#this stuff isn't good for people with anxiety like me

[slugtranslation-hypmic]

Hihi slug, I love your work, and thanks for everything!! Since Matenro season is nearly upon us, I was wondering if we could get your opinion on the solo snippets🤞🤞

Matenro's new solo previews are SO GOOD, what do you think of them?

Thank you both for notifying me about them! Taking a look now...

(The album is probably already out now, but... better late than never...)

Jakurai's A Majestic Figure

Title note: 4-kanji compounds are like the SAT vocab words of Japanese; they're not super common in everyday speech and can evoke a literary or sophisticated feeling. This one is...interesting. To the best of my knowledge, it isn't a standard compound (I'm also not getting any hits when I Google it) and I wonder if that's significant. It's just two words strung together to make the appearance of fanciness, perhaps. I couldn't say for certain. At any rate, both 威風 and (especially) 颯爽 describe a majestic, often captivating appearance. This isn't to say that such qualities of dignity or majesty aren't real, but I definitely feel like both terms are defining a subject from an outside perspective. These aren't terms I would ever expect someone to describe themselves with, which makes the song title sound like it's an outside observer commenting on Jakurai instead of Jakurai talking about himself. We see this happen a lot in Hypmic, with people putting Jakurai on pedestals or Jakurai struggling to see himself as the same grand figure others perceive him as. As a result, I wrote the song title as "A Majestic Figure" to emphasize the appearance of majesty, whereas the character of the figure is unknown. Anyway, let's dive in and see what this is all about.

(10 seconds in) Vibing with these instrumentals

(19 seconds in) Not vibing with these "ah"s... but we can't have everything in life

(43 seconds in) I'm a little too tired to fully keep up (I'll look up the lyrics when I'm done) but I REALLY like the urgency in the delivery, which is so at odds with the flowing, dignified background music. In JPN fiction as a whole, flusteredness/desperation is contrasted with calmness as a synonym for imperfection and perfection. Jakurai is, honestly, really kind of a desperate character...yet one that appears outwardly calm/perfect to most of the rest of the cast, so it's interesting that we get to see his desperate nature on full display right at the start of the song.

(1:26 in) Hand motif mentioned *Cinemasins ding* (of

(End) Thank you uta-net for having the lyrics up already; ily. Let's see now... Interesting. I'll have to read them again in more depth later, but it looks like a call to forgive past wounds and seek out a better, less painful way of existence--in a societal sense, a religious (as in like, ascending or becoming enlightened) sense, and a personal sense. All great things to see Jakurai expressing. Again, it's interesting to see Jakurai expressing this with such urgency, even if these are things we know he really, really cares about. That coupled with the background music seems to match a bit in the lyrics that says "And [to end war within society, paraphrased] I take grand, dignified action mixed with the discord and noise of Shinjuku, a samsara spiral of cacophonous echoes." Mixing the stately and the chaotic, the "imperfect" and the "perfect." Really interesting stuff!

Hifumi's The Beginning of the Last Song

Title note: "Last Song" is English and written in katakana, which is a sharp contrast to the style of Jakurai's title. Creates a much younger and casual feel appropriate for Hifumi. Not much else to say here, so let's jump in.

(10 seconds in) Modern indie pop song on the radio feel. I'm not a fan of autotune in general so I'm not in love with this, but I'm hopeful it'll pick up soon.

(22 seconds in) I listen to so much "soft hiphop" (for lack of a better term) during work that my brain instantly catapulted itself into work mode and stopped paying any attention to the words. Coffee mug? Check. Emails? Check. Anxiety? Check. Let me rewind and listen to this properly.

(32 seconds in but for real this time) So far, very Hifumi. Opening verse has some fun figurative language but essentially says Hifumi's suit is pure courage he dons like a suit of armor. In doing so, it masks him and makes him become like a whole other person. From there, he switches to addressing a listener: "I want to soothe your mental wounds. I want to change your frown into a smile. I won't let go of your hands, and no, I'm not doing this for a reward." It's something that Hifumi should be saying to himself (something Hifumi wants to hear, maybe?) and yet he says "To [Host!]me, this is happiness."

(59 seconds in) Hmm... I was going to say this song feels sad to me, because all these positive messages of "Keep going! You're safe now!" are framed as being directed at other people, and I was like..."Hifumi, who's going to say that to you? Who's going to help you feel that way?" but then the line "You made me realize I'm not alone" radically flips the framing so that it DOES become things Hifumi is saying to himself, too. How nice. :) I would not want to translate this, personally... Haha it's using the vagueness of Japanese grammar and lyrical conventions to great effect, but I don't feel comfortable touching that personally.

(1:02) Hell yeah, belt that shit, homie

(1:32) So it's a last song in the sense that it's a farewell or the final song of his old self. Now he's the new, healing Hifumi. We love to see it 10/10 bravo. The song is also a happy, heartfelt thank you to the unspoken listeners (presumably Matenrou) who helped him feel less alone. That's cute! I like it. I probably shouldn't go here, but I find it intriguing how the vagueness of listeners is utilized. The first time the listeners are addressed, the language is...if not borderline romantic, pathos-filled to the point where it's definitely evocative of his host job (hence why he's not seeking compensation for handholding, an often romantic gesture). Yet it's borderline enough that it wouldn't be inappropriate to imagine it being addressed to Matenrou instead of his patrons. Hahaha. Again, another reason I don't want to go near this one.

(Overall) I like it! A nice ballad for Hifumi.

Doppo's Andante

(5 seconds in) For a song called Andante, this has a faster tempo than at least one other song on this album lol. But it's much less frenetic than Doppo's other solos, so there's that, I guess.

(7 seconds in) This delivery is giving me anime ending made by a 2010s rock band vibes lol.

(14 seconds in) Damn there's a baller line here that I'm stumped on how to convey in Eng in a way that's both baller and sensical. Meaning wise, it's like "I want to take back the things I shouldn't have said and give them as a present to you" and in figurative language it's like "Once, I used to fire words into the air [speak things in anger or carelessly]. Now, I want to gather them up [esp. like a bouquet of flowers] after their flight and use them to decorate you [again, like flowers or like a piece of jewelry--it's a positive connotation]" Pop off, Doppo

(40 seconds in) Oh this is killer and also going to need some major explaining. Doppo's name is literally "he who walks alone" which is usually considered a positive thing--someone who "walks the path of life" alone would have gotten there by outstripping the rest of the pack. In Doppo's case, though, this is a negative thing. I think it's not as obvious to Eng-only fans, and I know I didn't really think about it for a long time myself, but Doppo considers himself a "loser" bc he didn't follow a conventional life path. It's considered atypical to switch employers, especially very early on in one's career, as he did when he stood up for Hifumi and got himself fired at his first job. Part of why he puts up with shitty treatment at EL Medical is because it's one of the few places that would hire someone who switched employers at such a young age. (Sidebar: My (probably flawed, as I don't live in Japan) impression is that this is becoming less and less of a thing as time goes on and the economy goes to shit, but I think it's the self-stigma more than anything else that's affecting Doppo. To me, it feel similar to the societal pressures in the US to attend and graduate from a four-year college. Plenty of people don't for all sorts of reasons, but because that's so ingrained as the default life story for Americans in a lot of communities, Doppo's dealing with the kind of disappointment and self-hatred someone who dropped out before getting a four year degree might feel.) Doppo beats himself up about that a lot, but here we get that lovely line of "In the waves of people (hitonami) passing all around me, I no longer see anyone who looks like me. It's a shame, because I always wanted to be just like everyone else (hitonami)." Outside of that beautiful wordplay on hitonami, we're also treated to the figurative language of hitonami being literally "in line with others." Doppo, a character who walks through life alone, wanted to walk through life at the same pace/reaching the same milestones at the same time as everyone else.

(1:04 in) "Life is a tightrope act; it's like walking a balance beam [lit. "average beam" aka a beam where everything is averaged/balanced]. In a country where not everything can be average (narasarenai) and where even if the things that [I] can accomplish (narasareru) don't matter [in the eyes of society], sometimes the sounds I want to make don't come out right (narasarenai). When that happens, I can call myself pitiful--or I can feel the breathing of the beautiful flowerbed that is this city, and when someone's humming under their breath disturbs that short break [lit. breath], I ask them 'So, what is this happiness thing anyway?'" I would rather die than TL this song but I'm LOVING the creativity and depth of the lyrics.

(1:27) WILD! FUCKING! CHEERING!!! "You fake smiles in a mirror to make other people happy and call it love. It's a form of hypnosis, and I've made a go of falling under its spell because I just want to be equals [on par with, balanced], and so if you and I can walk these crowded streets together, then I think I don't mind as much that I'm always walking alone." THE GROWTH! THE GROWTH!!!!

Damn, this album's lyrics go hard. What a feast.

