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#this is all speculation - it’s a theory fans have literally made up themselves
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the amount of people i’ve seen getting angry about gabriel’s ‘death’ when it’s not even confirmed is ridiculous. you guys need to calm down fr
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chirpsythismorning · 1 year
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I haven't been active in the byler fandom, why would redditors be mad at the play being canon?
Most, not all, but most active reddit users on the ST sub have been bombarded with byler evidence for the last year. So to remain sane through it all, they have resorted to insisting that almost every detail fans come across and try to share on the sub, are just mere coincidences.
This is because they've realized that if they are considering other really minor details meaning something bigger, that means they might have to start considering the possibility that the details pointing to byler are also intentional. This is how they cope.
You would think after saying 'it's just a coincidence' for the hundredth time, they might be starting to rethink their position on things, but the reality of the situation just isn't setting in I guess (aka they don't want it to happen so they are refusing to let themselves truly consider it until they have no choice).
The reason I still partake in the reddit sub, despite losing braincells over half the takes on there, is bc there are still a handful of users that are really smart and do great analysis on the supernatural side of the show, in particular things I have no knowledge on at all and would greatly benefit from looking at to expand my understanding of things and different perspectives.
The really smart ones that exist are usually indifferent to the romantic arcs in the show, although they do have a milkvan bias bc the straight bait is straight baiting. And so these are the few posts theorizing, that consider the details meaning something more, that just so happen to get support from the hardcore milkvans on there. And it's bc as long as it's coming from someone who doesn't think byler is going to happen, they will listen.
I will say the one thing that is sort of obnoxious about all of this is that regular fans without any ship bias, will pop on there semi-regularly with a post, accompanied by basic common sense questions like, 'wait this makes no sense...' or 'why did they do this this way?' in many cases, with the confusion surrounding the build up of Mike and El and Will's role in all that. These people aren't milkvans or bylers, they are just fans picking up on obvious subtext and they are looking for insight about it from fans. And every time they get bombarded with condescending and bitter milkvans that are having to defend mike and el's honor, and s4 really made this a full time job for them lmao. That sort of resentment has manifested into hating anything and everything that considers deeper meaning in relation to Will and Mike, but especially in Will's case. Because that's the thing, they have to deny any importance of Will's role bc Will being important fucking terrifies them. It means that everything could be important basically. It's their worst nightmare and they will hound you for even speculating something. It's insufferable to watch unfold honestly.
I say all of this bc it's important in the context of the play, given that there are a lot of theories out there swirly around, theories that mostly reside on Tumblr. Many of those theories are viewed by redditors as being crack theories that have no evidence supporting them (bc they come from bylers), like the weirdness around Alice not being in the play (and potentially connecting to Karen), or the fact that they insisted the silhouette of Henry's actor right before the cast announcement couldn't be him bc he was too old to be Henry (umm time shenanigans, duh), or that the truth about Brenner's involvement runs a lot deeper than everyone assumes.
And so naturally, leading up to the play, a lot of active (very vocal) redditors in both the main sub and the Hawkins AV Club sub, have commented on posts related to the play, trying so hard to convince others (themselves) that this play is not canon and we shouldn't waste our time with it because it wont matter in the context of everything going on in the literal show. They go as far as to insist it's not canon, even though it already was said to be canon.
And now with this post, they are again having to face the reality this show is a lot deeper than they have had to insist it to is combat byler speculation. All byler evidence is seen as reaching to them. And they'll do everything they can to insist anything bylers are speculating is delusional, which includes theories surrounding the play. All of that denial has led us to this moment, which will only hurt their ego as time goes on and they are being hit with sign after sign after sign... that it might just be that deep.
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Any theories on the new Halloween event? People are saying the boys are going to the twst version of pleasure island.
circus.
that's all i have to say.
No because, masquerade AND circus events, paired together??? That is a literal match made in heaven, especially for Twst. Pleasure Island is also the perfect setting for a circus themed event. Like, just look at this.
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It's just so. good. for a circus theme.
Anywho, on any theories regarding how the story will go, hmmm well, Honest John and Gideon were essentially the ones who led Pinocchio to Pleasure Island. They're not the actual villains themselves, in fact, they're hired by the Coachman to lead boys to this island. Maybe in the event, they're also misled, which very much fits the theme of Twst and how its villains aren't simply 'bad' people.
If they're going with Pleasure Island, by God, it's going to be a really complex story. Pleasure Island is a place where bad boys are led to, and they can do anything there: eat to their heart's content, drink alcohol, smoke, etc. Do things that good kids don't do. But the longer they stay, the more they start to transform into donkeys. And once they completely turn into donkeys, the Coachman strips them of their clothes and ships them out to mines where they are made to labor. And according to the Disney wiki, the origin of Pleasure Island is from the original story where the donkey is a symbol of stupidity in Italy. So supposedly, the moral of the island is that boys who don't care about their education and moral code and engage in "jackass" behavior instead will grow up to become men who can't do anything except do backbreaking labor.
It's pretty haunting to think about. Makes me wonder how Twst will twist this to suit the game. Obviously the boys will make it out alive, but I wonder if the themes of the story will be the same. Or will there be some adjustments to accommodate our contemporary sentiments? Regardless, it's really interesting how both Glomas and the upcoming Halloween event tackle themes of morality. Glomas focuses on the high and mightiness of those who think that they're in the right, on the need for atonement. This event is likely going to tackle the other side, people who succumb to their desires too much that they forget their morals, and the consequences.
On the topic of SSRs, a lot of people are speculating Ace and Ortho. Some say Jade. Some say Jack.
I really do hope for Ortho SSR, as much as it may pain Ortho/Ignihyde fans. He and Pinocchio are so similar in that they're not human, yet they are alive in a way. As for Ace, I really see it! I think he fits the aesthetic very well, that's one. But more than that, Pinocchio is also a story of growing up, particularly in growing up to be the kind of person you want to be. You want to be a good person in society? A bad one? Or somewhere in between? And Ace's character arc is definitely ripe for that theme, because as of now, he's not even sure what he wants to be. His chances of being SSR are a little lower than Ortho's, but I still hold on to the idea that he would be an SSR.
I really do want both tweels to be SRs, not going to lie. But something that interests me is that Pleasure Island is advertised to be free. Free food, free alcohol, free tobacco. But it's not. For all that pleasure, you turn into a donkey. There was a price to pay. And that's very on brand for Octavinelle, so Jade being the third SSR is possible.
On the other hand, Jack being the third SSR would be so delicious. First of all, he's a fellow first year, so the theme of growing up would be so good. Secondly, he has strong principles, to the point of being rigid. It would be so good to see him placed in a situation where his morals are tested, where he has to learn the complexities of the real world while keeping his wits and principles about him.
