#there's nuance to this issue

[luna-deactivated]

there are sooo many valid criticisms concerning the whole watcher situation, even in light of their response, but i find it suspicious that everyone's dogpiling steven lim and making it sound like he and ryan held shane at gunpoint and forced him to make that original video announcing streamer as if he isn't a grown adult capable of making his own decisions. i keep seeing all these "shane "eat the rich" madej would NEVER approve this" comments across platforms and it's like. guys. he's literally RIGHT THERE. he's in the original video asking us to give him our money just like steven and ryan. it just feels super icky, like "look at what these evil asian men are forcing our precious White Boy of the Decade to do" type of rhetoric

[wizardnuke]

"i hate microlabels" yeah i also kind of dislike the idea of putting ourselves and our identities into very specific boxes, i think it can be really isolating- ohh wait you mean you think they're invalid. ohh no that's not the way to look at it. killing you

[nyerusnova]

Okay I'm weak and couldn't resist diving in, so here are all the cute Timmys from this week's issue, Batman #147:

First, some flashback babbie tims.... (also yes that's him and bruce in matching Wayne-monogrammed sweatshirts I'm crying)

And then for present-day timmy being such a sweetheart aaahhh (and also getting ready to kick ass)

BONUS adorable bruce and tim moment:

[inkskinned]

you have to go to work so you can pay for your doctor, who is not taking your insurance right now, and if you say i can't afford the doctor's you are told - get a better job. it is very sad that you are unwell, yes, but maybe you should have thought about that before not having a better job.

(where is the better job? who is giving out these better jobs? you are sick, you are hurting - how the hell are you supposed to be well enough for this better job?)

but you go to the doctor because you had the nerve to be hurt or sick or whatever else. and they tell you that it is because you have anxiety. you try your best. you are a self-advocate. you've done the reading (which sometimes pisses them off worse, honestly). you say it is actually adding to my anxiety, it is effecting my quality of life. so they say that you are fat. they say that all young people have this happen to them, isn't it a medical marvel! they say that you should eat more vegetables. they say that you probably just need to lose a little more weight, and that you are faking it for attention.

(what attention could this doctor possibly give? what validation? that's their fucking job, isn't it?)

there is always a hypochondriac, right. someone always tells you about a hypochondriac. or someone who is unnecessarily aggressive during the worst days of their life. or someone looking "for a quick fix". or some idiot who wasn't educated about how to properly care for themselves who just abandons their treatment. and again, the hypochondriac, the overly-cautious hysteric. these people don't deserve to be treated like humans (right), and since you might be one of these people, you also don't get treated like a human. because those people can really fuck with the system, you now have to pay for it. and besides. you're actually probably faking it.

(more often than not, you find a 2:1 ratio of these stories. for every "hypochondriac", there are 2 people who knew something was wrong, and yet nobody could fucking find it. the story often ends with pointless suffering. the story often ends with and now it's too late, and it's going to kill me.)

you are actually just making excuses. someone else got that procedure or that diagnosis and he's fine, you should be fine too. someone else said they watched a documentary about other inspirational people with your exact same condition, maybe you should be inspirational, too. you're just too morbid. your pain and your experience is probably just not statistically concerning. it is all self-reported anyway, and you're just being a baby.

(once, while sitting down in the middle of making coffee, you had the sudden, horrible thought - i could kill myself to make the pain stop. you had to call your best friend after that. had to pet your dog. had to cry about it in the shower. you won't, but that moment - god, fuck. the pain just goes on and on.)

you know someone who went in for routine surgery and said i still feel everything. they told her to just relax. it took her kicking and screaming before they figured out she wasn't lying - the anesthetic drip hadn't been working. you know someone who went in for severe migraines who was told drink water and lose weight. you know someone who was actively bleeding out and throwing up in the ER and was told you're just having a bad period.

in the ER there are always these little posters saying things like "don't wait! get checked today!" and you think about how often you do wait. how often the days spool out. you once waited a full week before seeing the doctor for what you thought was a sprained wrist. it had actually been broken - they had to rebreak it to set it.

but you go into the doctor. the problem you're having is immediate. the person behind the counter frowns and says we're not taking your insurance. you will be paying for this out-of-pocket.

they send you home with tylenol and a little health packet about weight loss or anxiety or attention deficit. on the front it has your birthday and diagnosis. you think about crying, and the words swim. it might as well say go fuck yourself. it might as well say you're a fucking idiot. it might as well say light your money on fire and lie down in it. and the entire fucking time - the problem persists.

it's okay. it's okay, it's just another thing, you think. it's just another thing i have to learn to live with.

