#what the fuck how do you spell that??

[lucabyte]

Perceptive kid, I wonder just how much they pretend not to overhear.

[deadsetobsessions]

This is based off of that one tiktok from @sorruna where it’s the audio from Spider-Man: Into the Spider-verse.

——

Dick Grayson was a sneaky, intelligent little shit.

He was also dumb. These things are not mutually exclusive.

To this day, one of his best kept secrets- one of the many, many that he had now- was something he’d take to his grave.

Or to Jason’s grave, at least.

Dick sat down and began telling the story to ears that would never truly hear it.

——

Batman’s voice rumbled behind him as Dick, in his Robin suit, stood blankly on top of a roof.

“I know you snuck out last night, Robin.”

Dick froze, train of thought about his dinner derailed. Holy busted, Batman! Quick! Play dumb!

“Who’s Robin?” He asked, the years of performing in front of a large crowd coming to save his ass.

Not that dumb!

Batman sent him a dry look, reprimand already poised on his lips. Dick, however, was nothing but a good performer. Nay, a dedicated performer.

Quick! Do something out of character! He shouted at himself, panicking visibly. He stepped backwards, an idea appearing in his head. In his defense, it sounded like an amazing idea at the time. He had no idea it would blow up into a Justice League issue. If he had known… Dick would have lied better, probably. There was no way he was going to let B bench him for weeks!

“Who the fuck are you?!” He yelped. Dick apologized mentally to Alfred and his parents. Batman paused, stunned.

“That’s my question. Who are you?!” Bruce asked, immediately hostile. His son doesn’t curse. Well, not in any normal way anyways. Dick quickly backpedaled by yelling at him with a heavy Vlax dialect, missing his parents terribly as he screamed stranger danger in rudimentary Romany. After this, he was going to have to convince Bruce to get him a language tutor. He refused to forget one of the only ties he had left to his parents.

“Wait, wait- you’re my son.” Bruce replied back, in perfect Romany. He looked more convinced but still skeptical.

“My dad is a circus performer! Not a flying rat!” Dick screeched back. He couldn’t help but feel touched about Bruce seeing him like a son.

“Oy! Keep it down out there, you assholes! Some of us like our sleep, damn!” A random Gothamite screamed out of their window.

“Yo, shut the fuck up! The vigilantes are helping to keep the rent low, motherfucker!” Another Gothamite shouted back.

….

Needless to say, Bruce quickly brought Dick back to the cave- with precautions to make sure he didn’t figure out where the Cave was if Dick was actually someone else.

——

“You would have loved it, Little Wing. B was running around like a headless chicken. The memory loss protocol was actually made because of me, you know.” Dick chuckled, sniffling as he talked to the carved gravestone.

It did not reply.

——

The blood tests came back. Yeppers, Dick sarcastically thought, who woulda thought I’m me?

Reinforcements were called in.

Meaning, Batgirl.

“Watch him while I contact Justice League Dark.”

“You think it’s magic?” Barbara asked.

“Yes. There was no one else near our vicinity that could affect Dick like this. He has no head wounds.”

“Eesh. Okay, go. I’ll watch him.”

Bruce disappeared in his zeta tube, looking harried. So, to everyone that’s not a Bat, he looked absolutely terrifying.

“What did you get yourself into now, Boy Wonder?” Barbara sighed. Dick was careful to keep any signs of recognition out of his face.

“Stop calling me that! Where are my parents?!” He asked back. Barbara coughed and looked uncomfortably away.

That’s right, Babs. I’m pulling out the orphan card. Feel bad. Dick hid his feral grin.

“They’re… uh, busy.” Busy being dead, Barbara thought, immediately wincing at her own thoughts. Apparently, Dick thought the excuse was lame too, and he sent her an incredulous look.

“Would you like refreshments, Master Dick?”

“What?”

Alfred held out some cookies on a platter, giving Babs a quelling look as she tried to reach for his share.

“Oh, wow, these are really good!” Dick said as he shoveled cookies into his mouth. He tried to replicate the reaction he had when he tried these for the first time, and from Alfred’s satisfied look, Dick nailed it.

