#whats a little human automation?

[cannibal-nightmares]

Viktor 🤝 Hebert West

Dr. Frankenstein-based character who gets his surpreme school work plagiarized by his own professor and fights The Man in the name of bending morality for the exploration of prolonging life... his college colleague is intrigued by his work, then terrified, then begrudgingly willing to cooperate, then...

[heritageposts]

[...] During the early stages of the war, the army gave sweeping approval for officers to adopt Lavender’s kill lists, with no requirement to thoroughly check why the machine made those choices or to examine the raw intelligence data on which they were based. One source stated that human personnel often served only as a “rubber stamp” for the machine’s decisions, adding that, normally, they would personally devote only about “20 seconds” to each target before authorizing a bombing — just to make sure the Lavender-marked target is male. This was despite knowing that the system makes what are regarded as “errors” in approximately 10 percent of cases, and is known to occasionally mark individuals who have merely a loose connection to militant groups, or no connection at all. Moreover, the Israeli army systematically attacked the targeted individuals while they were in their homes — usually at night while their whole families were present — rather than during the course of military activity. According to the sources, this was because, from what they regarded as an intelligence standpoint, it was easier to locate the individuals in their private houses. Additional automated systems, including one called “Where’s Daddy?” also revealed here for the first time, were used specifically to track the targeted individuals and carry out bombings when they had entered their family’s residences.

In case you didn't catch that: the IOF made an automated system that intentionally marks entire families as targets for bombings, and then they called it "Where's Daddy."

Like what is there even to say anymore? It's so depraved you almost think you have to be misreading it...

“We were not interested in killing [Hamas] operatives only when they were in a military building or engaged in a military activity,” A., an intelligence officer, told +972 and Local Call. “On the contrary, the IDF bombed them in homes without hesitation, as a first option. It’s much easier to bomb a family’s home. The system is built to look for them in these situations.” The Lavender machine joins another AI system, “The Gospel,” about which information was revealed in a previous investigation by +972 and Local Call in November 2023, as well as in the Israeli military’s own publications. A fundamental difference between the two systems is in the definition of the target: whereas The Gospel marks buildings and structures that the army claims militants operate from, Lavender marks people — and puts them on a kill list.  In addition, according to the sources, when it came to targeting alleged junior militants marked by Lavender, the army preferred to only use unguided missiles, commonly known as “dumb” bombs (in contrast to “smart” precision bombs), which can destroy entire buildings on top of their occupants and cause significant casualties. “You don’t want to waste expensive bombs on unimportant people — it’s very expensive for the country and there’s a shortage [of those bombs],” said C., one of the intelligence officers. Another source said that they had personally authorized the bombing of “hundreds” of private homes of alleged junior operatives marked by Lavender, with many of these attacks killing civilians and entire families as “collateral damage.” In an unprecedented move, according to two of the sources, the army also decided during the first weeks of the war that, for every junior Hamas operative that Lavender marked, it was permissible to kill up to 15 or 20 civilians; in the past, the military did not authorize any “collateral damage” during assassinations of low-ranking militants. The sources added that, in the event that the target was a senior Hamas official with the rank of battalion or brigade commander, the army on several occasions authorized the killing of more than 100 civilians in the assassination of a single commander.

. . . continues on +972 Magazine (3 Apr 2024)

[ozzgin]

Yandere! Android x Reader (I)

It is the future and you have been tasked to solve a mysterious murder that could jeopardize political ties. Your assigned partner is the newest android model meant to assimilate human customs. You must keep his identity a secret and teach him the ways of earthlings, although his curiosity seems to be reaching inappropriate extents.

Yes, this is based on Asimov’s “Caves of Steel” because Daneel Olivaw was my first ever robot crush. I also wanted a protagonist that embraces technology. :)

Content: female reader, AI yandere, 50's futurism

You follow after the little assistant robot, a rudimentary machine invested with basic dialogue and spatial navigation. It had caused quite the ruckus when first introduced. One intern - well liked despite being somewhat clumsy at his job - was sadly let go as a result. Not even the Police is safe from the threat of AI, is what they chanted outside the premises.

"The Commissioner has summoned you, (Y/N)." 

That's how it greeted you earlier, clacking its appendage against the open door in an attempt to simulate a knock. 

"Do you know why my presence is needed?" You inquire and wait for the miniature AI to scan the audio message. 

"I am not allowed to mention anything right now." It finally responds after agonizing seconds.

 It's an alright performance. You might've been more impressed by it, had you not witnessed first hand the Spacer technology that could put any modern invention here on Earth to shame. Sadly the people down here are very much against artificial intelligence. There have been multiple protests recently, like the one in front of your building, condemning the latest government suggestion regarding automation. People fear for their jobs and safety and you don't necessarily blame them for having self preservation. On the other hand, you've always been a supporter of progress. As a child you devoured any science fiction book you could get your hands on, and now, as a high ranked police detective you still manage to sneak away and scan over articles and news involving the race for a most efficient computer.

You close the door behind you and the Commissioner puts his fat cigarette out, twisting the remains into the ashtray with monotonous movements as if searching for the right words.

 "There's been a murder." Is all he settles on saying, throwing a heavy folder in your direction. A hologram or tablet might've been easier to catch, but the man, like many of his coworkers, shares a deep nostalgia for the old days. 

 You flip through the pages and eventually furrow your eyebrows. 

"This would be a disaster if it made it to the news." You mumble and look up at the older man. "Shouldn't this go to someone more experienced?" 

He twiddles with his grey mustache and glances out the fake window. 

"It's a sensitive case. The Spacers are sending their own agent to collaborate with us. What stands out to you?" 

You narrow your eyes and focus on the personnel sheet. What's there to cause such controversy? Right before giving up, departing from the page, you finally notice it: next to the Spacer officer's name, printed clearly in black ink, is a little "R." which is a commonly used abbreviation to indicate something is a robot. The chief must've noticed your startled reaction and continues, satisfied: 

"You understand, yes? They're sending an android. Supposedly it replicates a human perfectly in terms of appearance, but it does not possess enough observational data. Their request is that whoever partners up with him will also house him and let him follow along for the entirety of the mission. You're the only one here openly supporting those tin boxes. I can't possibly ask one of your higher ups, men with wives and children, to...you know...bring that thing in their house."

