#this is the physical books I want to get to first

[harmonysanreads]

Sooo about the yan! alhaitham having a librarian girlfriend..... I wanna hear your thoughts....

Of The Silence Betwixt Words

ᯓᡣ𐭩 Yandere!Alhaitham x Reader

Cw(s) : Yandere Themes, Intrusive Thoughts, Alhaitham being Alhaitham

「 Words : 1.4k 」 「 Inspired By This Post 」

The relationship between a librarian and a reader is simple, silent and sufficiently detached ; as such, it does not require an extensive amount of cognition to treat it as anything but that.

At least, that's how it is in the beginning — it always is like this in the beginning. The burgeon of something from seemingly nothing, catapulted to such a monumental deal that one is left questioning : when did it begin? What or who sneaked in the seed and how did it nurture itself to bloom into such an unsightly, fascinating thing?

At one stage, fixation tricks the mind into stuffing that void of inquiries with what it parades as the truth — it has always been there, you simply did not notice.

It is natural for Alhaitham to respect the place that houses such a valuable item, he extends it to the person behind the desk as well. Communication is always easy with them, restricted to a few phrases and maintained due-dates to return borrowed tomes. His own house has an impressive collection as well, but the ambiance of a library is just too intricate to replicate within the four walls of his abode.

In Sumeru, physical books are unfairly ignored, one of the many ironies connoted to its claim to ‘wisdom’. The Scribe has never understood nor agreed to the other scholars' faster and apparently more efficient means of requesting the Akasha to answer their dilemmas.

The Akasha is a useful tool in many instances, that, he won't deny. But there is nothing in that machine that begets more machines that can equate to the intellectual stimulation a physical book, the extra minutes consumed by the search of that book and the librarian that never seems to let him win can provide.

The expanse of the House of Daena directly connects to the load of responsibilities its assigned keeper has to shoulder. Making sure students return the books on time, keeping an eye out for anyone who may want to get silly while annotating the tomes and the periodical shushing of rowdy study groups.

There's the occasional scholar too airy with pride to bend that seeks to challenge your knowledge as well. Unfortunately for them and fortunately for the House of Daena's reputation, you're just the correct person to put them in their places.

It's difficult to decide which one the Scribe wants to commend first : your seemingly monstrous memory or the way you can cite it all without stuttering. Alhaitham was pleased with the fact that most people thought twice before interacting with him, but the way you challenged him and emerged victorious revealed to be quite a hassle on his mind.

“Incorrect. Truly ancient petrified trees usually grow to around one or two miles in height. Check page 19, paragraph 3 of the ninth edition of ‘A Comprehensive Guide to Dragonspine Ruins’ (Kreideprinz et al., XXXX)”

That is not an interaction one can just forget. Intrigued and encouraged with a competitiveness that does not usually make itself apparent, Alhaitham decides to test the extent of your... ‘talent’. The Scribe prefers being frank — he was impressed. So much so, that it overpowered whatever bruise was inflicted on his ego.

More and more of these debates ensued, much to his bewilderment. The man who would never stay for an extra minute in his office after work hours, willingly spends time debating with the librarian of the House of Daena. Most of the time you end up winning in them. The Scribe doesn't even process the reason that he has let you win deliberately a few times was because he found the smile that followed it... pleasant.

Then, bringing a rude end to his little guilty pleasure, the news of your expertise spreads. Scholars from all Darshans come to you to check the accuracy of the rumors during the precious free-time he's been the sole occupant of until that moment. Because of your exposure to many new personalities, it appears as though his had dulled in your eyes.

He gets it, one would naturally be more drawn towards a splatter of color than the monochrome wall it decorates. The same wall also has to make sure the bricks don't fall off from their places. So, he decides to leave you to your devices.

...Except, that plan screeches to a halt when he sits down to sift through applications, his treacherous mind conjures phantoms of your smile directed to people not him, which grips onto his heart and squeezes.

Rejected, rejected, rejected — he tosses every file and application to the trash without blinking once that day. Only when he's done that, does the haze recede and he's staring at the floors in profound confusion. The abruptness of that reaction stuns him so much that he rushes to the Bimarstan for a thorough check-up, the doctor's repeated reassurance that he's fine and healthy does nothing to quell the waves of thoughts spiraling in his head.

Thanks to that, he knows now there is nothing wrong with him physically, but something has definitely happened to his mental wiring and the impact of that change leaves the wellbeing of his physical state to question as well.

Break down, look for the cause, reorganize and form a branch of conclusions — that is the pattern Alhaitham has always followed when presented with a problem. A tiny part of him entices him to jump to more reckless means ; no need to think, just drag them away from the commotion and grovel at their feet so that they'll spare attention to your pathetic existence ! But the greater part of his conscious mind, fueled by rationale, is, understandably appalled by these thoughts. In the end, he circles back to his traditional methods.

Alhaitham has always been cautious, so he quickly crosses out the prospect of confiding with someone else about these urges he's been having. He'd usually consult a book for help, but Sumeru housed no records even alluding to his condition. It's only during a stroll through the Grand Bazaar, a passing glance to the act played upon the center stage, does he finally gain a clue.

“Scrambled thoughts, erratic heartbeats and restless state of being? These could be the prelude to a greater illness! Or, a far, far gigantic sickness may have grasped your soul — love.”

Those were the words that managed to sneak in through the confines of his earpieces, rooting him to his place in the midst of the crowd. At that point, he had been exasperated. Of all things, that is what describes his predicament best? A lead is still a lead though, so he conducts further research on the matter and to no one's surprise, the more he digs, the more it makes sense.

The Sages always advise against vain pursuits involving emotions, it's clear more than ever to Alhaitham exactly why. He doesn't outright reject the notion though, research on this field is scarce in the Nation of Scholars. The available ones only scratch the surface ; there is an ocean beneath the thin ice and the itch of unraveling those depths appears to be too insistent to ignore.

But the centerpiece of his experiment was still missing, prancing around carelessly. If only he could somehow, in some way, at an auspicious moment manage to steal you away from the barrier of that desk — he halts his thoughts with a deep inhale. Surely there are more efficient approaches, he only needs to think.

He's heard that gifts and flowers can soften hearts, perhaps that should be his next course of action. His paycheck is more than enough to cover the expenses for a few continuous months and while he's at it, why not buy that incense capable of dulling people's senses which just so happens to work best with flowers? When you're off-guard he could easily — no, no, no, this isn't working.

In fact, regardless of how many other ways he comes up with, it always circles back to his initial thought. It would be so easy for him as well, certainly less time-consuming than whatever gift-giving and compliment showering the Inazuman light novels are preaching. He's stealthy enough to evade the Matra and his status could tie lose ends. Yes, the advantages of this route outweigh the set-backs in comparison to everything else.

So he refreshes his mind, there is a connection between everything ; it's common knowledge that the librarian of House of Daena will personally rescue overdue books. That record hasn't yet been broken, regardless of whether they had to traverse to the deepest part of the rainforest or some abstruse corner of the desert — the weakest link identified.

He will run countless simulations in his mind, calculating the time and possible day you'll come knocking at his door ; by then, the causal factors will be dealt with.

And everything else will resolve itself.

[lurkingshan]

Japanese QL Corner

We are heading into a bit of a quieter period for QL corner, with two shows ending now and another next week. At least we still have a true banger airing to sustain us through the drought. Smells Like Green Spirit is also now airing in Japan but has not yet been picked up for international distribution (pray for it to get to us soon). These shows are available for weekly streaming on Gaga unless otherwise noted.