——

“Robin doesn’t remember who he is.” Batman rumbled as he all but dragged Zatanna and Constantine by the scuff of their jackets towards the zeta tubes.

“Hey, wait-”

“We have no time.” Batman snarled, tossing the two magic users into the zeta. He punched in the destination.

When they got there, he glared at the two magic users until they got into the cave.

“Damn, Bats. Really living up to your name, huh?”

“Not bad,” Zatanna said as she looked around.

“Robin,” Batman- Bruce- reminded them. He did a quick glance over to check on his kids, and found them satisfactorily uninjured. Though, Barbara was looking worse for wear. Bruce quickly found out why as she stalked to him.

“You deal with him.” She muttered. “I’m going home.”

Bruce blinked and nodded. “Get home safe.”

Zatanna and Constantine followed Batman as he walked towards Robin. It was odd to see the normally laughing child frown.

“It’s you! The kidnapper! Where are my parents?!”

Bruce winced which, for him, was akin to a full body flinch and recoil. No wonder Barbara was so tired.

“Fix it.”

“Don’t get your knickers in a twist, Batsy.” Constantine grumbled.

“Well help, Batman. Though… I’m not sure if he should be doing that.”

Bruce sharply turned his head back to where Dick was. Emphasis on was. Because now, he’s halfway up the giant dinosaur the Robin had insisted they keep.

“Robin, get down from there!”

“Stranger Danger!” Dick hollered back.

Batman- Bruce Wayne- sighed.

“That’s high level magic,” Zatanna hummed. “I can’t feel anything, but I know for sure that he won’t die. Magic like that either dissipates naturally or…”

“Lasts forever,” Constantine finished.

Bruce groaned, shooting off a grappling line and swooping upwards to catch Dick as he fell from the giant dinosaur.

——

“I pretended to get my memories back later,” Dick chuckled. “And pretended to forget the whole thing. Bruce was so relieved that I stopped knocking things over and trying to do cartwheels in high places that he totally forgot I snuck out.”

Dick patted the headstone.

“But between you and me? I’m pretty sure Alfred knew. I think B pissed him off that week.”

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[many-gay-magpies]

man i love how there was rly just. NO hesitation on charles' part on deciding to go to hell to get edwin out. like, typically you'd expect at least SOME deliberation, but nope he was instantly just like "so you can make a portal to hell? okay make one, i'm going in." and yeah some of it can be left up to the fact that he's a ghost and not as liable to die in hell as someone living, but seriously the fact that that was his default course of action? just right off the bat? that level of devotion is frankly a little insane

[dannyphannypack]

currently imagining a freaky friday dpxdc crossover in which one of the batkids gets kidnapped by cultists whose plan is to give the ghost king a physical anchor in this world by offering a sacrifice for the king to inhabit. however, given that danny is not fully dead, the moment the spell completes the aforementioned batkid gasps awake in a small blue bedroom with NASA posters and glow in the dark stars, and danny wakes up on the cold concrete floor of a warehouse amidst groveling cultists

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[throwawayasoiafaccount]

i still cannot believe that people consider having lovers outside of a political marriage as cheating

a lot can be discussed about how raging misogyny and the patriarchy in westeros has led to unequal standards for women to uphold and suffer from

as highborn women are not allowed the same sexual freedom that highborn men get to experience, and even if these women do have relationships outside of their marriages, they are usually scorned and shunned by society for daring to practice sexual autonomy

it’s unfair, i am very aware of this fact

(that’s why i’ll never understand team green stans)

but george has never ever condemned his characters for finding and experiencing love outside of doing their duty.

never.

we’re not unfeeling machines that lack emotions. we’re humans who are, more often than not, led by our hearts. and grrm does a phenomenal job when creating characters, as they truly feel human.

so yeah, it’s a bit disappointing that people dumb down what is clearly a very complex situation to “cheating” (btw george himself calls rhaegar and elias relationship complex and he’s never implied that they loved each other in a romantic sense).

to reiterate, i am well aware that highborn women and men are held to different standards, however, if you have a problem with characters working through, around, and sometimes failing to overcome the social structures that cause their suffering, then you must have a major issue with george’s exploration of the human heart in conflict with itself.

