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#is that they tend to not think about it from a human perspective
oifaaa · 1 year
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Wait so do u think timmy wasnt neglected as a child or do u think that neglegence isnt a big deal as long as their rich
Damn friend you really asked that in the most dishonest way you possibly could, like the only reason why I wouldn't think tims parents are neglectful is bc they're rich and not bc I just don't think they qualify as neglectful but let's go into it anyway
First off let's get our definition correct neglectful in parenting means the failure of a parent or guardian to provide basic needs for a child such as food clothing shelter medical care or supervision, which when people refer to tims parents being neglectful they're usually talking about that last one but even that's a stretch considering while tims parents were away working alot they never just left tim to fend for himself usually tim had someone else to watch him mostly in the form of boarding school so by the broad definition Jack and Janet drake were not neglectful parents - just bc theyre weren't always physically beside tim does not make them neglectful
Now do I think Jack and Janet were perfect parents - no but I do think people give them a lot of grief for reasons beyond their control such as them being away alot since theyre archaeologists and it's part of their jobs to travel alot personally i think it'd be worse if instead of leaving tim in a safe stable environment they were constantly upheaving him, moving him around and disrupting his schooling so what he could hang out at a dig site? Also we don't actually know for sure how often Jack and Janet were away for - we just know Tim wishes they were home more which btw is understandable I'm not saying Tim can't be upset at his parents not being around more, I'm just saying it's not exactly a good enough reason to jump to jack and janet were the worst parents ever like a lot of people seem to do.
The other thing people like to point to when talking about bad parenting is Jack and how he interacts with Tim after Janet died which honestly is just alot of the parent and child love each other but don't understand each other causing conflict troupe it's not exactly something I could really say puts Jack on the worst dad's list especially since he does try to be better and does get that character development as time goes on (you know before he dies too)
Anyway this is all long enough but I wanted to end on a cute note with these pages from this week's issue of batman #134
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widowshill · 7 months
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happy aro week to everyone who celebrates. give your local aro a hundred dollars to compensate for their suffering (me).
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bmpmp3 · 5 months
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dysgraphic artiƨts risɘ UP!!!!!
#raise your pencils!!!! and erasers. to fix the backwards letters 😔#sorry still thinking about my weirdness with my art professors. yknow a lot of em have been really pushing us as#students to make our personal identities a major part of like our 'brand' as artists#which. well from an art history major perspective thats a very contentious and nuanced topic. i love a lot of artists who live this way#and i think its great seeing my peers who focus on identity thrive. but also as an fine arts major (double major fool LOL)#i keep getting pushed by teachers into like. specific '____ artist' identities???#specificaly woman artist. which is a little bizarre because im a bit fat and a bit gnc so im generally like. ungendered? in day-to-day life#(which doesnt actually matter to me directly that much honestly LOL people tend to view me as like. buddy? buddy or pal.)#(not man. not woman. not anything human. sometimes i remind people of a beloved dog. which. hkdsahjk thats its own can of worms)#(a can of worms that also doesnt matter much to me directly because im a wannabe furry who chose to be the dog when playing house as a kid)#(LOL so um. well. theres that) but yeah i dunno i dont really consider myself a woman artist. its been. shockingly (and sometimes luckily?)#irrelevant to most of my life and experiences and art (although dont get me wrong misogyny is very real and very present) so i dont#have a whole lot to say about it from an art perspective. you could also call me all kinds of things. a queer artist. a mixed race artist#again technically correct. some aspects more visible in my work than others. but also very technical. i focus on race a lot in in my#art historical work but i dunno how much my drawings have to say. except that i keep making too many mixed ocs LOL#i dunno i just think my professors gotta focus that energy away from tokenizing me and over to supporting like actual#capital W Woman artists capital Q Queer artists capital A Artists of Colour who are doing far more interesting things than I#far more thought out and engaged in these topics directly. i just kind of stumble into my art blindly and confused <3#sorry that was a long tangent WHAT IM SAYING Is despite all that: i do consider myself a capital D Dysgraphic artist#i think its an unmovable constant of my art and the way i draw and the way my hands move. the untrained eye doesnt seem to be as aware#of it directly. but those who are familiar can probably see it. the dysgraphia LOL if not just from whenever i write a letter or number#half of them are busted and frantically fixed HDKJSDJDS but its in all my art. if u can see it <3 ive been trying to embrace it#dygraphic artists raise your pencils indeed!! and throw away the eraser!!! make the legibility of your words everyone elses problem!!!#what does that say? what is that sketch? none of my business! none of your business!! its the business of my hand and the pencil alone#motor skill and spatial issues take the wheeeeeeeeeeeeeeeeel
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mourn-and-watch · 1 year
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people love to come at kaidan and ash for comparing shepard to a husk on the mission on mars in me3 and yeah there's no point of denying that they put it in a very tone-deaf way but. what they witness here is genuinely terrifying from their point of view.
shepard is a person they care about. they're their commander, in some cases a friend or a lover, someone they look up to. and they died. and they were brought back by the terrorist organization that's known for its inhuman experiments. and now it uses reaper technology and makes husks out of its own people. from kaidan and ash's perspectives this is literally "came back wrong" scenario. they look at this cerberus soldier with innatural pale face full of reaper implants and then at shepard and can't help but wonder if there's a ticking bomb somewhere inside them. if one day they'll wake up and say there's no point to fight the reapers and look at their crew with shallow blue eyes.
like. they don't intend to dehumanize shepard. they're fucking terrified of the possibility that shepard has already been dehumanized by the people who recovered their dead body to rebuild it and ressurect them in secret for the goals of an indoctrinated man
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gibbearish · 6 months
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a weird little thing abt me is i will definitely mock shitty ai art but it never feels right doing it about the hands simply by virtue of the fact that a lot of them look indistinguishable from the hands i was doing years ago when i first got a drawing tablet
#like id have the right number of fingers obv but like. putting the thumb on the wrong side#fingers bending weird directions or connecting in weird places#weird anatomy at joints‚ freaky nails‚ bad proportions‚ bad perspective‚ etc etc etc#people say 'this isnt ai like in sci-fi its just machine learning' but to me its a lot more interesting to look at it as#'this isnt ai like in scifi /yet/'#like yeah the stuff ai does in fiction isnt possible at this point but like. i find it difficult not to wonder if this#is the ai version of infancy stages yknow? like.#ppl go 'its cant write its own stuff its just recycling stuff its been fed' as if thats not kinda how people . learn to talk?#idk i just find it hard to agree with arguments that act like where we currently are at is the furthest these technologies could possibly#evolve in our lifetimes#'it just makes things up' you mean like toddlers going on long winding rambles about unicorns and monsters or w/e#'it cant do art good' you mean like a child? or even just literally Anyone who doesnt know how to draw yet?#like. idk. i feel like people are trying very very hard to insist the ai of today is still the same as it was in the clevverbot days#and that its impossible to evolve any further#people want to cling to the old days when ai stuff didnt pass the turing test by a much wider marging than it tends to now#dont want to admit that it does indeed sometimes surpass the turing test and likely would be able to even moreso were it#not for restraints#(see: that one stock trading ai that did insider trading vs various chatbots not bring allowed to write disparaging things#about copyrighted people or w/e)#if ai stuff was still truly indistinguishable from human works then we wouldnt need to spend so much time#hashtag exposing things as being ai generated#and i just think its bad to‚ in pursuit of that‚ mock things that are like. just stuff all beginner artists struggle with#i guarantee you there is not a single artist out there who hasnt drawn a hand that made them want to curl up and die at least once.#i got very off-topic there but swung it back around at the end there so. hashtag win#origibberish
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stormsthatrage · 9 months
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It bugs me that so many people's default example of published fanfic is 50 Shades of Grey.
What about West Side Story, a famous modern AU of Shakespeare's Romeo and Juliet?
What about Dante's Inferno, a self-insert RPF if I've ever seen one?
What about Wicked, a pre-canon AU of The Wizard of Oz?
Hell, what about Percy Jackson? There's definitely an argument to be made that that's a modern AU of various Greek myths.
Humans have been writing fanfic as long as they have been telling stories. In about the year 20 BC, our dear Roman poet Ovid wrote the Heroides, a series of aggrieved "letters" from the female characters of famous myths to their respective male heroes. Are you telling me that Ovid, writing a letter from the perspective of Queen Dido to Aeneas -- Aeneas, whose fantastical adventures were put into poem by Virgil -- wasn't writing an outsider-POV fic? A fic that is, in fact, translated in Latin classes world-wide today!
There is so much famous fanfic out there, but people tend to forget that it is fanfic once it becomes mainstream enough. And as a consequence of that, people who aren't into fandom don't see how beautiful fanfic is, and some members of fandom feel shame associated with writing and reading fic. But fanfic is beautiful, and it is something humans have always done, and it is nothing to be ashamed about.
So if you ever find yourself in a situation to give an example of published fic, think outside the box. Remember that published fanfics hide in plain sight; once they're famous enough, we no longer think of them as fanfic. And never forget that fanfic is a very, very old human tradition, and your ancestors who partook in it would not have wanted you to feel ashamed of it.
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as true as it is, there's more to the appeal of human domestication guide than "the fantasy for trans girls is to be loved unconditionally," it's that the affini can prove it. I'm certain there are people in my life who do love me unconditionally, but even then on some level it's hard to believe fully. it's impossible to prove a negative, "this person would love me no matter what" isn't something I could ever be comfortable testing anyway. "what if it isn't true?" a big part of being trans is having to justify your very existence even to well meaning people, and what happens when your justification falters?
and I think a big appeal to the affini that seems to be lost on a lot of people is how these stories tend to be from the perspective of "the person who is just about as against this as someone possibly could be." consider HDG proper, Elvira is against capture on a moral level for obvious reasons like "kidnapping is wrong" and "I deserve freedom," but she's also personally racist towards the concept of aliens. all of this forces the affini into a position where they can't just show "enough" kindness, to move from that position to one of love and trust, the affini are forced to show so much love and kindness that they prove beyond a shadow of a doubt that they really do care. they understand that behind every vicious word and lack of faith from their floret-to-be is a subtle hope that the world the affini promise is the real one. such a hope deserves nurturing at any cost; they deserve to know beyond a shadow of a doubt that it is really true. by assuming the worst case scenario, the affini prove the negative.
that's the real trans girl fantasy at play here; to be at your worst and for someone to love you anyway, to not have to feel like you're hiding some layer of your identity deep down that would ruin everything if it came out. your mistress saw the very core of your being and yet here you are, still wrapped in her loving embrace. you bared your teeth and gnashed at every helping hand along the way, and yet she still says she loves you. she still shows you love and affection beyond what you could have ever imagined. why?
and then at some point you just have to accept that it's true.
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dcxdpdabbles · 4 months
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For Danny, gravity is a suggestion, but when he's human he prefers to feel ground under his feet while he's thinking. This leads to him often not realising he's started walking on the wall or ceiling when he's lost in thought or otherwise distracted.
Tim's definitely normal human friend Danny, pacing on the ceiling during his third visit at Wayne manor: [ranting about something, probably defending his love of weird flavour combo milkshakes]
The Batfam, silently debating how they're gonna break it to Danny that he's a meta: ........
Tim's eyes follow Danny as he starts pacing around the table, his homework abandoned on the table. His voice is becoming sharper, and his words are strung together more as he continues. He noticed that he became less aware of his surroundings when his friend started going on his rants.
Watching Danny's body language become slightly less human was fascinating. It started with his eyes—if Danny felt angry, they would glow green. Tim always knew when to cut back on his teasing whenever he saw the flash of green, no matter how brief the green was.
When Danny rants about something that upsets or makes him sad, his voice gains a particular echo. It is almost as if he is slowly walking into a cave.
There were times when Danny got excited or happy; his hair would start to puff up slightly. This reminded Tim of when he would rub a balloon on his hair to study the positive and negative charges.
Danny's hair didn't flout straight up, but it was electric enough to be noticeable if you paid enough attention.
It was as if his emotions affected his physical form like a mood ring. Tim could always tell what Danny felt by watching for the little effects.
All these little things were easy to hide. Most people noticed less than Tim did, but there was one little quirk Danny did that was rather hard to miss.
"What if we talked about the effect of well-lit street lights on crime rates?" Danny asked, striding up to a wall and casually pacing on it. He continued to think out loud, with his eyes closed, as he made loops on the ceiling. Tim needed to pay more attention to the subject of their presentation, but he was somewhat distracted by how Danny's hair and shirt defied gravity.
They stayed perfectly in place as if his friend were still on the ground and not upside down. Tim wondered if his powers were less flying and more gravity-shifting.
It would also explain his lower degree of super strength if he could manipulate gravity. (Tim didn't care what Danny claimed in gym class. No regular human could lift two punching bags like nothing, especially for something as casual as cleaning up)
Or maybe he was able to move in a fifth direction. From his perspective, while Tim was stuck in 3D, Danny could move in the fourth and walk on the ground. It would explain why he didn't notice he had stepped on the walls or ceiling. To Danny, he never left the floor.
"No, that wouldn't work," Danny mutters, making loops around the chandelier. "What if we...but then that would mean...."
Tim couldn't make out most of his words, but that was fine. Danny also tended to mutter under his breath when he was deep in thought.
He cranks his neck back, eyes tracing the way Danny seemed to strut around as if he was out for a walk on a nice sunny day in the park. Carefully, making sure Danny was too distracted by his thoughts, Tim aimed his camera phone at him.
He takes a few photos and then opens the family group chat.
Tim: I need advice on gently telling a friend something that may change our friendship. I've tried to say it to him before but he doesn't seem to get it.
Jason: buy him some flowers and write him a poem. He'll love it.
Steph: That's terrible advice, Jay. No one does that anymore
Jason: No one has class anymore, you mean. Besides, boys deserve to be romanced, too.
Dick: Just tell him how you feel, Tim! Be direct and make sure you use the words "I like you romanticly." Sometimes people don't understand you're asking them out.
Damian: Do not bother me with your failed courtships.
Duke: Maybe don't go as far as Jay said, but Dick's right. You have to say, "Go on a date with me" or something.
Steph: Try the bend and snap! It's Elle Woods-approved!
Tim: No, that's not what this is about. I need help telling Danny he might be a metahuman with Superman-level Power.
There is a long pause before his phone vibrates again.
Damian: I beg your finest pardon?
Bruce is typing.....
Tim: He's friendly! He just has yet to notice that what he does isn't regular.
Jason: Wait, isn't Danny that kid we saw you at the ice ring with? The one that snuck up on Cass by accident?
Tim: Yes
Multiple people are typing.....
Tim briefly glances up to see what Danny is up to, and he is surprised that Frost has started developing in his footsteps. That's certainly new. He attached the photos to the chat, sending them off as Danny slowly floated back down.
He watches as his friend flips horizontally in mid-air so that he's standing upright when he lands. His hair is starting to puff up again, so he is not surprised when Danny's eyes snap open with a gleeful glint in them.
"I figured it out, Tim!"
"That's great," Tim tells him with a smile as Danny eagerly returns to his seat. He is babbling about the solution to their government class and how he knows he can get their proposed bill passed with the correct narrative.
Tim watches frost develop around his pencil and chair. Fascinating. Does that mean excitement? He almost forgets about the family group chat while attempting to figure out what emotion Danny is experiencing to connect to frost that he missed a few messages.
Bruce: Tim, where are you?
Bruce: he made Cass jump because she didn't hear or see him coming. That's worrisome.
Bruce: He could be dangerous
Bruce: Where are you
Bruce: Tim, answer me
Bruce: Timothy Jackson Drake, answer the phone right now
Dick: Oooooohhhh middle name
Damian: They are in the left-wing dining room, Father. I already have a visual on them.
Damian sent a photo of two teenage boys sitting at a table, bending over to look at a book together. Papers and pencils are scattered around the stranger while Tim's trusted laptop is in front of his part.
Bruce: Good. Keep them in sight at all times and report any suspicious behavior.
Damian: Naturally.
Steph: No DNA test is needed
Duke: Literally.
Cass: I am confused. I thought we all knew Tim's boyfriend was not human?
Jason: We did not, in fact, know that Cass.
Cass: It is obvious by the way he moves that Danny is not a meta-human. He is close to one, but he moves like a different being. He reminds me of Captain Marvel.
Multiple people are typing......
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headspace-hotel · 8 months
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How people in the USA loved nature and knew the ways of the plants in the past vs. nowadays
I have been in the stacks at the library, reading a lot of magazine and journal articles, selecting those that are from over fifty years ago.
I do this because I want to see how people thought and the tools they had to come up with their ideas, and see if I can get perspective on the thoughts and ideas of nowadays
I've been looking at the journals and magazines about nature, gardening, plants, and wildlife, focusing on those from 1950-1970 or thereabouts. These are some unstructured observations.
The discourse about spraying poisons on everything in your garden/lawn has been virtually unchanged for the past 70 years; the main thing that's changed is the specific chemicals used, which in the past were chemicals now known to be horribly dangerous and toxic. In many cases, just as today, the people who opposed the poisons were considered as whackos overreacting to something mostly safe with a few risks that could be easily minimized. In short, history is not on the pesticides' side.
Compared with 50-70 years ago, today the "wilderness" areas of the USA are doing much better nowadays, but it actually appears that the areas with lots of human habitation are doing much worse nowadays.
I am especially stricken by references to wildflowers. There has definitely been a MASSIVE disappearance of flowers in the Eastern United States. I can tell this because of what flowers the old magazines reference as common or familiar wildflowers. Many of them are flowers that seem rare to me, which I have only seen in designated preserves.
There are a lot more lepidopterans (butterflies and moths) presumed to be familiar to the reader. And birds.
Yes, land ownership in the USA originated with colonization, but it appears that the preoccupation with who owns every little piece of land on a very nitpicking level has emerged more recently? In the magazines there is a sense of natural places as an unacknowledged commons. It is assumed that a person has access to "The creek," "The woods," "The field," "The pond" for simple rambling or enjoyment without personally owning property or directly asking permission to go onto another person's property.
There is very little talk of hiking and backpacking. I don't think I saw anything in the magazines about hiking or going on hikes, which is strange because nowadays hiking is the main outdoor activity people think of. Nature lovers 50-70 years ago described many more activities that were not very physically active, simply watching the birds or tending to one's garden or going on a nice walk. I feel this HAS to do with the immediately above point.
Gardening seems like it was more common, like in general. The discussion is about gardening without poisons or unsustainable practices, instead of trying to convince people to garden at all.
Overall, the range of animals and plants culturally considered to be common or familiar "backyard" creatures has narrowed significantly, even as the overall conservation status of animals and plants has improved.
This, to me, suggests two things that each may be possible: first, that the soils and environments of our suburbs and houses have sustained such a high level of cumulative damage that the life forms they once supported are no longer able to live, or second, that our way of managing our yards and inhabited areas has become steadily more destructive. Perhaps it may be the case that the minimum "acceptable" standard of lawn management has become more fastidious.
In conclusion, I feel that our relationship with nature has become more distant, even as the number of people who abstractly support the preservation of "wilderness" has increased. In the past, these wilderness preservation initiatives were a harder sell, but somehow, more people were in more direct contact with the more mundane parts of nature like flowers and birds, and had a personal relationship with those things.
And somehow, even with all the DDT and arsenic, the everyday outdoor spaces surrounding people's homes were not as broadly hostile to life even though the people might have FELT more hostile towards life. In 1960, a person hates woodpeckers, snakes and moths and his yard is constantly plagued by them: in 2024, a person enjoys the concept of woodpeckers, snakes and moths but rarely sees them, and is more likely to think of parks and preserves as the place they live and need to be protected. Large animals are mostly doing better in 2024, but the littlest ones, the wildflowers and bugs and birds, have declined steeply. It's not because "wilderness" is less; it seems more because non-wilderness has declined in quality.
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athingofvikings · 1 year
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In my own experience as a Jewish Leftist, and corroborated by the similar experiences of other Jewish Leftists, there are, roughly speaking, five to six broad categories of Leftists in their attitudes towards Jews. This is a tangential categorization in terms of precise political affiliation; in other words, one's position in these categories is not dependent on what precise type of Leftist/Progressive an individual is.
Type 1: Open And Unapologetic Jew Haters
These Leftists hate Jews and don't try to hide it at all. According to them, Jews are the Problem, and they know what type of Solution they want enacted.
