#this story is affecting me

[orionsangel86]

Deciding I couldn't wait to listen to Act 2 of The Sandman on Audible, I decided to just jump in and read the comics instead. I have consumed them at a pace far quicker than I thought I was capable of and have finally reached the end of the Worlds End books. The Kindly Ones is next. I know whats coming, but I can't bring myself to read on. The end of Worlds End left me with such a deep feeling of dread and melancholy, just like the guy at the inn, looking up at the giants in the sky...

The end of Brief Lives hurt, but I don't think I'm gonna be able to make it through The Kindly Ones. I wanna storm into Destiny's garden, rip his stupid book from his hands and tear out all the pages.

These dumb comics made me fall in love with that silly emo boy endless dream king more than the show ever did. My brain has gone and Castiel-ified him and I HATE myself for it.

I can't read on. I've hit an impasse. I need the ending to change... how many times have I complained on here how much I loathe tragedies.

Sigh.

As someone who generally doesn't like comics, these comics are fucking superb. The story is SO beautifully crafted. This is next level story weaving and how could I have expected anything less from Neil Gaiman really? But I NEED him to change the ending.

***Spoiler alert***

The whole way through this story so far there has been this idea that those who resist change die, that those are your options: you must change, or you must die. There is all this foreshadowing about change or death, and there are all these hints to different paths taken and choices made, I wonder if Neil was in several minds about how the story would end whilst he was writing, and in the end, he chose the tragic path. Dream couldn't change enough to prevent his death, it even seems, from what I have read so far and what little I have spoiled myself, that perhaps he even welcomes his death? Now that just wont do.

I don't know all the details of what comes next, but I do know the ending, and I don't like it. The one thing I keep clinging to is Hob's last dream, and the hope that perhaps that means that Morpheus isn't actually dead at all, but just free of his duty, free of his role, and out there somewhere, with his brother, at peace and happy. (Yes I already spoiled myself and read the comics with Hob and everything from the Ren Faire through to the dream on the beach had me sobbing even though I didn't know what had happened before)

I am almost certain Sandman will get more seasons at Netflix (and if Netflix don't renew someone else will snap it up - hopefully HBO) so am sure there will be a point in the future when these later stories are adapted and my god I hope they do change it, somehow. Even if everything still happens to lead to his death, i would need more emphasis on Hob's dream to basically confirm that he was still "alive" somewhere, that he was free, that he was happy...

That's my wish. Until then, I will go immerse myself in ridiculously sappy happy fluffy fanfiction I think. Thank FUCK for fanfiction!

[escapistcatontheinternet]

i love the extras of dungeon meshi in how it fleshes out the world because they make it so much more evident how race affects every part of the story while avoiding the zootopia racism problem. like obv a main theme of the story is like, humanity and desire, 'to eat is to live', etc, but since the majority of it takes place in the dungeon isolated from society and thru the lens of laios, the racial aspects play out more like shadows on a wall for most of the story.

then in the extras we get comics like this

which at a glance fleshes out the racial aspects via a character explaining the racial rules of universe - humans have x amount of bones, while orcs and kobolds have more. however, if u take it less straightforwardly, it points out how the concept of 'human' is a constructed concept in the world. the fact that there are different categories of human in different parts of the world based off of what types of humanoids occur there is already a demonstration of this. in response, the bones explanation seems to kabru and the characters as an objective way of measuring humans vs nonhumans.

but obv, when the culture was deciding what humanoids were humans and nonhumans, they weren't blindly analyzing skeletons and then deciding. just visually, one can glean that orcs and kobolds look less like the ingroup of tallmen, elves, dwarves, gnomes, etc. the bones explanation appears as a justification for that immediate prejudice under a scientific guise - I'm sure that one could come up with the same number of physical differences between a gnome and an elf that they would find between a tallman and an orc. it sounds a lot better to say 'well, an orc has 230 bones while a human has 206' then 'well, an orc looks ewwww yucky yucky to me while a human looks normal'.

and what i like abt the comic is that the characters take the explanation at face value for the most part. when a contradiction is brought up in the oni, kabru can neatly slot them into the predetermined number of bones framework. bc that's kinda how it works irl - there r cultural prejudices that we can posthumously justify, and if we find something outside of it, we can twist it to fit into our predetermined binary. however, since the reader does not live in a world where there are orcs and kobolds to be prejudiced against, we can see that flaw in the cultural logic. when the party encounters the orcs, the number of bones has no bearing on their humanity. They r shown to be cliquish and distrusting of outsiders, but not any more than the elves are later in the story.

tldr dungeon meshi worldbuilding is so good

[knownoshamc]

proof that they were together in the past or... it could all mean nothing

[zombie-bait]

"old man yaoi" has become one of my new favourite phrases which is unfortunate because it is inappropriate in roughly 99% of real world scenarios

[ryllen]

d a m n , i t ' s ' i ' ... not 'we' i guess everybody can perish now

[milkbreadtoast]

idk how i want to draw him yet and not ready to make a srs attempt but here's a bad kdj phone doodle lol🚶🏻

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.

[gayofthefae]

Shoutout to the writing of and inclusion of the line "Yeah, for Mom's work" that just so clearly makes sure to clarify: this is not characters who don't like each other. This is siblings fighting.

Will sees Joyce as El's mom and El as his sister and that is not revokable when he's mad, it is a universal truth to him now. He's upset with her but he is upset with his sister and they wanted to make sure you knew that that's what this is to him. This isn't season 3, he isn't tense with his crush's girlfriend. He's just having a squabble with his sister, which she is first now.

[uldren-sov]

finished chapter 3 and just

EVERYTHING IS FINE

everything is JUST FINE

[coffehbeans]

Another g/t trope that I love but as a dialogue prompt

Giant: "You're scared of me."

Tiny: "...I don't want to be."

[joshuamj]

In Stars And Time? More like In Ace And Gender

+ some alts

[scoriarose]

I'm thinking about how I've always been told, "Reptiles are incapable of love. They only use you for your body heat." But then I see my girls do this with each other- and they're both cold blooded.

When I let them play together, they are almost always together either cuddling or following each other around. Sakura does most of the following and seeks out here sibling if she's scared, but has also been very brave when she thought her sister needed protecting. If this is not love, what is it? And yes, Scoria is very loving with me too- but I find it hard to believe she only wants my body heat when she cuddles her sibling who doesn't have any.

If not love, it at the very least is more than seeking out body heat since that variable is removed between her sister and myself and she seeks both of us for cuddles and comfort. Her little sister will race to her sister and hide under her when she's scared, and Scoria has gone out of her way to comfort her sister at no other benefit to herself. I'm hoping to get similar actions on video as they regularly do these things with each other but it's hard to predict to have my camera filming.

I think sometimes Sakura likes together time a little more than Scoria, hahaha.

"Sister please, the door is only so big."

'I'm with you! ❤️ I do what you do! 🩷'

-Tolerates baby sister's shenanigans-

Anyway, the next time someone tells you your snake doesn't care about you and is only trying to steal your body heat, remember these girls who adore each other and have no body heat to steal.

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[tiny-huts]

"I missed eating beef wellingtons so I went to go eat ground beef out of the dumpster"

[homicidalbrunette]

Here's 3 minutes of Katya and Trixie acting like an old married couple

[saccharinescorpion]

since people are reblogging that Ryoko Kui short story a lot i'd like to draw attention to Seven Little Sons of The Dragon, another short story anthology by Kui that DOES have an offficial English translation