[hadesoftheladies]

FEMALE MOVIE/TV RECS (PART 5 / HORROR & CRIME DRAMA)

got inspired from a recommendation post so decided to make a list of movies and shows with female-centric stories/female protagonists. since i can't post all of the genres in one post, i'll split it into multiple posts and y'all can save or add to the list as you wish. (disclaimer: i have watched most of these, but i only know about the existence of others. not every movie/show on these lists will be my recommendation. my recommendations will be beneath the list with reasons. also some of these are way better than others in terms of storytelling/performance--which is why i'll list my faves separately):

Common Themes:

-Dangerous girls (they ain't innocent)/ girlhood as violent

-Stressed out and melancholic female detectives and authors (lots of drinking/smoking)

-Mothers who've seen too fucking much to play games/I'm a good mother until it doesn't let up

-Women handling shit/getting shit done

-Mothers who didn't want to be mothers but here we fucking are so might as well handle shit

-Evil women who are also unfortunately hot

-Female sociopaths (not always negatively portrayed)

HAVEN'T WATCHED

The Royal Hotel

The Silent Twins

The Kitchen

The Lost Flowers of Alice Hart

I'm Thinking of Ending Things

Sharp Objects

Killing Eve

Abigail

Heavenly Creatures

A Quiet Place Part 2

Panic Room

Alice, Darling

Blood Red Sky

Rust Creek

The Marsh King's Daughter

Pearl

Longlegs

GOOD STUFF (NEVER WATCHING AGAIN THOUGH!)

Bad Sisters (8/10) (sisters plan to kill their sister's abusive husband)

Yellowjackets (9/10) (love as cannibalism)

Candy (7.5/10) (she's just a killer lol)

Cruella (6.5/10)(help my mom is a narcissist and it's hereditary)

Jennifer's Body (7/10) (boys aren't people lmao)

Bird Box (8/10)

Under the Bridge (8/10)

PERSONAL NOTES

I watched Tragedy Girls years ago, and I remember being grossed out and having a lot of fun as well. If you like Jennifer's Body, you'll probably like Tragedy Girls, too. And if you like Tragedy Girls, you may also enjoy Thoroughbreds. All three have a twisted sense of girlpower.

The Call isn't scary so much as its nerve-wracking and upsetting. It's not gory (although there is violence), but it deals with heavy subject matter. I can, however, promise a satisfying ending. Even though I doubt it would put you at ease.

Horror is my least favourite genre so bear that in mind. I just hate jump scares (because I hate being startled) and I don't like gore though there are times where it doesn't bother me so much. So this is definitely not an exhaustive list on horror recs. Crime is as close as I usually get to such dark stuff so I put the dark crimes, psychological thrillers and horrors together. I don't even want to talk about these that much because I'm nauseous already.

Watch at your own risk.

[steakout-05]

being real for a second if i had an actual fictionkith/fictionhearted list, Fluttershy would absolutely be on there. like. she is so me. she is just like me. we both have a love of animals, we like having a cosy and relaxing atmosphere to stay in, we have really terrible social anxiety and deeply traumatising childhood social experiences, we have trouble being assertive because of those experiences, we probably both have a huge crush on pony Q (i know i do lol), it's all there. she's so me she's best pony <3

[sanderssidesthehouse]

Sanders Sides is really annoying (affectionate?) to me bc when we talk about 'canon' most people in the conversation are all going to have different ideas of what 'canon' is from each other. For example, for me (and I'm making this post bc I wanted to clarify what I in particular am talking about when I talk about canon) canon is the mainline canon videos, asides (and videos that were previously asides) as well as other dedicated videos (such as the grwm) are supplementary but not canon, and nothing else is canon. But then there are people who take clarifying tweets as canon. And that's fine! It just makes it a little confusing when people are talking about 'canon' but everyone is talking about a different range of information.

Like I'll personally admit I'm a little snobby about what I consider canon. I'm the type if person that thinks if the creator wants something to be canon, it should be stated, implied, or possible to extrapolate from the canon work. For example with Dungeon Meshi, I don't take Daydream Hour as canon information, but rather supplementary. (Not that I need to bc Ryoko Kui does put everything you need to know into the manga, seriously if you haven't read it, I can't recommend it enough.) But there are some people who do. And that's ok! I also don't take her tweets or interviews as canon. This is a general rule I have in what I take as canon across all fandoms.

And I think I've not been clear enough about what I mean by 'supplementary' and I mean like, for example in Ace Attorney I am again, a total snob, and I only count canon as AA 1-4 and AAI 1&2 and this is not an incredibly unpopular opinion but it's still... y'know. Not considering 2 main line games canon. And there are loads of reasons for that which we don't have time for in this post bc we're not actually talking about Ace Attorney, so to get to my actual point. I don't consider the audio drama CDs to be 'canon' but you bet your ass Mikeko is showing up in my fics (a CD only pet cat for Apollo) and I also just stated I don't view AA5 as canon, or at least the same canon (it's complicated) but I love playing around with Clay's concept and several of the other characters from 5+6. I'm just not talking about them when I'm talking strictly about canon.

Idk if I explained that well enough (and if I didn't, please ask me to clarify). I just feel like everyone should have access to the information that I am a snob with unpopular opinions and I love you even if you're less of a snob than me. In fact that would probably be a plus. You DO NOT have to agree with me, I love when people have their own opinions, 'it takes all sorts' and all that, yeah? I just wanted to clarify what I'm talking about when I mention canon.

[repurposedmeatlocker]

I find it extremely discouraging how a lot of the time art uploaded to be seen online becomes influenced under the constraints of monetary gain and attention.

It feels like value is placed more on what would be most successful within a wide-reaching audience rather than actual care and intention put behind the work one does.

I think this explains why a lot of art, even by really skilled artists I admire, sometimes end up becoming empty and overly similar to each other.

[freepassbound]

10. What are your future plans?

13. All of pets you’ve ever had

22. Your plans for summer

26. What language do you want to learn?

41. Are you happy with where you live?

✨✨✨ please and thank you 😁

10. What are your future plans?

I really don't know. This past year in the new teaching job was really stressful, and if next year is anything like that... well, I don't know that I want to continue with this job. It seems like I could pivot to tutoring full-time without much of a problem - but that carries all kinds of disadvantages around insurance and taxes, and it is more uncertain.

13. All of pets you’ve ever had

Three dogs: one who preceded me and passed when I was literally a toddler (so I don't really remember them); one from when I was in middle school to college, a beagle who would run off after anything; and one from my mid-20s to late-30s, a black lab mutt who loved snuggling and who also wound up absorbing a lot of our neuroses.

22. Your plans for summer

I have nothing concrete; right now I'm just slowly trying to set right all the stuff that went sideways during my bad spell last month. I'm doing some tutoring, I'll probably try to sneak in a short vacation or two, and getting the house sorted has been a checklist item for... seven-and-a-half years now. Nothing remarkable.

26. What language do you want to learn?

French has always been top of the list, even if the original reason isn't valid anymore. I don't suppose I'd change it as the choice, though.

41. Are you happy with where you live?

Hmm. I think it might be more accurate to say that I'm very attached to where I live? I suppose I'm happy enough - I've never seriously imagined living elsewhere (and at this point I almost certainly don't have the financial means to move).

I value my community, and I try to help it out with my work and my custom; I like knowing where everything is, and having long-time favorites.

On a tighter scale, I think it's a pretty nice house, in a reasonably good spot. I wish I could feel comfortable going for a walk or a bike, but the road is too busy and not designed for that (in my opinion). The yard is a source of stress because I don't trust myself with plants and I hate cutting things down - but it's also very nice at the same time, as I get deer stopping by, plus a nice variety of birds, and rabbits, possums... used to get turkeys, but I haven't seen any in a long while.

[areyoudoingthis]

I'm so tired of having a mental breakdown every time a totally random and normal thing happens that could have been easily fixed by asking my parents for help

[ellecdc]

hi! i absolutely love your works, particularly your poly!marauders(w/lily). i think you write them so beautifully and harmoniously that you can't help but fall in love with them.

i wanna compliment you on your recent two-parter about remus and the whole revealing the werewolf thing. the angst to fluff had me on the edge of my seat. thank you for writing such a piece! 🤍

i hope its not too much to ask but in part 1, there's a brief mention of sirius receiving letters from i can assume is his family that lily confiscates and the group tends to love on him a bit more. let's say reader isn't in the loop about sirius' family life and she feels a bit sad that she can't comfort sirius like the rest can, and in general feels lost because it's another thing she isn't 'let in on'. i was wondering if you could write a little something on that? maybe some misunderstandings with a fluffy ending?

i hope this is something you're ok w writing 🥹 if not, its ok! still wish u the best always!

this is so sweet - thank you! & thanks for your request - hope you like it!!

pt 1 // pt 2 // pt 3 // pt 4 // pt 5

poly!marauders + lily x fem!reader who find's her own way to comfort Sirius - 2.1k

CW: brief mention of Sirius' childhood, allusions to anxiety, our shy Hufflepuff reader, hurt comfort, Sirius-centric

There was this saying that you never really understood before.

Love makes you do crazy things. 