The archetypal example that I'll currently use is Cynthia McKinney, former US Congresswoman and US Green Party presidential candidate, who, well...
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But this is also the class of Leftists who say that there is no room for Judaism in their ideal, imagined perfect world, that they picture everyone assimilating and giving up their ethnic and cultural identities to just be "human", and often single out Judaism as a particular problem in that regard.
Type 2: Closeted Knowing Jew Haters
These Leftists hate Jews, know that they hate Jews, but know that it's bad optics to openly praise Hitler or cozy up to the KKK to satisfy their hatred of Jews, so they try to find the barest veneer of plausible deniability to hide behind. "Anti-zionism" is a particular favorite on the Left, but the hatred has a way of slipping past the mask when they get questioned.
A classic example here is the Boston Mapping Project, who literally made up a list of every Jewish institution in Boston, Mass, on suspicion of them being "Zionist"--including elder homes, Jewish high schools, and Kindergartens, and including scary "links" on the map to various government agencies, no matter how tenuous or outright imaginary, thereby invoking old conspiracy tropes about "Secret Jewish Control of the Government". (And BDS, as the parent organization, also gave the lie that they're just antizionist, not antisemitic, when they disavowed the Mapping Project for bad optics, not the rank antisemitism and conspiratorial thinking they were promoting). Another example would be the organizers of the Chicago Dyke March, who explicitly expelled Jews from the March and crowed about "zio tears" (which is a slur originally used by the KKK, no less).
However on first encounter, Type 2 are indistinguishable from and camouflaged by...
Type 3: Undereducated And Unknowing Traffickers In Antisemitism
These Leftists don't hate Jews per se... they're just unaware of the deep antisemitic history of repeating claims that "Jews have too much power", or stating that the Holocaust was "White on White violence", or that "Jews are just White People from Europe", or any of a host of other antisemitic beliefs that are endemic on the Left. They're initially indistinguishable from Type 2, as they say the same things, and can only be told apart by their reactions; a Type 3 will go, "Oh, I didn't know and I'll try to learn!", while a Type 2 will typically double down, or let the mask slip in some other way.
The problem is that, from the perspective of Jews, Type 2 and Type 3 are indistinguishable from each other at first glance, and rather than try to engage and risk the emotional harm, a lot of Jews tend to write off all of them as Type 2, and there's a lot of debate on the ratios between the two.
Also worthy of mention, as a midpoint between Type 2 and Type 3 are:
Type 2.5: Openly Antisemitic "I'm Not An Antisemite, I Just Refuse To Learn, Listen, Or Let Jews Define Antisemitism"
As a midpoint between types, these Leftists openly traffic in antisemitic motifs, conspiracies, and attitudes, all the while insisting that they're not antisemitic. They're a midpoint between types 2 and 3 because they've had plenty of time and opportunity to learn about the bigoted attitudes they're espousing, but refuse to do so... but at the same time, they genuinely seem to think that they're not antisemitic. They just think that there's a vast Jewish conspiracy out to get them personally, or any of a number of other antisemitic beliefs, and refuse to accept or learn that what they're saying is antisemitic. They can believe that they themselves are not all they want, saying that Jews have too much money and power and run the world's politics is still trafficking in antisemitic conspiracy theories.
The archetypal example of this type, assuming we can take his word for it, is Roger Waters. Waters is openly and explicitly antisemitic, saying that there is a widespread conspiracy of Jews running the world's politics... but he has been insisting for over 40 years that he's just "antizionist, not antisemitic."
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But these are just the outspoken ones. None of them would get anywhere without the tacit support of...
Type 4: The Silent Majority
These Leftists are, being blunt, hypocritical cowards. They don't want to get involved in issues on antisemitism. When a Leftist Jew is being harassed by one of Types 1 to 3, they don't speak up, they don't get involved, they just say nothing.
Maybe they agree with one of the above types. Maybe they just don't want to get involved. Maybe they're afraid of seeming sympathetic to Israel. Maybe they're afraid of getting the social backlash that the Jew is experiencing. But ultimately, their motivations don't matter, their actions do—and their actions give tacit social support to the antisemite in the Leftist group, not to the Jew being harassed and chased out.
And the reason they're hypocritical cowards?
Well, if your ideology claims that you want a better life for everyone and social progress and being against racism and bigotry... but yet they don't speak up when it's happening right in front of them...
Well.
That says a lot, doesn't it? Both on what their ideals actually mean to them... and how highly they value Jews. And we know that it is possible, because of...
Type 5: The Pro-Jewish Leftist
These Leftists are, in my experience, a minority outside of Leftist Jews, but they do exist among non-Jewish Leftists. They stand up to Types 1, 2, and 3 when they express antisemitic views, and try to shame and cajole Type 4 into standing up as well.
And, just to point out how normalized antisemitism is on the Left...
Some people in this category might object to being labeled as "Pro-Jewish", as if they're biased for Jews. But I have to ask... do you think that they would also object to being labeled "Pro-LGBTQ"?
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yeyinde · 1 month
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third hour of the night
Baby Trap + Gaz x Fem!Reader | 24k
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The latest brush with death opens a wound, a chasm on the underside of his ribs that hungers for something he can't discern. He eats and it’s still empty. Gorges himself tirelessly but the maw still growls for more.
(He thinks it might be a sense of homesickness. And his home has always been you.)
OR: Icarus tries a different approach to capture Apollo once and for all.
18+ | SMUT: dubcon. baby trapping, contraceptive tampering. emotional manipulation. brief violence, near death experiences. obsessive/possessive Gaz. jealousy. unsafe sex. breeding. implied stalking. trauma and the consequences of almost dying several times. reckless behaviour.
MASTERLIST | A03
The thing about dying is that it tends to put everything into perspective. 
Things like the fleeting, ephemeral blink of life itself. The fragility of human existence. How vulnerable this glasslike body of his really could be. 
In a matter of seconds, he would have been erased. A soot stain on the pavement where the metal frame of a small charter plane impacted the ground, bursting into flames almost instantly. Incinerating him. Melted skin, charred bone. Suffused with plastic and steel. Entombed in a crumpled husk of iron and pipedreams. 
The real cruelty, he finds, is how empty this brush with death leaves him. Gaping. A chasm. He sticks his fingers into the hole and feels nothing—
Nothing but hunger.
It happens in a blink. 
Eyes open, and he feels like Icarus. Wings of metal, feathers, and beeswax. He soars above the treeline in a seamless incline, gaining altitude over the ochreous dunes in the distance. The great pyramids that once took dominion in his field of vision were soon to be specks in his periphery. 
There's something about flying that makes him feel both endlessly invincible and damnably fragile at the same time. 
Man's hubris—
Eyes half-mast, squinting against the smoulders of the sun, he feels the heat on his skin as they grow nearer to its coruscating flames. The window is hot. He places his palm against it. Feels the tremble of the machine as it works against gravity to free itself from those stifling confines. 
Kyle’s eyes slip closed—
—and he's suddenly reminded of why hubris is defined as a defiance of the gods. 
(Nemesis rakes her nails down the metal flesh of the bird, unyielding its wiry skeleton underneath; where are your wings?—
—man, willful creatures with their desire to be within the stars; cosmogyral. and oh, she laughs—)
Like Icarus, the plane meets the sun in a hard, hateful kiss, sputtering out in a series of agonising whimpers. The cockpit screams. Howls, shrieks, warning them all of an impending doom—
(—apollo, apollo, apollo—)
And then he's falling. Weightless. Wingless. 
(too low, terrain, terrain; pull up, pull up—)
“Fuck!” The curse is garbled in his headset, nearly swallowed by the agonal hiccups of the plane nose-diving to the ground. “I don't know—I don't—” (—pull up, terrain, terrain; pull up, pull—); “we're stalling, we lost the engines, we're—”
In his periphery, he can still see the blurry blots of the pyramids smeared under the plunging freefall to the ground that Pharaohs have kissed with the soles of their feet. They flicker in and out of his line of sight, a taunting reminder that his kin don't belong in the skies. That they build from the ground up. 
Amid the chaos, Price shouts something—a warbled hiss, words stuck in the back of his throat, limping out of his pale lips in a wheeze; gravity wraps a mocking hand around his neck, giving a tight squeeze. Kyle can see the whites of his knuckles against the armrest, skin prickling with goosebumps as they're dragged back to the dirt. 
by the sweat of your face you shall eat bread, till you return to the ground, for out of it you were taken; for you are dust, and to dust you shall return
He folds suddenly, torso flopping down over his thighs, hands screwing themselves angrily against the nape of his neck. Protective embrace. Through the angular cut of Price’s bent arm, a blue eye gleams in the flickering dark—electricity cut; the only light source inside the cabin a devastating flash of sun each time the plane rolls—and the anger there, he knows, is pasted evenly across his face. 
Fuckin’ helicopters. We'll take a bird instead. 
Hubris, he thinks, just as Price barks out, get down, Sergeant!
Survival training ensures his movements are fluid. Unconscious. He tightens his body into a ball, hiding all his fleshly organs from spilling out across the aisleway. Scarred palms cupped over his head, his stem. 
Couched into the claustrophobic space between his knees and the hard plastic of the seat in front of him, he finds he can't breathe like this. That training hadn't prepared him for the way gravity feels when it's trying to crush something into dust—but he heaves through the hypoxia, blinking furiously against the phosphenes spooling like ink blots over his eyes. 
There's a whistle in his ear, a swooping nausea in the pit of his stomach. He tastes blood in his throat. Feels the fluttering winds of his trapped heart beating against his larynx with every swallow. 
His thoughts are tangled. Knotted. The edges fray, unravel. It slips through his fingers, translucid. Weaving through the gossamer fogging through his mind. A thick, impenetrable cloud of mutinous emotions. All frothing over the other, intangible. They're drowning each other in a desperate bid to stay afloat, and Kyle can't bring himself to reach for one over the other, opting instead to save none at all. 
There's a roar. Brontide. It echoes in his head as the pyramids once again fill the entirety of his vision. Close to the earth. Close to death—
Kyle doesn't pray. Doesn't beg for forgiveness, for salvation. 
His mum might. He thinks he ought to, but where he should find repentance, sorrow, fear, he instead feels anger. Uncovers it like a forgotten relic. A childhood toy. Holds it like a knife to his throat. 
It's vicious, this fury. This rage. Consumes him from the inside out, blisters through his veins. Chokes him—
In between the apoplectic bitterness, memories flicker by. Broken, fractured remnants of a youth wasted in his grim, spiteful anger. Ironic, now, since he tastes fury, bellicostic and wrathful, in the back of his throat, bubbling up, florentis. 
Bathed in the endless red fury of his mindseye, he thinks of his mum. Standing up in church, her fingers knotted tight against a rosary as she murmured along with the passages, his father sat beside her. His brothers, and sisters. The life he led up to this point, and then—
—you. 
Life in stages. Snippets. Him, you. It rushes by in a maelstrom of want, need, and anger. 
It's short. The distance between knowing you and now charted in a paltry decade; an infinitesimal amount of time that leaves him feeling bitter, and regretful. He barely had you, and now—
Reincarnated as Icarus. Cobbled together from clay and feathers, subsumed with the ghost of a wilful man. Haunted by fate. Tortured with the endless agony of a looping, meandering death to kiss the sun and fall from grace, wingless. Scorched. 
His life is a mere echo. Smoke from a snuffed flame. 
And you— You. You, you, you:
Kyle finds you when he's running after a man through the tangled, indifferent streets of London. 
Weaving, bobbing around the crowd gathered around—clusters of tourists standing still on the sidewalk, forcing the herd to mould around them; idle passersby meandering through the throng of a Saturday afternoon rush—the man he's chasing uses them all as an obstacle. A place to hide. 
It nearly works, too. And if anyone else had been pursuing him, Kyle knows he'd have been long gone already. Seamlessly swallowed up by the rabble. 
But Kyle's different. 
For the entirety of his career, Kyle has been told he's more instinct than man. Reactive. The sort of person that was undoubtedly reincarnated from a wolf, one who used to prowl the boreal forests for musk ox and caribou. 
When people run, he just—
Chases. 
It's innate. in his blood. Instinctual. 
And everyone knows better than to run from a predator. To trigger their prey (hunt, kill, consume) response. 
So, when the man slips from his partner’s grasp and flees down the crowded streets of London, Kyle doesn't think. Not for a second. He locks his eyes on the man's back and follows. 
He cuts a jagged path down the crowded streets, using the meandering passersby to his advantage. Thrown down to the pavement as obstacles in his pursuers' way, ones meant to trip Kyle up. To gain ground, put distance between them. 
It's a futile effort in the end. He loses momentum and speed with each person he shoves, and Kyle soon closes in on him, less than an arm's length away. So close Kyle can taste the pungent burn of his cologne in the back of his throat, fingers reaching, nails grazing over the polyester fabric of his jacket, and—
You're there. Suddenly. All at once. 
Thrown, roughly, into his chest. The only thing keeping you from breaking your nose on his kevlar being your fists touching his sternum before the rest of you followed. 
Eyes wide, wild with fear, shock, you gaped up at him, blinking fast. Your pretty mouth opening, closing. The broken words swallowed down, crushed under the weight of your confusion, your fear. 
With your chin tilted up, he could see the curve of your vulnerable neck, eyes drawn to the shadows under your jaw where your heart pulsed against your skin. Vein throbbing in tandem with your heartbeat. 
Reflectively, his hands jerked up. Arms locking around you, palms bracing you—one falling to the small of your back, the other cupped protectively against the nape of your neck. It brings you closer to him, pushes the endless softness of your body into his hard, unyielding armour. 
And—
Well. 
It's not often—if at all—that he loses sight of a mission. Let's himself become distracted, pulled away. And even now, he's not. Not really. He can still see man in his periphery, nothing more than a bobbing head of blond hair, and he knows that his partners are waiting for him by the entrance of an alley. Crested above the crown of your head, he sees one of them—Marcus, he thinks—jump out, tackling the man to the ground. Domhnall follows suit, gun cocked, and aimed at the struggling man's head, finger never having left the trigger once since he set off in pursuit. 
Kyle never had to give chase, anyway. But the man ran first, and—
A bad idea, really. 
The men he works with now often joke that he's more instinct than man. Chasing after moving targets like a wolf trying to run aground an elk. Under the perceived stupidity of the action lingers a honed strategy. One passed down for aeons. 
Chase, keep pace, until something gives. Something breaks. 
And it's never him. 
Until now. 
You just fit. Like you were made to be in his arms. 
Kyle knows, muted and distant; the thought all tangled up in the back of his head, that he should let go of you now. Gently nudge you on your way. Out of sight, out of mind. Go back to where the man is being wrangled into cuffs amid an agitated crowd murmuring to themselves, all trying to peek over the shoulders of the other officers, ones now congealing into an imperfect circle after spilling out of the blacked-out Tahoe parked near the curb. They'll need help to keep the crowd from fringing on their arrest. Kyle knows this. Knows, too, that he ought to join. 
But he doesn't. 
Can't. 
In the gloom of a midday drizzle, you burn. 
Bright. Ferocious. The coruscating gleam of your gaze is enough to render him to cinders at your feet. Burnt sage, sweetgrass. Bushels of charred barley. Ceremonial in this poignant unmaking; this chiseling down of his being into ash at your altar. He's swept up in it. The thick smog that congeals around you in a dense plumage of smouldering earth. Hallowed lands. 
It razes him. 
You: apollo—this devastating creature of pure light. 
He wants to bask in it. Burn his flesh on your ethereal glow. Leans in to feel the white-hot lick of flames dancing, cosmogyral, across his flesh. 
(Godlike, but you fit in his arms with an ease that belies your otherworldly splendour, that defies the partitioning between man and god—)
“Hi,” he says instead, the word chipped down to the marrow. Bare. Fractured. “You okay—?”
It's here, in this pardoning breath, where he finds the extent of your facile mortality. Beneath his hands, you're supple. Soft. Through the knitted cashmere of your sweater, he can feel the heat of your skin bleeding into his palms. His fingers clench, and he meets pillowed bone. 
You're fragile. Vulnerable. 
(a man threw you into him with an ease that prickles along his nape; chase hunt consume:
protect. shield. provide—)
Instinct, he thinks. More urge than man. Primal. Animalistic. 
Kyle can't remember the last time he felt like this way about anyone. This heavy, poignant drive to burrow his face into your neck, to breathe in the loamy scent of you, and bite down, claim. 
His teeth ache. He flexes his jaw to stem to throb under his canines. Wet, pulsing—like an infection (a heartbeat). 
As saliva floods his mouth, yours opens shallowly in a huff. 
“I'm fine,” you're saying. Dazed, windswept. “I'm—”
He clings to you harder. Knows that his grip is undoubtedly popping blood vessels under your skin like bubbles, but he needs this. Needs time. Needs you. 
A minute longer. Just a minute more—
If it hurts, you don't make any show of it. Impassive in your shock, you gaze at him. Flay him alive under the burning charcoal of your heavy stare. 
He thinks—
this is it. my apollo. 
—but someone is calling his name. Fingers pry apart his hold on you, shoving him back into the iron embrace of his peers. 
“I’ll take over, sir,” he hears through the clamour of noise. “I’ll take them to the paramedics to get checked over. You can let go now—”
“C’mon, Garrick, let go—”
The commotion heightens. Through the hands, the shoulders, the push and tug, your eyes never waver from its perch along his thundering jaw. The anxious, angry pulse of his ire blooming viciously in his veins. 
(how dare they—? how dare they touch you—)
Your mouth opens again. Soundless, but he hears it like a gunshot. 
“Go.” And then: “I'll be fine.” 
It breaks. His partner wrenches him back, stumbling under the sudden momentum as Kyle lets his fingers ease up, releasing you. You're dragged away, swallowed soon by the crowd, but like a hunting dog, he doesn't look away. Can scent you even when you're gone; a thick, earthy scent collars around your neck, and leads him back to you. 
He moves to follow it—
A hand lashes out, slams against his sternum. “Kyle! Come on, man, we got a fuckin’ criminal to detain—”
He blinks, wrenched from this reverie, this stupor. “Fuck,” he spits, tasting ash between his teeth. “Fuck—!”
“You never think,” is what his higher-ups often tell him after he sprints, full throttle, at a target within seconds of them making off. “Your performance is incredible, Garrick, but you just never think before you act—”
This isn't true. Kyle thinks a lot. All the time, really. Kyle's mind has the propensity to spin itself into exhaustion; to never cease. A constant loop. Endless spirals. 
He thinks about everything. Nothing. All of it shaded in both abstract ideas and concrete plans. 
Because the thing is: 
Kyle sees the world—or rather, situations—as a chessboard. Pieces, pawns, meant to be moved in a preordained sequence. 
But telling people who believe that the definition of subordination is waiting for the green light to trickle down from several floors above despite those men only having fragments of a puzzle is a lost cause. A battle he's never, ever won before. 
So, he relents. “Yes, sir.” 
Relents so much that his palms carry jagged crescent moons across his life and heart lines. Swallows down the fury, the rage, even though it blisters through his veins. A permanent, simmering agony burning him up from the inside out. 
Flashes a grim salute to hide the hissing vitriol as it claws up his throat, tearing tissue as it climbs, until all he tastes is blood flooding his mouth. 
“Good,” they simper. “Keep that up, and maybe one day, you'll be where I'm sitting.” 
His ambitions are worn on his skin. He feels something hot, sticky, congeal between his fingers, and knows that he'll soon be wearing a pastiche of ananke’s brode on his flesh. 
Ambition, he finds, feels like choking himself until his vision goes blurry around the edges. Until hypoxia bleeds in, dripping down his periphery in tarry black splatters. 
It feels like swallowing his tongue. Burying himself alive on his—
draw the line wherever you need to, Sergeant. 
—righteous fury. 
His palms itch,
like an infection. untreated. left to rot. gangrenous. septic. his blood is polluted. he feels the fever run, red-hot, through his veins, charring bone. 
marrow burns to ash. he finds a peculiar comfort in the fire. 
moth to a flame. maybe it's only natural, then, that he goes to find you.
The scent trail fades, erased under the stale tang of a restless crowd; admixing into the nauseating smells of London after dark. 
But where it began, he finds a flickering ember. Discovers your chevelure, and winds it around his aching palm until it hides his brode under starlight. 
