#those little details are really what make it Real

[epickiya722]

I don't think I expressed enough how much I do actually like that Yuji is this... I don't know how to really put it into words but... how Yuji is this unique embodiment of horror and strangeness.

Like, just the details of his character makes him stand out to me. Everyone in JJK has some bit of oddness to them, and he has own unique kind.

He looks like sunshine personified and he is. He is the sweetest kid there is. And he looks like the typical "Oh, he must be the normal one who has to adapt to the horrors the other have to go through" character. Ha ha... no, he is the horror. He is the "creepy child" trope without even showing that he is.

Yuji is the kind of horror you actually have to put thought into to even realize "Oh, wait, that is actually fucked up". Fridge horror, the horror that you think nothing too much of until you really open your mind to it.

Like, he's this own level of odd with how he behaves and thinks.

First, it's his interests. Yuji didn't mind really being in the occult club. Of course, his reasons was that the club time allowed him enough time to see his grandfather. But also, even though he didn't have to really participate, he actively does. Iguchi and Sasaki exploring haunted places? Yuji tags along and isn't frightened at all. Mind you, they like going go haunted places because they like being scared. Why folks watch horror movies and go to attractions, right?

Yuji will play with an oujia board.

Fan of a movie series titled the Human Earthworm and actually can find the beauty and love in said movies. He's so real for that.

So far it's just simple stuff like that, right?

First time seeing a curse? Admits to being scared, but barely even flinches. When Megumi talks about the Cursed Finger and mentions how curses want to eat it? His response?

"Why, is it good?"

IT'S A FINGER?!

When informed about Inumaki's technique? What was the example he uses? "So if he says 'die' then it will happen?" Out of all the examples?! He was more impressed by the technique than actually fearful of it.

That Cursed Doll he had to train with? Called it "cute" and Gojo questioned that. In fact, when meeting Yaga, Yuji commented on how the dolls were cute.

How he fights is even a little odd and unsettling. He immediately goes into action, doesn't even need to hear the bell. He always has this look on his face that "Yeah, your kneecaps are mine". Not once has I ever recalled he actually smiles during a fight. Unlike some of the others who have showcased some enjoyment or some type of being unhinged in a "to hell with it" mood, Yuji always has this almost animalistic glare, that kind of unhinged. He isn't holding back, even against normal people like the high school bullies in chapter 163. Sometimes I question if he even knows how to hold back.

He doesn't like to get violent or kill. If he has to, he will. But it's just not anything he can brush off or be like "Yeah, I like doing it".

Then the idea of dying? Yeah, Yuji makes it clear he knows people will die. Execution placed on his head? He accepts dying with Sukuna instead of asking if there's any way to work around it, find a solution. Keep in mind, Sukuna is downright evil and does nothing but make life hard for Yuji every chance gets.

However, by the end, Yuji changes from choosing to die with Sukuna, so that no one else has to suffer, to offering Sukuna to live along side him even if no one accepts that.

Oh, let's not forget his family.

Yeah, Sukuna I just mentioned? That's his uncle by soul reincarnation. Jin, Yuji's dad who we don't really know what happened to him, is the reincarnation of Sukuna's twin that Sukuna ate in the womb. Doesn't stop there.

Yuji's mother, Kenjaku? Actually a 1000+ year old sorcerer who body hops by implanting their brain into whatever body they find convenient for their plans. One of those bodies happen to be Kaori Itadori, Jin's wife. Jin's dead wife. Kenjaku played wife in a woman's dead body, the same body Yuji was born from.

Yuji was born out of a corpse. With one of the Cursed Finger somehow already sealed inside him.

His other family members include Death Paintings: Choso, Eso, Kechizu, Noranso, Sho-oso, Tanso, Sanso, Kotsuso, and Shoso. His older siblings (technically) through Kenjaku, who was possessing Noritoshi Kamo's (the ancestor) body at the time. And guess what? Their blood consists of a human's blood, a cursed spirit's and Kenjaku's.

Yeah, like them, Yuji isn't really human. Again, born with one of Sukuna's Cursed Fingers already sealed in him. Without Cursed Energy, he was already outrunning cars and possessing strength not normal for the average human.

Oh, wait, and let's not forget his 'appetite'. He will eat anything if it means saving people. And he has. Other than Cursed Fingers, the other Cursed Objects Yuji consumed are his own siblings 4 - 9. Mind you, they were akin to fetuses contained in glass jars. (He isn't happy about eating them or anything for that matter though. I wouldn't be either.)

In all, he's just fridge horror with a some goodness mixed in there. I'm just rambling here.

[xdinaryvamp]

ᶻ 𝗓 𐰁 .ᐟ 🩷 ` leehan "read your diary"!!

you and leehan have been bestfriends for years now. you were madly in love with him, but you keept it as a secret, to avoid ruining your friendship. from time to time, tho, you writed about him in your diary.

and as luck would have it, he read it.

genre : fluff, friends to lovers, a little angst, gn reader.

pairings : bestfriend!leehan × bestfriend!reader.

14 / 03

today i saw leehan for the first time in several weeks. he had curly hair, i rarely see him with his hair styled like that.

he was beautiful, i would have loved to caress them, but maybe it would have seemed too strange.

7 / 05

leehan came to my house today, my parents made him up, since he hadn't spent time at our place in a while. we went up to my room and watched a movie. one of those stupid ones, that are supposed to make you laugh.

i would like to write something about that film, but i don't remember anything. leehan was too close to me, i could feel his breath on my neck. i couldn't think of anything but him for the entire duration of the film.

i pretended to laugh when he did so, to not arouse suspicion, but i was completely lost in my own world.

god, my heart is still racing.

9 / 06

i tried to go on a date with a guy tonight. everything went perfectly, but all i could do was think about leehan. how do i get out of this situation?

24 / 08

i dreamed about leehan for the thousandth time last night. i don't want to go into details, because they embarrass me too much. but it felt so real.

as soon as i woke up i cried: i will never have in reality what i have in my mind, so i hate my heart.