And while the definition of crazy may be up for debate, you’re quite sure it could be understood as acting completely out of character.

So here you were, acting completely out of character; voluntarily marching towards a secluded end of the library where three Slytherin’s were sitting that you had - up until this point - managed to avoid completely. 

But you couldn’t, wouldn’t, avoid them any longer; not now, not for Sirius. 

The dust settled relatively well after the news of Remus’ lycanthropy had been shared with you; the five of you seemed to find a sort of freedom in not having to hide from one another anymore. Remus could be himself, the other’s could love him appropriately, and you could too. 

But another one of those black envelopes with  a green wax seal showed up at breakfast yesterday, and the group delved into their usual hide-the-envelope-and-coddle-Sirius practice. 

Lily took the envelope and disposed of it, James and Sirius had a floo call with the Potter’s, and Remus’ mum and dad sent baked goods from Wales via owl. 

You had since gathered that these letters were coming from his parents, or at the very least from someone in the Black family; you had also gathered that the contents of the letter’s were hurtful or upsetting to Sirius. And even though he never got to read them, a heavy cloud seemed to form and follow the young ex-heir around. 

And your heart felt heavy; not because they were keeping anything from you, per se, but rather because they seemed to have a routine that didn’t include you.

And while you didn’t want to encroach in spaces that you weren’t necessarily invited in, you couldn’t help but feel like you should be doing more. 

Lily, James, and Remus all had something they could offer Sirius; they all had some way that they could support him. 

You didn’t.

And it wasn’t for a lack of trying on your part, but rather that no one seemed particularly inclined to burden you with any negativity. 

“Don’t worry about me, babydoll; this is standard Black stuff. I’ll be just fine.” Sirius had said when you asked if he was okay; his usual salacious smile significantly dimmed as it seemingly took the majority of his effort in his response. 

The others hadn’t been much help either; Remus and James effectively telling you that you were too sweet to have to worry about such horrid people, and Lily trying to assure you that they had it under control and not to worry - Sirius would be okay. 

And that was all well and good, but it wasn’t enough for you - it was about sodding time you started pulling your weight in this relationship.

So - with nothing more than the teeniest bit of courage you were sure you pilfered from your four Gryffindors and perhaps a healthy dose of delusion - you forced your feet to take you in the direction of the only person in the entire castle you thought might possibly be able to help you. 

“My, my, my; to what do we owe the absolute pleasure, little Puffle?” Barty Crouch Junior mocked as you paused at their table; Evan Rosier and Regulus Black picking their heads up to look at you incredulously and bemusedly respectful. 

“Did ya get lost there, L/N? Need me to find you one of your Gryffindor’s?” Evan taunted, earning him what looked like a kick in the shin from Regulus, though you couldn’t be certain on account of the table impeding your view.

“Erm…I-I was sort of wondering if I could speak with you, Regulus?” You managed to murmur awkwardly.

The three Slytherin’s seemed to have a silent conversation as they shared glances before Barty shrugged and Evan rolled his eyes; both standing and leaving the two of you some privacy. 

Regulus watched as you cast a hasty muffliato around the table - another trick you’d picked up from the Gryffindor’s - and as you helped yourself to a seat with your boyfriend’s younger brother. 

“Is Sirius okay?” Regulus asked quickly, his voice no more than an urgent whisper as he looked at you imploringly.

His intensity caught you off guard; you were so certain getting anything out of the notoriously stand-offish Slytherin would be next to impossible, but he had beat you to the conversation and seemed to be just as worried about his brother as you were. 

You remembered then why you liked Slytherin’s so much; you often found a kindred spirit in them, for one thing that a Slytherin valued most was a sense of loyalty.

Well, didn’t you have enough loyalty to use to your advantage. 

You wondered rather belatedly if you had overstepped. It was admittedly too late to ask yourself this now; standing outside of the boys’ dorm with a package in your hand.

What’s done is done. You had a one-track mind, and that was to help Sirius.

With this, you raised your hand and gently knocked on the door.

It had been James to open the door; his jaw tense until he saw you, which seemed to cause his face to melt into an awkward expression you couldn’t quite decipher.

“Hi angel.” He greeted apologetically. “You okay?”

You were confused by his greeting, and his question, and the fact that he hadn’t moved out of the way of the door to invite you in as he usually did.

“I’m fine.” You responded quickly, trying to look behind him. “What’s wrong?”

James made a sound of discomfort in the back of his throat as he looked over his shoulder, still not moving to allow you entry. 

“Listen, sweetheart; I’m not sure now is a great time…”

“It’s Sirius, is it?” You asked quickly. His responding grimace proving your suspicions. “I need to see him.”

“Sweets, maybe you could come back la-”

But later wasn’t good enough, you see. You had a one-track mind, and that was to help Sirius.

So, in the name of love making you do crazy things and still acting completely out of character for you, you shoved your way past James’ hip, bending under his arm to allow yourself your own entrance to the boys’ dormitory. 

Lily sat at the end of Sirius’ bed where she had one hand resting on his ankle; her thumb stroking back-and-forth over his achilles tendon.

Remus sat against the headboard with Sirius in his arms; his lips pressed against his hair as he murmured sweet nothings to him.

And as you stepped closer, you could see an indent where James had been sitting, opposite of Lily likely serving the same support as your red-headed girlfriend.

“Siri?” You asked quietly, causing him to stiffen significantly before sitting up and feigning nonchalance.

“Hi doll.” He croaked then, wiping angrily at the tear tracks on his face and pasting on a smile. “Didn’t mean for you to see me like this. What’s up?”

You hated the faux blase act he was putting on for your sake, but you reminded yourself why you were here.

To help.

“I have something for you.” You offered quietly, procuring the parchment wrapped package and holding it out for him. 

“Awe.” He chuckled wetly with a sniffle. “You didn’t need to get me anything.”

“Well, I suppose I can’t take all the credit for it.” You replied, watching him pause in the process of opening to look at you in confusion.

“Open it.” You encouraged.

He finished ripping the parchment from the box before lifting the lid.

You felt your heart stop as the lid fell unceremoniously from his hands and a small gasp left his lips at the sight of the small, stuffed black cat sitting inside.

You’d spent the afternoon learning about the tail of two toys; Splash the cat and Padfoot the dog. The only toys the two young Black family boys were given came from their Uncle Alphard in the form of a plush cat and a plush dog; both with black fur as a nod to the family name and the boys’ hair colour. 

Even though Uncle Alphard had given the dog to Sirius and the cat to Regulus, the boys often traded, depending on their current circumstances. 

You learned that when Sirius went to Hogwarts, he had left with the cat. 

When he returned home after having been sorted into the wrong house, Regulus had given him the dog.

And when Regulus joined Sirius at Hogwarts only to be ripped from his brother - possibly for good - after being sorted into Slytherin, he pilfered the dog from Sirius and left him with the cat.

They never discussed those plush toys again.

And when Sirius fled Grimmauld place one horrible night in June between fifth and sixth year, he left with nothing but his wand, the clothes on his back, and his school trunk.

Left behind was poor Splash the cat.

Regulus - fearing his mother would go on a warpath and completely destroy everything in Sirius’ room - quickly grabbed the cat and had kept it hidden in his school trunk ever since.

Until today. Until now.

Now, he left Splash with you; trusting that you would return him to his person, the one who needed him the most.

“How…” Sirius whispered as he quietly pulled the plush toy from the box; hands painfully gentle as if the toy would simply turn to ash should he jostle it. “Where did you get this?”

“I didn’t steal it, if that’s what you’re asking.” You tried to joke in an attempt to keep the moment light. Sirius simply turned his disbelieving gaze from the toy to you.

“You spoke with him?”

Suddenly, your fears that you had completely overstepped came flooding back; a nervous sort of nausea settling deep within your stomach that threatened to make this awkward moment horribly worse.

“I…I did- I didn’t say anything, of course! Because there was nothing to say, because I don’t actually know anything, which is fine too! I just…I couldn’t…well, you see, I just had to do something, you know? I couldn’t just-”

Your ramblings were (thankfully) cut off when the air nearly completely left your lungs as Sirius attached himself to your middle; his arms winding tightly around your body where they met in the middle of your back. You could feel the impression of Splash against your back from where he was still in Sirius’ grasp.

“I’m sorry if I upset you - I know it wasn’t my place, but-”

“You’re incredible.” Sirius whispered then. “I can’t believe you’d do this for me.”

“You’re not mad?” You whispered back, causing Sirius to pull away from you, only far enough to be able to look into your eyes with ill-hidden admiration. 

“My sweet shy girl; approaching Slytherin’s for me.” He murmured, causing Remus and Lily to snort and James to gawk.

“You did what!?” 

“You do know that a quarter of our school is made up of Slytherin’s, right?” You asked James then; Sirius pulling you back into his chest when you dared to remove your gaze from him.

“That’s entirely too many Slytherin’s, my girl.” James muttered, though he relented in his admonishment of you for your crime of daring to speak to your classmates in order to sit beside your other two lovers. 