Everything is murky grey, but he finds you in pure white. The cashmere sweater is a beacon, luring him in, and he hides his intentions under the guise of militaristic concern. Altruism. Crossing t’s and dotting i’s. Tells the paramedics hanging loosely around you that he has a few questions for you. Purely professional. 
They don't question him. Eagerly offer up your name, your date of birth, your address, your status. He doesn't even have to pull rank to get it. When he bites into the thought, it tastes of bittermelon. 
How easy could it have been for anyone to discover, then. To pick pieces of you between their fingers, plucking ripe cherry tomatoes off the stem. 
Kyle bites back a snarl, and offers then a wide, gleaming smile instead. Baring teeth. Says, “thanks, mate,” and weaves around them before they can see his fists shaking by his side. 
He finds you standing by the curb, curled fingers tucked tight against your temple as you survey the throng of lingering onlookers with an impassive, flat stare. Limned in hazy red and blue, you look almost like a picture. A painting. Something archaic. Special. He wants to hide you away from the prying eyes of the reporters congregating down the street, all rallying for the biggest headline on a new story. 
At the same time, though, he wants to stay aside. To watch. To let the rest of the world see you behind a thick sheet of plexiglass. Visible to their voyeuristic gazes but untouchable to all,
(bar him)
His heart thunders when you turn. Chin tipping, tucking against your pearled collar to peek over your shoulder. Even in the matte grey gloom of London, you burn. He blinks. Blinks again. 
You're turning now, brows drawing together as you struggle to piece together why he's lurking behind you like a shadow, but—
You brighten at the sight of him. Recognition chewing through megrim. Still curled into a loose fist, you lift your hand and give him a small, perfunctory wave. You must expect him to stop here, a modest, safe distance away. 
Your brows knot once more when he doesn't. When he steps, boldly, outside of the lines of societal propriety, and into your orbit. You wear this flummoxed uncertainty like a mask. Kyle finds it more endearing than he ought to. Finds, too, that he wants nothing more than to see you bare. 
“Hi,” he greets again, just shy of an arm's length away. Even with proximity, it feels too far. “You alright?” 
Breathless, you murmur: “yes,” and then, hurriedly, like you've just remembered yourself. “Thank you. For, um, catching me, I guess?” 
Catching you. The wording needles under his skin, an ugly, vicious itch he can't scratch. But he supposes that's what it looked like from the outside in. Stopping a fall. Protecting a civilian. 
You were pushed, shoved into him, and he caught you. Held you aloft as his partner took Kyle's place in the pursuit. 
So, he takes it. Smiles again, softer this time. All that rugged, boyish charm that his friends used to tease him over. 
Deadly that is, mate. Dunno how any bird can resist a smarmy fuckin’ grin like that. 
Model, ain't he? Pretty boy. Maybe you should change careers, eh? Bet Givenchy is frothing at the mouth for a looker like you. 
And it works. Of course, it does.
Hook, line—
“Had me worried there that he might have hurt your pretty face. Was proper ticked off, so I thought I'd come and check on you—”
At pretty, you duck your head shyly in response, lips warbling around a nervous smile. Eyes bright, gleaming, under the hazy smear of red and blue light. 
He makes a show of checking his phone, brows tightening at the time played in neon white. 
“Gettin’ late. You live close by? I, uh, I'd feel terrible sending you home by yourself at this hour,” there's an immediate protest on your lips. He nips it with his teeth. Gives a bashful grin. “And, ah, I like talking to you. Wouldn't mind continuing the conversation if you're interested?” 
You're burning. Grinning under a plume of demurred appeasement. Sweetened by his bold words, and the wide, boyish smile he wears. 
And—
—sinker. 
Dazedly, you offer him your hand, stammering as his thumb brushes delicately over your knuckles. Lips wet, glossy. He wants to lean down, lick across them, and taste you on his tongue. But Kyle refrains. Rocks back on his heel, reluctantly dragging himself away.
It's endearing, endlessly sweet when you unconsciously follow. Leaning forward, eyes wide and full of wonder. 
In the next beat, you give him your number. 
He takes that, too, and holds it. 
At the foot of your door, you thank him once again for catching you. The joke rolls off your loose tongue in a playful quip that he snatches up from the air, holds in the palm of his hand. 
“Anytime,” he says, softened under the pale moonlight. 
caught. catching you. 
he sees it much differently. 
to Kyle, you were a gift thrust into his unexpected hands. a pretty little box for him to unwrap, unravel. 
(his, and his alone—)
As he hits the ground, he thinks of you. 
As flames fold over his body, ripping through broken metal, he hears something crack. Hears it shatter. 
And he still thinks of you.
Kyle crawls from the burning wreckage with the bloodied, broken tips of his jagged nails digging into the scorched pavement. Emerges a phoenix. Rising from the smouldering husk of a plane mangled on the pavement with fawnlike legs and an ache in his jaw. 
Intact, he finds, but there's an echo in his head. The sound of breaking glass. Bones snapping like twigs. Something shatters. Something breaks. 
He holds his hand to his chest and knows, then, that it's not so much a fracturing of bone or tissue, but a cage. A prison. Something housing the things he'd rather not think about.
It's fine. It'll be fine. 
He crawls through the smoke to get to Price and doesn't think about the oil spill he left behind on the pavement.
Price says, “that was close,” in a tone so unbothered, so unconcerned, that Kyle has to take a moment to reacclimate himself to his trauma after being knocked so far off-kilter. Jerking back into flight or fight after that blase dismissal when the smouldering ash begins to clog the air, spewing noxious poison from the chemicals, the metals, now completely aflame.
He might think Price is numb to this, to falling from the sky like every parable of Icarus he's ever heard (if the ambitious god had metal blades instead of feathers for wings), but adrenaline makes his senses keener. Sharper. 
As the idea of his captain being an unrepentant sociopath (the jury, though, is still very much out on that one) starts to congeal from its incorporeal shadows, he catches the shake of his hands as he pats his beast pocket down for the stash of cigars he keeps on his person. 
Trembling, white-knuckled. Each pat feels much too heavy than it ought to be. Too forceful. 
He gets it, suddenly. Thinks he might understand Price in a way he didn't before. 
So, he says, “yeah.” And when it comes out far shakier than he intended, he clears the soot, the iron tang of adrenaline from the back of his throat, and adds: “a bit too close, mate.” 
In the end, they take him away on a gurney to a medical ward in a nearby city. 
Kyle isn't hurt—barring the contusions, the bone-deep bruises, the cuts, the lacerations—but they pay little attention to his protests when they poke him, prodding at his insides to find a phantom crack in the tender network of his body. 
Physically, he's fine. Nothing amiss at all. Everything is in good, working order—if a little scraped around the edges. 
They decide to keep him overnight for observation, though. The doctor's worrying about head trauma, concussions. Price, too, is forced to stay—not so much kicking and screaming, but certainly with a lot of complaining that echoes down the hall (bloody fuckin’ muppets—can’t you see I'm fine?)—and he takes a marginal amount of comfort in knowing that he's not the only one on mandatory best-rest. 
It all could be worse. 
He thinks, then, of Soap. Of the gaping wound in his head—blood spilling everywhere. Ghost leaning over him, sounding less like a human with each harrowing Johnny! that was ripped from his throat. 
The endless trawl of uncertainty as they carried him away, his hand falling from the gurney. Hanging there, pale and limp. Jostled with the movements of the medical team as they tried, desperately, to stabilise him. 
And then—
The aftermath, he supposes. 
Soap sitting up in a hospital bed, head wrapped up in stark white bandages. He smiled, laughed. Said he had too much to do to leave them now, but there was something wrong. Something—
Missing, almost. 
Gone. 
They don't speak about it, but he knows Price and Ghost feel it all the same. Must, of course, because Price is firm, unyielding, when he tells Soap to piss off somewhere for a while. Takes each excuse to the chin, stalwart in the face of Soap's pleading negotiations. 
It could be like that. Medical leave. Mandatory. Something was absent in Johnny's eyes. A hollow vacancy where hazel once burned bright in the gloom. 
Kyle places his bandaged hand on his chest, feels every brag of his heart through aching skin, and knows, somehow, that it's not the same. Not quite, but—
He thinks he might be missing something, too. He's just not sure what it is, and that—
That scares him. 
Because if he didn't feel the jagged glass digging into his flesh, he might not have known something broke free. Escaped. Fell, perhaps, to its death when the helicopter started to whine like an injured animal, barely able to limp through the sky. 
Standard procedure would dictate that he calls someone. Schedule a session with a licensed therapist the moment he gets back home, and let them determine if he's field-ready. 
But he doesn't. He thinks about Soap, and the anger in his eyes when Price told him that he was on leave, dismissing him with a simple flick of his wrist. 
“How long, cap’n?” He ground out between clenched teeth. “How long are ye sendin’ me away fer?”
And Price just levelled him with a flat look. “As long as it takes, Sergeant.” 
That was that. That was—
He's not what compels him to call you, but he does. Drags out his phone from his pocket, unlocks the (cracked, of course) screen with a shaking finger, and pulls you from his contact list. His nickname for you isn't anything special—can’t be, really, in this line of work—and it's boiled down to something so inconsequential, so mundane, that he feels a little bit untethered seeing it now. If he really did die, if he was seriously injured—
How would they know to call you when your name in his phone is simply: doves. A lingering remnant of your second meeting. 
Doves. A pretty pair perched on the curb when you met again after texting for a week, pecking idly at the scraps left behind. You surprised him, then, when you materialised out of the air, murmuring to yourself about the sorry state of them. 
Too pretty for crumbs, you lamented and reached into your pocket for a rolled-up bag of sunflower seeds. You barely paid him much mind at all, too busy scattering seeds for the birds, and watching as they scurried toward it.
It was the ease with which you moved through the world—seamless, untethered—that drew him in. The peaceful serenity that leaked from your pores, clouding around you, seemed to scour the anger that hung tight to his shoulders, hitching itself across his nape. Weighing him down. You picked the anchor up, letting him breathe for a moment through lungs that didn't feel as if they were being crushed under unfathomable pressure. All his rage accumulating right by his heart now cupped in the palms of your hands. 
You turned back to him, then, a defiant tilt to your chin as if begging him to say something about feeding pigeons on the street. Readying yourself for a fight despite the loose set to your shoulders, the flat, open palms dusted with powder from the seeds. 
Gone was the sheepish woman who tripped into his arms. In her demurring place stood a thunderclap. A lioness. 
He knew, without any sense of uncertainty, that he wanted to know more about you. Everything, if you'd let him. 
(And you had. Without any sense of hesitation or uncertainty, you—)
He stares down at your name for a moment, thoughts in tatters much too thin for him to pick out. But he feels. Too much, not enough. Arguably the worst in its abundance, in its raw, fractured ache somewhere deep in his chest. 
It's a want. A need. Desperation drapes itself over his shoulders in a way he's never felt before; all soot-stained, and foul. Rank. It smells like an infection: gangrenous and putrid, rotting tissue leaking puss. Skin sloughing off in blackened, festering clumps. The stench of it sits in his nose, clogged in the back of his throat. He can almost taste it. 
Despite its nauseating miasma, the horrid tang pooling between his teeth, there's an odd sort of comfort in it. A familiarity he can't place. 
He wonders if Soap felt this way after he woke up in the hospital with a hole gouged in his head from a bullet. Left wondering what piece of himself was torn out along with a bloodied, mangled mess of tissue, bone, brain, and grey matter that once filled the space. A vacuum the width of a thumb. A permanent pockmark on his forehead.
The thought shakes him, and drags his tender leg up to his chest, rests his forearms on his knee, ignoring the tremble in his hands, and he calls you. 
His face appears on the screen, stuffed into a box. He stares at it as the call connects, taking stock of the way he looks. 
In the gloam of an Egyptian sunset—swaths of ochre coruscating across dunes of gold; glinting off the desert sand as if the sun was trying to inch closer to this haven, the place it called home—the cuts on his face are limned, turning the colour of ripened pomegranates; crushed cherries. Highlighted under the mournful torpor of the sun, he looks worse for wear. Bruises under his eyes, framing them heavy kohl. Splotches of yellow—the same shade as a fresh bushel of wheat—halo around the worst of them, painting a striking picture of injury on the high arches of his cheekbones. 
He should angle the phone away. Sit back into the deep blue shadows and let the absence of light hide the worst of it all from your eyes. It's what he normally does. What he should do. 
But there's a hollowness on the underside of his ribs. A gaping maw that hungers for something he can't discern; rapacious. Unknowable. It wants. Yearns. 
(He thinks it might be a sense of homesickness. 
And his home has always been you.)
So, he calls. Waits for it to connect. And somewhere in the back of his head, he knows something isn't quite right.
But he doesn't fight it. 
Can't, really, even if he wanted to because your face appears on his screen, filled out in a perfect box. The smile is already there, blooming daffodils against dark indigo. The greeting on the tip of your tongue has a flash of pink and gleaming white splitting the tomato red of your lips apart, happiness draping itself heavily over you. 
But it falls, instantly, when he moves. Winces. You catch it, then, the unmistakable ugliness splattered across his face. Bruises framed in hazy, blood orange. Cuts illustrated by the last vestiges of a stubborn sun refusing to yield. 
Kyle dips his chin. The stitches on his forehead pull against the inflamed skin. It's the worst of it, he knows. It catches in the fading embers of an ethereal twilight, and the hitch in your breath echoes in the room. 
“What—?” The words are ashy whisper in your throat, falling over him. A rainfall of soot. 
The frown on your face is a dagger. It twists, turns. Scraps muscle from bone. Leaves a gaping hole between the milky bracket of his ribs. 
“Oh, Kyle—”
There are a multitude of things he ought to say. I'm fine, first and foremost. And it's the truth. He is. The cuts, the scraps, the bruises, all hurt less than the ache in his head, the throb in his muscles. The fallout from the adrenaline rush following the crash hurts more than anything else. 
He should calm your worry. Laugh about it in that paper-thin way he's wont to—like it doesn't bother him, doesn't hurt despite both of you knowing he'll be up all night long for the next several weeks, running along his own desire path carved between the living room and kitchen. Not thinking at all, and—
And thinking too much. 
The juxtaposition, a blatant oxymoron, will curdle in his chest, growing moss, leaking spores. He's good at pulling them out before they mushroom inside of him, burrowing deep and leaving gaping pockets behind. Scrapes them from flesh. Douses them with gasoline. Purification with fire. 
With your touch. You'll wake the next morning and find him dozing on the couch. Will rain kisses across his face, gentle and soft, before wandering away to make something for him to eat. Later, you'll drag him to the tub. Wash his body as he leans against your chest, the hollow spaces inside of him slowly filling with warm, lavender-scented water. 
He'll come back in pieces. Inchmeal. And then hold you as close as he can in bed as though he's trying to fuse your skin together. Crawl inside of you and stay in the brackets of your ribs. 
It's all—
Routine, maybe. Carved out from years of this. This slow crawl to the inevitable end, hand-in-hand. 
And yet. 
(and yet: he can't.)
Can't bring himself to reassure you when his heart is racing in his chest. A naughty child sneaking cookies off the counter when his mum isn't looking. 
“Almost died,” he offers, fractured and raw. “I—uh, shit. Sorry. I don't know. Just—needed to see you, is all.”
And it's the truth.
You feel it. You must. The urgency, the desperation. This time is not like the others. 
“No, no, Kyle. Don't—don’t apologise. Don't ever apologise, I—fuck. I'm glad you're okay, I'm—”
Pearlescent tears puddle in your lashes. You've never cried before. Not in front of him. Never. Preferring instead to bite your knuckles, to press your face into the pillow. Unwilling to let yourself ask for more than what you think you deserve.
(And it's never enough. Not to him. 
your plate is empty, you're starving. but you refuse to eat.)
And when they spill down your cheeks, he leans back with a huff. Satisfaction is whitehot in his veins and he doesn't know why. Doesn't understand how the sight of you crying over him like this almost makes him want to preen. To purr. 
Blames it on the fall. On the taste of burning metal still clogging the back of his throat. 
“I'll be fine,” is offered, scratched out of his throat with jagged nails. Birthed into the world on a whisper-soft scream. “You don't have to worry about me.” 
Your face falls. “Of course I’m going to worry about you.” 
“I promise I'm—” he chokes a bit. Tries to cover it up with a cough. The frown on your face grows, eclipsing all the prior happiness that once glowed when you first answered the phone. “I'm good. Just need some rest.”
“Yeah, that might be a good idea.”
The tension is thick. He feels it thrum against his jugular; this living, breathing thing. This heady, undeniable agitation. 
Your worry manifests itself in the deep canyon between your brows, heavy and all-encompassing despite your attempts to hide it from him. The weight makes your lip tremble, and Kyle wants to devour your sorrow, your grief, from the source. Taste your sadness. Feel it on his tongue. 
He leans against the knotted fingers pressed tight to his windpipe until phosphenes prickle across his vision. Midnight black against burning blood orange. 
Breathlessly, he quips: “and maybe to stay away from helicopters, too.” 
The laugh you let out sounds like it's underwater. Garbled, choking for air. It's drenched in hysteria, in misery. 
He wants to crush it between his teeth, but settles, instead, hanging his head low, shoulders shaking. From the angle, he knows you'd never be able to tell if he was laughing or crying. 
(It helps, he supposes, that he doesn't know, either—
Is just slowly being consumed by this vacuum of want, one that keeps tugging at his insides, flaying pieces of himself off and dropping it into the maw. 
He wonders, then, what'll happen after he eats himself whole. Will he disappear or will the masticated scraps of himself reassemble into a Frankensteinian lump of who he once was—)
You stay like that for a moment. Both of you pretend you're not falling into pieces for all the wrong reasons.
As he's saying goodbye, you add, nonchalant, unconcerned: 
“Oh, David's calling me. I was supposed to help him pick out an outfit for a wedding.”
“David?” His tone is flat. His fingers tighten around the phone. “Who's that?”
“My friend from work. You met him, I think. He was at that party we went to. In Kent.” 
“Huh. No, I, uh, don't remember.” 
“Oh. Well, I won't be long. And I'll have my phone on me, so if you need to talk, just call, okay?” 
You're unbothered. He can understand why. Neither of you have ever really had much reason for jealousy—Kyle trusts you. Implicitly. Both of you have friends of the opposite sex, and there's never been any sense of distrust in that friendship. 
But—
David. Something about it burns through his chest, twisting and ugly. And the awful thing is, he trusts you, he does. 
You have everything except a ring, and—
Well. 
Synergy is a knife sliding across bone. Understanding skirting on the edges of his periphery, within his grasp. Obtainable. He reaches for it, clawing with eager fingers—
It breaks against his knuckles in blooming anguish, dissolving into the same gaping unknown, unknowables, that sets his teeth on edge. 
In retaliation, he sinks his fist into the wall, and tries to remember the last time he felt so out of control—
Your conversations take on a strange tone. Jovial, blase, but the topics are endlessly lour. 
Things like perhaps the lease ought to just be in your name. And maybe he should update his emergency contact—just in case. 
Just in case. 
It hangs over you like a stormcloud. Just in case. He can see it in the tremble of your lip, your fingers, ones you desperately try to hide behind sips from your chamomile tea. Faux indifference to the garishness of it all. To the fact that this is a real, pragmatic conversation that's happening, that ought to happen. Because you never know. 
But you avoid these conversations by telling him about your day. And soon, your time is divided between pretending as if seeing him hurt like this doesn't make you cry yourself to sleep at night, feigning strength despite the darkening lines under your fatigued eyes in an effort to not become a simpering burden to him when this is just another hazard of his occupation, his chosen career; and helping David search for a suit. 
And then a tie. And then shoes. The perfect wedding gift—
Kyle, too, pretends. Acts indifferent. Unbothered. As if it it doesn't irritate him. It shouldn't. He knows it shouldn't. He trusts you. Gives you free reign to every part of himself you'd ever asked to see.
Your palms are the perfect plinth to his aching head. His shoulders broad enough to carry your burdens sat right along with his own. He knows you. Jokes, sometimes, that he could pick out your soul with his eyes closed. And you volley back that no matter where life leads you, you'd always find your way to him. 