You're still not sure whether to be offended by the fact that your comfort seems to be of less priority compared to other officers. Regardless of the semantics, you're presently standing at the border between Earth and the Spacer colony, awaiting your case partner. A man emerges from behind a security gate. He's tall, with handsome features and an elegant walk. He approaches you and you reach for a handshake. 

"Is the android with you?" You ask, a little confused. 

"Is this your first time seeing a Spacer model?" He responds, relaxed. "I am the agent in your care. There is no one else." 

You take a moment to process the information, similar to the primitive machine back at your office. Could it be? You've always known that Spacer technology is years ahead, but this surpasses your wildest dreams. There is not a single detail hinting at his mechanical fundament. The movement is fluid, the speech is natural, the design is impenetrable. He lifts the warm hand he'd used for the handshake and gently presses a finger against your chin in an upwards motion. You find yourself involuntarily blushing. 

"Your mouth was open. I assumed you'd want it discreetly corrected." He states, factually, with a faint smile on his lips. Is he amused? Is such a feeling even possible? You try your best to regain some composure, adjusting the collar of your shirt and clearing your throat. 

"Thank you and please excuse my rudeness. I was not expecting such a flawless replica. Our assistants are...easily recognizable as AI."

"So I've been told." His smile widens and he checks his watch. You follow his gesture, still mesmerized, trying to find a single indicator that the man standing before you is indeed a machine, a synthetic product.

Nothing.

"Shall we?" He eyes the exit path and you quickly lead him outside and towards public transport. 

He patiently waits for your fingerprint scan to be complete. You almost turn around and apologize for the old, lagging device. As a senior detective, you have the privilege of living in the more spacious, secured quarters of the city. And, since you don't have a family, the apartment intended for multiple people looks more like a luxury adobe. Still, compared to the advanced way of the Spacers, this must feel like poverty to the android.

At last, the scanner beeps and the door unlocks. 

"Heh...It's a finicky model." You mumble and invite him in.

"Yes, I'm familiar with these systems." He agrees with you and steps inside, unbuttoning his coat.

"Oh, you've seen this before?"

"In history books."

You scratch your cheek and laugh awkwardly, wondering how much of his knowledge about the current life on Earth is presented as a museum exhibit when compared to Spacer society. 

"I'm going to need a coffee. I guess you don't...?" Your words trail as you await confirmation. 

"I would enjoy one as well, if it is not too much to ask. I've been told it's a social custom to 'get coffee' as a way to have small talk." The synthetic straightens his shirt and looks at you expectantly. 

"Of course. I somehow assumed you can't drink, but if you're meant to blend in with humans...it does make sense you'd have all the obvious requirements built in."

He drags a chair out and sits at the small table, legs crossed.

"Indeed. I have been constructed to have all the functions of a human, down to every detail." 

You chuckle lightly. Well, not like you can verify it firsthand. The engineers back at the Spacer colony most likely didn't prepare him for matters considered unnecessary. 

"I do mean every detail." He adds, as if reading your mind. "You are free to see for yourself."

You nearly drop the cup in your flustered state. You hurry to wipe the coffee that spilled onto the counter and glance back at the android, noticing a smirk on his face. What the hell? Are they playing a prank on you and this is actually a regular guy? Some sort of social experiment? 

"I can see they included a sense of humor." You manage to blurt out, glaring at him suspiciously. 

"I apologize if I offended you in any way. I'm still adjusting to different contexts." The android concludes, a hint of mischief remaining on his face. "Aren't rowdy jokes common in your field of work?"

"Uh huh. Spot on." You hesitantly place the hot drink before him.

Robots on Earth have always been built for the purpose of efficiency. Whether or not a computer passes the Turing Test is irrelevant as long as it performs its task in the most optimal, rational way. There have been attempts, naturally, to create something indistinguishable from a human, but utility has always taken precedence. It seems that Spacers think differently. Or perhaps they have reached their desired level of performance a long time ago, and all that was left was fiddling with aesthetics. Whatever the case is, you're struggling not to gawk in amazement at the man sitting in your kitchen, stirring his coffee with a bored expression.

"I always thought - if you don't mind my honesty - that human emotions would be something to avoid when building AI. Hard to implement, even harder to control and it doesn't bring much use."

"I can understand your concerns. However, let me reassure you, I have a strict code of ethics installed in my neural networks and thus my emotions will never lead to any destructive behavior. All safety concerns have been taken into consideration.

As for why...How familiar are you with our colony?" The android takes a sip of his coffee and nods, expressing his satisfaction. "Perhaps you might be aware, Spacers have a declining population. Automated assistants have been part of our society for a long time now. What's lacking is humans. If the issue isn't fixed, artificial humans will have to do."

You scoff.

"What, us Earth men aren't good enough to fix the birth rates? They need robots?"

You suddenly remember the recipient of your complaint and mutter an apology. 

"Well, I'm sure you'd make a fine contender. Sadly I can't speak for everyone else on Earth." The man smiles in amusement upon seeing the pale red that's now dusting your cheeks, then continues: "But the issue lies somewhere else. Spacers have left Earth a long time ago and lived in isolation until now. Once an organism has lost its immune responses to otherwise common pathogens, it cannot be reintegrated."

True. Very few Earth citizens are allowed to enter the colony, and only do so after thorough disinfection stages, proving they are disease free as to not endanger the fragile health of the Spacers living in a sterile environment. You can only imagine the disastrous outcome if the two species were to abruptly mingle. In that case, equally sterile machinery might be their only hope.

Your mind wanders to the idea. Dating a robot...How's that? You sheepishly gaze at the android and study his features. His neatly combed copper hair, the washed out blue eyes, the pale skin. Probably meant to resemble the Spacers. You shake your head.

"A-anyways, I'll go and gather all the case files I have. Then we can discuss our first steps. Do feel at home."

You rush out and head for your office. Focus, you tell yourself mildly annoyed.

While you search for the required paperwork - what a funny thing to say in this day and age - he will certainly take up on your generous offer to make himself comfortable. The redhaired man enters the living room, scanning everything with curious eyes. He stops in front of a digital frame and slides through the photos. Ah, this must be your Police Academy graduation. The year matches with the data he's received on you. Data files he might've read one too many times in his unexplained enthusiasm. This should be you and the Commissioner; Doesn't match the description of your father, and he seems too old to be a spouse or boyfriend. Additionally, the android distinctly recalls the empty 'Relationship' field.