george’s characters aren’t robots and that’s what makes them interesting. they do things for very human reasons. they’re biased. they’re traumatized. they’re conflicted. but they’re still reaching for a better tomorrow and they’re still trying to find happiness.

so i’ll never consider rhaegar and lyannas relationship as cheating, or something unsightly that should be scorned. for they simply dared to find and grasp love in a society that would rather shackle them to unhappy marriages, which is very commendable.

oh… and do you know what george does criticize?

political marriages lol

he makes it clear that selling women off as broodmares and forcing men into marriages they don’t want is a recipe for disaster.

of course the eventual fallouts of these relationships is super interesting to read about, but you should never ever support the systems in place and the societies that benefit from pushing people/characters into these incredibly unhealthy relationships

so while i find it interesting to read about characters navigating these relationships, i’ll always be the first person to condemn these societies for forcing this fate onto them. i’ll also always be the first person to root for characters who do their best to find happiness outside of their political/arranged marriage

sorry that i don’t condemn a character for finding love outside of a loveless marriage

instead of getting angry at rhaegar and lyanna and being very nonsensical in the main tags about it, how about you turn that anger onto the patriarchy, which is rooted in every single institution and family in westeros, the patriarchy that refuses to allow women to have the same amount of sexual autonomy as men?

(this is why i despise team green :))

[sanasanakun]

I would argue that Megumi leaving Gojo out of his loved ones when thinking about his idealist life with Tsumiki and Yuji highlights the continued tragedy that is Satoru Gojo's lack of communication and connection skills. Alsoooo (and this might be an asspull) it feeds into my perception that both Megumi and Gojo wanted the relationship to be deeper but both couldn't ever come to truly understand one another and connect on that level. And I have alot more comments on that but that will wait till another day if I feel like it lol

[kanjichris]

"why don't you want him to know how much you love him?" "that's a little personal. he knows." "uh-huh."

[cloudyvulpine]

hate when i'm info dumping about a *FICTIONAL* villain and someone has the audacity to be like "but they've killed people" or "but they've committed crimes"

i know

but they aren't real

i still want to make out with them

[truth-or-lavender]

“alhaitham is annoyed by kaveh”

no he is NOT!! he teases him bc he enjoys seeing his reactions to things!!! he thinks his dramatics are CUTE!!!

alhaitham is a BRAT and i LOVE HIM!!!

[demigodickrider]

indefinitely, forever ☆ okkotsu yuuta! [3/3]

okkotsu yuuta (post shibuya) x fem!reader click here for: part one | part two | part three - no spoilers from the manga, dwdw ;) - alternative universe where yuuta is an SCP? - [18+] three-part series, 10k+ words in total

(note: not proofread, expect grammar mistakes) warning: contains SMUT, reader is a virgin, yuuta is a bit OOC/has that gojo satoru influence, romance, happy ending but contains slight angst and comfort, 2nd person pov, reader swears like a sailor

Yuta rolls his eyes playfully at you, large hands toying with the hem of your shirt. It was unnatural just how touch-starved he was; the relentless need to touch you, any part of you, imprinted into the deepest parts of his soul somewhere. "So, do you want to continue?"

"Continue what?"

"Like, if you wanna fuck.. or something..."

"Huh?!" Now its your turn to be continuously shocked.

"O-Only if you want to!" Yuta insists, clamping a hand over his nose and lips out of embarrassment followed by his classic shy gaze to the side. He turns a shade of red you have never imagined anyone could turn to, but Okkotsu Yuta had always defied the impossible.

You've already lost your first kiss to the floor while being chased down by the same man you just made out with.

So would it truly hurt to just fuck him?

No, it wouldn't.

It wouldn't at all.

His eyes watch your every move. He has a bad habit of staring at people, you note. You pry the calloused fingers off his face and capture his lips in another kiss, this time sensual and passionate.

"Are you sure?" He asks, just before he returns the kiss.

"Stop talking and just fuck me already."

"Will do, ma'am." He teases, sealing your protests with his lips.