“Every lifetime,” is whispered between kisses, folded in the brackets of his ribs. “All of them. It's always you—”
So why—
Why does he feel sick to his stomach when you talk about David, as if he'd gorged himself on too much of his rage? 
(why, why, why—)
This chasm inside of him grows. Gets bigger. Hungrier. 
Where he could normally shove inside a box, ignore it and pretend it doesn't exist, he instead finds fractured glass, fragmented and broken to a jagged point. He cuts his finger on a shard, and watches, hollow, as the blood puddles up, dripping down to his split knuckles. 
He gets it, then. 
The want, the greed, the hunger will consume him from the inside out. 
But what, exactly, it wants is still a mystery. 
(But he knows himself. Knows what he shoved into that awful, putrid chasm, and is sure that whatever it is, it can't be good—)
Egypt is a distant memory soon after. An aged polaroid of sunlight spilling over sand, watery and thick; an ocean of ochre, of burnt umber. He thinks, fondly, of the locals and their chatter as it fills the sun-dried streets, with the heat, an oppressive blanket of warmth, tucking against him. 
Winter nights are static with the buzz of life. Of distant echoes of temple prayers in harmonic songs; haggling patrons and hissing vendors just outside his window. 
Kyle thinks he'll miss this place for it could have been, not what it is. 
Because what it is ends up being a cockpit in distress. Wind shrieking in his ear. The crunch of metal slamming with all its might against the cobbled pavement. The hiss of gas. 
He didn't know fire could roar like a lion until then. Until it blooms, white-hot and wild, mere inches from his face. The snarling, drooling maws of a starving pride. 
Clawing from ash, soot. Metal raining down around him, liquified under the intense blaze of the fuselage on fire. His leg twisted up in the seatbelt. Unable to get free. To get out. 
Smoke in the air. In his eyes, his nose, filling his lungs. 
He'll die, he thought. Is dying. His fingers scrape over concrete, flesh gnashing against grainy sand. Unable to get a grip on the slick blood that puddles out, staining the pavement and his hands. 
He doesn't think of you, but he feels you there on the edge of his periphery. Lingering like a phantom, reaching for him. Get out, get out, get out—
In the bloom of gunmetal smoke that plumes around him like a sweltering cloud of heat and ash, a hand appears. Covered in grit, in grime. Blood. 
“—out! We've gotta get out, Kyle. Grab my—”
Pawing in the dark, nebulous cloud, he finds Price's rough hand and latches on, hauling himself to safety. But what emerges from the soot, the smoke, is a version of himself that feels raw, fractured. 
He's agitated. Leg bouncing, restless. 
Price notices it on the plane ride home, eyes slanting over to stare, pointedly, at the continuous bob of his knee. Up, down, up, down. Kyle should hide it. Bite the inside of his cheek until it bleeds instead, but he doesn't. 
It won't be enough to stem this urge to run, to flee. 
“Almost home,” Price huffs, shifting in his seat. He, too, seems to feel that same prickling sense of unease. Kyle lets it wash over him. Not quite a comfort, but something. “Get some rest, Sergeant.”
At that, he scoffs. “Feels like I've been doing nothing but resting, cap.”
“Mm, you're young. Take advantage of it while you can.” 
As Kyle rolls his eyes at that, Price makes an aborted move, hand jerking to his breast pocket as the plane rocks over a patch of clouds, turbulence shaking the frame. Searching for his cigars. Then angrily throws his hand down, fingers tight around the armrest, white-knuckled, when he remembers he can't smoke here. 
“Might be a good time to quit,” he quips, chin jutting toward his hand, fingertips turning pink with the grip he has on the plastic. 
Price follows his gaze, staring at his hand for a beat. And then he snorts, and pries his fingers loose. 
“Nah, ‘m too old for that nonsense—” Kyle’s brows buoy, but he swallows down the harsh retort on his tongue (aren't you only thirty-eight, mate?), letting Price continue, uninterrupted. “‘sides, will probably need it once we land.”
“Yeah? Why's that?”
He grunts, and settles into the seat. The look he fixes Kyle with feels like having a cold, metal blade pressed to his jugular. 
“Gonna have to make a report, Sergeant. Falling from a bird twice now? And what's this? Third time for you? They'll want a review. Full. Will probably make us talk to a doctor or somethin’.” He cocks his head to the side, presses his pink knuckles to his temple. “Make sure we're all right up here.” 
Kyle flinches. Tries to hide it with a cough when Price’s eyes tighten. 
He's not sure he wants to do any of that. Have someone crack his head open and rummage around looking for defects to toss in his face later on as an excuse to kick him out. Medical discharge. Honourable, they'll say. An early retirement. 
“And—” he swallows down the bitterness on his tongue. “And if we just didn't—”
“Can't do that, Sergeant.”
He struck for a moment. Anger quivers in his veins, rearing up like a viper ready to strike. He has to wonder if it was Ghost or Soap, would Price—
“Believe me,” he continues, eyes fixed on the open cockpit. Intense. “If it was just us, if it was one of our own, I'd have said piss on it. As long as none of you were seriously injured, why bother wasting time? But we have to be held accountable now.” 
If it was one of our own—
“Right,” he rasps, hollow. Anger scorches his insides. “Okay.” 
“Believe me, Sergeant. I want nothing more than to go home, and drink this whole bloody mess away, but—”
“I get it, cap.” 
And he does. He's just not sure he can really talk about it in a way that won't show the world the gaping hole in his chest, the hairline fractures that crisscross along him, all screaming the same thing—
Terrain, terrain, pull up. Pull up. Terrain, terrain—
“Gotta let it go, Kyle.” 
All he sees is fog. Fire crackling from within. 
“And if I can't, captain?”
“Then it's been a pleasure working with you.” Kyle swallows again, blinking furiously against the dense cloud of smoke in front of him. “I know the commander at Scotland Yard. Could put in a good word for you. Might be for the best.” 
Anger is a poison, he finds, but fear—
Fear is quicker. A knife to his heart. Left bleeding on the pavement before he knew what hit him. 
“Or…” Price drawls. “Hide it away. Nothing bad happened, did it? You're still alive.” 
Another hand appears from the midst of the fog. 
He reaches for it. 
“How?” 
“Lots of ways. Best one I find is to just give in to whatever it is you're feeling. Let it consume you. Then just bury it.”
“Right,” he whispers, paper-thin. But he gets it now. “Thanks, cap.”
“Anytime, Kyle.” 
He does as Price asks. Buries it deep inside of himself, and greets you when you come to pick him up at the airport with a wide grin, and a tight hug. Pulling you flush into his body, breathing in the scent of you until it stains his lungs. Sickeningly sweet. 
“I missed you,” you whisper into his neck, words humid against his skin. “So, so fucking much Kyle—”
“Yeah,” he rumbles, caught on the feeling your chest makes when it heaves against his. Little, breathless hiccups of relief, worry. Elation. Fear. It tastes good in the back of his throat when he steals another lungful of your scent. “I missed you, too. Fuck, dovie. Don't know how much I fuckin’ missed you.”
He clings just a little bit tighter to you, holds on a few moments longer than he normally would. Leeches the comfort your presence brings like he's starved for it. Kyle breathes in the scent of you—lemongrass and fennel; sweet and earthy—and feels that gaping wound inside of him close, just a little bit, when you fold him into a tight embrace, letting the vice of your grip speak the words he knows you'll never utter. 
Things like, please, don't ever do this to me again; and, don't go, Kyle. Please don't—
There's a multitude of things he wants to say to you. An endless bastion of sorrow and happiness and grief and elation all coalescing into this heavy anchor that hangs off his rib, pulling him down, down, down—
But he can't speak through the pulsing want in his throat. The urge to bite, to sink his teeth into you and never let go. 
So, he doesn't.
He holds you back instead, presses your soft cheek to where it aches the most, and buries his nose into your crown. 
Tries to satiate himself on the potency of your scent, the way it fills his lungs to bursting, and pretends the gnawing feeling in the pit of his chest is a purr and not a growl. 
The ravenous roar of a starving beast, hungering for something Kyle can't name. 
(He wonders if Soap felt this vacuum inside of himself, too.)
The comedown of the mission is spent with you tendering his wounds, and pressing trembling fingers to his pulse just to remind yourself that he's alive, that he's here with you. Present as warm flesh instead of a cold box full of ashes. 
In these soft, aching moments, he's forced to contend with the fact that he almost died. Again—
—(the word echoing in the recess of his mind, over and over; an accumulation of all those incredible near-misses)—
Almost left you alone in this world with nothing but broken, fragmented memories that would eventually fade. Fingerprints on a rusted handrail. Tangled in a gossamer of time, nearly forgotten as you grew older. Changed. He'd be the ex-boyfriend lost tragically. The one who died too soon. 
Someone else, he knows, would take his place when the grief took shape, becoming a corporeal feeling you could tuck away inside your pocket instead of a molten shadow burning you up from the inside out. Ever present. 
And that's the thought he gets stuck on. The one that cuts through him the most. 
You—his girl—belonging to someone else. Going on dates, kissing each other, laughing together. Falling in love. 
It's selfish to want you to stay single for the rest of your life should anything happen to him. Impractical, too. But it needles under his skin. An itch he can't scratch. A want he can't satiate. 
It won't even matter much when he's gone. He knows this. But it bothers him relentlessly. Souring his mood for days. Making him retreat, inward, to dismantle this unfathomable feeling taking root inside his chest. This bitterness, this anger. 
The thing about dying is that it tends to put things into perspective. 
Most common of all, he's told, is the fragility of the human existence, of life itself. Such a shallow thing, in retrospect. Barely a droplet in the unfathomable vastitude of time, and yet—
Something he never really thought about until it was unceremoniously thrown in his face. 
It's this, the sudden realisation that he's not as invincible as he's often tricked into thinking, that seems to shake the foundations of his life in ways that would be unthinkable to the him that lived weeks before his brush with death. But that man, that version of him, is swallowed whole by the unrelenting fear that pulses through him each time it passes through his mind. 
A fear of one thing:
Permanence. 
Or, rather, the lack thereof.
Memories will be all you have left of him, and, well—
That simply won't do. 
But the problem is this:
He doesn't know how to fix it. Doesn't know, really, how to stem this nauseating desire, this urge to own, possess, consume that roils through his chest each time he catches a glimpse of you unawares, tending to some mundane task. 
The idea of you floating through life without him is not a poison, but a fear. A whitehot agony that trickles down his spine. They're all thoughts that gut him, that make him agitated. Restless. He paces again, roaming from the foyer to the living room, feeling too much like a trapped animal. A snarling tiger in a zoo. He needs an out. An escape—
So he runs. 
And sometimes, you join him in the mornings before you have to go to work, setting out for a jog around the block in tandem. There's a quiet ambience to these outings, a comfort that makes him sigh—relieved, in parts, that the ache in his jaw, an unfamiliar urge to bite, abates in your presence. Your proximity is the balm to a hurt he didn't know he had. 
Most times, though, he's alone. Left with his thoughts and the taste of iron in his throat as he paces the streets of Birmingham with a lour twist to his lips and a tightness in his shoulders he tries to shake out by running his body to the ground. Replacing the ache in his stomach with one in his thighs, his hamstrings. His lungs. Breathes in the humid air of a midsummer morning until they feel like they might burst. 
It works. Marginally. Helps in the same way he's sure chamomile tea before bed does for an insomniac. But it's something. Something to suckle on until the quiver in his guts, the gnawing chasm in his belly, abates. Surrendering—albeit, mutinously—as the heavy taste of iron floods the back of his throat, and lactic acid leaves him groaning in the morning when he swings his sore, overworked muscles over the ledge of the bed. 
Kyle's in perfect health. Peak physical condition. The burn in his thighs, the tremble in his knees, is a sign of pushing himself too hard. Of edging to the very brink. 
But he can't stop. 
Not when his body hums like a livewire. Vitriol coursing through his veins, seeping into his tissue. Infecting him from within until he's irascible. Always on the edge. Always tense. Agitated. 
Everything feels like it's plunged underwater. As if he's staring down into the pool of an emerald lake, watching from above on dry land as the world goes on. 
(A place, now, where he doesn't belong.)
He knows all too well that this is just a duct tape solution to a bigger, more devastating problem, but opening the floodgates without a sluice will drown him under the crushing weight of what rushes out. 
It just makes sense, then, to bury it. 
The problem is: 
The tinderbox where these awful thoughts, this anger, went to moulder has been crushed, broken to pieces when he fell back to earth. 
He has nowhere to put them anymore. 
So he keeps them between his teeth, but being so close to you makes him want to bite—
(Bad dog. 
Let it go, drop it. Let it—)
Something has to give.
He calls Price. 
Hovers in the doorway between the kitchen and the hallway leading to the living room, and tries to pretend that this isn't a cry for help. 
Price picks up after the third ring, gruff and irritable. His surly tone balmed by the heavy inhale of his cigar. 
He calls Price. 
Hovers in the doorway between the kitchen and the hallway leading to the living room, and tries to pretend that this isn't a cry for help. 
Price picks up after the third ring, gruff and irritable. His surly tone was balmed by the heavy inhale of his cigar. 
“Better be important, Garrick. It's the weekend.”
“Crime doesn't work nine to five, captain. Thought you knew that better than anyone. Must be getting soft.”
“Soft,” he repeats with a derisive snort. In the background, he hears peals of laughter, the distant echo of, only thing soft about you is your midsection, honey. A grunt. A thwap. A squeal. 
This must be his wife, Kyle realises. The one he never speaks about directly, but can't stop bringing up in his own way. Home, he calls her. I’m going home. I'll be home for the weekend, don't bother me. Home is missing me, I reckon. Better pack it in, then, boys. 
They learned this only a few short weeks into knowing Price. Home, to him, is a person. Her. His wife. The echo, the silhouette; the one who lives in the brim of his hat, the end of his cigar. The scabs on his knuckles. 
The one he left at the door when had to beat a man, a father, for information. Picked up with bruised, shaking hands as soon as he was finished. Kept tight in his breast pocket. 
This little glimpse into his captain's life, heard through the tinny phone, makes Kyle swallow down his jealousy. The nausea. It's all so—
Sweet. Domestic. 
“Get outta here, this is a business call—” comes the brusque rasp, pulled away from the phone, and Kyle heaves out a breath. The voice comes back, gruffer than before. All tenderness shelved back in that box labelled only for her. “This better not be a business call, Garrick.”
“Been thinking about what you said,” he murmurs, and lets his head fall against the wood frame with a thud that rattles through his teeth. “About—lines, you know. And where to draw them.”
“Ah,” Price grouses, huffing. “So this is a work call, then.”
“Dunno, honestly, cap. Just—I don't know. I don't—”
“You bothered me on a Sunday, Garrick. Better know quickly—”
“How do you do it? Going out each time when you—with your—”
“Mm,” he steamrolls over Kyle's floundering question, humming deep in his chest. “I was wondering when this might come up.”
“Were you? Was that before or after the second helicopter crash?”
“Before, smartass—”
“Right. And? Any sage wisdom to impart on me, sir?”
He sucks in a breath. “What's botherin’ you, Gaz?”
Kyle blinks, caught off guard by the suddenness of the question. In retrospect, he supposes he should have expected it. Price is nothing if not brusque. 
“My girl,” he murmurs, quiet. Soft. As if it was meant to be a secret. “I just. I don't want to leave—leave her alone,” he thinks of David and has to fight back the dizzying anger that burns through his veins. “I know what this job entails, and I can do it, but—”
“So don't.” 
“Don't what? Don't die? That's a little unhelpful considering what we do, cap—”
“No. Don't leave her alone, Gaz. That's really all you can do.”
The thing is, he's sure Price means something sentimental, something metaphorical, like memories. Pictures, videos. Time spent together. 
But Kyle has never been much for abstracts in the past. Prefers, instead, the concretes. The tangible. The corporeal. Things he can touch. Feel. 
“My wife is expectin’. Has me running around the goddamn city for banh mi so unless there's anything else to add, sergeant—”
Expecting. He knew, of course. Despite Price saying very little at all about his wife, the silence has always been loud. Black and white ultrasound photos, phone calls. Dates scribbled down on the Staples calendar he has spread out on his desk in the office. He misses almost all of them—too busy running drills with new recruits, or on the field (or yelling—you did what, you fuckin’ Muppet?!—at Soap through the phone following his recovery leave somewhere that's need to know, according to Ghost)—but every time, Kyle catches him sneaking away, phone trapped in the crook of his shoulder and ear, muttering low, gravelly, into the receiver. 
Yeah, how'd it go? Everything good? Good. That's—
The silence, Kyle finds, is telling. 
His own, too, because this revelation seems to have knocked the air from his lungs. He can't—
Can't speak. Not yet. Not now. 
Expecting. It's—
A thought. Not particularly something he'd ever really considered much himself. He comes from a large, overbearing family. Functions, dinners. Holidays. All spent crammed into his grandma’s house in Pelham. The unequivocal centrefold. The matriarch of the family. 
Caught in the indivisible lines of oldest (between just his parents) and middle child (when including his two half-brothers on his father's side, and a half-sister on his mother's), he's no stranger to a big family. Something he's always wanted for himself, too. A little inkling in the back of his head that rears, purring in contentment whenever they all get together for Sunday dinners at Grandma's house and he's full of good food, lazing on the couch as his family bickers amongst each other over a game of monopoly (his older brother is always the banker, and always, always, cheats with his two younger sisters—twins, go figure). 
And his older sister, too, is expecting. Had poked your stomach three weeks ago, teasing, and when can we expect one from Gazzy?
He didn't think about it much—snapped at her for using his military callsign, kissed your temple as you sputtered at her cackling laughter, and then ducked into the kitchen to help his dad cut into the pie the twins, Lolly and Lucy, had made. 
(Made, though, as in popping into Tesco and making the decision to buy it.)
And now—
“No, uh…” He swallows. Swallows again. He tastes blood in the back of his throat. Realises, when his hands start to shake and his heart slams into the brackets of his ribs, that it's adrenaline. Excitement. 
“Sure,” he rasps out, words slick, tacky with his blood. “I'll, uh, give her just that, cap. And—enjoy your sandwiches.” 
“Oh,” he breathes out suddenly, sharp. Deep. “I will. Goodnight, Kyle.”
“Yeah, yeah. ‘Night, sir.”
He says, with all the casualness he can muster, “remember Price? John Price? Yeah, his, uh, his wife is expecting.” 
“Oh,” it rings like a gunshot. Your chopstick clangs against the tin of spicy mapo tofu. “That's—wow. A baby, huh? A whole—”
You swallow. Kids are not something either of you gave much thought to. Couldn't with his odd hours, gaping absences, and your school schedule. Nothing ever fit together back then; jagged edges of a puzzle. Lock and key forced to fit. 
But now. 
Now—
He folds a smile into the crease of his napkin. “Yeah. Price as a dad, huh? Reckon he'd be good at it.”
It makes you snort. “You think so?” 
“He's, uh, complicated. But—a good man.” Somewhat. Maybe. “Kids, though.” He lets the wistfulness in his tone carry the burden for him, content to simply exist in this moment with you. Let it saturate the air, perfumed in his longing. 
You breathe it in. This heavy, noxious miasma. 
“Must be great,” he adds, reaching for another piece of siumai. “Bein’ a dad an’ all. Lucky man.” 
Over a steaming plate of mapo tofu, he watches as your expression falls inward. Contemplative. 
You know him enough to understand that he's talking about it because it means something to him. That there's a hidden want tucked neatly inside the words he says, whispered echoes of the ones he doesn't. Won't. 
And he knows you well enough to know that you'll be ruminating on this tenfold. Replaying the conversation in your head like an old rerun. Over and over again. Needling away at the cadence, the words, until you find something worth digging into further.
(The conclusion, of course, has been laid out from the beginning. 
He just wishes he had the wherewithal to see it much earlier through the smoke.)
He licks his finger, and hums around the meaty oil smeared over his tongue. 
All pawns on a chessboard. In the gap, he inches his bishop forward. 
Slow. Steady. 
But you cut him off with your knight. 
“Kids are a big commitment,” you're mumbling in between bites of bittermelon drizzled with honey. “And considering the nature of your job—” the slipup forfeits your pawn. You pretend not to notice. “h–his. Uh, his job. I just—”
There's a piece of pale green rind between your teeth. It slips down your tooth when you speak, dropping down to your lip like a flake of fallen snow. 
