#they may have both ended up rather neurodivergent

[rhyme-draws-stuff]

Fantrolls introduction + Artdump

I made these guys all the way back in October 2023, when I was a bit less than halfway through the comic. They were originally made for a roleplay server but I got too burnt out from school to actually join, and my anxiety was acting up. They're moirails, and wear each other's colors to show that :D

✨a bunch more art and rambling below cut!✨

Name: Iridia Rimian Pronouns: she/they Gender: demigirl Age: 8 sweeps Height: 5'4 Blood: Teal Classpect: Maid of Heart Derse Dreamer

Iridia's the first fantroll I've ever made, she's not exactly supposed to be a trollsona but she kind of started out that way and I did pour all of the anxieties I had at the time into her when I created her, and also gave her my love of cardigans and drawing, her outfit is modeled after one of mine, and we have the same pronouns. So they're a bit of a self insert in those regards.

Iridia is incredibly scared of the future, she's constantly burnt out and all she wants to do is stay home and draw forever. She struggles to make meaningful connections with people, and is pretty sure she won't live longer than 10 sweeps. Luckily she's not completely alone in the world, she has her moiral and her lussus!

Typing quirk example:

Your Trolltag is iridescentMelody, and you … pause a lot because . you can.t always . think of the right words … … and sometimes you trail off and forget …

… what you were going to say . … you don.t have any variety to your . punctuation . so you have a collection of emoticons to . convey expressions with .^. ^.^   .-.   .^.   .0.   .u.   .o.   .v.   ._.   .~.  .'.  .×. … … … and … … … … … … when you.re … overwhelmed … talking gets … even harder … … … … and you may use just ._. emoticons to express .~. your feelings .×. … but at other times you can be . a bit long winded . you want to make sure that you.re understood correctly . and all of your points . get conveyed .

Name: Galani Darmor Pronouns: alright with any, but especially likes he/her (specifically in those tenses), ae/aer, and shine/shines Gender: Hero Age: 8.3 sweeps Height: 4'5 Blood: Violet Classpect: Knight of Hope Prospit Dreamer

I made Galani because I realized that Iridia would simply not survive alone in the world, and then as I fleshed aer out to contrast to her I got really attached. A lot of parts of her are also inspired by parts of myself! But maybe a bit less

her deal is basically that he has a huge hero complex. He carries herself with a lot of confidence, which he mostly feels, but he gets very upset if he doesn't feel he's living up to the standard of being "heroic" that he's set up for herself. Galani can get pretty in shines head about issues of morality.

Typing quirk example:

Your Trolltag is mechaHero, and ✨you talk with a lot of ENTHUSIASM and EMPHASIS!✨ ✨and you like to let people know when you APPROVE 👍 or DISAPPROVE 👎✨

✨if you-were-to-get DISTRESSED you would-start-to-talk MUCH FASTER which-thankfully-never happens because HEROES DONT GET DISTRESSED 👎👎👎✨

Here's some more art of both of them!

This is one of the first Iridia concept arts I made, ft. her lussus!

Here's some early Galani concepts, and me realizing he should be short actually.

sketches of them together!

Pixels arts of them being adorable and in love :D

Also, here's a little chatlog I wrote for them, in their typing quirks:

MH: ✨ hey IRIDIA! 👍✨

MH: ✨ how was WORK today? ✨

IM: … hello . galani ^.^...

IM: … it was . fine …

IM: … mostly -.-

MH: ✨ something happen? 👎✨

IM: … i mean . not really …

IM: … i don.t know ….

IM: … i don't know how . to explain . it was . pretty normal …

IM: … which . might be part of the problem -.-

IM: … but . i think i.d rather talk about something . else …

MH: ✨OK! 👍✨

MH: ✨ want to hear about MECH FIGHTS? ✨

IM: … okay . sure .^.

[splatoonpolls]

a really long analysis about fanon Marina and the flanderization by fandom she has gotten

fanon marina (the version created by the fans) mainly focuses on two things, her being autistic coded and her being basically confirmed to be a lesbian. And I do think this has to do with her being VERY much like a typical splatoon fan in many people’s eyes. Her being a nerdy queer neurodivergent person. This is also why other parts, especially her relationship with her being an octoling gets often locked away. Subconsciously at least

if Marina was a book, several chapters would focus on her identity as a dome octoling. Her being autistic would probably pop up here and there, but it wouldn’t be a whole chapter. But her very much gay relationship with Pearl would definitely have a few chapters. But with people focusing on those few lines and chapters rather than the whole book. People would slowly ignore the other chapters, get shocked like Adam Sandler learning Pac-Man was the bad guy in the hit movie pixels.

the splatoon fandom’s western side is mainly white Americans and Europeans. Which is one reason why the fanon Marina doesn’t focus on her identity as an octoling, but also on how many details are not really told to the player. Marina barely shows her ears, which can both be read as her having sensory issues (which is a super valid headcanon(, but also her not feeling super comfortable with her body. With her ears being a reminder of her “you are with people who still think you are only going to steal stuff”. Her tentacles may be weird, she may lack the eyeliner an inkling has. But those things can simply be a stylistic choice. Her ears can’t be one. They are too different. I also know the DLCS focuses more on her identity as a dome octoling. However many can understand how her arc as a whole can be paralleled to the real life experiences of people belonging to marginalized ethnic communities. I also want to point, while writing this. I realized (which many people probably already did). Dome octolings you see outside of the domes (splatoon 2 octolings, Marina, Acht, Paul), are all refugees. They are all characters who grew up in a society that had been shunned for decades, even centuries. That society ended up being oppressive both due to external and internal issues. They know the society they’re living in is no longer a good place to live in. So they escape. Hoping to find a place that will take them on. For agent 8, Marina, and Paul. They found a safe place. Acht wasn’t super lucky however. They were told they could find a “promised land” only to be left in even more ruin before. So not only does Marina’s character arc focus on her being a part of an ethnic minority, but a refugee at that. so why does fanon marina usually avoid that part of her? Well as a mentioned before. Marina has three things that makes her very relatable. While the more backstory focused things are less relatable to a way smaller margin of the splatoon fandom. A way smaller part of the fandom are poc in a very white country. And a very small percentage are refugees.

if we removed Marina’s backstory. We would still be left with the fanon version. A nerdy autistic lesbian who deeply loves Pearl. I love how Nintendo got a game that also isn’t afraid to show a society that cares about queer people if not is queer centric itself. Which is probably why many people cling to that part of Marina. But if we removed that part. What would we be left with? Well, we would have an octoling refugee who is a trained soldier and can create weapons of destructions (and she would still be in love with Pearl, it is an important part of her backstory). im not saying the splatoon fandom’s openness to lgbtq and neurodivergent people is a bad thing just because they boil down one of the most plot heavy characters down to those things. It is actually a really great thing to have a fandom that is open to these marginalized groups.

i just want to say, due to this love for Marina being a character you can relate to. It feels like certain parts of Marina’s character (which can also be very relatable to some) is being drifted away to the more lore centric side of the fandom. Which will lead to a sort of fandom flandarization which is very unintentional and just done due to a love of Marina as a character.

If you’ve read this an disagreed, that is fine. Character writing is a very subjective thing

[insert-name-heres-things]

Happy Disability Pride Month!!!

Remember Folks:

- SELF CARE IS NUMBER ONE

- Use your spoons sparingly! Here’s some spoons to go: 🥄🥄🥄🥄🥄🥄🥄

- Clean your mobility aids! (Seriously dude when was the last time you wiped that shit down with an antibacterial?)

- Accommodate yourself, as others will follow.

- Make goals within your reach and abilities

- DO YOUR COPINGS SKILLS

- Remember to stay hydrated and take your meds!