[wistfulwatcher]

[ratcandy]

had a conversation with my mom and now i'm curious

If unsure, go grab yourself a pencil and compare to these examples:

"Correct" ways to hold a pencil:

(if you didn't know there were names for these, yea I had no idea either until I started looking stuff up lmao)

"Wrong" ways to hold a pencil:

I'm mostly curious as someone who has always held her pencil wrong. No matter what teachers/my mom ever did to try and teach me (pencil grips, elastic bands, etc) it just never worked. I wanna know how universal this experience is hdKJH

(rb for sample size, etc etc, the usual)

[why-animals-do-the-thing]

Over the last few years, I’ve begun to heavily encourage people to think of a zoo or aquarium or sanctuary being accredited as conveying important information about their ethos / operations / politics - but not as an inherent indicator of quality. Why? Because accrediting groups can be and are fallible. There are issues with all of the accrediting groups and programs, to varying degrees, and so they’re just a piece of information for a discerning zoo-goer to incorporate into their overall opinion. I just saw a news article go by with some data that proves my point.

First off, good for Houston, no commentary that follows is directed that them.

This isn’t the first time I’ve seen a headline like this - there was one a couple years ago, about Cheyenne Mountain Zoo in Colorado also getting a perfect inspection. But here’s what bugs me about it.

If you see/hear the phrase “Facility X has been accredited by Y organization, which holds the highest standards in the world for this type of facility”, it kind of implies that facility X meets all of those standards, doesn’t it? Not most of them, not the majority. When you hear that a zoological facility has gone through a rigorous process to earn an accreditation branded (by the accrediting org) as “the gold standard” in the industry… the general public is going to interpret that as saying these facilities are in compliance with every single rule or standard. And what these headlines tell us, alongside the commentary from AZA in the articles, is that it’s not only not true - it never has been true. Most AZA accredited facilities apparently don’t meet all the AZA standards when they’re inspected, and that’s both okay with them and normal enough to talk about without worrying about the optics.

Let’s start with the basic information in the Houston Chronicle article, which will have been provided to them by the zoo and the AZA.

“Since it's inception in 1974, the AZA has conducted more than 2,700 inspections and awarded only eight perfect evaluations throughout the process's 50-year history. Houston Zoo's final report is 26 pages long — and filled with A's and A-pluses."

Okay, so… doing that math, less than one percent of AZA accreditation inspections don’t meet all the standards at the time of inspection. But, wait, that’s not just what that says. That bit of information isn’t talk about AZA accredited facilities vs the ones that got denied accreditation: this is telling us that of facilities that earned AZA accreditation, basically none of them meet all the standards at the time. This isn’t talking about tabled accreditations or provisional ones where they come back and check that something improved. Given that math from earlier, this information means that most - if not all - AZA accredited facilities have repeatedly failed to meet all of the standards at one point in time … and have still been accredited anyway.

That tracks with what was said about Cheyenne Mountain Zoo, back in 2021 when they got their perfect accreditation.

“Cheyenne Mountain Zoo has earned an incredibly rare clean report of inspection and its seventh consecutive five-year accreditation from the Association of Zoos and Aquariums (AZA). In nearly 50 years of accreditations, CMZoo is only the fourth organization to earn a ‘clean’ report, which means there wasn’t a single major or minor concern reported”

Seven consecutive accreditation processes - and only one of them where they actually met all the standard at the time.

Here’s what the AZA CEO had to say about Houston’s accreditation achievement in that article, which reinforces my conclusion here:

"AZA president and CEO Dan Ashe says the multi-day inspection process, which occurs every five years, has been described as "comprehensive, exhausting and intimidating."

"We send a team of experts in who spend several days talking to employees, guests and the governing board. They look at animal care and husbandry. They look at the governance structure and finances. They look comprehensively at the organization," Ashe explains. "For a facility like Houston Zoo to have a completely clean accreditation and inspection is extremely rare. These inspectors are experts, it's hard to get to the point where they can't find something.""

Now, here’s the rub. We, as members of the public, will never have any idea which standards it is deemed okay for a given AZA facility to not meet. All of the zoological accrediting groups consider accreditation information proprietary - the only way we find out information about how a facility does during accreditation is if they choose to share it themselves.