Yuta wastes no time in helping you discard your top off, trailing butterfly kisses from your mouth and down your neck. Strong arms rest on either side of your body, hands large than yours clasping over the back and holding you down. His kisses now felt ticklish and feverish, each leaving a scorch on your skin akin to summer heat.

Heat pools between your thighs. You weakly tug at his collar to let him know that you want to see him; just as he had showed off before. Yuta ends the butterfly trail at your sternum, right above your breasts. He stands upright and grins wickedly at you.

"So eager to see me?"

"Shut up, you were the one eager enough to strip for me."

"Mhm," Yuta grips the back collar and pulls it off of him, greeting you with an all-too familiar sight for your eyes to feast on. You can't help but stare at his torso. No one would know that such a strong build was lying beneath the soft material of your sweater. The uniform he had on earlier did nothing for his form as it covered everything your eyes had glory to rest on now. Your fingers yearn for contact; they ghost across thickened skin, hardened with muscle from years of training and killing. "I bet you enjoyed the show, didn't you? Since you sided with me because of my body."

"Don't listen to Maki!"

He giggles, taking your hand and kissing the back of it. You huff, but the sight of him leaning into your touch has you feeling all-forgiving.

"Sorry. Good thing nudity is allowed here."

You were about to protest yet again but he dampens your voice with the palm of his hand. With his other, he unclasps your bra and pushes the strap off each shoulder, leaving a kiss on them as he did.

"W-Wait..."

Yuta ignores your pleads this time, resuming the trail of kisses down to your breasts. Your body instinctively arches up when he plays with the buds on your right breast, watching how it hardens in the cold. He latches onto your left breast next, his hot tongue swirling around the swollen areola and flicking it upwards. Pleasure strummed through your body and you grabbed both his wrists to steady yourself. Soft moans leave your lips as Yuta's tongue works wonders, his other hand nipping the bud playfully.

"Oh, fuck." You wrap your legs around his waist, caging him to you. With your bodies pressed against each other you could feel the dig of his crotch on your clothed half. Not wanting to lose the battle, you started to rut your hips in tandem with his suckling on your breasts, an awkward position to be in but it worked given the heavy groans you were receiving from the man. "Oh, Yuta..."

Yuta hums, switching to your other breast. "Must I give this one some attention too?" He pinches the nub in his hand and licks it.

"Mhm..."

"Hm?"

"P-Please." You were in too deep to really formulate anything.

He's pleased with your answer and continues to suck on it, earning a damn near pornographic moan from you.

The tension hung heavy in the air, once-clear windows fogging up from the heat you were both sharing. One moan after another, he drank up the breathy praises, doing his absolute best to please you. "So good, please don't stop..." Not that he ever would. The taste of your skin was addicting to him, and he worshiped your body in ways words never could, pouring every inch of love he had in him to the way he pleasured you. His hands grab at every patch of skin he could cover, running them up and down your body, over and over again in a routine only he knows. Yuta meets your lips in another fiery kiss, fingers dancing ever-so-lightly over the waistband of your pajama shorts, as if waiting for your permission.

You deepen the kiss, a hand shifting through the soft tufts of his black hair and another resting on his broad shoulder. You swipe your tongue on his lower lip and he gives in, opening up, your tongue breaking through and exploring his mouth. His skin shivers to this, reacting sensitively even to the lightest of touches. He tastes of mild peppermint and a tad of coffee from the one you had given to him earlier. He folds into your play, hands finally slipping past the waistband and pulling your pants down. He's attentive as his large hands glide down your body, feeling the stretch marks on your hips and thighs; every inch of you a different texture that he liked.

He whines cutely when your lips leave his to steady your breath. "I can't do this, I need to taste you. I'll die if I don't."

"No one's stopping you, big boy."

The words went straight to his dick, already leaking with precum and uncomfortably tight in his pants. But he'll gladly cast his orgasm aside just for you to feel fully satisfied by him, being the gentleman that he is. He gives you a light peck and make quick work of your underwear, pulling it by the teeth and shoving them down to your ankles. He then pries your thighs further apart, catching sight of your glistening folds, already wet with arousal from earlier.