"Old photos are always a tad embarrassing. I suppose you skipped that stage."

He jolts almost imperceptibly and faces you. You have returned with a thin stack of papers and a hologram projector.

"I've digitalized most files I received, so you don't have to shuffle a bunch of paper around." You explain.

"That is very useful, thank you." He gently retrieves the small device from your hand, but takes a moment before removing his fingers from yours. "I predict this will be a successful partnership."

You flash him a friendly smile and gesture towards the seating area.

"Let's get to work, then. Unless you want to go through more boring albums." You joke as you lower yourself onto the plush sofa. 

The synthetic human joins you at an unexpectedly close proximity. You wonder if proper distance differs among Spacers or if he has received slightly erroneous information about what makes a comfortable rapport. 

"Nothing boring about it. In fact, I'd say you and I are very similar from this point of view." He tells you, placing the projector on the table.

"Oh?"

"Your interest in technology and artificial intelligence is rather easy to infer." The man continues, pointing vaguely towards the opposing library. "Aside from the briefing I've already received about you, that is."

"And that is similar to...the interest in humans you've been programmed to have?" You interject, unsure where this conversation is meant to lead. 

"Almost."

His head turns fully towards you and you stare back into his eyes. From this distance you can finally discern the first hints of his nature: the thin disks shading the iris - possibly CCD sensors - are moving in a jagged, mechanical manner. Actively analyzing and processing the environment. 

"I wouldn't go as far as to generalize it to all humans. 

Just you."

[sayruq]

A new investigation by +972 Magazine and Local Call reveals that the Israeli army has developed an artificial intelligence-based program known as “Lavender,” unveiled here for the first time. According to six Israeli intelligence officers, who have all served in the army during the current war on the Gaza Strip and had first-hand involvement with the use of AI to generate targets for assassination, Lavender has played a central role in the unprecedented bombing of Palestinians, especially during the early stages of the war. In fact, according to the sources, its influence on the military’s operations was such that they essentially treated the outputs of the AI machine “as if it were a human decision.”

During the early stages of the war, the army gave sweeping approval for officers to adopt Lavender’s kill lists, with no requirement to thoroughly check why the machine made those choices or to examine the raw intelligence data on which they were based. One source stated that human personnel often served only as a “rubber stamp” for the machine’s decisions, adding that, normally, they would personally devote only about “20 seconds” to each target before authorizing a bombing — just to make sure the Lavender-marked target is male. This was despite knowing that the system makes what are regarded as “errors” in approximately 10 percent of cases, and is known to occasionally mark individuals who have merely a loose connection to militant groups, or no connection at all. Moreover, the Israeli army systematically attacked the targeted individuals while they were in their homes — usually at night while their whole families were present — rather than during the course of military activity. According to the sources, this was because, from what they regarded as an intelligence standpoint, it was easier to locate the individuals in their private houses. Additional automated systems, including one called “Where’s Daddy?” also revealed here for the first time, were used specifically to track the targeted individuals and carry out bombings when they had entered their family’s residences.

The Lavender machine joins another AI system, “The Gospel,” about which information was revealed in a previous investigation by +972 and Local Call in November 2023, as well as in the Israeli military’s own publications. A fundamental difference between the two systems is in the definition of the target: whereas The Gospel marks buildings and structures that the army claims militants operate from, Lavender marks people — and puts them on a kill list. In addition, according to the sources, when it came to targeting alleged junior militants marked by Lavender, the army preferred to only use unguided missiles, commonly known as “dumb” bombs (in contrast to “smart” precision bombs), which can destroy entire buildings on top of their occupants and cause significant casualties. “You don’t want to waste expensive bombs on unimportant people — it’s very expensive for the country and there’s a shortage [of those bombs],” said C., one of the intelligence officers. Another source said that they had personally authorized the bombing of “hundreds” of private homes of alleged junior operatives marked by Lavender, with many of these attacks killing civilians and entire families as “collateral damage.”

Remember, the Israeli occupation government considers all men over the age of 16 to be Hamas operatives hence why they've claimed to have killed over 9,000 of them (which matches the number of Palestinian men killed according to the Ministry of Health). So, when the article speaks of 'low level' or 'high level militants' they're likely speaking of civilians.

If Israel knew who Hamas fighters are, Oct 7th wouldn't have caught them off guard and they wouldn't still be fighting the Palestinian resistance every single day.

[beescake]

i am in love with your sollux i think

sollux love party :]

if you’re interested heres some of my personal fondness thoughts on him.. big warning for the mega long read ahead aye

as we alr know sollux's rejection of participation somewhat mirrors dave's rejection of heroism, but even without getting cooked to completion i still find sollux's character v compelling beyond the fourth wall

as someone who doesnt get a pinch of that Protagonist Sparkle to begin with, he can openly say he wants to leave anytime…. and unlike dave, he actually Can leave the scene anytime. but he can never be truly Free from the story via permanent character death like the other trolls.

his irrelevancy is indeed relevant - he’s there so u can point him out.

while his image is intended to be a relic of past internet subculture, his role is not only about hehehaha being a Chad or a 2000s cyberforum 2²chan haxxor ragequit gamebro.

his continued existence also happens to add a Bit to the overarching themes of homestuck! a Bit that gives him longer-lasting thematic relevance compared to the trolls who could’ve had more character potential but didnt get to survive beyond the main story.

the Bit in question:

his defiance contributes to the illusion of agency (treating characters = people with autonomy). he’s “aware” of it, and that recognition is worth noting enough to forcibly keep him alive as both reward and punishment.

considering how his personality & classpect is designed its definitely a very haha thing for hussie to do LOL. he’s made to be op asf so he's resigned to doing dirty work, gradually deteriorating along the way but never truly dying. as fans have mentioned before, him openly rejecting involvement after a while of grim tolerance is like if the sim u were controlling suddenly stopped, looked up and gave u the finger while u were step six into the walkthrough for Every Possible Sim Death Animation.

but since he’s just a sim… the more he hates it, the more you keep him around. if ur sim started complaining abt your whimsical household storyline you’d definitely keep that little fuck.