On top of that, it’s complicated by the fact that last time I read them AZA had over 212 pages of accreditation standards and related guidance that facilities had to comply with. Now, AZA doesn’t accredit facilities if there are major deviations from their standards, or if there’s an issue on something important or highly contentious. So - based on my completely outsider but heavily researched perspective - this probably means that most zoos are in non-compliance with a couple of standards, but not more than a handful.

To make trying to figure this out even more fun, it is also important to know that AZA’s standards are performance standards: whether or not they’re “met” is based on a subjective assessment performed by the accreditation inspectors and the accreditation committee. This means that what qualifies as fulfilling the standards can and does vary between facilities, depending on who inspected them and the composition of the committee at the time.

So why do I care so much? Because when it comes to public trust, branding matters. AZA has gained a reputation as the most stringent accrediting group in the country - to the point that it can lobby legislators to write exceptions into state and federal laws just for its members - based on how they message about their accreditation program. How intensive it is, how much oversight it provides, what a high level of rigor the facilities are held to. That… doesn’t track with “well, actually, the vast majority of the zoos meet most of the standards most of the time.” People who support AZA - people who visit AZA accredited zoos specifically because of what it means about the quality of the facility - believe that accreditation means all the standards are being met!

To be clear: most AZA zoos do meet some pretty high standards. It’s likely that what are being let slide are pretty minor things. I expect it’s on stuff the facility can improve without too much hassle, and it might be that doing so is probably part of what’s required. There’s not enough information available to people outside the fold. But I will say, I don’t think any zoo is getting accredited despite AZA having knowledge of a serious problem.

Where I take issue with this whole situations is the ethics of the marketing and branding. AZA frames themselves as being the best-of-the-best, the gold standard, when it turns out that most of their accredited zoos aren’t totally in compliance, and they know and it’s fine. They seem to be approaching accreditation like a grade, where anything over a certain amount of compliance is acceptable. The public, though, is being fed a narrative that implies it’s a 99/100 pass/fail type of situation. That’s not super honest, imho, which shows up in how there’s zero transparency with the public about it - it goes unspoken and unacknowledged, except when it’s used for promotional gain.

And then, like, on top of the honesty in marketing part, it’s just… something that gets joked about, which really rubs me the wrong way. Like this statement from the media releases for the Cheyenne Mountain accreditation:

“Another of our ‘We Believe’ statements is, ‘We value laughter as good medicine,’” said Chastain. “To put this clean accreditation into perspective, when I asked Dan Ashe, AZA president and CEO, for his comments about how rare this is, he joked, ‘A completely clean inspection report is so unusual, and so unlikely, it brings one word to mind — bribery!’“

So, TL;DR, even AZA accreditation is designed so that their accredited zoos don’t have to - and mostly don’t - actually fully meet all the standards. I’d love to know more about what types of standards AZA is willing to let slide when they accredit a facility, but given the proprietary nature of that information, it’s pretty unlikely there will ever be more information available. AZA accreditation tells you what standards a zoo aspires to meet, what their approximate ethics are, and what political pool they play in. When it comes to the quality of a facility and their animal care, though, sporting an accreditation acronym is just a piece of the larger puzzle.

[fictionadventurer]

Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[cogentranting]

The thing that almost never gets brought up in "banned books" conversations but that I think is essential to address, is the distinction between "students shouldn't be allowed to read this" and "students shouldn't be required to read this".

There is a wide gulf between removing a book from a curriculum list and removing a book from a library but I almost never hear that acknowledged.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[evie-doesnt-write]

Watching Dungeon Meshi

[transmascutena]

the poor little meow meow-ifictation of saionji in this fandom has got to stop i can't take it any more

[spoilers-ahead]

okay!! now that it’s not 2am for me, i’m going to post my selkie!jason todd hc’s straight up au apparently! 