───── ⋆⋅☆⋅⋆ ─────

“for how long?” leehan was seated on your bed, a notebook open in his hand, as he looked at you in shock.

the notebook was your diary, you left it on your sheets before going out.

you had just returned from the convenience store. your mother had told you that leehan had stopped by to say hello, and that he was upstairs waiting for you.

fear hitted you immediately, terrified that he might find the diary. and he did.

you remained frozen in place, the store bag still in your hand. you didn't know what to say, you rejected the idea that all this was real, that it was really happening.

“i asked,” said leehan, the diary still in his hand “for how long?”

you felt like crying. it had to remain a secret, that's what diaries are for.

how long? you couldn't answer. you couldn't recognize when you actually fell in love with him, maybe you had been all along.

you couldn't even understand his face. was he sad? disappointed? betrayed? disgusted? would this be the end of everything?

“leehan…” your voice sounded like a whisper, a part of you still couldn't force yourself to speak, “please forget everything, we can pretend like nothing happened.”

he finally put the diary down, and looked away from you. “forget everything” he sighed, running a hand through his hair “i won't.”

“leehan…”

“i don't want to.” he said, getting up from your bed, bringing his gaze back to you. “y/n” the look in his eyes was unreadable “why didn't you tell me anything?”

“our friendship” you could feel the palms of your hands getting sweatier and sweatier. “i didn't want to ruin it, you’re my best friend.”

“maybe i don't want to be your best friend anymore.”

your heart broke. deep down you knew, your friendship wouldn't survive this punch.

“can't we at least talk about this? please.”

“i like you too, y/n.” he said, finally the shadow of an emotion you knew on his face “i've been for long.”

“what?” this was a twist you weren't expecting.

“do we want to try to go to the next level?” he smiled, that smile that you loved and hated at the same time, because you knew what it meaned.

with all those questions, before, he had done nothing but tease you, as he always did. he was enjoying the moment.

you so wanted to punch him. “i hate you.” you said, punching him playfully on the shoulder. the tension was finally starting to disappear.

he pointed at the diary on your bed, still smiling. “i have proof that you actually don't.”

“i'm gonna burn that thing.”

“please don't” his laughter filling the room “it just became my favorite thing to read.”

thinking about the fact that if someone were to read my diary i could easily scream, go to another country, change my identity and then die. thank you.

[academic-clown]

I Was A Teenage Dirtbag

written by @hellfireloserclub |||  art by @academic-clown (formerly @acaademicqueer)

-> @steddiebang2024 ||| @steddiebb2024

DO NOT RE-POST MY ART ANYWHERE WITHOUT MY EXPLICIT WRITTEN PERMISSION.

under the cut is the full image (since it's a bit spoilery) as well as some commentary and detail shots, since apparently tumblr eats quality ಠ_ಠ

long time steddie fan (and bless this community because hoooooboy are we lucky with so much lovely content!), first time participant in any sort of ST fandom event! boy-oh-boy was it a trip! This was the biggest bang I've ever participated in with over 100 fics during claims time which made it incredibly hard to make any sort of pared down list... however, I really loved the concept behind this particular fic, and luckily I was able to claim it! It was awesome to work with Pez on this, and I really hope you enjoy reading the fic as much as I enjoyed illustrating it.

Below the divider I'll be explaining a bit of my process / reasons for doing what I've done if you've any interest!

⚠️ !! WARNING !! ⚠️ FIC SPOILERS BEYOND THIS POINT! ⚠️

the scene I chose to illustrate takes place during Dustin's bachelor party, where the boys are at a bar performing karaoke. I wanted to emphasize the dramatic build up that Pez managed to create in the scene itself within my own illustration, and so I used panels to move the eye around the whole image.

By first showing the lower half of Eddie's face, the way he's clutching the microphone and then the eager, open grin on Steve as he holds out the tickets before panning down to the full body shot of Eddie on stage, clearly excited and happy as he stares at the rear-facing view of Steve, it can tell the story of what's happening even without the context of Pez's fic.

I really wanted it to serve as both a promo and a scene straight from the text itself, and hopefully I've done it justice.

The shirt choices were purposeful, as in the fic Pez has the bachelor party wear Dustin's old nerd t-shirts (and there was no doubt that Steve would have absolutely loved the prequel movies (and been so in love with Ewan McGregor as Obi Wan) so he'd deffo have jumped on the Weird Al Saga Begins t-shirt. the Camp Know-Where one just looks cute on Eddie tbh) and the glow bracelets were fun to pick too. If you squint, Eddie's are the bisexual flag colors and Steve's are an approximate pansexual flag. Was this purposeful? Technically no, but it's a cool little easter egg.

I had a lot of fun playing with the lighting of the karaoke bar, because I really wanted to lean into the kitsch of those late-90s, early-2000s dives that had those hideous colored stage lights and the sticky, shitty stages. Like the karaoke was an afterthought rather than the real draw.

Here are some detail shots of the finished piece!

From Left -> Right: close up on Eddie's hands, his lower face

From Left -> Right: close up on Steve's lower face, his hands with concert tickets

From Left -> Right: close up on Steve from behind, close up on Eddie's face, full body shot of Eddie

Total Tracked Time: 19hrs 30min

reblog divider || music note dividers

[yrsonpurpose]

xoxo A

[crystalkitty1220]

Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN

[moreespressoformydepresso]

You ever look at a post and think to yourself that this is the third time now that that specific person’s post feels suspiciously like a subtweet? What a fun feeling to have! Definitely not making me want to scream right now :)

[sevenangrybees]

Sometimes things bother me

[fisheito]