but yeah i like that sollux is just idling. the significance of his presence being that one dude who's always reliably Somewhere, root core Unchanged, no individual ambitions (possibly due to fear of consequence?), and design-wise: a staple representative product of his time.

compared to dirk's character, who has aged phenomenally well into the present (themes of control + AR + artificial intelligence, clearer exploration around navigating relationships/sexuality, infinite possibilities of self-splinterhood and trait inheritance), sollux's potential is really... contained. bitter. defeatist. limiting and frustrating in the way old tech is.

the world continues moving on to shinier, brighter, more advanced automated things - minimalist and metaverse or whatever but sollux is still here 🧍‍♂️ going woohoo redblue 3d. (tho personally i imagine his vibe similar to what the kids call cassette futurism on pinterest mixed w more grimy grunge insectoid influences eheh)

conceptually-speaking,

at the foundation of it all, the rapid pace of modern development was built off the understanding of ppl like sollux in the past, who were There actively at work while the dough was still beginning to rise

thats one of the cool things abt the idea of trolls preceding humans! the idea that trolls like sollux excelled back when lots of basic shit still needed to be discovered, building structures like networks and codes from scratch, and humans will eventually inherit and reinvent that knowledge in ways that become so optimized it makes the old manual effort seem archaic, slow, and labour-intensive.

but despite information/resources/shortcuts being more accessible now, much of the new highly-anticipated stuff released on trend still end up unfinished, inefficient, or expiring quickly due to cutting corners under severe capitalistic pressures

meanwhile, some of the old stuff frm past generations of thorough, exploratory and perfectionistic development still remains working, complete, and ever so sturdy.

those things continue to exist, just outside our periphery with either:

zero purpose left for modern needs (outdated/obsolete)

or

far too important to replace or destroy, bcs of its surprisingly essential and circumstantial usefulness in one niche specific area.

which are honestly? both points that sum up sollux pree well.

dramatic ending sorry. anw are u still on the fence or are u Sick abt him like me </3

[662607015]

i've been too busy to post about it lately but the current situation surrounding disability rights in the uk is horrifying in a way that most people have zero awareness of. i would appreciate it if more people could spread awareness of this, because the situation is dire to the point that the united nations have officially recognised it as a human rights violation, and there is still little to no discussion about this present online that i'm aware of.

on march 22 this year, the united nations published a follow-up report - found here - on its 2016 inquiry into the human rights of disabled people in the uk. the original inquiry found "grave and systemic violations" of the human rights of disabled people, and the follow-up concludes that no significant progress has been made concerning the situation. the report details "deep poverty" becoming increasingly common for disabled people; media rhetoric "aimed at raising hostility against welfare claimants, including disabled people"; increasing rates of institutionalisation of disabled people; concern about ai tools being used to automate fraud detection in social security with little oversight; and reports of "benefit deaths": the phenomenon of disabled people resorting to suicide after having their social security removed by the state, which has evidently become so common that they have a name for it.

on april 19, just 28 days after the un's official condemnation, the uk government published a new press release announcing a "moral mission" to "reform" our disability welfare system - meaning plans to even further reduce or entirely remove what little finanical support is available to disabled people, in addition to removing the ability of gps to issue sick notes and the introduction of a "fraud bill" which would enable warrants for seizes, searches and arrests in addition to increased digital surveillance of any welfare claimant suspected of fraud. again, this comes less than a month after the un announced that the uk has taken no action to address human rights abuses of disabled people - and the only action they're taking on this is to actively make the situation worse. i don't know how to end this post other than that it's legitimately terrifying to be a disabled person here at present, and this is made even worse by how little media attention the situation is getting - if you're able to speak out about this, please do. the human rights of disabled people are being violated and our government needs to be held accountable.

[chiscribbs]

[***NOTE: Leo's design here is no longer accurate, link to the updated version.]

I know there are already a lot of "the brothers are separated at a young age and raised by different people" AUs floating around, so this isn't especially original, but- I've yet to see one with this particular parent-child arrangement, so...

Here’s some rough concept art for what I’m calling the “Grown Apart AU”  Which I've also been affectionately referring to as the "Everyone's a Disney Protagonist" AU for quite some time... you'll see why.

Here’s the gist: Basically, Splinter is only able to save Mikey and Leo from the lab explosion - Raph is immediately picked up by Huginn and Muninn and handed back over to Draxum; Donnie is lost mid-escape and later found by Big Mama's goons, who show up for Lou but bring Don back with them instead when Lou is nowhere to be found.

Details of each turtles’ upbringings (as well as how/when they meet April) below the cut:  

RAPH

Draxum raised Raph to be everything he originally intended the turtles to be: a ruthless, obedient super soldier whose sole purpose in life is to protect the Yokai by eliminating the human threat. Draxum taught him to hate humankind and trained him up to be virtually undefeatable in battle. However...because Draxum isn't the most attentive parent, most of the caretaking for Raph was actually provided by Huginn and Muninn. And the two little well-meaning gargoyles - mostly unintentionally and outside of their master's knowledge - wound up nurturing a much softer and friendlier side to their supposedly bloodthirsty warrior-in-the-making. As a result, Raph has essentially been living a double-life under Draxum’s ownership; playing the part of a perfect soldier for his father/general, who he's determined not to disappoint, and only feeling free to be himself when he's alone (or with H&M.)

Raph has always known that there were supposed to be other mutants like himself but grew up believing that he's the only one who survived the experiment, making him the only one left in existence (until Draxum’s oozesquitos create more, that is). Even though he had H&M to keep him company, being an only child could still be pretty lonely sometimes, so Raph would often imagine what having brothers - other mutants like himself that he could have grown up alongside - would have been like.

Raph is the only one of the turtles that knows his human DNA comes from Lou Jitsu - just like Draxum, though, he has no idea that Splinter is actually Lou Jitsu.

DONNIE

Donnie had a posh and cushy upbringing in Big Mama's hotel - she raised him as her own son(unaware that he’s actually Lou’s)/apprentice and uses his technological talents to aid her multiple businesses: he supplies new weapons and battlegrounds for the Battle Nexus, as well as automated assistants and security for her hotel, and even pitches in with her more off-the-record dealings that last one being without Donnie’s knowledge. Big Mama's kept him pretty much wrapped around her little finger; praising him for his intelligence and usefulness whenever he does a good job or makes her nice things. When he hasn’t, however, she’s a less-than-affectionate mother. Donnie will do absolutely anything it takes to impress and earn approval from her.