Man, this event is going to be so good. I'm really excited for October. 😭
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bathroomtrapped · 4 months
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ohmygod i literally just made an account on letterboxd bc i watched saw (2004) and loved it so much and ur interview was so inspiring to me and ive been on an absolute craze trying to reblog like every single saw post on tumblr and i somehow found your account what the heck?!!?!?! ur art is AMAZING and i absolutely love ur takes on saw as a franchise and its significance to the queer community. i hope to be as knowledgeable of this franchise as you are one day despite me only being a baby saw fan!!
i had a quick question; i found on the saw heritage post blog that they thought leigh/james/someone else confirmed that saw (2004) did not actually occur the day before 9/11 despite the phone given to them being set to that date. however, when i asked them if they knew where this source was from (bc im so curious!!! i want to know everything!!!!!!) but neither they nor i could find the actual source for that so i was wondering if maybe u knew??? just curious :3
regardless ty for taking the time to read this and dedicating so much time to this fandom!! i love that horror fans like you exist in a fandom that i previously thought would be weird and slightly disturbed film bros (i had a lot of incorrect preconceived notions about saw that have been quickly resolved i promise)
thank you!! im glad that people feel the same way about it as i do but even if people thought i was some crazy transexual making everyone else woke and pronouns, i wouldnt care. the story, especially lawrences but adams as well, really resonates with me as a trans person for so so many reasons, more than i listed in the interview. to me, i cant read his character without filling in the gaps with trans subtext. it not only explains but also enriches the personal experiences of these characters as well as their dynamics with each other. theyre both characters that are defined primarily by how theyre seen by other people, themselves, and eventually each other. the narrative is soooo focused on perception and masks and who u truly are, i find it hard to separate any kind of queer theory from that.
as for the 9/11 question thats such a dumbass pet peeve of mine. its one of the things that makes me shout UMMMM ACTUALLY at the top of my lungs. my blood pressure sours to inhuman levels when someone confidently says the movie takes place not just in 2001 but the day before 9/11. not because of some interview or confirmation from any of the crew because my knowledge of old fandom history is incredibly spotty. old sites and interviews r a mystery to me for the most part BUT! the reason it is for sure not before 9/11 is because during the flashback of pauls trap (during lawrences monologue about jigsaw) kerry tapp and sing are all at the scene with other officers and i believe its kerry who holds up an evidence bag thats labeled 2004. the scene takes place 5 months before the events of saw 1 so its not possible that it takes place 3 years before that. it just seemed like a funny (but insanely bold considering how 9/11 was only 3 years before) joke and easter egg for people to catch on to, not actual lore meant to be taken seriously.
if u want to look for the interview, i would honestly just listen to the commentary tracks bc it mightve been said there. i know in the one with leigh, james, and cary they discuss plot holes fans complained about, questions fans had online, the fanfic they read (briefly LOL). ive only seen that one (and once) but theres at least 2 other commentary tracks with different people that i havent gotten around to for fear of like. completing saw? idk i cant bring myself to watch all of the commentary tracks but theres a chance they discuss it there! i can only speculate on the reason, all i know is that saw 2004 takes place in 2004 based on actual evidence from the media itself
if u have any other questions let me know. i still have the original draft of the interview which had more questions and longer responses bc i couldve gone on for days abt the lore and saw queer theory and ill never shut up about it
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putschki1969 · 8 months
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hey puts, the captain of kalafina fandom XD i came across this instagram post which i think its talking about backstage stuff about wakana circulating in 2-chan. this is the post https://www.instagram.com/p/Bvy3CuchT-D/ can you share your thoughts about it ? or maybe you can help us what are they actually talking about since we can only use google translate.
Hello there, anon!
Ugh, you are throwing me a curve-ball here, I did not expect to get a question like this. Already feeling exhausted just thinking about writing my reply T_T
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That Instagram post is from spring 2019, a - what I consider to be - particularly dark period in the Kalafina fandom. Wakana was in the midst of preparing for her first grand-scale solo tour after her official solo debut and Space Craft finally put their act together by releasing an official statement regarding Kalafina's state of limbo. In an attempt to put an end to a lot of uncertainty/speculation and to create a clear distinction between Kalafina and Wakana's solo activities, they declared a definitive disbandment. As you can imagine, everyone and their mother had something to say about that. Even Yuki Kajiura, Hikaru and Keiko made statements in response. All of this caused a lot of backlash against Space Craft and particularly towards Wakana herself. The fact that Wakana was still with Space Craft and dared to not address the announcement of Kalafina's disbandment with a statement of her own made many so-called fans very angry and disappointed - totally unwarranted of course.
Suddenly, there was an influx of certain internet trolls who got a real kick out of blaming and villainising Wakana, they made her into the bad guy and came up with a bunch of wild theories that mainly served the purpose of dragging Wakana's name and image through the mud. Needless to say, none of those claims were in any way, shape or form substantiated but as is the case with all negative content on the internet, it drew quite a bit of attention and some people even started buying into that bullshit. The Instagram user you linked to in your ask is a textbook example of one such troll. At that time, a handful of sock puppet accounts were created to feed into the smear campaign against Wakana. Those accounts regularly left nasty comments under Wakana's Instagram posts, pretending to be devastated fans and referring to all sorts of horrible things that Wakana had allegedly done. Most of those posts and accounts got rightfully flagged and suspended but some apparently managed to stay around for a while. They tried to continue their toxic behaviour but once they realised that Wakana's loyal fans would not stand for such horrible defamation tactics, most of them just disappeared again.
As for the information supposedly circulating on 2chan, I honestly give little to no credence to anything that is being said on anonymous text-boards like 2chan or its successor 5chan. As much as the Japanese are known for being overly polite and reserved, they can be incredibly nasty when they are allowed to act anonymously. I reckon about 10% of users who frequently post on these types of text-boards are actually decent human beings. 60% of them are either mentally handicapped, bored out of their minds or simply frustrated with their lives. The remaining 30% are scum of the earth sociopaths as far as I am concerned.
In order to do some research for this post, I went through a few old threads about Wakana containing hundreds upon hundreds of messages. I literally felt my brain cells dying with every new message I read. No idea how others manage to subject themselves to this level of stupidity but I really struggle to tolerate it. Out of curiosity, I would have liked to find a "source" for the specific accusations in that Instagram post but alas, I wasn't able to. There's just no way I can go through everything, sorry. Also, I will not dignify any of these messages or that Instagram post with a proper translation.
Believe me when I say that there is no incriminating material on Wakana out there, these people have zero authentic evidence (photo or otherwise) of her being a "stuck-up bitch", of her "mistreating staff members", of her "bashing Hi/Kei" etc. It's all just a ton of made-up gossip and rubbish. Everyone, please do yourself a favour and just ignore content like this when you come across it. Knowing what those people have to say does not add any value to your life, quite the contrary, it will only poison your brain.
That's honestly all I have to say about this topic.
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96percentdone · 1 year
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I've been ruminating on fandom lately. Criticizing fandom at all will get you barraged by very defensive fans who will accuse you of hating fun, not understanding creative expression, and being an art snob, and I am about to go a LOT harder than most of the posts I've been exposed to, so in an attempt to preemptively curb that indignance: I like fandom. I have written fanfics, and theory posts, and meta, and I've reblogged countless fanart. A lot of what I engage with or have made meets the standards I'm about to critique, and I understand completely that for many, fandom is a hobby. People would like to escape from the struggles in their lives. They find comfort in the media they love, so they immerse themselves it. It can be hard to make anything in this capitalist hellscape, so if you've achieved something at all, it's a miracle. I get it. I really do. I'm not an art snob; I think it's fine if things aren't that deep, and they're primarily wish-fulfillment. I have some grievances with the critics too, and they'll come up. This post isn't about you specifically; it's bigger. Fandom content suffers a lack of substance because of superficial engagement with the source material.
Many fandom critical posts on this website bring up shipping culture as the reason everything is samey and uninteresting, often referencing ao3 in specific. I sympathize with these posts, I also find shipping prominence can be fairly tedious when you want to read ANYTHING else, but why is it when complain about fandom, we point the finger at fic? Why do we use shorthands like "he would not fucking say that," and drop ao3 tagging conventions, and mention fanfic websites? Have y'all LOOKED at the fan art you reblog? A lot of it is just posing and kissing. If you wanted to analyze it for any further meaning, I don't think you'd get very far. I am not positioning fanfiction as superior; as everyone points out, a lot of it is repetitive and derivative, but let's not pretend that this is a fanfic exclusive issue. We can take it further out! Look at the absolute state of meta. Most analysis is done in service of promoting a headcanon or a ship if it isn't just a theory wildly speculating an explanation for an unresolved or ambiguous plot point. We're gonna include those guys who make power scaling rankings, filling out the wiki, etc too. They're fans! Everyone agrees those people aren't engaging with the text in a deeper way, but that doesn't make them NOT fans. It is the way their appreciation manifests the clearest! We're all fans; we are doing the same thing in just a different form.