- For my fellow heat sensitive homies, stay cool this summer! A cold rag draped behind your neck, airy clothing, a small portable hand fan, keeping ice packs ready, cold water and expecially cold electrolyte drinks, all do wonders!

- For my fellow autistic folks, don’t be afraid wear earmuffs, stim, use chew charms, whatever it is that helps you regulate. You don’t have to mask if it’s something that isn’t benefitting to your life.

- POTS havin mofos like me, salt the ever loving fuck out of your food. Try different foods with salt, such as fruits and vegetables! I’m currently eating a salty tomato. Drink lots of water, I’ve been aiding gateraid packets to my water and it’s made a HUGE difference, especially as someone who hates drinking water.

- Those with PTSD for whatever reason, I wish you safety and support as you learn to cope and hopefully heal.

- I don’t know exactly what to say to others with H-EDS, as I’m still understanding this disorder other then BE CAREFUL WITH YOURSELF THIS PRIDE MONTH. I swear to god we are the most accident prone mother fuckers lmfao-

- If your immune system is all fucky like mine, keep clean and be sanitary, communicate with others that if they’re sick you can’t be around them, and wear a mask if you feel like that’s the right option for you. In my hometown I’ve gotten yelled at more than once for wearing a mask post-covid, however you can’t let someone else’s ignorance result in your own suffering.

- Don’t forget to move around and stretch! A little movement can do a lot for your body.

- Check in with your disabled friends! Try and see if there’s any way you can help one another, see where both of your strengths and weaknesses lie, and swap some spoons!!

- Be aware of what triggers your disorders. Whether if it’s caffeine triggering bipolar episodes, the weather causing fibro flares, big changes causing meltdowns, overexerting your hypermobility, whatever it is, it matters. Listen to your body and mind.

- Don’t be afraid to call out that doctor who isn’t listening, dismissing your symptoms and medically gaslighting you.

- While it may not seem like a big difference for some, trust me when I say your appetite is so important! Remember if it comes down to it, that it’s better to eat something, ANYTHING, than nothing at all. 

- To that person who might be hesitant, ashamed or might be questioning wether or not they should use a mobility aid, if it’s the difference between you being stuck at home vs going out and living some life… USE THAT MOBILITY AID!!! Same goes for braces and any other tool that may help you live a better quality of life.

- Be accepting towards those with disabilities different then your own- remember this month isn’t a competition about who’s struggling the most, rather to understand that people of physical, psychological, sensory, neurodivergence, and even undiagnosed disabilities all share one thing in common.. WHICH IS BEING DISABLED!

- Doesn’t matter who you are, how young or old, black or white, thick or thin - the disabled minority is one you can end up becoming a part of at any time, and likely will if you live long enough. Disability doesn’t discriminate, so EVERYONE should be advocating for disabled people’s rights.

- And of course, have pride in being disabled. This shit is fucking hard, but if you’re reading this, you’re doing it. Just being here today and doing what you can handle or manage, is doing your best, and that’s enough. You don’t have to push yourselves to impossible lengths to be proud of yourself.

Here, have the disability pride flag:

[nanowrimo]

5 Tips to Avoid Burnout as a Neurodivergent Writer

When taking on a project as big as writing a novel, you may run into the risk of burnout. NaNo Participant Joana Hill gives some tips on avoiding burnout as a neurodivergent writer.

Burnout.  As writers, we all know it. For neurodivergent writers, burnout can be even more damaging than usual. We can be much more sensitive, both mentally and emotionally, than our neurotypical friends and family.

This means avoiding burnout, and taking care of it when it does happen, can be even more important for us.  I’m here today to provide some tips for my fellow neurodivergent writers to tackle just that.

1. Write What Interests You

Write what interests you rather than what you think you ‘should’ be writing.  Many of us get caught-up in pleasing others.  For neurodivergent people who’ve spent much of their life masking, or hiding their true personality and needs because of fear of rejection, it can be a hard habit to break.

If you want to write a 50k slow burn coffee shop AU of your favorite fandom, an epic space opera starring ants, or a main character with ADHD, autism, dyslexia, or any other disorder or condition you have, go for it.

2. Get A Support Network

For neurodivergent people, we’ve often lived our lives with special interests no one wants to hear us talk about.  It often results in us not talking about them at all before someone can tell us they don’t want to hear about it.

Whether it’s offline with friends and family, or online here at NaNoWriMo or other sites, having people who are actively interested in listening to you and helping you plot and write can be a game-changer.

3. Celebrate As Many Victories As You Want

Many years, my personal goal is that I can get the new Pokemon game, which always comes out around the middle of November now, once I hit 50k.  But you don’t need just one grand goal.

Get a bag of your favorite candy and say you can have a piece every so many words.  Find something on Amazon you want (and can afford to get!) and say you’ll get it once you hit the halfway point.  Whatever motivates you to keep going, set it into motion.

4. Plan For Flexibility

That may sound like an oxymoron, but hear me out.  Neurodivergent people often love to have a plan.  I know I can get frustrated and upset when I’m expecting something to happen and something different does.  For a big goal like writing a novel in a month, a lot of things can end up going wrong.

Carry a notebook and pen or tablet with a keyboard case in case an errand takes longer than expected.  Back your writing up to several places in case your main writing device crashes.  Make sure at least one of those is a cloud service in case you end up writing on a device that isn’t yours.  The more contingency plans you have, the better prepared you are when life happens.

5. Be Kind To Yourself

Some days you may not get the minimum goal, or you might not write at all.  You may feel like you just can’t do it because you’re behind on your word count, or you decide you don’t like what you’ve written.

I get it.  But don’t beat yourself up about it.  Take a break.  Play your favorite game or read your favorite book.  Go for a walk.  And remember that you’re awesome.  No one can write this story like you can.

Joana Hill is a writer of young adult stories, as well as novellas inspired by Japanese light novels and anime. You can find her books, social media, and anything else you could imagine wanting to know about her on her LinkTree. Photo by Andrea Piacquadio

[galactic-rhea]

The thing with Anakin TCW is that I try to reconcille both "versions" of Anakin, but because I keep in mind that at the end of the day, TCW is a serialized kids show, and he's also a general and in charge of a padawan so he must be really charismatic for that to work (long rambling ahead)

This show came in an era where shows ran long, with very random plots per episode and just very few that advanced "a plot", so characters that are new for the show get more development (since they were at zero), and Anakin with already three movies (technically 6 if we count the original trilogy), a mini series, and a bunch of books and comics, feels more flat for the very short narrative purposes.

The way i see it, TCW can be like seeing Anakin from someone's else eyes, like that's probably how Obi-Wan and Ahsoka and Rex saw him, cocky and sassy and fearless and daring and untouchable and cool and sometimes with anger coming from apparently nowhere, and the movies are the actual "omnipresent" look, we see how actually deeply fucked up and scared Anakin is!

TCW gives like a very pink tinted glasses view of him, a very standarized version of him, since the "otherness" that he has in the prequels was really hated (and with otherness i mean that he acts alienated and tormented, is because of the trauma, but also because he can be so easily read as neurodivergent and/or queer; movie Anakin looks like he might as well be a giant walking target for bullying, so to speak), so TCW Anakin looks like he totally would have never ever been bullied, he's the cool kid.

If I don't constantly keep on mind this is probably Ahsoka's POV, it can be a bit hard to connect, like the last episodes in TCW, when he sees Ahsoka, he's like 2 days before ROTS, and he looks so cheerful and normal and sassy, but then if you look at ROTS, he looks so tired and beaten up and just depressed after that battle. But Anakin, in AOTC and ROTS, in general, is a person that looks like doesn't even want to be there at all, he looks like he would rather turn invisible.

