#this is a very old story there is no other version of this story etc

[pyreshe]

one day I will write out my lil arthuriana thing where m.erlin raises a.rthur and loves him like a son but he still loses him and is more or less doomed to an agonizingly long life where he is constantly reminded that he failed his boy and is looking for a reincarnation he can't even be sure will ever come,,

[shsl-heck]

Every once in a while, I think of Taylor and Lisa's relationship and I have to sit down. Like these girls loved each other so much, and I just clutch my chest and try not to sob hysterically.

[eosofspades]

i hate how difficult making massive projects is when it comes to art i am having the GREATEST idea for a video game but the only way it can come to actualization the way it needs to be to make it work is if i could get it picked up by a triple A studio

[haemosexuality]

this woman from mag 130 is just like me fr

[dolldefiler]

Hey :)

I just wanted to say truly how incredible your writing is. I find myself refreshing on tumblr desperately looking for a new story from you whilst I mindlessly rub myself away to all the dirty things on here because it just works like no other if I’m honest..

Also wanted to say thank you for seeming like a genuine person on top of all the sex-stuff, a lot of people abuse the space with this sorta stuff so it’s refreshing to see a double edged sword type thing I suppose.

Now I guess onto the reason I gathered the courage to ask (even though I’m still on anonymous…) I was wondering if you’d be up for letting me share my fantasy and if it sparked any inspo, if you’d be open to doing a request whenever you got the free time?

One of my biggest fantasies in the world is being kidnapped, raped and gaslighted, with heavy heavy tones of misogyny. Idk something about a sexually fuelled patriarchal society really does something to me :0 but unfortunately it’s kind of hard to communicate that desire to anyone at risk of it being taken completely the wrong way (oh the joys of having these kinks) and so I fear I’ll never really get to live out any variation of this fantasy with someone I trust

I just imagine being taken one day, because I’m just a girl and it’s a man’s right to take me if they choose. He takes me back to whatever secluded hole he’s got to keep me in, and it’s brutal and harsh at first - tied, bruised, etc etc. Then as the days, weeks, months go by I begin to develop Stockholm syndrome or I’m just plain old gaslighted into thinking this is all women are made for. Maybe he recorded me saying degrading things about myself in the first few days, which I said out of fear but you play them back for me and convince me that I meant them and you never asked me to say those things, it must just be truly who I am. Maybe he’d reward me when I gagged on his golf with the most simple thing like a stroke of my hair while he brutally fucked my face, but the small sign of affection (even when being used so aggressively) would be the gentle touch that I had been craving in the months he had kept me locked away. Besides the first time he raped me (so he could hold my pleasure during it as a tool against me), he would edge me from the very start, breaking me, making me crave the pleasure against everything screaming in my body saying not to. Taunting me by saying if I could cum just one more time, he’d let me go.. but of course he’d never let me. Teasing me by saying if I do as I’m told he’ll think about letting me get extra close to the edge that day, because at this point being allowed that would be the closest I would ever get. By the end of it my rewards would no longer benefit me, I’d be thankful when he said I could cockwarm him whilst he worked, or if he said I could be spend hours and hours worshipping his cock with my mouth, even when my jaw began to hurt. He’d only fuck me ass unless he wanted to edge me and get me close, or to breed me full of cum. If I ever took a misstep, like missing a single drop of cum after he came, I’d be punished. I’d be thankful to serve him, I’d learn to speak to him as my superior and all my pleasure would come from serving him. I could be completely rewritten and by the end of it he could let me go with no worry, and I’d be his forever..

ANYWAYS… ahem. I think I may have got carried away.

Even if you don’t write anything like this, honestly it was kind of fun just typing it out.

Other than that, I hope you are doing good!

From a very horny anon (who maybe recently has maybe weirdly started subconsciously picturing some imagined version you in this fantasy)

-🍒

Aww, this is such a cute message to receive (and as ever with these asks, I apologise for taking a century to respond).

I would love to steal some girl away from her home, snatching her up like she's property to be claimed. Snatching it up, like it's property to be claimed. She'd struggle at first, screaming and crying, violently thrashing against her ropes and threatening to call the police. What a silly little sex doll. The police wouldn't care about her. They'd probably stolen away their own little fleshlights.

I'd beat her of course. Stupid fucking rapetoys need it sometimes. They need to understand that they're nothing until I give them a purpose. I'd lock her in a dark room with no clock, no water, not a single sound to accompany her but the sounds of soft sobbing and heavy breathing. She'd mark the passing of days from my sharp footsteps as I'd come down to feed her. Beat her. Abuse her.

I'd speak to her sometimes, whispering degradation into her ears. Taking off her gag to encourage to degrade herself for me, if she wanted food. The only human contact she'd know would be intensely degrading. Every vile word of degradation she'd whisper about herself would earn her a pat on the head or kiss on the forehead. I'd reward her for breaking.

I would record every trembling word of hate she'd say about herself and rape her to the sounds of it. I'd spread apart her cunt on my cock and pound away at her, recording even that, raping her endlessly to our homemade porn. To our rape videos. She'd watch her own face become stained with tears. She'd hear the nasty things she'd hear about herself. She'd lose her mind. Did she truly want this? Did she really hate herself?

I'd reassure her that this was normal. That it's okay to hate yourself. That all she needed was me. I'd strap a vibrator against her clit and drill into her ass, jerking off inside her to the sounds of her intense degradation, to the her loud, screaming in those rape videos. I'd teach her to love the feeling. Then I'd leave her again. I wouldn't speak to her for days, silently feeding her. She'd have to choose between eternal silence or... something that made her feel alive. Something that made her feel like a woman. Something like a pathetic fucking rapemutt.

I'd choke her out, squeezing her tighter and telling her that I'd stop if she only just told me to. I'd stop if she degraded herself. I'd stop it if she just said anything. But my hand would stop her. I'd watch her become unconscious and limp every time, and wake her up to my cock raping her ass violently and my palm slapping her sharply. I'd only use her cunt to reward her. To train her into loving my cock stirring up her insides in a way that didn't leave her screaming.

I'd rewrite her so thoroughly she wouldn't even be able to consider disobeying me. The police might stop burying their cocks into their own fleshlights and knock on my door. They might question her. They'd get nothing. She'd defend me and tell them she ran away with me. She'd fervently tell them how I'd saved her from her old life. How I'd helped her. They'd take one last look at her and leave my house. Perhaps I'd breed her as a reward.

[lasabarcassims]

LasAbarcas Base Game Save File 1.0

My Base Game Save File is complete!!! Download it here!

UPDATED VERSION AS OF 3/18:

OLD VERSION:

My goal with this save was to make the base game feel super ALIVE and full of personality - basically what we all wanted the base game to be originally. This save is full of lore: each household has a story (some inspired by iconic Sims lore, others original), each Sim has relationships outside their home, each world has a description and each neighborhood within each world is built with a very specific vibe that draws particular Sims to live there, all community lots (and some residential lots) have descriptions, and even the graves (and ghosts) at the Willow Creek church graveyard tell a story. There are TONS of community lots in this save that all feel different from one another and are designed with different kinds of Sims (personalities, career types, ages, etc.) in mind to give everyone multiple things to do outside the house.

All lots were built using only the base game (disclaimer: occasionally my game adds pack-specific items, like a kind of food, during playtesting, so it might say there is a pack-specific item on a lot but it's not meant to be there!), but many lots were built with other packs in mind. For example, the save has restaurants, a boba shop/thrift story, a cafe/retail space, a community garden, a high school, and so on that are base game only. So, if you only have the base game or limited packs, it should feel like you have more to do than the base game provides and open up your gameplay with a little imagination.

If you do have more packs, the lots should easily convert to their intended lot type to allow more functionality. You should also find things that come in other packs available in the save. For example, many Sims have university degrees, all Sims have cold/hot weather clothes, there are loads of clubs for Sims to be in (each with a description - MORE LORE hah!), and the calendar is filled with holidays/events.

Here's a little tour of the Save:

WILLOW CREEK:

Most families in Willow Creek have lived here for generations. These families strongly value their roots and create such a strong sense of Willow Creek identity that the transplant families have taken on this identity as well, leaving the town full of people who proudly work to preserve and celebrate the town’s vibrant history and traditions. Families in Willow Creek tend to have a more traditional approach to family life/dynamics and care about the family’s image/status within Willow Creek.

OASIS SPRINGS:

Oasis Springs had its heyday several decades ago when its space exploration industry was booming, but when the industry fizzled out, the town lost a lot of business, wealth, and residents. However, those that remain take pride in their retro desert town and clearly see what remains: a beautiful, unique, special place to call home. Families in Oasis Springs tend to be a bit quirkier, care little about what other people think about them, and focus more everyday happiness than career success.

NEWCREST:

Newcrest is a very family-friendly neighborhood filled with fun for all ages. Families here tend to be a bit more laidback – they are willing to go with the flow and enjoy the messiness that comes with growing up. The Newcrest residents are a supportive bunch of people who enjoy each other’s company and have a healthy balance between careers/school, hobbies, and spending time with family and friends.