“I can’t believe he gave this to you.” Sirius whispered; holding the cat up behind your back so he could examine it over your shoulder.

“He didn’t give it to me, Sirius.” You whispered back as you pulled away from him so you could look into his eyes. “You have a lot of people in your corner; more than you know.” 

His eyes seemed to well again, though he didn’t look nearly as heartbroken as he did when you first walked in, so you counted that as a win. 

“What did I do to deserve you, hm?” He asked then before pressing a lingering kiss to your lips.

You’re sure you could have counted at least seventeen ways in which Sirius Black deserved the nicest things you had to offer, but right now you were more focused on the feel of his lips against yours.

If love made you do crazy things, and those crazy things brought you to this; this being Sirius moulding himself to you as if he hoped he could make a home for himself inside of your soul, then you would happily spend the rest of you life mad as one could be.

You hadn’t fixed anything, not by a longshot; but you had helped, even if only just a little.

His lips tasted of salt and perhaps some sadness, but also of hope.

And for now, that was enough.

[ms-demeanor]

Can you offer any advice for avoiding hoarding when part of the problem is that trying to deal with the clutter and garbage and dirt causes paralyzing anxiety? I want my house to be clean and cluttered because it's stuff I like, but instead it's full of trash and stuff that had a place but doesn't seem to fit back in it after being used.

I can absolutely offer advice about that.

Short TL;DR:

Select the room you want to clean and make a map of it.

Divide the room into small segments like "top of desk" or "cabinet under sink" or even "half of junk drawer." SMALL segments.

Designate bags "trash," "donate," and "consider later."

Schedule a time to work on cleaning each segment, don't just assume "i'll do it next week." Write down an assigned day for each area.

Go into your target area and sort things into those bags.

Optionally, create a bag for memento items to put into a specific memento box/book.

Take bags out of the space when they are full to make more room to work and to see progress.

Do the section for the day and stop. Don't get overwhelmed by a ton of stuff, stop when you've done what you planned for the day (unless you've got good momentum built up and continuing will energize you.)

Long TL;DR:

Go someplace where you are not looking at the mess. You want to draw a map of the room, but you do not want to be in the room. Work one room at a time.

Divide the area you want to clean into very small spaces. You aren't cleaning an entire desk, you are cleaning one drawer of a desk.

Take three containers with you for each section: one trash bag, one donation bag, and one bag of stuff to consider later.

Plan out time to work on the space. Don't say "I'll do the whole thing this weekend" or "I'll get to it after the holidays," sit down and write out a schedule. There's a version of this called 40 bags in 40 days that people do for lent (that was the version of this i first found and followed the first time i did it), but you could do it in ten days, or a hundred, just try to stick to working on each segment on the day it's scheduled.

In each space, keep the stuff that's obviously meant to go there in that space, so if you're cleaning a desk drawer and it has a stapler in it, the stapler can stay there but if the staples and paper clips and rubber bands are a mess put that stuff into the "consider later" bin. Same thing with papers; if you've got a bunch of papers and you may need to keep some and may need to trash some, put them in the "consider later"

THERE IS AN OPTIONAL BIN FOR PEOPLE WHO WANT TO HANG ON TO A MILLION MEMENTOS AND CONCERT TICKETS AND SUCH. I make them by getting gallon freezer bags and filling them up with business cards and concert programs and scraps of wrapping paper and birthday cards. This isn't quite "consider later" because it's probably stuff you know you want to keep, this is "I don't have a home for this thing right now but it's not trash" so this is a temporary home for that category.

Remove stuff from the space as you work. As you fill up a bag of trash or consider later or donate, take it out of the space so you aren't looking at it and you can see the progress you're making on the space.

Do each section as you come to it on your schedule and then call it quits. If you cleaned out the counter next to the sink and that was your area for the day, you don't have to worry about the area under the sink unless you have the energy and enthusiasm for it.

Philosophical musing about why this works

The reason this kind of plan works (for me) is by pre-managing several things. You know you're working with a limited area, you know what you're going to do with the stuff you find in that area (put it in one of your bags or leave it where it is if it belongs in that area), you're working on a limited time so this can't stretch out forever it's just a little chunk, you're thinking about the space as you build your plan so you're visualizing the anxiety inducing thing outside of the space that actually gives you the anxiety which hopefully allows you to detach slightly from the anxiety, and you're getting your steps lined up ahead of time so there's no muddle of "what do i do now, how do I get started" - you get started by grabbing your bags and you go to that day's scheduled section.

The whole thing is constructed to prevent you from getting overwhelmed.

I used to try to clean my room as a kid and I would find something that needed to get put away but I didn't know where it went so I'd spend a bunch of time trying to make a space for it and I'd end up getting lost in the weeds of imagining how I'd use the item and if the new place for it was accessible, and oh look at the items that I found in this other place where I was going to put this item and this method cuts off all of that. Where I am putting the item is in the bag, where it is going is the "consider later" pile and when I've cleared out most of the space I can consider where things go when I've gathered all the uncertain things into one place instead of continually unearthing them and disrupting the process of going through stuff.

What it means to Consider Later

The reason you're working room by room is because you should be isolating the consider later pile by room. If you're cleaning out the bedroom you may end up with stuff that belongs in the kitchen or the office, but you'll end up with a lot of stuff that belongs in the bedroom. When you've worked through all your segments, you can sort the consider later pile and now that you have all the objects together, you can consider whether some of them belong together in a space in the room.

For instance, when I first did this there were a lot of books that needed to go on bookshelves, but my bookshelves weren't accessible in the early parts of the process. So books from the floor and the bed and the nightstand went into the consider later pile and after the whole floor was clear and there was no trash on my desk and all the books I was donating had been pulled from my bookshelves, I was able to organize all of my books at once instead of stumbling across a book every four minutes and trying to shelve it.

That's what spawned the memento bags for me; there was a ton of stuff in my consider later bags that didn't precisely have a place but weren't trash and needed a place made for them. If I'd struggled to find where each item went as I cleaned it would have completely stalled me out.

I kept finding yarn as I went but I didn't have a dedicated yarn spot, so I just put yarn in the consider later pile and at the end I found a basket for it and put it on a shelf in the closet that had been cleared out when I'd donated old clothes. If I had tried to find a spot for the yarn before donating the clothes, I would have had to move it once the better spot opened up, so saving all the consider later stuff for later saved me from having to move stuff several times.

If you're in a small space or if you're living with people and you can't make a pile of stuff in another room for two weeks, at the very least remove the trash and donation bags as you go and designate an area for your consider later pile; maybe a laundry basket or something similar so that you can keep it mobile as you clean.

It's kind of like moving in to a new space. When you move in to an empty room, you have all your stuff in boxes and you need to figure out where it goes and that can take a while, but it's sometimes easier to find a place to put things in a new environment than it is to put things back "where they belong" because maybe you've added a dozen skeins to your collection and they don't belong in the little yarn bag anymore.

What to trash, what to donate, and what to consider later

Trash should be immediately obvious as trash. Anything that is trash goes in the trash bag right away.

If you find yourself thinking "but I might use this plastic fork that came with my value meal," or "this receipt may be important," put it in the consider later pile and don't think about it right now.

The donate bag should be for stuff that will still be useful for someone, but won't be useful for you. Clothes that you don't like, books you hated and won't re-read, toys you don't want to keep, all of that goes in the donate pile. If you think you might want to keep a piece of clothing but you want to make sure it doesn't fit, don't stop to try it on now just put it in the consider later pile and you can sort it into the donate bag later.

"Consider later" is for anything that requires more than thirty seconds of thought or effort to handle. If you're looking at your desk and you've got a keyboard for your computer on your desk that keyboard is staying there and doesn't need to be considered. If there's an empty takeout cup on your desk, that cup is going in the trash and doesn't need to be considered. If there's a receipt for your computer sitting on your desk, you may want to save that for record-keeping purposes but may not have a place to put it, so that is what you consider later.

Some guidelines on what is or is not trash

You might look at a sturdy plastic cup from a gas station and say "that isn't trash, I could use that, that's still good" but unless you have a specific purpose in mind for it right now, that is trash. If you wouldn't put it in a donation box to be used for some ambiguous future purpose, you don't need to keep it.

If you have a specific purpose in mind, like using an old milk jug to make a watering pitcher for your plants, it may not be trash. But only ONE is not trash; more than that is trash.

If you wouldn't need to have a hard copy of a paper and you have an electronic copy, it is trash. This means receipts for most everyday purchases like groceries and fast food. Don't keep receipts for items past their return period, don't keep receipts for items that you have a digital copy of unless that item cost over $1000.

Nice cardboard boxes (or good glass jars, or sturdy plastic takeout boxes, or cleaned food containers) that you don't have a use for are trash (or recycling, depending on where you live, but still in the trash category).

