#what-if analysis

[gpstudios]

How Excel Mirrors Life: A Guide to Decision-Making

Excel, much like life, is a tool for decision-making. The way we navigate cells and formulas mirrors how we process choices, balance risks, and pursue our goals in the ever-evolving spreadsheet of existence.

Life is often compared to a journey, a game, or a puzzle. But for those of us who spend significant time navigating the rows and columns of Microsoft Excel, the metaphor that feels most fitting is a spreadsheet. Excel, at its core, is about organizing data, making sense of it, and ultimately using it to make decisions. Just like in life, each decision we make in Excel carries weight, impacting…

[officialspec]

my fan fiction graph

[dandelionjack]

that and COVID denialism, obviously, which i somehow managed to miss despite *this* plot point below

UNIT aren’t always cops. they’re a nebulous enough fictional organisation that they can be whatever the show wants them to represent. in Lucky Day, they’re the NHS, the WHO, and they’re climatologists.

[heytherecentaurs]

Brennan’s talked before about how as a poor young adult he lived in New York and struggled with food security. He tells a story of going to frozen yogurt places for free samples and a cheap dumpling spot because it was a lot of food.

His opinions on food and his described behaviours around food make a lot of sense in that context. He may be successful now and can be assured he can eat again when he’s hungry, but it appears he has legitimate trauma around his experiences with poverty because what he’s humorously describing is a trauma response. His mind hasn’t gotten rid of the anxiety of “I’m eating now so I better make it count because I don’t know when I will again.”

Because he’s a comedian he manages to frame it as a joke, but there’s certainly an underlying sadness. It also informs Evan Kelmp’s characterization. Capitalism is the root issue here and poverty is state-sanctioned economic abuse.

Anyway, I hope he’s doing well and taking care of himself.

[go-go-devil]

The entire 3-minute city ambiance scene from Ghost in the Shell (1995) is already one of the best moments in all of cinema imo, but I NEED to talk about my absolute favorite part from it:

That brief moment when Major Kusanagi and a stranger with her exact same body model catch a glance at one another. How quickly the initial curiosity of seeing the doppelgänger turns into a feeling of unease as the boat carries her away.

She will never meet this stranger. She'll never know anything about her other than the simple reminder that every piece of her cybernetic body is not unique to her. There is no part of her other than her brain and all its memories that she has any true ownership of, and even that isn't immune to being hacked and potentially erased by outside forces. Despite being a part of a bustling city, all she can do is reflect on how utterly isolated she feels as a living being.

How can she possibly define her humanity when she herself is confined in the form of what is essentially a highly modified weapon? How can she relate to others when she has more in common with the mannequins on display in a shopping mall than with the any of the people walking the streets?

All of this inner turmoil at one’s own existence conveyed without a SINGLE word of dialogue spoken. Now that's the power of cinema if I've ever seen it!

[faeyuh]

guys. going insane.

in these scenes, his hair gets way spikier than normal, they look like knives for gods sake. this only happens when he wants to seem THREATENING

but when around people he trusts like ROSIE his hair (probably unintentionally) gets ROUNDER and SOFTER, even his coat has less spikes than usual.

GUYS HE HAS A LITERAL SOFT SIDE IM GOING INSANE

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[enavstars]

I wanted to do this in digital but I don't have the time right now.

For context I hc Rin and Obito as 2 years older than Kakashi, so Kakashi was 12 during Kannabi and Rin and Obito 14.

I don't usually draw Rin that much but I absolutely love her and plan to do more with her. It's funny because when I first watched the show I didn’t like her. It wasn't until I began to read fanfics and saw all the headcanons and interpretations of her character here on tumblr that I started to like her. So thank you all for that <3<3

So here are some (bits of how I see her/of my my headcanons about her) on her relationship with Kakashi.

Rin used to idealize Kakashi, so ended up crushing on him. And Kakashi really did carry himself with a lot of self-confidence and strenght, always giving that prodigy vibes. So Rin being a kid didn't realize how young Kakashi actually is.

This changes after the Kannabi bridge mission. Kakashi, whose body is still adapting to his Sharingan, is unable to keep the confident facade due to the inmense pain he's in (I can expand on this in another post if you'd like), so he looks extremely vulnerable and small.

After seeing Kakashi in this state, Rin can't ignore anymore that Kakashi is a kid even younger than herself and inmediately drops her crush.

So now Rin sees Kakashi as more like a little brother, and she decides to look after him. (This comes from what little caracterization we have in canon of her. In the scene where Obito dies, while Kakashi is crying and shaking, Rin inmediately stops crying when Obito asks her to do the transplant, showing her incredible mental strength).

And she takes care of Kakashi not just because she understands how important he was to Obito, but also as a way to cope, in the same selfless (but unhealthy) way she's always known. She needs this, needs to take care of someone vulnerable to help herself. After all, she was really messed up by Konoha and the war, she is still a child soldier who got her obsession with being useful to the village drilled into her head. So she distracts herself from her own grief by helping Kakashi with his, thinking it's what Obito would have wanted, even if it's slowly destroying her.