You swallow. Lick your lips. The slide of your tongue drags away the fruit. Like it wasn't even there to begin with. 
When you speak, it's softer. Barely a whisper. He wishes you'd yell instead. Scream. It doesn't tremble past a few, gentle decibels. 
“—is that really for the best?”
(is it feasible for us?)
Kyle sucks in a breath between his teeth. He knows he has to tread carefully here. The ground beneath his feet was as fragile as eggshells. One misstep—
“Does it matter?” He volleys, paper-thin. “If it's something we—” he comes to a stop, a sudden halt. 
Manufacturing a Freudian slip is easier said than done but somehow he does it with ease. Bashful, then. Sheepish. Like he accidentally flashed you his hand. Revealed his secrets. He ducks his head—the vision of embarrassment, now—but it's multifaceted. The move serves to leave the impression of fractured vulnerability. Bares his soul, and all his broken, naked wants with it. But it also gives you a horrific glimpse at the ugly, marbled bruise still popcorned along his cheekbones, his jaw. The tear in his ear, scarred over into a black valley bracketed by red canyons. 
Raw, splintered, he adds: “if it's something they want, why does the rest matter?”
The silence that follows is long. Oppressive. It comes about with a swiftness he doesn't anticipate, and spends a considerable amount of time debating whether or not leaving it is the right choice. It's unlike him to be so uncertain. So hesitant. 
But this, he reasons, is different than getting a pretty girls number under dubious circumstances, or finessing your landlord into not renewing your lease. This is bigger than the games he played in the past. More is at stake here. 
So, he holds. 
Watches, quietly, as you fold under the pressure. “It's just—it's a big commitment, right?” 
He latches onto your uncertainty with his teeth. 
“If you're serious about it—like they are about each other—then what's the problem? I think they'll be fine,” he shrugs, blase. Indifferent. Winces when it pricks against the scab on his collarbone. “‘sides, it ain't like Price is gettin’ any younger. Man's been itchin’ for a family of his own for a long time. Might be the best time, too, considering the man's luck with—uh—”
He coughs into the top of his curled fist when you flinch at his callous implication. 
“—just… he's reckless, is all. Might mellow him out. Keep his head on straight if he knows what he has to come home to, and what he'd be leaving behind if he didn't.” Another shrug. “Could be a good thing for him in the long run.”
You take flight as soon as it steals away his piece. Fleeting. Retreating. 
You should know better than that. 
Kyle always chases the things that run—
It leads him to a pub downtown. 
David—fucking David—sits on the stool beside you, sipping on a flat draft, and laughing at something you're saying. 
It's innocuous, really. Nothing untoward. No immediate reason for his hackles to raise, hair standing on end like he's under threat. 
But he feels it in his bones. Gnarled fingers grazed over his flesh. A warning. Sirens wail in the back of his head, and his stomach drops like he's back in the airplane, the helicopter, all over again. Plummeting to earth. G-force flattening him against whining metal—
He's too close, is the problem. 
Curled over you like he's trying to keep you a secret from the rest of the world. Something Kyle knows well—intimately—because he does it, too. Tucks you into his side, barely letting anyone get a glimpse of you. To see you. They can imagine, sure. And sometimes he likes to pull back a little just to let a peak of you be seen only to swallow you back up under his bulk. A taunt, a tease. Waggishly waving his finger at the naughty person who dared look at his sun, his Apollo, without permission. 
To see it like this, from the outside looking in—a mere spectator when he's been teaching his hand up toward you for what feels like his entire life—is infuriating. It's voyeuristic, he finds, catching a glimpse of you from the triangular window of the man's arm—elbow on the table, cheek perched on his knuckles. All Kyle can do is squint into this little opening, catching the aftertaste of your smile. 
And the problem is, he's entirely too aware of every overprotective boyfriend clichè that exists. Knows, very well, when it stops being cute and becomes an issue. Borderline abusive. Gross. Restraining order worthy. 
You're allowed to smile at men who aren't him. To drink with them in fancy restaurants wearing a dress that he picked out. It's fine. He doesn't care. You do it often, honestly. There's something about you that draws people in. Like looking up at the warm sun after a long, dark winter. It's unavoidable. Expected, even. 
But—
Fucking David seems to be the exception to his patience. To his goodwill. 
Maybe it's the way he pushes your glass toward you, muttering drink up under his breath. Or the way he leans in when you move back. Following you despite the obvious signs not to. Pursuing you—
Even though he knows, very well, that you have a boyfriend. 
It's the arrogance, he thinks. 
(Or one predator sniffing out the stench of another; lions prowling around the same lioness—)
He doesn't realise he's sneering until you catch his gaze from between David's arm. Feels it then, when he has to let his muscles lax into a smile. Easy, effortless. Just like the one you give him in turn. 
Soft, tender around the edges. Melting into happiness within seconds. A rare treat you give no one but him—
A fact that makes David jerk in his seat slightly. Maybe elated by this new look, the simmering heat in your eyes is warm enough to make someone sweat.
Whatever happiness he feels is dashed, though, when he realises your eyes are focused over his shoulder, away from him. Quietly, David turns in his seat, craning his neck over his shoulder to catch a glimpse of what caught your attention so much, and—
It's real sweet, he finds, the way the haughty look on David's face falls, breaking on impact, the moment he locks eyes with Kyle. Shifting into shock, into unease. Flinching almost instinctively, driven to run out of fear. 
Like he knows. 
And Kyle grins. Gives that boyish smile you tell him, repeatedly, that you fell in love with—soft edges, dimples; lips stretched wide over his fangled canines—and watches the satisfaction drip down David's brow as you extricate yourself from his shadow, and are pulled, magnetic, to Kyle’s side. 
Where you belong. 
But more than that, where you choose to be. 
The weather outside is notably warmer this time of year than it should be, and it sticks, syrupy and warm, to his skin as he sips from his third bottle of San Miguel and picks at the leftovers of your shrimp scampi. 
Across from him, David nurses on a ginger and rye, and murmurs to you about something—a show, he thinks—that he isn't privy to. 
It's been like this for the last two hours they've sat out on the patio. Not quite an exclusion, not really. You do your best to keep him within this little cosm David is trying so hard to build, interrupting him quietly when he goes on long-winded tangents about something that Kyle isn't aware of, and filling in the blanks. 
(it's a reality TV show. we watched something similar, you remember? just like First Dates—)
But he's an outlier here. Gone too much to invest in a show with you like David is, a new addition to your usual friend group. It's never been something he's cared about before. Why stop you from enjoying a show when he's carted away to Mexico or Chicago on another mission, the end date undetermined. Until it's fuckin’ finished, Price used to gripe when he asked. Until we end it. 
It can't be helped. But his hands tighten around the bottle, warmed under his palm. Condescension bleeding in rivulets down the neck, drenching his skin. He's angry. Suddenly, viciously. Filled with a sense of irritation that drums up from deep within his chest as David plucks little inside jokes out of nothing, making you laugh, and laugh, and then turn to whisper in his ear about what they mean. 
It isn't your fault. It's a catalyst to dating a man halfway out the door on most days, but it itches. Prickles under his skin. Selfishly wanting you all to himself, to fawn over him, and laugh at these little jokes he makes, leaving David on the fringes instead. 
Childish. Or—
He'd think so if David didn't shift his gaze toward him each time it happened, lips quirking in a small, satisfied grin. Cats, he thinks. Little yellow canaries. Tries to pull some sense of normalcy from the frothing geysers that roil in his belly, anger sloshing over the basin, drenching everything in a molten ire. Anger. Blisteringly hot. 
It scalds him. Scorches his insides as David laughs, again, at a movie Kyle was too busy in Macedonia to see. 
When you explain that to David, he cuts a sudden grin at him. “Gone a lot, aren't you?” 
And a tension thickens in the air. Drapes around his shoulders, his brow. 
“Work, yeah,” it comes out as two, rough grunts. A warning. Stay back. 
But David curls his fingers over the rusting wrought iron, peering inside. “Work, hmm? Heard you were military—” his eyes flicker to you briefly, like this is something that might get you in trouble for divulging to a stranger, but they're back on Kyle before he can say anything about it. Something like, don't fucking look at her—
“David,” is what you say, low and soft, and tinged with exasperation like this is an old conversation that keeps popping up, an uninvited guest you can't seem to shake. 
The warning is ignored again. Coming from him, he almost understands. Could respect his contumaciousness, even, but you? It makes his hackles raise. A flare of anger pooling in the grizzle, the filament, that holds his knuckles together. 
He keeps himself composed. Somehow. Tempers down that urge to bite, to break things, even as David leans back, shrugging. 
“Military,” he says again, but this time his lip curls. “Can't imagine you're very well-liked anymore. Considering the state of the world and all.”
His fingers tighten against the bottle. “Yeah,” he bites, grins. Knows it's feral. Ugly. Lip curling over a single canine. “Can't really say I'm in it too much for how well-liked I am.” 
“Oh no? Not in it for the glory. The prestige. What do Americans like to say? Thank you for your service—”
“—David!” Your voice comes out sharp. A reprimand. Brows knotting tight together. “That's not—”
“What I do won't end up on the news,” he interjects, and brings his other hand down over your thigh. The sight makes David sniff, glancing away. Anger writ on his brow. Jealousy mouldering in his eyes. Kyle tries not to laugh. “And if it does, it's usually after the bad guy is in the ground, and you find out about it sitting at a desk, twiddling your thumbs all day.” 
The table falls silent. 
He brings the beer to his lips, taking a generous gulp. Something dark curls in his guts even as David's satisfied smile dwindles. 
He sends you home first, watching David move towards the washroom from the corner of his eye. 
“You'll be back tonight?” 
“Mmhm. Just gonna go for a quick run. Gotta stop and pick up some razors, too.” His hand comes up, fingers scratching at the stubble growing along his jaw. “Gettin’ a shadow.” 
“A run, huh?” You don't believe him, but he knows you. Knows you won't fight him too much on it—especially when you think David already left. “And I dunno. A beard might look good on you.”
“Might,” he scoffs before leaning down, pressing a quick kiss to your cupid's bow. “Might not, too.” 
“Think you'd look good in anything. Moustache. Beard. Bald. I'm not picky.”
“No, ‘course no,” he teases and holds the door open as you climb inside. “My unpicky girl.” 
“That's not a word.” 
“Sure it is. Word of the week for Oxford, wasn't it?” 
Your words are swallowed up when the taxi driver asks if you're ready to go. You give him a nod, and Kyle a smile. He watches, lingering by the curb until you're out of sight. 
And then his smile drops. His hands curl into fists. He cranes his head over his shoulder, eyes riveted to the washroom door. 
There's a choice here, he thinks. Get the shaving cream, the razor. Be the man you think he is. The one who runs after a heaping serving of tiramisu and the leftovers of your shrimp you couldn't finish. Maybe watch that show on Netflix that David was so keen on one-upping him on. Your head in his lap. Soft smiles, taunts. Continue this playful banter you started through until his face is buried in your cunt—victor’s choice, naturally; and you always win—and you end the night whimpering his name, not David's. 
That, in itself, is a victory. A win. 
But—
He grabs the ball cap from the rack near the door. It's cream-coloured. Team merchandise for ManU. A little red devil stands in the middle holding a pitchfork. Black, western lettering says WE'RE NEVER GONNA STOP. He snorts at it. Macabre. Fitting. And slips it over his head, letting it hang low on his brow. 
And then he follows after David. 
David stands with his back to the door, hands curled around the porcelain sink as he stares in the mirror, chin titled under the harsh flood of the dull, fluorescent light. 
His eyes flicker up when the door opens, widening slightly when Kyle emerges, liquid, in the reflection. But through the surprise, there's a touch of smug recognition that sets Kyle's teeth on edge when it drills into him. A sense of arrogance that makes his fingers itch. Trigger ready. 
“Oh, don't worry, mate,” he's saying, a smile curling up the corner of his mouth like smoke. “We've just gotten—” he pretends to think, gaze darting up to the bulbs hanging over his head, smarmy and oil-slick. He must think himself leonine. Victorious.
Kyle wants to wear his bloodied teeth around his neck. 
“Close,” he offers, and anger coils inside his guts like tar. “You know, since you've been away, and all. Nothin’ to worry about, though. We're just friends, mate. Promise.”
At that word, his smile turns sharp. Mocking. 
“Oh, yeah,” he hears himself saying, words fine powder on his tongue. “Close, huh?” 
“Well, she's been a bit lonely, you know. Big change, moving to a new city, an’ all alone. Needed, ah, some company.”
It burns. Blisters. The way this man speaks about you rips through him, bubbling away at his self-control like acid. Alone. As if he doesn't know. Lonely. Like he wasn't minutely aware of how much your dynamic has shifted since college, since he was some beat cop patrolling the streets with too much rage in his veins and no outlet for it, to now—when he's calling you from a medical ward (confidential, no you can't come see him) to let you know he was in (yet another) helicopter crash. Had another brush with death that pitches his mortality in the forefront of his mind like an omen. An obstacle. One that cracked open this sense of want, of urgency, hunger from the abyssal depths of his soul. 
But this—
It reminds him of when he'd get into fights in high school. Needling the kids he knew would take him up on his offer, who would meet him in sketchy alleys near council housing where the police were less likely to patrol and the neighbours more willing to ignore it. When he'd mock them, twisting his words, his anger, into a brutal knife until they took a swing at him. 
His hand curls into a fist. Muscle memory. It quivers through his joints—this insatiable urge to tear into something he knows will bleed. Will make him bleed. He needs it like a confessional. Therapeutic. 
Because the thing is:
Kyle likes the fights. Like the way his knuckles burn, and his muscles ache. The bruises. The scraps. The contusions. The pain feels good. Cathartic. Rapturous.
And really—
He needs to get this awful, terrible demon out of him before the saliva that floods its maw at the sight of you, held back only by sheer willpower and reruns of golden girls on the couch you found by the side of the road, spills over between jagged teeth. Before the leash snaps. 
David looks terrified. Scared. He turns around quickly, unwilling to let Kyle have at his vulnerable spine a moment longer. His skin catches on the porcelain rim of the sink as he swings around, the rubbery squeal loud in the sudden hush that falls between them. David winces. Pulls his hand off. 
“Look, man—”
Kyle takes a step forward. Another. It's not fun when they shrink, when they shake, trembling as he nears. He likes the idiots who linger outside of crowded pubs on Friday night harassing patrons. They are drunken slobs calling out to the women they see. They fight back when Kyle corners them. Fists swinging, legs jerking out in a poorly timed kick. Slurred words full of vitriol. 
At first, anyway. 
And then the whine of their polyester tracksuits rubbing across ashlar cut through the alley, and the haze of alcohol saturated their senses. It's around then when they realise just how badly they fucked up. 
But David is different.
Posh—even though the notion of the word itself rankles down his back, trickling like slick, hot oil. Pooling in the brackets of his spine. 
“You did this,” he says, watching the paper shell of the man crumble. “Shouldn't have fucked with my girl.” 
“I didn't mean anything—”
“You did.” He pushes his knuckles into his palm, listening to the satisfying crack of his joints. “But that's what you do, isn't it? Messin’ with things that don't belong to you.” 
“She—”
“C’mon,” he grunts, keyed up. Aching for something to hit. “Gonna throw a proper punch at me or am I just gonna have to kick your head in?” 
“Maybe she wanted it.” It prickles over his name. “Wants me. Begged me for it. Gonna hit me even though your girl is the one messing with me?”
The sour vindication on his face sets Kyle's teeth on edge. No way in hell. He knows this is what David's type does—losing in brawn, but trying to skew the game by getting in his head, making him lose his composure. Getting under his skin. Because that, in itself, is a victory, isn't it?
Bruises will heal, but this, these accusations, the idea that you want David in some way, went after him to slake something Kyle couldn't is gutting. 
And he gets it. Understands why David is saying this, but it doesn't make it any easier to stomach. To listen to. 
David sees his fist shake. Pales slightly. “What?” He asks, all false bravado. Broken confidence. Kyle can sniff the blood in the water. The fear in the air. “You gonna hit me, or somethin’, mate?”
And Kyle—
Kyle jerks his head to the side, letting the knot in his neck pop. The sound, ominous and poignant, fills the bathroom, eclipsing the static buzz of the dying bulbs over their heads. 
“Nah, mate,” his tone flatlines. “I’m gonna let you swing first. And then I’m gonna bash your face in. S’only proper, yeah?”
He staggers backwards from the crumpled heap of the man—still breathing, he notes with a huff, files it away for later; one less mess Price will have to clean up—and works his jaw. It aches. He tastes blood. Spits a glob of foamy pink onto the floor by his feet. No missing teeth, but his lip is split. 
Ah, well. 
Kyle feels fine. Drunk, though. Sluggish. Keyed up. Dazed off that post-adrenaline high of sinking his mangled fists into someone; into flesh, sinew, and bones. But—
Intact. Whole. 
He likes the sting in his knuckles. The tackiness of blood congealing around his fingers, staining his skin. 
Outside of the tangible, physical sensation—
Kyle isn't sure what he feels. 
A part of him was hopeful that this would abate the anger in his veins, and stave off some of the agony of an unrelenting, insatiable hunger. But all he feels is numb. Indifferent. 
Hitting David doesn't bring him the catharsis he desperately seeks even though it should. If anything, it's made him more anxious. Restless. 
He leaves. Needs to—to walk, to run, to escape the crime scene before they find an unconscious civilian in the washroom stall. Flexes his fists, his jaw, as he goes, pacing through the bar, the crowd of people he cares so little for. The cloying scent of alcohol, perfume, stale sweat, cigarettes is a thick, putrid miasma in his nose. He heaves through it, and cuts one of Ananke’s young to ground himself until he hits the door with the brunt of his weight, nearly tripping over himself to get out. 
The air outside is humid this time of year. Damp with the rain that's been drizzling down since mid-morning. He breathes in the balminess of it. Wishes, for a moment, that he was somewhere else. Anywhere else. Just not here. Not with that man's blood on his hands. Not with his words hissing ugliness and vitriol in Kyle's head—
He trusts you, is the thing. Knows, without any uncertainty or doubt, that you'd never cheat on him. But—
The thought is there. Not of your infidelity, your betrayal, but of you. You with another man. Someone who is not him. A stranger. 
Lonely. Kyle wants to scoff. Wants to scream. He wishes he killed him. Sunk his teeth into his jugular, gorged himself on his blood. Lonely. 
As if he didn't fucking know that already. 
There's smoke in his lungs. Ash in his throat. 
He digs into his pocket, wraps his aching, stiff fingers around his phone, and tugs it out. The blood on his hands leaves sticky smears across his screen. The touchpad barely registers the tremulous prompts he keys in. 
Still. Still. 
Kyle manages. Finds the contact he's looking for and hits CALL. 
He's not even sure if the number is in service, and doesn't put too much hope on it. It really doesn't matter if it connects or not. He's just—
He needs something. Someone. 
A clear path. A straight head. 
“—this is Johnny. Leave a message aft’r th’ tone, ‘nd ‘ah’ll—”
“Johnny. Fuck, man. I—shit—” Johnny's supposed to be dead. Laswell made them all swear on it. Wear a spiffy suit to his funeral, and dance the choreographed routine in front of everyone of a team in grief. “I don't know why I'm callin’. Just—my girl, my—” doves. apollo. “I don't know. Kinda feels like lately my heads all a mess. I'm hangin’ thread here, and I just—”
need to be told what he's doing is wrong. terrible. 
“—could use a friend, I suppose. Ah, shit. I don't know why I bothered—”
He hangs up. Drops his head. 
He feels fragile. Like something is going to break. 
Feet balancing on a spindle, the vertiginous drop below an instantaneous death, and Kyle—
He catches the moonrise on his way home. Thinks he can see Jupiter lingering in a flickering white light behind it. 
In his pocket, his phone buzzes once. Thrice. 
can' call right now. shite reception. in some park in canada. nahanni, ye ever heard of it? found a little doe injured in the wood. am takin’ good care’a it. plannin on bringin her home soon. once price sends a plane to pick me up. will introduce her to ya. pretty thing. 
anyway. got yer message. see, if it were me. if that were mah doe. id never leave em alone. ahd make em stay. 
think ye know what ta do, Gaz. 
see ye soon.
—Kyle steps off the spindle. 