If you know someone who is specifically looking for an item (like maybe the neighbor kids are asking for cardboard tubes for a science project, or you work with a meal delivery group that could use extra packets of takeout utensils, or you have a friend who is into canning and has asked for jars, or if you make your own soup stock and need containers to put it in, or if you have a friend who is moving and needs lots of good cardboard boxes) then these items don't *have* to be trash but if you are just keeping them in your space and not giving them to people who want them or putting them to use yourself, they are just trash in your space and you should throw them away.

Memory Books/Memento Bags

I make memory books out of the little items i collect into one gallon storage bags. They allow me to hang onto the stuff that I want to keep because it brings me good memories without having a pile of random junk and sometimes without having to keep the item, or having to keep the whole item.

If the thing I want to keep because it brings me good memories is bulky, perhaps I can take a put a picture of that item to put in the book. If it is a worn out shirt, perhaps I can cut a patch off the shirt to put it in the book. If it is a card, perhaps I can cut out just the front of the card, or I can almost certainly just throw away the envelope and put the card in the book.

If you have things that do *not* fit into the memory book, like costume jewelry or rocks or a weird toy you got out of a coin machine on a really fun family vacation, you can also make a memory box; I have some of these and they've got a bunch of truly random crap in them, but I *like* having the nametag from the four hours that I worked at Denny's, or the keychain from when my mom took me to the morgue training class. It's fine to like these things, and to keep many of them, but you want to keep them someplace that they won't stress you out; that might be a display case for nice things, but it also might be a pretty velvet bag that you periodically pull out of a drawer and sort through like a magpie, or a wooden box that you painted.

You can also be selective about this stuff. You don't need every piece of costume jewelry your grandmother owned; keep the pieces you really like or the ones you have strong memories of or the ones that are very nice or the ones that are in good shape. But look, my mom was a teacher and she had a wide variety of goofy holiday jewelry that she wore in the classroom and I don't need to hang onto that. I don't need the big plastic ghost earrings that won't fit in my plugs, but I'll hang onto the spider brooch. She collected cheap watches - I don't need all of her four dollar watches, I can keep the nice ones, or the one that she got for ten years at her job. Do the same thing with stuffed animals and baby clothes and magazines and children's books. You don't need to keep all of it, and keeping all of it isn't going to help you remember that time more, or remember that person better.

Do you really want to keep it or do you feel obligated?

Youtuber Caroline Winkler (who has some great videos about home organization that I like a lot, in particular "this is why your home is a mess" - with the caveat that she likes closed storage and my ADHD ass loves open storage) has a really great tip on getting rid of stuff that works a LOT better for me than the Marie Kondo "Does this spark joy?" question and it's the Red Wine Test. Instead of asking if an item sparks joy, you ask yourself "If a bottle of red wine spilled on this (or if it was in some other way damaged) how hard would I try to fix it?" If you wouldn't try very hard, or if you would be *relieved* then you can get rid of that item. If one of the Venom mugs I have on the shelf fell down and broke, I wouldn't try hard to fix it. If my cat stuffed animal from when I was a kid tore open, I would immediately be looking for my sewing kit.

.... I should recycle those cheap teal glasses, actually.

Some general tips that may help to get you started that work for me and my ADHD and may work for you and your anxiety:

Start a timer for a short time. You don't have to clean your whole house, you are just going to pick up for five minutes. Then you can stop, and you only have to face a *little* bit of the anxiety.

5-4-3-2-1-go. Don't overthink it, count down quickly and then get up and do something. Keep going in as long a spurt as you can manage without getting too upset, but cutting down on the time for pre-game fretting might help with the anxiety.

Do the smallest amount possible. You don't have to clean this room, you just have to take one dish to the sink. You don't have to do all the dishes, you can just unload part of the top tray of the dishwasher.

Some general tips on trying to keep a space clean:

First, encouragement: It is a lot easier to maintain a clean space than it is to create one.

If you're thinking that something needs to be done and it can take you under five minutes to do it and it's right in front of you, do it. I do this with my dishwasher. It turns out unloading the dishwasher is the main thing that stalls me on dishes and keeps my sink full, so now when I'm waiting for the kettle or letting my tea steep, I unload whatever I can get done in that time. If I have the vacuum out and I did my living room but the hall and the bedroom could use a quick pass too, I vacuum them while I've got the machine in my hand.

Set success traps. Success traps are things that let you fall into succeeding by front-loading the effort (or executive function) of cleaning with planning. Trash collects in your living space? Put a bunch of little trash cans everywhere. Cleaning your bathroom takes extra time because you have to go get glass cleaner and paper towels from another room? Keep a bottle of glass cleaner and a roll of paper towels under the sink. You never sweep because it is a pain in the ass to get the broom out of the broom closet? Hang the broom from a mount in the kitchen. It takes too long to clean the counter because you have to pick up a bunch of makeup brushes and bottles and soap? Put that shit on a tray and now you only have to move one thing to clean the counter.

And for your specific question, with "things never seem to quite fit back where they came from" sounds like you're playing storage tetris, which is when things have a place and it is a *very specific and exact* place that doesn't have a lot of room around it. You may need to think about downsizing for your space, or, more likely, think about more efficient storage. That Caroline Winkler video I linked has some tips on this ("don't store things in a way that will make you angry like putting your common use objects on an out of reach shelf or you'll never put things back because it's hard to put them back" and "maximize your weirdo spaces" speak to your situation, i think) that I've put into use, particularly in my kitchen. It was hard to keep the counter clear because it was hard to put my stand mixer away because the rack for the stand mixer had a wok and a bunch of cast iron pans and a panini press and a chafing dish on it; I put the panini press and the least-used cast iron and the chafing dish and the wok in a more out-of-the way cabinet (because i basically never use them but they're very useful when I need them) and now that shelf has a little grill, my more commonly used cast iron, and my stand mixer so putting away the stand mixer is a lot less effort so my counter stays clear. I wasn't using the top shelf of my dish cabinet for dishes because it's too high up for daily use, but it's perfect for the rice cooker, waffle maker, and food processor that I use less than my dishes but more than my george forman grill.

And anyway, the TL;DR for all of that:

Work a little bit at a time, be nice to yourself, don't keep things that aren't worth keeping, and configure your storage in a way that works for you (by keeping your lifestyle, the way you use things, and how easy it is to put away into account before deciding that's where something lives).

Good luck!

[jonnywaistcoat]

Hey, Horrormaster Sims. I have a wildly different question that barely relates to TMA (Sorry about that) but its about your own process. Please, if you could, can you tell me how your first drafts made you feel? I'm on the fence about writing my own thing (not a podcast, and again, not Magnus related, though I have a million little aus for that delightful tragedy you wrote, thank you for that!) But I'm discouraged by the collective notion that first drafts are always terrible, because there's no ... examples I can solidly use to help the dumb anxiety beast in my brain that tells me everyone who is in any way popular popped out a golden turd and not, well, you know. One of my friends said 'Oh I bet Jonathan Sims's first draft was nothing like what he wanted' and I got the bright idea to just. Send you an ask, since you're trapped on this hellsite like I am. Anyway, thanks for reading this (if you do) and if you'd rather ask it privately, I am cool with that. Alternatively, you're a hella busy man with Protocol (you and Alex are making me rabid, i hope you know) and you can just ignore this! Cheers, man, and good words.

To my mind all writing advice, especially stuff that's dispensed as truisms (like "first drafts are always garbage") are only useful inasmuch as such advice prompts you to pay attention to how you write best: what helps your workflow, what inspires you, what keeps you going through the rough bits. There are as many different ways to write (and write well) as there are people who write and so always consider this sort of thing a jumping off point to try out or keep in mind as you gradually figure out your own ways of writing.

On first drafts specifically, I think the wisdom "all first drafts are bad" is a bit of unhelpful oversimplification of the fact that, deadlines notwithstanding, no piece of writing goes out until you decide its ready, so don't get too hung up on your first draft of a thing, because a lot of writers find it much easier to edit a complete work than to try and redraft as they go. It's also important to not let perfectionism or the fact your initial draft isn't coming out exactly how you want stop you from actually finishing the thing, as it's always better to have something decent and done than to have something perfect and abandoned.

But the idea of a "first draft" is also kind of a fluid one. The "first draft" you submit to someone who's commissioned you will probably be one you've already done a bunch of tweaks and edits to, as opposed to the "first draft" you pump out in a frenzy in an over-caffeinated weekend. For my part, my first drafts tend to end up a bit more polished than most, because I'm in the habit of reading my sentences out loud as I write them (a habit picked up from years of audio writing) so I'll often write and re-write a particular sentence or paragraph a few times to get the rhythm right before moving to the next one. This means my first drafts tend to take longer, but are a bit less messy. I'm also a big-time planner and pretty good at sticking to the structures I lay out so, again, tend to front load a lot of stuff so I get a better but slower first draft.

At the end of the day, though, the important thing is to get in your head about it in a good way (How do I write best? what helps me make writing I enjoy and value? What keeps me motivated?) and not in a bad way (What if it's not good enough? What if everyone hates it? What if it doesn't make sense?) so that you actually get it done.