Because here's the thing, Rin underestimates how important she truly was to Obito and prioritizes Kakashi over her, in the same way Kakashi prioritizes Rin. Neither realizes that both of them were the most important people to Obito.

So in summary, Rin seals her own pain and refuses to cry or show weakness in front of Kakashi (supporting him like she supported Obito) but at the same time she spends most of her time with him with the excuse that she’s helping him with the pain from the Sharingan.

They sometimes sleep in the same hospital bed, hugging and exhausted, and then there can be heard soft sobs and sniffles. But it's impossible to know which one of them is making those noises.

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[mayasaura]

I was thinking about how we don't actually know how Pyrrha died. Just that by her own telling, she "was killed," and that she was the first cavalier to die outside Cristabel and Alfred's suicide pact.

Before Nona came out, I suspected Gideon the First must have killed her, probably with her consent. That seems unlikely to me now, with everything we've learned about them in Nona.

Also before Nona came out, I came to the conclusion that the lyctors demanded John kill Alecto following a "great attack" on Canaan House and the revelation of what a Resurrection Beast is. Based on Mercymorn's assumption that Alecto was a freak who would attack her on sight, I also highly suspected that Alecto either participated in or perpetrated the attack on Canaan House, thus proving herself beyond a shadow of a doubt to be untamed and dangerous in a way that not even John could talk his way out of.

I just recently noticed a detail in Nona the Ninth that might slot all this together like puzzle pieces:

Pyrrha has seen something very like Nona's tantrums before, and that memory scares her. Enough that she avoids even thinking about it.

I think Alecto may have killed Pyrrha.

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[i-gwarth]

btw we do *get* that the worldbuilding of DE parallels the character's arc right? We understand that, right? That Our Guy commits all but a sliver of himself to the oblivion of amnesia in a moment where the only alternative he could see was suicide. And at the other end of that tragic attempt at self-annihilation he gets the chance to reinvent himself and overcome the longstanding, persistent habits that brought him to the cliff's edge to begin with. And that the world itself is presented as approaching an equally definitive precipice, with one of the richest characters in the cast even remarking that Capital is dead, and everything else being 20-odd years away from being swallowed by the pale

And we understand that the pale is forgetting, right? Right? It's informational entropy applied to the world, facts and events and places and memories being destructured and obliderated, reduced to an indistinct soup of whispers, past present and future. That it emerges from humanity's collective inability to imagine a future beyond moralist capitalism, and that this inability to see the horizon inevitably metastazises into Mesque's accelerationist nihilism that ultimately destroys the world. [starts shaking you] WE UNDERSTAND THAT RIGHT??

That the game's splash screen is a view from the bay of Revachol, from the deserter's island. And we know what it shows, right? Revachol, in the distance. And beyond that what? A horizon? No! It shows Pale. Because that's his perspective. Because he has abandoned all hope, lost all sight of the future and has committed to self-annihilation. For him the entroponetic collapse is imminent. We see that, don't we?

That the game is a thesis on hope. That the world has the chance to reinvent itself from the precipice of oblivion just like Harry does, and that the only thing that can do that is imagining the future. A future. Any future, and making it. Piece by piece, day by day, committing to it, and refusing to give in to despair and nihilism. We understand, don't we, that there must be no truce with the f-

you know what, nevermind...

[butter-bubbles]

The thing that absolutely gets to me in this scene is how Will doesn't even look upset when he sees El and Mike (totally platonically) reuniting.

The GA always argues that Will's included during their “romantic moment” to convey his sadness/unrequitedness/queer alienation, but like he's just happy to have his sister back in this moment. There’s not even a hint of sadness on his face. It's Mike who's acting strange here.

Bro looks like someone just electrocuted his cat, like who is this loser boykisser? Cringefail Mike Wheeler, never change.

[nabexis]

So like. Did anyone else notice that Jayce doesn't immediately shoot Viktor? He only powers his hammer on AFTER Viktor has opened his eyes. Below is Jayce's reaction to seeing Viktor (his Viktor, from his universe, not the future version of him) for the first time after walking into the dome. For the first time in months. That's like. A look of wonder. Almost reverence.

Assuming the Jinx/Rictus/Vander fight is cut to real-time after Jayce has gone into the dome, he's staring at Viktor for like. 5 minutes.

My interpretation here, of Jayce's expression just before Viktor finally opens his eyes to see Jayce in the room with him, he's committing Viktor to memory, before he has to kill him.

Edit: I almost missed it but like. HE IS SMILING For like 2 frames it's an outright smile. He leans in towards him, too. I cannot handle this.

[love-byers]

reminder that will byers said the equivalent of "yes i did truly think we were never going to date girls and spend the rest of our lives together doing what we love and i thought that's what you wanted too but clearly i was wrong"

and mike reacted like this:

this his not just sad regret this is YEARNING. the realization that will actually DOES want that has made him not want to let go.