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just-a-fangirl13 · 4 years

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Why s5 *might* be the season MacRiley happens

Okay so...Hear me out! I'm not crazy I promise!!

Firstly, after 5x03 (and probably 5x04) it may seem very unlikely that MacRiley could ever happen. But I thought of a few reasons why they might actually happen by the end of s5 after all.... (it gets a lil long winded and kinda complicated but just stick with me till the end!)

1. All the MacRiley moments including the ones in 5x03.

[this Mac smile could not be an accident or something that slipped through both production and post-production right?! that in itself is a whole reason!]

Every Macriley moment we have ever had- whether it's the hugs, Riley saving Mac, Mac saving Riley, the ultimate show of loyalty when Riley went after Mac during Codex or even just the looks exchanged between the two- to any outsider it would seem pretty obvious that they are dating or at least in love. Keep in mind the writers would have written each of those scenes and Lucas and Tristan have acted them out with a specific build up in mind aka MacRiley.(think about the date episode: Riley just got dumped but was still thinking about how Mac might be hungry. She didnt have to do that. She could have just shown up at his place..) I mean how can they write two people so perfectly in sync and so perfect for each other and not have them end up together? It would just be a waste of all that tension and slow burn. (not to mention all the hugs and glances)

2. They know we exist.

The MacRiley fam is very active on twitter with the writers and while they were writing 5x01 they knew we were around. They know we are a huge group. They would not want to risk pissing 90% of the fandom off by not making MacRiley endgame.

[P.S.yes 5x03 was a bait and switch but if you were paying attention you would have noticed that neither Lucas not Tristan live tweeted or hyped up the episode. They knew we would probably hate it so they didnt publicise it too much! so in the future if you have doubts about the episode being a MacRiley one just check their stories or posts on twitter/intstagram]

3. Yes 5x03 happened.

I really think it was an episode they HAD to write. Ok so after 4x13 they had 7 more episodes planned and were filming 4x20 (aka the finale) when the pandemic struck. So they have these 6 episodes but no finale for it. [Idk if anyone else has noticed but in 5x01 there were clearly some parts cut out. For example the conversation between Desi and Riley towards the end seemed a bit jilted. Riley asking Desi to forgive her but Desi replied with yeah we are cool (still no apology ofc) I feel like something happened during that which ended up getting cut out so it could fit with the final story.]

This makes me think that they have rewritten a few bits to tie into the new finale episode. In 5x03 when Mac asked Desi to come fishing with him which was clearly something very personal to him she was like no do better.. then we see Mac's disappointed expression. She could have easily said okay but maybe not for our first date? Or its not really my thing? Or just about anything else rather than laughing in his face like that. Eventhough MD is together they still arent compatible. Mac’s final words in 5x03 was him being desperate. I truly think he is so broken and lost that Desi is the only safe thing left, the only thing he feels like he can fix right now. Once he finds himself again and heals...then it's going to hit him like a pile of bricks!!

4. But Riley doesn't have feelings anymore...WELL doesnt she?

When it comes to Mac, Riley is always in denial. We saw it in s4 when she tells Bozer not to make her say it. I think s5 will show her finally accepting it. Finally accepting that she is in love with her best friend and that it definitely isnt Codex adrenaline because she caught the feels when Codex wasnt even around. While Mac's arc would include realising he and Desi are never going to work and that he is unhappy and that RILEY is the one for him.

[why else would they give Riley feelings for Mac? Something has to come of it.]

5. The slow burn rule.[this point is a lil complicated]

Now season 5 is rumoured to have 13 episodes. So here’s what I think: If MacGyver follows the pattern that most shows do when it comes to slow burns, then technically MacRIley should have happened at the end of season 4. But since the season got cut short and they didnt get to air/finish their final episode the writers had to improvise.

From what I know, 4x19 which is 5x04 for us is the episode where Mac meets Desi’s parents and 4x20 was supposed to be the finale that was left unfinished.(they are definitely moving the timeline ahead if a pre finale episode is suddenly a mid season one.) There might have been a 4x21 or 4x22 but I haven't heard anything about those....EVER.

So what I think they have decided to do instead is extend the MD storyline a bit longer just so they dont end up scrapping all their s4 episodes where they would be together and write a new finale that ties everything together, aka MacRiley.

If you think about episode counts, s4 and s5 together would have 26 episodes which is a how long a normal season runs. Basically what im trying to say is if we follow the ‘slow burns end by s4’ and take season 5 as an extension of 4 then MacRiley should get together in the season 5 finale or maybe the episode just before. (IM REALLY TRYING TO GET SOME LOGIC INTO THIS)

This would be a typical TV thing too where the couple finds out about each other’s feelings while the main arc of the show is also at its peak, which perfectly sets up a future season where fans are hyped but still has a satisfying ending.

6. So what about MacDesi?

So far the macgyver writers have given us characters we love. Think of every character on the show apart from maybe Desi... Mac, Riley, Bozer, Jack, Matty, Leanna, Samantha, Russ and even Murdoc. WE LOVE EVERY SINGLE ONE OF THEM. So then why is Desi such a strange character? I think shes purposely been written as an opposite to Mac or even Riley (I get she’s supposed to kinda replace Jack but Jack is really irreplaceable).

It's not necessarily a bad thing its just not a great thing to do or have great execution. People have said things like Desi is a badass and shouldnt have to apologise or say I love you back to her boyfriend because she is a strong woman...I'm sorry but your opinion of who a strong woman is, is EXTREMELY skewed. A strong woman is someone who can make mistakes and when she does, she is ‘strong’ enough to own up to it, she is loyal and fierce and also caring while being a badass who can take down bad guys. And for GODS SAKE, RILEY DAVIS IS A STRONG WOMAN...people have called her mushy and feminine on twitter and I'm just very confused by that.....

Anyways before I go off on a rant, it seems like Desi is intentionally being written this way. Every opportunity they get to redeem her and make her more relatable or just a better person they just dont take it. While Rileys character arc is one of the best I've ever seen. Either its intentional or they’ve forgotten how to write characters...which is worrisome but ill give them the benefit of the doubt.

The writers also know we dont like Desi. The amount of times we've tagged them in the toxic posts or pointed out problematic things we can be sure they've seen at least half of those. So theres no way they dont know. RIGHT?

So why then is MD still a thing you may ask??

Well for one they cant break them up again off screen because of those unreleased s4 episodes. (not to mention the other parts of the audience who arent as invested in mac’s love life would probably be very confused.)

Secondly Mac has to be the one to pull the plug, not Desi. 4x13 made it seem like Desi was the annoyed one not Mac. He apologised to her which meant he wanted to fix things.

Thirdly, they are opening the chpt one last time before they permanently close it. MD is going to be a stark contrast to macriley(it already is in every way possible). Every issue Mac and Desi had can be used to show how amazing macriley really is as two people who arent even dating yet.

Fourthly, MD being together is a sort of commentary on Macs mental health as well. We can see how happy he is with Riley but around Desi he becomes some one else. If the writers are doing this on purpose or subconsciously still remains to be seen.

And Yes keeping MD around for a few more episodes seems like a necessary risk right now but I have a feeling its going to be worth it later.

[I know we have had like 4 desi entered episodes already but I really think 5x04 will be the last of it since 5x05 is the Jack episode and 5x06 is Mac+Riley+Bozer episode with no mention of Desi at all!]

The writers know we are a dedicated bunch and they know that once MD breaks up for the last time the entire fandom will be waiting and watching. That's when the show will be at its peak. That will be the perfect moment to bring in MacRiley’s arc to a new start!

Congrats if you stuck with me through this whole thing! if you agree/disgaree with any of these or have other reasons why they could be endgame in s5 let me know!!

#MacGyver #Angus MacGyver #macgyvercbs #Riley davis #macriley #cbs #macxriley #macriley is endgame #otp #wilt bozer #Matilda webber #Lucas till #Tristin Mays #cbsmacgyer #russ taylor #macisback #macgyver season 5

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hamliet · 3 years

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when does a relationship become queerbaiting? theres a book that i really like and the 2 male leads characters have a lot of storylines and arcs where they get closer and i think some of the tropes used can be similar to the typical romantic tropes, neither of them end up with anyone at the end of the story since its more about found family and the long journey the whole cast goes through. they even get shipped by another character as a running gag. personally i always saw it as being open to interpretation but recently the revised edition of the original novel came out and there were several lines those 2 characters had about each other that were kinda toned down, i didnt think much of it but i saw a post about how it was clearly baiting and the author was being homophobic for toning it down. i didnt think it counted as baiting since as far as i know, the novel was never advertised as anything with romance and the author never pretended they were gonna end up together. i am definitely a little weirded out by the decision to change those specific lines but a lot of the story stayed the same, including a lot about their relationship so idk what to think.

i guess im more confused on if it counts as baiting, or even substext??

Sooooo I am not the best person to ask about this, because I’m a cis woman who has thus far in life only been attracted in a romantic sense to cis men. I can talk a bit about baiting as a general concept in fiction, but you should definitely take it with some grains of salt.

Baiting, for me, is like deliberately playing up an aspect writers have no intention on delivering on. Usually this is done for ratings, to tease fans, fanservice, etc, but without payoff, it is just bad writing. Red herrings are good in writing, but only can be successfully used if the actual result is more satisfying than the herring. This applies to writing in general, not just to romantic ships. However, when the baiting involves historically underrepresented groups for no reason other than to get fans to spend money consuming the story, I think we can all agree that becomes something more grotesque than just bad writing: it’s insensitive, socially irresponsible, frankly hurtful.

Some common examples are Bridgerton which has a gay character, who is extremely minor, yet they played up this character in advertising. Also, Rizzoli and Isles I think actually had its producers mention deliberately playing up the lesbian subtext to hook the audience without ever intending on following through.

That said, context also matters. Like, there are aspects of the culture of the work’s author, the target audience, and such that come into play here also (so like, romantic tropes differ by culture. For example, enemies to lovers is common in Asian stories but less in the west, and the “girl who pursues a guy” is extremely common in Japanese shonen in particular, while it is very much a cringe trope that almost never results in romance in American fiction. So if a writer reads, say, tropes that are common in America into a Japanese work and says it’s baiting, that’s quite possibly not the intent even if it may have been the experience of the reader. So even if there was no intent, there can still be hurt, and that hurt can be real, if that makes sense.

The definition of what constitutes ‘baiting’ varies. I do think that, in true Tumblr fashion, the term gets thrown around a lot and loses its intended meaning, or is so rigidly defined that creators can meet the letter of the “not a bait” requirement while ignoring the spirit of it.

To start with the latter: regarding something hitting the letter of what most wouldn’t consider baiting yet not really the spirit, let’s look at The Rise of Skywalker. This movie had a genuine lesbian kiss in it... between two characters we’d never seen more than a glimpse of while others are celebrating around them. Since it has a kiss, it’s not baiting, right? Well... the director deliberately said in the lead-up to the film that he included it because he “wanted LGBT people to see themselves in the film.” If “see yourselves in the film” is like a nanosecond of background, then, like... idk. Baiting or not, it feels icky, and I know some people consider it baiting and some don’t even if they don’t like, love that representation. But I think this is more queerbaiting than like, Nobara and Maki, who don’t have explicit romantic coding.

Going back to the former, in terms of ‘queerbaiting’ losing its intended meaning... I think there are a lot of really poorly written romantic ships out there, often het, while a lot of same-gender relationships are really well written regardless of whether there’s romantic coding within the text. The main emotional energy in stories with 90% male characters (as frankly many if not most stories are, great job world) is probably between two men. There’s just so much more potential with well-written characters who share a lot of screen time, so of course people are going to ship them. In my opinion, this does not inherently make it baiting, but it certainly creates an environment that lends itself to baiting even if the writers aren’t intending to do this.

Like, you could say the main emotional energy in BNHA is Bakugou and Deku. However, Bakudeku is 100% not queerbaiting. It’ll never be canon romantically (I don’t even ship it lol). There has been nothing to imply romance between them even if the main emotional message can be seen in their development. Deku/Ochaco is likely to be canon, but there is a significant lack of genuine emotional energy between them (the story’s plots and themes don’t coalesce around their relationship), so it’s probably going to feel forced. In contrast, Naruto/Sasuke had an actual kiss in canon, which while played for laughs is a lot more direct romantic coding than anything between Bakugou/Deku. I actually don’t think the majority of Narusasu is baiting, but I definitely think that one moment in chapter like 3 was really poor fanservice for yaoi fans, and has not aged well at all.

It is also the case that fans can confuse headcanons with what is actually in the text, and that just never ends well. For example, Clover and Qrow’s ship in RWBY: a lot of people read Clover as gay, which led to “bury your gays” outrage when he died. A member of the crew stated explicitly they had never intended for Clover to be a love interest for Qrow, and truthfully here was nothing strictly romantic in their relationship--nothing like a kiss or a declaration of love or a parallel to another romantic couple. Hence, I don’t personally consider it queerbaiting or bury your gays, but a lot of fans felt that it was and their pain is legitimate even if I think textually the argument isn’t there. The one thing I do think is true about this in particular is that there was also no strict platonic coding, which encourages headcanons. Clear writing, yo. It can help.

Note the word “can” not “will,” because strict platonic coding doesn’t always fix things, either. In what was probably a reaction to the outrage over Clover’s death, you had extremely blatant platonic coding of Ruby and Penny’s relationship this season leading up to Penny’s death. Ruby refers to Penny as “our friend” three different times, wherein “friend” sends a platonic message and “our” sends an even stronger message that it’s not about the two of them despite the fact that their friendship is one of the sweetest and most interesting in the show. A lingering Ruby-Penny hug then is followed by a lingering Penny-Weiss hug, then Yang, then Blake, etc. The writers went out of their way to hit people over the head with “platonic” and yet they have still gotten accusations of bury your gays and queerbaiting because people will see what they want to see in a story.