I will also be releasing a Limited Packs Save with version one containing updates to Copperdale and Strangerville coming soon, as well as a No Limits Save down the line.

I hope you all download and enjoy!! Please let me know what you think and if you notice anything that needs updating.

Thanks!

[v-anrouge]

Verryyy long ranting under this about vil and how this fandom treats him for absolutely no reason pls excuse any mistakes and feel free to correct me with any accidental misinfo i passed <3

Mentions of racism, fatphobia, eating disorders, elitism & ableism and also SPOILERS for Vil's character story (eng only)

Ever since this game started getting super famous in tiktok and twitter it seems that people just love to butcher literally every character in Twst and sometimes it's genuinely baffling how wrong some of the takes are, it really does make me wonder if some people just don't read the story and just skip every character who isn't their fave, and if they really do that, what makes them think they know enough about the rest of the cast to post in the character's main tag the most rancid read on a character, often accompanied by some accusations of literal crimes of bigotry that really should be taken more seriously instead of being terms thrown around.

I'm gonna be talking about Vil specifically but characters like Leona, Jamil, Sebek and a few others have it exceptionally bad as well (especially Leo and Jamil who's haters can even be quite racist)

I've been playing for a very long time (in eng) i remember being there to watch the Heartslabyul final release and the release of Savanaclaw's chapter and through these years ive seen the most horrific takes on Vil's characters, ranging from the accusations of racism (which have been debunked again and again especially by JP players) to accusations of supporting eds, fatphobia, elitism and ableism. The funny thing is that even with a very quick read of any of Vil's story you'll find out there is no support for any of such claims. They like to use the incident with Epel's accent when for years JP players have pointed out how this was strictly an error of localization since they couldn't find a situation similar to the one that is portrayed in the original game to put in eng twst, they went with the one we have where Vil asks Epel to "hide his accent" (he really doesn't he was talking about the way Epel is rude and disrespectful which would definitely end with him being beat up and then expelled bringing a bad fame to Pomefiore and also making Vil look bad for not properly guiding his dorm students) which is a terrible choice but alas it seems people prefer to ignore facts to stick with their claim that Vil is some sort of monster when this man is literally a teen. He's 18 years old and has to constantly look out for his image in and out of school since he grew up in front of the cameras.

Vil's character is all about beauty and self care and self acceptance yet for some people this seems to translate to "starve yourself if you don't want to be a disgusting fat pig" which is very weird to say the least considering all mentions Vil makes about diets he is talking about keeping a balanced diet to nurture your body and even has a voice line pointing out the importance of eating. Vil himself may be coded to have an ED in his overblot and Lab vignette but he has never and would never encourage one, he literally goes out of his way to annoy students to take care of themselves what makes anyone think he'd encourage them anyways? It's such a weird thing to assume of a character.

A lot of people seem to think that Vil is also the "beauty standart" king which doesn't even make sense considering vil is a gnc man, he already doesn't follow beauty standards and would definitely be against it, Vil's vision of beauty for himself may be twisted due to his traumas and troubles yet his vision of beauty for others is always exclusively on the person being their best version, this includes dressing how they want to and feel comfortable in, using whatever makeup they want (or just not using it at all) etc.

The way Vil speaks is often misunderstood as he tends to be strict and can be read as mean (I've already shared my theory on what may have caused this behavior here before so i won't be getting into too many details) but Vil is a famous and respected housewarden because if you actually stop and think about his advice the end result is always an effort to make the person's desires come true. (a good example is how Vil made Epel clean the windows and although Epel was displeased with the hard labor in the end he notices how the task may help with muscle growth and gets happy)

Vil's way of caring for others is often misunderstood and obviously that's understandable, not everybody may get his "rougher" way of handling advice, but also it's a bit weird how people react to it when in game all of the characters seem to be okay with it, Pomefiore has a lot of students and if they considered Vil to be a bad leader he would've been voted out a long time ago, no? And if i remember correctly wasn't it said in game they had very few transfers? (as in characters moving out of Pomefiore and into other dorms) That wouldn't make sense if Vil was really the cruel leader some people make him out to be. The truth is Vil is a nice caring person and his students recognize that which is why he is respected all across the school and not simply on his dorm (because ive seen people say Vil has brainwashed the Pomefiore students into thinking he is a good housewarden 💀)

Vil surely has issues he needs to work through, after all this game is literally about that, dealing with troubled teenagers and their internal struggles and the importance of asking for help (omg friendship is magic...) but Vil is also a teenager, and he is one of the characters that show the most desire to get better, immediately showing regret and apologizing to Yuu and his classmates for the danger he put them in, that is because Vil genuinely does care for them.

Another accusation people make is ableism, i remember seeing many posts saying Vil wouldn't respect disabled people and/or mentally ill people which is 1- extremely fucking rude to say? 2- absolutely wrong. Again just a quick read on Vil's character will tell you everything you need to know about how he'd feel about disabled people, he'd treat them like everyone else, and would adjust his handling accordingly to their needs, i really don't get where this claim comes from but it's quite ironic because a lot of Vil haters tend to be ableist themselves by claiming that Vil is a bad person mentioning traits that are often caused by mental illness and the effect of traumas, failing to analyze how their treatment of a character that displays common mental illness symptoms may affect people in real life who displays the same symptoms, and often being ableist themselves by judging these actions irredeemable and inherently evil/heartless, once again dehumanizing people with mental illness in real life who deal with the same symptoms.

Another common thing is the constant invalidation of Vil's trauma. A lot of people seem to read book 5 with their eyes closed and take away from the story that the reason Vil "got pissy and almost killed a guy" (wording of a terrible post i saw a few days ago<333) is because he's a "spoiled brat who couldn't handle getting the paper he wanted in a movie boo hoo" which is kind of funny with how terribly wrong it is, i really don't know what your thought process has to be to get his backstory this wrong but sure, let's start; The start of Vil's problems with being cast as a villain starts from when he was very very young, he was just a child when after being cast as a villain for a movie he was almost beat up by a group of boys for being an "evil guy" and by his reaction it wouldn't be impossible that this wasn't his first time dealing with that kind of thing. Vil also tells jack (who scared away the group) that he had trained so he would be able to deal with them on his own which again, could be a hint that this wasn't that uncommon in his life. In Vil's overblot dialogue is all we really need to know to debunk this claim.

What Vil wanted wasn't just to be a hero in a movie, he wanted to be seen, to be heard and cherished, he wanted to be more than a pretty prop they could put on the front to get attention only to be taken out of stage when he was no longer necessary in the next scene, do you get it? He wanted to be able to see his hard work pay off, to see his efforts of years being rewarded, to for once not be exchangeable for someone more favorable. Vil wanted to feel like all his pain was worth it in the end because finally he could shine in the stage, being himself instead of just another persona to attract people. In his overblot it's shown clearer than ever that Vil does not have a stable view of his own image unlike what he has trained himself to show, even calling himself ugly and begging them to not look at him. I don't think Vil is used to be being vulnerable, which would explain why he was so freaked out when the overblot happened, and why he cried when his beauty (the one thing about himself that was always recognized by others and therefore the thing he'd always been the most desperate to nurture) was taken away by aging in book 6 (note; the fact Vil sacrificed it for his classmates also just debunks the people saying he only cares for himself, if he did he wouldn't be who he is.)

I said i wouldn't give my thoughts again but i will, just briefly, i believe an easy explanation to Vil's behavior (the tough love he gives and his strictness) might be because of the industries he grew up in, we can't know for sure how similar twst's version of the movie and modeling industry is when compared to the real life one but considering the way Vil is, my guess it's that it's pretty similar, especially in the regard of their treatment towards children, in Vil's overblot he hears two staff members talking about how he'd never be able to pull off a relatable role because he is too perfect, and sure those may not look like insults, but to Vil who's only dream his entire life was to be seen in good light, those words stuck to him so deeply they'd come back to him during his overblot. (note; i have not seen a jp translation of the overblot scenes so i don't know if they also suffered from localization issues, if anyone has a link to one i could see id really like to see what the staff said to Vil)

The general point of Vil's overblot was how his efforts and hard work were always overlooked and ignored in favor of someone else, this happens with quite a lot of characters and happens as well with another overblot (Leona, who happens to be quite similar to Vil in many ways) and although i don't expect anyone to read it and think of analysing it more deeply even with a shallow vision of his overblot it's still incredibly insensitive to call it a "non-problem" especially considering the fact this is Vil's ENTIRE life, he's been working hard and failing for years again and again and that does get to you. I remember when i posted my first rant on Vil quite a lot of people who reported to be skilled at something (say for example music or dancing) as a child that any failures absolutely destroyed you inside, and that people who haven't passed through the same tend to call them dramatic and say they're overreacting to situations that can be classified as trauma depending on how much it mentally impacted said child. (and in Vil's case it's clear it had a massive one, after all he wouldn't have overblotted if he didn't have issues that had been bottled up until they finally exploded)

Mentioning Leona again, he and Vil share the same sentiment of anguish for being discarded and having their hard work be thrown away, the difference in them is the way they reacted to it, while Leona ended up not seeing any value in attempting to do anything because he assumes the outcome is always going to be the same, Vil overworks himself and forces himself to do things he might hate clinging to the hope that this time it'll work out.