"Y-Yuta, don't stare like that." You attempt to close your thighs together. He shushes you, keeping them open.

His curiosity gets the better of him when his index finger traces down and up on your exposed cunt agonizingly slow, your body twitching in response to it. Your breaths turn shallow; airy and needy with every stroke he gives it. Yuta studies how your chest heaves every time his finger ghosts over your clit, and the slight tremor from your legs.

"Ever been eaten out before?"

"N-No. Why?"

"No reason."

"W-Wait.. you're not s-supposed to-!"

Your moans fill the apartment when he goes down on you. A starved man with a five-course meal ready at his service, tongue lapping up your juices. You're no longer sitting up now, your back against the cold surface with your thighs pressed on your chest. Your legs hang over his shoulders and Yuta grunts at the taste of you; nothing could ever live up to this. His guilty indulgence continues its ravage on your sweet cunt, the fingers in his hair tugging at its roots only egging him on as he devours you. Your clit begs for mercy from his sucking, swollen and red yet the pleasure comes in waves. Goosebumps prickle your skin, this time from a good cause. Tears threaten to spill from just how good he was eating you out, especially when his tongue starts entering you. Warm and languid, he pushes into your hole as far as he could with a finger rubbing on your clit.

"Oh- fuck, that feels so good, Yuta- please..."

His name on your lips was a devout prayer to him. In the moonlight, his eyes hint a shade of blue, fluttering open to watch you. Your head is tossed back, sweat beading across your forehead and your neck, hands no longer have the energy to grip his soft hair when he's propelling you fast towards your first orgasm. His fingers work magic on the tiny bud on your cunt, the little bundles of nerves jerking together once you feel the pressure reach a breaking point.

"W-Wait, feel funny like- mgh, like its-"

Orgasm rips through you hard and blindingly white; with the only indicator of it ever happening being the strangled sob that left your dry lips. Your body convulses, arching up and tensing, tears leaving the crevices of your eyelids. His tongue leaves you only when the trembling subsides. Yuta admires how cute your clit spasms from the overstimulation. Slick covers your cunt and inner thigh.

"Feel good?" Eyes heavy with lust search your face for signs of discomfort, relieved when you mumble a weak yes. He picks you up, cradling you in his arms, "Wanna taste yourself?"

You manage a single nod. Your lips meet in a slow kiss, tongue delving into each other's mouths again. There's a tinge of sweetness on him that wasn't there previously. The orgasm had left your eyes hazy and your mind in a fuzz; all you could really feel was the primal urge to just fuck him. Your body groans in misery from how empty you felt without him. Your free hand tugs on the band of his pants impatiently. He lets go of you, a string of saliva interconnected. He fumbles with his pants and throws it somewhere behind him. He’s left in his boxers and a visible bulge.

He’s beyond needy when you palm his entrapped cock.

"Yuta..." And you're begging for it too.

"I know, I know. So eager for me." He kisses the tips of your fingers and undresses himself, freeing his dick from the confines of his tight boxers. It springs up, lathered in his own precum, upright and demanding attention. It's just as pretty as you imagined, as beautiful as the man himself. "Do you want me to put it in you yet?"

"C-Can I try... uh..."

"Oh," He realizes with a smile, "You wanna have a taste?"

Your head bobs with determination. You've never had sex before, let alone given someone a sex-job of any kind. His right hand pumps on his length. He could easily be seven inches long, and you doubt that it's all he had to offer. Yuta pats your thigh, "You sure?"

"I've never given a blowjob before." You admitted.

"That's okay. I'll teach you."

With the assistance of his arms around you, you stood. He's taller than you by a few centimeters. You've watched enough porn to know that you'd have to kneel down to reach his height, but waited for his orders nonetheless. He puts both hands on your shoulders and pushes you down on your knees, as expected, before placing a thumb on your lips. "Open wide. And try to keep your teeth away."

You did as you're told, opening your mouth up.