Seeing what you want to see in a story also isn’t inherently bad. People who are underrepresented are going to have to read themselves into stories because Lord knows writers ain’t incorporating them well enough if at all. It’s why “Mary Sues” are common in fanfiction, which is primarily written by people who are not straight white men: because where the hell else are we to see ourselves in fiction? So essentially the macrocosm of culture creates this problem, both in terms of baiting and the misuse of the term, and the only fix is a shit ton more good representation.

#ask hamliet #writing stuff #Anonymous

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filmmakerdreamst · 4 years

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Xena: Warrior Princess Review

During Pride Month 2020, I finally got around to watch ‘Xena’. A show that had been in my to-watch list for years, but never got around to start. And when I finally did, I was pleasantly surprised. It was not what I expected and it was everything I think my 11 year old self would have loved.

The one thing that surprised me about the show, was the lack of packaging. Even though it was a fantasy, it also played with different kinds of genres too. I’ve talked about this before in my other review - ‘Xena’ was made at a time when TV had very few rules/rarely had a set audience, since there were parts of the show that were clearly for kids and there were other parts that were clearly for adults (therefore had much more flexibility). I admired how they weren’t afraid to break barriers and touch on deep themes such as religion, morality, redemption, spirituality, motherhood, forgiveness etc - even more than shows of today are able. I also loved how they played into the idea of ‘murder’ and how much it can damage a person - not just the person who commits the act, but the many people affected afterwards. I wasn’t expecting it to be that extreme. It made me think that this must of been the inspiration for ‘Game of Thrones’.

I see a lot of comments here and there, saying how ‘cheesy and terrible’ it was but to just accept it because its part of the fun. And while like any show it does suffer from the occasional spell of bad writing (the whole of season 5) but it was also shown to be very aware of that fact and never took itself too seriously - unlike some shows I could mention.

And regarding the ‘cheese’ factor (what 90s show wasn’t) It definitely can be, but I would call it ‘camp’ and ‘experimental’ more than anything else. (Don’t diss the poor use of CGI - I’m personally sympathetic to what was avaliable to them at the time) The style of humour reminded me of Taika Waititi’s filmmaking. If you’ve watched any of his films such as ‘Hunt for The Wilderpeople’ or ‘Jojo Rabbit’, then you know what I’m talking about. I liked how little they cared about being accurate or logical, which added to the ‘bonkers’ element in the show - which you can see in all of Taika Waititi’s films.

In all seriousness, a show centered around two women in their late twenties, who are realistic sizes (not trying to play teenagers). One of whom is a reformed mass murderer, who has lived a life experience, trying to do good in the world for the first time, picking the other one up who has no life experience prior (after they bugged them until they said ‘ok fine’) in their path to redemption. Just two women who become friends travelling the world together, fighting crime, having a laff, learning from one another without any toxicity - when suddenly when the stakes are raised - they realise ‘oh I'm actually falling in love with this person’ I have watched a lot of badly written shows in my childhood enough to know that, that’s not ‘cheesy’. I’ve never seen a story like that in my entire life. I’m not at all surprised that Russel T Davis was inspired by it while writing the Doctor and Rose’s relationship in ‘Doctor Who’ since he’s gay himself.

What’s more amazing about their love story is how they’re both develop as separate people as well. There was this video essay explaining ‘Why you should watch Angel’ the spin off series to Buffy; how ‘Buffy The Vampire Slayer ‘was all about growing up and ‘Angel’ was all about being an adult. With Xena: Warrior Princess, you have both of those stories at the same time.

Xena’s character was such a multifaceted experience to watch. And I can’t imagine anyone else who could play her as well as Lucy Lawless. What planet did they get that actress from? She's flawless! The amount of skill she has to put herself into a very physical role is astonishing. I personally had a love/hate relationship with her character all series long. Not in the way that I hated her, just that I couldn’t trust if she was all good or bad, which I know was intentional on the writers part. I haven’t seen a character quite like her before. She felt very much like a fallen angel; almost like the villain of her own story. Some of my favourite episodes come from fleshing out her character and dark past (‘Locked up and Tied Down’ is one of them) which reminds the audience that's she's not the stereotypical hero everyone expects. I loved her transformation from being this incredibly stoic warrior to being content and happy with who she is in season six, all because of a woman she fell in love with along the way.

I’ve always thought of Gabrielle as the real hero and narrator of ‘Xena’. She’s the prime example of ‘a normal person becoming extrodinary’. Gabrielle’s coming of age story starting out as an innocent girl from a poor village dreaming of adventure, and ending as this vicious warrior who realises the ‘adventure’ wasn’t how she made it out to be is honestly the best character arc that I’ve ever seen. I loved how travelling with Xena made her realise her passion for writing (which was never going to happen in her home town, given the ‘sexist’ and ‘heteronormative’ ideas) and that she became a amazon princess like Xena. In regards to her sexuality, which is more up for debate than Xena’s (which I think we can all agree is bisexual) I personally interpret her as gay, just in terms of how she was written. Theres this moment in season 4 where she's being held up her hair, and Xena “symbolically” cuts it off ‘freeing her’. And she never really gets with a man afterwards, unless she’s being ‘possessed. It reminded me of a moment in one of Hayao Miyasaki’s films ‘Laputa, Castle in the Sky’ where the bad guy Moska shoots Sheeta’s ‘princess hair off’ which symbolises her transition from child to adult.

The cinematography was breathtaking. There was some great utilisation of New Zealand as the scenery. So was the soundtrack. You could tell it was made by experienced filmmakers. One of my favourite things about the show was the domestic elements - moments in the show where time seemed to stop - which made the world around the characters seem very real and magical. Even though it was a show that featured a lot of action/adventure, there was also this gentleness to it as well. For example, you could feel the wetness of the rain, the warmth of the sun and the clashing of the waves. This technique is used in Hayao Miayasaki’s work a lot .

The technique is referred to as ‘MA’ 空虚 meaning emptiness in Japanese. ‘Miyasaki describes this as the time between a clap’

“If you just have non stop action, with no breathing space at all, its just busyness. But if you take a moment, then the tension building in the film can grow into a wider dimension” - Hayao Miyasaki

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The episode ‘A Day in the Life’ in season two is a really good example of this technique being used.

To my understanding, they used a lot of the local actors in New Zealand, which according to Lucy Lawless, consisted of ‘African immigrants and other different ethnicites’. It was so refreshing to see such a diverse show (despite some slip ups) especially in the 90s. I appreciated the idea that if the actors or extras couldn’t do an ‘american accent’ people could just talk in their natural speech which was also very refreshing.

The LGBT representation was surprisingly amazing. I never expected so many queer characters in one show - especially under the censors. There was this one episode where they had a trans woman - played by an actual trans actress - win a beauty contest. It made me cry. Not to mention the actress was an aids activist. It was actually Lucy Lawless’ idea to kiss her which was incredibly controversial at that time considering how everyone thought you could catch aids just by kissing. I can definitey see how it validated people back in the 90s.

When people told me that Xena: Warrior Princess was one of the greatest love stories, I thought they were exaggerating a little. But no, watching the show in context, I found out that it really is. Despite its obvious restrictions, It made me realise (regarding token gay couples today) how often television writers rely on physicality and drama to convey a ‘love story’ and how much of it is actually pandering the audience. One of the reasons why Xena and Gabrielle’s relationship felt so genuine is because it was built on mutual respect/compassion and they were also best friends. I felt like I was witnessing something very real and private. It didn’t need kissing scenes or drama to make it interesting.

It really helped that most of the writers were queer also. There’s this opening scene in season 4, panning over to Gabrielle giving Xena a massage (metaphor for sex - because they weren’t able to show that on screen) which I consider to be one of the most iconic scenes in media - considering how I wanted to sick up my supper when I watched the 10 minute ‘empty’ explicit sex scene in ‘Blue in the Warmest Colour’. The difference when something is written by a queer women vs a straight man.

Because the creators weren’t allowed to write their love story in the normal way, due to the studio forbidding them to, they found creative ways to showcase that love on screen - which made for a very magical/sensual experience. And I can safely say, if anyone has doubts about watching ‘Xena’, whenever I expected to be queer baited at a few points in the show, I was proved wrong time and time again. It’s the most romantical show I’ve ever seen in my life!

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pseudophan · 4 years

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can you tell us the summary of your love of your lives case? I don’t wanna watch the video I don’t have the patience to watch it

it's such a complicated case but in short(ish):

1993 in west memphis arkansas, three eight year old boys go missing and are later found murdered in the woods. the community is freaking the fuck out and because it's 1993 small town arkansas and satanic panic is sweeping the nation people go ITS SATANISM IT WAS A SATANIC RITUAL and the police keep interviewing this 18 year old named damien echols because he was into witchcraft and listened to metallica and wore all black (genuine points brought up in court like this is what the entire case is built on). im skipping some details here cause its all oh so convoluted but basically they eventually interrogate a 17 year old named jessie miskelley jr who confesses to the crime and implicates damien and damien's best friend jason baldwin (16, looks about 11). so then ofc they all get arrested

issue is: jessie is a minor with a reported iq of 72 and they interrogated him non stop for 12 hours with no parent or attorney present (his dad agreed to let them speak to him but they didnt tell him it was an interrogation) and less than an hour of it was recorded. jessie claims the cops coerced him into his confession and even on the 40 something minutes of interrogation we do have available to listen to you can hear the cops just continuously leading him on like theyll ask when this happened and he says a time and they go no the kids were in school then it was later wasnt it and he's like yeah it was [later time] and theyre like no it was around 8 wasnt it? and hes like yeah yeah it was then and it goes on like that foreverrrrr

ok im getting into too much detail here im sorry theres so much more anyway anyway TRIALS HAPPEN and its all a whole bunch of bullshit and hbo recorded it all for hit documentary paradise lost (watch it) and hhhooooooly shit!

theres way too much to talk about w the trial but besides everyone being fucking cracked and damien being a smartass and the judge looking bored out of his goddamn mind throughout the whole thing (FUCK that judge) one notable part that didnt come out until later is that during jury selection this one guy was hell bent on getting on the jury cause he wanted them convicted and not only was he let on the jury he became the jury foreman which goes against like every law cause juries are supposed to go into court with no preconceived notions of what happened. also jessie had a separate trial cause he wouldnt testify against jason and damien which means his "confession" wasnt admissible in their trial and the jury werent allowed to consider it, but the jury actively discussed the confession while making their decision (jury members have said they did + it was written on their goddamn whiteboard) which. h

ANYWAYYY so jessie and jason get life in prison without the possibility of parole and damien gets sentenced to death. damien is 19 at this point with a newborn baby. jason isnt even 18.

so then they go away and the documentary paradise lost comes out and everyone collectively loses their goddamn fucking minds cause how the fuck did this happen they didnt even have a single piece of actual evidence except a piece of hair that MAY match damien but also its the early 90s and they dont actually have a fucking clue

years go by, everythings happening so much, their appeals get shot down one by one cause its the same fucking judge and ofc hes not gonna admit any fault. the public suspect john mark byers (rest in peace he died like a month ago in a traffic accident, btw he also didnt do it but thats also a lot to go into. interesting guy, definitely inbred, violent tendencies but not a murderer) one of the kids' stepdads (technically adoptive dad cause he legally adopted the kid after he married his mum but hes generally referred to as his stepdad) of having done it cause hes fucking massive and is quite possibly the most colourful character ive seen in my life like that guy had no idea what was going on ever and he was hell bent on the teens having done it and wanted to kill them all UNTIL! until. 2007, they test the dna in the case and SHOCKINGLY turns out none of the west memphis 3's dna is anywhere to be found, the shit they had that could be damien's turns out to not even remotely match him in the slightest and suddenly theyre there like. well. now theres nothing. and yet theyre still in prison cause everyone who got them convicted is like NO THEY DID IT :) but the public outrage is so much by this point and finally they get to take it to the supreme court who take one look at it and are literally like ??? what the fuck happened here give them a new trial what the literal hell (theres a video of it their faces are literally so funny they all look like they absolutely cannot believe this required their help) so in 2011 they finally have the opportunity to retrial with a new judge but SUDDENLY the state of arkansas go um actually we are gonna offer you an alford plea which basically means they legally plead guilty to the charges while still saying they didnt do it and then they get let out but the state wont have to admit fault or reopen the case cause in their eyes these three are still guilty but theyre gonna let them out anyway cause that makes a whole lot of sense i guess. lol basically the state realised there was a real chance they could get exonerated in which case they were gonna get sued to hell and back and went FUCK give them a deal

now jason didnt want to take the deal he wanted to wait for the new trial and risk getting found guilty again cause he said this isnt justice for the kids cause the real killer or killers are still free and its not justice for us cause we have to plead guilty to save the asses of the system that failed us all BUT all three of them have to agree for it to be valid and damien's execution date, which he's already narrowly avoided on several occasions like its already been postponed multiple times, is once again coming up and if the new trial somehow goes wrong and hes sent back to death row he's gonna be killed so jason decided fuck all of that and agreed to the plea exclusively to save damien which ok ride or die king

i havent gone into who really did it cause once again there is SO much but the majority of people think it was terry hobbs (the stepdad of another one of the victims) including the kid's mother whos now his ex wife who he abused to no end. theres a Lot to this theory and while theres no concrete evidence cause they did a shittyass job with everything theres already more dna linking him to the scene than the teens. god i really wanna go into everything that points to terry being at least somehow involved but this has already gotten so out of hand

anyway follow damienechols on instagram all he does is post about witchcraft and cats. also watch the hbo paradise lost trilogy and west of memphis. and if u want even more details listen to the three true crime garage episodes on the case. also theres books. theres so much. i have so much more to say. someone stop me

#answered

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aloera · 3 years

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The ask prompt is too long to fit into an ask TT_TT but here's the doc for it docs(.)google(.)com/document/d/1yDI7iFRhOJ8ENv_IwZAo3rDSUqj80EiJROS10RzRbj4/edit

the lengths u are going for this,,, much appreciated you're very sweet!!!

prompts + answers under the cut!!

