got.
The game advertises Andrew as a doormat extraordinaire who is strung along by his Very Not Good sister and has no agency of his own' that he's just a henpecked abuse victim. But in practice, that doesn't seem to be the case. One of their first exchanges that in the story is when the occultist played his music and Ashley wanted them to check it out. He says 'no', sure, but then he smirks and says 'but I'll come along if you do.'
That is not the dialogue of someone who has no will of their own, that's the dialogue of someone who willingly gives up their own agency.
This is not, on its own, a sign of anything out of the ordinary. What caught my attention with it, though, is how it flew in the face of the common narrative surrounding their relationship dynamic. But that's not the first time I noticed it, it's just the first time, in retrospect, that their actual dynamic begins to show. The first time I personally noticed it is in the choking scene.
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There are a lot of ways to view this situation. But my own reading? This was not a crime of passion. This was not him trying to break free. This is him doing something he's thought about for a while. This is premeditated. In this scene, Andrew is done playing along with Ashley's shit. In this scene, I firmly believe Ashley is the victim.
Ashley is the more openly abusive of the two who seeks to do whatever she can to trap Andrew so he'll never leave her. That much is clear. But Andrew-
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-clearly has these same tendencies. He says this shortly after Ashley mentions putting her name up on a call girl's wall for money. There's protective brotherly instincts, and then there's this. This is not something you'd threaten a sister with, this is something that a man would threaten his wife with, which is directly brought attention to in the story.
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(hey look he accepts the framing of it being WIFE beating at face value, and says Ashley is the only one who makes him like that! HMMMMMMMMMM WONDER WHAT THAT IMPLIES???)
It also implies that this is not the first time physical force has been threatened! I mean, that much is obvious, because of the choking scene that happened before, but I more mean that this implies that Andrew either threatening or utilizing physical force is an established pattern of behavior. However, the Decay route implies that she never thought Andy would kill her (but Andrew would) which can either be for or against depending on one's perspective, so I don't hold to the idea that it's an established pattern too strongly.
Okay, so. Andrew has some controlling and possessive tendencies too. So what? Their relationship is codependent. It's advertised as such. What of it?
Well first of all, it pretty much blows the lid off of the idea that Ashley is the sole perpetrator of abuse in their relationship. I've seen a lot of people view Andrew's behavior as justified retaliation against abuse, but frankly, I don't believe that him threatening to strangle Ashley for violating boundaries by trying to hold him accountable for his actions (given the strangulation part happens after she brought up Nina's death and how Andrew was ultimately responsible) is justified. And I ESPECIALLY don't believe that him threatening to backhand Ashley for her transactional attitude towards sex is justified in ANY circumstance.
EDIT: This part was edited in from the original post for the sake of readability so they don't have to see the reblogs to see the updated version! This post gained more traction than I was expecting!
…But perhaps even more telling is what she DOESN'T do.
Pushing someone's boundaries until they lash out is a pretty common tactic in abusive relationships. It's easy to see why, too: It justifies prior behavior and paints them in a negative light to others. This can be an important aspect of using DARVO (deny, attack, and reverse victim and offender) against someone, although the two ideas aren't necessarily linked.
It's pretty easy to argue that this is what Ashley does, but if you look at the one time her boundary pushing DID go too far, when Andrew lashes out with physical violence… she doesn't do that. She doesn't blame him. She doesn't paint herself as the victim. She doesn't even try to give a reason as to why she shouldn't be killed outside of the comfort she gives him. Why is this notable?
Because the mom does, in fact, engage in what could be considered DARVO against Ashley:
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(i will elaborate more on this screenshot in particular below)
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Ashley is directly compared to Mrs. Graves by Andrew, and yet she crucially displays none of the habits that Mrs. Graves does. Mrs. Graves lays the blame on Ashley, but Ashley doesn't lay the blame on Andrew. Mrs. Graves tends to paint herself as the victim of Ashley, but Ashley does no such thing to Andrew. The mom denies her culpability at every turn; Ashley doesn't. Ashley tries to hold Andrew accountable for his role in Nina's death, which could be considered a kind of DARVO. But she never denies that she had a role to play in it. She just mentions that he was the one who pulled the trigger. And he was.
(and the point was more that she DIDN'T engage in it when threatened with physical violence; the perfect chance to)
In Mrs. Graves' mind, she is the victim of either Ashley, or society as a whole. In Ashley's mind, she knows what she is, what she does, and what she's about. The only thing she's oblivious to- or doesn't acknowledge, at least- is the threat Andrew poses to her. In her mind, she's the bad guy. In Andrew's mind, Ashley is the bad guy. In official art, she is the bad guy:
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And yet, in the game itself, Andrew is the one holding the cleaver. Not her. Hm.