Happy of the End

CWs: Blood and gore, child abandonment, child molestation, childhood sexual slavery, death, family rejection, heavy scarring, human trafficking, rape, sexual coercion and exploitation, suicidal ideation, suicide mention

This week was relatively lighter compared to last week's very rough episodes, but still so laced with sadness even in its happy moments. Haoren mourned his mother, and finally admitted to himself, and to Chihiro, that she was never protecting him. The show dug deeper into how this bond between them is giving them both a reason to shake off their apathy about survival, though that is definitely touch and go for both of them. The way Haoren experienced a few moments of happiness and immediately jumped to the conclusion that he would like to die now because he'll never top this feeling was telling, as was Chihiro casually laying down in the street and not moving until Haoren dragged him away. They don't have any real hope for a better life, but they each seem more invested in the other's survival than their own, and that is giving them something to cling to. It was nice to see them have some moments of trust and connection between them, and for Haoren to finally feel safe enough to strip himself bare, physically and emotionally. I'm bracing for a rough final week, with Haoren's former enslaver coming after Chihiro in a bid to destroy the source of Haoren's new happiness. I don't really know what to hope for in terms of an ending for these characters; I just hope the show can leave us with the sense that their relationship mattered and gave them something they can each hold onto.

Love is Like a Poison

This episode had me screaming with laughter and delight. Haruto can read his Ryo-kun like a book, and Shiba can't seem to figure out which way is up. I don't even want to describe all the hilarious gags and sexy tension and extremely unsubtle metaphors in this episode; I don't want to ruin it for anyone. Go watch!

Chaser Game W 2

Of all the great JQL we've gotten in the last year, why this one got picked up for a second season I could not tell you. I was less than impressed with season 1, and I don't have high hopes this next go round will be any better. Especially after watching the first ep of this new season, in which they unceremoniously undid the ending of the last in a laughably silly way only to introduce a new, more annoying conflict. They could have made something of a story about Fuyu trying to work out a way to manage her family life to be with Itsuki, but they'd rather hand wave that away via gay penguins in favor of a new love triangle. Whatever, show. Here we go again, I guess! I’ll be watching this one mostly to support the ratings.

Tagging @bengiyo to do our last anime update for the next little while, as Twilight Out of Focus has officially ended its run and there is no new animated ql on the horizon.

[cripplecharacters]

i'm debating giving one of my OCs strabismus exotropia. the work/story is YA SFF. part of my reasoning is he's one of two characters in the group who's the Brains, his specialty being history and languages, and his magic relates to mind reading and telekinesis, and i know too often characters with eye differences are portrayed as the opposite of smart. one of his big hobbies is reading and i know strabismus can affect it bc of focus/headaches, so i thought maybe reading/being fluent in braille could help him engage in his hobby when actual reading is getting on his nerves / refer to his amblyopic eye as his "permanent side eye" as he can be quite critical of others sometimes. his personality is being smug but normally right and very sure of himself (though not without his insecurities), he's seen as a bit of a Pretty Boy (handsome), and is the youngest of his group of friends so they do look out for and protect him a bit more. is there anything else i should look out for, or any way i may be playing into tropes i'm unaware of? he's also queer (gay) and brown (pakistani coded) if that helps any provide context, and has an antagonistic bickering but genuine friendship with another boy (the other brains) that eventually develops into a romance

Hello!

In general, this sounds like a perfectly fine character concept and there's nothing about his personality/portrayal that's immediately jumping out at me. He sounds like a well rounded character, which is something I'm very glad to see!

One thing I would like to mention is that, while braille may be a useful tool for him at times, it's not likely to be a feasible solution for his day-to-day life.

Braille books aren't like regular printed books, there are quite a few differences that make them much more difficult to use:

Size:

Braille books aren't easy to carry around. With the possible exception of some smaller children's books, most are pretty thick and VERY heavy. In fact, many braille books are split up into several separate volumes for this reason.

To put the difference into perspective, let's look at The Fellowship of the Ring (The first Lord of the Rings book).

A standard printed copy generally weighs around 1.5 lbs, give or take a bit if it's a hardcover. A braille copy of the same book weighs over 15 lbs.

This printed copy has 432 pages including pages for spacing, author's notes, etc. The braille copy has 873, not including any non-text pages.

The physical dimensions of braille vs printed books also differs greatly. While a printed copy of The Fellowship of the Ring may easily fit in a small bag or even a pocket, the braille copy is around the size of a standard three ring binder (In terms of length and width at least).

This is all to say that taking a braille book with him out on the go wouldn't exactly be a simple task and, because of how braille is read, reading on the bus or on a park bench or anywhere that isn't a flat surface without disruption wouldn't be a possibility.

Cost:

Aside from the problems with physically reading and using braille books, it's also very difficult to acquire them in the first place. Braille books are EXPENSIVE.

Depending on the availability of the book, the size, and the popularity, a single braille novel can go for anywhere from 50$ to well over 300$ (In Canadian dollars).

The hardcover printed copy of The Fellowship of the Ring mentioned before costs around 25$ (Again, in Canadian dollars). The braille version ranges from around 150$ to 225$ depending on the type of braille.

And if your character wants to request a less popular book, it can still be pretty expensive. There's a wide range of factors that can affect the cost and it varies so wildly that it's hard to get a reliable estimate but they could be looking at anywhere between 5$ - 50$ per page.

Although some libraries may have braille books and there are several virtual libraries for the blind with braille books, it can still get very pricey for them to build up their own collection.

Availability:

In part because of this cost, there is a very low availability of braille titles compared to printed titles.

If your character is into more popular books like Harry Potter, Lord of the Rings, or some of the classics, they'll have little issues finding a copy.

Beyond that, unfortunately, they'd be out of luck. If a book isn't incredibly well known, it's a very slim chance of there being a braille version. Likewise, there's also very low chances of finding more recent releases.

Even one of my old favourites, The Perks of Being a Wallflower -- which was written around ten years ago and is fairly popular, doesn't have any braille copies.

While it is possible to get a book printed in braille for yourself, the costs of it can get quite high (As shown above) and it's not generally an option that people go for.

Durability:

The last point I want to make is that braille books don't last as long as printed books. Although braille is read with a light touch, the braille does get worn down over time.

Library books in particular are an unfortunate victim to this. Because so many different people are borrowing the books, they often get worn down much quicker. This can be because of new braille readers using a harsher touch when reading or it could be because of improper storage, either from the readers or from the library itself. It's less likely that somebody will notice when the braille is worn down.

The braille itself isn't the only concern. A lot of braille books are bound differently than printed books are and often use plastic for the bindings, which requires more care than the usual bindings of printed books. I've included an example of what a braille book may look like below.

[Image Description: A braille copy of The Fellowship of the Ring. It is open to a tactile map of Middle Earth. The binding is made of small, circular pieces of plastic, similar to a notebook of sorts. End ID.]

Now, this all isn't to say that he can't use braille books -- these are just some things to consider. And if you do choose to go in a different direction, may I suggest audio books?

Audio books have a wider availability than braille books do and are much less costly. There's also the added benefit of being able to take them pretty much everywhere with you, as long as you have one or two downloaded to your phone.

You could also go with having a balance of the two. Maybe your character uses audio books with his headphones or earbuds during the day and reads his braille books at home so he can give his ears a break from his headphones/earbuds.

Another option is large print books or e-books that allow you to adjust the font size, which could make it easier for your character to read them. There are also other strategies that he could use when reading regular printed books, such as covering an eye or using a bookmark to sort of box in the lines as he reads.

As one quick final note: Reading braille is actual reading! Braille is just another language with a different -- not lesser! -- method of reading it.

Hopefully some of this information helps! If you're interested in knowing more about the specifics of braille books, Blind In Mind's Braille Bookstore has a lot of great resources and their copy of The Fellowship of the Ring is the one I've been referencing.