"Pinch me hard if it hurts." You agree to the terms and Yuta takes a deep breath, sliding his dick into your mouth. It's warm and comforting, the image of it going down a forever memory. Just as you expected, he's bigger than what you've normally seen; you keep your teeth away and suck in a breath when it glides in, only choking a little when it hits the back of your throat. He stifled a moan, patting your head as a way to tell you that you're taking him well. "Oh fuck," It's odd to see him so tearful, "Your mouth's so.. ah.. warm."

Doe eyes stare up at him, waiting for a move.

"Y-Yeah," He swallows, "You can move now."

With closed eyes you start to bob your head at a slow pace, testing the waters first. The hand on your head forms into a gripping fist, the other holding onto the counter edge for stability. Yuta's breathing heavily, trying his best to stay still for you. Now that you've orally memorized his length, you started to speed up at a constant space, letting your right hand rest on his thigh and the other pumping him up. The entirety of him wouldn't fit you just yet. For some reason, the sounds he’s making  caused your cunt to throb even deeper with need.

"Slow down.. Hah..." His voice is raw and deep.

You could feel him harden inside. You suck in your cheeks as much as you could, vacuuming all space for a tighter hold on his dick.

"O-Oh, fuck.. fuck..." This has him hunching over, and panting like the bitch in heat he is, "I-Is this really your first.. ah.. time..?"

You swirl your tongue up to the tip and free his dick with a pop. The absence of his cock left your throat scratchy and your voice similar to sandpaper. You drag your tongue up from the base, following a protruding vein. Yuta whimpers at the sensation pathetically, wanting more albeit also wanting you to be in control. The momentum of his orgasm came crashing down.

"Do I really suck dick that good?"

You attempt to blow the strands of hair sticking to your face.

Tender fingers rake the strands away in a voiceless reply, tucking them behind your ear. Rather, he picks you up for the umpteenth time that day, letting your legs wrap around him once more- and sets you back down on the sofa. The sofa dips down when he kneels on the edge, forcing your thighs apart for the second time. He puts his middle and ring finger in his mouth, coating them in his saliva all while looking at you. Something changed in the way he looked at you.

A tad bit deranged.

Like if he didn't fuck you now he was going to really die.

"Honestly, it made me want you all to myself." He confesses, slipping his middle finger into you. You squeak at his admission, cheeks flushing redder. Your walls stretch around the digit, pulsing and coming alive, a gasp aloud at the sudden intrusion. It wasn't unwelcomed - feels uncomfortable and good at the same time. You've masturbated a couple times before with the same two fingers, but this just felt different. Something about the texture of his hands and how he curls it deep inside took your breath away. He pushes it in, slow and controlled, letting you adjust to his one finger alone. "Think you can handle two for me?"

"That's just one?!"

"I'm bigger than that." Yuta muses, watching you squirm slightly around his finger. It would be too painful for you to take him head-on, considering his size. With god-like patience, he retracts his finger only to slide it back in again repeatedly, widening the hole.

"O-Okay. You can put another one in-"

Tight. So tight.

So tight that you had to hold your breath. The ring that you never noticed was now submerged deep in you too. It's cool unlike the snugness of your vagina. "Y-You're married???"

The man laughs in response, "I wouldn't call it married."

"So I'm screwing with someone else's lover????"

"No, you’re screwing with your lover."

Ooooooh and do his words melt your heart. Red adds to the pink already charming your cheeks and you look away. "Womanizer."

Yuta chuckles, "You'd be the second person to tell me that." If it wasn't for him moving without your orders you would've forgotten that he had your fingers in you. Your slick walls had accommodated them so perfectly he wondered if you were actually meant for him. He scissors his fingers apart, trying to get your walls to stretch even further. Deep within your walls, he starts to pump and curl on the spongy patch embedded on the upper side of your vagina.

He hits it again and again, and each time makes you even wetter than before. He barrels you towards your second orgasm, drinking up the view of your sweaty body twitching when it explodes. You spasm underneath him, mouth open to let out a silent scream.

His fingers leave you with a squelch.

He licks them off. If Yuta could rate you as a meal, he'd give you 6 stars and a Golden Prize Award for Best Pussy. That's just how good you tasted to the boy. He’s handsy again, hands traveling across your body while his cock spreads your folds, feeling you underneath.