You usher him in with a wounded noise in the back of your throat when you catch sight of the bruise under his chin, equal parts worried and questioning. He makes a show of shrugging, indifferent, when you take off his jacket, hanging it on the rack for him, and follows you inside when you move back. 
“It doesn't look like nothing,” you whisper, so sweet he feels the sugary grain of your words rubbing against his teeth. 
“It's just—” he's not sure where it comes from. In for a penny, he supposes, and lets the words flood between you, twisting and sour. “Your…friend, he, uh, caught me when I was about to leave, and—”
The worry splashed across your brow is wiped clean, replaced with disbelief, with shock, and then—
“Oh, that prick!” Anger. The tang of it is electric against his skin. 
“Who the hell does he think he is?” Your indignation is blistering. He basks in it. 
“It's fine,” he murmurs, soft and low. Quietly reassuring. “I'm fine. You don't have to worry about me.”
“Well, I do, anyway.” You volley back, words tight in your throat. 
You're so pretty like this. Illuminated softly in the cool, hazy glow of the television. It's a picture he wants to fold up, put it in his breast pocket for safekeeping, where it will stay warmed by the steady thud of his still-beating heart. 
Want pulses thickly in his sternum. The urge, the need, is there, simmering quietly in his periphery. Slowly taking up more and more space as it grows, too big for him to hold back. 
And so, he says, “I thought about this, you know. When I—” he stops, adds a small huff. A shallow shake of his head. “Nevermind.” 
If this were a movie, it would be a tender, heartbreaking beat. A moment filled with tension and a palpable, heady fear. 
You might say to him, please don't ever do that again, or even, please don't go; but he knows you just as much as he knows himself, and so it doesn't surprise him much at all when instead you swallow all of it down, letting it slowly metastasise inside of you, offering a small smile in response instead. 
A quiet, “yeah,” following along behind the brunt of your shielded misery. Buried for his benefit, because as much as these near misses might keep you up at night, you'll never tell him not to go. 
He adds, “been thinking a lot about what I'd miss out on, too, but—”
Kyle doesn't finish. Doesn't think he needs to. Not when he sees the gears turning in the back of your pretty, tear-filled eyes. 
Against the armrest of the couch you'd bought at an old antique store, his hand closes into a fist. 
Close, he thinks. But not close enough. 
It'd be easier to just flush your pills down the toilet. Poke holes in the condoms you keep in the drawer—just in case. Sabotage you through sugar pills; perfect replicas of the ones you clumsily take each morning, only ever half aware of what you were doing as you lean sleepily against the sink and listen to some podcast you've recently gotten into. 
So easy that he buys them without a second thought from some sketchy guy in the back alley of a Tesco Express. Pockets the package, and brings it home to you. Slips them inside the half-empty bottle where they fall to the bottom with a sharp clank. Clank, clank, clank—
The orange-tinted bottle sits on the countertop. Innocuous. Mocking. Everything he wants—you, you, you: forever, permanently—right there in front of him. Within reach. The smooth plastic surface is still warm to the touch from his aching hand—Ananke’s mangled brode on his palm has been itching furiously lately; he thinks he has an infection running jagged down his lifeline, the sink pickled and oozing pale yellow—and he holds it tight. Tighter still. Until the tumid scab on his hand cracks, pops open. Leaks blood and foul rot onto the container. Smears it soft pink with infection. 
Kyle knows right from wrong. 
His mum is a pillar of the community. A stalwart wall of firm, unyielding faith: the kind that brokers no arguments—do unto others as you would like done unto yourself, Kyle—and offers no retribution. Forgiveness stacks as high as karma. As goodness. As fairness. She wakes up every Sunday morning and goes to church. Spends all afternoon cooking meals for the homeless, the sick, and drags his father along with her as she drops them off at shelters, each with a handwritten passage about love and humility. 
He's not particularly religious, but she's never held it against him. Never forces belief when there is none. Content to let him grow into the man he wants to be. 
Though—while he shirked her belief, he stole away with her vicious sense of morality. Of justice. Right and wrong. 
Simply put: he knows better. Was raised better. 
And yet—
Somewhere down the line, his idea of good and bad evolved. Shifted. Cracked. He feels the remnants of it thrum in his veins; this foreign thing—this abrasive entity. It surges. Spumes; seeps in his bones. His marrow. Rewrites his foundation, his sense of self, until it's marbled with streaks of murk. Gangrenous. 
Good and bad. 
(the and an entire island of its own.)
He wonders if it started with Price—draw the line wherever you see fit—or if it was waiting, a hibernating beast, for someone like him to come along. A pantomime of a paradigm. Mockery of justice. Absolution in shades of self-interest. 
Either way, it doesn't matter much. Not anymore. Not when the cage, the iron shackles, housing that monstrous thing split open on the pavement outside of Giza, freeing this starving, angry animal. 
And really—
—he’d rather it quenched itself on you than anyone else.
Kyle places the bottle neatly back in the drawer. Slides it shut. It looks the same way it did when he arrived—pristine, innocuous, untouched. No one would know that he tampered with the seal, spilt the pills into the porcelain basin of the sink, ran hot water over them until they dissolved into sugary-white clumps, and washed them down the drain. Gone. Dissipated into a barely noticeable residue he scoops up with the tip of his index finger, bringing the specks closer to his face. It gleams in hazy sunlight dancing through the open curtain. 
Kyle brings it to his mouth. Licks it off. 
It tastes sweet. 
Ananke screams in agony when he grips a fistful of your hair, pushing your head down the length of his hardened cock, all the way down, down—
You sputter around the thick of him, eyes watering. Dripping rivers down to your hollowed cheeks. It pools there. A deep basin. A lagoon. He wants to drink it up—salt water cures everything, after all. 
The noises you make—quiet gags, wet chokes—have liquid pleasure trickling down his spine. An endless cacophony fills the bedroom. A soundscape he could get lost in forever—
“Yeah,” he rasps when your fingers dig moons into his thighs. “Such a good girl for me, aren't you?” 
The whimper that tumbles out vibrates through his cock, and he grunts with it, a deep groan that you answer by squeezing your thighs together, lashes fluttering. You like the noises he makes. The moans, the guttural grunts. The choked snarls. 
His good girl. 
“Takin’ me so well,” he's slurring his words, hips pushing with more insistence now. Desperate to spill down your throat. To watch you swallow him. “You always do, though. Don't you? Take whatever I give you, yeah? Gonna take it all now? All of it, yeah, pretty girl?”
He rambling. Words spilling out, breaking against his teeth. Ananke howls when he twists your hair, tugging you closer, closer, until the tip of your nose touches the thick bed of wry curls at the base, swallowed whole. You're crying now—choking. He grunts. It's liquid. Whitehot.
Your mouth is molten around him. He chases it, cock head nudging the back of your throat, bruising it. Ruining it. He wants to paint you in his cum; drench you in it. Mark, mar, your skin until all of the nobodies, the David’s, can smell him on you. Know, without any uncertainty, that you belong to Kyle—
His hips stutter—
“oh, fuck, oh fuck, fuck—”
—and he knows he's being too rough with you. Too demanding. Forceful. Taking his pleasure from your pliant flesh, cleaving pounds of you into his palm for him to keep. Scar tissue in the shape of his name—
His other hand drops, wraps around your throat, and—
Fuck. 
He can feel his cock through your skin. The bulge unmistakable through your neck, fattened with the thickness of him. 
This—and the hazy sight of you, angelic with your drenched face covered in spittle, pre-cum, and briny tears; eyes blown wide and preyish, full of desperate submission; and clumsy, needy way you hump against your fingers stuffed between your slick thighs, quivering under the unrepentant way he breaks you apart, takes you—pushes him over the edge. 
Equilibrium comes on a snarling grunt, wrenched out from the depths of his throat. So rasping, so gritty, guttural, that it hurts. Scrapes against his flesh until it's raw. Bruised. 
He feels the flex of your muscles as you swallow. The rasp of your tongue soothing the heavy pulse of the thick vein on the underside of his cock, greedy for every drop he has to give. 
It's perfect, he thinks. You're perfect. 
(and his. his, his his—)
He leaves later that evening. “Mission,” he offers, a wan grin pulling at the corners of his mouth. “Be back soon. Don't wait up.”
Worry chisels a ravine through your brow. “Is that—” you swallow. He hears the click in your throat. Tastes the anxiety rolling off of you; a sweet deluge. “I mean, you just got back. Are you—are you even cleared yet?”
“Ah, well. About that,” he scratches the back of his neck. Ananke shivers. “I have to do some recon. Nothing serious, but with—with, you know—”
Contrition tights his jaw. He sometimes forgets that officially Johnny MacTavish is dead. 
“Oh,” you try to murmur, but it comes out like a whimper. “Okay, well—”
You won't tell him not to go. It's not in you to weaponise your worry against his ambitions, his dreams. 
(It doesn't stop him from using this kindness against you.)
He times it well. 
Gone for thirty days in a wet, balmy jungle, snacking on nothing but bamboo shoots and moss. Ghost comes with him, shoulders set in a terse line—as usual—but there's a strange ease to his gait, a sudden liquidity to his hardened obsidian that catches Kyle's attention immediately. 
“Alright?” He asks, picking his teeth with a needle from a bush. “Seem in a good mood, Lieutenant. Not very typical for you, is it.” 
He lifts one massive shoulder in a lazy shrug. “S’nice weather.” 
It's humid. Hot. Steam billows up from the boiling first floor and congeals into a thick, dense cloud of heat. Kyle would hardly consider that to be nice weather. 
“Oh, yeah. The, uh, one hundred percent humidity is really good for the skin.”
Ghost, for his part, just shrugs again. Rumbles something about misbehaving pets, and obedience training, and seems content to let the conversation lapse into a comfortable silence. Kyle follows suit. 
It stays like that for most of the mission—save for the odd quips from Ghost, his humour a peculiar ester that sours, perchlorates, in the back of his throat. Team building, Price would probably say if he was here instead of back in Liverpool, looking at empty lots with his missus. 
(wants to build a fuckin' house so we have somethin’ to pass down to the kids—
He sounded angry about it, but Kyle found floor plans laid out across his desk, markings scratched into the margins as he argued with himself—and his wife—about sizing and layouts; the quips between thick, bolded letters (all uppercase) and boxy cursive filling him with a sense of envy so visceral, it made his stomach churn—)
It's almost boring compared to some of the things they'd done. Incident-free—something he knows Laswell and Price will enjoy; less paperwork. Or—
Almost, anyway. 
Kyle gets shot in the shoulder the last week of the mission—a surface wound, of course; but it leaves a mangled mess of scabs and torn, jagged tissue on his flesh. 
Ghost sees it. Eyes liquid black through the thick foliage, cutting a searing line to where Kyle sits, arm wrapped in gauze, casual despite the burning agony in his shoulder. 
“Coulda dodged,” he muses, head tilting to the side in what Kyle can describe as dogish. 
Kyle swallows. “Could’ve,” he agrees, and offers nothing else. 
“Looks like I’m not the only one training a new dog.” Ghost hums to himself, quietly amused by the puckered skin on Kyle's shoulder. “‘bout time you got a scar to match the big boys, Garrick.” 
“Big boys.” He snorts. “And where's Price’s?”
The man's eyes are liquid in the nightfall. Vantablack. He wonders what sort of dog a man like him has at home. What kind would stick around. 
Or if it's even a choice. 
“‘ave you seen his back? Old dog wrangled himself a little tiger.” 
An unknown number texts him later that evening. When he opens it, it's just a blurry picture of a figure bundled up in a tweed quilt, nothing but their shoulders and head visible, as they stare out the window. The room is lit in burnt umber. He catches the corner of what must be a wood stove—the only light source, perhaps. It baths them in a heavy swath of tenebrous on the opposite side of the stove. The other is highlighted in an ethereal, aged orange. 
When his eyes slowly adjust to the hazy sfumato, he makes out the distinct shape of a woman. Fingers tangled in the throw. Spilled oil, midnight gloam, against dark blue. What a picture they make. 
But why was it sent to him—?
His answer comes a moment later. 
think it's time ta come home. know anything about gettin’ a little doe thru customs? 
might know a thing or two about that, yeah. probs best to talk with Price. 
shite. he'll ‘ave mah ‘ead fer this one. 
In the quiet cabin of his airplane, Kyle places his phone on the empty seat, and grins. 
Your fingers thread through his, palm kissing Ananke with a gentleness that belies the fire in your eyes. The burning fever as you draw him in, drag him closer. 
There's an urgency in the way you reach for him. Touch him. Starved, almost. And he supposes it's only natural when the last time you've been intimate was a month ago—when he spread you out over the sheets and kept his face buried between your thighs for hours; uttering soft hymns, orisons, at the very apex of your altar—and so sparingly between. Too afraid to hurt him. Your worry is now a weapon used against you.
(“you crashed in an airplane, Kyle! there's no way nothing is wrong with you after that. something had to have broken, right?”
right. right. just the fragile walls holding himself together—)
His wince presses the blade taut to your neck. “Sorry, dovie. Hurts a bit—”
Digs it in. Draws blood. 
Your eyes drop to his shoulder, wide and wild. Feverish with your worry, your desperation. The wound is bandaged up in gauze—thick enough that it leaves a distinct shape under his shirt. Pokes out from beneath his collar. 
There's worry, of course. A bone-weary sort of sorrow that thickens around your eyes, pinches tight on the curve of your jaw. 
He wonders if you'll pull away again. Cushion the wound between you like a wall, and keep your distance until the unfounded belief that he's somehow too delicate to touch. 
“Sorry,” you murmur, and it's blistering. “I just—Kyle, I—”
You don't pull away. 
“I know, yeah? It's fine. I'm okay. Back in one piece this time.”
This time sours in the air. Putrid. Rotten. Your lip wobbles. Lashes puddle with pearling tears. 
He thinks you might cry. 
(hopes that you do.)
“I know,” is whispered, gritty and raw. “And how long until—until you have to leave again?”
Kyle huffs. “In the morning. ‘m’sorry, dovie,” he leans down, rests his forehead in the crook of your neck. “I tried to wiggle out of it, but we're short a man.”
“Is this even ethical? I mean—” your shoulders shake. He bites back a grin. Your worry so thick, so sweet, in his ear. “You just got shot, and they're sending you back out?”
“Technically, it's just recon—”
“This was just recon, too, and look what happened—”
“Love.” He silences your protests with a soft bark. The way you immediately quieten at his tone liquifies in the base of his spine. “I gotta. I have to go. This is what I signed up for, you know?”
“I know. I just—” your hand lifts to his head, gentle. Fingers stroking over the shaved hair on the nape of his neck. “I can't lose you. And lately, it's like everytime you leave, you get hurt. I can't help thinking, is this the last time I'll ever see him again? whenever you walk out the door. I hate it. I know that's your job, I know that. But, fuck, Kyle—”
“I know, love. I know.” He kisses the warm skin at the base of your neck. You shiver against him, nails biting slightly into his nape. “There's so much I still want to do. So much in life I want, especially with you, but—”
You don't let him finish. Your arms wrap around him, holding him gingerly to your quivering body. 
The way you cling to him feels like a victory in itself. 
Check—
There's an animalistic desperation in the way you drag him into the bedroom, eyes sparking in the dark. Smouldering embers. Clothes strewn somewhere in the hallway, forgotten. 
He worries his jaw to fight back a grin when you knock the condoms from his hand when he fishes them out of the drawer. 
“‘s’fine,” you slur, mouthing along his neck. Suckling intently at his skin. “‘m’on the pill. I'm—”
God. You're so sweet, aren't you? 
He buries his grin in your neck, biting down on soft skin until his canines catch. Split flesh. Blood wells, trapped under enamel. He tastes the iron as it pools up, thin and watery, and so distinctly you it makes him dizzy. Rust. Ore. A moan is dredged up from the back of his throat as he laves his tongue over the indents, the puncture wounds, he left behind. 
You shiver at the sounds he makes, small whimpers tumble past your lips—breathless; shallow and quick, matching tempo with your heartbeat. Tinged with the sting of his bite, the way he sucks around them, irritated flesh; sinks the tip of his tongue into each little split until he can't taste blood anymore. Just salt. Skin. You. 
This thing that lives inside of him is hungry. Starved. It growls low in his belly, a tightening heat that blooms with the blood he swallows down. Feeding it. Just a taste. A tease. Barely enough to sate the burn he feels flickering just behind his larynx, soldering through tissue, and tendon. Blackening bone. 
You say his name, low and sweet. Peppered out between soft lips. 
It's—
A lot. Not enough. 
Kyle pulls back, rocking on the balls of his feet just to reorient himself, and then leans down, catching your mouth in a frantic kiss that makes you shiver against him, gasping into it. His tongue delves in, and chases the sweetness of his name still lingering between your teeth. 
His hands glue to your skin, featherlight, as he slides his palm over your body. Feeling you. The heat. The goosebumps that break out at his touch. His other hand slips up your spine, curling over your nape. 
He doesn't say much else. With the taste of you tucked between his teeth, he finds he doesn't need much else. Just this. Just you. 
But you're tugging on him, pulling. Whining into the kiss. Peeling away with a gasp when he pushes you down onto the bed by your hips. 
You go down quietly in the dark, eyes wide in the pale blue moonlight; fixed on him as he follows after you—hunt, chase, consume—until he's balanced above you with his palms pressed into the mattress. Beneath him like this, you're a vision. A dream. His heart breaks free, soars. He feels the flutter of wings battering into the cradle of his ribs as he looks down at you.
He almost calls you Apollo. Sinks his teeth into his bottom lip instead. Can't trust himself like this. Not right now. 
So, he tries to grin, but it feels worn. Threadbare. “Fuck, you have no idea what you do to me.” 
“I have a pretty good idea,” you whisper, gaze dropping down to his hips where his cock juts out, hard. Weeping. Feebly tries to curve up to his stomach but the weight forces it down. 
Your legs spread, parting for him instantly. Hands reach, grabbing at his skin, pulling him closer. He goes with a groan, biting his lip when his cock brushes the soft skin of your slick, sticky inner thigh. Soaked, he finds. 
“All this for me?” He rumbles, fingers slipping on your skin when he drags his hand down, pushing your legs open further. Wide enough for him to fit. “Gonna give a guy a complex.”
“As if you need another one,” you volley, but it's breathless. Caught on the tail end of a whimper when his hips slot into yours, cock heavy and hard on your soft skin. 
“Sayin’ it's too big for you, then?” he teases on the jagged edge of a wide, sharp grin. 
The need that blooms in your eyes, the slight part of your kiss-bitten lips, pupils melting over the edges, a total eclipse, makes him want to sink inside of you. Carve a spot just for him over and over again. Make you take him, break apart on the thick split of his cock inside of you. And he only just manages to reign the urge to pry your folds apart, nudge his head into you. Barely holding himself together, fighting for every ounce of restraint he has because as he knows you'll let him—let him slide inside, fuck you into the mattress until you're sobbing—he can't. 
Too big, he thinks. Reaffirms. And it comes out as almost a pout. 
“Don't worry,” he huffs, bending down to nip along your jaw, fingers sliding over the slick, sticky skin of your inner thighs. “I’ll take care of you, yeah? Get you good and ready for my cock.” 
(and more, of course; a lifetime—
but the bite of Ananke’s young keeps him spilling these secrets onto the sheets.)
Kyle likes to think he has a keen sense of smell, and as he buries his face between your thighs, nose pressed tight against your clit, he imagines he can scent the chemical changes in your body. The natural musk of you, more potent now than ever, without the artificial blocks in the way. 
Taste, too—
He presses a kiss against your slit before letting his mouth part on a deep inhale, tongue rolling out, pressing between your folds. Parting them. The first touch makes your hips jerk, breath catching in your throat. 
You taste good. Earthy. 
It's been too long since he tasted your cunt. Feasted. He slips the flat arch of his tongue over you again in broad, heavy strokes from rim to the soft crease between your clit and mound. Drinking you in as the soft moans, the hiccupping gasps, cudgel his resolve. 
You babble his name as he presses your thighs flat to the mattress, head buried between them with a single-minded goal of making you fall to pieces with his tongue on you, lapping at your pussy. Tasting for himself the natural tang of you, his machinations seen through to the end. 
And you—obvious to it all—whine, eager for more of his touch, as he presses his nose into the soft skin of your navel, and breathes in again. 