Cheers,

~ Mod Icarus

[drbased]

ok I have to talk about 'the dialectic of sex' by shulamith firestone because it was one of the first proper feminist books I read and I didn't have the confidence back then to address this book:

so this is still the only book I've read so far that actually uses the words 'radical feminist' - except her definition of this politics is essentially transhumanist luxury space communism. because her understanding is that the 'root' of women's oppression is our reproductive capacity and therefore no matter what happens society will never fully be able to share the burden of childbirth and child-rearing across both sexes.

this book feels so evocative of its time - like there was a small window of pure hope shortly after the invention of the pill and the hippy movement where everything entirely changed for women. like, think about it: up until that point unless you use some sort of condom (which men don't like using - and also not 100% effective anyway) you're basically always vulnerable to being impregnated by a man during piv, which is considered the basic form of sexual intimacy wth men, which women are expected to engage in to be considered full members of society. so women would have all been in some sort of constant state of low-key fear; one sex - or rape - away from having a child that would change their entire existence. that's got to really fuck you up, especially your relationship with your own body. and you could get an abortion but only if you're incredibly lucky, and still getting an abortion is probably more like surviving a car crash than anything - like you're glad you made it through but also you're still damaged psychologically and probably physically as well. and it's such a silent fear as well - because women are supposed to want babies and babies just happen so you're not allowed to complain that this is because your husband always wants sex and he's the one who impregnates you but if he does people say 'she got herself pregnant again'. like there's layer upon layer of psychological terrorism surrounding men's impregnation of women and that's gotta mess you the hell up.

so the invention of the pill - holy shit, just imagine it. the hope. you can take the pill in secret, you can take the power back, you're not uniquely vulnerable to your own bodily forces anymore, that gives you time to fucking think, to be alive, to feel, to feel vulnerable, to feel free. it's like literal magic. if the most basic of happenings - pregnancy - can be actually prevented, then what else can we do to the body? what else can science do for us?? how more free can we get?? It's women's first time to (ironically) feel like a god, able to transcend the body. I'm actually surprised that I've not found more writings like shulamith's - that there weren't more women spurred on by this amazing discovery into further transhumanism. I guess the problem was that women were starting to notice that whilst women were able to change their own individual lives with the pill, that wasn't making men behave any differently.

but I still find it fascinating how this definition of radical feminism hasn't survived at all. as it stands on radblr, the 'root' of women's oppression is men, and therefore the only real solution is separatism. but like, what happened to the brand of feminism that says, uhhhh isn't it actually kinda fucked up that half the human race are burdened entirely with pregnancy, birth and child-rearing? and could we maybe be freed from that if we used science to bring about children another way? I'm not even agreeing with her that that would solve everything (because regardless even if we *could* make babies in a tube, that doesn't mean all women are going to magically become infertile, and it certainly doesn't mean than men are going to be less violent against us), but I'm very interested in questioning what the 'root' of women's oppression is - because modern 'radical feminism' has a lot of gaps to allow for a simplistic narrative that I'm sure many in the community, definitely myself included, are rapidly tiring of. and I think it shows in the separatism debate, which rages on because no one can think of any other solution, because the unspoken tenet is that what the 'root' is is solved and agreed-upon, and therefore the answer is just so damn obvious that the women who don't agree must be scared and stupid. I've been wanting to address this in some form or another for years now, and I guess I'm dipping my toes in it now.

at the very least, I'd like to know if someone has a good source on where the term 'radical feminism' came from and how its meaning has evolved over the years. in ariel levy's 'female chauvinist pigs' she touches on this debate that started in the late seventies that led to the fracturing of feminism and the creation of liberal feminism - and it seems to be along these same lines of separatism vs fucking men. I've always found it odd that there's essentially no middle ground here - like you don't need to embrace 'sluttiness' in order to want to have a healthy sexual relationship with a man, but it seems the liberal feminist side chose that, meanwhile the only other 'mainstream' option seems to be separatism. obviously a lot of the women in radblr don't actually fully agree with that - but all us hetties are suspiciously silent on that subject.

to me the issues with separatism go further than simply sex with men - sure it's psychologically good for you to only purchase from women owned businesses and only read books by women etc etc, and it financially uplifts other women. but also we live under capitalism, which obscures our reliance on each other. when you buy from that woman-owned business, the person delivering your package is likely to be male, the person who assembled the vehicle he drives is likely to be male, the person who constructed the roads he drives on is likely to be male. this is not to say that men are vital - but rather, your 'separatist choice' is a fundamentally capitalistic one that exists more for your peace of mind than being anything actually radical - as in, nothing about the 'root' of women's oppression is addressed in doing so. there's no ethical consumption under capitalism yadda yadda. and only speaking to women irl is also less of a capitalist action but still ultimately an individual one. there's so much emphasis on personal actions as the height of feminism and it screams liberal individualist to me. like you took 'the personal is political' and ran with it.

but if the root of the problem is men, then that's simple, isn't it? just don't interact with men. don't have sex with men. don't pay men, apart from the men who happen to be an inescapable part of the supply chain, they will inevitably get paid by your actions anyway, but you don't have to think about that because that's what capitalism does: it makes you think you have this magical power as an indvidual to make real radical choice in the world, to 'vote with your dollar'.

I'm not exactly calling for firebombing a walmart but I'm bored with the capitalism-loving individualistic liberalism of what this community calls 'radical feminism' - but that same thought-terminating cliche keeps getting thrown at us: 'we're radical, which means we grasp at the root, and the root is male violence, so you can't call yourself a radical feminist if you don't want to do the basic things of not wearing make-up and not fucking men'. and nobody ever seems to stop and question, does any of that actually address the root of our oppression? capitalism isn't the only economic system that has ever oppressed women, but it's the one we live under, and it's very good at sneaking into the backdrop of our lives and naturalising hierarchies - capitalism becomes its own justification, e.g. women choose low-paying jobs just because that's what we gravitate to, yanno?

being genuinely anti-capitalist recomplicates politics all over again, because suddenly it's not an easy men vs women but also men vs women vs rich people, some of whom are women??? and like, what's the solution to that? do we stand with men agains the capitalist system and risk our voices getting silenced, or do we go full single-issue and just go fuck it, capitalism was created by men for themselves like solanas said, so if we stand against men then idk capitalism will just sort of fall by itself? or in reality it's just not addressed at all. separatism itself always sits there as a thought-terminating cliche in and of itself - an accusation ready to be levelled at anyone who wants to question any of these unspoken tenets of radblr. and the goal-post is ever-shifting - separatism is women's land, but if you say that's not a real solution in our capitalist interconnected world then you get accused of not wanting women's spaces because that's obviously what separatism has been about this whole time. also separatism is not fucking men, actually it's not about that it's about prioritising women (vague), and on and on and on - the argument always shifts so the word stays pure. but like, is separatism an end-goal? a political tactic? something you do to enrich your own life and psyche? something to give space for consciousness-raising? I saw someone ages ago claim that the suffragettes wanting the right to vote was somehow separatist because idk, the women were making spaces for themselves? but wanting to involve yourself in male politics is literally assimilationist, no??

I'lm going to stop rambling for now but this was good to get my thoughts out there - I enjoy my theorising in this space but I'm also deeply interested in questioning. I've noticed time and time again that discourse is always stopped by 'you're not a real radical feminist if you do/don't do x' and I've found it really odd and telling that no one's questioned that? like sure I know we've built our whole political framework on 'words mean things' but also it's always worth questioning the definition of 'radical' and what the 'root' of our oppression is, and what we can actually do to address it, and if our narratives and assumptions are too simplistic. the community would be all the better for it imho. I already think the influx of 'tirfs' in the community and the khelif debate has been opening up these unspoken simplistic narratives on the nature of gender vs sex, of socialisation vs low-key biological essentialism, and I think we can push that kind of questioning even further. ramble over.

[nikethestatue]

Hello!

Wanted to get your thoughts on Elain not fitting into Night Court because per Cassian she is drowned out by “Night Court Black”? This also came up when Elain did not wear Illyrian leathers. One of the podcasts that I listen to (though mind you are very much in love with the red haired characters of the books, though they try to keep is unbiased) mentioned this. To me this has always been a bit of a faulty argument, especially about the Illyrian leathers because of course she would not want to wear that. Nesta was the same way. Cassian thinking that was an interesting way to word it—Mor nor Amgen regularly wear black yet he points this specifically out about Night Court. People tend to think well that must be it..Elain belongs in Day or Spring. Personally, I think SJM is perhaps pointing her to a different court all together—>Dusk perhaps???? Or it means absolutely nothing and Cassian is just oblivious to everyone except Nesta, despite the podcasters constantly talking about his emotional intelligence.

The 'black dress' comment has been addressed many times, and I can go back and kind of regurgitate the same info:

it's not the Night Court, it's specifically Hewn City

the plain black dress was there for a reason. To take all attention from her, and place it all on Nesta.