Do you... do you... draw professionally. Because you're just so good and you are inspiring me to keep trying! Manifest those mental images!! Learn to draw yakumo getting railed, and other Normal reasons to revitalize one's previous interest in drawing

u think i could draw professionally??! 😲🥺🥺 i am so flatter..... i think ur draws are so scrorchy (very enjoyable] so if i can help u have inspire 😭😭😭😭😭

omfg if u learn to draw yakumo getting railed i'll probably explode/implode/evaporate/change states of matter in a sudden, violent way

bc. i cannot do it. fun fact: when i read y'all's collab fic of dante's sex ed i felt the urge to draw 3 specific panels for it. but as i put the stylus to the screen, i realised that SEVERAL ppl would have to be naked for the drawings to be storycally accurate. so even tho they were comedy panels, my hand... it betrayed me. it was like trying to draw porn but i blink and suddenly everyone's in 14 levels of victorian extra-garment. F...H?OISTED BY MY OWN UNHORNY

so yes. pls. i would love to see more of your contributions. the very special contributions that only u can make 😂

[orcelito]

literally anytime im like ‘how is discacc so popular, im just putting stuff from my brain on the doc’ and then i write 3k words in one go of some frankly Intense shit and im just left there like ‘holy Fucking shit’ as i was simply a conduit for something. More. 

and im just like. Ah. okay. i kinda get it, actually

[synonymroll648]

IF LORE UPDATES APPLIED TO PEOPLE I WOULDVE JUST GOTTEN ONE OF MY HAPPIEST LORE UPDATES TODAY

[horsefigureoftheday]

Can you explain the "breyer horses are stylised" thing you said a while back? Not because I don't believe you but because I don't know enough about horses to see it (besides the mane and tail)

All artistic representations of a horse will be somewhat stylized. Humans can't help it, they imagine details, even when referencing photos or live animals. A swayed back gets exaggerated, sickle hocks are overlooked, the face becomes more expressive, because to a human who loves a horse, and who expresses their own emotions with their face, the horse's face just feels more expressive.

Take a look at this horse from Peter Paul Rubens' "Wolf and Fox Hunt" (1616) and how it compares to a photo of a horse

The artist was clearly familiar with horses, and most likely referenced off a live horse. And yet its face is much more expressive than a real horse's face - it's neotenous and borderline anthropomorphic, with its huge sorrowful eyes, and the short muzzle that puts the mouth in closer proximity to its eyes (making its expression more readable).

I think a lot of people see what they want to see when they look at a horse, and they reflect that in their art. Is the horse an independent agent or a tool of its rider? Is the horse an unthinking animal or a soulful creature like yourself? Does the artist admire animals, in spite of painting them in terrible war-like scenarios? Does the artist paint animals in these scenarios because he admires them? Is the horse meant to elevate the status of its rider, by being depicted as a soulful creature that nonetheless submits to its rider? (You can probably guess my own opinion from these questions)

Earlier art saw horses almost an afterthought, depicted from memory while their rider was drawn reverently. All those art pieces of emperors and kings on horseback, where the horse looks like a cartoonish oaf, use the horse as a symbol of power, with no regard for the animal itself. Even when the horse is beautifully rendered, it's nothing more than a vehicle to carry its rider. The artist has depicted the horse as expressionless, beastly, and soulless.

Even when you get into portraits of horses in the 17-/1800s, they are still stylized, though now you're just as likely to see a lithe and graceful companion, as you are a muscled working horse or a faithful old friend. Horse breeding really took off around this time, as did theories of animal minds, so adoration of horses-as-individuals became more widespread. Examples are "Lustre" (1762) by George Stubbs, "Mare and Foal in a Stable" (1854) by John Frederick Herring Senior, and "A Grey Horse in a Field" (1873) by Rosa Bonheur.

All this is to say that horses will always be stylized in art. Humans can't not twist the horse the suit their own tastes, and that's fine. I actually think it's kinda beautiful. The way horses are stylized can give you insight into the artist's opinion of horses. An artist with a neotenic, expressive stylization probably has more respect for horses-as-individuals than an artist who depicts them as inexpressive, powerful, willing beasts of burden.

Breyer horses have an airy painterly quality to them. Even the draft horses seem almost weightless. Compare Breyer's "George" with the self-released resin horse "Gustav," both sculpted by Brigitte Eberl.

George has much longer hooves and smoother curves in his legs - you could draw a near perfect curve from his hind knee to his toe -, giving him a flowing appearance with very little weight behind it. Gustav, on the other hand, has sharp edges and corners. He feels heavy. I'm a big fan of wrinkles and muscle on model horses, but the muscles on George seem like he's been through a rock tumbler. They're smooth and soft-looking, except for the extremely deep crevices between them, which are probably there to better catch paint and enhance the shading (an effect that's especially noticeable on George's thigh). Gustav, on the other hand, has very subtle muscling and virtually no wrinkles (he deserves neck wrinkles, give my boy neck wrinkles!!). He looks like a working horse with a solid layer of fat over his muscles. George's stylization is, for lack of a better word, smooth. Flawless. A bit too perfect for my liking. George is like the platonic ideal of a visually appealing draft horse. A horse like him can't exist.

I think resin horses by master craftsmen are the closest we'll get to depicting horses exactly as they are in life. The stylistic choices are extremely subtle, and seem more like a consequence of the medium than a deliberate goal on the artist's part (e.g., you can't make a realistic mane out of resin, so you have to compromise).

I love both the stylistic trappings that humans fall into when depicting horses and the endless quest for the perfect artistic representation of the horse. Both are beautiful. All horse art is beautiful.

(Obligatory disclaimer that I'm not an art historian or anthropologist, I literally studied bugs at university, so if you think I'm talking out of my ass you are MORE than welcome to add to this post!)

[shinobicyrus]

I've seen a lot of posts about Batman using his Bruce Wayne alter ego for the good of Gotham: job programs for felons released from prison, orphanages, charities, high wages for his employees, ethical business practices...the legendary post where Bruce Wayne goes to Wal-Mart.

Thus far I've never personally seen anybody really dig into the persona of Bruce Wayne the Billionaire Playboy. A handsome, rich, powerful man who always is seen at fancy galas, art openings, charity dinners, and wild parties with at least one beautiful woman on his arm.

We know Bruce Wayne is the mask, and its Batman who has a...complex love life, depending on the iteration we're talking about. Talia, Catwoman, sometimes Wonder Woman.