As for how my first drafts made me feel? Terrible, every one of 'em No idea if that's reflective of their quality, though, tbh - I hate reading my own writing until I've had a chance to forget it's mine (I can only ever see the flaws). I suppose there's theoretically a none-zero chance they were pure fragments of True Art and creative perfection, but Alex's editing notes make that seem unlikely.

[medicinemane]

Just try to understand, in spite of everything I've done with the trailer, with the house, with keeping myself together, no one ever really treats me like they trust me

Family is constantly second guessing me, and then on here you get people who they mean well, but like do you really think that I'm just too thick to have figured out therapy might benefit me?

The sad thing is how good my mental health is, I'm sure you'll say I'm wrong because I just got through saying how nothing is very pleasurable and I wish I'd hurry up and kill myself but I'm just not in the mood

Consider this though, you all lost your shit during quarantine, and I'm not saying you shouldn't have but I'm saying I didn't even notice it

Cause every day of my life for my whole life has been lived more or less like I was in quarantine barring a few outlier times like when I was in Quebec (where I was still very isolated for those couple months). I just live with what I guess bothers the shit out of everyone else

So I'm not saying I'm healthy or something, I'm saying for where I am and what I deal with I'm pretty fucking stable

I'm saying what do I do? What am I always doing? No matter how shit I'm feeling I'm slowly working towards moving forward in some small ways. Takes me forever, but I can tell you the next steps in the plan. Get the last phase one room cleaned out, get the commission sent. Those are the two current accessible steps. Having trouble executing on that, but I know what the next steps are and it was some time ago, but I cleaned up the whole rest of the house, didn't I?

Is it too much to ask to just fucking trust me?

When I, how sincerely hates myself at this point because my mental heath has gotten worse over the years, when I'm saying that following my plans work. When I'm saying yeah it's not ideal and there's bleeding I just can't stop, but unless I can get help this is kind of best case scenario... when my worst critic (well... one of my worst, there's always family) is saying things are going as well as can be expected... can you not just trust me for one second?

I wouldn't be so bothered if this wasn't far from the first time I've has someone say this to me even after I've explained why I literally just can't or maybe just won't get professional help right now, but it's not coming without a change

Not to mention I'm gonna blow your mind, but there's more than just professional help, there's also peer help

I don't know, you (not most of you, general you where I'm not naming names but if you haven't said it you're excused) you keep saying this and I get tired of it

Some of this has come from people I really really like, some times it comes from more or less strangers, or in between there, you know... but some of it comes from people I don't want to get mad at but like... I just don't know how to get through to you

You're making things worse. Fucking stop it. All you're doing is making me feel like you don't fucking listen, and that just makes me feel worse

Trust me and leave it, don't feel up to dealing with my depressed ass and take care of yourself by not looking at my posts, or offer me a hand or just some company or whatever

But stop with the telling me to get help. You're lucky I can probably get it covered (though, once again, not sure I can get stuff that works for me covered), cause if I'm blunt you're kind of being dicks telling people to just get help cause do you know how expensive that shit can be?

I've known people who really wanted therapy, really needed it, but just couldn't fucking afford it. Think how much it would help if I told you to just go see a dentist when you don't have dental. What's that doing for anyone?

This really bothers me, like really bothers me, look how much dumb shit I write explicitly saying it bothers me

So stop it, don't do it again

[astrxealis]

sometimes i overthink and get overly anxious but then my worries are quelled and that feeling is just. the best

[neil-gaiman]

hi dad,

ok i know ur not -really- my dad lmao just let me cope. i lost mine, so you're stuck with that title now. anyway. i just felt like telling you how great things seem to be going for me rn (fuck i hope i don't curse it). i've been a fan for a long ass time, but i got into the GO fandom only last year, and in just a few months i feel like i've gotten so much better, both mental health wise and creatively. i'm a neat little bundle of depression, anxiety, autiADHD, BPD, and cPTSD. isn't that lovely haha. but hey, i'm also a writer. a poet. an artist. and a helluva burned out musician. BUT. ever since i've been hanging out here, i've been writing SO much more, i've been doing fanfics, and so many cool poems, and improving my writing skills so much. i started drawing again after like 2 years of not touching a goddamn pencil, and i just bought some paint and a canvas bc i wanna get back into painting again like i used to when i was younger. and also through reading other GO fics, i've felt inspired to play piano again, which was a great deal to me a few years back. and it's awesome to feel that spark again.

Good Omens has meant a lot to me since i first read it around 2015. but now more than ever because there's a whole community i can share stuff about it with and it feels great. i recently lost a close group of friends, one of my best friends to suicide, and well. my irl dad. and i've been feeling hella lonely for a long time. but i feel like i've been gaining that sense of community again through good omens. and i can't tell you enough how much it means to me. so, idk. i guess i wanted to say thanks for that. and also for being so supportive of trans/queer people. it means the world to me. so. thanks dad. ily

I'm just glad I'm helping.

[cassandraclare]

*sighs a bit* Okay. Guys. I have been asked this question a lot, and answered it a lot. I don't know how to give a better answer — Dru & Ty&Kit share significance as main characters — so I guess I'll talk a little about comparison and structures.

First, all series have different structures. I don't think it's super useful or predictive to try to map an upcoming, unknown book series onto an existing series. In TLH the main character was Cordelia, everyone else was secondary to her, and people's roles and the significance of them altered from book to book. It was a big ensemble cast and they mostly stayed put in London especially in book 1.

TWP focuses on a smaller group of people. It also has a very different structure. In book one, Dru is not with Kit and Ty. They are in different places, both of which have their own stories that are significant to the plot. There is no way to see Place One without following Dru. There is no way to see Place Two without following Kit and Ty.

I know that TWP is a long way off. I know there are people who are very angry with me that there's such a gap, but there isn't anything currently I can do about that, or about the fact that I don't yet have the schedule for my upcoming books. That rests in the hands of several different publishers who must coordinate the release times and production schedules for four different series. I am not withholding any information about when these books come out. I simply don't know it yet.

I understand that TWP being a long way off makes for anxiety, and that those who are worried Kit and Ty will somehow be secondary are looking for tiny clues in microscopic details — micro-reading the of placement of the word "and" in my newsletter and such — that are meaningless, but I get that it all comes from anxiety. (FTR, those worried Dru will be secondary are equally anxious.)

I think there is only so much I can say. Because there's a big gap between TLH and TWP everything I do say or every image or hint about it is freighted with a weight of assumption it can't really support. Anxiety is always going to trump reassurance. And truly, at the end of the day, if you only care about Kit and Ty and find the idea of a Dru story tiresome, you will feel like they got shafted because when you absolutely hate a plotline, you will always feel like it's taking up way too much space. That's just how our minds work.

I've been doing this long enough that I know no book can survive a hostile reading. I know that Book Three of a trilogy is the one people hate until they don't. (When Clockwork Princess came out people hated it so much I considered quitting writing!) I know that it's wonderful to love a character but can also be a problem for people when I put out books that aren't about that particular character or dynamic. I know that for a lot of people, Sword Catcher and Ragpicker King are just tiresome things that have no business on my schedule because they're not Shadowhunter books. And I get it. But I also have to block it out, because I've been writing a long time, and I've gotten to a point where I know that I have to write the thing I want to be writing, because if I don't, if I sit down and try to force myself to write something I'm not feeling like writing at that time, I'll be making myself physically and mentally sick. And that's no good for anyone, really.

I suppose the positive thing is that, while this would not have been true five years ago, I am at the place where I want very much to be writing Wicked Powers. I missed these characters and am glad to be back with them. I consider this a story in which there are three main characters. And that is all I can say right now because it's all that I know.

(And this was much more of a general response to a lot of things than a specific response to this question, but I did feel like it was stuff that I needed to say. Creators are at the end of the day, just people. Sometimes we are powerless to reassure. Sometimes we are tired. Sometimes we are wrong. Sometimes we try things and they don't work. Sometimes we can't explain to you what our story is going to make you feel, because only reading it is going to tell you that. This may be one of those times.)

[adventuringblind]

Make Me Yours

Oscar Piastri x Reader

Genre: chaotic smut (I'm a slut for this man)

Summary: Daniel mentions something to Oscar and he takes a shot in the dark.

Warnings: KNIFE PLAY, blood, intensive aftercare, Max and Daniel being big brothers, Oscar is a dork and we love him for it, enemies to lovers if you squint, soft dom Oscar, Reader is a mess for Oscar and he loves it.

Notes: This was an anonymous request! I hope you like it!! Please remember to communicate and take care of yourselves if you engage in a kink like this!! Reader is a Redbull rookie which I know is ridiculous but it's fiction.

Masterlist // Request Form // My Website // buy me a Ko-Fi

She wouldn't say her sex life is vanilla. Definitely the opposite, actually. Most people would look at Oscar and assume he is the most boring human on the planet.

They are all wrong.