Most of what gets popularized I all these spaces is based on a strictly literal understanding of the work; it's about plot events and how characters relate to it and one another, and the meaning people get out of it—from shipping to theorizing to memes to tierlists—never goes beyond that level. If people don't know how to look for themes, to interpret symbolism and examine the construction of a work to see how it contributes to how the whole is operating to affect them, because their education on how to do it sucked shit, then obviously they won't. But I don't think that's enough to explain the heart of the problem.
Critics will bring up the fandom wash cycle, an analogy for how way fandom will spend more time engaged with itself than the source material, and perpetuate its own tropes and fixations ad nauseum. This is true in any fanspace you can spend your time in, including those "who would win" bros. I hear this, and I think of social media, the place most of fandom lives now. People making original work often talk about how their stuff never gets any attention compared to fandom stuff; the biggest fandoms are sprawling franchises with corporate entities behind them. Social media algorithms promote what is already popular, what will generate the most clicks, so you stay online and make their corporate overlords more money. It is the depth of human experience streamlined into easily digestible chunks.
You're spent because life is hard and the world sucks and the only relief you can find is in the media you love. You don't want to expend a lot of energy today, so you'll consume or create ship centered content, or fan theories, or memes and gifs. You'll wonder who would win in a fight. Even without social media, people feed their own algorithms, because the system is designed to encourage it. Fandom is part of a larger whole.
If fandom will ever be more than what it is, you have to be willing to put in the work to fix it. Criticism won't cut it. As the saying goes, be the change you want to see in the world. Create what you want to see, use what you make to teach what might be lacking, seek out more of the things that look like what you want fandom to be (I assure you it exists), not just what you already know. Fandom is perpetuated by fans. Being a fan doesn't make you predisposed to creating cyclical, watered-down content. Every fan has a rich internal life with a whole host of experiences that should inform both how they make their works and how they read it to begin with, because they're people.
People are far too diverse to be defined by an algorithm; maybe with enough effort, we can write a new one.
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fierrochase-falafel · 2 years
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CQL music analysis part 1: Local homosexual lunatic over-analyses people singing (with spoilers)
The Untamed has 2 albums, one of which contains all the songs with vocals they had recorded for the show. While I recommend all of them, a few favourites of mine being Bu Wang (for Lan Wangji) and Woodland (for Wen Qing), I'd like to focus on the fact that only 2 of them are in the show: the classic Wu Ji and Yi Nan Ping.
It's interesting that Yi Nan Ping is the only song other than Wu Ji, the literal wangxian song, to actually appear in the show.
Considering the main characters of the show are Wei Wuxian and Lan Wangji, it makes sense that their joint song Wu Ji is the most well-known; especially when you add the fact that it appears at the end of every CQL episode. It also appears several times in the middle of the show (especially episode 50, where they played it about 5 times just to make it really sink in how close wangxian are). On the album it has a Xiao Zhan only edition, a Wang Yibo only edition, a chorus edition with both Xiao Zhan and Wang Yibo, and a Bibi Zhou edition- it's very clear that this is a song made up of Wei Wuxian and Lan Wangji, whether by themselves or together they are singing to and about each other.
Yi Nan Ping, however, is labelled on the album as [Interlude], as opposed to the [Theme] of Wu Ji. It's 4th from the bottom of the album. The song is recognised as Jiang Yanli's song at large by fans, which makes sense because it's heard when Jiang Yanli is onscreen, but I am going to speculate as to why it was not labelled directly as Jiang Yanli's song despite it clearly reflecting her character. The only 2 vocal tracks being Wu Ji and Yi Nan Ping was very deliberate to reflect Wei Wuxian's closest relationships. The show centers around him ultimately, it's largely in his point of view and so we hear vocal tracks in moments where he feels the most intense. For Wu Ji, it shows his relationship with Lan Wangji quite clearly, as one of his closest relationships.
My theory with Yi Nan Ping is that the reason it's not labelled Jiang Yanli's song is because it represents the bond of the Yunmeng trio itself rather than just Jiang Yanli. Jiang Yanli's loving and caring nature is presented as that which brings the 3 of them together- when she first brings her brothers back from the Yunmeng woods, consistently when she gives them lotus and pork rib soup, when she dies to protect Wei Wuxian. The lotus and pork rib soup is kinda like a motif representing when they were kids and could just play with each other, and come back to drink her soup that tastes like home. None of the actors for the characters sing in this song, the song is more like a sisterly blanket Yanli has for all of them where it represents their bond together rather than their own voices. One could also intepret it as Jiang Yanli singing, and that bringing all 3 of them together. I think it says a lot about her that she doesn't have an individual song named as being for her, but the songs she is involved in uplift the ones she loves and it becomes 'their song' rather than 'her song'.
Wu Ji, compared to Yi Nan Ping, has both the voices of Wei Wuxian and Lan Wangji in abundance. Focusing on the chorus version, even if Wang Yibo says less individual lines (which is quite in character for Lan Wangji), his presence in the song is always felt. When I listen to Wu Ji, it's like Wei Wuxian and Lan Wangji are two halves of one tiger tally, the song incomplete without each other's voices pulling through. Wu Ji requires that which Yi Nan Ping doesn't: in the sense of the characters having to mutually acknowledge and be open about their feelings, singing them out loudly to the world together. Considering Wei Wuxian and Jiang Cheng's relationship is frought with hidden feelings and miscommunication, Jiang Yanli's open love being what brings them together makes perfect sense- it's notable that the former 2 are only open with each other when they're forced to be at last in Guanyin temple (Wei Wuxian wouldn't have voluntarily told Jiang Cheng about the golden core operation, and Jiang Cheng never actually ended up telling Wei Wuxian why he ran away in the first place, resulting in his core loss). Wei Wuxian and Lan Wangji though come clean within their first conversation after Wei Wuxian's resurrection, and have always put the effort to understand the other's position on important matters. In CQL, they're always as open about their feelings as they can manage from the get-go. Personally, I feel this sets up a dichotomy between Wei Wuxian's 2 closest relationships- that with the Jiang siblings and that with Lan Wangji.
Furthermore, where Yi Nan Ping reminisces about the past consistently (the most notable refrain in the chorus being, 'Can you still hear someone calling out “A-Xian”?', using the first online translation I could find by radishtears), Wu Ji reminisces vaguely about the past but always comes back to looking to the future (repeating, 'Why not soar high and free as a bird with the winds and waves, and sing this one song together to the world?', courtesy the genius lyrics translation). Yi Nan Ping is always a soft, comforting echo representing Wei Wuxian's past with the Jiang siblings and Wu Ji boldly looks to his future with Lan Wangji. They represent very different relationships and carry different connotations to a current Wei Wuxian, but they are the most important relationships to him to the point that they have vocal tracks directly present in the web series.
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cringefaildiaz · 1 year
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Can I get your opinion on something? how do you feel about Ravi lately. Because I’m happy we’re seeing more of him but I also feel like they kinda gave up on giving him his own personality? Last season he was his own person: he was an introvert, a bit shy and hesitant but still competent and emphatic. and now he’s. well. He’s Buck. All jokes and random facts. last episode every time he spoke (especially at some point when he said statistics about something i don’t remember) I found myself thinking “that’s something Buck would say”. Idk it’s probably a me problem (i read an interview where they said “he’s gonna butt heads with buck because now he’s the cheeky one” so I’m probably focused on that), we still don’t know much about him and it takes me at least a few episodes to understand characters. Hoping we’ll see more of his backstory (praying for a Ravi begins) and his relationships with other characters and I’ll be able to get him better.
It’s important to me that you (and everyone else) know that you can literally always ask my opinion on anything. Anytime. I love saying words.