Bruce Wayne's dates, on the other hand, are all "normal" people. Maybe they're an aspiring actress, a supermodel, a prima ballerina, the occasional reporter...and every time there's that bit of nervousness at the start.

Sure everyone knows Bruce Wayne. Everyone knows the story with him. Sometimes his wilder parties make the news, but there's never really been anything nasty reported about him. Never...allegations. But he's a billionaire. He's one of the most powerful people in the whole city, nevermind the country. If he did have some skeletons in his closet. Well. Men with power have a way of making those kinds of stories go away, don't they?

As time goes on the Date's fears dissipate pretty quickly. Bruce Wayne is nothing but polite, kind, and at times charmingly awkward in an 'raised by his butler in a mansion' kind of way with his dates. Some of them can tell he's holding back, of course. Maybe the more perceptive Dates notice he's smarter than he lets on - playing the himbo or hamming up the "know-nothing rich boy" act to the cameras or some of his wealthy peers.

He also listens, is the thing. He's always listening to what they're saying, is interested in hearing about their careers, their hobbies, their lives. Really listens, too. Might refer to something a Date said weeks later off-hand. Buy out the whole museum for a private dinner date with a famous painting from an obscure artist they like, or a private performance with another's favorite band.

He has anecdotes and funny stories for days that somehow says very little about his personal life. The Dates know he has kids (it's practically a running gag in the news that Bruce Wayne has adopted yet another orphan) and maybe she might spot one of them at the mansion, but Bruce seems very keen to shelter them from any intense spotlight and scrutiny, and they all seem happy if a bit weird like him.

Eventually, there's drifting. He's a very busy man, with a very busy schedule. On more than on occasion his nice old butler will call and extend apologies that Mr. Wayne will not be able to make it this evening. Sometimes it's virtually impossible to get a hold of him over the phone. After a while they stop trying. None of them feel quite surprised by that. In the end, it just doesn't work. Sure, he's a little distant and doesn't make himself emotionally available...but he's not a bad person.

Especially when the so-called "exes" of Bruce Wayne start networking. Gotham isn't a small city, but the social circles Bruce Wayne travels in aren't as big. They don't quite gossip or complain about him. More like...who else would get it?

(I touched his side once and he winced...like he'd been hurt real bad there. He laughed and said it was tackle polo. How does that even-?)

(Somehow, after two dates, he saw right through me and listened while I told him what that casting director tried to do. He nodded, gave me the contact details of a law firm, and said not to worry about the legal fees.)

(I don't know for sure it was him, but it can't be a coincidence that my building got bought out from under my shitty landlord and we were all able to buy our apartments under market value.)

(He got my brother in the best rehab program in the city after his relapse. It probably saved his life. We'd stopped dating months ago, I still don't know how he found out.)

(He gave me a card with a phone number and told me that if I was ever in trouble to call it. Said one of his cars would come to pick me up, any time, any place, no questions asked. The one time I did have to use it after a bad party, it was Alfred.)

I think any tabloid reporter digging around for salacious stories or dirt about Bruce Wayne's love life would be completely and politely stonewalled when they try asking his former Dates. Even when money is offered. Every single one of them.

[thelostconsultant]

Puppy love

pairing: Max Verstappen x reader

summary: During his karting days, you were one of his opponents, but outside the track he was just a stupid boy who fell in love with a pretty girl. Now, after all those years, you meet again in the paddock, and he doesn't want you to leave.

note: Yes, Jos is an asshole in this (too).

“Have you seen who jumped in to do the interviews?” Charles asked with a wicked smile when he stopped next to his rival after the race. Max hadn’t really paid attention to these details until now, but now that he was informed there was something he should probably know, he looked around to see where the reporter was. “I haven’t talked to her since your dad ruined her career. But she seems truly happy now.”

That’s when his eyes fell on you, the girl who had been haunting him in his dreams for long years, the one who was glowing while talking to the cameraman. He wanted to object, he wanted to say “my dad didn’t ruin her career, she just decided to quit,” but the way you had left certainly hinted at a possible connection between the two events. Because his father’s outburst took place a week before he found out you weren’t coming back to race, and you didn’t even try to contact him ever again. 

What made it real hard was the fact he knew you were left heartbroken, and it wasn’t racing that you missed. His mother called your parents to ask them about you, and they said you had been crying in your room for days, but when the option for a call from Max came up, they were quick to shut it down. They said it would be easier for you to move on if he didn’t show up in your life again, and he couldn’t help but blame himself for everything that happened. 

If he hadn’t fallen in love with you, if he hadn’t met you on a vacation, if his father hadn’t found out he loved someone, maybe you would still be racing. He remembered your bright smile that was present even after a tough race, and your good mood that was often highly contagious. The boys you raced against loved you dearly, mostly because you brought a different energy into their little boys’ club.

“Max, you’re next,” he was told all of a sudden. 

He wasn't ready to face you, but there was no escape. What he had to do now was force a smile on his face and act like he was talking to someone else, someone whose presence didn't affect him half as much as yours did. But the moment he stopped in front of you and noticed a strange glint in your eyes, he had to focus on breathing in and out while you asked your first question.

After the camera was turned off, he cautiously watched you to see if you were planning to approach him, or if you seemed open to the possibility of him doing that. When you looked at him with a smile and said goodbye to the cameraman, he walked over to you with his hand folded behind his back.

“It's nice to see you here,” he said with a small, cautious smile. You nodded, but Max could see behind the cheerful look on your face, he could tell you were tense. “If I'm bothering you, just say it.”

You took a deep breath, and soon your smile changed, and it was now showing a lot more sadness. “It's been a while, that's all. Talking to you in person brings back different memories,” you admitted.

“Good or bad ones?”

Following a shrug, you folded your arms over your chest and looked down at your shoes. “Compared to the ones that come back when I see you or Charles on TV? Bad,” you finally replied. 