Most the drivers, including herself, teased him about how he knows two positions maximum. He'd gotten fed up with it and showed her exactly why everyone is wrong.

Turns out pent up tension from being rivals from F3 and F2 leads to these situations. The situation being mind-blowing sex with the one guy who you didn't want to admit feelings for.

Formula 1 is an unforgiving world. She didn't need feelings getting in the way. Until Oscar came along and ruined it all.

Until that night, at least. Now they are stuck together like glue. It drives Max and Daniel insane with how much he's around the Redbul garage.

She tried to use the 'best friends' excuse until Daniel caught them in her driver's room.

"It's always the rookies."

That being said, her problem isn't the sex, or Oscar, or her relationship at all. The problem is how to bring up something she would like to try.

Both of them like trying new things and have been very clear on boundaries and keep open communication about the subject. He's never judged her for anything she's brought up. So why can't she just ask him?

"Something on your mind?" Daniel appears from thin air, and she slams her phone down out of view. She prays he didn't see the pictures of the silver blades and thinks she a psycho.

"Nope," she squeaks. A terrible recovery on her end.

"Watching porn? Looking at Mr. Piartri's nudes? Come one, you can tell me!"

Max pokes his head out from around the corner. "Are we talking about sex?" Here she thought the secluded space would be far away enough for them to come bother her. Then again, Daniel could help her out. He's good at talking to people.

"Pretty sure you and Charles talked about it last night." She quips without looking at him.

She's blushing and embarrassed. Her brain is yelling at her to run as far away as possible before she does something stupid-

"Hey Daniel, you know about sex stuff right?" Wow, that doesn't sound awkward at all.

"Yes?" He quirks his eyebrow at her. "But if you're looking for a threesome I'm going to have to decline. For now, at least," he winks.

She chokes at the notion. She's going to explode at this rate. Time to bail out. "Never mind, it's not that, but it's dumb."

Max appears fully in her line of sight. "You can't leave us hanging now! Oscar not performing well anymore?" His expression suddenly goes dark. "Or if he hurt you, I won't hesitate to send him into the barriers."

"No! no, it's not him it's me. I don't know how to ask him about something."

Both the males soften. It eases the anxiety a tiny bit, but she'd still rather not be here.

"Hmm, can I ask what it is?"

"A kink," she whispers away from him.

Daniel hears it anyway. "Yours or his?"

"Mine."

Daniel, now seeing he's not going to get anywhere like this, tries a new approach. "Look, this is a no judgment zone, right? Max talks about Charles and their sex life any chance he gets. I am an open book. No laughing or cringing, okay?"

It still feels weird having this conversation. But Daniel isn't going to let it sit now. Curse her impulsive mouth. "Knives. I want him to use a knife on me."

~~~~~

Oscar is sitting in wait around the Redbull motorhome. His girlfriend had said she'd meet him out here and he hasn't seen her all day, so he came early.

Media days are usually difficult for her. The journalists manage to find some new sexist thing to point out every race weekend. It drives all the drivers insane. They can't just let it go and move on to something new.

"Hiya mate!" Daniel appears around the corner and Oscar manages (just barely) to not jump out of his skin. "You waiting for your girl?"

"Yeah, I'm early though. Do I need to go?"

"Nah, you're fine." Daniel throws him a grin. "I'm curious how you keep the marks on her hidden. Been wondering for a while now."

Oscar blinks. His brain is trying to process the last Statement. "You mean... like a hickey?"

"No! The scars." Daniel looks like he's just said the most obvious thing. Oscar is still trying to remain neutral in what is definitely an odd conversation.

Scars? What scars is he talking about? "I-"

"Don't tell me you don't see it! That girl totally has some kind of knife kink."

Knife kink?! Where is this coming from? He tries to think back to any hint of it on her end. It's not like he's opposed to trying new things and he wouldn't be shocked if she felt weird about bringing it up.

"I'd ask her about it mate." Daniel winks and disappears into the crowd of people.

Oscar tries not to think too hard on it. It's just a weird comment made by Daniel in passing.

At least, that's what it started as.

Oscar then finds himself doing research on it. A deep rabbit hole that now occupies far too much space in his brain.

The idea of her permanently some kind of mark he puts there drives him wild. Which is odd, because it hasn't before. A visible hickey every now and then does the trick. Satisfies him when they go out places.

After the first 'I don't see your boyfriend,' he started putting one on her collar bone. Not visible unless she deems it so amd fresh enough to ward off any suspicious characters.

Curse Daniel for giving him this stupid idea. Something more permanent than a hickey sounds appealing.

If it were up to him, he'd keep her in his pocket. It's funny, really, how she thought he didn't know about her feelings. Oscar had played the game for two years. Then he couldn't take it anymore and he snapped.

Yes, she's snarky and moody, and as picky as Lando, until you get past the hard exterior and see she's all soft and squishy. Most of the time, anyway.

He asks her about it after Silverstone. He's coming down off his high and drunk on the adrenaline paired with a shot of success. The confidence boost is really what he needs to put the idea out there. As outrageous as it seems, Daniel might have a point.

"I was thinking about something." He starts off with. She flops onto her bed. Not his since Lando manages to get into his room at the worst times.

"Something good I hope?"

"Depends." Oscar adjusts their position so he can cradle her. The way she snuggles into him like an affectionate cat makes him melt. "It's kinky."

"The best kind of thoughts to have!" She taps his nose with her index finger to accentuate each word.

Oscar steels himself for the possible outcomes. "What if we tried knives."

There is an unmatched look of pure shock on her face. Oscar is prepared to reassure that she doesn't have to, until he notices the glint.

"Yes! I mean - yeah, we should give it a try."

Huh, so Daniel was right. Oscar will have to thank him later for the tip. "We need to talk about it first. I'm thinking either talk now and do it or we save it for a later date."

"How about we talk now, then see?"

"Sounds lovely."

~~~~~

The more Oscar talks, the more she wants it. It's ridiculous what he does to her with merely his voice. Or maybe it's the constant regard for her wants, needs, and safety.

Yeah, it's true what they say: consent really is sexy.

"Love? Did you hear what I was saying?" His voice has they soft mellowness about it that calms the raging see of her emotions.

"No..."

"Stay with me, yeah? I'll put this off if you aren't coherent enough to truly consent to anything." Yep, sexy. No doubt about it.

"I'm here, promise! Just got distracting... thinking."

"About?"

She waits a beat to see if he's willing g to drop it. He makes no indication he'll be moving on, however, making her forced to answer. "Your voice..."

She is going to combust at this rate. It's embarrassing how wrecked she is already. Oscar hasn't even touched her, but the sight of him with the glinting silver blade in his hands has her going feral. The crazy eyed, drooling kind that makes her seem like she should be locked up.

The fact Oscar spent over two hours in discussion and has research to back up every point her makes drivers her wild. She would happily spend the rest of her life with him even after a measly two years together.

He's ruined her. Oscar has made it so she will never be able to leave. So what if she's dramatic? Can you really blame her when she has Oscar Piastri standing in front of her looking ready to devour her?

Oscar takes his time. It's slow and gentle kisses, nimble fingers finding their way around the canvas he knows so well. "Fucking hell you're gorgeous."

She takes a mental note of the way she's in no clothes and he's got all his own. It's unfair and she tugs at his sleeve to signal she wants it off. Oscar complies and pulls the fabric off.

He goes back to licking his way around the inside of her mouth. Her hands relax around his body, taking comfort in the warmth and closeness of the skin-on-skin contact.

His fingers slip through her folds and like muscle memory locate her clit. It's pathetic the sounds he's getting her to make. Specifically, while holding the pocketknife, unopened, in his free hand.

"So pretty for me love. I would cut you up and put you in my pocket if I could. Carry your cute ass around with me like a good luck charm."

She's so far down the rabbit hole of her favorite headspace. Oscar's words are just swimming around her, until the sound of the black clicking open pulls her back into reality.

He presses the flat part of the blade against her arm. The cold of the metal sends a shiver running down her spine.

Oscar is looking deep in the eyes, mapping out every emotion and physical reaction she's having to the sensation. "Color?"

"Green, very green, the brightest of greens-" Oscar shuts her up with a kiss to her temple. It's gentle and meaningful. Enough to turn her right into a blushing mess.

Oscar checks in frequently every time the blade moves. The masochist is jumping for joy when the tip barely rests against her shoulder blade. "Are you ready? Want me to mark you? Shall I make you bleed for me?"

"Please," She whines.

"Keep your eyes on me yeah? You say red and I stop."

She signals that she understands and would like to continue. Oscar traces the line he wants to make.

She hisses when the knife presses downwards. Oscar panics, but he watches her eyes roll back and knows to continue. "Eyes on me, love. I want to see how pretty you look."

The cold stinging sensation makes her whimper in pain and moan in ecstasy all at the same time. He's still talking to her. Voice still calm and gentle. He's watching her intently, tracking every shift until he's done.