I don't have that many problems with Anakin in TCW except for certain arcs (looking at you clovis), because many things in the show do add to Anakin's narrative and character (or more like, pilling up even more trauma onto him for the big moment), but it's not a complete look because by the point we should see how he's dealing or coping with something the episode ends and the next episode is about something different. TCW is plot focused and there are very little "breathing" moments before the action, and is not very character focused. Which leaves the audience with the task of remembering that whatever happened in the show is another piece of the puzzle that may or may not fit perfectly with the character that was presented on the prequels.

"This episode very painfully reminds you that he was a slave, and he's angry about it, very angry...for one bit of the episode, let's go back to the fun action." It touches it, but it doesn't explore it, if you get what I mean? Like, we can only imagine if he had difficult weeks after that or how even was the conversation after all that whole mess, just as an example.

I agree that Anakin in TCW is a incomplete version of his character, because TCW focuses a lot on the Clones and Ahsoka and other little stories, however I also think it does add lots of stuff to explore, even if the show didn't explore it deeply, but touched on it.

And I understand too why it causes such a division, and why some may prefer the TCW version more, and why some may prefer only the movies version.

I mainly use the movies, and then take from TCW what I feel like it fits/makes sense for him, and shake TCW a little bit if i need to, although i still really love it : D

[am-i-the-asshole-official]

AITA for letting something major happen in an RP when one person wasn't available?

It was a group rp. Everyone participating is in their 20s. Going to use B, D, F, H, and J (me) for the aliases.

The plot of the rp took place in a fantasy world with some modern elements where everyone had special powers. However, I made it a rule that the OCs had to have some flaws so that they wouldn't be overpowered. B complained that it wasn't fair to police what people did with their OCs and said that we shouldn't force people to handicap their OCs. They thought it would make the rp boring if we did that. The others said to just let B do what they wanted with their OC because they are neurodivergent and this would help them feel better.

Fast forward to the actual rp. B made their character OP. Every problem was solved in a snap because B's OC was unstoppable and could do anything. Their OC would always get the credit for saving the day since they did everything. D, F, and H started regretting allowing B to just do whatever they wanted with their OC. So they consulted with me and created a new plot device: when an eclipse happens, everyone's powers would be severely weakened and/or be harder to control. Cliché, I know.

How did B take it? By making it so that their OC was immune to that and would still be strong and have perfect control during an eclipse. So their OC just solved the problem again when no one else's OCs were able to do anything. They had their OC then talk to everyone else about "you guys wouldn't be like this if you trained." D, F, and H got annoyed by that. And honestly, I did too. It was annoying how their OC would be able to do everything.

Then one day, B said they had to do something and that they wouldn't mind if we continued rping while they were gone. So that was what we did. D suggested that everyone else fight another big bad. F and H agreed to it, so I went with it. During the fight, D's OC ends up getting critically injured and the rest of us had not done anything to intervene. Or rather, made it so that the other OCs would not be able to reach them in time. D agreed to letting this happen. The big bad was still taken down, but this time it was due to a group effort from everyone's OCs minus B's.

When B returned, they were upset because D's OC was their OC's girlfriend. Both their OCs were girls. B had their OC go on an angry rant about "None of you know how to do anything right without me, and none of you care enough to protect my girlfriend in a fight. You all chose to be selfish and look after yourselves." And that everyone else was lesphobic for letting a lesbian character almost die. But D brought up that it was their idea, and B insisted that "F, H. and J tricked you into thinking that." And then B demanded we have a do over so that they could have their OC save her girlfriend. We all voted against it because it would make the plot more interesting if one of the characters stayed injured for awhile.

Sure I know that it sounds bad to let one of the few lesbian characters get injured, but said character's owner was fine with letting it happen. So it should be fine, right?

B did not like that and called us lesphobic for doing that and had their OC jump in with an ultimate healing ability she never had before so that the injuries to D's OC would not last long. F decided to have their OC intervene and block B's OC from being able to do the healing. When B tried again, H did the same thing.

B called everyone an asshole for changing the plot without them and logged off for awhile. Part of me thinks they may be right, but admitting it to them would mean we continue the cycle from before which was boring already with B's OC solving everything.

So AITA for letting something major happen in an RP when one person wasn't available?

What are these acronyms?

[miss-ali-lawliet]

Anya's background!

Hello! I am so excited to talk about my latest oc, my beloved Anya! She is paired with Laios, and a part of me is interested in possibly writing about what it would be like with her in the party! For this post I’ll tell y'all about some background info on her, I'll have a separate post most likely about her relationship with the party and specifically Laios. The first picture is an art commission I got made by Jaijiggles on Instagram! Check them out! The end of the post sketch is made by myself!

Some basic things before delving in deeper

Her full name is Anastasia, but she prefers being called Anya. She's not even fully sure why, but it makes her happy.

Her parents are both elves, meaning she is an elf, but they also became poly when she was an adult! So she has a second mom, a human woman who fell in love with her mother mainly but also loves her father very much as well. Very healthy relationship.

Her Nana is a dwarf that isn’t blood related who lived with her and helped teach her everything she knows as well as her parents.

Anya was raised in the north, not the west, and with her influences, she grew up having general respect and admiration for all races and not just her own.

She is autistic! Her main special interest is nature and animals, having such a general love and respect for all living creatures, including monsters. 

Her special interest and because of her influences in her life, she would learn what she could to become a druid mage! She also handles healing, much like her Nana, but she offers a bit more offense with her magic mainly. Including being able to transform into animals. 

Despite being brief childhood friends, it was that friendship that pushed her to bask in her passions despite what outsiders may say or think.

Because as pretty as she may look, she would be classified as weird(yet she’s literally just autistic lol) that she grew to learn how to mask when around strangers a bit more, before she was reunited with her previous childhood friends when they arrived at the same island she had moved to not too long ago.

With them, she felt like she could freely be herself without judgment, and they could honestly say the same towards her.

She could be best comparable to a rabbit, which is also one of her many favorite animals.

She really loves fruits and veggies, and honestly she really isn’t a picky eater at all. 

She also really wasn’t opposed to eating monsters either, sure it’s odd, but if dungeons have their own sustaining ecosystems.. It had to be alright to benefit from something like that? And Laios was right! She supported him full-heartedly, trying to appease the other’s about their skepticism. Especially Marcille. 

It’s hard for her to pick a favorite monster, she absolutely loves Senshi’s cooking, but one of her favorite treats was the ghost sorbet, and dragon meat really is one of her favorites as well.

Background

Anastasia is an elf, yet she grew up raised in the north rather than the west. 

Before I move onto anything else, I’ll talk about her parents! Her mother is a powerful mage, even used to work with the royalty of the elves. Her father mainly focused on combat, his favorite weapon being his trusty bow and arrow. Both elves that lived in the West for a long time, but they felt themselves growing disdain with the treatment of other races from the elves point of view. Her mother always liked tallmen/women, and thought the races were just as brilliant in their own shared ways (she is neurodivergent, which did pass down to her daughter) and her father found himself sympathizing with her views.

So what did they do? They decided to leave, heading to the North where they would join an adventurer’s party together to make more of a living. The party had become a bit of a found family in a way, and her mother was particularly close with a dwarven female named Mirja. 

They had a good life together that way for a while until it was discovered that she was pregnant. It was a bit of a wake up call for the couple, that perhaps after the adventures they shared, the biggest one they’d have to tackle was parenthood, and they wanted to do it away from the dangers of the life they lived for a while now. 

So they would leave the party, but they wouldn’t leave empty handed. Mirja would insist on coming with them, that they would need all the help they could get. Dungeons and fighting monsters were one thing, but parenthood? She knew they needed the extra hands. With that, they would travel more north to try to find a home.

There they found a place to live, and they had their daughter, Anastasia!

They would raise her there for a long time, but when she got older they would eventually have to leave her childhood home due to unfortunate circumstances, which had an ex party member suggest a certain village to live near temporarily with some of that party member’s family there. 