Max gulped upon hearing this, feeling guilty despite knowing he had done nothing wrong, that whatever happened back in the day was the result of a series of decisions made by your parents. If it was up to him, he would have kept in touch with you, doing his best to see where this puppy love would lead the two of you. Maybe you would have broken up after he got into F1, maybe you would be married by now. It was a question he had no answer to.

The best he could do now was trying to make you understand this, making you see that he wanted to fix things now, even if you would be nothing more than friends. Sure, he had no idea how much you had changed over the years, but he knew there was only one way to find out. “I know it means very little after all these years, but I’m sorry,” he said to break the deafening silence.

You nodded, then to his surprise, took a step closer to him. “I know it wasn’t your fault. My parents told me what happened exactly eventually.”

He watched you closely, trying to figure out if you were interested in a proper conversation, maybe later in private. But before he could speak up, Charles walked over to the two of you and wrapped an arm around your shoulder with a big smile on his face. “It’s been so long,” he said happily, earning a shy smile and a barely visible shake of your head from you.

Max bit the inside of his cheek, annoyed by the sudden appearance of the Ferrari driver, but the main problem was a vivid memory from his childhood. While him and Charles had gone for blood on the track and didn’t have the best relationship off it either, you and the Monegasque were on very good terms, with you even visiting him and his family in his home. It didn’t bother him until his brain finally caught up with his feelings and he realized he had a crush on you, because then he felt intense jealousy every time his rival laid a finger on you, even if it was nothing more than a friendly pat on the shoulder.

You then suddenly moved to give him a hug, and seeing the way Charles wrapped his arms around you made his blood boil, even if he knew deep down that he had no right to be jealous. But it was painfully obvious that the two of you were talking to each other, keeping your voices down as much as you could in the noise around you, and he couldn’t help but wonder what it was all about.

Then he finally let go of you and said goodbye, although the two of you agreed to have dinner in Italy next week to catch up. Max took a deep breath and thought about what to say, but before he could come up with anything, an official came over to drag him to the cooldown room, so all he could do was apologize and say goodbye, wishing he could see you again next week. According to Charles you were supposed to be there in Monza, which meant he would have the chance to talk to you.

To properly talk to you and possibly find out more about your life after you quit racing.

He knew in the cooldown room they were supposed to talk about the race, but all he could think about was asking Charles what you talked about, what was so secretive that no one else could hear it? So, in the end he didn’t say much, he just watched the recap of the race and discussed what he saw if it was standing out. Even while standing on the podium, his eyes scanned the crowd under them, trying to find you as if he was playing Where’s Wally?

On the way home, he spent his time browsing your social media accounts, and he couldn’t help but wonder why he had never checked them. On X, you were posting about F1 news, commenting on them as a journalist, while on Instagram you focused on sharing more personal posts, like photos of your holiday, your hobbies, or yourself in the paddock. There had been so many of those, how come he hadn’t met you before?

Having a glimpse into your life felt so nice that he hadn’t realized he had scrolled back a few years. Well, not until it turned out he accidentally liked a few of your old photos. If you hadn’t seen the notifications, he wouldn’t have noticed that. But you saw them and weren’t shy to send him a DM about it.

The next few days passed with him regularly checking his DMs to see if you wrote to him again, if you changed your mind and decided to have dinner with him, but there was nothing, so he was forced to wait for the perfect opportunity to talk to you in the paddock in Italy. How he would find you in the flurry of people was a mystery, although he had a fleeting idea that maybe their PR team could help him get a hold of you. Not like that could work, a request like this would certainly give them a stroke, assuming he was planning to give a random interview.

His heart skipped a beat when he noticed you at the press conference, talking to some of the drivers behind the cameras. Your eyes were shining brightly, your smile lit up the room around you, and Max felt like he had been taken back to his childhood when all the boys at their karting races swarmed around you to get a scrap of your attention. But those were hormone-driven teenagers, while these guys were grown men, many of them in serious relationships, so he knew it wasn’t entirely the same situation.

This time Max made sure he could stick around after the interviews, hoping to get a hold of you once you were done. He approached you after everyone left and you decided to chat with someone from the crew. He cleared his throat nervously, subconsciously expecting you to yell at him, to tell him to leave you alone. But your poker face was perfect, because you turned to him with a kind smile and acted like you were ready to have a pleasant chat with him. The crew member left you alone, so only the two of you were left there. 

“You either don’t understand the word no, or you just learned to completely ignore it because you always get what you want,” you said with a sigh, the smile long gone by now. 

He let the last part of the comment go past his ear, instead he just took a deep breath and began to massage the back of his neck. “Can’t we have a pleasant conversation? Just put everything aside, forget about our shared past, and let’s treat this as a chance for a fresh start.”

You watched him with a thoughtful hum for a while, then nodded. “All right. What would you like to talk about?” you asked with a curious look in your eyes. 

“Us.”

“There’s no such thing as us.”

“Too bad, because that’s exactly what I want,” he was quick to inform you, mentally kicking himself for being this straightforward, even if it was true. Because he wanted to see if you would be interested in the 2.0 version of your relationship, the chance to see how your young love would work out in your adult lives. “Are you seeing anyone?”

For a moment you hesitated, but then you shook your head. “No. I don’t really have the time for that,” you replied honestly. Before Max could speak up again, though, you began to talk once more. “But I’m a reporter here, dating a driver would be… unethical. I can’t play favorites,” you explained. 

Max took a quick look around, then gently placed a hand on your cheek. “We can figure that out later. Let’s focus on step one, which is going on a first date. Tonight? We can turn to room service to help us out if you don’t want to meet somewhere public,” he told you. 

“So you want me all to yourself in your hotel room?” you asked with a teasing smile. 

He was sure as hell he blushed, because the idea of what you were suggesting hadn’t occurred to him. Having you alone in his hotel room wasn’t something he consciously planned out, he only wanted to meet you somewhere away from the curious eyes. “It’s not like that,” he told you defensively. 

“I know, don’t worry. Send me the when and where,” you said as you patted his shoulder. “See you later, Max.”

