#we're obviously aging it up

[lucky-clover-gazette]

when i get some free time and can balance it with my other responsibilities i do fully intend to write some kind of canon divergent fic where the (adult) player character matches volo’s freak and helps him workshop his shitty plan

[moghedien]

Shipping Cassandra and Leliana is so funny because I feel like the only people who actually do it have either only played Inquisition or don't think much past "Well they're the Left and Right Hands of the Divine" because you KNOW they only get along to the extent they do in Inquisition because they've never had an actual conversation because the second Leliana opened her mouth about her theology in front of Cassandra, they would have been trying to strangle each other

[transhetanybodys]

Yeah Ravenpaw!Scourge and Smudge!Scourge and Rusty!Scourge and all those other AUs are cool but consider: Jay!Scourge. Somehow still kicking, impossibly old but as sharp as ever and being kept alive from spite and the fearful respect of the cats around her at this point, uses the mix of dog and cat teeth on her collar to compensate for her missing teeth in attacks along with the dog claws that she grafted onto her paws to compensate for her own claws getting worn down long ago, Tigerstar thinks he'll have a super easy time getting the gang boss granny out of the way once she's fulfilled her end of the bargain and then she just decks him.

I have a lot of culture and societal structure stuff for the group of Twolegplace cats that she was the leader of, the Featherpaws, before Bloodclan came around worked out, and there's a lot of potential nuances in how their war against Shadowclan which I expanded to be a much longer lasting conflict rather than a few border scuffles here and there could be integrated into the plot of The Prophecies Begin so that by the end Jay is fulfilling the role of Scourge. Maybe part of the bargain Tigerstar tries to make with her is that he'll end her war with Shadowclan and make it so that her group is now allied with them and Riverclan instead and they'll be able to take over the forest. She remembers her daughter and daughter in law Russetpaw and Pixie's (Russetpaw has a different more Firestar-like personality in this AU) dream to unite the Featherpaws with Shadowclan but at this point has become even more jaded than before and doesn't believe that that's possible long term or that the clan cats are worth allying with. Plus she's still mad about the time when she was younger and comparatively bright eyed and bushy tailed and went into Thunderclan territory thinking that surely if she just explained her group's predicament with the war against Shadowclan then they would help them and got beaten up by a patrol that she couldn't possibly win against because it was one against many. Involving Tigerpaw obviously. So she kills him and things could proceed like canon from there but it'd be more interesting for things to be done in a way where the legitimate grievances of the Featherpaws are addressed.

Anyway here's the fic that establishes my lore for the Featherpaws and Jay I love them sm- https://archiveofourown.org/works/63195802/chapters/161856709

[rearranging-deck-chairs]

Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me

oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?

i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had

what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism

but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"

because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison

if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will

i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling

and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?

i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.

but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it

and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself

sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla

[sonknuxadow]

you know i do wonder how many sonic characters actually have living parents. like knuckles is the last of his kind so obviously his parents arent around anymore. both guys who could be considered shadows dads are 100 percent confirmed dead. sonic is canonically an orphan im pretty sure. and on the other side of the coin cream is like the only character in the game cast who has a living parent we actually see onscreen. but what about everyone else i dont think theres a straight answer for any other character. other than rouge's mom being mentioned a couple times i Guess but we dont even know anything about her or if shes still alive just that she existed at some point. are these kids constantly putting themselves in danger because they dont have parents around to stop them or because their parents just dont care

[sesamenom]

baylan skoll (from ahsoka) over time, inspired by the realization that he's the same age as baby yoda

(+ designs for his first padawan + commander)

[nero-neptune]

i'm annoyed by the way people are talking about ms. roan, all this babying attitude. "young girl", "poor girl", "doesn't know any better", "please be kind", "my heart's breaking for her". she's 26. i'm the exact same age as her. maybe it's bc i'm 26 And black, but my black ass can never lean on the "i'm just a poor, young girl" excuse for sympathy points lol. not at my big age, and not with the skin i'm in. i'm never given that benefit of the doubt. what's more, black female celebrities (26 and younger. lesbian and bisexual, even) are Never given that benefit of the doubt, this level of coddling and understanding. what makes chappell more sympathetic and deserving of protection?

[korzionarchive]

Rhaenys found out about Alyn and Addam probably about ten years into her marriage (a year before the blow of the Great Council) when talk reached High Tide of two boys in the shipyards with resemblances to House Velaryon. She didn't immediately assume they were Corlys' sons, but she did put two and two together when she found out about him sending monthly sums to a nameless woman for 'services rendered.'

[gyrovagi]

wouldnt the timeline on this make taash like 20-ish at oldest

[the-way-astray]

I think your 23 years old

(that would put you as entering middle school right when the first kotlc book came out, assuming you were 11 in 6th grade)

i have given out information that directly contradicts this, but this is interesting to think about nonetheless. so many twenty-threes this is so fascinating

[theinfinitedivides]

hold on babe where are you going we have to have our moral spiritual emotional and sexual awakening on this overpass you can't just leave like that

[fazcinatingblog]

She's out of control, why is she like this

And then when I explained myself, she doesn't reply so I'm thinking okay great I made a good point, she'll just back down and not argue with me, but she follows up at 6am:

[tacticaldiary]

I might open requests for Haikyuu ngl

[non-un-topo]

I love being a little rat

[therevengeoffrankenstein]

i kinda wanna make a critical post about Some Notable People not speaking up and outright endorsing anyone this election but i also know that it probably wouldn't've changed very much and therefore 'doesn't matter' but actually, yes, it does matter because it sets a good precedent. and besides. why would they be out there hyping obama or even biden the fuck up but then talking about voting harris in hushed voices. like it's probably a mix of misogyny and just plain old liberal democrat cowardice. because i KNOW these People probably don't care that much about any differences in their policies, at least not significantly enough for it to seem unreasonable to hype up harris as the better choice.

[proneterror204]

Dannys at Wayne enterprise because his parents want to submit their inventions and "scientific" discoverys for official review. He's bored out of his mind and meets this beautiful girl his age and strikes up a conversation with her. (Or he meets a girl and starts to rant like his father.)

Danny: im just saying Orphan has to be a vampire!

????(cass): No.

Danny: Are you kidding me? She moves with far to much elegance and grace to be mortal. Credit to the other bats but they move like mortals. She dances around both rogues and vigilantes!

????(cass): *blushing* No vampire.

Danny: ok maybe not a vampire but like a shadow demon or dhamphir or something! She's to much!

????(cass): orphan. Is. good. What about others?

Danny: oh! stabby robin and red hood are top tier obviously!

????(cass): oh?

Danny: well yeah! Stabby robin practices the art of the sword, a forgotten art in modern times. And red hood shoots pedophiles! Who doesn't like that?

????(cass): Batman.

Danny: well that says something about batman doesn't it. Have you seen the first Robin's outfit? Oof!

*in cass's ear*: Red Robin here. Good job on keeping danny distracted orphan. We're in the process of arresting Danny's parents. Can you keep it up?

????(cass): mhmm. Hey. Cute boy. Take me out to lunch?

Danny: Oh! Yeah! My parents will take hours explaining everything anyway, But uhm. What's your name?

????(cass): call me cass. This is a date, Yes?

Danny: *blushing* oh, uhm, yes. I'm Danny by the way.

Cass: Danny very cute.

Red robin: uhm? You don't have to do that orphan. Hello? ...Please don't make me explain this to B. Orphan?

Batman: Follow. Them.