Elain volunteered HERSELF to go to Hewn City and play this role. She stated that she was 'part of this court' and would do what's necessary.

This is all canon and all in the book. So like I said, I am not going to regurgitate this info because the rebuttal of their arguments is already in there.

However, the Illyrian leathers thing is interesting.

Feyre stated that Elain possessed a 'different kind of strength' and SJM, in one of her interviews, said the same. Elain's strength, her powers are not connected to her abilities as a fighter. That's why she won't become a warrior. She is not a Blade. She is a loaf of bread. She is a flower. She is a rose in a mud field. She is a slice of cake. She is home. She is life. She is love. Her strength is that she does what is necessary, even if it's violent and cruel, and then she walks away. She doesn't dwell on it and doesn't take pride in causing pain.

However, unlike all of them, ELain was the only one who didn't need Illyrian leathers to deliver the most devastating blow of all--she stabbed the king. She didn't need any physical power to make a huge difference in the war--first by Seeing Vassa, who came in and destroyed the navy, and then by finding the Suriel with her Seer's Eyes, and through the Suriel, Amren learned how to shed her 'skin' and how to come to full power, thus developing a devastating blow to Hybern.

Elain has never been and hopefully will not be about fighting, slicing and dicing. Elain fully lives into the Nephelle philosophy. The weakest, the most 'insignificant' person can make the most difference. Nephelle with her too small wings, with her lack of physical powers also made a tremendous amount of difference in the previous War.

Cassian, the great warrior, the general, all clad in Illyrian leathers was no match for the King of Hybern. No matter his training, his physicality, his strength, he still fell, and was ready to die. But then Elain stepped out of the shadow and rammed Truth Teller through the King's throat.

That's her power. That's her strength. She does what needs to be done and then she returns to her quiet life, and continues to create.

That's the significance of Elain Archeron.

[loveothislife]

You’ll be in tears by the end of André Aciman’s 2007 novel Call Me By Your Name. Turning that last page feels like being rudely cast out of the love story between Elio and Oliver, two men who must be together, who have to be together, because, in the words of Faith Evans, “I never knew there was a love like this before.” But if you’re going to be heartbroken, at least let it be via Call Me By Your Name’s audiobook, read gorgeously by the upcoming film adaptation’s star, Armie Hammer, whose voice is the audio equivalent of ordering a Lyft Line and having it all to yourself.

In this new excerpt from the audiobook, out October 3, teenage Elio (played in the film by Timothée Chalamet) describes having sex for the very first time with Oliver (Hammer), the 24-year-old graduate student studying under his father for the summer. Elio’s had a crush on Oliver for weeks, and in this scene, we finally learn the significance of the book’s title. In this excerpt (and at all times), Hammer’s voice is brimming with such melody that, if you listen to it long enough, you can probably get drunk off it. Because you’ll need a way to explain to your friends why you have to cancel on your plans because you have a date with Armie Hammer’s voice, here are 20 descriptions of that supernatural sound:

1. Armie Hammer’s voice sounds a little like Jon Hamm’s voice, if Jon Hamm’s voice was dunked in honey.

2. Hearing Armie Hammer say “fuck” in the Call Me By Your Name audiobook makes it totally fine that he had to say “Let’s gut the friggin’ nerd” in The Social Network, because, you know what, some things are just worth the wait.

3. To hear Armie Hammer say “languorous” is to feel like Obama is still president, he’s just taking a vacation, but he and Michelle will be back in the White House soon.

4. Armie Hammer’s voice is the physical manifestation of those wooden decorative signs at Marshall’s or TJ Maxx that sell for $24.99 that say “Your Husband Called And Said It’s Ok To Buy Anything You Want.” Armie Hammer’s voice sounds like the fantasy of luxury.

5. Sometimes, when Armie Hammer is in the heat of a particularly vivid description, Armie Hammer’s voice sounds a little like the man who does the Men’s Wearhouse commercials. You know, the guy who says, “You’re going to like the way you look,” and now you kinda want to Google the nearest Men’s Wearhouse. You know, just in case.

6. I suspect that Armie Hammer’s voice would smell like linguini, seasoned with Tasmanian pepper and lemon with Parmesan cheese on top. I’d need to speak with Armie Hammer in person to confirm this. 7. You know when you’re a regular somewhere? And there’s a long line, but, say, the barista or the clerk or the tailor motions you around the long line because they’ve got your order ready? That’s what Armie Hammer’s voice sounds like.

8. Armie Hammer’s voice is so deep and viscous it sounds like when Beyoncé performs “Love on Top” live and she sings the chorus again and again and again and again, but that last time she sings “Baby it’s you,” she switches it up and goes to a lower key!

9. Armie Hammer’s voice sounds like it’s soaked in maple syrup and — surprise! — you’re at Bubby’s, and there’s no line, and lucky for you, your James Beard pancakes with peaches have just arrived to your table.

10. Armie Hammer’s voice sounds as euphonious as Oprah’s voice, which is quite possibly the highest compliment you could ever pay another human.

11. The way Armie Hammer says “kiss” feels like you have literally been kissed, not by his lips, but by the sun itself. You took a picture of this sun-kissing, posted it to Instagram, and you’ve gotten a lot of likes.

12. The way Armie Hammer says, “Call me by your name and I’ll call you by mine,” feels like a shared secret too tender for this savage and cacophonous place called the internet, but here we are.

13. Armie Hammer’s voice feels like when you’ve decided to take a nap, but to hell with setting an alarm! You’ll wake up when you wake up, and everyone texting you will have to deal with it!

14. Armie Hammer’s voice sounds like when the violins come in on Nelly’s “Grillz,” which is to say that it sounds like the ideal combination of highbrow and lowbrow.

15. Armie Hammer’s voice sounds like the opposite of that swish-swish a nylon sweatsuit made in the ’80s, because Armie Hammer has never worn nylon, he exclusively wears corduroy or linen.

16. The timbre of Armie Hammer’s voice is identical to the timbre of the bells ringing on the last day of school, when you could dump the entire contents of your backpack into the dumpster right in front of the teacher who wouldn’t round your 89 percent up to an A-.

17. Armie Hammer sounds so sumptuous and moneyed, you might think you’ve paid off all of your student loans.

18. Armie Hammer’s voice inexplicably sounds like he’s both speaking to you and listening to you and deeply interested in every fleeting thought that pops into your head, even the ones about Mother!

19. Hearing Armie Hammer’s voice is like going to the salon and getting a really good shampoo, where they use a little bit of tea tree oil and massage your temples and then say it’s on the house.

20. There’s such melody in Armie Hammer’s voice that the devil has to work overtime to get a new Nickelback song in the world, just so everything stays in balance.

Vulture (September 21, 2017)

[swordoffrivolousthings]

Rick Riordan has no scale for what it means to give characters positions of power or influence

I have seen a trend recently while thinking about the positions of power in PJO and HOO and who occupy them. A post that I can't find again also has breached this topic on a much smaller scale, so credit to them. (I'll try to find them and tag them.)

What I mean by positions of power and/or influence is this: positions from where a demigod has the ability to control organisations (i.e. the Hunters of Artemis and Camp Jupiter) or influence how and why things are done in a certain way (i.e. Annabeth's redesigning of Olympus and Jason's designing some of the other gods' cabins).

The first example is THALIA and how, upon becoming a hunter for Artemis, she is instantly catapulted to the top of the chain. Artemis bestows upon her the role of Lieutenant of Artemis. She is Artemis's second in command if the goddess herself isn't present.

But what does Thalia know of the inner workings of the Hunt? Next to nothing, because until a few days before, she hated them and what they stood for. She gets over her hate, which is part of her development, but it doesn't make her any less informed. One can't speculate that at some point she and Zoë have talked about the Hunt, because we have no hint of that happening in the books. One can headcanon that they'd had such a conversation, but we are speaking about canon. So she is blind. That would be fine, because she is a newbie, and has time to learn.