Ashley is the world's most convenient scapegoat. She allows people to mask their own worst habits and pretend they're better people than they are. She accepts this role. She embraces it. She doesn't try to deny it. But when that mask slips, people lash out at her. Both Mrs. Graves and Andy (NOT Andrew, crucially) predicate much of their self-perception on being what she's not.
But they're the ones who enabled her to become like this, every step of the way.
And that's what blew my fucking mind, and made me question just who the victim really is. She was never given a chance to be normal, because other people relied on her NOT being normal.
By the end of my second playthrough, I felt worse for Ashley than I did for Andrew, and I still do.
So. What am I getting at? What does this show me about the relationship between Ashley and Andrew?
(I also wanted to point out that Andrew does engage in DARVO too but I didn't want to distract from the behavior of the mother. Unlike what Andrew does, it doesn't require someone to reassess the narrative they have towards the game in order to realize the implications of it, whereas it's pretty easy to justify Andrew's words as not qualifying as DARVO if you buy into the narrative that he's the sole victim and/or that Ashley is the main perpetrator of abuse. A friend of mine pointed out that it's a pretty key part of the push/pull dynamic they have, and I completely agree.
However, the direct comparisons to the behavior of the mother can't be ignored no matter your narrative, so I felt as if I needed to highlight that more.)
EDIT OVER
It shows me that their relationship is all about control.
Specifically, the push and pull of who controls who in any given situation.
Andrew weaponizes his incompetence. He always looks to lay the blame on Ashley. This is drawn attention to several times, and said explicitly in the Decay route.
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He is always surrendering control to her, and yet he never HAS to. He could always just say no. He could always refuse. What are the consequences? Her being upset? Well, unfortunately, it's not that easy. That's not how abuse dynamics work. He probably feels like he has to, or rather, feels like there's no other option. That he's in too deep, and stuck with her no matter what. But personally, I think it's pretty clear from his willingness to surrender control to Ashley that he still feels like he has it at points, because the moment he feels like he's about to lose it, he either considers violence, even as a child-
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(the actual scene of slicing her finger is pretty sus too with this reading in mind)
-or resorts to it, outright, in both the choking scene and the vision in the Decay ending... when Ashley doesn't have enough bullets to defend herself (this will be important later!).
SO WHAT POINT AM I TRYING TO MAKE??? AM I JUST MAKING ABUSE APOLOGIA (the answer may surprise you)?
No. I don't think so.
Ashley is obviously very bad. She's controlling and uses pretty textbook abuse and entrapment tactics on Andrew whereas everything he does to her is inference, with Ashley too daft to realize just how much danger she's in until the vision in the Decay ending spells it out for her- and I don't know if a true abuse dynamic allows for one to be completely unaware of the consequences of breaking free. She could just let go of her desire for control and Andrew would be a much happier person.
And that's the point, because so would she.
I bring up control because that push and pull- that desire for control over each other- is exactly what's tearing their relationship apart, and this effect most obviously manifests in the two endings of episode 2. In the Decay ending, Ashley either tries to exert control over Andrew due to a lack of trust, or Andrew allows his feelings of entrapment to truly take root in his mind and guide his actions. In the Decay ending, Andrew becomes a true doormat with no will of his own, allowing his feelings of bitterness and resentment to fester and grow, eventually resulting in their deaths.
In the Burial ending, Andrew does the exact opposite. He takes control of the situation and does exactly what Ashley would do without much of a fuss. This eventually culminates in THAT scene (assuming you take the Questionable route), where his facial expression alone speaks volumes:
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Look at how fucking confident this man is. This is not the face of someone who's unsure of himself; this is the face of someone who knows exactly what he wants and takes it. He is absolutely in control of this situation, and everyone is happier for it.
And what does Ashley have to do to get this ending?
Let's go back to Decay for a moment. If Ashley has bullets in her gun, she has control over the situation. She, at any point, could put an end to Andrew and survive. And yet, at the very end of it all, she could choose not to. She could choose to surrender control to Andrew, allowing herself to die. And that ending, I believe so much of his life and willpower will have decayed that there's nothing left for him to take control of, leaving him no choice- or rather, no use for the control he now has- but to die with her.
And in the Burial ending, she has to let him out of his cage before it's too late. She has to surrender control to him, and when she does-
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-He will become everything she ever needed him to be.
It's all about her surrendering control, and it's all about him taking control. Because, no matter what, as long as that happens... the two of them will be together forever.
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In life...
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...or in death.
How romantic.
So no, the incest end is not the fucking bad end. They're going to be together forever in the end either way, so they might as well live through it.
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