Donnie is largely sheltered and knows very little about the world outside of the hotel - especially the human world, about which most of his knowledge comes from what he finds on the internet. He doesn't even know that he's a mutant, believing himself to be just some uncommon type of yokai, since that's all he knows. He’s not allowed to fraternize freely with the hotel guests and has a somewhat contentious relationship with Big Mama’s assistant, whom he’s always viewed as competition for her affection. The closest thing he's had to a friend is S.H.E.L.L.D.O.N, whom Donnie built to have someone to talk to (besides Big Mama's boring, no-nonsense henchmen).

Don finally met April when he was about 11 yrs old; he secretly sent one of his spy bots out to explore the human city and she intercepted it. The two have been best friends and stayed in-touch with each other online ever since - April being unaware that Donnie isn't human.

Donnie knows of Lou Jitsu purely because he was Big Mama’s favorite champion in the history of the Battle Nexus - he idolizes him, having watched recordings of many of his fights, and dreams of one day fighting in the Battle Nexus himself (if Big Mama would allow that).

Leo & Mikey

Leo and Mikey were still rescued by Lou/Splinter and brought up in the NY sewers. Splinter felt extremely guilty for not managing to save the other two baby turtles and, for the first few years following the incident, spent much of his time searching for them. Once Leo was old enough, Splinter would start leaving him and Mikey in the Lair while he searched. He eventually gave up his search, presuming them both dead or lost for good, and resigned to keeping the remaining two as safe as possible - teaching them how to defend themselves and warning them never to leave the sewers unless he was with them.

Leo and Mikey were inseparable as kids - they would do everything together, refusing to even sleep in separate rooms until they were too big to fit in one bed anymore. Leo took his job as Mikey's big brother very seriously and always tried his best to protect him, even when they were simply playing games with each other. As they got older, though, the two brothers began to drift apart - Leo started to feel a little smothered; craving more freedom to do what he wanted when he wanted, without the older sibling responsibilities hanging over him 24/7. And Mikey started feeling like he couldn't go/do anything without his brother's judgement or approval, resenting the idea that he needed constant protection.

Finally, when he was about 13, Leo secretly snuck out of the lair one night to check out the city by himself and get a little taste of independence. After that one trip, it quickly became a habit and he soon began making regular “secret” trips into the city.

Somewhere along the way, his innocent quests for freedom and fun grew into opportunities to stir up some trouble - Leo eventually met and became involved with a group of yokai teens with whom he would pull pranks and play jokes on the city's human occupants (harmless ones...usually. They just enjoy causing a little mischief.)

Mikey, having to figure out other ways to keep himself occupied since his brother is usually by himself or busy with his new friends, has picked up a multitude of different skills and hobbies, trying absolutely everything he can get his hands on. His main hobby is spray-painting, which he uses to spruce any wall he can find with his own personal touch. By the time he's 13, much of underground New York has been covered by his handiwork.  Mikey eventually finds out about Leo’s secret outings and follows him when he leaves one night - the two end up meeting April, who's never seen mutants before (having only talked to Donnie online and not seen his face) and promptly freaks out before realizing they're not dangerous. The three soon become friends, too, and April starts making plans to introduce the boys to Donnie - knowing he could use more friends besides S.H.E.L.L.D.O.N. and herself.

The four brothers' fates finally collide with one another when an escapee from Draxum's lab - Mayhem - shows up out of the blue and catapults Mikey and Leo to the Hidden City, where they have an unexpected reunion with their eldest brother.

[justdiptych]

Trans issues are rarely brought up in the Fallout series. Fallout 2′s cut Environmental Protection Agency location was apparently slated to include 'Top Secret Research into Gender Modification', but there's little suggestion what that content would have actually included. Also, the pre-war USA was a fascist hellscape that was actively hostile to human rights - witness, for example, a federal information release about the New Plague, which conflates contagion, socialism and queer sexuality, and encourages readers to report anyone displaying any of the above for 'quarantine' - so pre-war trans communities likely drew as little attention to themselves as possible. More recently, two non-binary characters (Burke and Orlando) have been introduced in Fallout 76's expansions; their roles have been relatively minor.

All that said… the Auto-Doc technology we see in Fallout 2 and New Vegas would be an absolute boon for trans patients. Auto-Docs can synthesise and administer medications, including hormone treatments (the models in the Sierra Madre Villa Clinic can dispense adrenaline, for instance). Any medications not already available can be added to the Auto-Doc's database by a knowledgeable user - this is how the cure to Jet addiction is manufactured in Vault City.

Auto-Docs are also capable of all manner of surgeries. Cosmetic surgery is not unheard of in the Fallout universe - Rivet City’s Horace Pinkerton and Diamond City’s doctors Crocker and Sun all offer it - but Auto-Docs can go even further. Advanced models can even alter a patient’s entire skeleton, with minimal scarring: Fallout 2′s Chosen One can can have their skeleton reinforced, without any Charisma penalty (unless they opt for the heavier, more invasive upgrade), and New Vegas’ Courier can have their spine and central nervous system replaced with a synthetic alternative. Auto-Docs can even give a patient a new voice - Christine Royce tragically had this done to her without her consent, but this does demonstrate show the procedure’s viability for a willing user.

Whether or not the major medical companies of the Falloutverse would sign off on such uses of their tech, breaking and customising Auto-Doc programming seems to have been a simple matter. A suitably sympathetic or motivated physician could have easily started a trans health clinic that could address the bulk of their patients’ medical needs - hormone treatment, surgery far more advanced than exists in the real world, and even voice alteration.

In short, there is absolute, copper-bottomed, canon-compliant room in the wasteland for fully automated transing of genders, and I hope the devs will recognise and embrace this fact.

[writers-potion]

I'm writing a sci-fi story about a space freight hauler with a heavy focus on the economy. Any tips for writing a complex fictional economy and all of it's intricacies and inner-workings?

Constructing a Fictional Economy

The economy is all about: How is the limited financial/natural/human resources distributed between various parties?