Honestly, I never was part of the Ravi fan brigade (tho I’m really happy that he’s back) so my thoughts on who he is as a character are kinda ?!?!?!. His re-intro was phenomenal I thought, a great little retroactive explanation of where he’s been and why he’s been there—with the level of emotional depth that 911 is so good at giving.
I thought his “are you sure that’s a good idea”/“I did tell you it was a bad idea” this past ep felt on brand for him, but I also didn’t really clock his characterization that much in seasons past, beyond him being sort of hesitant in a way that made sense for a new kid Buck was harassing at every turn lmao. Moving him away from that hesitance now that he’s developed professionally makes a lot of sense to me, but again, I’m no Ravi scholar.
I like the idea of him being somewhat Buck-like but maybe a little more…grounded? Like as the newest member and also the one that’s existed outside the 118 in the LAFD, it’s kinda fun to have him side eying the team. I definitely didn’t read his characterization in this most recent ep quite as Buck-like as you did, but I get the concern. They both kinda emanate little-brother energy and I would hate to see Ravi turn into a Buck-redux.
I do think 911 is trying to prep for the next stage in the show tho, and bringing Ravi back is a key play in that imo. Like, clearly Buck is in the homestretch on the emotional journey he’s been on since s1, which presumably means getting linked up with his ~forever person~ in the next season or so. And reintroducing Ravi and giving him some familiar, Buck-like character traits might be their way of moving Ravi into that “star single hot firefighter” role Buck’s been filling for 6 seasons. Not to be Buck round 2, but to hint hint nudge nudge at the audience that he’s gonna step up into a similar role narratively; youngest on the team, still finding his footing in the 118 AND in the world. I think that’s a big reason we got the fire academy setting too, with named characters who had really distinct personalities despite having so little screentime—they need to be ready to sub in some new firefighters if they want this show to run much longer, whether the main cast stays after contract renewals next season or not.
That’s all massive speculation from me, but I just cannot get the idea out of my head that they’re readying themselves for the next phase of 911, and you mentioning Ravi’s characterization being reminiscent of Buck just kinda. Slots right in with that crackpot theory of mine.
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niconebula · 2 years
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Owl House fans, tell me if this sounds familiar:
Thousands of years ago, there was a child who had immense psychic powers strong enough to shift reality, but was incredibly lonely with nobody like them to play with. They wreaked chaos across the land until the planet was near ravaged, causing the ruler to seal them away in a tomb for thousands of years, never aging until they once again broke free.
This is the main antagonist Yugi of the Toonami classic Tenchi in Tokyo, a character of which is the inspiration behind Eda, and now plenty of reason to believe the influence for The Collector.
I haven't watched the full anime myself, but I've seen enough and done enough research to know this is far beyond coincidence. I highly suggest looking up some clips online because it truly is uncanny.
The characters share the same backstory, the same motivation (wishing to create a world of their own in which to play), the same power set, express the same fears of doubting whether others are true friends or not and being all alone, and have similar relationships.
The Collector has King, whereas Yugi (the girl in question) has Sasami. Yugi tries to convince Sasami to come with her to create a world made for just the two of them, where they can play forever without anyone's interference. Sasami says they are just children, and wants to see her family and friends again. Yugi attempts to kidnap her and force her to comply for her own good, until Sasami tells her off and wonders how she could be so cruel. Yugi laments that true friends are fake, but lets Sasami go and retrwats (before she is promptly talked down and invited into the family, if she can learn to trust them).
Yugi's solution to her own overwhelming power is to be put into some kind of cryosleep chamber so she can age appropriately and reunite with everyone in some years' time. Sasami visits every night to tell a bedtime story about her day went.
Another interesting fact is that Yugi and the Empress who imprisoned her were once basically family, which is something speculated upon a lot within the fandom.
All of that to say, I could see a similar ending taking place in the Owl House given how alike the plots are already. There is also some intrigue in the way Yugi splits her personality, literally creating a more vengeful side driving destruction, and a friendly side she uses to play with Sasami. There's lots of theories that The Collector has split sides to themselves, and it will be interesting to see if that makes it to canon.
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waitingforeddyneddy · 10 months
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you know i don't think there's anything wrong with people "defending" cc, people can like more than a cast member simultaneously and it doesn't mean they're faking liking simone. in fact i think some people made up some crazy ass theories about cc that are pure speculation that were repeated so many times that people convinced themselves they were true. i say that as someone who has no feelings for her at all and i cringe thinking about how people created whole fanfiction in their heads about her. however, i do judge when some people's knee-jerk reaction is to throw simone under the bus to "defend" others or speak in that way that many stans do (like ironically being a hater) about her constantly unlike they do with the others. literally just some months ago a few recognized that jb dresses terribly and just because one started and others decided to do it too, when he has worn ill-fitting stuff for years now
Some of the fucked up things CC said are recorded or put black on white in interviews, the way she behaved on twitter with fans is too. I wouldn't call all these things speculations or crazy conspiracy theories. They're simply there. The way Simone was ignored by that production and fellow cast members was plain to see. Actors, producers, director Tom Verica, behind the scenes videos, wedding dress, scripts...what do these things have in common? the collective effort from the people behind bridgerton to make CC feel at the center of season two. We can't simply dismiss all this stuff as conspiracy theories. Am I blaming CC? No, I still wonder why they didn't just chose her as Kate at this point. I'm grateful they didn't cause no matter how much they tried to hide Simone, she was the one who gained massive love and popularity. CC definitely suffered from having to share the spotlight. she talked about going through some temper tantrums on set, if she behaved like she did on twitter when a fan edited the poster without even tagging her, I believe everything people said about her. Sorry not sorry. I don't like her
also the producers/writers of her new movie are all from bridgerton so lmao, conspiracy theories my ass
also her refusal to answer that question about simone or the jack the ripper reference are both disgusting, can't like a person like that
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thetaylorfiles · 1 year
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It's truly disgusting to see k/gaylors celebrating the breakup and speculating her next beard situation. These two people are likely really hurting at this time and for these delusional assholes, it's just another plot point in their bullshit tale. Also, cue all the sexist "Taylor can't keep a man" comments and the truly shitty swifties talking about how fire the next album's gonna be. Why are people like this?
Because we have anonymous forums in which we can say outrageous or mean shit. And because Taylor’s stans, the obsessive ones, the kind who get obsessed with proving she’s with one specific woman, or is hiding a ton of clues letting her fans know she’s trapped in a cage help ones, are given free rein. Hell, half the world believes conspiracies about Covid and a ton of people died because they believed stupid, useless shit hasn’t made these Kaylors stop and go, “hmm I wonder if pushing conspiracy theories could actually harm someone 🧐🧐🧐🧐🧐”
When I was active on here before I didn’t loathe conspiracy theorists. Now I do. I’ve literally had someone I care about die because they were too caught up in Covid conspiracies to protect themselves when they needed to. Instead they listened to Covid deniers and Vax deniers and actually died. So all conspiracy theorists can go get fucked, in my opinion.
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So I was being a basic bitch the other day and listening to my true crime podcasts when it occurred to me just how suspicious Nile’s “death” would look to everyone not in the Guard, leading me to a train of thought that, 2200 words later, absolutely got away from me but I can’t let go so I’m inflicting it on all of you!