(uh. this was supposed to just be a list of hc’s but i got slightly,,,, carried away)

his selkie skin looks like an oversized red hoodie in his human form, and is just warm enough to help him survive new england winters.

when the summer heat becomes unbearable, he slings the hoodie around his waist

alternatively, he just coasts it out underwater. perks of living in a coastal city!

willis todd was a selkie. he used to tell jason stories of what it was like to swim through the big, wide ocean. of how freeing it felt. how different it is, from the smoggy, heavy air of gotham --- different, but both theirs, in their own right.

but to be honest, jason doesn’t remember much about the stories he was told, or really, anything about willis --- he had been in and out of blackgate for most of jason’s life, working for two-face to try and make ends meet, before dying. 

what jason mostly remembers, are the warnings. don’t let anybody know you’re a selkie. don’t let anybody find your skin. they will find it, and they will use it to control you. even decades later, jason would still remember those warnings. 

catherine is the one who teaches him how to swim, who helps him trial-and-error his way into putting his skin on, and learn how to make the transition seamless. 

after she dies, jason spends three months as a seal, to just... exist. forget.   

although jason technically lives on the streets, whenever he can;t find food, whenever he can’t find somewhere warm to sleep, whenever just being human becomes too unbearable, he spends the night as a seal. he ends up spending more time in the ocean, than on land.

that’s not to say he’s very good at being a seal --- he barely knows how to swim, has to learn how to fish the hard way. 

when bruce finds jason stealing his car tires, he marvels over how nice jason’s hoodie is, soft and fluffy even after all of jason’s time on the streets, especially given the condition jason is in, ribs showing from malnutrition, and the worn and raggedy shape of the rest of his stuff.

jason is skittish when he goes to live in the manor, even after a few weeks. he always adopts an expression particularly similar to a cornered wild animal around alfred in particular, alfred, who keeps on trying to take his hoodie away, purportedly to wash it.

alfred eventually gives up on trying to force jason to wash it --- he figures that as jason becomes more comfortable living at the manor, he’ll wind up telling them why he’s so protective over that hoodie, and they can work something out then. 

whenever wayne manor overwhelms jason with how big and how decadently expensive all the decor is, jason runs away, run to the ocean. 

jason doesn’t actually end up telling alfred and bruce that he’s a selkie --- bruce just has a ridiculous amount of motion alarms, which are triggered every time jason ran off. he had followed jason the third night, and saw him transform. 

bruce doesn’t tell jason that he knows, assuming that jason kept this a secret because he didn’t fully trust either of them. he would later learn that he was right in this assumption (a rare win for bruce in terms of emotional awareness)

except jason doesn’t fully trust either of them, even after a few months. bruce impulsively decides to do a few things --- a) tell jason about batman and robin and his crime-fighting secret identity, and b) tell jason he already knows about him being a selkie. 

jason is absolutely bamboozled by the fact that bruce knows, and yet hasn’t tried to take his hoodie to control him, or to stop him from playing in the ocean for a few hours. 

in fact, (under alfred’s encouragement) bruce offers to take him to the ocean during the day, so he can get “a proper night’s rest that a growing young boy such as himself would need”

jason remembers what his father told him, to never trust anyone, never let his guard down. but bruce has known about jason being a selkie for so long, and he didn’t take his hoodie or try anything. of course he can trust bruce. 

and when he tries on the robin costume for the first time, it fits perfectly. just like his hoodie, his second skin. it fits just like magic. 

oh, it’s a little loose in some places, the legacy of dick fucking grayson a little heavy sometimes, but he’ll grow into it. he’ll make himself, if he has to. 

also, jason finds the fact that even though he’s a friggin’ selkie, his callsign is a bird (a robin, no less) incredibly ironic and funny 

being a selkie is actually so useful for vigilantehood. the amount of people who talk freely, openly, and loudly about their drug smuggling plans near the ports is quite frankly, ridiculous.

honestly, towards the end of his robin years, jason remains genuinely surprised nobody catches on to him or his tactics yet. bruce is very proud.  

even though jason is safe, has been safe for three years, and trusts bruce with his life, his skin, and everything, old habits are hard to break. so he has his hoodie on when he goes to find sheila. 

and anyways, he wants to see if sheila is a selkie too. he’s taking biology right now, and they’re learning about punnett squares. jason’s never met another selkie before, other than willis who he barely remembers. there’s a possibility that sheila knows something, anything, so he has to try. 

sheila gets a glint in her eyes when jason mentions that he’s a selkie, tells him that while she’s not one herself, she’s familiar with the myth. she has long suspected that willis was a selkie, she tells him, and she’s glad to have confirmation. 

jason positively vibrates with excitement, can’t wait to ask, to pester his mother (mother!) with questions upon questions until. 

until. 

sheila doesn’t do anything after she gives him to the joker. she just smokes and smokes. and she doesn’t tell the joker about his hoodie, despite how it would have been much easier for the joker to destroy him that way. much more painful too.  

small mercies, he supposes, in between hacking coughs that brings blood bubbling up his lips. 