But no. Riordan gives her the most important place a hunter can occupy in the hierarchy. Why? The way I see it is Riordan decided that now that Thalia's completed her arc, she needs a physical reward. But going by book logic, I would also assume that Artemis was displaying some major nepotism. Because look, that is her sister, and she is in a meeting with daddy and she'd already crossed a line when interacting with her father. (I mean that she wants to reward the heroes while Zeus, most probably, just sees what they did as their duty and not something to be rewarded.) So Artemis boosts her sister up in the hierarchy so she wouldn't slight Zeus again.

Also, we've been ignoring the fact that there are far more experienced and reliable huntresses in the Hunt. Some of them have been with Artemis for many, many years bordering on millennia.

Next up is ANNABETH, about who I've already vented my frustrations, but let me say it again: Annabeth, while inspired by architecture and wanting to be an architect, is not trained and has no experience with it besides a few books and what I can assume is trying her hand at drawing potential projects. She isn't fit to redesign Olympus and certainly not able to think about all the facets of what it would entail, because she doesn't have the practical knowledge and the studies.

Yet Riordan writes it so that the gods offer her the opportunity to redesign their city state (is Olympus considered a city state??? Because it's what I've been thinking of it as). Why so? Because she has survived the war? (not like he was going to kill her, and I didn't think he would do it at any point in TLO.) And therefore she should get what she wanted besides all the PTSD and other disorders that most survivors get?

Because this is what I see.

We already know that the structure within Camp Jupiter is hinging on the child soldiers they train. The Senate is made out of centurions and ghosts and older citizens of New Rome, and we weren't shown that there had ever been adult Praetors. This is what Riordan intended, because this is what he wrote.

But it begs the question, why have REYNA and JASON specifically done to be awarded the position of Praetor that early in their lives? We are told that they went on at least a quest together, so they must have been pretty close before being made partners, and they seem to have worked well together.

We know that Reyna is a highly capable leader and managed to lead Camp Jupiter on her own for roughly 6 months. Jason was raised as a leader, so it is natural to assume that he knew how things worked. But that doesn't show why they were specifically chosen, especially after such a big conflict.

Just because Jason defeated a Titan single-handedly, it doesn't mean that there weren't any more capable hands for the duty to fall on. Also, has Reyna's POV ever revealed why she was chosen? Because I can't remember.

What I mean to say is that there were other, adult, people for the reasonability to fall back on. Because there had been said to be adults in the Senate. But Riordan, like before, has decided that the duty should fall on hormonal teenagers that have dumb ideas (not referring to Jason and Reyna, but more like stereotyping) instead of the adults. The excuse that demigods older than late teens and early twenties doesn't exist in New Rome. And don't tell me that not one of those people would take the duty, because there is shown to be influence and political power associated with being Praetor.

Alongside this, lets go to PERCY. Riordan decided that the Romans would raise Percy as Praetor because they'd seen him fight and the fact that he kind of saved their asses. Cool, I could understand this reasoning if the Romans had more time to get to know him. Because Percy's great! but he still is a child of Neptune, who they don't trust, and they don't trust him, because he was there for only a few hours a few days ago.

There is no basis on which to raise him straight from probation to praetorian-ship.

But Percy saved them! So Riordan decided, against all common sense, that he should get a position of power somewhere he knows next to nothing about, because of plot reasons and drama. Why couldn't Percy have just been seen as a great help and on that the Romans would build their trust upon him? To start to value his opinion?

But the plot of HOO moves so fast is was no room to take a breath and let things unfold naturally. So Riordan gives political and military powers to characters willy-nilly because it will help the story along.

Again to JASON, the cabin design things is the same as Annabeth's, so there is nothing to really say again. Other then the fact that they parallel each other in this way, and not in the good way when talking about writing.

Riordan has no scale of what it means when he gives his characters power and authority where they hadn't achieved it. He gives them upgrades in authority as a way to pay them for their good behaviour and character development, or simply because he hadn't thought all the way through what their positions would entail, and their ramifications.

I hope that I made a great job at explaining what I wanted. If you didn't understand what I said at some point, please do reach out. I can talk about this for a while.

[lulublack90]

Prompt 20 - Hold

@rosekillermicrofic September 20, word count 484

Previous part First Jegulus part

Sirius ushered the final customer out of the door and locked up. Together, they all helped clean the café so they could go relax in Regulus’s newly furnished flat. 

“Come on then, let’s see this life-changing video then,” Regulus said from James’s lap. While there was adequate seating for a small gathering, there was not enough for nine people. So on the sofa was Regulus sitting on James, Barty on Evan, Sirius and Remus on cushions on the floor, Pandora on a footstool and Monty on Effie's lap in the armchair. It was all very cosy. 

“Oh, yeah,” Barty said, as though it had slipped his mind as if it would. 

He pulled out his phone, loaded up the video and gave it to Regulus to hold. Regulus pressed play. 

Regulus’s eyes widened in shock as he watched the video. He watched it a few times before handing it to Sirius with a shaking hand. Sirius snatched the phone from Regulus and looked at the screen. 

“Oh my gods!” His mouth hung open as he stared at the screen. 

“Fuck you burger face!” Barty heard for the tenth time in the last few minutes. 

“Did you really do that?” Sirius’s voice cracked. Barty nodded, and before he knew it he had both the Black brothers hugging him bone breakingly tight. 

“Alright, alright, I get it you’re grateful,” They pulled back and he met their eyes. “That bitch deserves everything she gets,” He said vehemently. He ended up being hugged again. The phone got passed over to Effie and Monty. Barty heard their gasps then peels of laughter as they watched it again. 

Poor Evan ended up a bit squashed when the rest of the room tried to collectively hug Barty. “Enough, go hug each other,” Barty snapped, having had enough of the physical contact. 

They ate Chinese food, bought by Effie and Monty to say thank you to everyone for their parts in the Pettigrew issue, and Monty snuck Barty an extra fortune cookie for the video. He and Sirius both asked if he would send them the video so they could rewatch it themselves. 

“I’m so putting this on the internet,” Sirius beamed when the video transferred and Barty could hear his voice cursing Walburga for the umpteenth time. “Hey, Barty, could I have a word, in private?” Sirius asked once he’d put his phone away. Barty narrowed his eyes, but let Sirius lead him into Regulus’s kitchen. 

“What do you want?” Barty asked. He really had no idea what Sirius could want from him. 

“You have a van, right?” Sirius asked. 

“Yes,” Barty said uncertainly. 

“Don’t suppose you fancy a bit of breaking and entering of Grimmauld Place, do you?” Barty felt like all his Christmases had come at once. 

“Fuck yes!” 

“Good, I think Regulus has been parted from his books for long enough,” Barty was liking this idea very much. 

Next part

[gingergofastboatsmojito]

The salt of life

Disclaimer: This makes no sense, it's just a list of Sydcarmy musings and analogies but I wanted to share it anyway.

In culinary metaphors

Syd is affecting Carmy like TABLE salt affects mixes in bakery. She enhances Carmy’s flavor, but does not change it. That’s not always a good thing. It all depends on finding the right balance and timing and ensuring the ingredients are correctly mixed because otherwise, the whole thing is ruined.

Salt is dangerous. As a matter of fact, it can kill you.

Salt is basically sodium. Sodium is poison when incorrectly used, but it also makes the ❤️ beat when its levels are balanced out with the potassium in our blood.

In medical terms

Syd is the heart.

Carmy is the circulatory system that would dry up and die unless the heart irrigates it.

The Bear, their place, is the blood. The family.

What makes the heart beat is electricity.

They generate this power. This spark. And it can get out of control, like all sparks, of course.

That’s the chemistry they create when they are together → Beating.

None make sense without the other, BECAUSE THEY FORM A SYSTEM, is you separate the veins and arteries from the heart and the blood, they are simply lifeless. Isolated they don't make much sense.

THEY ARE A SYSTEM. THE MAIN SYSTEM.

How that system works

She lit the spark in him and gave him a heart when he was used to being a robot who only worked and smoked the competition.

Sydney could definitely work without Carmy, but at this point, it wouldn't make sense for her. She would feel lifeless, even if she wins 100 stars elsewhere. Her place is The Bear, the restaurant and the chef. Because that's what she chose with her heart.