To set the stage, we know the movie takes place over approximately a week. Here’s what happens to Nile from the military’s point of view:
She dies is very seriously injured
She heals without a scratch
Just before she’s supposed to be shipped out to Germany, she vanishes, leaving two men concussed (and presumably reporting being knocked out by a woman with short hair wearing civilian clothes)
She goes AWOL for several days
They get word from the CIA that she is to be reported killed in action (details unclear)
So, at the beginning of this very weird week, the USMC has to tell Nile’s family of her death critical injury. What her family was told depends on how long she was dead – a Google search tells me that family will be notified in person within 8 hours of a soldier’s death, but we don’t know how long her first death lasted. For an injury, however, they’d get a phone call to notify them and the unit would arrange for them to visit as soon as the soldier is transferred out of a combat zone. Like I remember when I was in high school, a guy from my church who was a Marine was really seriously injured in a helicopter crash in Iraq and from what I could tell, his parents were told immediately and were flown out to Germany to see him, so it stands to reason that Nile’s family would have been informed relatively quickly after her throat was slashed, one way or another.
And then, she goes AWOL. Her family would be notified while the USMC tried to figure out where she went, not least because the military would want to know if she’s contacted them. (And it’s possible that her family may have been on the way to Germany to see her since we know that’s where she was supposed to go!) So for several days:
Nile’s mom and brother have no idea where she is
They know she was seriously injured and most certainly should not have been moving around on her own
They can’t get a hold of her
The military can’t tell them anything
And the next thing they know for sure is that she was “killed in action.” After being injured and vanishing into thin air. And they presumably cannot produce her body or any concrete evidence of her death. In any case, something sketchy is going on, so they’re like. SMELLS LIKE A MILITARY COVERUP.
In a surprise to probably no one, there is a well-documented legacy of mysterious US military deaths, particularly of women of color (TW for sexual assault in these links). The cases of LaVena Johnson and Vanessa Guillenin particular have made national news because of their families’ persistence in seeking justice. Likewise, Nile is a Black woman, and her mom and brother are most certainly hypercognizant of (a) state violence against Black people and (b) these high-profile cases of suspicious military deaths. So her family are seriously side-eyeing the situation, knowing that (a) the military has a serious incentive (and a documented history) of covering up things that make them look bad and (b) nothing about Nile’s disappearance and supposed death are adding up.
And Andy’s right. Nile does come from warriors. And you know who else does? Her brother.
Don’t get me wrong. Nile’s mom would absolutely not back down. She’d know something was up and want to get to the bottom of it. But based on what I know about Gen X parents (mine), they’re not the most technologically savvy. Like they can use the internet, but they didn’t grow up with it the way we young millennials and Gen Z did. So Nile’s brother takes the lead. And what do zillennials do best?
Social media.
Nile’s brother starts going hard on any site he can, trying to get the word out to see if anyone knows what happened to his sister. He starts a Reddit thread. He starts a Facebook group. He reaches out to the media and true crime bloggers and podcasters à la Sarah Turney, getting loud and being a general nuisance in hopes of getting some answers. He gets his friends and Nile’s friends involved. Maybe eventually Dizzy, Jay, and others from Nile’s unit hear about it and reach out, telling him what they saw and how weird it all was. He’s drumming up interest, and soon “Nile Freeman” becomes a household name (at least among the true crime fans).
Copley is, of course, trying his best, but at this point there is just so much that it’s impossible for him to scrub everything. Sure, he can erase new footage of Nile and the Guard, but what can he do about Reddit threads and podcast episodes that are speculating something weird has happened? Maybe he could hack the sites and shut those things down, but honestly, that’s the last thing he’d want to do, because that only adds weight to the theory that Nile’s disappearance is a military coverup. So eventually he has to tell Andy what’s going on.
Andy, obviously, does not take the news well. However, she is also completely computer illiterate, because that’s Booker’s job and he’s the only one who ever bothered to learn what the internet is in any meaningful way. (She probably calls Booker for advice, and for the record, I think Booker would have no qualms about shutting down conspiracy threads, tinhats be damned, but Copley is too concerned about the consequences. He’s ex-CIA for crying out loud, he knows how it’ll look if they scrub every mention of Nile’s name from the internet.) Maybe she confers with Joe and Nicky but, let’s be honest, they’d be equally unhelpful. So at this point, she knows they have to bring in Nile.
But the thing about Nile is that she, too, knows how to use the internet (duh). Aside from her being a young millennial/digital native, we know from the cave scene where she’s giving Booker suggestions on how to track Copley that she clearly is even more computer savvy than the average person. And for that reason she almost definitely took over the day-to-day tech stuff after Booker’s exile. So I think it would be foolish to expect her to be unaware of what’s happening. She’s not contacting her family or posting on the message boards or anything, but she knows what’s up. So Copley and the team probably sit her down to “break the news,” but we know the girl does not have a poker face (see: literally shooting herself in the foot and not being able to play it cool whatsoever) and cracks immediately, telling them she’s seen everything about her case – she’s not interacting with any of it, she certainly didn’t instigate anything, but she knows. (And she is so goddamn proud of her brother.)
At this point, I’d like to pause and consider Nile’s role in the overall narrative of this movie. She’s set up as a foil to Andy, obviously, but she’s also a foil to Booker. Booker, who, like Andy, is a serious pessimist, but who, unlike Andy, still has very fresh memories and trauma associated with being the new kid, which have destroyed him. In his mind (and Andy’s), if Nile communicates with her family, she’ll become just like him in a century or two – bitter, alone, and stuck with her grief and memories of watching her family die and knowing they died resenting her. It’s a small sample size, but this is the only experience they have to go off of.
But it doesn’t have to be like that.
There’s been a lot of discussion of TOG being a fundamentally queer movie – a group of people brought together because of something inherent about themselves that is different, that must be hidden, that causes others to hate, fear, and reject them. Booker’s backstory is the archetypal traumatic “coming out” story – his family learns who he is, hate him for it, and attempt to cast him out of their lives. He’s stuck with his trauma, his pain, his loss, and it consumes him.
But what if Nile’s family would be the opposite? What if her “coming out” to them as immortal is met with acceptance, love, celebration? What if her family is just overjoyed to have her back, and they don’t care what the circumstances are? I'm reminded of this incredible post from @shitty-old-guard-deaths a while back, where Nile’s mother hits Booker with a frying pan because “my baby let me believe she was dead for FIVE YEARS based on your bad advice???” (which may or may not have inspired this whole tangent). Nile takes the advice of someone who did the same thing she wants to do because she doesn’t want to risk her family’s rejection. She wants the good memories with her family and is afraid that showing them her true self will bring her unbearable pain, forever replacing those memories. But, with high risk comes high reward.
Anyway. Nile and the team are trying to come up with a plan for how to handle this whole thing, but she’s not really participating because she’s too afraid to hope. Until finally, quickly, so she doesn’t lose her nerve, she suggests she reach out to them, knowing that, realistically, that’s the only solution before things snowball even further out of control. The team is shocked, but realize that she has a point. They decide that Copley should actually be the first point of contact, posing as a US government official to talk with them and test the waters.
So Copley goes to Nile’s family’s house to talk with her mom and brother. They’re probably distrustful and apprehensive, but nonetheless secretly ecstatic that their work has paid off. They talk and review all of the information that they’ve collected, including testimonials from the people on Nile’s base and recent sightings (along with photos) of Nile (with the same three people) over the last few years that people have sent them but they haven’t posted publicly. At this point, Copley’s like, yeah this is about to blow up, we gotta put our cards on the table. He convinces them to come with him to some safe house/black site/whatever he can get that is technologically impenetrable (I’m picturing them in like, an interrogation room at a police station kind of deal), takes their phones, locks the doors, and brings in Nile.
What follows is the most delightful reunion scene of all time, bringing Joe, Nicky, and even Andy to tears as they watch and listen from outside the room. With Copley’s help, Nile tells her mom and brother about her immortality and what’s been going on since she died (within reason, of course), and they are thrilled. They don’t understand why (because no one does) but they don’t question it and they see it as a gift from God – she’s been resurrected, she will live, and she has a purpose. Her mother and brother are so happy to see her again and are willing to agree with pretty much anything to stay in her life as long as they can.