Anya’s family found themselves staying near the same village that Laios and Falin Lived in. From the elf girl’s wandering around until coming across the siblings. Despite being there for a short time, she had spent so much of her time with them both, being each other’s real first friends. Their friendships were something that Anya held close to her heart and cherished deeply, they had such a deep impact on her that she held onto into her adulthood.

She had so many good memories with them, that it really was devastating for the three of them when she had to leave. She wished that she could see them again one day, and she vowed to herself that she would come back to the village in the future if necessary. 

Her family found their new proper home on a farm, and from there the young elf would continue to learn from her family. She was essentially home-schooled, learning from her mother and her mage work as well as from Mirja who was a druid-cleric.

For years, she was so dedicated to her work that once she left home she would move to start with taking on jobs to help her get experience.

They weren’t crazy jobs, but it was enough for her to try to ‘learn’ to be normal and get better with her magic. Years passed like this, her moving between groups and people, until she would finally move to the Island. It’s on that island, when staying in inns that she would come across two newcomers to the island one day. It was Laios and Falin! 

After being reunited with them, they would of course decide to all move in together so they could be able to afford someplace decent while also starting to take on work together!

They eventually would join their first party together with Shuro, Namari, Chilchuck, and Marcille, leading to the events we all know. 

I think I'll end this right here before it gets too long! I hope you all are having a great rest of your day/night!

[purplehalnw]

So, while the Chibnall Era was certainly not as bad as I saw some people saying it was, it was definitely not good. A big problem is that there is just a lot of missed potential. There are lots of elements that the writers didn't take advantage of or expand upon enough which ended up making the story and the characters pretty boring in my opinion. So, a lot of my rewrite ideas will be expansions of those underutilized elements.

Also, let me preface this by saying that I am in no way a professional writer, I am just a teenager with a dream. I've tried to organize my ideas as much as possible by presenting them character by character but it still may be a little messy.

Graham:

-His wife Grace should die helping/saving people after having spent at least half a season with the Doctor (not just one episode)

-The Doctor will feel guilty for having put Grace in danger and not being able to save her. Ryan will blame the Doctor and be angry while Yaz and Graham will be understanding and not blame the Doctor. Graham will reassure Ryan that all of them were aware of the risks that would come with travelling with the Doctor and that Grace died doing what she loved which was helping people.

-Graham's cancer will return and he will die from it. I think it would be interesting to see a companion die from something more normal when other ones have died in the most devastating ways possible. Graham's death can extend over multiple episodes which would show the characters' developing reactions to the fact that Graham is going to die.

-The Doctor will have a crisis in which she tries to make sure that Graham has lived a full life by taking him on as many adventures as possible due to the fact that other companions who died were so young and thus didn't get to experience as much. However, Graham will tell the Doctor that he is content with the mostly quiet life he has lived and that he has accepted the fact that he is going to die because at least he'll be going to the same place where Grace is.

-Also, I posted these ideas on TikTok as well and someone suggested another idea in the comments: The Doctor will obtain a cure for cancer from the future and offer it to Graham. But Graham will reject it for several reasons. One, Graham thinks that he has lived long enough, and he'd rather die this way rather than die suddenly and unexpectedly from something else. Two, the Doctor says she can't give the cure to anyone else before the time it's invented because of you know timeline shenanigans she can't interfere with. So Graham thinks, "why should I get the cure while no one else does? That's unfair". Third, Graham wants to see Grace again.

Ryan:

-Ryan will feel inclined to mend the relationship with his dad because he is the only blood relative he has left since Grace died. However, he won't reconcile with his father in the end. This'll instead be the moment Ryan accepts Graham as a father figure and calls Graham his grandfather.

-His dyspraxia will be touched upon more than just with throwaway lines about how he can't ride a bike and struggles with climbing ladders. There will be moments in which he is underestimated by some of the other characters, maybe Graham, which Ryan will obviously be frustrated by and will serve as a way to show how those with disabilities are often coddled and infantilized. Also, the Doctor will relate to him because of her own neurodivergence (especially since I've seen dyspraxic people point out how the 11th Doctor moves reminds them of themselves) which will strengthen their bond.

-There will be flashbacks that show how Yaz and Ryan were friends when they were in school. The two of them became friends because they both felt like outcasts with Ryan feeling that way due to his dyspraxia and Yaz feeling that way due to her sexuality.

-Ryan's YouTube channel will be a greater part of his character instead of something that never gets brought up again after his first episode. He will constantly record his adventures with the Doctor and upload them to YouTube to honor Grace in a way. When Graham dies of cancer, Ryan will upload a video summarizing who Graham was as a person and all the amazing things he did.

-Graham's death and his thing about being content with the little things in life will make Ryan realize that he hasn't fully explored his planet and seen its full potential and beauty. This epiphany will make him decide to take a break from being with the Doctor to travel around Earth. This'll open up the door for episodes solely focused on Ryan along with a way to introduce us to more Earth adventure episodes with the Doctor. Plus, this situation will allow Yaz and the Doctor's relationship to develop more.

Yaz:

-Her sexuality will not be something that only gets barely acknowledged in her final three episodes.

-Yaz and Ryan will have dated in school but broke up due to Yaz's lack of feelings towards him and her mental health struggles which caused her to push him away which will explain why they grew apart.

-I know we all love Dan but I'm going to have to get rid of him completely. So instead, Ryan will be the one to confront Yaz about her feelings towards the Doctor.

-Yaz's implied internalized homophobia will be further expanded upon. Jack's 51st century values and feelings towards the Doctor along with the Doctor's nonchalantness towards gender will serve as ways for Yaz to accept herself more. A main thing with Doctor Who companions is the Doctor showing them things they didn't even think were possible, the same will be true for Yaz but in a different way.

-The issues surrounding Yaz being a police officer were only barely touched upon in the episode "Rosa" before quickly being brushed off and never brought up again. Her job in general hardly even plays much of a role, like she literally just quits off screen near the end. But now her being a cop will serve as a source of ongoing conflict between the Doctor and Ryan who will be ACAB. The Doctor will challenge Yaz's beliefs regarding the police system, similar to how she challenged Yaz's ideas regarding gender and sexuality.

The Doctor:

-While it is kind of nice that the Doctor's gender identity isn't really questioned and is treated as normal, I think there should be some more exploration of Timelord's concept of sexuality and gender. Are all Timelords fluid in gender and sexuality? Do Timelords ever have gender dysphoria or have gender identities that are different from their current sex? Is sexuality the same throughout every regeneration or does it vary? Not all of them have to be answered or completely answered but I would like them to be addressed.

-More lore will be given regarding who the Doctor thought was their biological family so that the Timeless Child plotline and the fact that the Doctor was lied to will have more impact.

-Instead of confining the Flux to only six episodes, it will be alluded to at around the same time the Timeless Child will be hinted at.

-The writers said that they intentionally wrote the 13th Doctor as autistic. There are several scenes where they emphasize how socially awkward she is and the Timeless Child plotline is used to explain the autistic behavior of hers which has been present throughout the whole entire series. All of this is nice but again it isn't used to it's full potential. The Doctor should be used to create allegories for neurodivergence. The reveal of the Timeless Child will be equated to say finding out you're autistic. The Doctor will be used as a way to show how autistic men are treated differently than autistic women with her eccentricities being met with more hostility than when she was a man. Ryan will address how the way the Doctor acts aligns with autism which will spark a conversation about the necessity of labels and who can use them.

-The Doctor's refusal to form strong relationships out of fear of them ending tragically will be a more present underlying conflict. The story of the 13th Doctor and her companions will end sadly with her pushing them away and leaving them on Earth long enough that they've gone back to their normal lives and have realized that there's nothing they can do except hope that the Doctor is able to sort her shit out on her own.