INTRODUCTION

Name: aloera

AO3 account: aloera

Fandoms you write for: bnha

How many stories have you written so far: 19

FANFICTION PROFILE

What's your favorite fandom to write for? hmm,,, used to do pjo and eah (ever after high) and eah was fun as fuck i will say!!! i think bnha is my fav mostly bc i made the most friends in this fandom :D

What's your favorite character/person to write for? bkg and kirishima!! cannot choose do not make me <3

Fic you'd want to improve? probably what we deserve? i rushed the beginning and the confession is a bit stilted imo

Hardest fic you've written? between lion and men -_- bc there is so much canon compliant stuff i've gotta write out before i get to the divergence and its HARD

Easiest fic you've written? come home to me!!! it happened so easily,,, no second guessing no writers block just vibes <33 was lovely i miss it

What would you say is the most "famous" fic you've ever written? also probably come home to me? its got the most interaction

first line of the first fic you've ever written and published. [not including my 2014 ffnet fics] "The bell rings, class starts, and Katsuki and Midoriya are inexplicably absent." from come home to me

Have you ever done a collab with another writer? yes!!!!! on two separate occasions and its so fucking fun i highly recommend trying it out its the best

Do you beta? if asked but honestly im a shit beta lmao

Do you like joining fic fests/exchanges? depends on what i have going on irl but in general yeah!!

FANFICTION PREFERENCES

Fluff or angst? definitely fluff

"OCs" or "Reader" inserts? reader inserts!! have been going ham on them recently

Blurbs or drabbles? blurbs!!

One thing you love about fanfiction i just. i really love slice of life romance?? and most media doesn't give you that bc its dedicated to plot and action and that's valid!! but fanfiction fills in the gap which is really nice

One thing you don't like about fanfiction most of the stuff i don't like is less about actual fanfiction and more about how people behave about it

What is/are your favorite fandom author/authors? IVE BEEN WAITING FOR THIS ONE!!! TURN IT UP!!!

bnha: hiuythn, rae_tnub, Moniix, Ata_Lanta, wrunic, chezka, PurplePersnickety, surveycorpsejean, mahadevi, arxaris, deviance, Oceanbreeze7, MikeWritesThings, bonnia, wonhaebunny, dinosuns

voltron: hiuythn, Oceanbreeze7, DeerstalkerDeathFrisbee, arahir, dinosuns,

and honorable mention to loveclouds im not even in the haikyuu fandom i just love their fics So Much

these are just the ones off the top of my head i have so many favourites idc if i'm only supposed 2 have one!! die mad about it!!!

What is your favorite trope? secret relationship + relationship reveal til the day i die babie <3 <3

Least favorite trope? hm,,, probably just like. angst lmao i cannot stand 90% of it

A fanfiction cliché that you can't help but love? coffeeshop aus,,,, so good

Do you have a type when it comes to pairings? the otp where its like. piece of shit + himbo = love. ex. krbk, catradora, jade/beck

Favorite setting/au? hm,,, truly i cannot pick one KGKSJNHKj but i really like college aus!! and modern aus!! and roommate aus!!

Explain the meaning of your favorite line of dialogue you've written as if someone hasn't read it in context. “He doesn’t know,” Katsuki says, softly. “My timer stopped and nothing happened. He’s not mine.”

the line is from what we deserve!! it's a soulmate au where your timer counts down to the moment that you meet your soulmate!! bakugou's timer ends at USJ when he and kirishima attack kurogiri at the same time (impulsive kings <33) but kirishima's timer doesn't end until kamino because that's when he accepts himself as bakugous soulmate!! unfortunately, when bakugous timer has reached 0, he turned to see that kirishima's was still ticking and therefore believes that kirishima isn't his soulmate.

this line just,, idk. it's really sad. bakugou is such an action-driven character? if something doesn't go his way he Makes it go his way. he's got this insanely volatile quirk and he's got impeccable control of it!! but his love for kirishima isn't something that he can change and he's not going to ruin kirishima's chance of finding his own soulmate because he loves him and wants him to be happy. i really wanted to focus on how resigned he is? and how unusual that is for a character like him.

Favorite trope/genre to write? again, secret relationship with relationship reveals <33 fluff in general is my wheelhouse!!!

A trope/genre you haven't written but think would be a fun challenge? idk if this counts?? have been working on some dead dove concepts!! its super different from what i normally write so its a cool challenge

The one trope/concept you'll never touch and why probably cheating/infidelity?? it just looks,,, super difficult to write well and i don't have enough of an interest in it to try it out

Which do you prefer to write: longer or shorter fics? shorter!! low attention span gang <3

Ideal length to read? 5-10k?

Ideal length to write? 4-8k!!

How long was the longest fic you've ever written? control fraek is around 28k i think?

Have you ever written an AU? yeah!! i've done restaurant au's, soulmate au's, pro hero aus, and fantasy aus (general, not the bnha fantasy ending)

What's your favorite AU trope? hm,, probably when two people in authority are in a secret relationship? ceo's/uni professors/etc etc

Have you ever written smut? yeah!! was. difficult tho

What's your comfort genre? (the one you fall on most in writing/reading) fluff,,, hurt/comfort,,, fix-it fics with happy endings <3

If you were to start writing in other fandoms, which would they be? maybe jjk?? the characters are really cool!!!! fr i might go back to my ever after high roots i love the characters and setting so Much its so fun!!! idec if no ones into it anymore!!!!!

Is there a trope you think you could be easily recognized by in your writing? i've had people say they saw the mention of buff hagakure and recognized it was me so. probably that skdjhnksjd

WRITING STYLE

How would you describe your style? i tend to use shorter sentences and pretty simple words i think? and i gravitate towards lighthearted concepts that allow for ensemble casts and humour!!

Describe your style in three words romcom but fanfic

Favorite words to use when writing? the word reverent!! fuckin love including it!!

Dialogue tags or no dialogue tags? (she said, he said, they said, etc) dialogue tags!!!

Favorite dialogue tag (other than said, if you use them) again idk if this counts but "they said softly" is unmatched

Long sentences vs short vs a mix short <33

What colors would you use to describe your writing? hm,,, depends on the fic i would say?? control fraek is dark green to me?? kinda like a forest at night yk?? scary but there's still life there. sugar cookies is yellow like early morning sunlight, when it rains is yellowy-orange like a caution sign. not gonna list all of them cause theres a lot its just. do u get it? the colours change based on the vibe of the fic.

What song or music genre would you use to describe your writing? think. i am constantly trying to emulate that moment at the end of wasteland baby when hozier goes "im in love/im in love with you."

What kind of metaphors do you rely on? religious metaphors my beloved <33 they're just so pretty!!! i also love comparing stuff to water for some reason?? like that ocean vuong quote thats like "what are you now?/water." it goes hard!!!

What's something you'd say is experimental in your writing at this time? definitely action!! i have,,, no idea how to write it so anything i do is really just me playing around and seeing what works and what doesn't

Do you prefer to write by hand or to type? i've tried both!! personally i prefer typing because it goes way faster but i will say that writing by hand lets me get words down when i'm going through writer's block

What is your preferred place to write (notebook, laptop, cellphone, etc.)? laptop!!

What app/apps do you use to write (word, notepad, etc.)? google docs skjdnkjh its fine on desktop but mobile is,,,,, disgusting

Do you keep a notebook or file/notes page in your phone/device for notes on your writing? ngl i just have everything organized in my drive?? one folder per fandom and then sub folders for ideas+hcs, unfinished wips, and finished fics. multichaps get sub sub folders so i can organize outlines and drafts

Do you listen to music to help you write? yeah!! playlists organized by fic vibe :D

Where do you usually go to write (bedroom, living room, etc.)? mostly in my bedroom??? but moving around to different stops helps too i think!!

How long does it usually take for you to write? again this depends on what i have going on irl, how attached i am to the idea, my mindset at the time, etc!! i am,, the least consistent person skjnhdkjh.

What's your favorite font to use when writing? times new roman my beloved

Other writing habits? sometimes i'll write in the dark?? bad for my eyes but for some reason it gets the words flowing

CONCEPTUALIZATION

How do you conceptualize your ideas? (See specific moments like they're a movie, writing specific lines in your head, don't know until you put the words on paper, etc.) i tend to get inspiration from movies, books, poems, or other fics!!! sometimes one line just makes me go oh,, i want to write something like that,,, and then it helps me create an idea that makes me feel the same way?? i did this with control fraek!!!! i wanted a scenario where bakugou was cold and calculating and i was like hm. to do that he’d have to be focusing on something important. and from there i was able to flesh out the rest of the idea.

Which comes first: the pairing or the plot? with krbk its always always the pairing,, i'll be sitting there like wow <33 i love them <33 what if one of them had amnesia <33 (which, yes, wip!!) otherwise it's usually the plot!! and i slot in characters that i feel make sense

Have you ever used a prompt? yeah!! used a prompt for wlw week 2020 and it was fun as hell

Do you write around the story around a specific scene you want to get to or do you start from a plot idea definitely the first!!!! i almost always write like,,, a super messy scene thats 90% dialogue, keep it in my head, and then write the entire fic around that one moment

Do you find that you include a projection of some part of yourself in the way you write a character? a lot of the time when i write love confessions or love in general i'll have one of the characters think or say that the other person makes their head quiet? and it's because that's what i feel whenever i'm in love?? a quiet mind. i project on characters yeah but i think most of the projection actually goes to the way that i write love

Do you research some of the things you write deeply, partially and kind of wing the rest, or play entirely by ear (in this case, go with whatever base knowledge of the subject you have)? most of the time if i do research it'll be about the setting (ex. the izakaya in to have and to hold) or if i'm having the characters interact with an object that they like. need to know how to use (me, in control fraek: google. hey google. does someone die if they get shot in the foot??? no???? awesome thank u <3)

Have you ever had an idea for a story and forgot about it? lmaoo yeah all the time i'll find like 500-2k words of concepts in my gdocs like i do. not remember this at all

Is there a trope you think you could be easily recognized by in your writing? probably krbk secret relationship lmao

Are there concepts you've tried that turned out better than expected? yeah!! i fully thought the action in control fraek would be awful but it turned out not bad??? which im happy with

Are there concepts you've tried that turned out worse than you expected? again, what we deserve, i personally think it would have worked out better if i'd paced it slower and drawn out the pining but i. do not feel like going back to fix it so its staying the way that it is. pining is so fucking hard to do AHHHH i get so tired with it!!! im like just date already!!!!

PROCESS

How do you come up with titles? in rare occasions (literally. all my multichaps for some reason) the title comes after writing like .5 words of the first chapter im like YES this is it!!!!! sometimes i write the whole thing and pick out one line that fits (what i did with come home to me) a lot of the time i just. steal from songs or poems that i like

What's your favorite emotion to cause on your readers? i like making people happy!!!! love when people comment saying they're cheered up

What's your favorite emotion to write? lovelovelovelovelovelove

Have you ever cried or felt any emotion while reading something you've written? never cried?? but sometimes i'll rereading my hurt/comfort fics 4. yk. comfort

Do you write in order or whatever comes to you? in order!! unless i have a scene that i Need to write and i'll quickly jot it down so that i don't forget

Usual way you procrastinate while writing? ...doing asks like this, making playlists, discord, watching netflix. what don't i do smh

Do you outline or free write? i am. so shit at outlines. i mostly free write and write lil notes for stuff that i wanna add later

Do you set word goals or scene goals (scenes you want to include)? yes!! like i said i'll write loose notes for scenes that i want to add later!! it gives me something to write towards :D

What do you consider when writing your scenes? what goes into making the atmosphere and mood you want? to set a scene i do two things? the first is like,, the five senses bc that always sets the scene really well and makes it feel Real. i'll visualize stuff in my head like its a movie and write out what i would want to tell the set designer?? if the lights are low, if the space is busy, if it's supposed to exude comfort or not.

for putting forward the character's mood one thing i've found that makes a difference is sentence length!! long sentences are good for making a character seem flustered and nervous or not really in control of their emotions? good for love confessions. short sentences are good for when the character is focused on something or short on time. good for fights!!

What's something you never considered to include in your writing that you can't leave out now? def buff hagakure,,,, once i thought of it i was like. if i don't include this at least once in every single fic how could i look at myself in the mirror!!!!!! how could i face anyone!!!!

How do you start a story? establishing a fact about the character or describing the setting! option a is one single thread of gold, option b is between lion and men

How do you end a story? either by tying it back to the beginning or doing like a funny kind of closing??? option a is sugar cookies, option b is a godless society

How do you get out of writer's block? change something!! move something!! i go from typing to handwriting, moving from my bedroom to my living room, switching wips to work on something else!! i do sprints as well?? give myself like fifteen minutes to write something and sometimes 200 words opens up the way for another 2k. sometimes i'll just delete like 500 words and start fresh

Do you edit? or do you toss your writing out there? i edit!!! i'll go over it myself then send it to one or two betas (bee my beloved <33)

How do you edit? do you use spellcheck, grammar checkers, etc? bee is my grammar checker bc he is So Good with grammar. i use grammarly as well for spellcheck stuff mostly?? sometimes my edit process is just like "am i tired of looking at this!! yes <3" and then i post it

PROGRESS

Do you usually like what you write? yeah!!! i post stuff that makes me happy and that i'm fine with rereading!!! i write stuff for self-indulgence reasons first and foremost and i think my writing reflects that sjhnksj

Have you ever written something you didn't like but posted anyways? nope!! even what we deserve i LIKED even if i see a lot of room 4 improvement!! if i don't like smth it's not getting posted

Do you find yourself rereading your writing often? yeah!! the reason i wrote so much krbk secret relationship is because i loved it but i'd read all that there was so i just,, wrote more,, ngl its kinda nice being in a place where i actually like my writing bc i can write stuff that i want to see and really enjoy it!!