So. They set up some complicated agreement (they bring in the other three for support/intimidation as needed) setting the terms of their relationship. They swear Nile’s family to secrecy, maybe bringing up the lab to show how high the stakes are, and they readily agree. They come up with some cover story for Nile’s brother to share on the message boards (maybe that the government has opened an investigation but because it’s an open case he has to shut it all down? Tells people to direct their tips somewhere else? Something to that effect). There’s still speculation, of course, but without Nile’s brother at the helm providing the energy, the hype dies down as news stories are wont to do without any movement. And Nile’s family goes to work for the team. The experience has taught them that Copley can’t possibly do everything himself, especially when it comes to social media, so Nile’s brother takes the lead on the day-to-day tracking/social media while Copley and her mom focus on finding jobs and scrubbing their traces afterward.
So there you have it: Nile gets to integrate her biological family into her found family and spend the rest of their lives with them as it should be, Copley gets some badly needed help managing the reality of social media, the team finally has a positive narrative surrounding outsiders Knowing About Them AND about interacting with people from their previous life, and the audience gets the happy ending to this very lovely and very queer story to counteract the pain associated with Booker’s family.
Plus, you know, I’m a sucker for both a good government conspiracy theory and for Nile getting every good thing she deserves.
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monkeymindscream · 2 years
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Debated whether or not to post this, decided I might as well get it off my chest: I kind of despise the delivery of the whole “Belos is Philip” -arc, particularly after Hollow Mind.
NOT because it revealed just how evil Belos really is and/or that there was no sympathetic twist, I have to clarify. Getting to see him go full-tilt bad guy was glorious. The issue I’m having is that how they’re portraying it feels extremely pointed. 
It’s no secret the crew keeps tabs on the fandom. The entire b-plot of Any Sport in a Storm revolved around taking playful jabs at all the people who’d been making complicated theories about the relevance of the Good Witch Azura books on the overall plot. Which was actually very cute, and you could tell it was all meant in good fun.
But something I loathe beyond all reasonable description when a work/writer tries to tell me how to feel about a certain character. Like what they did with Toffee in SvtFoE, basically. I’m getting the exact same vibe here. The writers saw fans were getting attached to a villain and coming up with ways his motives could be sympathetic (see the large discrepancy between canon vs. fanon Philip). The writers went “oh no, we can’t be having any of that!” and then went out of their way to directly show the viewers how bad the villain was.
They had a whole extra season of material they could have made episodes about, yet they took the time to literally go back in time and show in vivid detail how horrible Philip was, “even back then.” When, if they really wanted to show how evil Belos was, they could have let his current actions speak for themselves and revealed that he’s Philip much more succinctly. 
Luz finds a repeating phrase in Philip’s diary. His mantra/driving force of sorts. Towards the end of the episode, we cut to Bel working on his portal, wherein he mutters the same phrase to himself or something. Drama. During a later confrontation, he either drops the phrase around Luz, or smugly says “so you found my old journal, I see?” to her directly. Luz is left to deal with the fallout. Boom. There. Gets the exact same points across, and they could have used the time on other plot-threads they almost certainly cut out. 
And y’know what else? I have slight proof this might have been what they’d initially been shooting for before they had to rework things to makes sure fan perception was what they wanted it to be: Luz’s breakdown when she learns Belos is actually Philip Wittebane.
They have her acting like this is some horrific revelation, like her world has been shaken to its very core, except... She already knew Philip was a jerk?? She already knew he was leading people to their deaths. Why is it such a terrible revelation to learn that the guy she already considered to be evil was always like that? It gets even worse when you consider the “how could people be fooled and not see how evil Belos is??” moral(?) of the episode. It’s supposed to be setting up how she was fooled, but she’d already learned that lesson several episodes ago.
I think they always wanted to have that big, emotional reveal, but they’d initially planned to have it after Luz had spent a season idolizing Philip. She’s so emotionally impacted because it had been meant to be impactful. But then they went back to rework things so nobody would be able to argue Belos was anything other than an inherently evil monster, and didn’t bother to alter their dramatic confrontation accordingly. 
And because I can already hear the clacking of people furiously typing up rebuttals, some extra food for thought:
None of the genuinely bad spells Belos created as Philip make use of Luz’s light glyph. His teleportation, petrification, the weird meat-hands, none of them. Luz knows this, because she’s been studying his notes. So before anyone tries to say “she reacted the way she did because of her guilt for helping a tyrant,” we don’t have any actual proof of this, only speculation. There’s definitely nothing concrete that would suggest she’d have any reason for guilt so bad it would make her collapse to her knees in front of him, at any rate. We kind of have to take her distress as being solely over Belos being Philip as a result. Which... yeah. Doesn’t really make a lot of sense within the narrative as it is.
I dunno. Bottom line is I really can’t work out why they’d take time out of their (now severely shortened) runtime to delve into Belos’s backstory when they didn’t actually use it to do anything other than confirm what we’d already been perfectly aware of. Not unless it was literally just meant to subtly poke fun at (if not outright shame) the people who’d dared to postulate the guy might have some sympathetic qualities, even if only once upon a time. Which is kind of infuriating and insulting all at once.
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grey-spark · 3 years
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The Symbolism of Spamton, and what he says about us
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I don't usually analyze Undertale/Deltarune characters but I love Spamton. In this post I'm going to go over what Spamton represents, and all of his relevant symbolism. I'll try to keep this one short and straight to the point.
Before we can talk about Spamton we need to explore the context of Chapter 2. It should be clear to most people that Queen, her plan, and level are a metaphor for social media. Specifically Twitter. More specifically Twitter Drama.
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Even her name is a play on the word “drama queen”
The whole level is centered around a blue bird character, Berdly. A possible reference to Twitters blue bird logo. I mean, just look at her boss battle. If taken out of context, what do you see?
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You see a person sitting in a chair controlling a blue bird to attack people. 
Is that not Twitter? 
Although its important to note that Berly himself doesn't seem to connect to this social media metaphor in a narrative sense, you could still argue that Berly's front of intelligence could represent how people act online, trying to appear as someone cooler and smarter than they really are.
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Point being that like the first game, Deltarune was created to be a commentary on fiction and role play. The first chapter is literally about games, and this one is about our digital presence online.  
Another more obvious reference to Twitter in the chapter is the sidequest about collecting “blue check marks:
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You have to bring the Hacker “checks” which could be a reference to “Verified Checks” on Twitter, and when you give them to him he creates a fireworks show “in dedication to you.” Symbolizing how for many people on the internet, getting a verified twitter check is the symbol of becoming famous, worthy of celebration. A sign that you've become a “big shot” now.
On that note, let's finally talk about Spamton.
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The most obvious connection is that Spamton seems to be like Mettaton. 
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Spamton and Mettaton have similarities, beyond their names. Both are “robots” that want to steal your “heart shaped object” to become big and powerful. 
But the key difference between the two is the motive, and this is where the social media angle comes in. In the first game, we meet Mettaton who at first seems cut throat and sinister, but is revealed to have a real passion and dream. He wants to “get big” to make music that everyone enjoys, and even decides to stay behind out of an altruistic devotion to his fans.
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Compere this to the cynicism of Spamton. Notice how in the first battle with Spamton you progress the battle by engaging with deals, but he doesn't seem to care about the money itself. You cant pay him off because its not about the money. He just wants to feel like a “big shot” making deals. The thrill and freedom of feeling like someone important.
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In this sense we can then divide Mettaton and Spamton into two types of influencers. Whereas, Mettaton has a dream. Spamton just wants clout.
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The kind of influencer who wants to use their platform to enrich themselves and fuel their ego, as oppose to someone like Mettaton with a real desire to change the world for the better. In one of the genocide routes, we can even see him take over Queens mansion, representing how these types of influencers are bound to take over the social media structure, sans the right people step in.  