I have considered doing a rewrite of these seasons or something but again I'm not an expert writer. The only fic I've ever written is a 2,000 word character study and that one took me a long time to write because of how much a perfectionist I am.

[four-swords-dub]

An Explanation

Hey everyone, Karen here!

I just wanted to say a huge thank you to all who waited for our return and a welcome to anyone new following! I know I don't have to write this but I wanted to give those who waited an explanation of what happened over the last four years.

The four year haitus was entirely down to me. Some of you may know but most don't know I direct this dub and the Ocarina of Time manga dub. I was directing the OoT dub first then the FS dub kinda fell into my hands and since I know how important it is to you all I had to give it my best shot.

However, after a few years of constant uploading on both projects, the burnout became real. Anyone who is neurodivergent will know how hard it can be when you want to do something but just can't anymore. I don't think people realise how much goes into these projects behind the scenes. I have to be involved in every step of the way. If the colouring doesn't get done in time, I have to be the one to follow it up. If the voice lines aren't right or are late, I have to be the one to chase people for them. If something doesn't look or sound good during editing, I need to provide feedback on how to fix that. As you can imagine, it got to the point where I felt like I was nagging people, rather than asking and that's not who I like to be. When I can't do something, there's no one to tell me I'm late or not doing it the way they want because I'm that person and eventually it had to stop.

However, I'm lucky to have a great team behind me who are always willing to help and with their help we managed to get over the hurdles and get the dub back on track. I'm so grateful so many people decided to return to work on the project with me. To ensure burnout doesn't happen again we're taking things a bit slower and I'm stressing less when things don't happen on time. Slow progress is better than no progress, right? I promise we'll get to the end of this project, one way or another.

Thank you for reading!

[kito-kat]

ABOUT ME / DNI

pt: about me/dni. end pt.

hiya!! im kito and very silly and i draw and animate and mostly only reblog on this account

nonbinary, xenogender + many other genders! sapphic , demiromantic , acespec

they/xe/kit/star , any neutral pronouns ok , he/him aux

stars by @buntress :]

im in a buncha fandoms!! inanimate insanity current hyperfix but I love pokemon as well

my fave color is #0000ff !

this acc is mostly reblogs , please scroll to the bottom for my other accounts !

im a MINOR.

am i a system? idk, idc. maybe. if i am, I'd like to be treated as a singlet in interaction.

strawpage / daily clicks

more info, byf and dnf / dni under cut!

pt: more info, byf and dnf/dni under cut! end pt.

scroll 2 bottom for other blogs & socials if u wanna skip the whole boring sad byf dni stuff

im very on and off and take a lot of hiatuses! please don't assume im no longer friends with u if i go offline 4 a bit

im suspecting neurodivergency and have anxiety so please be patient w me . i also dont really know how much is oversharing and I tend to be an attention seeker.... please lmk if im making you uncomfortable and if you do PLEASE say it nicely so I don't freak out /gen

please don't vent to me without permission, i'm still recovering from stuff and i get worried abt people really easily so my anxiety will act up (if you're in serious trouble though do not hesitate!! i'd rather be uncomfortable than smth happen 2 any of u)

i struggle to sleep if i send something offensive i might just be too tired to filter. lmk in the morning

please do not cross boundaries or make me anxious. regardless of importance if a topic is affecting my mental health please leave it alone 4 now

dni: basic dni (this is the short carrd dw) , exclusionists (anti mspec monos , anti lesboys , etc) anti furry, anti alterhuman, radqueer/transid/xenosatanist, proship/darkship/antianti, (pro)sh/ed blogs, nsfw blogs, excessively political, discoursey, or religious blogs*, ai 'bros'

*by excessively I mean .. 65% or more posts on the blog are about that? Not exactly tho

I am radinclus but NOT radqueer

I am anti proship, pro self-ship, and will reblog posts of any non-problematic ship if I like the content, even if I don't ship it myself. Note this may mean I reblog art of the same characters both in a ship and in a found family way (not at the same time ofc)

I block liberally. I will also block people for how they act towards my friends even if they don't bother me myself.

please don't involve me in any discourse. (sapphic discourse, syscourse, shipcourse, idc.) ill share my opinions but im not here for arguments.

I reblog from people of differing views because I don't have the time and energy to check every single person's profile before I reblog or like. Please be aware of that.

Adding this bit to try to minimise spam:

People who need donations. I'm a minor and can't donate. If you want me to share it still, (this part is specific to palestine fundraisers) make sure you have a verifier linked.

pt: People who need donations. I'm a minor and can't donate. If you want me to share it still, (this part is specific to palestine fundraisers) make sure you have a verifier linked.

DO NOT STEAL MY ART AND/OR USE FOR AI TRAINING

Therian/alterhuman sideblog: @kitotherianposting

Coining sideblog: @kito-coinhoard

Art sideblog: @kitokat-art

YouTube: @kitosanimations

Artfight/TH: kitokat

deviantart (inactive): @kitoanimates

twitter (inactive): @_kitokat

reddit (inactive): u/kitoanimates

pinterest: kitokat_

Userbox spam:

[minweber]

The thing about Watchers of the Throne books is that I found them at best moderately interesting while reading through them, but have since thought about their contents much more often than such review would suggest.

It comes down, rather unsurprisingly, to the main characters. Valerian and Aleya are great! Each is interesting to read about solo and they have a great dynamic when put together... It’s a real shame then, how little of them as a duo we actually get. Makes me wish that the whole Tieron/Jek/High Lords/Terran perspective on the historic events thing - which actually is also great! - was its own separate book, while these two starred in a different, smaller scope story.

But the part that really makes me come back is how appealing I find both Valerian and Aleya as windows into mentality of their respective orders. The way they think, act and react gels really well with the way I want to see Custodes and Sisters portrayed - so much so, in fact, that it's almost a shame that both of them are presented as something of deviants within their factions.

Valerian's calm and pleasant, but somewhat detached manner is a great way to portray these nigh-immortal superhumans, I think! Competent and well-meaning, but so far removed from the humans they interact with, that they aren't capable of fully understanding some of their emotions and motivations.

One of my favorite bits of the first book is when Aleya takes her frustrations with custodians' inaction out on Valerian and accuses him of not caring about humans and their lives by mentioning her homeworld and going "Oh, I bet you've never even heard about it". Not wanting to antagonize her, Valerian doesn't object, but in his head begins to reflexively recount a whole ass wikipedia article on the place, to a level of detail that suggests that he probably knows more information about it and its history than Aleya herself. What a delicious moment! Both refuting and supporting her sentiment - clearly this sort of detached, "academic" knowledge does not infer the kind of caring she meant... but it does infer some kind of caring. Even with a magic brain of a custodian, taking time to study something, learn about it in detail, put in effort - it all implies care for the subject - possibly a huge amount of it, depending on the perspective.

And I really like that! For a setting so obsessed with trans- and post- humanism, warhammer - in my whiny opinion - doesn't seem to delve enough into the way its supposedly hyperevolved superhumans would think. More often that not the depiction of what is supposed to be this whole other mode of human existence is limited to a character being super smart while offscreen and having very hightened, operatic emotions while onscreen.

And on one hand - it is very understandable why it ends up this way. All stories we tell - be their subjects talking objects or space supersoldiers - are, at least in some way, about human condition. So distancing your characters from it may seem counterproductive to telling a good story. But on the other hand - surely there exists enough variance in this incredibly vague term to justify broader exploration and departures? I found Valerian's way of thinking and caring to be a refreshing and interesting character trait. But could it mean something more, be more relatable perhaps, to someone neurodivergent? Or just someone otherwise different from me?

What I am trying to say is that I believe that leaning into exploration of what various "modified" ways of human thinking and perception might look like, is not only worthwhile as a tool for creating better fantasy stories - but also a generally useful literally tool that can help one deepen their understanding of others.