Since we're talking about trauma ill already answer some things that may or may not come with this post (because in my first one i got this response a lot) "Vil's a fictional character it doesn't matter" and sure if you think like that cool, personally, when im talking about a fictional character that tackles real life traumas and issues, i talk about it as if referring to a real person because the character has been written with one (or multiple) in mind.

Twst may have issues but the character writing is undeniably about real life traumas and experiences, and the characters are quite accurate and good representation of the issues they tackle, so when you invalidate them, you are by result invalidating real life issues. Of course this won't stop anyone and i know that a few people will probably scoff at this and brush it off as being too sensitive but personally if you wouldn't dare invalidate say for example Riddle's traumas because you know it's a representation of mommy issues, which is a very real problem, to not go against your own morals you should also respect the issues of all the other characters, even if you personally think some are more "serious" than the other.

[mothmans-side-ho]

Armand called Lestat a clown in the most round about way

s2e3 hot wired the two passions in my brain into this info dump, however seeing as a central theme of this episode (and the season) is power, status, and their subversions, it seems relevant. for context, I have 2 degrees in theatre, specifically theatre history and how trends effect form. (I am in no way an expert though, and this is very simplified). long story short, I'm relishing in being a big ol nerd about this entire season

FINALLY, we got to see Lestat (a version of) strutting his stuff on stage in a scene with peak commedia dell'arte shenanigans. Commedia dell'arte is/was an originally Italian form of theatre which was defined by lazzi (comedic bits), improv, and stock characters. these stock characters have been around from Roman times and are still super familiar to us today - the young lovers, the pervy old rich man, the soldier with bravado, etc. It's been seen as a somewhat formulaic form of theatre which relied on quickly identifiable characters and situations so audiences can sit back and enjoy the butt jokes and servant beatings.

In the book - specifically The Vampire Lestat - our beloved Lestat RELISHES in playing a character called Lelio, one of the young lovers. It is in playing Lelio that he "found a tongue for verses and wit [he]'d never had in life" (TVL pg 31). It is in playing Lelio that Lestat first gets a taste of the person he can become, and it is in Lelio that we see the first glimpses of the Lestat which so fully seduces Louis. In short, Lestat casts himself as the suave and handsome romantic protagonist, here to sweep people off their feet. The young lovers are also notably some of the only roles portrayed without masks, to emphasize their youth and natural beauty.

SO IMAGINE MY SURPRISE WHEN LESTAT SHOWS UP IN S2E3 DRESSED LIKE THIS:

He has a half mask! He's wearing all sorts of colors! He's clearly acting as a go between between two other characters who seem to be of a higher status than him! As I said before, commedia dell'arte can be very formulaic (especially by the late 1700s when it is being codified away from being improv focused to being cemented into scripts). From all of these visual and characterization clues, Lestat is not playing Lelio the young lover, he's playing a Harlequin! And his costume seems to be heavily based off of this Harlequin (Arlecchino, Arlecino, etc.) which is literally the wikipedia image of a Harlequin.

(note, if you give a fuck, this image is depicting an Arlechino from 1671, roughly 125 years before Lestat on stage. in my mind, this accounts for the changes in silhouette, styling, why Lestat doesn't wear the mask for the entirety of the performance, etc. Also, just while we're talking about costuming, I believe the late 18th Century was still a time in which actors would have been expected to provide their own costumes, which would explain why Lestat's version is made with expensive fabrics and includes cunty little details like the bow in his hair. At the very least, I can see him making looking good a priority as the owner of the theater and as...well...Lestat.)

Okay, okay, okay. Why does this matter?

Harlequins are not characters of any social status. They're servants who are quick witted enough to get into antics but stupid enough to be commanded by animalistic instincts (lust, food, you name it). The Harlequin being beaten by their master was ENORMOUSLY funny, and is the origin of the term "slapstick comedy". They a memorable iteration of clown.

In this scene, which I'm willing to bet was inspired by (if not outright) Carlo Goldoni's A Servant of Two Masters, Lestat plays a servant who interacts with two characters. One appears to be a young woman in a breeches part - another common trope of commedia performance. The other appears to be the young male lover! We see Lestat prancing between the two, seemingly facilitating some romance plot, being paid for his compliance, and doing a good ol fashioned butt lazzi. (Could he be presenting his ass for beating? Maybe.)

So why is Lestat not the young valiant lover, but instead A LITERAL CLOWN? Three potential, not conflicting, reasons. By the time Lestat is performing (mid to late 1790s, based off Armand's earlier comment about Robespierre's 1794 execution), the Harlequin characters were the most sought after roles! At this time, we are seeing the emergence of "Celebrity Culture" where audiences sought out actors for their off-stage personalities as much as their on-stage ones. This is an extremely fitting position for Lestat to fall into. Yay a semblance of historical accuracy!

Secondly, Lestat's ENTIRE ROLE in season two is to come between this season's new pair of young(ish) lovers: Louis & Armand. Lestat's function is to repeatedly detract and distract from their relationship through Dreamstat's antics (appearing at the piano calling Louis a whore, having Louis re-kill him, etc.). Additionally, simply put, Lestat (and Sam Reid as Lestat) is a lot of fun to watch. He is absolutely a stand out (if not THE stand out) of the show! His constant ability to serve cunt is often what your eye is drawn to, he pulls focus to himself, and often undercuts the more subdued, philosophical, and morose nature of others. Both on-stage and on-screen, Lestat continuously upstages his screen partners. He does kinda function as a Harlequin. But in the end, the Harlequin's antics are also what ultimately drive the young lovers together. If not for Lestat's actions, Louis and Armand would have never met nor bonded over knowing this fucked up brat prince.

But we also have to remember! This portion of the episode is presented by Armand the mind fuckery master. It is absolutely in his best interests to paint Lestat as some sort of ridiculous, lesser being driven by animalistic nature. Especially if - by extension of the metaphor - this frames he and Louis as the virtuous and optimistic young lovers, striving to cling to each other in a world of chaos. I would be EXTREMELY interested to see if, when recollected by someone else, Lestat appears in a different role or characterized differently.

Again, given the celebrity culture of the time and Lestat being himself, it is entirely believable that he would appear in the Harlequin role (Truffaldino, if this is Goldoni's Servant). However, I think it's extremely telling that in Armand's iteration of the story Lestat is not the dignified, refined, and sympathetic young romantic. He is instead a literal fucking clown.

[jetlag102]

Apollo’s version of the hunters

Please note that I am no writer and have never tried expressing an au in words like this before. It might suck a little.

Apollo has a temple for young boys on Delos. They swear themselves to Apollo (like Artemis’s hunters do for her), pray for him, sacrifice food for him. They are basically his modern priests. Inside of their lord’s temple do art, music, medecine etc. all in Apollo’s name. They also take care of Apollo’s holy cows which he has moved to Delos since ancient Greece. In exchange for what they do for him Apollo gives them immortality (like the hunters), makes them stronger and more apt at the things in his domain (they are great healers, musicians , etc.). He loves them (platonically) and acts as something between their dad and their patron god (like how he acts with Rachel). While they don’t advise him, he does care for their pinion as humans both very old and very young. They are kept a secret for their protection. Only a few other people know about this place: the Olympians, other more minor gods who’s sons have joined and Rachel (because she is his oracle and they are in similar situations). Apollo’s priests are mostly abused children, either demigods who prayed to him before or after joining camp or (clearsighted) mortals who prayed as a “joke” or in desperation for anything to save them. Most if not all didn’t think it was going to work since they either didn’t believe in the gods or didn’t believe in their goodness, but he saved them anyways. There are some demigods that weren’t aware of their parentage, but felt drawn towards greek/roman mythology and there are others that knew but never made it to camp or left camp because they didn’t like how violent it was. There is a five year old child that had just heard stories of greek myths from a book that said gods protect mortals (He heard mellowed out versions for children lol) which caused him to pray to Apollo, his favorite god (He’s shiny) when his mother hit him again. Apollo then took him away and got him to join his priests. Because they have been hurt so much and most aren’t fighters, the temple has a magical barrier that keeps them hidden from mortal eyes and masks their smell from monsters. (Other option is doing a thing about how sirens are part of his domain because of the singing and are therefore protecting the island). If they ask to leave that life they are allowed but they will lose their immortality and other added skills (If they learned to play the guitar they won’t suddenly lose that, but their playing won’t be able to magically affect people’s emotions anymore). After TOA Apollo reveals the temple to the other gods and demigods. It then becomes a resting spot for demigods and a sort of hospital. The island moves around (like in the myths) and can sometimes be found by heroes in need.

Here you go @apollosgiftofprophecy

[directdogman]

hi your recent post about the themes in randy's route was super interesting cause i've been invested in trying to dissect the themes of each route in the game. you also pointed out some other symbolism that i didn't even catch onto!

you made a point about abandoning fictional/idealized versions of the past, and i was wondering what are some examples in other routes of this?? (like karen, oliver, etc.). i'm super curious to hear more about the actual messages/thought-process behind each route in general lol

thank you!!