He keeps a hand on her to let her know he's still present as he tucks the, now closed knife, safely onto the bedside table. Despite looking so composed to everyone else, she notices the small thing about Oscar's shift in demeanor. Like how his pupils are staring at her, just the slightest bit tinged with the desire tor take her in the next ten seconds.

He resists and makes sure she is ready for that first. "Color?"

She slurs through an ungodly number of praises and words resembling 'green'. Oscar basks in it. He sits and caresses her skin as he watches the cut to make sure he really did go light enough.

Small beads of red appear at the surface, but not enough that he's concerned with first aid at the Moment. He breathes a sigh of relief.

"Osc? Are you still green?"

Oscar softens again. "Yeah, I'm green, just taking in the sight and - happy I didn't stab you." He's breathless and panting. His jeans straining and her hands aching to get her hands on him.

There is so much love and kindness leading up to him finally getting inside of her. The towel underneath her shoulder catches the run-off red. It falls away with every thrust of his hips and rock of her body.

They hit the edge to quickly. Falling over it in white hot pleasure and moans of joy.

"You're such a good girl for me. You did such a good job." Oscar whispers in her ear as he wipes the cut with disinfectant.

Oscar carries her blissed out body to the bathroom and lets her look at the wound before bandaging it. A perfect heart now rests on the peak of her shoulder. Not massive, but enough to be seen without looking to close.

"I love it."

"Yeah? You ready to bandage it?"

"Do we have to?"

She doesn't get her way. Oscar bandages the heart and gets them cleaned up. Then it's water and snacks in bed.

"I never thought you'd be into it."

"I wasn't until Daniel brought it up."

Her entire being stills. Maybe even goes pale and Oscar looks at her in confused worry.

"I might have asked him for advice on how to ask you... about this."

Once again, his face softens. "You know you never have to be afraid of asking me." A gentle smile appears on his face. "I do think we'll have to thank him for this later."

"You're just going to inflate his ego."

"Maybe it's worth it if he keeps giving me advice." Oscar winks at her and smirks.

Yeah, maybe Daniel's pestering isn't to bad.

~~~~~

Oscar stands waiting for the drivers parade the next race weekend with all the other drivers. He's waiting patiently for his favorite rookie to come and join him.

Instead, he is once again jumping out of his skin because Danile is grabbing his shoulders from out of nowhere. "Could you not, like, scare me? Please?"

"But this is more fun! Certainly not as much fun as you had, I'm sure. I saw the scar." Daniel wiggles his eyebrows.

Oscar is blushing, he can feel it in his face. The words he wants to say are not coming out like he intends. "yep, I - um... thanks."

"Let me know if you need any other advice." Daniel smirks and claps him on the shoulder, Leaving Oscar a mess.

This is why I get teased; he thinks.

[midnightcinderella]

People who would suffer at NRC

Each dorm has at least one of these students and god help them. This is very self-indulgent and each trait applies to me. If you relate, then rip to the both of us.

No proof-reading, we rawdog this shit. Word count: ~1300 Notes: no gendered pronouns for reader. mentions of ADHD, depression, and anxiety. mentions of illness. no romantic relationships

Heartslabyul

People with ADHD. Rip to us fr.

You'd forget at least a handful of rules a day, but it's really not your fault. Riddle better get off your case istg.

The ones who are more devoted to remaining productive make big colorful signs all over the damn place.

In their own rooms would be stuff like a box that says "keys and wallet go here" or a sign by the door with a checklist of what they need before they go, like homework or textbooks.

There are signs in common areas, too. They'll say stuff like curfew times or reminders of jobs that need to be done around the dorm.

There's always backlash if Riddle tries to take them down for being an eyesore because not only do they help ADHD students remember what needs to be done but students without ADHD, too. No sane person is gonna be thinking about feeding flamingos 24/7.

Savanaclaw

People with asthma. Place is dusty as shit. And hot. And humid at times.

I'm surprised the beastman students haven't taken any measure to seal off the inside of the dorm to prevent and from getting in. Guess everyone doesn't mind inhaling dust straight into their lungs.

Not to mention regular exercise is a dorm-wide tradition. Shoutout to my fellow mile walkers <3

If you have asthma and a dander/dust allergy, I'd just drop out tbh.

People who easily overheat/sweat. Double rip to us.

Get ready to go back and forth with your dormmates about smelling bad after sweating. It's a common occurrence. Someone sasses you, you sass back, and you're friends again 3 minutes later.

Everyone will think you're dying when you're dripping sweat after some stretches outside. No, you're not tired, you're just hot.

Octavinelle

People who are bad at math/bad with money. Listen.

The dorm isn't full of people who are as business minded as Azul, but there are students that offer accounting help for a fee. Negotiate that fee for the love of god.

Thankfully, you won't be scammed out of house and home because:

(1) it's generally frowned upon to scam people within Octavinelle; you don't hurt one of your own. It's about loyalty.

(2) someone is likely to take pity on you and will throw you a bone, telling you about a huge sale or where to find good job opportunities.

People who are gullible. Once again, double rip.

And once again, thank the lucky stars that loyalty is such a big thing here so you might be tricked into doing someone's job for them like mopping the Lounge, but nothing that would hurt you too badly.

If a study partner tries to feed you false information for shiggles, that'll get shut down real quick by another student. If your grades go down, then the whole dorm goes with you.

Good thing that doesn't happen often, and Azul offers his study guides for a highly discounted price to his own.

Scarabia

People who don't do well with sudden changes in temperature. Man, listen.

Hellishly hot during the day and even more hellishly cold at night. Dante would be thrilled.

God forbid you have any athletic activities close to sunset because you'll have to shower off that sweat quick before you freeze to death.

If anyone has a problem with the sound of the hairdryer after sundown, they're just gonna have to deal with it or risk catching your inevitable cold.

Speaking of, if sudden changes in temperature make you sick, double rip. I know your pain.

Kalim may not be able to come see you in person, but if he finds out you're sick, he'll send meds and some warm food. If that food was made by Jamil, then you owe him one.

You don't wanna owe him one.

If you need to leave your room after sundown, you're going to do it wrapped up with a blanket over your head. If someone mistakes you for a ghoul, that's their own problem.

Pomefiore

People with depression. Listen. Someone without depression could find it hard to keep such a strict regimen day in and day out; do not expect too much out of us.

If you think that means you're getting out of it, though, you'd be wrong.

Group accountability is a thing here. If you need help sticking to your routine, you're getting it. You can't refuse.

You're all going to be beautiful together, goddammit.

If that chronic fatigue be hittin ya, you might get a pass for a few steps of your routine. But if a particularly caring dormmate decides you have to do the full routine and straight up does it for you, lol.

Depending on how you view that sort of help, it might be really nice. Or maybe a little humiliating.

The dorm kitchen is only going to have healthy ready-made snacks. So if it's a day where you can't cook or go all the way to the cafeteria, that is what you're working with. Either that or you crawl your way over the the Shop for a candy bar.

Ignihyde

People who struggle with technology. Yes there are young people who aren't great with technology. We exist. Mind your business.

No matter how many classes you take teaching you how to use MagExcel, it never sticks for long. Even if you pass the exams, all your knowledge leaves to go buy milk by the time the week is over.

You're gonna need to interrupt people's gaming sessions to ask for help. It may annoy them, but you're doing it anyway because you refuse the reinvent the wheel 12 times.

People who prefer paper over screens. Call me old fashioned but staring at screens all day Hurts My Eyes.

You'd get physical copies of your textbooks if you could, but those free pdfs your classmates pass around are too tempting to pass up. They're free, for god's sake.

You also might be limited to board games on game nights. They're not bad, but there's not a whole lot you can do with them. You're a wiz at Cards Against Reality tho.

Every so often Ignihyde has a dorm-wide game night where everyone sits around in the common room with their headphones in, playing their own games. Together.

Though the board game players are in the next room. Oddly enough, they're the rowdiest of the bunch, and it sounds like they have the most fun by the way they're yelling and cheering.

You have seen some nerd fights start over a game of Ichi.

Diasomnia

People who have anxiety. One, Lilia is a menace. Two, your housewarden is the Malleus Draconia. Meep.

Whether it's Lilia or Malleus you run into, it feels like your heart will explode at any time.

Not to mention it's so dark in and outside of the building for no good reason. What's a fella gotta do to get some fucking sunlight in here? You're sick of worrying about what could be behind every corner.

You once wondered if Malleus needed a UV/heat lamp, but knew better than to ask. That doesn't mean you're not curious, though.

People who dislike loud sounds. I don't think I have to explain this one.

At first you thought that staying near Silver meant that you'd be staying away from Sebek, but that wasn't the case and you were at a loss as to what to do.

Then you tried going in the other direction whenever you saw Malleus, but all that did was send Sebek after you personally, asking very loudly why you did not want to be around Lord Malleus.

At one point, you got sick of his shit and muzzled him via magic. Then Malleus showed up and you were all oh shit. But then all he did was chuckle about how you were getting along so well. You took that to mean he wouldn't ever stop you from muzzling Sebek.

You were right.