Nodding, he watched as you walked away from him. He didn’t say a word–no, he couldn’t say a word. His brain was too busy replaying the way his name rolled off your tongue, that sweet, soft tone of your voice as you said goodbye. With his mind still lost in a pink haze, he returned to their motorhome to gather his things and call it a day. He couldn’t wait to meet you, that was all he could focus on. 

A few hours later he was sitting on the edge of his bed, his foot nervously tapping on the floor while he waited. You could be here any minute, and waiting was the worst part. Well, maybe the conversation wouldn’t be that much better, but he could still hope for the best. So when half an hour later there was a knock on his door, his lips curled into a wide smile and he rushed over there to let you in. 

“I’m sorry, I’m sorry, I was held up in the media center,” you apologized the moment the door closed behind you. 

Max had to take a deep breath to calm himself. You being close to him again brought back feelings he thought he had long forgotten, and he wanted to give you a kiss, a soft kiss to test the waters with you. But he had to behave, he had no idea where the two of you were standing right now. “It’s okay, don’t worry. So, dinner?” he asked after a short break, giving you a smile. 

Food seemed to get you in the mood to chat, because as the two of you enjoyed the various dishes he ordered, you started to tell him about your life after everything that had happened back then. You finished high school like a normal kid, went to college to study journalism, and you managed to get jobs at various places that were related to motorsports, especially F1. That was your dream, to once work with this world, but you were quick to clarify knowing he made it here didn’t give you the idea. 

He tried to hide the cocky smirk that wanted to show up on his face, because he was sure what you said weren’t true. A voice in the back of his mind told him you wanted to see him again, that you wanted to get back what had been taken from the two of you all those years ago. After all, why wouldn’t he think that? It didn’t take much convincing to get you to meet him tonight. And if he was delusional? At least it was a nice thought. 

It was then his turn to talk, so he told you stories that you had probably never heard, about himself, about the grid, about everything, really. If you asked questions about his family, you focused on his sister and mother, but you were mostly interested in his cats and hobbies. As you told him, you couldn’t understand how he ended up being such a cat dad, but it certainly suited him. 

“Charles said he doesn’t get murderous thoughts about you several times a day lately,” you suddenly noted with a short laugh. 

Clearing his throat, Max tilted his head to the side. “You talked to him?” he asked casually. 

You nodded and took another bite of your pasta. “Yeah, we had dinner yesterday. I remember how the two of you were back then, I was wondering what the situation was now,” you said with a shrug. 

A wide grin crept on his face upon hearing this. “So you asked him about me.”

“It was just one question, don’t get too cocky,” you pointed out with a roll of your eyes. “But I’m glad you kinda get along now. It’s nice to see that.”

Max flashed a smile at you, then returned his attention to his dinner. For a while you both ate in silence, but then you got rid of the plates and he found himself wondering what to do next. So he just looked down at his hand and moved it closer to yours, letting his little finger brush against yours as if you were back in your teenage years. You let out a laugh when you noticed, and you looked at him with a kind smile. You weren’t as cold as you had been earlier today, now you seemed to have warmed up to him, ready to give him a chance to show you what he wanted. 

So, he took a deep breath and leaned in to kiss you, cautiously moving his lips against yours to make sure he didn’t scare you away. It took you a few seconds, but you eventually eased into the kiss, one of your hands even moving up to his face to keep him close. He couldn’t hold back a quiet chuckle that drew a questioning hum out of you. Max shook his head, then he dived in to kiss you again, but at the same time he let his hand wander under your shirt, even though he could have expected what happened next. 

Because you pulled away and pushed his hand away from your body. “Stop, don’t… I shouldn’t even be here, I should just go, and–”

“Hey, hey, hey, don’t do this, don’t push me away. I’m sorry. If you want to slow down, that’s exactly what we’re gonna do, okay?” he asked you, his voice desperate. For a minute or two you remained completely silent, you were just watching him with doe eyes, as if you were trying to process what just happened. “Please, just stay,” he said quietly.

You hesitantly took his hand and gulped loudly as you gathered your thoughts. “Listen, it’s complicated. I already told you, I shouldn’t date drivers, but,” you began, but fell silent without finishing the sentence. 

Max cupped your face and rested his forehead against yours. “One step at a time, all right? We’ll figure out if this could even work between us, then we’ll decide how to move on,” he said with a soft smile. When you nodded, he kissed your nose. “Good. Do you want to stay with me and cuddle a little, or would you rather go?”

“We just cuddle, right?” you asked with a thin voice. When he nodded, you let out a soft sigh. “Okay, just for a little while, then I’ll leave.”

But you didn’t leave. The next morning he woke up to you sleeping soundly with your head on his chest, snoring softly while you were lost in your dream world. Max couldn’t stop grinning, he was way too excited and happy to keep a straight face. It felt so nice, so natural, that he wondered how long you would be against it. You clearly wanted this as much as he did, but if you needed time, he was willing to give it to you.

As you lay there, he remembered that vacation all those years ago, when your parents not-so-accidentally bumped into his mom. His first date in a local cinema, watching a movie that was dubbed and neither of you could fully understand it. His first kiss in that movie theater with a girl that was special enough to catch his attention. The way you fell asleep with your head on his shoulder one night when your parents talked a little too long in a restaurant on the beach. 

And he was hell-bent on going back to that town to experience everything again as adults. All he needed was you softening enough to let him take care of you in front of the whole world.

[whispers-whump]

Some writing advice

that I like to use when I write. None of this is meant to be taken as hard and fast rules, they’re just things I like to do/keep in mind when I’m writing and I thought maybe other people would enjoy! <3

Never say what you mean

This is an offshoot of the very common “show don’t tell” advice, which I think can be confusing in application and unhelpful for scenes where telling is actually the right move. Instead, I keep the advice to never say exactly what I mean in stories.

By using a combination of showing and telling to hint at what you really mean, you force your reader to think and figure it out on their own, which makes for a more satisfying reading experience.