He pulls you down on top of him after making you clench around him—tight, tied like a vice—three times with his mouth, tongue, his fingers kneading that soft spot just inside your cunt until your legs quivered around him. Until you gushed with your release, cumming on a choked scream. 
It made you all pliant and soft, putty in his hands that he can tug as much as he wants, however he wants. Shaping you over the tapered spread of his waist, cock nesting between your hot, sticky folds. Your hands on his chest, breath shallow. Please is whispered out of your bruised lips, sweet and lachrymal. He shivers and licks his lips. 
You have no idea what you're begging for. No idea what he plans on doing to you. And he thinks, maybe, he ought to feel some sense of shame for making you take what he gives you like this, making you ride him as he fucks you full. Traps you. 
There's a fire burning inside of him. Molten. He reaches down, grabbing his cock. You blink at him, tears clinging to your lashes, before you slowly, clumsily, lift yourself up for him with a soft, heated breath. Like you want it. These awful thoughts sutured between you like a fine, silk thread. He nearly unravels at the seams just thinking about it. 
Even playing pretend in his mind threatens to shatter his resolve,
—a golden fantasy filming over his gaze, dusted in starlight; the ethereal glow of ananke coruscating off of Jupiter's elves: you begging for him, pleading with him to sink as deep inside of you as he can get until no dog will be able to differentiate between your scent and his
break it into pieces. 
“Want it, don't you?” It comes out sun-scorched. Blistered. Raw. 
You whimper when the fat head of his cock catches on your sopping rim, stretching you open for him. He can't decide what he wants to look at more—the sight of himself disappearing into you, or the look on his face when he does—and his gaze swings wildly, a pendulum oscillating between both, greedy for all of it. Sears it into memory. Burns it behind his eyelids. 
Kyle reaches up, hands sliding across your body. Feeling the quiver in your flesh, your lungs pressing against your ribs, pushing it out. He wants to touch everything. All of you. Settles, instead, for sliding his palm up to your shaking breast, letting it fall into the cup of his hand. Pinching your hardened nipple between his middle and ring finger. Just. A tease. Barely any pressure. Rolling it between his second knuckles until you're arching into him, desperate for more. More friction, more pressure. 
He teases around your flesh until goosebumps prickle over the sensitive skin, bearing his teeth in a crooked grin when you whine, clumsily pawing at his chest and pushing your breasts into his hand. 
“Want somethin'?” 
Your response is a sharp huff. A half bitten whisper of his name. 
“No?” He taunts, shifting his hips under you. Feeling the way your cunt pulses, fluttering over his thick length. “Fine. Guess I'll—”
He goes to pull his hand away from your breast, lips curling into a taunting smirk, but a whine tumbles out. Your hips rock, pressing flat along his cock. The pressure, the pleasure, knocks the air from his lungs, and for a moment, he thinks they popped. Burst. He struggles to fill them when you shift above him, drenching his lower belly, groin, and inner thighs with the wetness that drips, molten, over him. It's good. Too good—
“Kyle,” you whisper, clit pressing taut to the weeping head of his cock. Trapped between your cunt and his stomach, the blunt pressure rockets through him, bringing him close to the edge. Dangerously close. “C’mon—”
He snorts derisively—the impromptu amalgamation of a choked laugh drenched in disbelief and sutured together with the delirium of pleasure rippling through his stomach scrapes over the soft tissue of his throat. Abrasive. Rough. 
The air that comes out of his nose, hacked up from the tatter of his lungs, hurts when he spits it out. 
“Fuck,” he rasps, rolling his hips into you. Desperate. Eager. It's airy. Loose. He clenches his jaw, grunts a rasping, ugly fuck from between the tight seam of his teeth. “Gonna make me cum, dove.”
It spurns you on. You babble above him—no, Kyle, no, don't cum, don't—but do nothing to stop the quick cants of your hips, fingers knotted into the matted hair on his chest. It's paper thin, barely a whisper when you breathe heavily through your nose and whimper, I want you to cum inside me—
And it's—
It's a thought. A dream. Nothing new to your voracious sex life, really; but the sweet-sour taste still lingers in the back of his teeth. The heady scent of you in his nose. 
A single pill placed in each slot—Monday, Tuesday, Wednesday—
His eyes roll. Hips stutter. 
There's a fever in his veins. An urgency. He groans his assent, hands falling to the expanse of your hips, holding tight as he stops the slow rolls you keep trying to make. He needs to be inside of you. Says as much when you pout at the loss of friction, watching understanding dawn over you. An eagerness that seems to keep pace with his own following quickly behind. 
“Yeah,” you say, and the word is obscene. Breathed out on a moan that makes his cock twitch. Then, yeah, yeah, Kyle, please—
He pulls you up, up, groaning when you slide your hand down his chest, pawing at his cock until it's gripped in your palm. The touch burning through him. Skin on skin. Fingers barely meeting around the thick of it. 
“Come on,” he rasps, swallowing down the words he can't say yet. Things like take me, all of me, every last drop—
He helps you lift higher. Keeps you steady as you line him up, the head pushing against your slick rim, catching when you sink down, thighs flexing. 
It's a slow drop as you adjust to the burn of taking him. Down, down—gasps, mewls, whines leaving your lips with each inch, devastating little ah, ah’s that spin around his head until he's dizzy. 
His name is a plea when you can't take anymore, when the thickness of him becomes too much. Eyes misting with unshed tears, bottom lip trapped between your teeth. The look you give him is so pitiful, he nearly whines—
“You can do it, baby.” 
It's a shuddered gasp, thin and reedy. He wants you to cry, to weep. To rain your fists down across his chest when the burn of him splitting you open becomes too much, nearly choking on how viciously you spit out his name. 
“C’mon,” he slurs, lifting his hips in shallow, lazy cants. Feeding you another half an inch. Another—
“Kyle, Kyle—” you gasp, and he knows. Should take pity on you for the sting, the burden of taking him so deeply, pretty pussy stretched tight around him. 
Should—
“Barely much left, dove—” he means to grunt, but it comes out on a growl. His knuckles ache. “You can do it for me, can't you? Take all of me. Been so long, dovie. Been so fuckin’ long—”
It's between missed this pretty pussy on my cock and need you, baby, need you so bad that you break. Trembling above him as another inch is forced into you. Keening when his hands tighten around your waist, fingers biting into your flesh, and he pulls, pulls, at the same time he thrusts up, cunt giving way, opening up for him so perfectly—
“That's it, dovie—”
The folds of your pussy swell around the fat base of his cock, pressed tight to the skin of his groin, and Kyle can't stop the rough moan that spills out, hips jerking at the raw sensation of having you wrapped around him. Silken walls. A slick, feverish heat. You pulse, flesh fluttering over the length of him, and it's somehow both euphoric and uttering damning—the pleasure so intense, it churns his stomach. Makes him nauseous with how badly he wants to stay inside of you like this forever until it's sacrosanct. 
You feel liquid around him. All heat and pulsing, flexing muscle. He ruts into it. Cants his hips up, up, little nudges that push the air from your lungs in short, choking gasps. 
He lets you take what you need from him first, hands steady on your hip. Palm moulding over your breast, pinching your nipple between his fingers. Leaning up to lave his tongue over the hardened peak you squirm on his lap, bouncing shallowly on his cock. Giving you everything, all of him, as you slowly bring yourself closer to the edge. Face pinched in bliss, eyes squeezing shut, rolling slightly as you work yourself over his cock, hips twitching. Flexing. Your pretty mouth drops open when you lean forward, hands bracing over the swell of his chest, finding the perfect angle for his cock to hit. 
His name is a whimper, a plea. A litany of sounds that blister through his chest. A white-hot knife buried in his groin because fucking you is always a sweet sort of agony, he finds; pleasure and pain effortlessly balancing on a razor blade. He breathes around the ache, feeling the threads of his control pull taut over the blade, snapping one by one—
It's a mindless drive for more of that electric pleasure, that blissful pain, when he plants the soles of his feet on the soft sheets, and bucks. His cock bludgeons through wet, hot heat, feeling the silken flutter of you clenching tight around him, and he can't stop the groan from jittering out between clenched teeth. 
He knows he won't last. Can feel it well up in his groin, hovering on the edge of a precipice. It's headier, more potent, than anything he'd ever felt. The elation, the urgency—it fills him up from the inside out, twisting in his veins, blotting along his hindbrain. Needing to cum, to fill you up—
Your nails dig into the smattering of hair on his chest, clinging to him as he squares his feet on the mattress, pistoning into you. Making you howl for him—deep, breathless moans rolling off your tongue, bitten out between his name, said like grace as it drips down your chin. 
There's nothing better than this, he thinks, arching his neck on the pillow, head thrown back as he thrusts up, meeting you in the middle. Working in tandem. Pleasure is hewn together, tethered until you can't hold yourself up anymore. Until the stretch him filling you up, sitting thick, fat, inside your abused, aching cunt is too much for you to take. 
The way you look above him—chin bowed, mouth open as a litany of moans spill out; brow furrowed, eyes listing shut in bliss—knocks the air from his lungs in a painful, agonising punch. You look ethereal, superlunary, as you babble above him, spine bowed in a pretty bow. Taking everything he has to give you—
His palms ache. Itch. Ananke grows restless as his thrusts become sloppy. Desperate. 
“Come for me,” he barks. Demands. Pleas. 
His hand squeezes tight before letting go, dropping down to your belly, over your mound. You’re slick, wet. His thumb softens over your clit, gentle strokes to bring you to the same summit he stands on, ready to jump. Hips jerking, thrusting into you from below. Fucking into you with steady, deep cants of his hips. Making you take him, all of him. 
Your cunt flutters around him, clenching tight. Pulsing little throbs that mirror the heavy brag of his heart slamming into his chest. Made for him, he thinks, eyes widening in feverish delirium as he tries to commit the way you look arched above him to memory. Burning it behind his eyelids. 
The pleasure on your face, the desperation, make him break. 
He lets go of your hips, slides his hand up your spine, feeling your warm, damp skin under his rough palm as he drags it to your nape. His fingers curl over the back of your neck, a gentle squeeze; a comforting weight—just enough to make melt in his arms, relax, before he pulls you down until you're chest to chest. He snakes his arm out from between your bellies, throwing it over your waist to anchor you down as he bucks up into you. Taking. Taking. 
The sounds made when he fucks into your like this, the squelch of your pussy, the slap of his balls on your ass, have his eyes rolling back into his head. Unbridled pleasure bloomed over his spine, spooling in his groin. 
He's right there. Right there—
“Oh, fuck, baby—” he gasps out, choking. “I'm gonna cum, I'm gonna—”
He feels his name purr from within your chest before you push back, squirming on his chest as you fuck yourself back onto his cock. Taking him deeper inside of you until he nudges your cervix and makes you whine—
He grasps to find that same thread of control he keeps wound tight around his wrist, an anchor line for him to cling to, but when he paws at the dark, he finds nothing there. Nothing but thick, syrupy pleasure. Bliss. He feels your slick run down the length of his cock, pooling in the tangled hair dusting over his sack. Drenching the sheets. 
His hand slides down your back, fingers stretching, reaching, grabbing a fistful of your asscheek in his hand. Squeezing it tight as he pulls you down over him again and again. It forces him deeper, until he's certain that there's no place inside of you that he hasn't touched. 
And it's this thought that unravels the knot. Becomes his undoing. His violent end. But it's you bending down, sweat-slick cheek pressing to his chest, murmuring:
Please. Please—
And then:
“Come on,” you moan, the words shuttered out of your chest with the force of his thrusts, head shaking. Rattling. “Cum inside me, Kyle—” 
It’s catching sunlight in the palm of his hands, feeling the skin burn, and blister. Apollo in his hands. 
“Fuck, gonna cum, love—” he grinds out on a moan, grinding his hips into you in choppy, desperate thrusts until the force it punches through his stomach, leaves him winded. 
You drop down on his lap, taking the full, thick length of his cock inside of you as he cums, vision blurring around the edges as he struggles to keep his eyes open, glued to the sight of you taking it all. Every drop—
Through the haze, he commits every blurred movement to memory: your quivering belly; your heaving breast, nipples pebbled and swollen from his mouth. The spread of your thighs over his hips, the way the coarse, thick hair on his groin flattens against your mound. Slick, wet from you. Milky, now, with the steady trickle of his cum leaking out even though he keeps you nice and plugged up. It makes him jerk beneath you, breath coming out in a heavy gust. 
his apollo—
His hands flatten along your collar bones, curling upward to shape around your neck. He feels each desperate breath, each swallow, against his searing palms. 
He wraps his hands around your neck, and it would be so easy to imagine a collar. 
And you lean into it. Your head drops back, eyes slipping closed as you bare more of your throat to him. He folds the tips of his fingers over each other, linking them on the nape of your neck, shivering when the sweet, peach-soft peal of his name slips past your lips—
Yeah, he thinks, fingers tightening on your skin once before he lets go. Drops them down to your belly. Curves over your waist. Holding tight. Tighter.
But not a collar wouldn't look nearly as pretty, wouldn't it? 
It's five in the morning when the text comes in. 
Sitting between an update from Price (this doctor's a fuckin' muppet—), one from Ghost (how's the shoulder), and something from his mother—a TikTok video he thumbs loosely at, sending a chain of laughing face emojis in response—is a foreign number. According to a quick Google search, the area code—867—is from Canada. The Northwest Territories, Yukon, and Nunavut, specifically. 
He opens it, glancing at the string of numbers on his phone, brows furrowing as he tries to make sense of it—
And then it clicks. 
Coordinates. Google says they're in Scotland. Remote. Knoydart. 
The grin splits across his lips, pulls tight at his cheeks. 
Welcome home, he writes. Any trouble with that doe of yours? Customs must've had a fit. 
A second later, a message appears. Adjustin nicely to the highlands. Nik did all the heavy liftin. Y’should come visit. See fer yerself. 
The bed shifts when you move, pulling yourself closer to him in the quiet dark of mid-dawn. Drawn to him even in the deep of sleep. He thinks of moths, flames, and curls his arm over your shoulders, pulling you closer. Presses a kiss to your crown, breathes you in. 
With the phone held in one hand, he swipes his thumb across the screen, typing out a quick reply. Taps SEND. Watches the notification flick from delivered to read before he drops it onto his lap, and lets his head fall back, the grin still tugging on his lips. 
Icarus couldn't get to Apollo with flimsy wings of borrowed feathers, and beeswax. The distance between Earth and the sun is too great to fly to. An uncrossable chasm. 
So, he brought Apollo to Earth instead. 
Just might. 
In the quiet bloom of a mid-morning dawn, you find him on the patio, gazing out at the streets below. Brows furrowed in a soft contemplation. It's not something you're used to seeing on his face—this sombre, solemn grey shading his features in a way that makes you feel almost as far away from him as Jupiter.
“What's wrong?” 
Kyle tilts his chin up toward you, mouth flattening as he shakes his head. Shrugs. 
“Nothin’.”
“Mmhm,” you tease, fingers threading over the hair behind his ears. His skin is warm. Sunkissed. You press your nails to his scalp, dragging them through the thick coils of his hair until you meet the soft dip at his temple. He leans into your touch, forehead resting on the soft bump of your belly. 
When he doesn't speak after a moment, you huff. Soft, coy. “Fine. Keep your secrets.” 
His nose rubs over the soft cashmere of your sweater. “Been thinkin’ is all.”
“About what?” 
He hums, breath warm on your skin. “Want to come to Scotland with me? Get away for the weekend?” 
“You think your mum and sisters are letting me go anywhere right now? Pretty sure I heard them plotting about wrapping me up in a mattress so I can't hurt myself or the baby—”
A snort bubbles up. “Mum likes you. Loves you. She's just overprotective. M’sure I can convince her.”
“You think so?” 
Kyle is quiet for a moment. A beat. Just long enough to mull over the probability of stealing you away from under his family's nose. Unlikely, of course. When the twins have your weekend booked up already—a movie marathon with nothing but pizza, snacks, and John Hughes. 
And NO Gazzy allowed!!!
“Nah, suppose not,” he huffs, placing his hands on your thighs. “If they're being too much, you can tell them to piss off—”
“They're fine,” you shrug. Overprotective, but—
It seems to run in the family. 
“I really don't mind.” 
He gives in with a shallow nod. “You gonna be okay if I go?”
“I think I'll manage on my own. It's—”
“Yeah.” 
Need to know, you remember the big, scary one saying when you met Kyle at the tarmac. His voice low over the whir of the engines in the distance, but robust. Brassy. The inflection is standoffish. Cold. But you saw how he turned back around when Kyle led you away, eerie gaze drilling into his injured shoulder for a moment before calling out to him that Bravo Seven-One was inbound. 
The difference between Kyle and the company he keeps always seems to jar you slightly. He's so normal in comparison. So human. Grounded in reality in a way that makes everyone else around him feel preternatural. 
“I’ll be fine,” you say at length, hand falling to the soft, barely noticeable bump he rests his head on. A happy accident. You wonder if it overwhelms him a little. Babies. Kids. None of it ever felt feasible before all of this. “Go have fun in the mountains.” 
It pulls another snort of him, and he turns his head, peppers a soft kiss to your navel, eyes flicking upward to stare at you. Dancing with mirth. A mordant sort of humour you can't begin to understand. 
Need to know, maybe. 
“Fun, huh?” It's muffled by your skin. “Think I'm bein’ led to my untimely death, actually.” 
“That so?” You hum, a smile curving over your lips. “At least make it look like an accident, yeah? We won't get the insurance payout otherwise.”
“No shit? Murder in the highlands isn't covered? What the hell am I paying nearly three hundred pounds for, then?” 
“Peace of mind.”
It makes him snort before he buries his face in your belly, scratching his nose on your cashmere in a small nuzzle. 
“Ain't much of a peace of mind, is it?”
“Better now,” you offer, fanning your fingers over the arch of his ear, soothing the tiny pout you can feel forming against your skin. 
“Yeah, well—”
His words taper off, lost to a kiss placed just above your belly button. It might be an apology. Sorry for almost dying—
Again. 
And as much as you hate that he has to, that he peppers kisses in place of it'll never happen again, or don't worry, I'm here now, you know what this is. You've known it from the beginning. Accepted it as is because with you or without you, Kyle was going to do what he does regardless. Begging him not to, to reconsider, is not a line of selfishness you're willing to cross—
Or, weren't, rather. 
Until this. Until now. 
This soft, barely noticeable curve seemed to overwrite the desire to let him fly as high as he wanted. To rearrange the stars until he fit amongst them; more dust than man. Selfish, maybe. Definitely. 
But the condition was less of an ultimatum and more of a plea. I don't want to be a single mum, Kyle. Perspective, you suppose, does that to people. Changes them. Shapes them into something different. 
You think maybe he felt the same way when he bowed his head over the table, staring down at the pregnancy test you laid down for him, and nodded. 
(“Yeah, yes. Uh, I'll—yeah. I'll—” he swallowed around the brine in his throat. Salt congealed over his airways until his voice was a rough scrape between his teeth, desiccated. “I'll talk to Price. No more helicopters—”)
There was more, of course. A hashing of everything. All of it spilt out over the table. He gave up as much as he could without sacrificing that insatiable desire to soar as high as he can, untethered to the earth. And you promised to anchor him down when need be. When he tries to fly too close to the sun.
A compromise. 
And—
“Bring some flowers for me,” you murmur at length, fingers grazing the shell of his ear. 
—an apology. 
He keeps his head bowed. “Supposed to be need to know.” 
“Call it a hunch, then.”
A snort. His shoulders shake. “Sure. Price’ll love that one. Intuition will sound good on the report.”
“Oh, no. Big, scary military men afraid of a little paperwork.”
“Oi—” His fingers dig into your sides. A playful pinch. You choke out a shallow laugh, raking your nails over his scalp in retaliation, but it just makes him shiver. Groan. 
Keep doin’ that and I'll give our neighbours a show—
“How long will you be gone for?”
His lips tug downward. “Just the weekend.”
“Don't have too much fun without me.” 
He slides his face over your belly until he's balanced on the tip of his chin. That sombre look is back again. Pensive. Quiet. He'll tell you the truth when he's ready, you're sure, and you brush your fingers over the divot in his brow, smoothing the wrinkle out. 