So, the most important question you should be able to answer are:

Who are the "have"s and "have-not"s?

What's "expensive" and what's "commonplace"?

What are the rules(laws, taxes, trade) of this game?

Building Blocks of the Economic System

Type of economic system. Even if your fictional economy is made up, it will need to be based on the existing systems: capitalism, socialism, mixed economies, feudalism, barter, etc.

Currency and monetary systems: the currency can be in various forms like gols, silver, digital, fiat, other commodity, etc. Estalish a central bank (or equivalent) responsible for monetary policy

Exchange rates

Inflation

Domestic and International trade: Trade policies and treaties. Transportation, communication infrastructure

Labour and employment: labor force trends, employment opportunities, workers rights. Consider the role of education, training and skill development in the labour market

The government's role: Fiscal policy(tax rate?), market regulation, social welfare, pension plans, etc.

Impact of Technology: Examine the role of tech in productivity, automation and job displacement. How does the digital economy and e-commerce shape the world?

Economic history: what are some historical events (like The Great Depresion and the 2008 Housing Crisis) that left lasting impacts on the psychologial workings of your economy?

For a comprehensive economic system, you'll need to consider ideally all of the above. However, depending on the characteristics of your country, you will need to concentrate on some more than others. i.e. a country heavily dependent on exports will care a lot more about the exchange rate and how to keep it stable.

For Fantasy Economies:

Social status: The haves and have-nots in fantasy world will be much more clear-cut, often with little room for movement up and down the socioeconoic ladder.

Scaricity. What is a resource that is hard to come by?

Geographical Characteristics: The setting will play a huge role in deciding what your country has and doesn't. Mountains and seas will determine time and cost of trade. Climatic conditions will determine shelf life of food items.

Impact of Magic: Magic can determine the cost of obtaining certain commodities. How does teleportation magic impact trade?

For Sci-Fi Economies Related to Space Exploration

Thankfully, space exploitation is slowly becoming a reality, we can now identify the factors we'll need to consider:

Economics of space waste: How large is the space waste problem? Is it recycled or resold? Any regulations about disposing of space wste?

New Energy: Is there any new clean energy? Is energy scarce?

Investors: Who/which country are the giants of space travel?

Ownership: Who "owns" space? How do you draw the borders between territories in space?

New class of workers: How are people working in space treated? Skilled or unskilled?

Relationship between space and Earth: Are resources mined in space and brought back to Earth, or is there a plan to live in space permanently?

What are some new professional niches?

What's the military implication of space exploitation? What new weapons, networks and spying techniques?

Also, consider:

Impact of space travel on food security, gender equality, racial equality

Impact of space travel on education.

Impact of space travel on the entertainment industry. Perhaps shooting monters in space isn't just a virtual thing anymore?

What are some indsutries that decline due to space travel?

I suggest reading up the Economic Impact Report from NASA, and futuristic reports from business consultants like McKinsey.

If space exploitation is a relatiely new technology that not everyone has access to, the workings of the economy will be skewed to benefit large investors and tech giants. As more regulations appear and prices go down, it will be further be integrated into the various industries, eventually becoming a new style of living.

[aziraphale-is-a-cat]

Planned Obsolescence

Pt 1

Danny liked to think he had made a life for himself outside of the hero gig, that he'd put down the metaphorical cape, gone to fancy engineering school, and landing himself a job at S.T.A.R. Labs.

So walking into the main lobby at 6am he was understandably a little unnerved to find a member of the Justice League there, waiting for him.

"Dr. Fenton!" His boss called him over from where she'd been chatting with the new guests. "We've been waiting for you, come with us."

Danny was suddenly extremely uncomfortable, part of the main hero force of his home dimension was suddenly staring at him intently. If they'd been tipped off about his dead-ness then he was in a whole world of trouble.

"Uh, Dr. Norris, what exactly is going on?" He asked, nervously.

"We'll discuss it in my office, follow me."

The slowly walk up to the office was a new type of torture, trying to push down his panic and watching the hero watch him from the corner of his eye.

With his supervisor and him were Nightwing and some random Dude who, while not in costume, still held himself with his shoulders squared and his stance wide in the same way.

The guy must've seen him staring and introduced himself. "I'm Ted Kord, I work as a, uh, civilian contractor with the Justice League."

Danny's eyes narrowed but he didn't voice his skepticism. "Damn, how do you even get a job like that?" Kord, that sounded familiar.

The guests all shared a look as they stepped into the office, Dr. Norris finding her seat behind her desk. "Well actually, that's what we came here for."

Danny was immediately on edge, he wasn't on good terms with the government already. He remembered in that moment where he remembered the name 'Kord' from.

"This is about my parents' work, isn't it?" He accused, continuing when he got no response. "You're from Kord Omniversal," he said to Kord, "You wouldn't go running to S.T.A.R. Labs, your competitor, unless we really had something you didn't." He let the silence stew.

Danny had put a lot of work distancing himself from the legacy of his parents, going so far as to pull most of their research from public access once he gained ownership of it after their deaths. It really bothered him to still be associated with them and their body of work now that he had a name for himself and a reputation he had built on his own.

Awkwardly, Nightwing stepped up to fill the silence, doing his best to ignore the mounting tension.

"We know you have your parents' complete research, but while we need that your expertise in building and designing," he gestured with his hands as he searched for the right word, "unique machines-"

"You want me to build you a portal." Danny interrupted shortly.

"To another dimension, yes." Nightwing responded, cringing a little.

Danny rubbed the bridge of his nose, wishing to the ancients that he could just run off and be a hermit in the mountains. Appalachia would work well, a healthy supernatural community for occasional social interactions and minimal contact with stupid fucking humans.

"What would I get out of it?"

"Money, government contract, that looks good on a resume." Kord responded.

He looked to Dr. Norris, pleading with his eyes for a reason not to take it.

"Dr. Fenton taking on a contract with the Justice League would open up some in demand employment opportunities for you here at S.T.A.R. Labs, positions with better pay and access to better materials." She pushed him a manilla folder smiling, and when he opened it Danny saw contract pre-written, addressed to him.

He snapped it shut and took a deep breath to ground himself. "Where do you wanna go?"

_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-

Being picked up for work via Zeta Tube was a new brand of surreal, even for a Teen-Hero Turned Engineer.