You might show a character getting angry and defensive in response to genuine care and concern. You could tell the audience that the character doesn’t see/talk to their parents often. But never outright give the real meaning that the character feels unlovable because of their strained relationship with their parents and as a result they don’t know how to react to being cared for.

Your readers are smart, you don’t need to spoon feed them.

Be sparse with the important things

You know how in a lot of movies there’s that tense scene where a character is hiding from something/someone and you can only just see this person/thing chasing them through a crack in the door? You get a very small glimpse of whatever’s after the character, sometimes only shadows being visible.

Do that in your writing. Obscure the important things in scenes by overdescribing the unimportant and underdescribing the important.

You might describe the smell of a space, the type of wood the floor is made of, the sound of work boots moving slowly across the room, a flashlight in the character’s hand. And there’s a dead body, laying in a pool of blood in the far corner of the room, red soaking into the rug. Then move on, what kind of rug is it? What is the color, patterns, and type of fabric of the rug?

Don’t linger on the details of the body, give your reader’s imagination some room to work while they digest the mundane you give them.

Dialogue is there to tell your story too

There’s a lot of advice out there about how to make dialogue more realistic, which is absolutely great: read aloud to yourself, put breaks where you feel yourself take a breath, reword if you’re stuttering over your written dialogue. But sometimes, in trying to make dialogue sound more realistic, a little bit of its function is lost.

Dialogue is more than just what your characters say, dialogue should serve a purpose. It’s a part of storytelling, and it can even be a bridging part of your narration.

If you have a scene with a lot of internal conflict that is very narration-heavy, breaking it up with some spoken dialogue can be a way to give some variety to those paragraphs without moving onto a new idea yet; people talk to themselves out loud all of the time.

Dialogue is also about what your characters don’t say. This can mean the character literally doesn’t say anything, they give half-truths, give an expected answer rather than the truth (“I’m fine”), omit important information, or outright lie.

Play with syntax and sentence structure

You’ve heard this advice before probably. Short, choppy sentences and a little onomatopoeia work great for fast-paced action scenes, and longer sentences with more description help slow your pacing back down.

That’s solid advice, but what else can you play with? Syntax and sentence structure are more than just the length of a sentence.

Think about things like: repetition of words or ideas, sentence fragments, stream of consciousness writing, breaking syntax conventions, and the like. Done well, breaking some of those rules we were taught about language can be a more compelling way to deliver an emotion, theme, or idea that words just can’t convey.

Would love to hear any other tips and tricks other people like to use, so feel free to share!!!

[slasherhaven]

Slashers with a significant other who is a cam girl and wants them to be in one of their videos? 💃

2 posts in 2 days who do I think I am? See ya'll in a year! /j

CW: NSFW

You do Cam Work and Ask the Slashers to be in your Videos:

Thomas Hewitt

Thomas is pretty conservative when it come to sex and such, but he's come around to your cam work, especially since you let him help with the details.

You like when he picks what you were or what scene you might do. You made Thomas feel like a part of it and that made him comfortable with it.

Still, he's very surprised when you ask if he wants to do a video with you. He refuses immediately and you respect that.

You ask again a while later but with more details. Like nobody would know who he was, you would keep his face out of the shot, and the two of you will do whatever he is comfortable with.

Your first video with him is of you riding him. His head isn't in the shot but the rest of his frame is. The size difference goes hard and your audience agrees.

Thomas is a flustered mess when you sit to read with comments with him. Everyone is talking about the new man in your video, gushing about how big he is and how attentive he is. Even with his size it seems your audience could sense his gentle soul, commenting on the chemistry you both have and how they would love to see him again!

Thanks to all the lovely comments, Thomas agrees to do another video even if he doesn't see himself putting his face on camera any time soon.

Michael Myers

Michael honestly does not care that you do cam work.

When you first ask him to be in a video, he pretty much ignores it.

But when you ask again some time later he doesn't see why not.

As long as his face isn't in the video or anything, you can film it, he doesn't really care.

The videos you make with him afterwards are pretty similar to your first video with him.

Usually you bent over while Michael fucks you to tears.

Michael is barely in the shot most of the time. Sometimes it just a close up on you, other times it includes Michael but only ever getting at high as his chest.

Everyone is obsessed with your mystery man. Where did he come from? What was that scar from? Can we see more of him please!!!

Jason Voorhees

We all know that Jason's comfort levels with sex is extremely low and it takes a while for him to become comfortable with physical intimacy. So cam work is certainly going to take some time for him to come around to.

And once he's become more comfortable with that, it's going to take a whole lot longer before he feels comfortable being in a video.

When he does decide to give it a go, he is a real hit!

He refuses to show his face on camera and you do whatever it takes to make sure he is as comfortable as possible.

Before Jason says you can use his name in videos and descriptions, your audience referred to him as 'the gentle giant', which is completely accurate!

No matter your usual content, Jason is nothing but gentle with you when he's in a video.

Brahms Heelshire

Watches your videos over and over again, he loves them. He'll watch you record them and watch them later once you've posted them. He can't get enough.

He's already got his pants off when you ask if he wants to be in one of your videos. You end up fucking even though you're not filming it.

He actually doesn't have much of a problem with having his face on camera. He's still a little insecure about his facial burns but you have alleviated most of that by this point.

And after the first video and he reads all those positive comments. Some are as horny for him as they are for you.

Fully embraces his new pornstar identity. He's insufferable.

He'll be in any video you want and your audience love watching you take care of your needy brat.

Bo Sinclair

Bo is in fully support of your work, it brings some money in and he gets to watch your videos. Even if his possessiveness still often gets the better of him. Whenever he reads comments of people praising you, Bo has an insatiable need to bend you over something just to prove a point.

Gets all cocky and arrogant when you ask if he wants to be in a video.

Needless to say, he agrees to do it.

And he takes to it pretty easily. He knows how to get all of his favourite reactions from you, how to get you pleading and begging for him, and he wants everyone watching to know.

Bo is arrogant and always smirking when the camera is on but it performs well.

He likes to how the camera and film himself entering you. He really does have a terrible ego.