“Are you sure you want this raw?”

Your half-lidded eyes bat at him, "Shut up and fuck me."

Amusement glinted in his eyes, “Sorry.” He apologizes mockingly, tone far from apologetic. Yuta takes one last look at you for time’s sake and enters you, pausing when his tip fully breached the inside. It’s barely all of him and it has the butterflies in your stomach taking flight. He pushes the rest of him into you meticulously, afraid of breaking you. 

Dull pain shot through you when he broke through, “W-Wait!”

“Are you okay?” He stops, hair matted to his forehead. He’s itching to move so badly with how warm you were hugging his cock. Tears filled up your eyes from how it stinged, but you didn’t want him out. You raise a hand and he understands, granting you some time to get used to his full length. He’s inside you entirely to the hilt, pressing against your womb.

Yuta Okkotsu and his impossibly big dick be damned.

“I-I’m okay now.” He’s on cloud fucking nine the way you squeezed him. 

“How do you want it?”

“What do you mean?”

“Let me know if it hurts then. Safe word’s Okkotsu.” Yuta crawls forward and cages your head between his forearms, sharing the same breath you do. Being in charge turned him cocky, a 180° difference from the shy, timid person so worried for you not long ago. You raise a brow at him, and he raises a brow back at you. “Unless you plan on screaming that name of mine too.”

“H-Hey!”

He turns a deaf ear to your stammering, shifting your legs on his shoulder. You feel his dick slide in slightly further and the impatience brimming from him, “I’ll move now.”

Yuta pulls out his length. 

Then he slams it back with full force, knocking the wind out of you.

You yelp, followed by a groan, which soon turned into chains of moaning from how hard he was rutting in you. He isn’t quiet by any means either, groaning and grunting equally loud in your ear while he fucks irrationally fast into you. Pain turns to pleasure, the same way your moans turn into high-pitched prayers of his name, saliva drooling from the edge of your lips and eyelashes damp from your tears. Dirty praises drip from his ever-loving lips with every second he spends rough-fucking you. It hits the same spot each time without fail, building up your release. The couch creaks repeatedly, and it would be to no one’s surprise if you had to replace it.

Unlike the kiss you first shared with him, his lips are ruthless- now serving as a way to effectively shut you up. He adored your fingers; how small they were compared to his, now groaning at how they feel scraping down his body, red marks littering his back. He loved how you detested him in the early hours of meeting him and how easily you succumbed to him now, a moaning mess of his own doing. He reveled in the way your body accepted him so easily at the first touch, second, third and the ones you share with him right now. 

He absolutely, 

truly, 

devastatingly, 

loved you.

You babble incoherent words, so cockdrunk that the only word he could make out was his name in begging. “Yuta Yuta Yuta-” His hands move to grip your waist for better control. Your folds wrapped so perfectly around his dick that he found it exceedingly difficult to move out each time; every millisecond out of it made him pound back in twice as hard. He aches for more: more of the sex, more of your touch, more of your moans, and more of his name out your mouth.

If he could spend every second of his life devoted to you, he truly would. Whatever energy lost in the heat of the moment was reclaimed by the sounds you made for him. Yuta buries his face in the crook of your neck, inhaling the faint smell of your vanilla shampoo he too shared. Your skin was so soft unlike his, how could it be? You were both human, but you were the perfection he wished he was and he felt blessed to lay even a single finger on you. The pinnacle of God’s creation, laid all bare and fucked out for his infatuated eyes to obsess.

He could feel his orgasm approaching anytime soon.

Yuta bites into you hard enough to draw blood.

“I-It h-hurts…” You choke on your own words, sobbing under his mercy. 

“You’re taking it.. hah, so…. well for me, aren’t.. you?” He cooes at you between breaths, kitten licking the spot to soothe your crying. He couldn’t resist the urge to mark you up, your pussy swallowing him deep so much that he’s utterly pussydrunk, only obsessed with the thought of you. How could he, when you’re so perfect and obedient to him? He owed you your life, and he’s fucking you so good that the hands on your waist would inevitably bruise you. His tongue readies another spot by your shoulder; sinking his teeth in once more and lapping up the blood that emerged from within.