Carmy has worked and thrived without her and wouldn't do it again unless it's out of spite, just to show her.

However, I don't think it'll come to that like it once did with Michael, or his parents, he has learned that lesson the hard way by now.

Carmy works as a SYSTEM, as part of something bigger than him, if he becomes isolated, S3 Carmy takes the wheel. He doesn't work like that, he crashes and burns.

But during most of S3 the "spark" Syd ignited in him, the one that got the blood flowing again, gave him a heart, a purpose, where there was only a hurt man who felt so much pain that couldn't even express it and thus, sublimated it in the form of a work addiction and functional depression, and therefore couldn't overcome it either, got out of control.

The SYSTEM was broken, because the elements that formed it attempted to work separately. There was no synergy, just energy that was out of balance. Not completely, but mostly.

Back to the salt

I have already gone over the analogy between Carmy and onions, acid, etc. Most in the fandom have, but here's a reminder of what I think about that:

So, the result of mixing culinary purpose salt (table salt) with acid ingredients is a WEAKER ACID.

We can all agree on Carmy being "intense", right?

Well, when in contact with her he can calibrate himself better.

I emphasize "contact" because when they are OUT OF TOUCH, the effect is almost instantaneous and painfully obvious in Carmy, which has always been, and in S3 it started to become more apparent in her too, as you can see in these previous entries:

They belong together to balance each other out, when there's this distance between them, that we saw in S3, THEY ARE IMBALANCED.

Salt is the balancer ingredient in any recipe. It enhances what needs to be enhanced and neutralizes what needs to be neutralized if used correctly

But salt on its own is no good, it needs to work as part of a recipe, a dish, A SYSTEM.

She's the salt, his salt, the one that brought flavor back to his life, and that's why his story re-started the day she came into his life. Carmy and all that he represents, the restaurant he inherited, the family in it, the family business that Cicero keeps funding, the extended family now Syd found at The Bear, is the system. He is a system that needs to be balanced and sometimes neutralized. Salt is the main ingredient for him, because he lacks of it, he's acid.

Bonus track: Le Chatelier's principle

I have mentioned this before but it bears repeating→ When her dishes were out of balance it was always because of the "acid" ingredient, which means she's outta balance too. Carmy doesn't balance her, he doesn't have that effect on her. In chemistry, acids tend to dissolve salt BUT they can create NEW SALTS too (Le Chatelier's principle). She's fighting this because she knows that once she fully lets Carmy in, it's gonna be the end of the world as she knows it. She won't be able to fight it much longer after this breaking point ↓

Remember to follow my tag #Gingerpovs 💋

[theprenderelliepalace]

Tag, you owe me

☆• Five x reader •☆

Season 4 AU -The Umbrella Academy

A/n I'm pretending season 4 happened a lot less season 4ish- so imagine this:

Summary: After The Umbrella Academy stopped The Cleanse and saved the world, life was just as crazy as it had been before. It's Grace's 8th birthday and a lot has happened in two years for Five and the other Hargreeves, you being one of those things. Tensions are high at what should be a simple birthday party, so Five asks you to help him out. But when have you ever listened to Five?

Warnings: Fake dating, cannon typical Hargreaves chaos, fluff, no Five x Lila nonsense (but maybe a bit of drama...), no use of y/n, readers not a marigold baby (but could be), gramatical errors I'm sure, swearing etc.

•☆•

You met Five Hargreeves 2 years ago when you were a paper pusher for the CIA's cold case unit. He was rude, obnoxious in every sense of the word and irritatingly good at his job. Naturally you couldn't resist getting a coffee with him.

You only got strung along from there. Your first case that he dragged you into almost cost you your job and your life, but it also got you bumped up to your own undercover unit, where you spent your days bickering with the worst partner you could've dreamt of.

Two years later and you couldn't have hated him less, but you're trying to be civil.

"Hey Fiver, where'd you put those case files I asked you to sign off? - Mmph!!" Your words are muffled by a calloused hand covering your mouth. You squirm for freedom, your training kicking in. You look up briefly at your captor and physically deflate at the sight of him. You are tempted to scream and get him in trouble, but the look on his face makes you think twice.

"Not a word, or I swear-" You elbow him in the gut, not hard enough to hurt him, just hard enough to get a word in edgewise. His hand falls away in surprise.

You gasp for breath. "The hell are you doing you crazy mother-" His hand clamps over your mouth again. With his free hand, he points out into the lobby. You clock a Hispanic man with scraggly hair at reception. He seems to be talking to Sally at the front desk.

Based on your 2 years of experience with Five. You assume this is either a terrorist, or a family member. Judging by his overreaction, you guess family.

The man sighed at whatever Sally said to him and turns, walking down the hall towards the exit. Five frees you from his iron grip. You stumble away from him, turning on your heel with outrage written all over your face. "You need help."

He smirks, although he appears distracted. "Tell me something I don't know honey." You give him the finger.

"Fuck you. The hell was that about?" You snarl at him.

"Family business. Birthday party. Ugly, ugly stuff. Wouldn't want you to get involved. You might just mess up your nails." He mocks. Shuddering at the thought of his family.

"First of all, my nails are always fantastic. Secondly, don't bullshit me." Five quirks a brow at you. "You've been doing this song and dance with your mysterious 'family' since I first met you. You're just a coward in my book Fiver." You watch his jaw clench, taking satisfaction in striking a nerve.

"Oh. Okay, I see how it is partner. You want my crybaby, backstory? Well come 'n get it sister." He glares at you, waiting for you to accept the challenge. You scoff. This is ridiculous, you're well into your 20s, this whole thing is just juvenile.

"Can't we be more mature than this?" You plead, though sarcasm drips off your tongue with a lazy ease.

"One of us can't." He retorts. You roll your eyes. You've learned that when he gets like this, it's best to bow out for a few hours and wait for everything to return to normal.

"Okay. Okay. I'll get lost. But I warn you Fiver, this whole thing will only bite you in the ass one day." You shrug, making for the break room. He grabs your wrist.

"I hate that stupid nickname."

"I know you do. Honey." You taunt him. It's dangerous, but oh how it thrills you. He pulls you closer, your lips are dangerously close, but achingly far.

"You owe me, you know..." You watch the gears turn in his head as that look you know so well falls over his face. "An eye for an eye. What'dya say?" The smug smirk on his face is enough to make you want to smack him.

"How'd you figure that you fuckin' cowboy?" Your stomach swirls with hot, unadulterated hatred, and something else...

"Remember the Fortheim case?" He gambles, knowing he's already won.

"Okay! Okay... Enough said..." He leans back, satisfied.

"Atta girl." You slap him.

•☆•

And that little backstory, was how you ended up drinking apple juice at an 8 year-olds birthday party at a Lazer Tag joint downtown.

"Happy?" You ask Five, who's had you glued to his arm for the last 2 hours.

"Not a day in my life." He sighs. You shake your head, itching to snap back when you hear someone call his name.

"Five! Long time no see man." A gangly looking hipster saunters towards the two of you. You smile at him, you're not sure what it is, but you like him already. "Oooh, who's your little lady friend?"

"Girlfriend." You say.

"Date." He states. You and Five exchange glances.

Five clears his throat. "This is my brother, Klaus." Your partner straightens his tie, as though trying to blend into the wall and out of this conversation. Klaus hums in amusement, his eyes crinkling with silent mirth. The hippie extends a graceless arm towards Five, enveloping him in an iron side-hug.

"You'll forgive my brother. He's never been the social butterfly of our family." Klaus smiles, it's a stupid smile, but it makes your heart warm to the brotherly love evident in his gesture.

"I noticed." You smile at Five, who shrinks even further into the wall, if possible.

"So, Miss Five's Secret Girlfriend. Where did he find you?" Klaus inquires, almost as though he's speaking about the weather.

You laugh. "Oh some back alley somewhere. Nothing fancy."

"Klaus let me go." Five warns. Straining against his brothers grip. For a guy so skinny, he has incredible grip strength to hold onto his whirlwind of a brother.