Can you tell us anything about your current WIP? sure!! i'm currently working on when it rains which is a fic where bakugou gets hit by a crying quirk!! i'm gonna be using it to explore So Much of all might's character and his relationships with bakugou and aizawa (and i think some people from his past!!)

Can you give us a sneak peek on your current WIP? “You did something. What the hell did you do?” Kirishima sounds pissed off. It would amuse Katsuki if he wasn’t fighting just to stay standing.

“Nothing he didn’t ask for,” Shinsou replies.

“K’ri… shima,” Katsuki croaks out. “‘S fine. Not him.”

His chest collapses back into the familiar dry heaving after that but Kirishima shuts up. He doesn’t apologize to Shinsou.

Kirishima’s a good friend, stubborn and loyal. He stands by Katsuki’s side like an attack dog, blocking him from the view of anyone ogling at his tears.

The last line you've written Ochako knows more than she'd realized. She knows enough to keep her guard up.

It’s not enough.

Open a wip. what’s the first line?

Katsuki wakes up feeling like absolute fucking shit.

INSIGHT

What's your favorite thing about writing? touched on this before but it's mainly just being able to write the things that i want to see and actually enjoy them!!! actually reread them!!!! i thought "wouldn't it be cool if bkg and kirishima owned a restaurant together" and then i wrote it and i like it enough to reread it!!!! being able to create content for myself makes me. so happy

How do you keep yourself inspired? this is gonna sound narcissistic maybe but honestly i'm just really excited about my ideas and where i'm gonna take them and the idea of "i'm gonna get to That scene" keeps me going through the entire thing. also my friends!!!! i'll talk to them about fics and their reactions keep me hyped up enough to finish!!!!

What is your favorite thing to write? just,, slice of life romance,,, stuff thats silly and makes people laugh!!

What do you think your strengths are in writing? i'm good with dialogue!! i do lil voice acting sessions with myself to make sure everything sounds natural and like it's coming from that character skhjnskj

i'm comfortable with my portrayal of love as well??? i spend a lot of time thinking about what it is exactly that i'm trying to get across and i think it turns out well!!

What are things you wish you could practice more? on one hand i wanna get better at writing angst on the other hand i dislike writing angst. do you see my issue

One way you've improved your writing since you began? characterization!! i think i've gotten better at writing characters that are all Different and bring different things to the table!!! i used to project a lot more and it would compromise the characterization because the character was like 70% me and 30% them? not to say that projection is bad but if you do it too much it just,, doesn't read like the character and from a reader's standpoint the narrative can become less compelling

One aspect of writing you're still working on? writing action!!! i. literally hate writing it but i write for a fandom about superheroes so. Unfortunately i gotta learn.

A piece of writing advice you've learned while writing saw this on another tumblr post but they said sometimes if you're struggling with a scene, the problem is five lines back. i've found that to be true!!!! sometimes u gotta delete a chunk and start a little ways back!! i did this with too busy being yours because i was stuck for Weeks and i deleted like 25% of what i had but it helped me actually finish it :D

A bit of writing advice you can't stand when people shit on show don't tell for being overrated lmao bc when u read their writing you can Tell

Something you wish you knew when you first started writing? ,,,,honestly i kind of wish i could know some of the stuff that i used to when i first started writing?? technically i'm better now but creatively i was must better when i wasn't stressing about whether anyone would like what i was writing. so i guess i wish i knew that i should keep that confidence? i kinda wish that i wasn't as insecure about other people's writing styles because i never used to be!!

Something you've learned in life that you apply in writing there's no point in feeling inferior?? writing one genre isn't better than the other. being in one fandom isn't better than being in another. the kind of language you use or the length of your paragraphs- none of that stuff like. matters. what matters is that you're having fun and happy with what you're creating!!!! enjoy other peoples writing but don't let it make you feel worse about yours :D

#AHH ive wanted to answer these for so long...... bro fr i was so happy when u sent these!!! like wow!! finally got sent one!!!#sorry for how long the responses are idk how to be concise #asks #anon #a(lore)a

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kingjasnah · 4 years

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actually. actually let’s talk about diversity in fantasy let’s give that a go. im mad and im gonna be that way for a while

don’t want to read all this? fair. tldr: fantasy writers who rely not only on the medieval europe model but also hide behind historical accuracy in 2020 (fuck it, from ‘95 onwards) are lazy and unimaginative and should be held accountable no matter how many white 20 year old dudes jerk off to whatever power fantasy is embedded in the plot. so lets chat about that lads. (slightly) drunk rant under the cut

now prelim shit: we know fantasy is used both as escapism and as a way to deal with various traumas via magical metaphor. staples of the genre. even if jk rowling busted out the laziest and at times offensive metaphor for ww2 and racism ive ever seen, she still adhered to time and true tropes. whatever.

so why have we, in this post game of thrones era, become insanely obsessed with realism? i can hear sixty 20-something year old men crying at me rn like oh ohh oh its based off the war of roses oh wahh all medieval fantasy fiction is based off england and the crusades anyway so women should get raped and people of color should be demonized its not racism its xenophobia and also gay people dont exist and disabled people are systematically killed off and if we stretch the magic fixes mental illness thing a LITTLE further we have straight up eugenics.

we all know where the england but myth thing came from. now the thing about tolkien is that while i will always absolutely love lotr, looking at the LAZY state of fantasy? damn i kinda wish he hadn’t revolutionized the genre. the bitch was still racist. he still didnt give a shit abt women (eowyn was just a vehicle to show how much he fucking hated macbeth anyone holding jrrt up as a feminist icon for that needs to sit the fuck down and explain to me why i can count the woman speaking roles in lotr, a story with a name and fleshed out backstory for every minor character, on one hand but thats! another post). he had something to say abt class with sam i’ll give him that but he is still 100% NOT what we need to hold our standards to in 2020.

i dont want to talk about old school fantasy, like 80s early 90s cause theres literally no point. its sexist, racist, ableist for sure, this we know. david eddings (not even that old school tbh) can rise from the grave and explain himself to me personally and i still wont forgive him for ehlana.

so let’s talk historical accuracy. quick question. who the FUCK gives a shit? WHO is this elusive got fan who’s out here like blehh actually??? this method of iron production is TOTALLY anachronistic of the time. ummm these vegetables in this fictional world were NOT native to english soil so how are they here? cause i know this is the classic argument but ive never actually met someone who cared about the lack of dysentery as much as they care abt the women getting raped on screen/page.

god forbid you have to worldbuild for a second god forbid you can’t rely on the idea of fantasy readers already have in their head god forbid you have an original idea god forbid you spend more than two seconds thinking about ur setting (oh i should mention i dont....really blame GoT for its setting cause of how long ago it was og written but trust me i sure as hell blame grrm for writing a 13 yr old giving ‘consent’ to sex with a grown man within the first couple of chapters)

If we accept the basic premise of fantasy as escapism, and i AM drunk so i will NOT be finding fuckin. quotes and shit for this but come on tolkien said it himself and as much as i’ll drag him he crafted the simplest and most powerful fantasy metaphors on the board rn. But if we know its escapism. If we know. then who is it escapism for? certainly not for me, the gay brown woman who busted through all of GoT in 10th grade.

modern fantasy lit used as an excuse for that white male power fantasy is literally disgusting. calling historical accuracy is so fucking dumb ESPECIALLY cause we, as ppl in the 21st century, KNOW women have been consistently written out of the story. poc ppl, gay and trans ppl, anyone with a god forbid disability has been WRITTEN out of history as we know it, INCLUDING the fucking war of the roses so HOW can we hold up testimony we know is flawed to support our FICTIONAL. STORY. just to??? support the white power fantasy?? literally noah fence but if you are a white guy who felt really empowered by every time jim butcher described a woman tell me: how do you think that’ll hold up in classic HisToRiCaL fantasy. you think thats a fucking noble pursuit? or are you grima wormtongue out here.

(side note: jim butcher stop writing challenge i dont need to know abt every woman on page’s nipples. anyone who hides behind subgenre like that? ‘ohhh its a noir story thats why hes sexualizing everyone’ shut the fuck up an author isnt possessed by a fuckin muse and compelled to bust out 500k they have agency and they have choice and they MADE the choice to reserve said will for none of their female characters)

which brings me to point 2: target audience and BOY is the alcohol hitting me rn but WHO is this for? this isnt the fucking 80s we know poc and other marginalized folk read fantasy FOR the escapism. on god ive had a cosmere focused blog for nearly three years and. im just gonna say it im interacted with A LOT of yall and ive managed to talk to VERY few white straight ppl as compared to everyone else.

like....who deserves to see the metaphor on homophobia or racism. joanne rowling? the bitch who literally tried to sell us happy slaves and the disgusting aids metaphor and the worst case of antisemitic stereotypes i ever saw in an nyt bestseller? yall think that was for US? or was it for the white guilt crowd.

literally white people can find any book about them that they can relate to. but hmmm maybe theres a reason gay women care so much about stormlight archive’s jasnah kholin, a brown woman who’s heavily coded as wlw. or kaladin, the FIRST fantasy protag ive ever seen with clinical depression. hmm i wonder why a bunch of millennials are vibing all of a sudden. im not saying sanderson is perfect--but its the best ive seen from a white author tbh

maybe theres a reason a lot of poc vibe with a literary way to express trauma, and maybe thats why i specifically get so pissed when its not done well. theres a REASON books about outcasts pushing through and claiming their own lives are popular with people who arent white and straight and able bodied. Junot Diaz had a point. maybe lets STOP catering to those assholes who think theyre joseph campbell’s wet dream personified. ive lost respect SO many authors who are objectively talented. pat rothfuss can write so beautifully that ive cried to bits of name of the wind but literally i will never pick that series up again (not just because of the felurian. women in general tbh. mostly the felurian ngl) cause 1) i personally KNEW men whod jerk off to that shit and 2) there was no need for it there was no plot reason for ANY of that shit

so like obviously thers an issue with authors of color specifically not getting recognized for fantasy and genre work but on god??????? im still mostly mad at the legions of white authors churning out the same medieval england chosen one books year after fucking year. have an original thought maybe. also im sorry that you as an author lack the basic empathy needed to examine the way that women? or any group of people that youre explicitly writing about see the world and would specifically see YOUR made up world.

yes your fantasy should be diverse, but more than that it should be kind. if you as a writer cant respect groups of people who deserve it....what the hell are you doing in a genre that traditionally is about finding ways to express injustice through metaphor? tolkien’s hero was sam. fantasy was NEVER about the privileged. yall know who you are so stop acting so fucking entitled. peace out.

#disclaimer ive had a bit to drink. and instead of getting ridiculously emotional like normal and plud in a trek movie #im mad! surprise shes mad now. not at BS specifically dont worry this is still a cosmere stan zone but im mad and im gonna talk about it #if no one reads this ur valid but if you do im gonna be mad or another two hours before i force myself to #man idk feel free to talk tho #this is so stupid im sorry i got so heated i plugged in the BoP soundtrack #and like just #well youll see

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windy-wonko · 4 years

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on that topic i feel like a lot of people who claim to be leftists or progressives pride themselves on not being ignorant, yet are extremely ignorant themselves. ive seen way too many woke people ignore science because "its full of cishet white men" and even spread misinformation because of it. in the post i just reblogged it says progressives tend to ignore history cuz they claim it's all propaganda written by cishet white men. people will ignore good books and the lessons they teach cuz it's "problematic" and well, "all the classics were written by cishet white men."

it's true that education systems everywhere teach their students history that makes their country seem perfect. it's true that science has a lot of white men involved, spreading racist information and making racist theories about how white people are superior. and it's true that a lot of the classics you're told to read in school have triggering themes and primarily were written by white men. but you can't go around making shit up or going as far as to completely ignore history all cuz your history textbook in middle school said america is the best. you cant go around spreading false information on science because it sounds woke. you CAN go around criticizing classical literature, but ffs 90% of the time the overall message of the story is siding with us and if some of yall had basic reading comprehension you'd realize that instead of going around saying "it has problematic themes therefore it's toxic and evil and bad." those "toxic and evil and bad" themes shown are proving the point of why we have to watch out for say, fascism or capitalism or whatever. and you're completely ignoring it because the protagonist is a shitty person or theres problematic things in the story.*

my point is, a lot of you wanna go and act like youre a better person for ignoring history and science and books because most people in those fields are cishet white men. but you gotta understand that theres a lot more to history than your middle school textbooks. science is extremely important and you cant just toss it out and pull shit out your ass for woke points (also there are women and poc who have made important scientific discoveries too. you do know that, right?????). those old books with "problematic" themes use said themes to prove that the situation the characters are in is something you want to fight and avoid. so next time, instead of getting all your information off of social media and choosing to ignore all other sources, maybe consider that everything is a lot more complicated than just "cishet white men made it so it's probably inaccurate."

(the social media thing also applies to news as well. please look more into actual news articles and websites instead of seeing a few posts on social media and deciding its 100% accurate information. and i know a few news outlets spread false information. that's why you look at multiple articles/reports from different sources.)