With Oliver's route, it's abandoning trying to save Mr Dicken's failing business and agreeing to start something new with him. (There's a little more to it than that, but I'd have to go more into Oliver's backstory to explain the symbolism of what this means. Maybe I'll finish that short story when Roger's route comes out and go into a bit of it!)

For Karen, it's abandoning a job she's had for a long time + hates with no real promise of promotion of acknowledgement of effort/value, alongside her previous mindset that she only has value if she's seen a certain way or has a life she hates living.

Bigfoot's is more about self acceptance than abandoning the past, though we do see that Bigfoot is clearly living in the past when he shows Gingi a photo of his old family and indicates he still misses them dearly and likely still thinks about them a lot and the fact his family were taken impacts his ability to trust people (very very skittish beast.)

For Norm's route, it's both Norm + Mingus abandoning their semi-fictional views of the past and coming to terms with the idea of looking forward and trying to build a better Dialtown that isn't specifically based on their incomplete perspectives on what Crown's fully realized vision could've been.

Most of the developed characters are living somewhat in the past in some sense or another. Even Stabby + Shooty had a small arc that was cut from the basegame!

[dykealloy]

Trafalgar Law and Faith

Pre-emptive warning this is going to be another LONG metapost/analysis. There’s a lot I could talk about here but for the sake of structure I’m going to split this into three sections, i.e. the main ‘faith transitions’ that Law has gone through in the narrative thus far: 1. Flevance (catalyst for loss of religious faith), 2. Corasan (martyr that figuratively and literally saves law by giving him something to live for, introducing the will of D.), and 3. Luffy (cementing faith in this new belief system and regaining trust in the goodness of humanity through the living embodiment of everything Corasan believed in).

Before we get into all that though, let’s establish that Christianity is a thing in one piece. Speedrunning through some visual examples that come to mind; the Flevance church and nun (holding a celtic cross - censored in the anime version), a nun literally praying to God right before Marineford, Vinsmoke Sora’s grave marked with a cross (is op Christianity a northern thing?), Usopp and Chopper having crucifixes and holy water whenever ghostly stuff is brought up, Kuma and his trusty bible, the religious symbols on Kikoku’s hilt (could instead be more a reference to the Red Cross/symbol of humanitarian and medical aid as a doctor) and especially in whatever Mihawk’s got going on (though this could just be a Japanese cultural thing with Christianity being a minority religion or Oda just finding that some of the iconography, y’know. looks cool). There are also many other references to other religions e.g. hinduism, shintoism, buddhism, etc. Whether op forms of religion are the same as the real-world ones is debatable, and yes, Law being canonically raised as a devout catholic schoolboy with all the religious trauma associated with that is comical, but let’s take it all unironically for a hot minute. For fun. 

1. Flevance

Law’s birthplace (Flevance) is described as being, at one point, “a very wealthy country with an unearthly beauty about it, with pure white soil and plants, like some kind of snow kingdom in a fairy tale.” The country’s wealth came from the very bedrock it sits on — white lead, which could be used to make various high quality products like tableware, cosmetics, weapons etc. When the wider world heard about this everyone wanted a piece of Flevance (the World Government also getting involved with distribution), and very quickly white lead became a “bottomless well of money”. So, hooray. Law gets to grow up in a rich city in a big house with educated doctor parents and probably gets to go to private school on weekdays and festivals with his family on weekends. One problem. In their greed, the Government and royalty have been knowingly hiding the truth about this supposed goldmine from the beginning. White lead is a toxic poison. Mining it from the ground over the last century and putting it in so many everyday products has resulted in it accumulating in the citizens’ bodies and leading to amber lead sickness, shortening their life-span with each successive generation – with the children of Law’s generation fated to die out before they reach adulthood.

In the bible (especially in the old testament), God often inflicted these insanely disastrous events upon humanity, usually as some kind of punishment for their wrongdoings or as a test of their faith. Some events of which include (but are not limited to): famine, outbreaks of disease and natural disasters (e.g. hail, wildfire, earthquakes, floods). Historically, these stories played a key role in how humanity interpreted meaning from horrible disasters (e.g. assuming bubonic plague was sent as a punishment by god). Fire imagery is very common among these disasters as a representation for hell, which is clearly reflected in the destruction of Flevance.

Sometimes these disasters had sole survivors act as messengers for God. With that context, let’s put ourselves back in the shoes of a ten-year old Law. Raised religious, freshly traumatised from losing his home, his devout family, all the comforts of his life, and having the outside world completely abandon him, this kind of event is likely going to be processed as some form of divine punishment. Law stumbles through hell, finds all his dead classmates, and the last words of sister nun echo through to him here. Merciful and salvation are huge catholic buzzwords – promises of holy compassion, deliverance and hope – and all of it fire and smoke and riddled with bullet holes before him. A genocide funded, perpetuated and covered up by the same body Law was promised was there to save them. And the only reason Law hadn’t died with them was because he wanted to stay with his little sister Lami, who was on her deathbed, and his parents, who were themselves trying to help the afflicted citizens, Law’s own father (before he was shot and killed alongside his mother) begging for more doctors, fresh blood, anything the world can offer, and asking “Why doesn’t the government announce to everyone that white lead is not infectious?”

Oftentimes (and in the case of Law), when there’s a promise of heavenly intervention or some miracle that doesn’t follow through, it results in an ultimate feeling of betrayal and anger. Unfortunately a lot of Catholic teachings also use a lot of guilt, essentially teaching people that the bad things that happen to you are your fault and there needs to be some sort of penance (queue Law’s survivor’s guilt that carries on down the road). But also, if this was supposed to be some divine punishment, for what exactly? For the town being blinded by the incredible wealth they were sitting on? Being lied to? Continuing to extract their livelihood, ignorant of its dangers? Punishment for who? His parents? His innocent little sister? For ten year-old Law? These people who believed in God, who were good people? That’s fucking stupid. None of these people suffered and died for any reason at all — certainly not for a sacred one. God hadn’t saved a single one of them. Law had to crawl out of hell himself by sneaking over the border under a mound of corpses.

Given everything that happened here, Law has every reason to fall into nihilism, and you can see how his upbringing would’ve bred a lot of the feelings of guilt, anger and resentment that you still see in Law (which would suggest that though this is where he likely cuts ties with the religious/Catholic component of his faith, growing up with these teachings in his formative years would definitely influence underlying beliefs about how the world works, and how Law behaves and subconsciously processes information), but at the same time, there’s usually some form of redemption and changes to how these patterns of behaviour can be approached later down the line.

2. Corasan

Fresh off witnessing his whole world burning down around him, Law meets Corazon at the very bottom of this pit of self-destructive rage and unprocessed grief. Rosinante himself mentions to Sengoku that the hatred in Law at this time reminded him of his brother, but beyond the anger, harsh pessimism, vengefulness, I think you have to reach to find similarities between them. You can see some fragments of Doffy in Law down the line at times, with Law seeming to enjoy violence (especially against the navy, but given what they did to Flevance, it’s some well-deserved retribution for Law imo), but I’m not so sure it’s the cruelty so much as it is the high he gets off his own flavour of justice. Doctor’s Hippocratic oath maybe, but never once does Law like seeing others die (even at this point, he’s in tears next to a dead body, even though he’s the one holding the knife), and later on in Wano he makes it explicitly clear to Zoro that he’d rather see the mission fail than have any of them end up dead.  

Little Law wanted to destroy the world and everything in it, but thinking rationally, what other choice did this kid have? He had no remaining family, was doomed to die before he hit puberty due to a terminal illness, was perceived as an infectious subhuman that most doctors would’ve sooner tried to exterminate than help. To Law, the world had turned its back on him – considering him a monster for simply surviving. He has all this hatred and pain boiling away with him with no tangible target to direct it towards. And this is the first clear cut rejection of faith that we see in Law. Any concept of a merciful God had just died. What God would allow this? Why is Law alive (a question that he repeats to himself throughout his life), why are these scumbags alive, why is the world going on spinning as if nothing has happened when his whole world had gone up in flames, why does anyone at all get to be here when everything I loved is gone? And it’s far easier to fall into a despondent nihilistic stupor than it is to work through any of that, and what’s the point in trying to process and move on from it, when there’s no hope for a future for Law anyway? When the only thing waiting ahead is more pain? What was this, if not a punishment? He’s supposed to be some messenger for God? How about fuck God, or whatever entity that exists that made him suffer this. Law’s not going to be a messenger for shit, thanks, he’d rather be their monster, he’d rather watch the world burn.

Corazon survives Law’s stabbing and doesn’t rat the little shit out (to Law’s confusion). It’s business as usual for another two years, then, one day Rosinante overhears his true name - Trafalgar “D” Water Law, and everything changes. On the back of his own beliefs, Rosinante dedicates himself to making sure Law a) lives and b) doesn’t become his brother. Law’s relatively short six month stint with Corasan forms the basis of Law’s new creed going forward, and all it took was a bit of kindness, love and humanity when the rest of the world had abandoned him. In the end Rosinante doesn’t save Law for the will of D. and the storm he’s predicted to bring in the future (as Law suspects), but he certainly believes in it, and the strength of Corasan’s conviction transfers right over to Law when he forces the ope ope fruit down the kid’s throat to heal him, tells Law he loves him, then sacrifices himself to set Law free.