Aleya's side of the story actually feeds into it as well, though, I believe, a bit differently. Where the entertaining thing about Valerian is often how unconscious he is of his differences from those he interacts with, Aleya overcompensates in the other direction. She seems to be very acutely aware of how her condition makes her different from regular humans, and constantly runs her perception of the world through that filter, noting that several times throughout the books how her opinions or reactions are different to those a regular human would have in the same situation.

There are the fairly objective consequences of her powers, like most humans being uncomfortable around her, or her perceiving daemons and all their activity drastically differently. But she also notes herself as being less emotional than humans (which further reading... puts in question) as well as often unable to understand their motivations (which is very much a thing that very regular humans do as well). And while entirely possible as consequences of whatever pariahs' condition in warhammer is supposed to be, it is also tempting to say that it may have much more to do with her self-perception and upbringing. And that, in turn, poses a question about the source of otherness in general - we've all felt alienated at one or another point in our lives, but how much such feeling are to be trusted? When do they come from within and when without? When do we fight them, and when do we embrace them?

Anyway, the books are fine. I am normal about them. They kill a few Minotaurs in there.

[autisticlifelessons]

Tips from an autistic teacher about communicating with education professionals

So, some context: I taught Primary for 1 year, and had lots of interactions with parents with all kinds of concerns about their kids. I also remember being in high school and college/university and being too nervous to approach my teachers/tutors with any problems I had until the situation was dire.

For those who don't work in education, I can appreciate how needing to speak to your child's teacher about something can be intimidating, especially if your and/or your child are neurodivergent. And if you are a student, it can be equally as scary.

It's true many teachers are overworked and underpaid, but the vast VAST majority would move heaven and earth to help you. However, there are lots of things you can do to help them to help you, so here are my top tips.

Tell them ASAP if there is a problem - alerting the teacher to a problem or concern as soon as it arises gives them the chance to nip it in the bud before it becomes a big deal. If there is a bullying concern or something you don't understand, they would much rather you told them straight away so they can do something about it than have you or your child suffering in silence for weeks or months. We are generally an observant bunch and are looking out for issues, but some things do fly under the radar. Even if it's not something they can do anything about straight away - like if you think your child is showing signs of autism or adhd but they mask heavily at school - they can bear this in mind and pass it onto other relevant members of staff so it is 'flagged' up for the future.

If your issue is complicated, be sure to put it in writing - chances are you have access to a messaging service or at least an email address. Even if you have raised your concern with the teacher face to face, having it in writing is helpful for both parties. It provides a record that the issue has been raised and passed along as appropriate, and it helps remind the teacher about what has been discussed so they don't end up forgetting about it among the million other things they have to do.

Be specific - it may seem obvious, but there is no point in having a casual chat and then throwing in a bombshell at the end. Make sure to give as much relevant detail as you can about what your issue is, and if you want to raise multiple concerns then it is doubly beneficial to put them in writing.

Think about what your desired outcome is and come with a proposed solution - this is a psychological thing, apparently, but people are more likely to be sympathetic to your concerns if you can demonstrate you have thought about how you would like it resolved. If you want your child put forward for an autism assessment, make sure you actually say this. If you know you are going to be late handing in an assignment but can give your teacher an alternative date you will hand it in, tell them this. I can't guarantee they will always be able to fulfil it, but knowing what you would like to change or happen makes it much easier to sort things out rather than just guessing.

IF THERE'S SOMETHING GOING ON OUTSIDE OF SCHOOL THAT'S HAVING A NEGATIVE IMPACT, TELL THEM!!! - I CANNOT stress this enough, especially when it comes to little ones or neurodivergent children who may have limited means of both communication and emotional regulation. Being hungry, tired, stressed etc can have an enormous impact on behaviour/ability to learn. Even a simple message or email giving the heads up your child has had a poor night's sleep because the house flooded or whatever and might be a bit grumpy that day can be a huge help to the teacher, who as a result of having this information will be in a better position to be patient with a child who is struggling. For bigger life changes such as divorce, birth of a new sibling etc, this is even more important so that your child's teacher and the school can, if necessary, put measures in place to support your child through this transition. Communication really is key.

Remember to be kind and considerate - teachers are humans and make mistakes like everyone else. Equally, there are many circumstances they have to deal with that are totally out of their control and frustrate them just as much as they do you. As I said at the beginning, the vast majority want to help you and/or your child in any way they can, and being kind can make what is a very stressful job just that little bit less.

So, there you have it! I hope these tips gave you an idea for how to communicate with teachers effectively.

Oh, here's 1 more bonus tip - if you have anything to ask that is more than just a quick question, be sure to schedule a meeting with the teacher to ensure they can devote enough time to deal with your issue. Catching them at the beginning or end of the school day generally isn't a good idea as they're very chaotic times and they likely have other meetings/appointments/deadlines they will be thinking about.

Your support is much appreciated xx

[writingquestionsanswered]

Hello! I think you had a post about this before but I can't find it. Not really sure though. I have this probelm with picking ideas? When I work on a story I usually explore many different ideas for the plot but find myself stuck in choosing one. I quickly grow bored of what I came up with and start creating more... in the end I have too much, and can't decide what fits my story best. Then I procrastinate because I have too many notes to process and get overwhelmed...

Overwhelmed After Story Evolves Too Many Plots

Stories shouldn't naturally evolve through several different plots. If that's happening, there's probably one of the following goin on: 1 - You don't have a good grasp on how stories work. Stories aren't a random exploration of things happening. Stories are a cohesive sequence of related events through which the main characters react to and often resolve a conflict. That conflict may be internal (within the characters), external (within the characters' world), or both. The particular events and sequence of events in your story (story structure) depends on the type of story you're writing. Most stories (longer fiction in particular) follow basic story structure:

If your stories often evolve through multiple plots, it's because you didn't have a clear and solid conflict to begin with, or you didn't know how to explore your conflict effectively (via story structure) and you burned through it too fast. (See: Plot & Story Structure master list) 2 - You don't know why you're writing the story. There's always a reason we start writing a story in the first place. Nine out of ten times it's because we're hit with an idea and are inspired to follow it. But, believe it or not, most of the time there needs to be a greater purpose there. If you have a cohesive conflict and well developed plot, your story has a purpose in terms of what the characters get out of it. But what about what the reader gets out of it? Do you just want them to have a rip-roaring good time? Do you want them to feel like they've been sucked into the mystery with your investigator protagonist? Do you want them to feel less alone as someone whose experienced the same thing as your protagonist? Do you want them to feel seen or represented? Do you want them to walk away with some deep meaning or moral lesson? And what about you? What do you get out of this story as a writer? Are you writing it to explore an aspect of life, society, or a particular dynamic that is fascinating to you? Are you hoping of catharsis as you do a deep dive into an experience you yourself have lived through? Are you hoping to deliver a moral message that you feel is important to spread? Knowing not just what your characters get out of the story, but what your reader and yourself as the writer get out of the story is an important part of staying on track and staying motivated.