*a lot of the old classics have extremely triggering themes of course, so nothing against someone who doesn't wanna read a book that reminds them of their trauma. but if youre capable of handling those topics yet choose not to cuz of purity culture or whatever the hell, youre who im talking to here.

#this probably makes me look like a pretentious snob but trust me im an actual idiot #which only proves my point that you dont gotta be a pretentious book freak to understand the fact that if you truly want to be progressive #you gotta do more than just retweet a bunch of twitter threads with sourceless claims #you gotta put in the research and reading to learn how things really are and how things really work #even if a cishet white man said/wrote it #long post #rant #just talkin

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galactichoneybee92 · 5 years

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Thoughts on Isaac and Representation

I don’t have a point- let me just say that now. This also stands to be perhaps my most controversial post, but that’s a risk I’m willing to take in order to get my thoughts out. This will be long and rambling. You have been warned.

With the release of Sex Education Season 2, fans have been introduced to a character named Isaac, to mixed response. He is Maeve’s new neighbor, a barrier to her relationship with Otis and potentially a new love interest.

It’s not unusual to introduce a new love interest into a show to prolong the drama and keep the tension will-they-won’t-they romance alive. In season one we Otis in love with Maeve, thwarted by the fact that Maeve was dating Jackson, and that Otis never really believed that Maeve could like him anyway. Resigned with this fact, Otis attempted to move on with Ola who had appeared conviniently around the time that Maeve had realized her feelings for Otis and ended her own relationship. It was all very ships in the night.

In season two we get a sort of role reversal: This time it’s Otis in the relationship and Maeve left pining, thinking that he could never love her. It makes sense that this would be the time to introduce a new love interest for Maeve, sort of HER Ola, if you will. The difference here is that Ola is sweet and wonderful and Isaac is sketchy AF.

I hate him, and I’ve made no secret of hating him, because personally I find him sketchy and manipulative. There are other fans who like them though and ship the two of them. That’s fine; it’s a perfectly valid opinion, and shipping wars have been around as long as fandom. That’s nothing new. There is another issue though...

Isaac is in a wheelchair.

While that isn’t necessarily a problem in GENERAL, it is something that effects the way his character is handeled, as well as viewer interpretation. It’s my experience that in media, certain characters are usually gifted a sort of “plot armor.” While that term is most commonly directed towards characters who play too pivotal a role in the story to be written off, I find it often also applies to characters who fit into the role of “representation.”

But wait, you might say, that doesn’t sound right. POC and queer characters get killed off all the time. It’s practically a horror movie trope, and “Kill your gays” didn’t come from nowhere. To which I would reply: Exactly. We have all seen it a million times, have raised it as an issue, and I would like to think that as a society we are attempting to move past it. That gay characters are less likely to die because of the attention brought to the “kill your gays” trope.

It’s my understanding that these common minority tropes originally stem from their initial introduction into media. At first they didn’t have any representation at all, and then gradually they were allowed to be incorporated in media in small ways that didn’t offend anyone’s delicate sensibilities. A very famous example would be the inclusion of African Americans: At first they weren’t in movies at all. Then they were(sort of?) but they were represented by white actors in blackface. Then when black actors were allowed to play their own roles, those roles were harmful stereotypes; You wouldn’t get a black actor playing a heroic lead, but he would be the brutish savage, or the “mammy” character. They were either relegated to minor side charactes, comic relief, or the villain- roles that didn’t challange the views of society.

There was a similar experience in regards to homosexuality in films, where once gay characters started appearing they were portrayed as sexless comic relief or villinous. The general idea behind it seemed to be that there could be homosexuality in films, but it had to be shows as wrong and corrupt, or destined to end in tragedy. After all, how could anybody in such a relationship possibly be happy? Ridiculous.

While media (and society) are still making strides towards diversity and inclusivity, you can’t say that media isn’t in a better place now than it was even ten or twenty years ago. I was born in the 90′s and the amount of difference I see even in the twenty-seven years I’ve been alive is actually a little astounding. I can’t even imagine the difference for people who are older than I. Even just since I graduated highschool (2010) I’ve seen such a huge difference in regards to representation across the board and while we still have a ways to go we are certainly far from where we started.

But what does any of this have to do with Isaac? He isn’t a POC, he isn’t in any way queer. No, but he is disabled which is another sort of representation and one that doesn’t get as much publicity. As such it is admittedly one that I don’t know as much about, but If I had to guess it’s probably because theres never (to my knowledge) been a big court case about whether or not disabled people deserve rights. It’s never been a hot button issue in a political debate the way that race politics or gay rights have and so I feel like it hasn’t gotten as much attention. Still disability representation is still a topic that comes up in conversation when discussing media.

So what does that have to do with anything? Why was I talking about plot armor? I had a reason, I promise. I’ve found that due to the problematic history of representation, shows (at least the socially aware ones) have been taking strides to try to avoid falling into the same harmful patterns as their predecessors. Since there was a long history of POC characters being cast as villains, evil characters to be defeated by the white protagonists, there was a stretch of time there where you wouldn’t see a single POC villain at all. It wasn’t quite true equality, but it was an effort to combat the harmful stereotypes that the media had perpetuated for so long.

Eventually we got to a place where it was generally acknowledged that you could have a POC villain as long as they weren’t the ONLY POC in your entire movie. The same goes for people of various gender and sexual identies. You can have a gay antagonist, but it’s impportant to include other gay people who ARENT evil to show that it’s the character that is evil, indepent of his sexuality. This isn’t seen as often however, probably due to the relative novelty of the inclusion of queer characters, which is why my examples for these points are POC characters who have a comparitively longer history of inclusion. That’s not to say that the history has always been positive, just that queer inclusion is a newer development and active disability rep seems even more recent.

I apologize if I’m phrsasing any of this poorly, but I’m hoping that you’re tracking the main points. Now. I repeat: What does ANY of this have to do with Isaac?

Isaac is, as of now, the only disabled character in Sex Education. As such, I feel like it’s kind of expected for him to be given “plot armor”, not in regards to being killed off but in his depiction. As the show’s only example of disabled representation, as well as his introduction as a love interest for Maeve, I feel like the expectation is that he would be a protagonist. At the very least he would be a good guy. And maybe some people think he is? I don’t know, he has his fans, but I’m not one of them.

This is the part of my post where I stop having a point and just start listing my thoughts.

When I met Isaac I expected to like him and I wonder how much of that stemmed from the fact that he was in a wheelchair and as such I expected that the show wouldn’t possibly portray him in a negative light. Even when he was rude to Maeve in the beginning I was willing to forgive it- I don’t mind my characters being prickly and Lord knows no other character on this show is perfect. And he was handsome, and snarky, which are usually traits that I love and I really REALLY expected to love him. However as the show progressed he just gave me bad vibes. I find him manipulative and untrustworthy.

I’m not going to go into my feelings about Isaac because I’ve already made one very long post duscussing his character, but instead I’d like to discuss his role in the show and how his disability factors into that role.

As I said before, it makes sense that this season would introduce a new love interest for Maeve. It’s not a terribly uncommon formula in shows like these. Considering that Maeve is considered the “bad girl” (even though we all know she’s a cinnamon role that just deserves ALL the love) who has self esteem issues and an inaccurate view of herself, I was honestly surprised that the show gave her such a cute, healthy relationship with Jackson. Were they perfect for each other? I don’t personally think so, but there wasn’t anything inherently problematic in their relationship. Jackson is a legitimately nice guy, I wish him the best and he was a pretty good boyfriend.

It wouldn’t be unheard of though to see her fall into a more toxic relationship, and while that’s a very strong term that even I am hesitant to use toward Isaac at this point, it does look as if the groundwork might be there for that kind of subplot. It could really go either way at this point- maybe Isaac’s actions are influenced by his own personal insecurity and he would be much nicer once they were in a relationship. Or maybe he would be scared of losing her and things would get worse. It’s not just the fact that he deleted her message in the last episode, but that he’s seemed very manipulative throughout the entire season.

It seems to me that Isaac fits the stereotype of the abusive boyfriend- He’s handsome and charming, but also very skilled at manipulation. If you watch their relationship, it also falls into a lot of the same patterns as romantic comedies. That’s not meant as a compliment however, a lot of romantic comedy relationships are built on very questionable foundations. The leading men do a variety of unethical things, but are forgiven on behalf of being handsome and funny and those actions are forgiven and even romanticized for the sake of the love story. This also reminds me of Maeve and Isaac. How often does he push himself uninvited into her life? How often does he managed to get out of facing the consequences of his actions?

It’s a fairly common trope tbh, and the only thing that isn’t common is that he’s also physically disabled. Which honestly lead me to doubt whether or not he was being sketchy or not. Like, could I be wrong? I eventually concluded that I don’t think I was, but it leads me to consider the fact of his disability on viewer perception.

Are viewers more likely to forgive his behavior because his wheelchair paints him in a more sympathetic light? That isn’t to say that everyone who likes him only does so because of the wheelchair - I’m sure some people just legitimately like him- but I wonder how many do? And why? Is it because you feel bad for the character? Or is it because, as our only disabled character, we are programmed to view him as a protagonist? Is his disability part of an effort to be more inclusive, or to subtly subvert our expectations regarding his character? Neither? Both?

If he is indeed going to be an antagonist then that raises further questions in regards to Isaac as disability representation. On the one hand, it’s not like being in a wheelchair automatically makes someone a good person- as with any other demographic of people there are going to be nice guys and assholes.

Is it better that they’re treating him like they would anyone else? Like, he’s just a regular guy who happens to be in a wheelchair, and the guy that he is, is prone to questionable behavior. Is it better that they’re treating him the same as they would any other able bodied character in this role? Or, as their only depiction of a disabled character, should they be portraying him in a more positive light? I personally find him to be very manipulative, and often he uses his disability as a part of his manipulation. Is that just an example of Isaac being opportunistic and using the resources available to him, or is it indicitive of a larger problem with his depiction?

Have physically disabled people faced the same issues in media as other groups, in that their depictions were historically negative? I’m going to be honest with you here, that’s not a question I know the answer to. I haven’t seen them largely portrayed as villains, but that doesn’t mean that it hasn’t happened.

I don’t know the answer to any of these questions, and I won’t until I see where season 3 plans on taking this, but these are the thoughts that have been circling my mind since I finished season 2. Do you agree? Disagree? Did any of this even make sense?

#sex education #isaac #maeve #sex education season 2 #sex education spoilers

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ijaws · 4 years

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first of all, only 31% of americans are white men, so yeah it is unrealistic that all of them should be. disabled people can be superheroes (prof x, barbara gordon, rainer in taz) the writers just lack creativity. if your statistics are correct, then at least ⅓ should be poc, yet apart from the wakandans, way more than ⅔ are white. the labels arent idiotic, theyre factual, and representation for minorities is important; being queer or neurodivergent wouldnt affect their ability, theres no excuse

Hmmm maybe I should've been more specific.

From the 1930s to the 1950s is the Golden Age of Comics. 1960s to 1970s was the Silver Age, and 70s to 80s the bronze age.

In 1940 -1960 the White Population of the US was well over 85%. In fact, in 1960 the percentage of White People in the US was 88.6%.

A MAJORITY of the main characters in the Marvel Universe that you see today (Hulk, Dr. Strange, Spider Man, Iron Man, Captain America, Hawkeye, Black Panther, X-Men, etc.) were created at a time where America was overwhelmingly White. More specifically the Silver Age (1960s) of Comics.

If you look at comics today there are numerous POC heroes, villains, and characters that exist. However, they do not pull the same attention that the original heroes do for obvious reasons. The originals have been a part of American Culture for over 60 years now.

So, with a LOT of fan favorite characters having been established in a time where the country was practically 90% white...? Yeah, you're going to see WELL OVER ⅔ of the characters being White. This is why you see Disney/Marvel trying pander to POC audiences by changing the character's skin colors, genders, etc.

Which, if you read my master post about Captain Marvel, you would have seen my preference that if they wanted to represent more POC and Women, they should have selected or invented NEW characters. Hell, I would LOVE to see new original characters and srories. (As long as they aren't practically puking all over the script and plot with political propoganda.)

Instead, Marvel and Disney are pussies and decide to change Original, ESTABLISHED, White Characters into weird alternate versions. It's like changing Black Panther, T'Challa, into some Wakandan adopted White South African guy. While it's probable, it doesn't fit. The same goes for a LOT of other POC characters. Imagine if Storm was changed into a White Woman, or if Luke Cage, Bishop, or even Goliath were changed into a White Guy...

Yeah, it wouldn't only be disrespectful to the characters, but downright wrong. You aren't allowed to have it both ways. That's what we call a double standard.

---

You also misunderstand. I said I JUDGE characters based how well they're written. I don't judge characters based on superficial traits that they've been given/established with. This is what this started out as. You said that its funny how I call Captain Marvel basic when the rest of the cast is a bunch of White, Cis-het, Nuerotypical, Able-bodied, Males.

If YOU personally JUDGE a cast of Characters SPECIFICALLY on their superficial appearance... Yeah, that sounds pretty fucking racist, sexist, anti-straight, and so on. (I'll let you fill in those labels since you seem to be more focused on them than I am.) ESPECIALLY since my criticisms on Captain Marvel have all been on her character, as in her morals/choices/personality, rather than about her white skin and vagina + boobs.

You can ADVOCATE for a more diverse cast, but to call them basic? That's a broad assumption that focuses on the superficial... Again, if you think something is bad because it doesn't check off all your little boxes then I think you personally need to reevaluate yourself. You can be DISAPPOINTED about it not checking off those boxes, but it doesn't make someone's project or work bad or whatever.