Klaus ignores this demand. "Oh yes. Makes sense. Not that you look the alley-type sweetheart, I just know my brother." He winks at you.

You smirk in return. Thoroughly enjoying Fives suffering. "I guess you do."

Abruptly, Klaus releases Five, sending him hurtling backwards. You can barely stifle your giggles now. "Well, it's been a pleasure missy. You're too good for him by the way." Klaus struts off towards the food table, eyeing the chocolate éclairs hungrily.

"I agree." You say to Five, who's look of pure rage could topple buildings.

"I hate him." He scowls.

"Oh hush. He's great." You grab your fake boyfriend by the arm, tugging him towards a cluster of people talking behind a drink cooler, suddenly feeling all the more chatty.

"Five? I didn't think you'd come." Says a strikingly tall man with spiked blond hair. He glances at you and then at your hand clenched around Fives. The look of confusion on his face is priceless. "I- who? What -" Internally cackling at your newfound revelation, you make to reply.

"Hi, I'm Five's partner." Not entirely dishonest. You stick your hand towards him, he shakes it dumbly, lost for words.

"Five? A girlfriend? What, are we on a Prankshow?" Says the woman at his side. She eyes you suspiciously. "Sloane." She affirms. You nod with practiced ease.

Five looks about ready to kill. You decide to ease off some. "My other brother, Luther." Your partner growls. Luther smiles now, almost like he's somehow in on a very bad joke. He begins to say something, but you cut him off.

"It was nice to meet you both. Excuse me for a moment." You smile sweetly, heading for the bathrooms. You catch Fives deathstare. "Fiver." You wink. You cackle as you listen to the onslaught of questions and abuses from his family. Serves him right, dragging you all the way out here, explaining nothing and still managing to be the most cantankerous jerk you've ever met.

You duck behind a corner, taking a corridor that leads into one of the Lazer Tag rooms. You decide to wait until they cut the cake before you make your showstopping final appearance. You're feeling on top of the world until you feel a familiar hand clasp your wrist.

"When I said come to my nieces birthday party as a distraction, that was not what I meant."

You turn to face Five. "What, did you want us to make-out or something? Would that have been distracting enough?" You scoff, pulling your hand out of his. "You're such a prick Hargreaves, you know that? Dragging me out here as bait! What the hell am I even doing here? You've got a good enough relationship with your brothers. Why bother?"

He looks at down at his polished brogues, the lilac light from the strobing LEDs above making him look older, haggard even. "It's complicated."

"By all means, uncomplicate it."

"I- I had this thing with my brother's wife..."

"Jesus Five!"

He glares at you reproachfully. "Not like that dammit! He just thought... it was a godawful time in my life okay?" He sighs, like the weight of the confession was boring into his chest.

"Look, I'm sorry. I didn't mean to pry like that, but we're partners Five. We don't trick each other for petty stuff." You smile. "If you wanted to ask me out that bad, you shouldda just asked." You tease.

He smiles wryly. "That obvious huh?"

What? "What?" You gulp, dumbfounded.

He laughs at you, this achingly amazing laugh that catches you, making your laugh echo his in a sweet bubble of silliness.

"I've got to have a word with my brother, but," He smiles nervously at you. That's a first. "Do you wanna get outta here?"

"Depends on what I have an itch for." You smile coyly.

"Coffee?"

"Coffee."

He winks at you. "You got it partner." Suddenly your face becomes hot, you look away, enjoying the new meaning in the word. You glance up again, ready for a comeback only to find Five absent. It was strange, you could've swarn he couldn't have gone anywhere without you hearing him go. It was such a tight space, with hartily creaking floors.

In your stupor, you made your way back to the main party area. Finding Five, engrossed in conversation with the Hispanic man from earlier. You make your way over to them.

"Don't sweat it man. We're cool, Lila's cool."

"Says who?" You hear a woman's English accent from behind a brightly coloured piñata. The Hispanic man rolls his eyes.

"Don't listen to her. We're all good now Five. I get it, it was seven years."

Five tenses. "Nothing happened Diego." Diego laughs.

"I forget what a prude you are sometimes man. Chill. But I get it, you're trynna impress your new chica, right?" Diego glances at you slyly. You squirm slightly. Five turns, spots you and huffs.

"Okay. Goodbye. I've had enough of this family for one afternoon. Come on you." He waves at you over his shoulder.

"What? What girl- oh!" Lila, apparently, peers around the piñata and laughs, the complete hysterical kind. "Never in my life..." She pats Five on the shoulder, uttering something you can't hear.

By now, there are 7 people surrounding you, all smirking like idiots. You find it endearing.

You decide to take matters into your own hands. You take Fives hand, drag him away from his family and towards the door, but not before planting your palms tenderly on either side of his face and pressing your lips to his. He gasps into your kiss but his hands find your waist eventually, pulling you into him.

His siblings jeer and catcall, but you get the sense he doesn't care anymore. You giggle into the kiss as you watch him give them the finger. He pulls away from you, stranding out to the parking lot.

You gaze fondly at the people in the lobby and give them the bow they deserve. "Thank you and goodnight!" You smile at the laughter that echoes after you as the doors close behind you.

You race to catch up to Five, who's already waiting to open the passenger door for you. "I like your family Fiver."

He smiles, "They like you honey."

•☆•

[thoseyoulove]

Hello,Can you rank your Armand favorite relationshipw and why ? (I just love reading opinions , nothing serious)

Hi!

Fistly, thank you for the question! I get sometimes sending messages can be uncomfortable and you may not receive the nicest answers, but you don't need to explain yourself. Whether is a fun or serious question, asking my opinion or sharing your own: I LOVE talking about this universe and always welcome it.

Anyway, now to ranking!

P.S. This is long and contain spoilers. These opinions are based on the sequence from The Vampire Lestat to The Vampire Armand and aren't necessarily permanent.

Lesmand / Armandstat

Favorite relationship on the books as a whole for basically three reasons: it's always interesting (even on its smallest moments), they are deeply mirrored so it provides a compelling dynamic and is often intense. They are two sides of the same coin and parallel one another so much in terms of personalities and experiences. From their first interaction, it already seemed that they knew each other their whole lives because they could read one another like an open book. There is this mix of unconscious, but immediate recognition, understanding, curiosity, care, attraction, insecurity, fear, anger and frustration because they're the only ones that fully get each other. It's one thing to know someone for what they share or you observe, but you only fully comprehend somebody when you have a lot in common like they do. Still, that's terrifying because you're completely bare, vulnerable and forced to confront stuff you want to run away from. They have a lot of sharp dialogue and arguments where they throw the hardest truths on the other's face and they know how to push each other's buttons from day one. Yet, the fascination, affection and protection are still there and they always stay somewhat close. And that results in a lot of first class tension: what brings both together also pulls them apart and they're often fighting so many conflicting emotions (as a duo and individuals) because they keep going back and forth. Obviously, they're far from perfect and have both tremendously hurt one another verbally, physically and with Claudia's death (which Armand's is responsible for). But even then, they were never enemies or rivals. I get why people would use such words, but I think they would need to hate or wish bad things for each other to be classified as such and that's never happened. Even if they did something to give that impression, it wasn't genuine and they made themselves suffer in the process too. There was definitely hate for words said and things done, but for the person it was always love. Through the good, the bad, the ugly and the complicated. This dynamic defies definitions and there aren't enough words in any language I know to fully and precisely categorize or desxribe even it. For better or worse, they're on a league of their own and I've never seen anything like it on books, movies or TV shows.

2. Armand x Bianca

I love Bianca. She's been such a great addition and it's a breath of fresh air whenever she appears. It was so satisfying to see them being friends, connecting and Armand having something that was entirely his own without Marius being involved (though considering the pattern of this book, it will probably change). I also enjoy the fact they met and bonded as humans, you know? There's something lovely and unique about it since most pairings had one or both parties already being a vampire on their first encounter. And another sweet thing is that even centuries later Armand still emphasizes how he'll never forget her. They have become really special to me.