after he dies, his hoodie is ripped and in tatters from the crowbar, with burns along the edges from the bomb. bruce has to carefully peel it off his body. 

when jason was alive, his magic kept the hoodie in perfect condition, always. even when the rest of him was covered head-to-toe in mud, or dripping sludge from the nasty gotham sewers. 

bruce stares at the same hoodie, blood-soaked and mangled, so incredibly dissonant from how he remembered it on jason, when he was bright, whole, and alive. 

he can’t stand it. the hoodie that was so precious to jason, that was jason, at the core of him, in this state. dirty and ripped and devoid of the magic jason had exuded. 

in a moment of desperation, late at night, bruce asks alfred to teach him how to sew. he doesn’t dare to practice on jason’s beloved hoodie --- instead, he starts with the suits in his closet, grabbing the first one he sees, regardless of price. rips a hole and sews it back together over and over until he perfects his technique. 

and then he washes the fabric gently, using baby fabric cleanser and scrubbing for hours upon hours until the last traces of the deep-set brown stain from jason’s blood washes down the drain.

he painstakingly sews the scraps of fabric back together with a red thread, carefully sourced to match the hoodie to try and make it flow seamlessly like it used to. 

it doesn’t work, not exactly. despite his best efforts, the creases bruce had carefully sewn together are prominent and thick like scars, littering the  soft fabric.

so he gives up. he hangs it over the grandfather clock entrance to the cave in his study. brings it with him every time he visits jason’s grave, because he doesn’t ever want to keep jason’s hoodie away from him, but he also can’t bear for it to get ruined. 

dick visits him. a rare occurrence, these days. 

dick yells at him, as he is wont to do. 

these days, it feels like they spend more time angry at each other than not. dick says that this isn’t right. isn’t fair to anybody, not to alfred, not to himself, definitely not to jason. he rants, jason deserves to be remembered as he was in life, not frozen in death. 

perhaps he is right. bruce is not unaware of the state of violent, cutting stasis he is in, this putrefaction of his life. and he is certainly not unaware of how it is affecting the people around him. dick. alfred. the neighbor’s kid, the one who wants to be robin.   

bruce tries. not for himself, but for tim. for alfred, for dick. even for stephanie brown, who sometimes, when she smirks just right, or says something with just the right twang, he swears he can see jason in her. 

he still can’t bear to put the hoodie away, because jason deserved better than to be forgotten, so he folds it gently and places it in his closet instead. 

he also can’t bear to look at it for very long, so he forces himself to every single day. 

it’s different from the glass case that houses robin’s tattered suit in the cave --- that, is a reminder of how he failed robin. this, this is salt in a constant, stabbing, festering would, reminding him of how he failed his son. 

it was stephanie, that eventually helped him figure out what to do with the hoodie. when she was young, young enough to cry at ripped pants and skinned knees, young enough that her mother hadn’t touched the drugs yet, her mother would dry up her tears, give her a hug and a kiss on the forehead, before patching her pants up. 

what not many people know, is that before crystal brown set her mind on becoming a nurse, she wanted to be an artist, first. and so she grabs her old set of embroidery needles, and stitched little designs. dogs and cats. stars and planets. tools and gadgets. 

bruce doesn’t react, doesn’t even move, even as stephanie finishes her story. she hangs there awkwardly for a second, stares up at jason’s suit, waiting for him to respond, before shuffling towards the exit of the cave. 

thank you, spoiler, bruce manages to croak out. 

ah, yeah, she says, shrugging lightly while slouching in on herself, any time, boss. she walks out, and bruce watches her go from the reflection on the darkened computer. 

that night, he takes out jason’s hoodie, smooths it out, grabs his threads, and stitches. 

he stitches on constellations, argo navis, for jason’s namesake in the greek myths he had loved so much. a tiny seal, playing with beach balls. little books, with quotes on the sides. a robin, big and bold. 

he tries to make it as true to jason as possible, not just in death and in bruce’s memories, but as he was in life.

jason wakes up abruptly.  

he wakes up in a coffin, cold, alone, and with a gaping hole in his chest. getting dipped in the lazarus pit only made it worse, only made him all the more aware of what he was missing, all the more conscious of it. 

he doesn’t bother trying to learn how to swim with two arms and two legs, instead of two fins and a tail. it doesn’t feel the same. it only reminds him of what he’s lost. 

sometimes, on sleepless nights that happen more often than not, he wonders what would have happened if he still had a hoodie, still could swim. 