3 - You're chasing waterfalls, so-to-speak... meaning that rather than staying on track, you're leaving the plotted course in pursuit of prettier, more exciting things. Most of the time when this happens, it's because you're giving into the dopamine rush you feel when a new idea strikes. Now, ideally you would write the idea down someplace safe, put it out of your mind, and put your focus back on your story. We do this every single day in life, because if we didn't, we couldn't go to school, have jobs, date, have social lives, raise children or animals... being a responsible human requires us to choose to do the thing we need to do rather than chase the sparkly fun things. If you have to leave for class in ten minutes but your favorite movie just started on TV, you have to make the choice to turn off the TV and go to class. You choose to stay on course rather than go off-track and do the fun thing. However, many of us have a difficult time with these types of decisions for various reasons, such as neurodivergence, chronic illness, depression, mental illness, stress, and exhaustion. So, it's not always easy to make that choice, even when it just means taking the new and exciting idea and writing it down for later. One thing you can do in that case, though, is leave yourself a note in the current story about where you're headed next. What's the next moment, scene, or event you're going to write? Then, save it and set it aside and follow the new idea for a little bit by starting a new story. That way, you're not grafting this idea onto a story that already has its course plotted. 4. You need to be a "plotter". If you start out with a solid plot and story structure, you know what you want to get out of the story, and you're not letting yourself chase waterfalls, but you STILL can't keep your story to one plot, this is a pretty good sign that you need to be a "plotter." Now, there tends to be a little controversy over the whole "plotter" vs "pantser" thing, and that's mainly because everyone things their way is best and often forget there's actually a whole spectrum between plotting and pantsing. Either way, they're both a real thing, because some writers need to intricately plot their story down to timeline, scene list, glossaries, and bios, while others can just "write by the seat of their pants" and let the story develop as they right. Then, of course, there are writers who fall every which way in-between.

Some writers are inherently plotters or need some level of plotting in order to execute a story from beginning to end. Some can write with little to no planning at all. For some writers it depends on their phase of life or what they're specifically writing. But, if you find that your stories are always going off-track even if they're solid in your mind, you may need to do some solid plotting. Start by having a beginning to end written summary of the story and see if that's enough to keep you on track. If not, next time try the summary as well as a timeline of events. If that doesn't work, try the summary and timeline plus a scene list. And just keep adding things until you find the right amount of planning to keep you on track with your original idea.

Happy writing! I hope something here works for you!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

Learn more about WQA

Visit my Master List of Top Posts

Go to ko-fi.com/wqa to buy me coffee or see my commissions

[peaterookie]

Go for it nakamura posting go

Now that i think about it... nakamura and hirose are kinda like two sides of the same coin

Let me elaborate to the 2 people that know this series

----

I'd say it's a bit obvious that go for it nakamura revolves a lot about the struggles of blending in society in a collectivist country like japan the protagonist is literally a closetted gay boy that frankly has a lot of neurodivergent traits

a struggle of wanting to be included and accepted by others, while also wanting to be yourself, its interesting that both naka and hiro are struggling to balance this in their own ways

I'll start with the obvious one, with nakamura

he tries his hardest to fit in, with this showing through his rather ordinary and unassuming appearance. he's prim and proper, but it ends up backfiring because he ends up looking too normal that people pay no attention to him.

it should also be commented that he's commonly seen as scary/weird by his classmates

i may be reaching but he probably looks too normal to the point it reaches an uncanny valley, aside from his bangs there is almost nothing about him that shows an inviting personality

added with his timid personality and you have a guy that doesnt really know how to make friends

despite his personality being so? loud?? he does not try to show it and he ends up being such a loner

----

and theeeeen there's hirose

he strikes me as the guy that everyone knows, but does anyone really truly know him?

there's not really a lot of stuff revealled about him aside from the last chapter of the first book but you can tell that a lot of people like him

he's friendly, hes cute looking, and sometimes isnt afraid to speak his mind! you wouldn't think he would also be hiding some sort of internal conflict about himself.

but interestingly, he does too good a job of fitting in with everyone, that he struggles to speak for himself despite the front he puts up, especially when its about something that might be against what his friends wants.

sorry the bad wording there my brains a bit jumbled

but both nakamura and hirose have a hard time being themselves, they both favor the interest of other people and fitting in, despite the obvious differences in their reputation they share the same struggles

----- last part i swear

i wish this was played more upon in the second book cuz this shared struggle was what made them get closer in the ending of the first book

its so amusing looking at the older doujins of naka and hiro and seeing them just acting like themselves because they trust each other and arent worried about being judged

too lazy to translate this rn but basically nakamura's explaining how to use chopsticks and hirose is ignoring everything and its pissing nakamura off

[bassguitarinablackt-shirt]

THOUGHTS ON THE PJO TV SHOW??

OKAY OKAY OKAY!!!! overall my thoughts are. pretty mixed. so lets go over the things i think they did well and the things i think they did bad

did well:

the casting. i cant emphasize enough how fucking perfect the casting is holy shit

sallys character. i feel like they did a good job at portraying the struggles that might come with being a young mom raising a neurodivergent child who happens to be the son of a god

percys character. walker scobell does the role of percy amazingly and overall i think the writers did him justice

annabeths character. see what i said above and apply it to annabeth

grovers character. show!grover is alot different than book!grover but i like them both and overall think they did a good job writing show!grover (it helps that aryan portrays him like perfectly)

early luke. i do have a few problems with how they did lukes character in the later episodes of season one which we'll get to later but i think they did him pretty well in the first few episodes. charlie portrays him amazingly and i like how much emphasis they put on him thalia and annabeth having been a family and how much we got to see of him being an older brother figure to percy.

the "not everyone who looks like a monster is a monster, not everyone who looks like a hero is a hero" theme

the "to the gods power and glory and nothing else matters but percy isnt like that and annabeth doesnt want to be like that anymore" theme (this also ties into my percys character point and annabeths character point)

percy and poseidons relationship

sally and poseidons relationship

athena and annabeths relationship

medusas character and how they changed her from the books

did bad:

humor. the main draw of the pjo books was how funny they were. the show has its funny moments but its nowhere near as funny as the books and thats a problem when adopting something that so many people love for its humor.

show dont tell. the show often tells us things when it should be showing us and alot of scenes end up feeling expositiony.

LUKES CHARACTER AS A WHOLE. like i said i do like how they portrayed him in the first few episodes but holy shit they really fucked up with him later on. not to be a book purist but in the books the betrayal scene was so different. he went on a whole speech about how the gods precious western civilization was a disease and he was right and that was the whole point of the books. in the show he just says "they're bad parents, percy" and his hatred towards the gods is portrayed as a mix of a misunderstanding of their well meaning intentions, him being manipulated by kronos, and him just being a kid sad that he didnt have good parents. the betrayal scene completely misses the whole point of lukes character and by extension the whole point of percy jackson and the olympians as a whole. if im being honest im rather scared for how they're gonna end up doing with the other titan army kids.

may castellan. this ties into my luke point a little but i dont like how early and casually we learn about her in the show. percy and nico meeting may was such a good scene in the books because it gave us more insight into the main antagonists childhood, and thus why he ended up the way he did. annabeth just casually telling percy about her in the lotus casino doesn't have the same effect. prometheus showing percy luke and hermes's fight, percy seeing a fourteen year old luke yell at his dad "if you loved me youd tell me!" is such a huge scene in the books because it makes percy go maybe luke was right about the gods. and annabeth saying to hermes "i saw you and luke arguing, i saw him say what happened to his mom was your fault, that it was all your fault" just doesnt have the same effect

gabe being turned to stone. i dont like how it was his own stupidity that was his downfall and not sally making a concious decision to turn her and her sons abuser to stone.

overall there are some things i really like about the show and some things i hate with a burning passion, and im. hesitantly excited for season 2. i do genuinely want to see where the show goes and if it improves, if its previous mistakes become worse, if it finds new ways to fuck up, etc. (honestly there are alot of pjo characters i dont really trust disney with that im just kinda expecting them to fuck up on. mainly thalia tyson and nico but also like all the titan army kids)

i also do find something deeply fascinating about the way season 1 talks about thalia in comparison to book 1 but thats a discussion for another time 😭

[uefb]

Hey, so I just watched the third Fantastic Beasts movie and I was wondering if you noticed any autistic traits of Newt's in that one? I remember spotting so many in the first two, so I was kind of disappointed that I wasn't able to find anything new this time. (Honestly, it felt like there wasn't much character exploration at all with Newt, except maybe at the very end?)