Law clings to that love he was given, he takes all these fundamental teachings and ways of thinking in regards to faith that were drilled into him during his youth, rejects the religion element and applies just about everything else to Corasan. He holds onto the last shreds of what Corasan leaves him with. Corasan becomes his “benefactor” (he gave my my heart), his saviour, his martyr. 

And the crazy thing is, Rosinante was never really this saint Law makes him out to be. Law hated the clutz when they first met (mostly on account of Corazon throwing him through a glass window down at least two stories and into a pile of scrap). Corazon initially showed nothing but contempt for his presence (to ward him and the other children away from the Donquixote family, but these are still extreme measures). And it wasn’t until after learning Law’s name that Rosinante dragged him kicking, crying and screaming from hospital to burning hospital (not very saintlike in of itself), even after Law begged him to stop. Rosinante became Law’s saviour partly because of his belief in the will of D., and probably due to some guilt being a Donquixote, but mostly because he has always had a bleeding heart and he pitied (and had very quickly come to love) this angry, sick, deeply lost little kid. All this to say that Law’s faith in Corasan – this saintlike figure Law upholds him as in the future and the lengths he’s willing to go to avenge him/fulfil Rosinante’s purpose reflects the strength of the absolute beliefs Law would’ve been raised with in regards to God.  

Whether it be out of survivor’s guilt (just one more body to heap on top of the Flevance pile), his love for Corasan, or for the sake of taking vengeance on the man that took away the one good thing he’d been able to regain in his miserable life, Law adopts Corasan’s will, the will of D. (which in of itself seems divine in nature), incorporates it into his new belief system, actively takes on the role of the divine punisher/justiciar and dedicates his life to bringing down Doflamingo.

3. Luffy

Catholicism dictates that the entirety of someone’s beliefs should be dedicated to one true cause (that cause being God) and expects people to ride on that, letting it carry them through life, give them hope, purpose, etc. But a lot of former Catholics choose instead to find that through something else. Corasan ignited the spark in Law’s faith around the will of D., but it’s not until he meets Luffy that this really becomes something that feels tangible and real for Law.

When Law saved Luffy in Marineford (putting the heart crew in danger for a stranger he met once), he said he did so “on a whim”, but that seems incredibly ooc for Law — this man that pretty much planned out how the rest of his life would go after the dust of Corasan’s death settled and he came to terms with the fact he wasn’t going to die at age thirteen like he’d originally thought. Circling back to the concept of Law being a sole survivor/messenger for God, it is interesting that Law is the one to seek out Luffy (given that Luffy is usually always the one either being abandoned by people or recruiting his crewmates), and Law is ultimately the catalyst for pulling him towards Dressrosa and Wano. There must be a REASON that led to Law deciding Luffy to be the most viable option out of the Worst Generation for an alliance (beyond blind trust in an unhinged captain that just so happens to also bear the initial D, and Luffy being one of the few captains crazy enough to go along with what Law was cooking up). 

Law undoubtedly would’ve kept a peripheral eye on Luffy for some time before officially meeting him due to him being a rising competitor pirate and another “D” (I imagine the news of his utterly insane exploits would’ve made good reading material, too). The first time Law lays eyes on Luffy in Sabaody though, he still blows all expectations out of the water — crashing headfirst into the crowd of a slave auction and immediately committing a felony against a member of the most powerful upper one percent.

The world nobles are at an “untouchable God” tier in terms of class standing and believe it’s only natural for them to be entitled to whatever and whoever they want in this world that’s beneath them – the same kind of self-aggrandizing false divinity that Law has a a lot of repressed rage towards and that the will of D. is fated to oppose, so this, understandably, is a highly compelling first encounter, but it’s really only an initiating factor for what ultimately draws Law to Luffy. From their very first meeting (and probably before then, in the news stories and rumours Law likely picked up on), it’s made abundantly clear that Luffy does what he wants without a second’s hesitation, no matter the consequences, simply because he feels it is the right thing to do. Some call this an iron will, Law would be more inclined to call it willful stupidity and trouble, but time after time Luffy somehow manages to pull off what Law would best describe as “miracles”. And Law believes the straw hats just might be the ones to drum up another one for him.

Luffy’s also got a lot of passing resemblances to Corasan going for him, e.g. inherently kind, compassionate liberators with big dumb hearts and wide goofy smiles in spite of everything they’ve been through, treating Law as nakama and saving his life despite his protests etc. All of which I’m sure Law hasn’t been completely unaffected by despite the high walls he puts up. And the more Law learned about Luffy the more it probably became clear that he is the antithesis to Doflamingo, i.e. what makes Luffy so goddamn dangerous and terrifying beyond his physical power is his ability to make friends with a simple kind of unconditional love that gets reciprocated enough so that these friends are willing to die for him.

Luffy agrees to the alliance, they successfully blow up Caesar’s base, and head off to Dressrosa. Now’s the time I should bring up that it’s taught in Catholicism that self sacrifice is the ultimate heavenly deed, and here Law is undoubtedly prepared to be a martyr for his cause. Law sends away his crew to Zou before Punk Hazard with the expectations that he’d never see them. He cultivates a fierce emotional detachment against Luffy’s willingness to bring him into the fold of the straw hats, and is resolute in that when the time comes, he will handle this himself, he will carry out Corasan’s will, and if he has to die for it, he will die with Corazon’s name plastered on his back. (Note here that Christianity is contradictory in that Law being this ready to die here is a sin, because revenge and suicide are highly discouraged, so you could say that by avenging and dying for his saviour, Law would be committing both the ultimate sacrifice and the ultimate sin).  

Things get very dicey for Law in Dressrosa, to put it lightly. Doflamingo reveals that he was a celestial dragon (linking back into the will of D. “enemy of the Gods” notion), puts Law on the backfoot and gives him a thorough beating before shooting Law with a couple dozen white lead bullets in front of Luffy (because even when he’s winning Doffy loves to be a cunt about it). By the time Doflamingo is cuffing Law to the heart seat, it’s all looking pretty grim, and it’s very apparent when Luffy shows up to save him, that he is ready to die. 

Law here has given up. He spent years planning his revenge for Corasan, but he lost, and he has very little left in the tank (physically, emotionally, spiritually). But Luffy doesn’t listen. Luffy who doesn’t think, doesn’t care, who trampled all over Law’s carefully laid out plan from the get-go and who is willing to take on Doflamingo single handedly for the simple slight that he dared to harm Luffy’s friend Law. Law will never find peace in his own demise because Luffy doesn’t do peaceful. He does loud and unashamed and open with no rhyme or reason other than the excruciatingly simply fact that he loves people and he thinks the people he loves deserve to have good lives. Luffy chucks Law over his shoulder and drags an injured Law across the city despite his protests (sound familiar?) and in the process inspires the fighting spirit in Law again.

When Law confronts Doflamingo again with Luffy in tow, Law’s faith in Luffy confounds him. The last Doflamingo remembers of Law is this beautifully moldable dark pit of grief and rage who’d given up on believing, period – who wanted the world destroyed. Not so long ago, Law had been a candidate for Doflamingo’s next protégé. Now?

THIS is the action (grinning, staring down the barrel of a gun, flipping Doffy off as he tells him in not so many words that he may kill Law but he will never beat Luffy), Law’s unshakeable faith in the face of his own death is what has Doflamingo realising he will never regain control of Law again – is what incites Doflamingo to go from breaking Law down so he can build him back up again, to conceding defeat and outright killing him. 

The trust that Luffy inspires in Law and the way he talks about Luffy (Luffy being this powerful, miracle-inducing liberator that Law can’t comprehend but follows anyway, Law laying down his hopes on him, weaponizing the will of D. to try and provoke fear from Doffy), is very reminiscent of the awe and faith talked about in scripture. Law discovers the feelings of comfort and hope that Catholicism was supposed to give him in Luffy, but Law’s belief in Luffy is a direct rejection of those teachings. Rejection by believing in a real life person as opposed to the divinity he was taught about. He’s also cementing his belief in the will of D., thus rejecting Doflamingo and all the people that embody the sort of “all powerful” divinity that he abhors (i.e. celestial dragons, Kaido, the Gorōsei/five elders) for the embodiment of hope and humanity. 

When Law survives (again), he expresses he’d rather see Luffy beat Doflamingo with his own eyes or die with Luffy if he loses than leave. Then he watches, after all this talk of miracles, looking up in reverence as Luffy delivers, bright as the sun, haloed by the bars of a cage that’s haunted him for over a decade, Corasan’s words echoing at the back of his mind. God had never saved or freed Law, but Corasan was there for him, the heart crew was there, Luffy was there. And this is Law’s biggest, clearest rejection of religion – this newfound faith in humanity. 