Vincent Sinclair

It gets Vincent flustered, he could admit that, but he appreciates the artistic side of it all. It takes more effort and consideration than one might think!

He likes helping you get ready for a video and taking care of you afterwards.

He's hesitant when you first ask if he wants to be in a video. A part of him wants to do it with you but he's not confident enough in himself.

But he loves making you feel good and at this point he knows he's good at it, so he gives it a try. You can film them without posting them after all, like practise runs.

He may never show his face but he doesn't mind having his body on camera. Sometimes he even just hides his face with his hair instead of keeping his head out of the shot completely.

On Vincent's more self-conscious days, he'll film close ups of him fingering you instead.

He's very good with his hands and your audience agrees. They are very jealous of you.

Lester Sinclair

Lester is pretty neutral on your work, but of course he absolutely loves your videos.

He's mostly just surprised and flustered when you first ask if he wants to be in one of your videos. He thinks you're perfect so he understands why people would want to watch you, but he doesn't really see why people would want to watch him.

But he still agrees to it because he's your biggest supporter!!!

Your audience love the chemistry and intimacy between you both, leaving comments about how real your videos feel.

The videos that perform best are usually the ones where the two of you forgot you were even filming, just giggling together and enjoying each other. Lester gets all nervous and shy when the camera turns on, which is adorable, but forgetting that the camera is there really does help him perform better, the sweetheart.

Your audience love your more thought out and planned videos but appreciate the occasional more relaxed video with your sweet boyfriend.

Bubba Sawyer

Super flustered by your work but he's supportive.

Is super surprised and nervous when you ask if he wants to be in a video.

He agrees to give it a try once you explain that you can always delete it and nobody has to see it if he changes his mind or doesn't like it.

Bubba is just a big sweetie really, and you know just how to turn him into a squirming, blubbering mess.

And your audience love to watch you do it!

In later video's you do, you use the viewers' comments to fluster him even further. Using all the kindest and sweetest comments that say how lovely he is .

Come on, Bubs, they love you, they're being so nice. Why don't you say thank you?

Billy Lenz

Billy loves watching your videos and when you ask if he wants to be in a video with you, he is so excited!

He's completely down to make some home videos but he's a little unsure about putting it online for other people to see.

So you make it so his face isn't visible and let him watch the final edit before uploading it. He thinks it's so hot, he can't say no.

Honestly, you could do really well with just audios alone though. People will go wild for it. Billy unable to keep his mouth shut, all those desperate moans and whines and noises, the sticky wet slapping of skin. Honestly, a video element is just a bonus at this point.

And who gets off to the video the most? Billy obviously!

Asa Emory (The Collector)

Asa monitors your accounts anyway, even if you don't know it. He wants to know what you're posting and how people are responding. Don't want any bullies or trolls, right?

He's probably tried to manipulate you into suggesting it anyway.

He doesn't have much of a problem with your cam work, he's just a possessive bastard and would love to claim you in front of your entire audience.

The mask stays on!

Okay, he designs a new mask to avoid any chance of self criminalisation but whatever.

You two can make it big in BDSM communities.

Ties you up, blindfolds you, gags you. Whatever he feels like, but often seems to focus the camera on your reactions rather than on what he is doing to you. Studying his favourite little specimen.

Your audience already adored you of course, but they also love this new Dom you brought it.

There is no doubt as to who you belong to now.

Jesse Cromeans (Chromeskull)

Obviously Jesse has no problem with being on camera and he already has a pretty big ego, so he'll probably even wear the Chromeskull mask. It's his signature whether it's for his snuff films or your cam work.

Like Asa, you do absolute numbers in the BDSM community. Everyone is very pleased with his fully suited up, masked Dom that you brought in.

He already has his Chromeskull persona all fleshed out so he just brings that energy to your videos.

He's a sadistic Dom and you might have to upload an Aftercare video at some point just to reassure your more loyal audience that you're alright and always well taken care of afterwards.

Otis Driftwood

Is obviously a fan of your videos and isn't going to stop you from making them. You aren't actually fucking anyone else, so he's cool with it. And if he feels particularly jealous or possessive at some point, he knows he's the only one who can actually pin you down and have his way with you.

Oh yeah, he's down to make a few videos with you. He's probably got some old tapes of his own somewhere, long forgotten. He's not shy.

Says the filthiest shit, it kinda becomes his think on your platform.

Otis can be absolutely disgusting but, fortunately, there is an audience for that and they flood to your videos.

Calls you all sorts of names, asks you if you get off on knowing everyone is going to watch him fuck you. That everyone is going to see all the things you let him do to you.

Baby Firefly

Baby loves that you do cam work, she loves performing. She happily does your hair and makeup, she helps you pick out costumes and which toys you'll use in that video.

Hell, she's even filmed a video or two for you!

She's your number one supporter so of course she jumps on camera as soon as you ask if she wants to be in a video.

The two of you are all dolled up and she's magnetic, the audience love her as much as they love you.

The two of you are absolute menaces if you decide to do a livestream, pulling in huge donations because Baby is going to pout and taunt. Why should the two of you put on a show if they're not showing their appreciation properly?

Baby is the type to respond to very low donations with "it's alright, you can just say you're poor". She never promised to play nice and she just thinks you're worth more than that!!!

You end up apologising for her.

People are into it though.

Yautja (Predator)

Your mate doesn't quite get it but he's cool with it.

Is hard as soon as you ask if he wants to be in a video. Yautja's aren't very conservative or prudish when it comes to sex and nudity, so you weren't too surprised.

He loves the thought of taking you, of claiming you, and everyone knowing that you're his mate. That he's a worthy mate for you.

Even when he's a regular feature in your videos, he doesn't completely understand it, he just knows he's into it.

Everyone loves to watch you try to take him fully, the struggle, the determination, the satisfaction when you manage it.

You have cornered the Monster Fucker market. They don't know if it's real, if it's a very elaborate costume, or very realistic animation, either way they are eating it up.

All the other performers who use alien dildos and such are super jealous, obviously.

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.