Hi, beanwood! Thanks for the ask. It’s interesting you noticed this! Because I will admit that I noticed less of Newt’s autistic qualities in the 3rd film myself (though I did notice some!). I think there are a number of reasons for this decrease — in fact, it is something @afrenchaugurey and I have discussed quite a few times actually! I’ll go into that later. First I’ll share what I did notice (from memory), when viewing Newt through an autistic lens as an autistic & neurodivergent person watching Secrets of Dumbledore (SOD/FB3).

(I’d like to apologise in advance for some language that might not be fully autistic-affirming moving forward. While I am autistic myself, I am also a researcher in fields that have traditionally pathologised autistic traits, and my language unintentionally reflects my training on occasion. Unfortunately, I currently do not have the spoons to go through and ensure that everything sounds appropriate. I therefore appreciate your understanding and patience.)

Anyway, while I agree with you that there are less autistic traits than in previous films, below are some arguably autistic traits or co-occurring indicators (based on my own experience and knowledge of clinical & empirical research) that I noticed! (Though these are not exactly new, which is what you may have been hoping for.)

Newt does stim quite a bit in the SOD/FB3, though it is subtle, mostly relegated to his coat pockets and consistent but very slight rocking/fidgeting/re-adjusting. You can see a rather crappy TikTok video (as I wasn’t doing edits on my computer yet) I made a few years ago (on an acct that is no longer active) highlighting Newt’s exceptionally subtle stimming in the first hour of FB3 here.

Newt continues to avoid eye contact during both one-on-one interactions and when addressing groups.

Newt does not always seem to notice subtle emotional nuances or jokes in group settings.

Newt seems, reasonably, attached to his case when Bunty takes it from him, even wordlessly asking Dumbeldore about it with a hand motion at one point. This could be interpreted as his case being a fixture of routine or comfort, common in autistic folks.

Newt’s flat affect, in this film, seems to be somewhat of a a boon to interacting with high-profile officials, as he seems somewhat unbothered by the high stakes of the situations and the potential social & political risks of simply walking up to — say — Herr Vogel, for example.

Additionally — regarding special interest — his hyperfocus on his creatures while talking with Theseus’ jailer in the Erkstag seems out-of-step with what one might expect from someone about to walk into a pseudo-authoritarian prison setting.

When Newt finds Theseus in the Erkstag, he answers Theseus’ questions about the creature situation by somewhat info-dumping about a laboratory experiment he’d conducted on creature behaviour to explain his reasoning. He seems not to entirely notice that that response probably wasn’t that reassuring to Theseus at all.

Newt does not reciprocate social interactions on several occasions — he misses his brother Theseus’ social cues in the first big group scene; he does not verbally reply to several characters in the films (such as Herr Vogel’s assistant), even when such reciprocal communication (or even basic serve & return) might be expected.

Newt does seem to lose some access to speech under extreme pressure during his back-and-forth with grindelwald about the Qilin twins. (This is reflected more in Redmayne’s performance than the script, IIRC.) While this is typical for many people, it harkens to newt’s earlier characterisations.

Newt utterly misses the loaded communication from Bunty while he has his case open toward the end of the film in Bhutan (when Tina’s picture is visible). Then, Bunty says something in response to Newt saying you don’t know what you have until it’s gone (referring to his case), which was apparently in reference to her own crush on Newt (now that Newt is pretty obviously with Tina). Newt did not seem to clock this comment as anything at all. (…..and, frankly, neither did I. I had to ask my wife to explicitly explain the scene to me after my 4th or so rewatch. I remain clueless and it is lucky I am married, given my utter inability to read romantic nuance.)

So yeah, I agree with you that the last film demonstrates fewer autistic traits consistent with Newt’s behaviour in the first 2 films, apart from those marked final scenes (Tina/newt, newt & dumbledore.) One could argue that the noticeable behaviour in the scene between Tina & Newt outside the bakery is due to either (a) the removal of Newt from a high-stress, goal-focused heist situation into a more intimate personal situation combined with (b) social anxiety manifesting around people he cares deeply about (particularly given his history of miscommunication with Tina), or social anxiety around romantic situations in general. It’s also possible that (c) a heightened sensitivity to physiological cues associated with anxiety or ‘butterflies,’ due to sensory sensitivity affects his behaviour in the Newtina scene — physiological stress (in my anecdotal, personal experience) can make one flustered or struggle with speech, as attention is repeatedly and emphatically and uncomfortably drawn elsewhere in the body. (Or it could be something ENTIRELY different, like a script rewrite or massive editing that jettisoned consistent character development.) But, whatever the case — yes, I agree Newt seems most…. Well… Newt! in his interactions with Tina and Dumbledore at the end of the film.

(Though if you haven’t seen the missing scene of Theseus & Newt between Newt leaving China and Theseus & Newt going to Hogsmeade… That’s rather a treasure trove of autistic-coded Newt, imho!! You can watch it here.)

As for the reasons why this change may have happened… I believe there are a few possibilities…

Personally, I think the fact that Secrets of Dumbledore (SoD/FB3) is structured more like a “heist” film than the earlier FB films plays a big role in that — character development was secondary to plot (which was, admittedly, a bit convoluted).

From an out-of-world (e.g., non-character, non-plot, non-worldbuilding perspective), I think it’s quite possible that Warner Brothers & co. were trying to appeal to as broad an audience as possible. I say this for a few reasons… (a) reactions to Newt as a character back in 2016 and 2018 were as polarised as you would expect for an autistic-coded main character in a mainstream action/adventure series. This might have inspired a shift in characterisation in FB3. Additionally, (b) by 2022, FB3—according to Warner Bro.—needed to be a box office hit. It was affected by Covid filming issues, JKR’s continued inane & controversial comments, actor drama & controversy, and generally non-HP level earnings at the box office for Crimes of Grindelwald/FB2…. Messy! Producers might have thought a less socially awkward/autistic Newt would make it more palatable. I haven’t seen any evidence of producers’ defending newt’s characterisation since the FB2 era. But who knows. This is all guesswork.

However, from an in-universe perspective, some time has passed since CoG/FB2. Based on Lally’s comments in Jacob’s bakery at the beginning of the film, approximately 1 year has passed (1927/8ish?). According to the screenplay, 5 years have passed (1932). (I tend to align myself with the 1932 timeline, due to subtle historical indicators; my own beliefs about Tina & Newt’s different characterisations in FB3; and the lack of lasting impact Leta’s death seems to have on Theseus & Newt by the time FB3 rolls around.) Anyway. I mention the time skip because I think it’s possible that a time skip allows for Newt’s character to minorly shift in a few ways…. (a) It allows Newt to settle into his confidence as a respected magizoologist, as well as gain distance from (i) World War 1 and (ii) young adulthood insecurities — trauma, anxiety, and diminished sense of self and belonging can exacerbate traits of neurodivergence. (b) A time skip additionally — (theoretically) — allows for Newt to become more comfortable with people like Jacob, Theseus, Dumbledore etc. (and for them to become more used to him!), potentially further diminishing Newt’s anxiety or certain autistic traits. Because autistic traits like stimming, for example, often correlate with higher levels of social stress or attempts to manage uncontrollable situations in controllable ways, Newt may rely less on these self-soothing methods because there is frankly less of a need. Conversely…

Newt might also be more self-aware by FB3. He’s in his 30s by now. It’s possible that he’s masking his autistic traits during the middle of the film due to the political environment and high stakes situation in which he is functioning.

Anyway! Long story short, those are my thoughts!!!!! (Hope you actually wanted them, because you tapped into UEFB special interest, infodump mode.) I’m sure there’s more to be said, but that’s all my old brain can do for now. Thanks for the ask, beanwood, and I hope you are well!

Finally, I’m curious: What inspired you to ask me this in particular? Was it my utter flooding of the #autisticNewtScamander tag over the past few years? A particular post? My fics? Byyye.