3. Armand & Riccardo

Usually relationships where one is a small or Marius is somewhat involved don't work for me, but that's an exception. Riccardo isn't as developed as Armand and part of this (creepy) palazzo where Marius keeps several teenagers/children in, but you do know enough to grow attached to him. Actually, given the situation these boys are in, I ended up caring about the ones who don't even have a name. And despite the proximity Marius has to them, the kids have friendships of their own. Obviously, this isn't the healthiest environment and they all deserved better, but I'm so glad they had each other and a sense of family (specially because some of them don't even remember their own relatives well anymore). That brings me some kind of comfort. There are these moments when Armand gets emotional thinking about how much he loves them all and would die for them and when he almost does and they're all (with Bianca) crying and Armand is surprised by their reactions because they loved him so much... It really moved me So, I adore them.

4. Armandiel

The Devil's Minion chapter is one of my top favorite pieces of The Queen of the Damned. Its best aspect is seeing Armand on his self-discovery journey and how Daniel was just patient and supportive. And that's so important, because a big part of Armand's characterization is how he has no sense of identity. He's gone through so much trauma since early and formative years and always adapted to please others or even make out alive. This made him lose key parts of his memory and every sense of self and he definitely needed that. So, to see Daniel not tell him what to do, but instead let him try new stuff, see what he loved or not, on his own terms and pace and Daniel just going along with him... It was wonderful. The only downsides is that I believe Daniel deserved more individual development and it was rushed. Twelve years deserved more chapters, probably books plural. That said, I bet the show will take its strong points and only elevate their story. And I can't wait because I've already lost my mind with them on season 2 (they have my favorite scene on the show, by the way).

Honorable mentions:

Armand & Benji + Sybelle

Haven't seen a lot of them, but Armand opened his book saying he was full of love and excitedly talking about these children he took in. There's also this moment he asked David if he liked his kids and he just sounded like a proud dad. It was adorable. I'm definitely looking forward to seeing more of them.

Armand & his family

There's been very little of them and I doubt there will be more, so I can't talk about their relationship per se, but the chapter they say goodbye is devastating and beautiful. Those recent posts of me losing my mind were because of it. I've never cried so much with art and rarely cried like that even in real life. It was an experience I'd never had before and an emotion I didn't know was humanly possible. I was mentally, emotionally and spiritually touched to the point of exhaustion. It's been the best part of The Vampire Armand, if not of the whole chronicles. And it will stick with me forever.

[smalltownfae]

Here’s my physical TBR for the rest of the year, but remember I might not read most of these still. I just like making lists, but following them not as much.

The Count of Monte Cristo by Alexandre Dumas (currently reading - on page 204 of 876 on my edition)

The Collected Poems of Robert Frost (I have been reading it and now I only have the longer poems left)

Shards of Time by Lynn Flewelling (will definitely finish the Nightrunner series. Only have this one left)

The Remains of the Day by Kazuo Ishiguro

The Starless Sea by Erin Morgenstern (this is a friends book club pick for September. I hope I like it more than the Night Circus)

Wuthering Heights by Emily Bronte (the only Bronte sister I haven’t read anything from yet and it’s getting very embarassing)

Watership Down by Richard Addams

East of Eden by John Steinbeck (I should read more Steinbeck... and reread Of Mice and Men)

A Single Man by Christopher Isherwood (it’s short and gay. I usually like those. I also remember liking Mr. Norris changes trains alright)

The Odyssey by Homer (while listening to Epic the Musical sountracks for a greater experience)

Emma by Jane Austen (I feel like this one is going to be my favourite Austen and yet I do not read it)

Persuasion by Jane Austen

Stoner by John Williams

The Silmarillion by J.R.R. Tolkien (already read the Hobbit and LOTR so...)

[mirrorhouse]

i can see 1980/1981 (around the time daniel turns 27/28) as being the catalyst for his relationship with armand starting to splinter, his resentment over armand withholding the gift coming to a head, the occasional running off and wandering starting before it starts ramping up in frequency. because it's when it really hits him that's where armand is frozen — 27 forever — and daniel's past that now. he's always been younger than armand both physically and mentally but now daniel's the one who's older physically. suddenly it's way more real that one day he'll be turning grey and armand won't and it fucks with him badly

[ezlo-x]

Ok everypony place your bets, do you guys think the totk artbook is going to be leaked a month before release (august) or is wiitendo going to take the lead and terminate anyone who dares to do it

[diaruchann]

I think for most people it went:

Percy Jackson -> Greek Mythology -> Epic: The Musical

But somehow for me it was:

Epic: The Musical -> Percy Jackson -> Greek Mythology

[the-writing-mobster]

Because I constantly get hate for WDYW Chapter 49,

(I get it, it's polarizing) allow me to like,,, explain why I went with the plot point? I don't really owe anyone an explanation, and literally fuck any of my haters, they're ants, but I think my readers/people who actually like my writing would like to know the lore behind my choices.

So, context, in chapter 49, Frisk is drugged into obedience by Muffet and Muffet, being the money hungry cunt that she is, sells Frisk's body on the black market. It's a really uncomfortable concept, and when it happened it caused a lot of readers to drop the fic or rant at me in the comments, talk shit about my fic in private forums behind my back, or even imply a bunch of horrible things about me as a person lmao.

So why did I decide to go with this plot?

Well, for one, it all stems from two books: The Hunger Games, Mockingjay by Suzanne Collins and the Empress by S.J Kincaid.

In both of these books, there is a pivotal character who is drugged, manipulated and used for political gain by a dastardly authority figure. In The Empress, this plot point was ESPECIALLY devastating, because it completely changed and corrupted the character into a horrific shell of their old self to where they were actively antagonistic and irredeemable!

This plot device has intrigued and fascinated me ever since. Drugging a protagonist to make them wholly dependent on their abuser/villain, manipulating them, having them at rock bottom is, in my opinion, one of the worst things that can happen to a character... And seeing how the character can overcome it is the greatest triumph!

Ever since reading these books, this plot device has buzzed in the back of my mind and there is a part of me that always tries to recreate it, but I can never come close to perfecting it.

Either I always miss on the addiction part of the manipulation, or I can never commit truly to character corruption. Either way, the closest I've ever gotten to scratching this itch has been in WDYW part 3, but even then, I barely came close to getting it right.

My second reason for choosing the route; In WDYW, Frisk's whole arc is about having control over her own agency/autonomy/fate. What happens to her in Part 3 is the culmination of everything she's ran away from, fought against, and her greatest nightmare come to life. It was the lowest point I could bring her character, and make her face her past demons in a horrifically evil way. But my plan had obviously been that despite all of the torture she survives, that she not only survives but fucking WINS!

That was the whole point, but when I wrote it I was like,,, 17/18 😅, so there was definitely things I wasn't as graceful about.

With that said, would I change anything? Yes. If I could change anything I wrote about part 3, I would do a couple things:

1. Take out that obedience spell Muffet puts on Frisk. The reason I made that was because it was like a catch all spell to keep Frisk in Muffets clutches? But it was pretty OP and seemed like a hand wavey excuse to brush aside plot holes. I should've just simplified the spell to where she was simply tethered to Muffet's soul so Sans couldn't kill Muffet, or teleport Frisk away.

2. Frisk's "obedience" to Muffet should've been entirely addiction based, which would make the plot point of Frisk using determination to burn out her addiction in Part 4, and then eventually Determination becomes the addiction instead, (because overcoming addiction is really fucking hard actually and a constant struggle) a lot stronger.

3. I would probably be much more careful with my word choice in chapter 49. Some of it comes off as sexualization. Not my intention, but it was because I was writing in the creepy photographer's pov and he was objectifying her. In my head I was like, "surely people can read between the lines right???" (They can't. Only a select few fanfic readers have media literacy apparently)

So, TLDR, No chapter 49 was not some author's barely disguised fetish (that's honestly a really gross way to think about my writing and about me as a person) it was my genuine worst nightmare as a woman, and one of my favorite plot devices from two of my favorite books 😭 Please lay off me about chapter 49, and Part 3.

Last but not least... Some art is meant to disturb the comfortable and comfort the disturbed.

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