“We'll be fine.” You say, and he nods because he knows. You're safe here. But still—
He presses a kiss to your belly, staring up at you through the golden curve of his ashes. Sombre expression melting into something languid. Lax. Catlike, you think, huffing when his hands curl around the backs of your thighs, pads of fingers dipping into soft skin. 
Kyle catches it. Grins. Heat soaks into your flesh where his palms rest, nestled just below the curve of your ass. His intentions are clear, obvious, and you go willingly when he pulls you into his lap, thighs thrown over his. 
Your throne, he’d once joked in the early days of dating, when you were still discovering pieces of yourselves in each other’s naked flesh. A truism now because whenever he can manage it, Kyle seems to prefer you sitting on his lap, head tucked under his chin. Within reach. 
Always. 
His personal stress ball, perhaps. A weighted blanket. As you nuzzle close, his shoulders dip. The tension in his muscles bleeding out by the weight of you on him, the brush of your skin. You press in, leaching comfort from his sun-warmed flesh. Fingers trailing down the angled slope of his face until his jaw is held in the plinth of your palms. 
The ghost of a pout still lingers in the jut of his lower lip. You sweep your thumb over it, nail curving along the valley of his cupid’s bow to map the path you know better than your own sloping plains. A kiss to the ridge of his jaw chases away the saturnine shadows still falling across lush beds of gold; sun dusted colluvium. 
You taste salt on your tongue when you pepper a kiss just above the arched curve of his cheekbone, his lashes fluttering down, tickling your mouth when he blinks. 
It doesn’t get rid of all the Ttenebrae tucked tight inside the canyons of burnt umber, coruscating amber, but flecks of aurate gleam through the shade of eventide. A glimmering gem in a sea of moon white. 
The flickering embers of his unease melts with his huff. His thumb strokes along the curve of your ass, settling over your waist. Holding you close. You catch the way his eyes drop briefly down to your belly. The bloom of heat in his eyes. Liquid gold. Darkening as he stares, marbled with possessiveness. With the unfettered threads of satisfaction streaking through. 
The eyes of a big cat as he licks the blood from his jowls, his kill still cooling on his paws. 
“Better be.” 
“Overprotective already and they’re not even here yet,” you tease when he lifts his gaze. Honeyed with want; syrupy with desire. 
“Not just for them,” Kyle rasps, his hand sliding up your spine, cupping your nape in his palm. Dragging you closer to breathe his need over your lips. “You're both mine.”
“Kyle—”
“Say it.” 
“We’re yours,” you whisper, catching the stutter in his pulse when your hands slide down his jaw, cupping his neck. “Just yours—”
The rest of your words are devoured by his scorching mouth, eaten right from between your teeth. Kyle’s kisses have always edged into consumption, you think. Like he trying to eat you whole—nothing saved for later. No scrap spared. Wasted. 
It’s dizzying. Edges into too much, too intense. You can’t keep up with him no matter how hard you try. He’s always several paces ahead, drawing your tongue into his mouth. Letting the sharp edge of his canines graze your flesh, scraping the soft tissue. All you can do is cling to him. Hold on as he glues his mouth to yours and eats—
When he pulls away, giving you a moment to catch your breath, you think you hear him growl, never lettin’ either of you go—
But he drags you back into him a second later, mouth slipping over yours with an untempered hunger. The purr he lets out trembling over your tongue, shaking the thought right out of your head. 
Never, you’d say if he let you. If he gave you a moment to think. Peeled his tongue from between the seam of your teeth long enough to let you gasp the words out. 
He doesn’t. He won’t. 
He drags wet, sticky lips across your cheek, over your jaw, down your throat, before sinking his canines into the throb of your pulse beating under your skin instead. Steals the thoughts from your head as you gasp his name out, followed quickly by please and Kyle, more—
Kyle lifts his hand from your spine, fingers stretching out. Reaching. The sun glows between the spread of his fingers; scintillating like fine, golden mist over his fingers. Beautiful, he thinks when your breath hitches in a shallow gasp; held tight his arm, and—
(with it cradled in middle of his hand, he closes his fingers around the sun until it's swallowed up in his palm.)
—all his. 
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celestialtarot11 · 6 months
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Astrology Observations 🧎‍♂️‼️
Hi friends! Today we’re just doing a general post for the astrological signs 🤭✨ Please enjoy and share! Your feedback is always appreciated.
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Earth sign energy is heavy and dark, not negative, but they are very connected to their roots, ancestors and past lives. They carry lots of baggage from the past to heal in this lifetime, and thus may feel they lived through many timelines and cycles. They can feel similarly to Scorpio that experienced tons of transformations.
Libra moons can be indecisive in relationships, not because they have a bad sign placement but because they care a lot about people’s feelings. Sometimes too much to their detriment. They’d rather keep the peace than to rock the boat, but that’s what causes tension. Libra moons just need more confidence and security in their choices, and focus on themselves 🧘
Cancer Venus from a young age experienced misunderstandings from the people around them. Cancer venus wants a close community and people who understand their emotions, but in an emotionally unavailable society they can feel neglected and lonely. Its why cancer venus develops walls to protect their heart. They still care, but it takes them a long time to open up.
Virgos remember little details of everyone and hope they can do the same for them. They essentially give what they need and Virgos need attention and someone who creates quality time.
Gemini venus crave communication and mental stimulation in their connections. They love to learn and interact with people. Gemini Venus can also experience lots of isolation or periods of alone time because they aren’t finding the right people to connect to. They’d rather be alone than to have surface level interaction and filler conversations.
Leo + Aquarius pairing in a chart can indicate the native is truly unique and unforgettable. They strive so much to be themselves that it inspires others to do so. Some may even idolize the native, and others can get jealous because the native has qualities they wish they had. The native basically inspires others to get a personality 💅🏻
Mercury 8h can be so funny. We can get picky about what personal info to leave in the outside world. Even the idea of leaving behind our birthday info can irk us 😭 why? I think being in the spotlight or being perceived can be difficult for us.
Adding onto that, mercury 8h can channel spirits, occult knowledge, spirit guides, etc. when they tap in, they TAP in. They did not come to play 😍 All they need is a good meditation sesh and they’re good to go 🧘 all powered up.
Jupiter 8h can go through so many endings and terrible situations and still somehow come out stronger and better. They take their healing and growth seriously, and I think Jupiter 8h people have big hearts, so they always reconnect with that energy which is what carries them 😤
Cancer + Leo in a chart makes someone mystical, ethereal, private, yet somehow well known. There will always be an aspect to these natives to hide to protect themselves, and yet their Leo side will try to guide them out their comfort zone.
Aries rising females always knew who they were since birth 🤭 they could’ve photographed a lot, dressed up a lot, and it’s iconic. Since birth they knew! Aries rising females can be human rights activists too, because they have strong opinions, perspectives and believe in empowerment. Aries rising females may also be into modeling, because since a young age they were surrounded by cameras and people who thought they were beautiful ❤️
Aquarius rising children always look upset in their pictures or they have that thousand mild yard stare 😭 help #me
Sagittarius rising children always had that mischievous look on their face in every picture, or they looked incredibly angry. They had no issue letting their true selves out 😤
Pisces women tend to move far from their home town or childhood home. Lots of them have dreams of living far away from their roots. I think its to discover who they are and rebuild themselves after going through a lot. They physically need to disconnect from toxic environments to heal.
Gemini sun women are like teachers in many ways. Especially when they’ve healed a lot. They can be a teacher to the siblings around them or people. Many turn out to be motivational speakers because they have so much wisdom to share.
Thank ya’ll so much for reading 💗☮️ feel free to like comment and reblog to support the blog 🧘✨ Have a great one!
Paid Readings ✨
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tanadrin · 4 months
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I mean, renaissance does extend to the modern era but started during the middle ages. Discovery of the Americas / reformation are what are usually used as the symbolic cut-off points
no, this is actually completely wrong. modernity is a sticky but diaphanous fluid which began to seep up through a crack in the earth's crust below florence, italy, after the earthquake of september 28, 1453. it adheres vigorously to animal flesh, and minute traces are spread by person to person contact. even in trace amounts, its presence inhibits miracles, spiritual apparitions, and feudalism, and encourages the mercantile spirit, which is why its spread ended the middle ages. it also enables the visual cortex to comprehend perspective, which is why paintings looked so funny before. unfortunately it also tends to accumulate in the inner ear, dampening transcendent vibrations that otherwise are naturally picked up by the auditory nerve, making it impossible for humans to hear the voice of the divine.
that sounds bad, but most of what untainted humans in europe were perceiving as the voice of the divine was actually just the voice of a lesser divinity that pope adrian iv trapped in the roman catacombs, harvesting its body for communion. while non-sentient, the psychic defense mechanism of this creature produced aggression, zealotry, and visions of fire. since modernity is toxic to divine beings, despite the church's best efforts it began to sicken in the 17th century and by the 18th was in dire condition. its death finally enabled the first vatican council to occur.
of course if you ask about this at the vatican they won't tell you the truth. it's not on purpose: when divine beings die all memory of them vanishes from this plane of existence as well, including written records. but traces remain if you know where to look. you didn't think the eucharist was always just a little cracker and a sip of wine, did you? that wouldn't make sense. it doesn't even look like flesh.
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mindfulstudyquest · 6 months
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here's the reason you procrastinate
based on Fuschia Sirois' research
everyone procrastinate at some point. research suggests that almost 1 in 4 people procrastinate on a fairly regular basis, and the rates are even higher among college and university students ( 50% of them procrastinate regularly and about 85-90% do so occasionally ).
because procrastination is so common we tend not to put too much thought into it, in the end what is the problem? it's just delay.
well, it's not. actually procrastination is harmful delay ( so defined by the researchers ); it is a form of delay which is:
voluntary
unnecessary
involves important tasks which you intended to do
people often underestimate the consequences of procrastination and how debilitating and harmful it can be. if you delay dealing with ( for example ) your academic works, of course you can expect some negative results in that area, but what about the collateral consequences of it?
research has shown that people who have problems with procrastination have low physical and mental health and practice less healthy behaviors. they deal with depression, stress and anxiety.
just think about the enormous amount of stress that procrastination brings: first of all, constantly chasing deadlines. deadlines can nag anyone, even those who don't struggle with delaying, but then it ends, the job is turned in, and everything goes back to normal. for procastinators this is not the case, they will keep putting off important things and will constantly end up with an imminent deadline.
so, if it's so harmful for your health, why do people do it? some people think it's about laziness or poor time managment, but actually:
laziness isn't procrastination. if you're lazy you don't have the energy to do anything, instead procrastinators are always busy with a thousand non-essential tasks to do, in fact they avoid doing one specific task, not every task ( for example if i need to study, but i'm procrastinating it, i end up cleaning my room )
poor time managment it's actually a symptom of procrastination, not a cause.
from a psychological perspective the origins of procrastination are rooted in negative emotions and the urge to cope with them through avoidance. so actually procrastination is about poor mood managment, not poor time managment.
procrastination starts when we have a task that's unpleasant, but we have to do it. and we use procrastination then as a way to get relief from those negative emotions associated with the task, so basically it's not even about avoiding the task, but it's about avoid the negative emotions that we associate with the task.
we need to avoid stress and aversive feeling that come with the task, especially when we don't feel like we can manage those negative emotions at the moment. so we take the task, we put it aside, and it's instant relief. it's fast, it's easy and it works for a little while, then that sense of shame, guilt and self-blame starts to kick in.
so why do we keep procrastinating? for that sense of relief, because that made us feel rewarded and we tend to repeat behaviors that rewarded us. this can easily lead to a cycle of procrastination.
however, the negative thoughts that we have ( "why didn't i start earlier?", "i'm letting myself down" etc. ) don't actually make us take action. they just add layers of layers on pre-existing negativity.
so how do you get out of the procastination cycle?
go back to valuing your task, if it's so important that you do it, remind yourself why you are doing it
remember that we tend to overestimate the discomfort that a given challenge will bring us. probably your task isn't even that time-consuming, unpleasant and frustrating
be compassionate and and forgive yourself, it's an effective strategy to reduce the negative emotions associated with the task. you are not the first nor the last person to procrastinate, we are all human and we all make mistakes. research has shown that doing so reduces the risk of procastination.
hope you enjoyed this little explanation, here's my sources: https://youtu.be/xTEPNxx0MsA
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averywiseanimatedcat · 8 months
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6 months on it still thinking about how much of a shock that kiss must’ve been to Aziraphale.
The way Crowley steers his cooperation around really gave Aziraphale no warning at all. I was thinking about the development of their body language and it’s interesting to me so have an analysis under the cut.
Crowleys body language doesn’t change all that much over the course of their history. After their initial meetings as angels then in Eden, Crowleys already leaning in, orbiting and slinking around in quite a comfortable, familiar way. He tends to angle his body towards Aziraphale and stands quite close to him. He shows no sign of being fearful or uncomfortable. He quite happily moves in and around Aziraphales personal space without a care in the world even when they hardly knew each other yet.
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Aziraphale however starts out looking guarded and unsure. He often stands facing forward while talking to Crowley sideways.
As we go through history Aziraphale becomes more comfortable. He opens up, starts to angle his body more towards Crowley, stops guarding with his hands and moves into Crowleys space on his own. And he starts to initiate physical contact where it’s not even necessary.
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But the only times I can think of Crowley initiating physical contact before the kiss are ones that could easily be written off as just friendly or something else like
The wall push (which was aggressive)
The magic shop handshake is practical for sealing the deal
The handhold for the swap (mutual initiation, also practical we assume)
Sitting on the arm of the chair and kinda sorta leaning on Aziraphale when Muriel turns up
Crowley also tends to reject Aziraphales touch by removing himself from it like in the 1800’s, dodging with some roundabout footwork or leaning away. With moments like the pub or the shoulder touch he doesn’t have much of a visible reaction. Granted his eyes are hidden but Aziraphale probably thinks he just doesn’t like being touched. And yes, apparently they like holding hands, but do they know the other likes holding hands?
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And I can hear you say ok then why does Crowley always put himself within touching distance if he don’t wanna be touched? Yeah, he does, but from Aziraphales perspective Crowley has always done this. He’s always been standing close or leaning in. It’s just how he is. Aziraphale is the one who’s changed. He’s become walking megaphone just blasting ‘please hold my hand before I discorporate on the spot pleasepleaselpleaseplease…’
Aziraphale is clearly a physical touch being. Brilliant acting and direction with Michael and how Aziraphale reaches for Crowley in the most stressful or emotionally charged moments. How there’s times where he seems to stop himself mid motion from touching Crowley. Such as after Gabriels appearance and Az is trying to keep Crowley calm
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When Crowley says he’s going to take the humans out
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And when Crowley goes to take Maggie and Nina out of the bookstore when Heaven and Hell are there. There is a safety element here as it’d be unwise for him to show his affection with Heaven or Hell around but Aziraphales first instinct is to reach for him. And again, great direction and acting with how David just gets out of the way like Crowley does it all the time. It’s another dance they do, Aziraphale pursues with physical affection, Crowley avoids. And Aziraphale doesn’t want to cross boundaries he’s perceiving Crowley to be putting up around physical affection so he’s holding it back.
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And I think all that is part of the reason Aziraphale looks angry after the kiss. He’s possibly thinking (among many other things) that Crowley has rejected or ignored his physical affection all this time, making Aziraphale think he didn’t want it when he did. And that would be a painful thing to realise when you thought you yearned alone.
So I don’t blame Aziraphale for being upset when he gets this sudden enormous dose of physical contact out of the blue. He had no warning. On the contrary, Crowleys been acting like a big, prickly, demonic cactus. And it would’ve been endlessly confusing to be kissed after years believing the want for even the lightest of touches wasn’t reciprocated.
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grimm-writings · 6 months
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Hiiii, I would like some Dungeon Meshi headcanons please! Reader is the oldest human in the main group and they're really motherly towards them. Like they're always fretting over their well beings and acting like a doting parent. And if you want, could you also add that Chilchuck's kinda into that so he falls for them?
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That's all thank you!
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…ft! chilchuck x gn! reader, platonic touden party & reader
…tags! fluff, some crack, headcanon format, mild manga spoilers, reader is referred to as ‘mom’ once
…wc! 847
…notes! the way i nearly screeched in delight when i got this ask. chilfuckers i’m one of you let me in. you used they/them for the reader so i’m gonna assume this is a maternal gn reader! i hope it is for your liking ty for being my first request 🥺
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Having a more wise, of age individual in the party is always a plus when you need some advice.
And when most people in the party are absolute lunatics.
You have your hands full trying to stop Laios acting recklessly in action, or doting on Marcille when her emotions get the best of her.  Goodness, even Senshi has your hair going grey from how he gets sometimes!
Laios just sort of… lets your doting happen.
He can get slightly grumbly if you get too mad at him.  Still, it’s not the worst thing a parental figure could do.  Go easy on him!
Marcille takes psychic damage upon learning your age.  She’s staring at you, at the age in your face, and taking the years into account.
It’s simply not computing.  You… You should be, like, a pre-teen or something!  Human ageing baffles her once again.
Still… she is incredibly receptive to you doting on her.  She’s more of a carer on instinct but she finds herself falling into you whenever her spoons are low.
Senshi just sort of hits you with the “why tho” when you try fretting.  It’s actually slightly frustrating.  Still, you can recognise his wisdom and take a step back.  He can take care of himself… most of the time.
Izutsumi… oh the dear girl.
You must have recognised the signs immediately.  Her lack of table manners, her reclusive nature… she’s so young.
The girlcat was a bit prickly to any doting at first.  You would probably remind her a bit too much of Maizuru for her liking.
With time, perhaps sometime after he run-in with her succubus, Izutsumi would be a bit more welcoming of how you treat her.  It’s… It makes her feel nice, or whatever.
She accidentally calls you Mom once.  She was mortified as Marcille squeals in delight and Laios laughs to himself.  You couldn’t even ask if she thinks of you as a mother figure before she’s already stomping away to hide in a corner somewhere.
Then there’s Chilchuck.  Oh, what to say about him.
You probably thought he was a young human at first too.  He’s taller than other half-foots after all.  Still, as soon as you even try to act maternal around him, he yells at you and tells you he isn’t a kid.
Keep your distance for a bit, and he’ll warm up to you again.
Watching you do your thing with the other party members will have him commenting that he has no idea how you can just keep up with everyone like this, and he’s the one with three kids here.
You just smile gently and reply that it helps you keep stability knowing everyone in the party is doing alright.  At that, Chilchuck will give you a glance, and internalise your words.
Upon Izutsumi’s arrival into the party, Chilchuck’s perspective on you begins to alter slightly.
Initially, he respected you a fair bit.  You were more like the two older co-workers constantly giving each other looks at the younger ones’ antics.
But he sees you with this child he also has to admit he’s grown attached to.  You really were a natural maternal figure to Izutsumi.  He watches you tend to her sometimes, a smile slowly curling on his lips.
Then he catches himself, and his blood runs cold.
…Ohhh, shit. 
Chilchuck is level headed most of the time, but when he’s panicking he can’t keep his cool to save his life.
Around you, he becomes more… frantic, in a way.  Lecturing others to give you a break, even if he can just have a small talk with you.  If asked what’s up he’d raise his voice defensively and say it doesn’t matter.
One time, Izutsumi decided she can’t choose between her two favourite human heaters, and practically forced you and Chilchuck to sleep on either side of her.  Even with the girl slotted in between you two, Chilchuck was internally losing his mind at the closeness.
He even lets you dote on him a bit more again.  Not too much, though.  He’ll accept the occasional checking in and headpat but that’s it!
You can very easily pick up on his feelings for you.  It’s not hard to notice the shift in his attitude.
Well… It’s not like you can complain.  You may offer to help him out with his future shop once you’re out of here, giving him a slight wink.
Cherish how red his face gets.  He won’t let anyone else embarrass him so easily.  Maybe pinch his cheeks if you’re feeling brave, but he may swat you away depending on his mood.
At the end of the day, he’ll give you a small smile, and wonder aloud where the Hell all the party would be if it weren’t for you.
(Bonus!  I think Falin would also super appreciate your presence.  She’s the kind to simply take her own parents’ treatment of her and shrug it off in a ‘it is what it is’ sort of way.  Your doting attitude would leave her slightly discombobulated, but she’s very welcome to it.)
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