This faith in Luffy is put to the test again in Wano when Luffy is struck down by Kaido, but Law never truly stops believing that he’ll make a comeback. Even when the straw hats doubt whether he’s alive or not, something tells him Luffy’s not dead, and he holds onto that hope. 

We also have the whole nika/joyboy backstory which really only reinforces all of this imagery/god-fearing looks of awe from Law and this idea of Luffy who is this perfect juxtaposition of empathetic and kind to incredibly fearsome fire and brimstone fighter. And regardless of whether you’re into the ship or not this is the impetus of Law’s relationship with Luffy for me, because here’s Luffy who has every right to have a chip on his shoulder and be downtrodden about all the injustices against him, here’s this little guy who against all odds, in the darkest of places, embodies light and hope and kindness and proves to Law that there will be hard times but there IS a happy ending at the end of the tunnel, despite it all. And everytime Luffy rises to the insurmountable challenge and wins, it just further cements that the will of D. is alive, that Corasan was right, that there's something redeemable in Law, a reason why he was worth saving, even if Law doesn’t understand it quite yet. 

[femmepeterparker]

ive been putting a lot of thought into why this:

triggers uncanniness more than this:

and i think it mostly comes down to the silouettes of the characters and the overreliance of cgi for the bodies.

in the stage productions of cats, there's a lot of work put into each cat's costume. unless the characters are intentionally meant to have similarities (e.g: mungojerrie and rumpleteazer, munkustrap and tugger, coricopat and tantomile, etc), they all look pretty distinct. even when characters have similar color pallets, they have distinct enough silouettes that it's easy to keep them separate in your head.

here is demeter, bombalurina, and jellylorum in the 98 movie. they have similar colors, but each detail in their hair, ears, shoulders, and even tails stands out and helps them look distinct from one another.

now let's take a look at the same trio in the 2019 movie.

despite each cat now having a different color pallet, they all have the same silouette and blend into the ensemble. each of the character is incredibly important to the cast, and instead of being easily picked out from the crowd, i had to look up demeter and jellylorum on the fan wiki just so i could remember what they looked like. honestly, if you didn't know what taylor swift looked like, would you be able to pick bombalurina from the crowd?

in my opinion, the cg fur definitely does not help. it smoothes out purposeful imperfections in the stage designs. also, oddly enough, almost none of the cats have any fluff around their heads, leading to a very weird silouette. they literally just look like humans with ears and tails.

just look at tugger in both films.

would you be able to believe that the 2019 version is supposed to be a big, fluffy maine coon cat? why is his silouette so different from 2019's munkustrap when they're supposed to be brothers?

in the 1998 movie (and all stage productions if we're being honest) it is incredibly easy to see these two are related. even without matching colors, they have similar silouettes.

in the 2019 version, munkustrap just looks like any other cat. i genuinely don't think anyone who has only seen the 2019 movie would know that tugger and munk are brothers, let alone that they are old deut's sons.

cats 2019 was a failure in many, many ways, including adapting the story and butchering the songs and characters. but it's so visually offputting because of the decision to smooth out any physical quirks the cats originally had in their designs. they're too sleek and just blend in with everyone around them. it's genuinely so disappointing to see such a colorful, vibrant, and uniquely costumed show turned into a muddy cg nightmare.

[clonehub]

there's surprisingly very little about clones that is determined by genetics. height, weight, fat/muscle distribution, stamina, and some aspects of mental fortitude definitely are, but a common flaw is for one to believe that anything a clone does or doesn't do, or thinks or doesn't think, is the direct result of genetic tampering. little to nothing is credited to the powerful force of upbringing. nurture. culture. ideology.

as a general rule of thumb, clones don't like fish. this isn't because there's a set of taste bud genes that the Kaminoans played around with, and it doesn't stem from Jango in particular. the clones don't like fish because they didn't grow up eating it, and they didn't grow up eating it (it is theorized, at least) because the Kaminoans themselves are vegetarian and eat a lot of seaweed. THIS is because the catastrophic event that wiped out most of their species also destroyed many of the prey they naturally fed on, forcing the remaining Kaminoans to subsist on more plant matter than they used to.

this is an example of unintended Kaminoan lifestyle influence on the clone's lives and interests. While the Kaminoan scientists most certainly brought in expert nutritionists, whoever was primarily in charge of building the menu would not have thought to add fish or fish products to the menu. this is the same reason why the majority of older generations of clones are lactose intolerant to some degree. Not only was Jango lacking the crucial gene, the Kaminoans would not have thought to supplement the clones' diet with dairy products because they themselves cannot digest it and the human species, while mammalian, gets weaned at about one and a half years old. That is the plan the Kaminoans followed. There are other, stronger sources of calcium that the Kaminoans put into the clones' diet to ensure proper bone development.

(in fact, the majority of clones' food was supplemented with nutritional additives rather than the nutrients being part of the meal itself, initially. Their diets are so strictly controlled that the Kaminoans would rather give the clones dried fruit flavored fiber sticks than fresh fruit. Fresh fruit was rare.)

Multiple things got more dairy and a wider variety of foods in general into the clones' diet:

Bounty Hunter and Drill Sergeant influence.

They brought parts of their cultures or personal influences to Kamino. They had special orders of the things they enjoyed, including icecreams, snacks, cheeses, etc. The "nicer" instructors would sometimes let a clone they liked sample a piece of food. This is also how it was discovered that every single clone was deathly allergic to the space version of a cashew nut (a flaw swiftly handled by the scientists via both allergen therapy shots for already-born clones and a change to the standard clone template).

2. Returning clone influence.

Clones coming back from deployment brought a plethora of goodies (illicit and not) with them. Foods, snacks, candies, miscellaneous ingredients, stories of what amazing meals could be had if you were savvy enough or adventurous enough lucky enough. There are rumors of a GAR galactic candy trading system that stretches all the way back to Kamino, though evidence of it is sparse. Even Captain Rex is reported to have brought back gummy worms when called to Kamino to give a training lecture to rising CCs. Though the bag was allegedly "family sized", it is unclear if the goods were actually shared.

3. Experimentation.

[This is actually canon lol] The Kaminoans found that clones were more enthusiastic about mealtimes and getting their calories in when the food actually tasted good and had more variety. Taking the previous two influences, the clones' diet on Kamino improved in both taste and texture -- but there's still no fish.

[nieves-de-sugui]

A Quick History of BL

As someone who wrote a thesis on this very subject a few years ago, here is the short version of how BL has evolved throughout the years. For the new comers ❤ 

a minute of silence for the original form of this post that tumblr decied to not save right after I saved it

I am going to go with a chronological approach. Unfortunately, I cannot put everything in one post so if there’s any questions about this or that aspect of the history of BL that you want to know and it’s not talked about here, you are welcome to ask me directly :)

Context and influences - Japan in the 60′s

Before the US forced Japan to open its borders to the outside world in the 1800s, homosexual practices were common place between budist monks, samurais and kabuki actors. During the Edo period (1600s to 1800s) there was a very rich amount of poetry, art, books (such as Nanshoku Okagami (The Great Mirror of Male Love) by Ihara Saikaku) and codes of conduct about how to have a good master/aprentice relationship, kinda like the greeks if you know what I mean. However, with the arrival of western influences, in order to become a more “civilized” country, it was all put in the closet. 

Yet, in the 60′s Japan started to pick it up again through literature about young androginous beautiful boys (aka bishounen). On one hand, in 1961, the novel Koibitotachi no Mori (A Lover’s Forest) by Mari Mori was published. It tells the story of a young and beautiful 19 year old worker and a half french half japanese aristocrat, and their tragic romance. On the other hand, Taruho Inagaki wrote Shounen ai no Bigaku (The esthetics of boy-love), an essay on aesthetic eroticism (of which he wrote a lot of). All this was know as Tanbi (lit. aesthetic) literature. It generally refered to literature with implied homosexuality and homoeroticism such as works by Oscar Wilde, Jean Cocteau, etc. And of course, Mori and Inagaki. 

In chinese tanbi is read as danmei (term used to refer to BL novels in china today, ie: The Untamed it’s all connected friends).

From the birth of Shonen Ai  to Yaoi - 70′s to the late 80′s

Around the beginning of the 70′s, shoujo was being revolutionized by the Year 24 Group, a generation of women manga authors (mangaka) who started to explore new themes. Among them, their interest in tanbi gave birth to a new subgenre: Shounen ai. 

Their most known manga were:

Kaze to Ki no Uta (The Ballad of the Wind and Trees) by Keiko Takemiya, and Toma no Shinzo (The Heart of Thomas) by Moto Hagio

Their stories are characterized by having suffering eurpoean bishounen in boarding schools, living an idealized perfect love (meaning passionate) that, despite the tragic end of one of them, lives forever in the other. 

As this genre starts getting popular, more and more fans of these stories start making their own self published manga, aka doujinshi, of the genre. It is around this time that the term Yaoi is coined. Meaning “YAma nashi, Ochi nashi, Imi nashi” (no climax, no fall, no meaning). Basically PWP fanfiction, for the most part. Doujinshis could be considered an equivalent of fanfiction in manga form.  It is also here that the term Fujoshi (aka Rotten Girl, for liking rotten things) starts being used to refer to women readers of yaoi. 