“Oh yes, yes- yes - yes yes yes - oh! yes yes - yes-”

It wouldn’t matter if he hurt you, he’d heal you right up.

But why would he?

You looked so much better this way, under his mercy.

He slows down to a constant pace to check his work on you. A masterpiece of purple and blue, on show for everyone to see if your shirt were to uncover enough. Satisfied, he kisses the lobe of your ear, sighing when your moans turn a pitch higher when he nibbles on it.

“Look at you,” He’s as breathless as you are. “Taking me so well.”

His free hand finds its way back on your clit, stroking it in conjunction with the snap of his hips against yours. You’re reaching your third breaking point of the night- evident from the way your toes curl and the tremor in your legs.

“I-I’m gonna cum, I’m gonna cum…!”

“Y-Yeah? Me too.” He collects your weakened arms and pins them above you, fucking at the same pace. His eyes marvel in the sight of your fucked out expression, pupils blown absolutely wide, your mouth hanging open singing broken moans for him. A drug to remember; to indulge in forever, tucked into the craters of his mind. “Cum with me, pretty.”

“C-Coming!”

He pulls out just as your orgasm washes over you. Yuta places a hand over your mouth as you scream into it from the onslaught of pleasure running through your veins, bringing you close to the brink of unconsciousness. Your vision turns blurry; it took you time to realize that Yuta had come on you. Ropes of cum landed on your abdomen the same time you did, sultry and dense in white. 

For a minute or so you both stayed in your positions, letting consciousness and rationality take over.

Exhaustion quickly befalls the two of you. You turn to the side and Yuta collapses next to you, flinging a protective arm around you. Now you’re locking eyes with each other, face-to-face, both completely stark naked. You wriggle your arm between your bodies to cup his cheek in your hand, admiring how good he looked all sweaty and tired.

He was the first to break the silence, “Do you forgive me?”

You wipe the edge of his lips, stained with lipstick.

“Yeah I do.”

He takes your hand and kisses the knuckles he had healed for you.

“Thank you.”

Aftercare and dinner could wait. The air stills into comfortable silence. It’s early December. The snow outside compels you both to rest, a gentle lullaby sung by the warmth that enveloped you two. Yuta strokes a reassuring thumb over your knuckles, a silent but sure promise to keep you safe. His dark eyes hold a newfound meaning now that you’ve given him your all. 

You both share a soft smile, new to this chapter.

Soon you found yourself drifting off in the mess of your bodies entangled together.

Indefinitely, forever.

.

.

THE END LOL FUCKING FINALLY IM DONE I HOPE U ENJOYED emuach emuach uHHHHHH ©demigodickrider / aftercare link

[askthebadkidz]

some of you are just saying you headcannon Riz as Demi-romantic and Demi-sexual because you want to ignore that he’s aroace while pretending that you’re not ignoring that he’s aroace and it’s painfully obvious to actual aroace people.

-mod Riz

[activesplooger]

Screenshot of upcoming WIPS | Hazbin Hotel | Vox x Assistant!Reader: Help me part three WIP | Alastor x Doe!Reader Rut smut | Yandere!Vox x Reader WIP

just a screenshot of some upcoming WIPS! :} tmrw I'll do a lil WIP Wednesday and do lil blurbs of these (or i might lock in and finish one idk aha).

also ignore the titles (especially 'help me's' lmfao idk guys i just wanted to put smth in my drafts for it). shit gonna change i'll clean it up dw dw lol

[birdb1tch]

is jace prime even alive still? DOES IT MATTER?? are they four separate jaces that are split from one or did one jace create three other jaces?

[ayellowbirds]

"a pleasure to have in class" etc etc

"gifted child to adult burnout pipeline" whatever

the fuck do I always seem to be the only bitch in my friend/social group who was held back twice

gimme the positivity for girls like me: brainbad shortbus trannies with LDs and shit grades whose teachers constantly said would never get anywhere if I kept acting like this and I made my way into adulthood the same way I made it through school, clawing and biting and scaring the people in my way.