#captain mary sue #captain marvel #Marvel #MCU #POC #poc casting #Marvel Comics

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thanksjro · 5 years

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Children of a Lesser Matrix: It’s Like A Saturday Morning Cartoon, But With… Genocide

Children of a Lesser Matrix is by no means a complete work- more of an outline that never got past the “slap some ideas in as they come to you” stage. Fun fact: you don’t have to write in sequential order if you don’t want to. It can actually help with writer’s block to jump around.

Let’s take a look at the writing process, shall we?

I wasn’t kidding when I said the self-insert got the shaft in Eugenesis.

It turns out that back when the Transmasters UK club was a thing, it was pretty common for the members to have a sort of mascot for themselves, a character that would show up in their work repeatedly. You see it nowadays with fanfic writers too, so it isn’t exactly an odd phenomenon, but it’s something I found interesting.

You know who else shows up repeatedly in Roberts’ other works?

Throwback.

But that’s a topic for another day.

This story takes place in the year of 1990. No peering into the future here; this was probably set in the modern day at the time of writing. Seeing as Eugenesis was first published in 2001, it’s safe to assume that we’re looking at the work of a very young Roberts.

Our focus at present is an asteroid in uncharted space.

Oh!

Oh.

Looks like these guys are Autobots, and their ship crashed into this space rock, killing them instantly. These must be the equivalent of Transformers’ red-shirts, because it usually takes a little more to take them out. There’s also a Decepticon, but we’ll get to him in a second.

What else is on this asteroid? Oh, y’know, nothing special. Just the Creation Matrix.

AND IT’S EVIL.

And everyone knows that green is the color of EVIL.

We’ve got an interesting take on the Matrix here, in that A) it’s evil, and B) it’s sentient. Like, really sentient. Also, it can summon demons, and is gonna stuff them in these Autobot corpses it found in the ship.

No mention of what it does with Thunderwing, if anything at all.

Yep. Thunderwing. If you read the IDW Stormbringer miniseries, or the MTMTE Revolutions one-shot, you know about Thunderwing at least a little. In the Marvel UK comics, his whole shtick was that he was obsessed with obtaining the Creation Matrix, believing himself to have an affinity with it. Guess that sort of backfired on him here.

This is the first time I’ve seen something bolded like this in Roberts’ work, and I really couldn’t tell you exactly why, but it’s oddly endearing. Maybe it the mental image of this 14-year old kid just furiously getting this outline down, underlining the word “will" so hard the lead in his pencil breaks off.

We get hit with an interlude, taking place inside a robot grandpa.

Of course, I’m being facetious, but this is a little interesting. Perhaps this is referring to his base on Cybertron, and not Alpha Trion himself. It seems more likely than Roberts mistaking the name for a place.

And who’s inside Delta Triton? Why, it’s Skimmer!

You probably don’t know Skimmer.

Skimmer was actually in MTMTE #41- or at least, he was mentioned. Hailing from Caminus and serving under Thunderclash, the comic doesn’t even know what gender he is. He’s male. Probably can’t put that on the wiki, seeing as this is about as far from “canon” as it gets- an unpublished, basically unwritten fanfiction. It’ll be our little secret, just between you, me, and James Roberts.

Skimmer runs into his boss Quillion- who does not show up anywhere else, as far I can can tell- who doesn’t look terribly happy at the moment. There’s a huge blip on the radar, and it isn’t anyone they want to have over for tea.

Language!

Quillion orders for these massive rocket boosters they’ve strapped to the moon be turned on so they can get the hell out of the way of this honestly preposterously large pile of Decepticons coming their way. They flip the switch, and moon #3 blasts off.

Oh hi, Luna 01, didn’t recognize you there!

Back at the asteroid, the Matrix went and brought the Autobots back from the dead, and proceeds to wax poetic on the nature of life, and how its new underlings will serve it.

That’s the royal we, baby. The Matrix is making no bones about it, this thing is KING. Seems like the Omniforce is a Roberts-original idea. Wonder what that’s all about. And what of this new force of evil?

Oh my fucking god his name is Genocide.

If I were a middle-school kid reading this outline, I’d be losing my mind over how cool and edgy this was. Roberts is trying so hard here, and I’m all about it. You go, tiny JRo. You go full cowl on these evil robots.

Our Omniforce have personalities to match their new looks and identities, and it’s about what you’d expect- these boys are a drop of blood in the water away from going completely feral. Also, Thunderwing’s starting to wake up. So, that’ll be a thing soon.

Back at the interlude, everything’s settling down as the gravity rights itself. The moon almost hit light-speed- which, holy shit- but it looks like the laws of inertia in a vacuum are on vacation today.

Not that I expect a kid from the 90’s to know about that.

They’re roughly 7000 hours away from Cybertron, so they better start heading back now. Assuming that there’s still a Cybertron to go back to.

Back with the first plot, Thunderwing’s having a seizure- Roberts’ prose characters seem to do that a lot- and the Matrix is freaking out, because if he dies, they won’t have a ride off this barren space rock. There’s only one thing to do!

The Matrix zaps Thunderwing with green (evil!) lightning, saving him from the brink of death. Thunderwing is less than enthused with this turn of events.

You get redundancies like this when outlining, it happens.

Thunderwing is pissed, and the brand-spanking new Omniforce isn’t super sure how to handle the current situation. The Matrix, thinking quickly, merges with Thunderwing.

This does not help the situation.

You’ve had them for five minutes, and you’re already killing them. I know you’re new to this, Matrix, but come on now.

TWENTY THOUSAND YEARS LATER, it turns out that Quillion’s estimate of their arrival back at Cybertron was off by just a smidge. The moon runs into a tomb of all things in the depths of space, and brings it on inside to see what all the hubbub’s about.

It’s got a Mind-Krell in it.

No, I have no idea what a Mind-Krell is. Another Roberts original. He’s always been rather ambitious as a writer, it would seem.

Jumping back in time, Thunderwing’s throwing out his rawest lines, and it’s amazing.

Like holy shit, I unironically love this. I wish he’d decided to do more with this, it’s fantastic.

We get our first taste of action. Theres a lot going on here: Genocide is apparently a necromancer, capable of controlling the dead, which Thunderwing currently technically is. However, this takes time to set up, so it’s Black Fusion’s turn to step up to the plate. He shoots off a volley of Black Fusion from his eyes, knocking Thunderwing over.

Yes, they’re named after their powers. Or are their powers named after them? Anyway, they’re about to head for the shuttle, when Genocide orders Kaos to use his- you guessed it- Kaos Energy.

We’re also dealing with the “can’t just use said” phase that every young writer goes through. Kaos’ staff, which he’s had this whole time, turns into a gun? It’s not clear, but he shoots Thunderwing and then dives into the shuttle at the last possible second, Indiana Jones-style.

As the shuttle takes off, Genocide warns their resident possessor Daemon to not do the thing, even though he really, really wants to. With that, they train the onboard weapons systems on Thunderwing below- all of them.

And that’s all we got for Children of a Lesser Matrix.

Clearly there would have been more if he’d continued with the ideas, but as is we have a fascinating snapshot of what was probably one of Roberts’ first forays into writing. You don’t get to do this with very many authors, where you can go this far back and see what they were doing, what changed, what stayed the same. I wasn’t expecting to see ideas from MTMTE pop up here- and certainly not ones that were as big as the moon thrusters.

If this entry seems a little soft around the edges, it’s probably because it is. I’m of two mind about covering this at all. On one hand: it was published online for others to read, which makes it free game, and it’s a part of his growth as a writer, so of course I’m going to look at it! On the other hand: Literal. Child. I wouldn’t make fun of a kid just starting out now, and I’m definitely not trying to rag on a young writer retroactively. That being said...

I’m not gonna lie, this is kind of a rough sit. I mean, other than it being an idea springboard that never went anywhere. There are some neat ideas, but… look, anything that’s truly made from the bottom of one’s heart, out of pure love, is always going to be at least a little cringe-inducing. That’s just how it goes, even with the best writers, and this is an outline written by a kid who grew up on 80’s-era media and was just starting out.

Still, there was a lot of potential here. It’s ambitious, it’s over the top, it’s silly and earnest. I like it. It makes me smile to read it and think about the person creating it and having fun doing it.

It just goes to show that no one starts out amazing at what they do.

Up next, a relic of a bygone era- the ‘zine! It’s The Mystery of the Transformer Decoys, a ‘zine that was printed out and sent via snail mail. We truly are spoiled by the internet.

#transformers #jro #children of a lesser matrix #maccadam #Hannzreads #text post #long post #prose writing

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the-desolated-quill · 6 years

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Quill’s Swill - The Worst Of 2018

Congratulations dear reader. You survived 2018. And you know what that means. It’s time for another best of/worst of list. Welcome to Quill’s Swill 2018. A giant septic tank for the various shit the entertainment industry produced over the course of the year. The films, games, TV shows and various other media that got on my bad side. As always please bear in mind that this is only my subjective opinion (if you happen to like any of the things on this list, good for you. I’m glad someone did) and that obviously I haven’t seen everything 2018 has to offer for one reason or another. In other words, sorry that Fantastic Beasts: The Crimes Of Grindelwald isn’t on here. I’m sure it is as terrible as some have been suggesting. I just never got around to watching it.

Okay everyone. Grab your breathing masks and put on your rubber gloves. Let’s dive into this shit pile.

Hold The Sunset

The news that John Cleese would be returning to the world of BBC sitcoms was incredibly exciting, being a massive Fawlty Towers fan and all. Unfortunately Hold The Sunset was not quite what I had in mind. It’s one of those rare breed of situation comedies that chooses to offer no actual comedy. It’s not a sitcom. It’s a sit. Like Scrubs or The Big Bang Theory.

An elderly couple plan to elope abroad only for Alison Steadman’s son to barge in, having left his wife, and forcing them to put their plans on hold. Hence the title ‘Hold The Sunset.’ It’s like a cross between As Time Goes By and Sorry, but if all the humour and relatability were surgically removed by a deadpan mortician. The characters are weak, the plots are thin on the ground and the humour (hat little of it there is) feel incredibly dated. The middle aged mummy’s boy is something that hasn’t been funny since the 90s. It’s an utter waste of great talent and what hurts even more is that this tripe is actually getting a second series. I can only assume the people watching this are comatose. Either that or there’s an epidemic of people in Britain who have lost the remote.

Avengers: Infinity War

Yes this is one of the worst movies of 2018 and no I don’t regret saying that one little bit. Avengers: Infinity War was fucking terrible. Period. There were too many plots and characters going on, which made the film hard to follow (and what staggers me is that the so called ‘professional’ critics have condemned movies for having too many characters and plots before. Spider-Man 3, The Amazing Spider-Man 2, Batman vs Superman: Dawn Of Justice and even Deadpool 2. But because this is an MCU movie, it gets a free pass. Fuck off). The characterisation was weak due to sheer number of characters they try to juggle, resulting in characters coming off as one dimensional caricatures of themselves and scenes where characters such as Iron Man, Doctor Strange and Star-Lord sound completely interchangeable. The villain, Thanos, is a stupidly and poorly written villain, but that’s hardly surprising considering what a shit job Marvel have done building him up over the course of these 20+ movies. And let’s not forget that pisstake ending. A bunch of prominent Marvel characters die and it’s all very, very sad... except all these characters just so happen to have sequels planned, which makes this ending fucking pointless and have less impact than a feather on a bouncy castle.

I don’t know which is more shocking. That Marvel and Disney think their audience are that stupid and gullible, or that their audience are actually validating their view. Fuck you Disney.

Harry Potter: Hogwarts Mystery

I’ve always wanted a Harry Potter RPG, where you could customise your character, choose your house and actually live a full school life at Hogwarts. This year, Warner Bros and Jam City gave us just that.

That was a mistake.

Harry Potter: Hogwarts Mystery is the epitome of everything that’s wrong with the mobile gaming market right now. The gameplay is boring and involving where you just tap images on a screen until a progress bar fills up. Wizard duels are little more than rock-paper-scissors challenges that require no kind of skill. Bonding with friends and caring for magical creatures just consist of pathetically simple pop quizzes and yet more boring tapping. Oh and of course you only get a certain amount of energy to complete these tedious tasks. If you run out of energy, you wait for it to fill up... or pay up for the privilege. So determined are they to extract your hard earned cash from your wallet, there’s actually a bit where Devil’s Snare strangles your eleven year old avatar and the game effectively tries to guilt trip you into paying micro-transactions to save them. It’s sleazy, gross and manipulative. Honestly, you’re better off just playing Candy Crush.

Agony

When the developers of this game said they wanted to give the player a trip through Hell, they had no idea how true that statement really was. Agony is dreadful on a number of levels. The design for Hell itself, while visually interesting at times, is often not very practical and gets quite dull and repetitive after a while. The stealth mechanics are a joke and the AI of your demonic enemies are pitiful. All of this alone would have been enough to put this game on the list, but then we also have the casual misogyny. Agony is a gorefest trying desperately to shock the player. We see men and woman get tortured, but it’s the women that often get the extreme end. The violence inflicted on them is often sexual in nature and the game seems to go out of its way to degrade and dehumanise women at every turn. The orgasmic cries of ‘pull it out’ quickly become a staple of the game’s experience as we see naked women raped, tortured and murdered, all for the purposes of ‘entertainment.’

I would call Agony sexist, but honestly that would be giving it too much credit. Agony is like a little child trying desperately to be all dark and edgy in a pathetic attempt to impress everyone around him, and we should treat it as such. Go to your room Agony. No ice cream for you.

Peter Rabbit

If you listen closely, you can hear the sound of Beatrix Potter rotating in her grave.

Yes we have yet another live action/CGI hybrid, but instead of something innocuous like the Smurfs or Alvin and the Chipmunks, Sony instead decides to adapt Peter Rabbit, with James Corden in the title role.

It’s about as bad as you’d expect.