if he still was robin. 

and he doesn’t have access to the cave anymore, or to the titan’s tower, or the watchtower, and his memory of the past is still patchy and shitty in some places. 

so in a burst of impulsivity fueled by the person he no longer is, he prints out photos of robin’s costume from the internet and recreates it on his own. 

if his skin is gone, then fine. fine! he’s perfectly perfunctorily aware that nothing about this resurrection of his is natural. if he doesn’t think too much about it, he’ll be alright. his hoodie, his skin, that was something he was born with, a birthright that died with him. 

but robin, robin was something that he helped shape. robin was something that he worked for, changed himself for. 

and the makeshift robin suit --- it doesn’t fit him, not anymore. no, it feels wrong, like a child playing with their parent’s suit. or --- he realizes, perhaps more accurately, like an adult realizing they no longer fit in their favorite clothes. 

and --- and --- what was the point of it all? what was the point, of trying to make bruce proud of him, of getting dick’s approval, of trying to futilely save people over and over again from the same gallery of supervillains who keep on escaping from prison?!

and what was the point of carving out a space for himself if the joker was just going to beat him out of it, and if tim drake was going to insert himself in the hole he left behind?

and then the next thing he knows he’s in titan’s tower hitting tim drake over and over again because who let him? who let him take jason’s role as a son, as a brother, as a hero? how dare he?

but when he’s slit tim’s throat and torn the ‘R’ off his chest, jason doesn’t feel any better. the robin suit still doesn’t fit. his hoodie’s still gone. 

he’s starting to think it never will, not again. 

sometimes, when he gets tired enough to let his mind wander, he wonders what happened to his suit. 

he’s pretty sure he died with it, so either the hoodie is with the joker, batman, or... gone entirely. (it’s not like they found willis’ skin after he died. maybe selkie skins just disappear in a cloud of sea foam once they die, or some little mermaid shit like that)

it’s a cold comfort, that nobody can manipulate him now. nobody can control him --- not even batman. 

(bruce had thought about it. when he first had his suspicious regarding who the red hood was, before he knew there was any trace of the son he once had left. he thought about using the hoodie, using jason’s selkie skin to coerce him, at least to stop murdering people, to stop hurting their family.) 

(he would never go that far, in retrospect, or at least, he doesn’t think he could ever. to do that to jason, betray his trust so thoroughly and completely... but it would be a lie to say that he didn’t consider it.)

bruce reflects on this as jason reveals himself, the joker tied up at his feet with a gun pressed to his head, and venom spitting from his son’s mouth.  

but when he lifts the batarang to hit jason’s gun, or wrist, or anything that’ll force him to drop the gun, he realizes that his hands are shaking. 

and when he throws the batarang, he knows a millisecond after he’s let go, that he’s miscalculated the ricochet. 

so when jason escapes that night, bruce knows he’s fucked up. 

jason goes off the maps, completely. bruce doesn’t know where he is, if he’s safe, if he even made it out of the explosion that night. 

it takes weeks. weeks for bruce to track jason down, from meticulously documenting the dropped threads of where the red hood was pulling strings in the gotham underworld behind the scenes, to tracking security cameras with facial recognition. 

once bruce manages find where he’s staying, make sure he’s safe, he knows what he wants to do. and, he knows what he needs to do. 

jason gets a package in the mail, five weeks after his disasterous meeting with batman and the joker. unmarked, unsigned, no return address. 

when jason opens the box gingerly and carefully, he holds on to his skin for the first time in years. and then, and then, and then --- something right slots into place. his fingers brushed gently over the tiny spotted seal he knows he used to look like, the books he remembered ranting to bruce about for hours on end. 

the robin, on the top left, over his heart, big enough to have changed him, yet small enough to not define him. 

it’s not perfect. it doesn’t even fix anything, not entirely. he still fights with bruce most times he sees him, tries to punch dick in the face, steadfastly ignores tim and steph the entire time. 

but it’s something. it’s something, and the next time nightwing, batman, spoiler, and robin fight a gang on the docks, the red hood gives them a helping hand before jumping back into the ocean and swimming away.

fin!

wow this got long

[midnightfox450]

Can I just say I love that Ayda still canonically hates her dad <3

[thereallyreallylatebird]

Something something... Finetimers not being able to properly walk without being told where to go as a critique on how many people don't form proper and informed opinions on their own and only parrot what they're told by influential political and social leaders