With this rise in popularity come the start of the commercialization of the genre. Which meant the publication of magazines dedicated solely to yaoi/shonen ai/BL. The most popular yaoi manga magazine at the time was June. The common trait of their stories being the therapeutic power of the love between the mains. The traumatized character would heal throught this newfound love.

Most of the stories at this time happened in the West (Europe or the States) as the exploration of these dark themes intertwined with homosexual romance and homoeroticism still feel safer to explore as a foreign concept. One example would be Banana Fish (1985).

Commercialization and Yaoi Ronso -  90′s 

As more publishing houses pick the genre up, the term Boys Love is used to include every type of manga about homosexuality made for women. 

The increasing amount of BL series sees a changes in its themes: 

the start of the “gay for you” trope where one mantains their heterosexuality despite being in a homsexual relationship, 

the uke/seme dynamic (mirroring hetero realtionships) also relating to physical appearence (one being more feminine, the other being more masculine), 

the use of rape as an act love (sexual violence has always been present but here it becomes a staple),

anal sex as the only type of sex, 

older and more masculine men start to appear 

they now happen in Japan

Good examples of the presence of these themes in manga are Gravitation (1996) or Yatteranneeze (1995).

However in 1992, Masaki Sato (a gay activist/drag queen) wrote a letter in a small scale feminist magazine attacking yaoi and pointing out how it “represented a kind of misappropriation or distortion of gay life that impacted negatively upon Japanese gay men”. The female readers of yaoi responded, defending the genre as a means to escape gender roles and explore sexual themes that was never meant to represent the realities of gay men. This is know as the Yaoi Ronso (Yaoi Debates).

The debate ended with both sides understanding more of each other, with mangakas starting to include queer views in their works. It also started the academic reasearch of BL. 

Yet, it is a debate that has been restarted more than once, as it is still relevant despite the evolution of the genre.

more on this on another post

Globalization and coining of BL - 2000′s 

By the beginning of the 2000s BL is being sold all over the world (like all manga), and has become a stable industry. We could say it has finally become it’s own genre. 

Some of the most well known manga series, to us (in the west), of the time are:

Junjou Romantica 2002 Koi Suru Boukun 2004 Love Pistols 2004 Haru wo Daiteita 1999

all of these have anime adaptations for the curious ones

We also start seeing short anime adaptations or special episodes of the most popular series, with questionable themes, such as: adoptive father x adoptive son  (Papa to Kiss in the Dark 2005), father x son’s friend (Kirepapa 2008), etc... 

However the themes remain more or less the same. Junjou Romantica’s love story starts with a non-con sex scene by the older one (masc, seme) to the younger one (more feminine, uke) addressed years later in the manga btw. Koi Suru Boukun’s love story is triggered by aphrodisiacs and rape. They’re still very present in the stories but slowly going away. A mangaka that represents this era could be Natsume Isaku (Candy Color Paradox 2010).

Change is slow in Japan. Even though the voices of LGBT+ people started to be taken into account in the genre it is not until later that we see it reflect in the mangas themselves. However, we can already see the start of this in Doukyusei (Classmates) (2006) by Asumiko Nakamura. Also Kinou Nani Tabeta? (2007) which is actually part of a more mature genre: Seinen.

It is my personal (subjective) theory that the BL of this era was the one that got popular outside of Japan, which is why we see lots of references to the themes, tropes and dynamics of this time in today’s BL series. 

The LGBTzation of BL and the rise of webtoons - 2010′s to 2020′s

Slowly but surely LGBT characters and themes enter the scene of BL. Existing simultaneously with the previous tropes and themes, we start seeing a shift in these stories. We now see:

characters that identify as gay or some type of queer

discussions about homophobia

more mature themes about life and romance

At the same time as we get the usual love stories with the usual themes, a new trend starts to take over. And we get simultaneously, cute, sometimes questionable but light love stories:

Love Stage 2010 Ashita wa Docchi da! 2011 Kieta Hatsukoi 2019

More profound stories and darker or more complex themes:

Blue Sky Complex 2013  Saezuru Tori wa Habatakanai 2011 (mafias) Given 2013 (suicide) Hidamari ga Kikoeru 2013 (deafness)

And others that adress the queer experience in a more mature way (which might actually fall into the Seinen genre)

Itoshi no Nekokke 2010 (slice of life, queer characters) Smells like Green Spirit 2011 (two ways to deal with a homphobic society) Strange 2014 (relationships between men) Shimanami Tasogare 2015 (an LGBT group helps a closeted gay) Old Fashioned Cupcake 2019 (you know this one 😉) Bokura no Micro na Shuumatsu 2020 (the end of the world)

As queer stories are explored, BL mangakas and mangakas from other genres start to consider more stories about queer people such as the Josei Genderless Danshi ni Aisaretemasu (My Androgynous Boyfriend) (2018) by Tamekou, or the Shoujo Goukon ni Itarra Onna ga Inakatta Hanashi (The story of when I went to a mixer and there were no women) (2021) by Nana Aokawa. 

Still, we can see two realities live side by side. Doukyuusei gets adapted into an impactful animated movie in 2016, meanwhile Banana Fish gets an anime adaptation that keeps the homoeroticism but not the homosexuality.  

For those who might be interested. Here are some of the authors that represent the first half of this era, where they start to include newer points of view:

Scarlet Beriko, HAYAKAWA Nojiko, KURAHASHI Tomo, OGERETSU Tanaka, Harada, KII Kanna (Stranger by the Sea), etc...

And authors that while keeping classical themes break the stereotypes in a subtle manner:

CTK, ZAKK, Jyanome, Cocomi, Hidebu Takahashi, SUZUMARU Minta, etc...

Mangakas also no longer stick to one genre only. They explore whichever of them they want, from BL to Seinen to others. 

ie: Tamekou, 

or Asumiko Nakamura

The curious case of Webtoons

With the digitalization of mangas, throught Renta and Lehzin, it has become easier (and more expensive) to access these stories. Korea makes and appearence with their webtoons. Through the lack of piracy protections and the majority of them being digital, manhwa (korean webtoons) sees a rise in popularity. Through the digital medium the influencee can be the influencer.

However, like many other East Asian countries they have consumed BL, without hearing about the conversations about BL. So they end up mantaining the older themes and stereotypes that newer BL is trying to leave behind. Therefore, we end up with a mix of old and new, ie:

Killing Stalking 2016 Cherry Blossoms After Winter 2017 Painter of The Night 2019

Additionally, it is also thanks to the easy access to internet that Omegaverse, with its higher dramatic stakes (that parallel hetero dynamics), enters the mangasphere in 2016. It has grown in popularity ever since.

With the Thai BL Boom of 2020, Japan rediscovers its own BL market and starts investing in it more. Which is why we get live action adaptations of BL manga that was popular years ago (Candy Color Paradox was a manga from 2010), the more recent ones (The End of the World With You) or new anime adaptations (Saezuru Tori wa Habatakanai in 2020). 

more on this in my japanese live action BL post

What has it become now? is it BL? ML? or Seinen? Or is it all just gay manga?

It is clear that Shoujo manga (with BL, Josei and Seinen) is exploring queer themes such as gender and sexuality more and more. Japan is interested in this conversation, not only in manga (Genderless fashion). Which brings up the current question in BL studies: Does it make sense to keep these categories?

As a response to BL, ML (Male Love), which is made by gay men for gay men, started happening (around the 70s too). And Bara (gay manga porn) in response to Yaoi. However both gay men and women read BL and ML. We also see other themes being explored through BL, such as friendship (in BL Metamorphose), food (in Kinou Nani Tabeta), male relationships of all kinds (in Strange), and different queer views on life and its challenges (in Shimanami Tasogare). More and more what is LGBT and what is BL is merging, the line is blurred. 

Conclusion

BL has been in my life for longer than it hasn't. It is through shoujo and BL that I have come to understand people and romance.

It is flawed, like everything else this life, but it's flourishing in many ways.

The genre feels old and new at the same time. 

We can still find shounen ai/tanbi elements in more modern manga (All About J). Or the gay for you in a new light (Itoshi no Nekkoke). Or more educational manga on queer issues (My Brother’s Husband by Gengoroh Tagame). BL has around 50 years of existence but it is also being born anew in Thailand and Korea. 

BL manga will continue to evolve in acordance to Japanese tastes, as it is still a local market. Hopefully the korean webtoons that get popular will be the more daring ones in their themes. Who knows where it will go from here? The only thing we know for sure is that it will continue to change. Isn't it exciting?

A post on the evolution of live action BL in Japan is coming, to complement this post.  As well as a more detailed explanation of the Yaoi Debates and gay manga.

[valtharr]

You know what I just realized about Legends? It could be the opportunity for Game Freak to kind of have their cake and eat it too. Or, in other words, the Legends subseries could potentially be the ideal "playground" for Game Freak.