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Given the social media and fame metaphor. Its impossible to examine this boss and not read into the context of its creation. Although this is purely speculation, its possible that Spamton was created as open meditation on Tobyfox's baggage regarding his own fame, and also the effects of social media fame and clout chasing in general. Imagine the pressure of being that famous, of everyone expecting you to follow Undertale with something just as good or even better, and Toby probably doesn't even know what made the original game blow up like it did in the first place, and probably never expect it to. 
Consider this line in his first boss theme:
“... Now's your chance! Now's your chance! Now's your chance! Be a big- be big- beeee-”
Over and over. It can almost be read as Toby's internal monologue. An unrelenting pressure to outperform and succeed, to make sure the game is a success that fulfills everyone's expectations.  
Simply put, Toby is a big shot now.
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In the matter of a single year, Toby went from being a nobody on the internet to being twitter famous celebrity. Getting “calls” from Nintendo. Again this is all unconfirmed, but its even possible that Nintendo offered Tobyfox a deal. A chance to be a big deal, with a big salary; a corporate puppet.
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Toby would (hypothetically) rejected this offer. Like Mettaton, he cares about his fans, but has no interest in the acquisition of clout and power for its own sake. But hey, that's just a theory.
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Which brings us to his central message about internet drama. While its not my place to psychoanalyze how someone is feeling from afar, a message is certainly here about internet fame and clout chasing. Its clear that Toby has become twitter famous, and consequently has found himself thrust into the heat of internet drama time and time again. It seems that Toby Fox is horrified by the affects social media is having on the indie gaming community or just more broadly society in general. In the past, toxic fame was a niche problem faced by a handful of Hollywood stars and musicians. But now Social Media has democratized fame, and all its problems to everyone that owns a phone. 
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Chapter 2 seems to be Toby's response and warning: that being a big shot is not all its cracked up to be and certainly not worth parting your soul over.
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skepticalarrie · 4 years
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This sound guy theory is so stupid. How hard it is to admit that a tech guy on his forties trolling hundreds and hundreds of people for pure pleasure is completely unreasonable, instead of admitting it was louis and harry. The closeted gay band members reason is actually much more believable considering everything so far
Mark the sound guy theory is plausible if you look at the bears from a extremely shallow perspective, so I don't necessarily blame them to try to find a reasonable explanation that is not "closeted gay band members communicating through teddy bears" - because it does sound insane, I get it. However, when you actually look into it... it sounds even more insane that this guy 100% did it because the bears are in a video with him, or because he lives next to Homes Chapel. When we're giving literally a hundred other reasons they can't explain. When you want to debunk something, you need to debunk all of it with a good explanation, a narrative that actually makes sense. And that's where antis get stuck, they can answer maybe three or four questions very reasonably but how about the others 96 you don't have an answer for? Look at this guy in the video. Look at him:
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Why on earth this person on his 40s would want to teach One Direction fans about gay culture and the abusive industry? Why would he literally pretend to be Harry and Louis? Because we can discuss who was and who wasn't behind the bears, but you can't make this shit up. And whoever was doing it, did the connections with Harry and Louis on purpose and that's undeniable. And please, RBB is literally right there! For everyone to see. Why Harry and Louis were "fine, keep doing it" even though they knew the fans were thinking it was them. Why would they want to feed this entire thing? When they had the opportunity to give a fine explanation Harry was "uhm hm ahnn….. I think it was someone for the crew? yeah yeah that's it". and not "oh my god have you seen how crazy that is? it wasn't any of us, people from the crew are messing with the fans, it’s just a joke" That's how you deny stuff. Does this guy looks like he wants to spend $750 in stuffed animals? And create a twitter account for them? That's the guy they think is behind the bears and planned more than 40 outfits and scenarios for 7 months. And they think that's perfectly fitting.
While that's who we think it is:
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Two people who have made plenty of allusions about the gay culture, about people the bears mentioned over and over. Two people who were in a band that clearly suffered from abusive management, Liam himself said it with all the words, it's not speculation. It was cruel. They did Eroda and the scavenger hunt for Two of Us. How people can brush off the amount of coincidences with the bears after all of that? I'm sorry but the sound guy doing it and they standing there letting him do it is as bad as they doing it themselves. They are not debunking shit, they run in circles because they know admitting about the bears means everything is a lie.
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Text
hi yes im still alive
DON’T MIND ME, I’M JUST--
HAVING A MOMENT TO PROCESS ALL THE LORE AND STORY CHAPTER 6 JUST DROPPED ON US, I CAN BARELY WRITE
AHHHHHHH, I HAVE SO MANY THOUGHTS 😭 kjdbbaufbiafafvoaybo LEMME PUT ON MY THINKING CAP AND THROW SOME STUFF OUT ASDYUBUASDLI;AGVUOQIB;VI You’ll understand why I used Leona’s face here even though it’s Idia and Ortho’s chapter after you read my thoughts--
***Chapter 6 (and other main story) spoilers below the cut!***
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Okay, just to keep it simple, I’ll try to keep things in chronological order!
First is a bullet point list of my thoughts on chapter 6 so far, then all my questions and theories (mostly a biggish theory on Ace) are at the end of the post.
Expectation: Idia cowering in his room, Vil and Rook busting down his door using Epel as a battering ram, dead Ortho theory confirmed
Reality: SWAT TEAM RAID ON NRC, DORM LEADERS (sans Kalim) AND JAMIL GET KIDNAPPED
Admittedly, I’m disappointed to see that the injury Grim inflicted to MC was basically just a cat scratch and nothing more. I thought it would be a lot more impactful if MC had to deal with juggling the realization that Grim has betrayed their friendship and trust while also on the verge of death (or at least while being severely injured)... And given how MC reacted to the attack at the end of chapter 5, I would think whatever struck them was much more substantial than just a cat scratch. I’m going to go out on a limb here and say either the script got scrubbed by Disney, or the intent was that MC was still woozy from VDC / OB Vil, MC felt so betrayed that it shook them emotionally, or that MC was just that weak by default that they can’t defend themselves against cat claws.
Hey, Ramshackle’s finally getting renovated! Proceeds to immediately get destroyed again--
I feel like????????? They tried to retroactively explain why Neige won to try and mitigate the uproar over how VDC ended. There’s some dialogue between the VDC group about how they didn’t perform at their peak because of having just walked out of dealing with OB Vil, and how Neige’s fans were going to vote for him anyway because they resonated with his background. Honestly, I think they should have moved on from that sore spot instead of bringing it up again, even if how chapter 5 ended didn’t personally bother me.
BOOM, HERE COME THE TWST TERMINATORS--
NOT GONNA LIE, THOSE STYX GUYS LOOK HOT SO COOL
AAAAAAND IT’S KIDNAPPING MONTAGE TIME, KIDS
JOABSFHUPAUABDBADB CALM DOWN, RIDDLE??????? YOU’RE GOING TO COMMIT ARSON IN BROAD DAYLIGHT--
Okay, I know this chapter’s focused on Ignihyde and Grim, but the standout part to me (so far) has been the scene where Leona’s being kidnapped. Historically, Leona has not been a character that I like (excluding that one time I had to pretend to like him for a game). I feel like he’s one massive missed opportunity (he didn’t show up much in chapter 2, he’s pretty similar backstory-wise to his Disney counterpart compared to the other Dorm Leaders, he didn’t seem to learn anything or become a better person even a LITTLE after chapter 2, etc.). I’m not a fan of his lazy and arrogant attitude either (even if it is justified by his backstory). But here? THIS IS THE LEONA I ACTUALLY LIKE AND WANT TO SEE MORE OF. 