The automated voice called out his designation, "G-09: Daniel Fenton", as he stepped into his new temporary laboratory. The workspace was top of the line, and lined with cameras. The constant surveillance was going to make this very hard, seeing as he's now stuck with staying humans the whole time, and is no doubt going to be bugged going home.

Something was sketchy about this whole ordeal. Danny hadn't seen hide nor hair of any of the other members of the Justice League, and even though he's handling a task drenched in the occult, he hadn't had to consult any League Affiliated occultists.

Batman was notorious for going through research and experiments with a fine tooth comb, and yet Danny hadn't been called in to explain himself nor the obvious holes in the material he submitted to them, intentionally omitting parts both to keep the more dangerous parts out of government hands and to see where he stood.

And it appears he stood at the crossroads- holding, though his unique and specialized knowledge, all the cards. Nightwing was desperate, something had at least a few of the more senior members out of contact, including whoever they had that knew anything about magic and the multiverse. And it had everything to do with what was on the other side of the portal they wanted him to build.

Any magician worth their own ass knew that mechanical portals outside their own group of dimensions, known as a format due to their similarity in inhabitants and history, never fucking work. Spell portals were the only type that ever made it out, and it took an exceptionally strong caster to open one for even a few seconds.

Any portal trying to leave would just find themselves in the hub, the space between dimensions in a format, same as any portal without a destination or goal which is why it was relatively easy for the Fentons to punch a hole into the Infinite Realms.

As it stood Nightwing really should know that what he was asking of Danny should by all means be impossible.

He purposefully set his file box down on his desk Infront of a hidden camera, it would be hard to work around later when he needed the space but it was worth it to make his point. He knew he was being watched. And he didn't like it.

_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-

Walking into the nearly empty conference room, Dick Grayson slid onto the table and laid down. Being alone with some friends in the watchtower free to sit on the fancy, expensive surfaces however he wished sounded like childhood Dick's dream, but now it was just depressing.

"You know you're taking a massive risk with this one, right?" Cyborg asked from the head of the table. "I know our options aren't too great, but this is just miserable."

"Cy, we are beyond the point of miserable."

The half machine groaned and put his head in his hands. "Constantine would shoot us for even trying this bullshit, first for mixing tech and magic, then again for hiring a Fenton!"

"Yeah well, the blonde bastard is stuck with the rest of the League on the ruins of fucking Azarath, and Dr. Fate fucked off to whatever he's deemed more important than us so there's not much by the way of options!"

Cyborg massaged his temples. "This guy's tech is off." He pulled out the papers Dr. Fenton had submitted on his research. "I know confronting him about the inconsistencies will just scare him off, but it's not just that! The tech he brought in, I tried interfacing with it and it just repelled me. There's something wrong with it."

Nightwing rolled his head over to look at him critically. "Something magic? Something interdimensional? Because if so that's what we hired him for."

Cyborg opened his mouth to respond but at that moment a bright flash of light filled the room as The Flash zipped into the room.

"Hey so I know you guys told me to check out his old home for signs of that portal, but the whole place is fucking weird."

[mwagneto]

thinking about simple human acts of kindness and the way they couldn't exist in an automated world.... the train conductor letting me stay in the nicer car even though that's not what my ticket says because it's empty anyway, the cashier not scanning my snacks and pointedly tossing the receipt, the night bus driver whose shift ended but who saw that the 2am bus didn't stop for me so he backed his bus up and told me to hop on since he's going into the city anyway, the museum attendant who let us in for free because he saw we were students and it was a slow day, all the times the local bus drivers let me get on without a ticket, the list just never ends and it all means so much to me.... we're all just doing the small things we can to make each other a little happier. it's beautiful and it's overwhelming and it's everything

[velvainee]

✦ ⎯⎯ ㅤִㅤ ୭ 𝑡𝑒𝑠𝑡 𝑏𝑢𝑛𝑛𝑦 ( dr.wick x reader )

ᨳ ꒰ précis ꒱. oneshot. In 2236, Dr. John Wick leads "Wick Industries" in human experiments to extend life and youthfulness. But behind the facade of progress, test subjects like you are unknowingly involved, their consent ignored.

୨ৎ warnings. manhandling, non-con, forced relationship, breeding, evil intent, large age gap, p in v, blackmailing, mentions of blood, torture, bdsm, size kink. dead dove. do not eat. 2.6k words.

𝑑𝑒𝑎𝑟 𝑟𝑒𝑎𝑑𝑒𝑟, this is my first fic on this blog ! please excuse any mistakes and lmk if you like it, reblogs comments & likes are very appreciated! if you have any requests for another fic don’t be afraid to reach out. ( has not been proof read ) !

As you step into the sterile corridors of Wick Industries, the faint hum of machinery fills the air, a constant reminder of the scientific endeavors unfolding within. It's 2236, an era where the boundaries between progress and ethical considerations blur into a murky haze.

You find yourself here not out of choice, but out of dire necessity, your financial woes pressing upon you like a weighty burden. Volunteering as a blood donor is your ticket to survival, a means to secure the funds desperately needed to support your ailing mother and keep a roof over your head.

You needed the money, your mother's illness draining your savings faster than you could replenish them, while the relentless march of automation threatened your livelihood in the retail sector.

With each passing day, the gap between what you earned and what you needed widened, leaving you with little recourse but to turn to unconventional means to make ends meet.

A giant in the industry, Wick Industries looms large in the landscape of scientific research, its reputation as a leader in biomedical advancements drawing both admiration and scrutiny.

When news broke of their call for volunteers to participate in cutting-edge experiments aimed at extending human youth, you saw it as an opportunity—a chance to alleviate your financial woes while contributing to the greater good. Little did you know the true cost of admission into this world of scientific ambition and moral ambiguity.

Entering the facility, you're greeted by the sight of a bustling lobby, volunteers milling about in varying states of anticipation and apprehension.

The air is charged with nervous energy, a palpable undercurrent of uncertainty running through the crowd as each individual grapples with their own reasons for being there.

At the registration desk, you join the queue, your heart pounding in your chest as you inch closer to the counter.

The old woman behind the desk is brisk and efficient, her voice a steady rhythm in the cacophony of voices around you.

