#we were only trying to help

[mashed-potato101]

Ace, Deuce, and Grim in book 3 after making a deal with Azul: Man, I wish I could get rid of this anemone

Mc: Say no more

[andthebeanstalk]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[tracle0]

Feast your eyes! My pride stars :)!

[camels-pen]

the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?

Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.

Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.

With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.

So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.

[clusterbconfessional]

Would love a petition for the American Psychiatric Association to revamp the current diagnostic criteria for individuals with PDs in order to remove the stigmatizing language and focus on the effects the condition has on the patient rather than the potential social consequences. Would love that. Let me know when it happens.

[fireheartwraith]

Defending Forever online is not enough I need a gun

[starfish-comics]

Boy did this one go downhill fast...

[xysidhe]

Sirius, careening into the common room: IT HAS HAPPENED

Lily: It has?!

Remus: What's going on?

Sirius: It's official! I saw them holding hands outside the Potions classroom!

Lily: Finally!

Remus: What is going on?!

Sirius: James and Reggie! They're dating!

Remus, who has known for 1 month: And you're....happy?

Sirius: Happy?!

Lily: Happy? We're ecstatic!

Sirius: We've been trying to get them together for 2 years now!

Lily: We almost lost hope

Sirius: But now it's official! The plan worked!

Remus: You.... you planned this?

Sirius: Lily we need to throw a party!

[thinkin-bout-milgram]

Triage: Initial Thoughts

Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage! 

I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico​! 

Alright, let’s do this!

Shidou’s kids died immediately, but his wife had a chance to live.

I’m basically just going to give a quick play by play of what I think happened in the video.

Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.

He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.

Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.

I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references. 

I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death. 

This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.

NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.

Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.

Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.

He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.) 

He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.

In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth. 

Shidou is constantly plagued by the guilt of what happened.

The simplest way to explain this is with this image: 

When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image: 

Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.

Triage takes place almost entirely before and after Throwdown.

That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.

Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.

In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).

He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.

VOTE: INNOCENT

Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.

Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.

I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.

[finexbright]

.

[chanyoungies]

the complete eri guidebook (2023) full version under the cut ♡ pdf ver. happy birthday @xiaojuun !! <3

credits. with the help of: meg (@hozierbyrne) // brina (@aquablues) // aléks (@possession1981) // vianey (@souladies) // lili (@ninqz) // aweks (@awek-s) // miha (@jaebeomtual) // rachel (@gnanii) // mare (@dongkwan) // ro (@sunghanbin) // rosie (@kimjiwoong) // lulu (@fushigojos) // sofi (@yukuz) graphics: gift boxes // broccoli // orange fruit watercolor // lip print textures // notion-style scribbles // healthcare vector icons // human anatomy icons // film cutouts pack // 3d travel icons // drinks vector icon set // coffee outline illustration pack // baby vector icon pack

[goldensunset]

pov a huge twewy/ntwewy nerd visits shibuya part 2

ramen town baby!!! yeah i was not about to climb that whole hill even though it really wasn’t that steep. dogenzaka beloved

you only visit this place once in the main game but there are so so many things i could say about it. man the neku-josh-sho week 2 dynamic was the wildest and funniest thing in the world

spain hill (from above) (idk uhh what’s iconic about here?) (i didn’t trip on any haunted step that much i know)

the vibes of this place… not accessible until so late in the game (in both games) but so good both times. like the story beats that happened here were always excellent. i always loved being at shibuya stream in ntwewy it was beyond surreal stepping out of the station and just actually being here irl

le susukichi boss fight (and some more cool puzzles)

shibuya hikarie! not much to say here but the food you find here in ntwewy looked so good man i need to actually eat more while here

there are a few more actually oops! part 3 momentarily

[carnivalcarriondiscarded]

i napped the entire day away and my dreams included, but were not limited to: big earthquake that, as it was happening, i was like "oh this is a bad one" and my stepdad went "its not that bad" - our house slid down a ravine into water / very vivid evening apocalypse that - after the blast hit and i died - swirled into sleep paralysis that occurred While I Was Dreaming (and i do mean swirled. i got whipped around like an inflatable tube man) / rich people sitcom where everyone was unbearable but i had my dear cat Letti with me / sound-based monster shaped like my mom that i kept from killing me via a funny joke (i didnt even get to finish my microwaved macaroni smh)

[torahtot]

ok ive had enough of queering judaism. can we start judaizing queerness now. or something

[lightasthesun]

just wanted to thank everyone that's been encouraging me or offering some kind of support the last few times I talked about getting a cane... because I went and got one today and I didn't think it would make that much of a difference. I underestimated how much it would change for me.

So thank you <33

[tmae3114]

So I originally wrote this back in August when this release was fresh and then!!! APPARENTLY!!! just COMPLETELY forgot to post it!! so you get it now, three months late.

-

Some of the dialogue from the Guardian Tower has been living rent free in my head and now I want to yell about it because it’s SO GOOD for background lore

Okay, so, on the first floor, Mindi tells us this:

I really like this because it helps illustrate one of the logistical problems of the Rose. Like, even if you took away everything else that makes them bad (which, admittedly, is most of the organisation and its purpose), the fact that they tend to, by default, present themselves as the only option and drive out competition is bad. On paper, a force of people trained in combat against magical threats, with reasonably easy access to that training, which has garrisons stationed across the land, is actually a pretty good solution to the whole Recurring Evil Magical Threats thing. We know this because the guardians and the paladins and the dragonslayers exist! They do this! The Rose seems to make membership easier to access but, frankly, I suspect that is in part because their training is less thorough.

And when the Rose show up and drive those other groups out (like they’ve done with the Guardians), they don’t actually improve anything. Best case scenario, everything is exactly the way it was before. More likely, things would get worse, because the people with active experience defending a particular area have been driven away and now the Rose members have to play catch-up

(A good example of how on paper a group like the Rose could help an area is Book 3 Amityvale. The local Guardians were long gone, so the Rose were able to help without doing that extra damage and made Amityvale a safer place to live....... but that’s specifically for the human inhabitants. Plus, we know they’re affecting the magic of the area - Amaris’s moon has started having phases - and that’s! probably not good! Also see: Raven having to flee for her own safety after getting bitten by a werewolf. Even where they are ostensibly doing the most good, the Rose are still an active danger to many, even their own in the wrong circumstances)

And, meanwhile, on the ground floor...

......further proof that the Rose actively try to drive competition out of the area. Falconreach has repeatedly made it clear that they want nothing to do with the Rose and they keep picking fights with the patrols.