LIKE????? I CAN’T DESCRIBE TO YOU HOW MUCH I LIKE THIS SCENE???? Yeah, we have Leona fighting STYX at first, but as soon as he realizes who they are, he wises up and surrenders because he knows better than to resist arrest. AND NOT ONLY THAT, but he uses King’s Roar in a smart way--to turn the falling greenhouse glass panes into sand so they don’t hurt anyone nearby (namely him and Ruggie).
And after he turns himself in????? LEONA TELLS RUGGIE TO TAKE CARE OF SAVANACLAW FOR HIM!!! THIS is what a real leader would do. He looks after himself and his people, but he knows when to surrender, AND he leaves his “kingdom” (the dorm) in good hands while he’s away. THIS is the Leona I want to see.
AJBDUASHPFBUABFIABIYFBIPFAAFIAF I ALSO REALLY LIKE HIS SASS WHEN HE JUST THROWS HIS HANDS UP AND ASDBIASBIABAIODDAYOFAIPPADAIDB SAYS “I’ll go with you, but be careful while escorting me, okay? Despite my looks, I'm a precious prince. I’ll get sick/dizzy if you drive recklessly.” SARCASTIC SASSY SMARTASS??????? IF YOU HAD MORE LINES LIKE THIS, I’D LIKE YOU MORE
I love how Azul’s still talking about capitalism/how he can profit from Idia (apparently the Shrouds are like the TWST equivalent of Google??????) as he’s being escorted away by the agents?????? IF I WERE HIM, I’D BE PISSED OFF THAT THEY INTERRUPTED MY BOARD GAME????? At least let the man finish first--
Damn, everyone’s being tasered???????? And apparently all the STYX agents are equipped with anti-magic plates? I guess Bind the Heart can just eat shit then--
Lilia’s ringtone is cute, period.
CROWLEY CALLED STYX TO CAPTURE GRIM???? GRIM IS OFFICIALLY A SCP THAT NEEDS TO BE CONTAINED????
WAIT WHAT CROWLEY’S BEING KIDNAPPED TOO??????? Oh well, the school is probably safer in Trein’s hands anyway--
askhlbfbilhidbabbidasb RIDDLE WAKES UP POST KIDNAPPING AND HE’S USING LEONA AS A LAP PILLOW?????!
How does it feel to be held in a room against your will, Jamil? Yeah, don’t like a taste of your own medicine, do you?
OH HI IDIA, NICE YZMA MAD SCIENTIST GETUP YOU GOT THERE
Wait, what????? THAT’S IT?????? SERIOUSLY???????
MAN.
I have so many questions??????? Specifically about STYX and what they do, and how the Shrouds are tied into all of it.
So they say STYX is a specialized unit called in to quell serious Overblot cases. And if Crowley called them to deal with Grim... well, bad times ahead for Grim. STYX has also been studying Overblot for a long time, which is why (I think?) they captured Riddle, Leona, Azul, Jamil, and Vil. 
There’s been some allusions made between Grim and Stitch in a lot of fan art and fan theories I’ve seen, since their struggles have some parallels: that being them struggling to decide if they are “good” or “bad”. I don’t know if this was intentional on the part of the TWST writing team, but regardless, it’s a really good concept that plays into the themes of TWST itself. There’s no good, there’s no evil, no black and white--most of the characters we see may be BASED on villains, but that doesn’t MAKE them villains. They are good, and bad, in their own ways--and now Grim is dealing with that crisis as he fights to keep his sanity and avoid completely succumbing to Overblot.
Though Idia seems to be involved with STYX’s research, it doesn’t sound like he personally gave the order to retrieve those test subjects (or at the very least, he’s not happy about roughing up the test subjects), it sounds like the orders came from other people in the organization. His parents, perhaps?
They mention briefly that Idia’s parents are asking him to “come home”, so it must be for something urgent. Are they worried about his safety? But Idia’s lines at the end of chapter 5 lead me to think he is estranged from his family, since he straight up rejected a job offer linked to them (Olympus Corp is owned by the Jupiter family, and the Shrouds are a branch family of Jupier), and says something like “I’m not welcome anywhere”. Has Idia done something to disgrace him from the rest of the family? Or is it more of a self imposed/self inflicted statement, given that he always says he’s “cursed” and acts like he’s guilty of something that deserves scorn?
Why is Idia participating in STYX research, even if it means experimenting on his fellow students (and fellow board game enthusiast Azul)? People are speculating that he wants to use blots to fully revive Ortho (if dead Ortho theory is true), or that Idia actually has heroic intentions (he wants to know more about blots to prevent OBing from happening?), but at this point??? Literally anything could happen?!
In future parts, I’m guessing Pomefiore, MC, and Adeuce will team up to break Jamil and the Dorm Leaders (except Malleus, Malleus got left out again www) out? And HOPEFULLY we get to see Rook’s Unique Magic or at least more screen time, since I feel like he got so little in chapter 5... Another thing I’d like to see is Ace and/or Epel getting their Unique Magic, or at least starting to develop it. It’s really mostly Ace I want more details for.
A theory I’ve been holding onto for a long time is that Deuce getting his UM will spur Ace on to become jealous (since he has always seen Deuce as an idiot/”lesser” than him), and that will cause a rift in the friendship, or for Ace to throw himself into a dangerous situation to prove himself (he has done it before with Riddle)... and has his ass rescued again. This would make Ace even angrier, since he feels like everyone is treating him like a little kid or rubbing it in that he isn’t “as good” as they are. I don’t know where it would go from there (I’m sure TWST would get creative), but ultimately it would culminate in Ace making amends with everyone and rushing in to save them from either Grim or Idia OB.
I don’t think Ace would discover his UM in a similar manner as Deuce (Deuce had to embrace his own stubbornness and straightforwardness, but as the term “Unique” Magic implies, the way a magic develops and manifests is “unique” to the user). While Deuce has to learn to accept his own way of thinking, I believe Ace is already sure of his own way of thinking and has totally accepted it. I think what Ace has to deal with instead is coming to terms with his fickleness. We’ve seen him time and time again treating his loved ones kind of callously, from constantly bullying MC, Grim, and Deuce to ghosting his own girlfriend and flaking on people when they are counting on him to do a task.
The issue with Ace isn’t that he isn’t aware, it’s that he is aware and he seems to think this behavior is totally okay. He demonstrates little to no remorse in what he does and says, and he doesn’t seem to care about the consequences either (how many times does he get punished by Riddle, yet he keeps doing the same dumb things over and over?). Ace appears to operate under the mindset of always being in the right, or (if he’s in the wrong), he won’t really acknowledge it, or he will wave it off as “no big deal”--and I think that’s his greatest weakness.
In the scenario I described earlier, I mentioned that Ace’s jealousy will cause a wedge between him and his friends, and I think this will play into him realizing the error of his ways. When he has finally driven away all of the people that supported him, what will he have left? Nothing. Then maybe Ace suddenly finds himself relating to Idia, or to Grim, who have Overblotted and are in a similar emotional state as he is. Confused and lonely... and that energizes him to pitch in again, even if all he has is wind magic up his sleeve. Everyone could be shocked that Ace has returned, and in that moment, he could finally realize his true potential and unlock his Unique Magic!
(Maybe that’s too specific, but that’s a scenario that I’ve had playing in my head for a long time!)
... Buuuuut given that Ace has gotten little to no spotlight so far in chapter 6, I’m not sure if they’ll lean into him developing his UM yet (unless they pull a chapter 5 and really start addressing Ace in the latter half of the chapter like they did with Deuce). Seeing as chapter 6 is dealing with a lot of heavy topics (death, Grim lore, Overblot lore), I’m thinking maybe the TWST team will push off Ace’s UM development to chapter 7???? The only way I can see it happening in chapter 6 is if the chapter is SUPER long, or if the writing is REALLY good or really bad. 
Anyway, I’m keeping my fingers crossed!!! I’m so excited for the rest of chapter 6... I hope that we don’t have to wait too long for it!
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