Their attempts to modernise the story are painful to say the least with pop culture references, inappropriate adult humour and twerking rabbits. Plus rather than the gentle, but slightly mischievous character we got in the source material, here Peter is a sociopathic delinquent who seems to revel in making the farmer’s life a living hell. He’s unlikable and unwatchable as far as I’m concerned and the film doesn’t in anyway earn the emotional moments it tries so desperately to sell to the audience. And the worst part is it’s getting a sequel.

Wait. Do you hear that sound? That’s the sound of Beatrix Potter tearing out of the ground, ready to kill whatever idiot came up with this shit.

Fallout 76

I was excited for Fallout 76. A MMORPG where players band together to rebuild society after a nuclear apocalypse. Could have been great. Pity it wasn’t.

Fallout 76 is a dreadful game. Not only is it a buggy, glitchy mess that requires a constant online connection to play, which could result in you losing hours of progress if your WiFi went down, it’s also unbelievably tedious, and that’s because there’s nothing to do in the game. There’s no other characters to interact with, the various robots and computers you come across are really little more than quest givers, there’s no actual plot so to speak, and because of the sheer size of the world and the number of players allowed on a server, the chances of you actually meeting any actual players is remote. And let’s not forget all the behind the scenes drama. Bethesda falsely advertising Fallout themed canvas bags and players getting shitty nylon ones. Bethesda accidentally releasing the account information of various players trying to get a refund for said bag. Bethesda failing to program the year 2019 into the game code, meaning that the game’s nukes don’t work.

Maybe there’s a chance that Bethesda could pull a No Man’s Sky and fix everything over the coming years with various patches and DLCs, but the damage has already been done. It’s incredibly disappointing. The Elder Scrolls 6 is going to have be fucking incredible to win everyone back.

Mama Mia!: Here We Go Again

I can’t stand jukebox musicals anyway, but Mamma Mia was always one of the worst. Its boring, meandering story with its one note, obnoxious cast of characters screeching out ABBA songs like they’re at some drunken karaoke session at some poor sod’s hen party has always grated on my nerves. So imagine my delight when they announced we were getting a sequel. Ever wondered how Meryl Streep met her three lovers and founded her hotel? No? Well tough shit, we’re going to tell you anyway.

Mamma Mia: Here We Go Again is basically just Mamma Mia again. The actors still can’t sing, the characters are still annoying and story is still boring and meandering, completely at the mercy of the chosen songs rather than the filmmakers using the songs to compliment the story (you know? Like proper musicals do?).

How can I resist you? Very easily as it turns out. Gimme, gimme, gimme a fucking gun so I can end my misery.

The Cloverfield Paradox

A lot of people were unhappy about the direction Cloverfield was going. They wanted a continuation of the found footage, kaiju movie from 2008, not an anthology series. I was personally all in favour. Partially because I thought the first Cloverfield was a tad overrated, but mostly because I thought it would be a great opportunity for more experimental film projects and could be a great launchpad for new writers and filmmakers. 10 Cloverfield Lane was a great start. Then The Cloverfield Paradox happened.

The Cloverfield Paradox is basically JJ Abrams trying to have his cake and eat it too. Maintaining the anthology format whilst connecting everything together in a ‘shared universe’ (yes, yet another shared universe). The result was a cliched, poorly edited and idiotic mess of a film that actually took away from the previous two films rather than added to them. Everyone hated it and, as a result, 2018′s Overlord, which was totes going to be part of the Cloververse, was made its own standalone film and Abrams double pinky promised to make a true sequel to the original Cloverfield. A complete and total disaster. No wonder it was a straight-to-Netflix film.

The Handmaid’s Tale - Season 2

This is probably going to be the most controversial entry on the list, but please hear me out because I’m not the only one who has a problem with this season.

I was reluctant to watch The Handmaid’s Tale simply because of how gruesome the original book was, but I forced myself to watch the first season and I thought it was pretty good. It remained faithful to the source material for the most part and included some nice additions that helped to expand the story and mythos. If it was just a one off mini-series, everything would have been fine. But then they made the same mistake as The Man In The High Castle and Under The Dome did where they commissioned another season and attempted to tell a story that goes beyond the book.

There’s a reason why the original story ended where it did. The Handmaid’s Tale isn’t meant to be an empowering story about women sticking it to the patriarchy. It’s a cautionary tale about how fragile our civil rights truly are and how easily they can be taken away from us. It’s designed to shock, not to satisfy. So seeing a handmaid blow herself up in a suicide bombing feels very incongruous and just a little bit silly. It would be like doing a TV adaptation of George Orwell’s 1984 where the first season followed the source material and then the second season turned Winston Smith into this heroic freedom fighter trying to overthrow Big Brother. It would represent a fundamental misunderstanding of what the book was about in the first place.

And then of course there’s the increased level of violence in Season 2, which many have complained about. In Season 1 and the original source material, the violence was justified. In Season 2, the motivation behind the violence has gone from ‘how can we effectively demonstrate how easily a fascist patriarchy can happen in the West?’ to ‘what brutal act can we inflict upon Ofglen to shock the audience this week?’ It’s purely for shock and nothing more. And with the showrunner (who I feel I should mention is a man) announcing that he has planned ten seasons of this, it seems that The Handmaid’s Tale is going to go even further with this depravity until it effectively becomes the equivalent of a Saw film.

The Handmaid’s Tale exists as a way of shining light on and critiquing misogyny in its most extreme form. Season 2 however demonstrates that there is a serious risk of it becoming the very thing it’s criticising in the first place.

The Predator

I love the Predator franchise, but The Predator is the worst.

People thought that this would be good because director Shane Black had actually starred in the first Predator movie back in 1987. Instead we got this bloated, confusing, obnoxious and insulting mess of a film that seems to go out of its way to ruin everything that makes Predator so good. There’s no tension. No suspense. No intrigue. Just a bunch of gore, explosions and shitty one liners from annoying and lifeless characters. They essentially took this big alien game hunter from outer space and turned him into a generic monster from a bad summer blockbuster. It no longer hunts for sport. It wants to take over the world and splice our DNA with theirs. But don’t worry, a rogue Predator doesn’t want to kill humans (even though he himself kills a bunch of humans), so he gives us a Predator Iron Man suit to set up a sequel that will probably never happen because this movie was a box office bomb and it fucking SUUUUUUUUUUUUCCCCCCKKKKKKKEEEEEDDDD!!!

This film also has a very nasty streak towards those with disabilities. There’s a lot of jokes at the expense of a character with Tourette’s and it has an extremely ignorant and patronising view of autism, portraying the main character’s kid as being a super genius who can decipher the Predator language and even going so far as to say that he represents ‘the next stage of human evolution.’ Presumably the Predators want social communication difficulties because apparently it helps them hunt somehow.

What with Disney acquiring 20th Century Fox, the future of both the Alien and Predator franchises were very much in question. This film needed to be a success in order to make a case for Disney to keep making more of them. It wasn’t. Congratulations Shane Black. You might have just killed off this franchise for good. Thanks arsehole! :D

So those were my least favourite stories from 2018. Join me on Wednesday where we shall discuss something more positive. Yes, it’s awards season. Who shall win the coveted Quill Seal Of Approval? Watch this space...

Or don’t. It’s up to you. I don’t want to force you or anything. It’s a free country.

#quill's swill #quill's swill 2018 #worst of the year #review #opinion

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scummy-writes · 6 years

Text

Con Adventures!

--- Day One ---

The first day of con was pretty neat, and the very first thing we did was make our way to the dealers room so we could get to Cheritz's merch booth asap! The line to the room was kind of crazy, and I had never really been made to wait in such a long line for the dealers room before, but it was worth it finally getting to the booth!

(One side of it, I never managed to get a picture of the other side ;×; )

Thankfully the line wasn't too big, and everyone was very kind! I ended up spending....a lot.... but a fun thing the booth did was give you these bags if you bought something! The front and back looked like this:

While in line, I got to meet Mantamints, Mod Zen from Doodlemessenger, and Saeranuu! They were all such sweethearts and so nice, and Saeranuu even gave me a postcard!

So cute!! I was with Crystalsoul16 and Byebi during the con, and so Byebi was where I got the adorable Seven sticker from!

Pretty soon after saying hi and so on, we wondered around the dealers room until it was about time for the autographs to start, and we sat in the pre-line for a while and messed around on our phones while fawning over our bags.

I ran into the V and Yoosung cosplayer then, and got a picture, but right before then the Yoosung had asked if we wanted them to punch V before the picture and I ended up going "nOOOOO!" while laughing a lot. They were funny and kind!

For the autographs line it was really nerve inducing! I've only managed autographs from bands I've enjoyed before, but this had me so nervous, aaa orz Everyone has fun stories, but all I ended up doing was saying "Thank you" 2937947 times like a broken record, because I was too scared to say much else and didn't want to bother them.

They weren't mean, of course, and were incredibly sweet, but....ya know....anxiety. I ended up wearing my RFA badge to get the paper, and I'm so happy I was able the paper! I didn't......really.....bring....anything to sign....outside of that KSHSKDK i was a dumbass.

V's voice actor ended up asking for clarification on how to say my name, but since it's a little difficult he ended up pronouncing it wrong, and....without thinking...i corrected him, and I really regret doing that because he apologized a bit and I had to sit there feeling like a jerk o|-< People get my name wrong all the time at work so I'm used to rolling with it, so I have no idea what possessed me to correct him.

The autograph paper was great because they ended up having the VAs that couldn't come presign it! I'm so happy to be able to get all of them, but I'm also incredibly happy Sujin Ri was able to sign it was well! She looked so happy being asked to sign it!

After that, it was more wandering around the con, and I managed to run into Crystalstellar!! She gave me skeleton washi tape rolls ;v; She remembered I love skellies....

I closed my first day with this beauty:

I know its not MM related, but a quick note- People who can play this machine on extreme and get over 90% completion are insane and terrifying, but amazing to watch! Me and another guy were in line for the machines watching two dudes absolutely ROCK and we ended up talking about how awesome they were at it!

--- Day Two ---

I know everyone wants me to get to the panel stuff asap, probably, but for a little while I didn't even think we were going to make it to the panel! Crystal, Bibi, and I left the hotel early enough to try and get a good spot in line for the panel, but ended up getting stuck in a line for bag checks that wrapped around to the back of the first building.

I'm very, very, very, v e r y, thankful they did bag checks- incredibly thankful, but we waited in line for a while in super hot weather, with folks in full body costumes and such around us, only for them to...barely even check my bag????? The first day I had a small purse, and the woman checked the pockets fast and efficiently, and sent me on my way, but the second day I had a backpack on and the dude completely ignored two pockets?

I even pointed it out to them because they were big enough to like, put dangerous shit in if someone wanted to, and he told me to go ahead anyway? Like....if you're going to have a bag check line so big and make a big deal out of it, why the fuck aren't you actually checking the bags???

Jesus christ. I'm thankful no one wanted to do anything dangerous at the con.

Anyway, we ended up making it to the panel line in good enough time to get good seats, and eventually got in!

Before talking about the panel, I do want to link This Post where Mod Zen from Doodlemessenger recorded the panel from their spot! As of right now the official panel video isn't out, so this is nice for those of you who couldn't come! (Be sure to thank Mod Zen!!)

I don’t know what all to say about the panel, to be honest, especially after linking a video about it, but the person who set up the sound/video and was introducing the game was so funny and sweet. He seemed very nervous, but I felt like he helped give a calm air to the room, you know? He wasn’t afraid to joke around a little and he explained how surprised they were that so many people showed up.

I wasn’t really expecting them to play the opening video, but hearing everyone sing along made me happy ahhh ;;;; I get stupidly emotional over stuff like that ;w; And people actually cheered for Jaehee and Yoosung!!! I was so happy at that too!! I hope Cheritz can see that lots of people love them as well aaaaaa

I did like how they had the VA’s come out to reinact a few key VNS, and I was pretty surprised they had Ray’s VA do That VN, but it was so nice seeing and hearing all of them live, aaa.....aaaaa

I think my favorite parts of the panels were Sujin Ri explaining her thought process with the characters, and then the Va’s talking about how they felt towards their character/others. It was interesting hearing it all, and honestly Sujin Ri talking about how Seven came to be killed me o|-< I just really wanted to give her a hug after that.

However, when she was talking about Jumin, and confirming he went through something traumatic with his mother, I felt aaah...sad and worried. Of course I’m not sure if she meant his birth mother, or a step mother, but I’m hoping that one theory I had isn’t actually true. It’s one thing to have it as a theory, but it possibly being true really....really....hurts. Not trying to say I hate that being written in, but I just don’t want these characters to have such hardships weeps

Hearing that Rika purposely made Yoosung weaker as well hurt. aaah o|-< I dont know why I had hoped otherwise, though, when its apparent that she hardly had any sincere relationships of any kind.

And speaking of, I was very thankful that Sujin Ri said that she had aimed for folks to see V and Rika's relationship as abusive- because it is. That's not me pointing to shippers and trying to mock them, I just mean I'm thankful that she was blunt about that, and that there's a good of how some relationships seem perfect at a glance, but once you pay more attention you can see how abusive some really are.

In my opinion, theres a lot of relationships portrayed as healthy or ideal in most medias, so I'm thankful when some abusive ones arent always shown as the same carbon-copy cutout tropes people often try and show them as- so that people can see abuse takes many shapes and aren't always covered in warning flags.

Ahh, serious topics aside, I also think V's va was....a huge highlight of the panel. He was hilarious, sweet, and, well...the Rika thing killed me akahjwhkwbqjshdkg

A lot of people are probably very upset the panel didn't get to Rika, and also didn't get to a Q&A session, but I hope you all realize that they were trying very hard to cover all the bases. Apparently, the con ended up cutting their time short, but I don't have any links to prove that, it was just what I've heard.