We haven't seen anything resembling gameplay for Z-A yet, so obviously everything is speculation, but I get the feeling that the structure and gameplay will be quite different from Arceus. In fact, based on the teaser, it actually seems to me that most, if not all of the game will take place in Lumiose City, a very urban environment, contrasting Arceus' very nature-centric aesthetic. Plus, it's obviously set in another time period. The trailer looked very futuristic, but the architecture that was shown also makes me think that it might be set in the Pokémon version of the late 19th/early 20th century? Either way, it's probably gonna be very different from both a mainline game and Arceus.

And I think that's great! Game Freak can keep producing the more classic mainline games - new region, three new starters, gyms, league, evil team, legendaries, etc - but then just play it fast and loose with Legends. Take any random region, set it in any time period they want, have any kind of story and structure they want, bring back old mechanics, maybe use those mechanics in regions they weren't availaible originally (Z-Moves in Johto? Gigantamax in Unova? Why not?), just go nuts! Throw everything at the wall, and the things that stick might be taken into the mainline series… or not!

[nastyavolk-cp]

JEALOUS AND POSSESSIVE (YANDERE PLATONIC ANNABETH CHASE x YOUNG SISTER)

A/N: First of all I want to thank my friend @aphroditelovesu for letting me use her headcanons to write this story! If you want to read her original headcanons you can read here.

Since this is a yandere platonic story, I believe you guys know what it contains, it's nothing new, just yandere themes, obsessive and manipulative behavior, characters trying to kill each other, yeah, the basic stuff. By the way, Irina is my original character and English is not my first language, so sorry if it contains grammar mistakes. Enjoy it ❤️

Irina Chase was special, at least to her sister, Annabeth, the famous daughter of Athena. She, just like her older sister, was also the daughter of the Goddess of Wisdom, but she was as well the spwan of Frederick Chase. This was what made Irina even more special to Annabeth, the two were daughters of the same mortal father and goddess mother, since she was little Annabeth wanted her father and mother to be together, when Irina was born, she felt that this dream was not so far away to come true, right?

She and Annabeth were 7 years apart, although the older one stayed at Camp Half Blood, she always made sure of visiting her mortal family, not to see them, but rather her dear little sister, Irina. Nothing and no one else was important, just her baby sister, she was everything to Annabeth and she would do everything to make Irina only for herself, after all she was proof that in the end she would have their family's dream together.

As Irina grew up, Annabeth did everything she could to be by her side, no matter what it was, whether it was family gatherings, birthdays, no matter what, she was always there to support her little sister and be the most supportive family member for her. Anything the younger Chase did, the older one would be there to celebrate, even the small achievements (excellent grades, learning to ride a bike, etc.).

The day Irina was ready to go to Camp Half Blood, now 11 years old, Annabeth was ecstatic, many things had happened like the wars, but everything was left aside when Irina was sent there, now the oldest could to have Irina by her side basically the entire time, as she had impatiently waited all this time. Of course she made sure that Irina stayed away from her half-siblings, after all, they weren't important, the two of them were.

Annabeth was extremely possessive and jealous, she hated seeing her little sister mixing with demigods that she thought weren't worthy enough for her, her little sister can't mix with those types of people, what if she forgets about her? No, there was no way she would let that happen, Annabeth made sure of limiting her little sister's contact with other demigods, if she had obligations she would take Irina along, she justified it by saying that it was just to ensure that she was always safe. Ha, big shit.

As if the possessiveness and clinginess that Annabeth had wasn't enough, it got worse when Percy Jackson got into the picture, yes, the super mega famous son of Poseidon. The moment he met Irina, he completely fell in love (platonically duh) with the young girl, she was like a young and shy version of her own older sister, and it wasn't long before Irina was considered Jackson's little sister, after all he wanted to protect her from everything and he was one of the only people Annabeth allowed to talk to and interact with on a daily basis.

But lately, and it took Annabeth a while to realize due to her illusions about family and such, Irina was moving away from her, very gradually. It's because? All thanks to Leo Valdez, who became friends with young Chase a short time ago, as he was one of the people Annabeth accepted for Irina to interact with, she didn't worry so much at first, after all Irina would come back to her like she always did.

How wrong she was. In a short amount of time, Irina began to idolize Leo, she saw the son of Hephaestus as an example to be followed, every time she found herself confused about something, she turned to him and no longer to Annabeth and worst of all, she began to refer to him as a big brother. This began to worry Athena's daughter. No, there is NO way Valdez would steal Irina from her!! She was HER little sister and not the Hephaestus's son’s, let him look for another child to satisfy his need.

“Irina, we need to talk.” Annabeth said dryly when Irina entered the empty cabin, where only she was. The young girl looked at her older sister with curious eyes.

“What is it Annie? You seem kind of angry…” She said hesitantly, you could see in Annabeth's facial expressions that she was angry, but she had reason to be.

“Oh no, Irina. I’m not, I just need to ask you something.” The blonde said, trying to hide it, but of course the young girl didn't let that go, but she decided to pay attention to what her older sister was going to ask.

“What is it, Annie?” Irina asked curiously, it was then that Annabeth took a deep breath and said dryly to her sister.

“I want you to keep your distance from Leo Valdez from today onwards. I already asked Percy to tell him about this too.”

Irina was static, not believing what she had just heard her older sister saying. Why? She finally had a friend she could trust and spend time with that wasn't just her sister or her boyfriend. Leo was intelligent and had a lot to teach her, she loved him, why did Annie want her to stay away from him? Did he do something wrong? But he wouldn't be able to.

“W-What? But why?"

“Isn’t that obvious, Irina? Oh please, don't act stupid to me! Do you think it’s cool to start ignoring me just to spend more time with Leo??” Annabeth questioned her, she didn't care if at that moment she was showing her true colors, after all, it wouldn't make any difference.

“W-What? But he-"

“It’s always ‘Leo this, Leo that…’, where is our partnership? We are sisters, blood sisters! From the same father and mother and you dare call that son of Hephaestus your older brother? Have you lost your mind??” Irina was increasingly scared, she had never seen Annabeth so angry with her, and it was for real. The young daughter of Athena, however, didn't understand why, until something finally made her realize and everything made sense.

“Are you jealous, Annie??” She asked her older sister, who looked at her with wide eyes and her anger grew significantly, never that she would admit it, not even to her little sister.

“As if, Irina. He is nothing compared to us, daughters of Athena━”

“That's why you're talking bad about him! You’re jealous of him, aren’t you???” Irina cut Annabeth off to continue her line of reasoning, her frustration and now anger made her realize everything. “You're insecure as hell, that's why you wanted to keep me away from others?? You… ugh, you are the one who ruined all the friendships I had and now I have no one, no one looks at me or talks to me….” Tears started to form in Irina's eyes, Annabeth immediately noticed, but instead of comforting her, like she always would, her pride didn't allow it.

“He’s not good enough for you, no, no one is! Only I, Irina, only I am good enough for you, why other people if you have me? You always had me in the end, now you're going to abandon me and go to someone else?! He’s worthless and a bad influence!” Annabeth argued and Irina had had enough of her, now with angry tears falling from her eyes, she screamed loudly.

“I HATE YOU ANNIE! I HATE YOU, I’M NOT YOUR SISTER ANYMORE!” She screamed and Annabeth fell silent, motionless and unable to properly process the words she heard her little sister, her precious Irina say out loud and with pure hatred. Before Annabeth could respond, Irina left the cabin in tears, leaving the older Chase contemplating her hateful words.

Irina ran into the middle of the forest in the camp, she ran until she tripped, she wanted to find Leo, he would be in his Bunker, but she couldn't take it and continued to cry, she hated her sister, she finally realized why she never had friends . This was all Annabeth's fault and her selfishness.

"Are you ok?" A not very familiar voice asked her, the young Chase looked around scared, but finally her eyes met with two black irises that belonged to a certain son of Hades.

“I-I am but… who are you?” She asked hesitantly before wiping her tears away, he wore an alternative look and Irina had definitely never seen him before.

“I am Nico di Angelo, son of Hades. You must be Irina Chase, sister of━”

“Yes, Annabeth Chase.” Irina said with a derogatory tone, which surprised the son of Hades. “I need to find Leo, I don’t want to be closer to her.”

“I think you'd better go to the infirmary. Your leg is bleeding a lot.” The Italian said pointing to the young girl’s leg, which indeed was. But Chase didn't care, she managed to get up with difficulty and was trying to walk around looking for Bunker 9. “Hey, where are you going?? You won’t go very far with your━”

“I’M FINE, I DON’T NEED HELP!” The child screamed in response, but stumbled again, letting out a groan of frustration and pain as she fell face first onto the ground.

‘Prideful like her sister.’ Nico thought, approaching the girl who was whimpering against the leaves. “Come on, I’ll take you to the infirmary. Will will take care of you.” He said picking the girl up carefully in his arms and before she could protest, he entered a shadow to take her to her destination.

But if she hadn't been taken, she would have faced Leo and Percy in a verbal confrontation, in the end, Leo actually wanted Irina as his little sister and he wouldn't hesitate to get rid of Annabeth to make that happen, after all, the young Chase deserved a better older brother and who would be a great candidate like himself?

That day, Leo Valdez and Annabeth Chase started a war over Irina, a war that would cost the young girl dearly.