I'm assuming they're probably going to upload the video and maybe have an addition of Rika with talk of her VA (I hooope T_T) and try to answer the online Q&A's in some sort of format.

There's parts of the panel I didn't mention directly, and I want you guys to know that doesn't mean I hated those parts- I loved the whole panel. All of it. Every bit- I just don't see a reason to go over every little bit when I've linked a post with a recording of the panel, aaa... But if you guys wanna ask questions about my thoughts on things, please feel free! I love asks like that.

After the panel we ended up wandering around the artist alley a lot! I felt bad I couldn't snap some pics of another Rika cosplayer (and there was someone dressed as V's mom too!!!!!!!), but I had loads of fun! There were so many more MM cosplayers out on Sat, and it was so cool seeing all of them! I even ran into someone that looked so much like Saeran!! (But my friend took pictures of them, haha, I ended up getting too shy to ask if I could take one).

At the end of the night, I got to play Sushi Go with friends! I talked a little about that in a previous post, but it was so fun!

And...then I snuck to the Miku machines before the game room closed aaaaaaaaa

--- Day Three ---

IIIIIIIIIIIIIIIIIIIIIII

Went home.

Dhskjdkd I know some of you are probably like "Whaaaat!" Because there was another autograph signing, and as much as I love Cheritz and the Va's, there was an 8 hr drive ahead of me, and parking in Washington is fucking insane. Me and Crystal decided to head home as early as we could, and I'm glad for that because it was pretty late when we got back orz

I still have a lot to do, like find a proper pillow for my ray emoji case, and to hang up everything I bought, so I'm sorry for this post taking so long orz I'm still exhausted

Thank you for reading!!

#scum goes to The Con

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jewpacabruhs · 6 years

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I was reading your tags and please, for the love of God, write a Mafia AU. I haven't been able to find any good ones.

i wanna so bad! i find organized crime fascinating, & i’m also a big movie nerd, with crime films being my fav genre, so im super into that sorta thing. definitely would love to see it, but o boy, maybe ill jus write it myself?? gotta do everythin myself haha

i’d def go the historical route, so it’d be interesting to try to both apply characters that are firmly rooted in 90s/2000s behaviors & beliefs, and stick them in the 1900s. oh, boy, writing historical stuff is a pain. so much research. worth it tho, if it’s done well. aye, and it’ll be cool to try to keep it as nonfictional as possible. like, attempting to insert the kids (as adults, obvs) into crime history. i wonder if i could do tht? it’d be fun. it’s definitely uncharted waters. there’s a lot of potential there.

but, hmm, i think mafia aus are so rare in fandom (not just the sp fandom, but across the board) bc they contradict everything that’s popular in fanfic. mob aus would feature violence, business, finances, and corruption. whereas fics prefer cuddles, leisure time, a world where money aint an issue, and wholesomeness. and considering the majority of fic is written by horny and/or love-starved teenage girls who dont know or care about the aforementioned subjects, it makes sense. kinda a bummer, but understandable. in the defense of like everyone, lmao, those sorta fics take a lot of planning, & aint nobody got time. so i get it.

oof i think a major thing too is how gay-centric fic/fandom is, when the mobster world is undeniably a heterosexual one. thats an issue. shit, i wonder how many gay characters i could get away with while keeping it realistic. i mean, im sure there were gay mobsters, in fact i’ve read about a couple, but the lifestyles did not go hand in hand, lol.

IM STUPID NO ONE CARES ABT THIS DUMB SHIT HERES IDEAS

i’m thinking 1940s new york. im inclined towards kyman, as u probs kno, but again, the gay thing. huh. maybe i can figure it out. maybe theyre young bachelors, and theyre business partners & fuck around sometimes. we’ll see. anyway. if we’re gonna include all characters….

cartman would pull a goodfellas - he’s of, what, german descent? hell, considering his parents, he probably wouldn’t even exist in this universe. eh. well. he’d def be from yorkville, manhattan, cuz tht was a german neighbourhood. anyway he’d weasel into the italian mob, bc he’d be into the idea of 1) exorbitant amounts of money, and 2) being feared/respected. his authoritah! psh. and someone would notice how smart he is & mentor him, regardless of nationality. he’d quickly make enemies, though, because he’s rude & brash. he’d also quickly become one of the most respected young dons (would he reach that level, without a family? doubt it. he’d have to become a made man, which i believe is reserved exclusively for italians ….. ehhhh ill figure it out. maybe he’d branch out, start his own crime family. that’d be interesting. ooo.) damn, ukno, i think the 40s would make a real interesting character out of cartman. huh. yah, that’d be cool to explore, how that time period would shape him. like i said, he likely wouldt even exist. did the denver broncos exist back then? doubt it

kyle would get wrapped up in the jewish mob (which existed, and which i’d personally l o v e to be a part of lol - if i was born 100 years ago), maybe while trying to protect ike from getting involved? that’d be cool. maybe he’d demonstrate his brains & be offered a job as an accountant or an attorney, and he’d be forced to comply, either bc 1) his fam was threatened if he declined, or 2) his fam was doing bad financially & needed it. maybe both. hell, maybe he avoids the jewish mob & gets involved with the others. MAYBE IKE IS THE ONE IN THE JEWISH MOB & WANTS HIS BROTHER BACK FROM THE ITALIANS. OOOOOOOOO also they’d be from brooklyn, likely, bc that’s where jews were primarily located back then. u kno there was 400k jews in new york in 1899?? including my great great great grandparents. that’s a shit ton of jews lol. lil fun fact for ya.

wait ok so oof this is hard now, bc the mob was primarily divided into three chunks - the italians, the jews, & the irishmen. there was also the puerto ricans, but that was, like, a different division. i’m mentioning this because nationality was important to mobsters, to all organized crimes groups actually, but south park doesn’t make a habit of mentioning what countries each character’s ancestors came from, lol. so it’d be a lot of writer interpretation. and that’s cool and all, but doesn’t give me much to work with, considering most of the kids are white and likely german/england-descended.

i could make kenny & butters irish. that’d work. i think kenny’s last names irish, actually. they could be from hell’s kitchen, which had a p hefty irish-american population. maybe i could make stan irish, too. wendy might be able to pass for italian (little italy manhattan??? maybe the bronx??? im tryna think geography lol. for scale.). that’d work, if i wanted to put some stendy in there, bc i love making stan the token het guy, haha. maybe wendys dad marries her off to stan to form an alliance between the italians & irish. that’d be interesting. maybe cartman was rallying to get wendy to marry him, bc he needed to marry someone bc of, like, societal expectations, & she was the only girl who caught his interest. maybe he declares war on stan, to win back the bride he wants. maybe kyles best friends w stan, tht happened somehow, & interjects. goes to meet cartman to discuss a way out - ohhhhh theres my kyman babay!!! oooooo!!!

omg. plot forming. this is def an interesting concept. maybe i can use it as a chance to write a plot-oriented fic that doesn’t rely heavily on ships. that’d be awesome. i’ve wanted to do that for ages.

maybe we can squeeze christophe in as a french immigrant, maybe an associate of someone. same with gregory, but, like, british. that’d be fun. craig & tweek can be somewhere in there, too. associates of cartman or something. maybe they own a brothel. oooh. who else. bebe! maybe she can be a cabaret dancer who someone falls for. nothin wrong w hetero nonsense if it’s done right & if it aint nonsense. yah? maybe she can be ken’s love interest. also maybe token & nichole can be in there somewhere, from harlem?

this sounds fun as fuck, though, def. im really obsessed with new york right now, so maybe writing this could be a love letter to its history. that’d be dope. ooh, and im from las vegas actually, born & raised, so maybe i could do a chapter set there, considering the mob was very influential in the strip’s development. that’d be rad. holy heck. im excited abt this now. gotta finish oboitd asap & get into this, haha.

o shit. i jus realized, like, just how much research i’d have to do. like, not only about organized crime, abt 40s slang & dress, abt new york, abt everything. oooh boy this is a Project

ill get on that eventually haha, im into it now. it’s 4am rn tho so ima sleep, gnite anon

#anon #fics #ref #save

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alienvirals · 7 years

Text

The X-Files episode two recap with an autopsy and aliens, all’s well

Kicking off with a mysterious death and some admirably tasteless shocks, the new season is picking up although William, Scullys son, remains annoying

I havent known pleasure for quite some time

The second, much improved episode of the X-Files reboot after last nights mildly appalling agglomeration of false starts begins on a perfectly series-appropriate note, which is to say a gruesome death by invisible means. The first thing after the last-on recap we see in the latest hour, Founders Mutation, is Dr Sanjay, a harried-looking scientist guy with some broken blood vessels in his eye. He departs this plane of existence five minutes in by dint of a none-too-comfortable-looking letter opener in the ear, apparently self-inflicted. Its good to be back.

The episode then follows a lot of the conventions of an old-fashioned detective movie: postmortem investigation of the subjects secret life, and then the larger conspiracy obscuring its most important elements. Sanjay tells his work buddy on the way in that he hasnt known pleasure for quite some time but that appears to be only partly true: hes in the closet, and his hook-up buddy is codenamed Gupta, which we are told is marathi for secret. (Sanjay and his boyfriend Gupta, though? Could the scientists surname not have been Patel or something?)

Thus begins the investigation, a touch abruptly, since theres a lot of connective tissue missing between the first two episodes. At the end of My Struggle, were told that the X-Files have been reopened in the final shot, but by the next day (although who knows how long in TV time) Mulder and Scully have been reinstated completely and are waving badges around and arguing with officious Department of Defense guys trying to abridge their investigation in the name of security clearance.

But frankly, this is what I signed up for: Scully does an autopsy, Mulder steals a cell phone (and then argues with Scully about whether hes invading Sanjays privacy or not) and the two walk around a dark apartment with their Maglites out instead of turning on the lights. Much is right with the world.

Find her

The death which isnt exactly a murder is the fault of a teenage kid with superpowers whos trying to find his twin sister; because this is The X-Files shes of course held in a sterile windowless laboratory by an evil scientist working for the DoD with dozens of other children, a lot of them with deformities.

This feels like the right place to point out that the episode is written and directed by James Wong, not merely a TV vet going back to 21 Jump Street and one of the better writers on the original X-Files (he co-wrote the classic episode Tooms with Glen Morgan, among many others), but also the director of the popular Final Destination horror movie franchise. The X-Files isnt exactly a horror series, but it isnt exactly not a horror series, either.

The central gimmick of the episode that theres a character who remains largely unseen until the last few minutes who causes crazy, in Sanjays case terminal headaches as he uses his ESP is visualized in a very clever and simple way: as the victim (first Sanjay, then Mulder) writhes in pain, the other people in the room appear to be saying what the off-screen mutant is trying to communicate to him, in Mulders case, the words Find her. Its something a horror director would come up with, and its very effective.

The most important thing to remember is that I love you

And it would all have been fine if we didnt start getting flashbacks of Mulder and Scullys kid, William, far and away the least interesting thing that ever happened in the final few seasons of the shows original run. I guess the kid has alien DNA, too, since it was revealed in episode one that Scully has.

In practice it seems to mean that the kid turns into a monster during his teenage years, which I call par for the course. The flashbacks, though, are ridiculous, forced, and adulterate what was for about 25-minutes a pretty compelling monster-of-the-week story. (I infinitely preferred the monster-of-the-week episodes of The X-Files to the grander conspiracy episodes.) If you are a person capable of taking the latter seriously and had some kind of emotional investment in William, I apologize for this and all future recaps of the X-Files, because I hate him so, so much.

Anderson has an unbearably syrupy scene with William (whether flashback or dream, it looks like it was inserted very late in post-production indeed) in which she tells him as he heads off to school that the most important thing to remember is that I love you, because thats a thing Scully apparently says easily and with none of her trademark iciness when William is in the frame; Gillian Anderson is a wonderful actor but its hard to play completely against your character. Theres a better flashback with Mulder that includes some freaking out over Williams terrifying physical changes, but both reek distinctly of having been shoehorned by Carter into an otherwise interesting episode.

We choose to go to the moon

Because this is The X-Files, things dont get less complicated, but they do get back on track, sort of. With everybody talking about The Founder Mulder and Scully finally finagle a meeting with him hes Dr Goldman (Doug Savant, a blast from the 90s all by himself many nostalgia-seekers will remember him as Melrose Places Matt Fielding), a creepy dude with creepy obsessions involved in a creepy baby-stealing plot.

Said plot may or may not (prediction: it will) involve Scullys own weird immaculate conception of William, but Wong uses it to create some genuinely disturbing moments including a DIY abortion scene that leaps boldly across the bounds of good taste; he also directs a scene of superpowered twins reuniting at the end of the episode thats straight out of an X-Men movie and well worth putting up with the missteps.

And look, if you really like William, theres a genuinely sweet scene between him and Mulder at the end of the episode in which the two launch a model rocket and Mulder quotes JFKs we choose to go to the moon speech to him … and a shocking revelation about what happened to him, if you think that a show repeatedly revealing that everyone on it was abducted by aliens (or, I guess, using alien technology, if were buying Carters retcon from last episode) is shocking.

Part of the trouble with this reboot is that The X-Files predates serialization and Netflix bingeing, so its possible to see all the shows flaws in stark relief. As I say, the show kind of perfected a sort of horror mini-movie style of TV, and its a little disappointing to see it mired in nonsense while its trying to reinvigorate that form. There are very, very few dramas Black Mirror, maybe, and a couple of others trying to do anything but serialisation at the moment. I have high hopes for next weeks episode, which colleagues tell me is the best of the bunch so far.

Read more: http://www.theguardian.com/us

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