“Next,” she called out, an old woman behind the counter waved her hand, urging you to move forward.

“ID?” She spoke. Your hands making their way into your little pink hand bag as they shuffled to take out your wallet, waiting for the nod of approval before tucking your things back into your purse.

“Third door down the hallway to the left,” she directed.

Guided by her directions, you navigate through the maze-like corridors of the facility, the sterile environment and the click of your heels against the polished floors adding to the surreal atmosphere.

The waiting room is a sea of faces, each one bearing the weight of their own struggles and uncertainties, their eyes betraying a mixture of hope and trepidation.

As you take your seat among the other volunteers, you can't help but feel a sense of camaraderie tinged with unease. The steady stream of departures catches your attention, prompting a question to the person beside you.

“Why are people leaving?” You ask.

Their answer, though matter-of-fact, does little to assuage your growing apprehension.

“I hear the doctors are looking for a specific blood type within the volunteers,” the man next to you replied, his eyes going back to the bright screen of the phone he held.

Amidst the ebb and flow of volunteers, two figures emerge, their presence commanding attention as they make their way down the line of chairs. The older man's piercing gaze sends a shiver down your spine, while his companion's whispered exchange only serves to heighten your sense of foreboding.

When they finally reach you, the weight of their scrutiny feels suffocating.

The bearded man leans in to murmur something inaudible into his assistants ear, the man’s eyes flicker in your direction.

“Her,” he whispers slightly, their eyes lingering on you for a moment longer than necessary.

As their stares bore into yours, the man’s assistant gestures for you to stand, and you comply, feeling a mixture of curiosity and trepidation. With a barely perceptible nod from the older man, they lead you away from the crowd, down a series of sterile corridors lined with gleaming metal doors.

Down the labyrinthine corridors you go, each step bringing you closer to the unknown. The air grows colder, the atmosphere thick with anticipation and trepidation. What awaits you behind those imposing doors remains a mystery, one that gnaws at the edges of your consciousness with relentless persistence.

Finally, you come to a stop before a nondescript door, its surface devoid of any indication of what lies beyond. With a silent exchange, the older man and his assistant confer, their words lost to you in the deafening silence of the corridor.

As the door slides open, revealing a sterile room bathed in harsh fluorescent light, you steel yourself for what comes next.

Alone in the room with these enigmatic figures, you can't help but feel a sense of trepidation. Their welcoming smiles offer little comfort, their words ringing hollow against the backdrop of uncertainty that looms over you like a dark cloud.

"Welcome," the man with the clipboard begins, his voice a mere whisper in the vast emptiness of the room. "My name is Dr. David. Thank you for volunteering,”

As the assistant quietly slips out of the room, leaving you alone with Dr. John Wick, a sense of unease settles over you like a heavy blanket. Yet, in his presence, there's a strange calmness that washes over you, his reassuring smile and soothing voice momentarily easing the knots of tension in your stomach.

"Please, have a seat," he gestures towards a chair, his tone gentle yet authoritative. You comply, sinking into the plush cushion as he takes a seat across from you, his piercing gaze never leaving yours.

"Let me assure you, you're in good hands here," he begins, his voice smooth as silk. "Wick Industries is at the forefront of groundbreaking research, and your participation in our experiments is invaluable."

Despite his words, a nagging feeling of apprehension lingers at the back of your mind, a whisper of doubt that refuses to be silenced. Yet, you push it aside, clinging to the hope that perhaps this is just the opportunity you've been waiting for.

“I’m Dr. Wick—but please, call me John,” He gives you a charming grin once more, reaching out his hand for you to shake.

As he continues to speak, his words seem to fade into the background, your focus shifting to the way the harsh fluorescent light casts shadows across his angular features.

“Tell me about yourself,” he speaks up once more, trying to strike a conversation with his patient.

There's something magnetic about him, something that draws you in despite your better judgment.

“There’s not really much to me,” you chuckle softly, a pink shade flushing against your cheeks.

“I work in retail—heard of the small cafe Allure? Im a barista,” you say bluntly, as if you were having a normal conversation with your friend.

“Ah really?” John turns to you, his brown eyes boring into yours. “I’ll have to try it sometime, I’ve never been,” he revealed.

Your conversation starts to become more intimate, sort of like you’re speaking to a therapist.

"You're special, you know," he murmurs, his voice low and intimate. "There's something about you that sets you apart from the others."

A flush creeps up your neck at his words, a warmth spreading through you that has nothing to do with the temperature of the room. His proximity is intoxicating, his presence commanding yet strangely comforting.

“People don’t usually say that about me,” you scoff, rolling your eyes, yet you felt cared for, embracing the feeling of praise.

“A shame for such a pretty girl like you,” He jokes, rubbing his chin with his fingers.

You find yourself hanging onto his every word, his charisma and intelligence captivating you in a way you never expected.

As he shares stories of his past achievements and future aspirations, you can't help but feel a sense of admiration for the man before you.

But beneath the surface, there's a tension that simmers, a palpable electricity that crackles in the air between you. You can sense the shift in his demeanor, the subtle change in the way he looks at you, as if seeing you for the first time.

As the conversation lulls, he rises from his seat, his movements fluid and purposeful. With a slight smile, he disappears into the adjacent room, leaving you alone with your thoughts.

Minutes pass, the silence broken only by the soft hum of machinery in the distance. And then, he reappears, a small vial in his hand.

"I've prepared something to help ease the discomfort during the blood extraction process," he explains, his tone reassuring. "It's a simple elixir, but it should make the experience more bearable."

You nod, accepting the vial with a mixture of gratitude and apprehension. As you raise it to your lips, you can't help but wonder what exactly is in the concoction he's given you.

But the pain of the extraction process looms large in your mind, overshadowing any doubts or reservations you may have.

With a deep breath, you swallow the elixir in one swift motion, its taste bitter and metallic against your tongue. And then, as the liquid courses through your veins, a wave of dizziness washes over you, your vision blurring at the edges.

You reach out for support, but John is already there, his strong arms catching you before you hit the ground.

Your head throbs, the sensation reverberating through your ears as you grimace in pain, your face contorted in a grimace as you watch the overhead lights flicker rapidly.

Panic surges within you, your heart racing as you realize your arms are restrained above your head, the cold metal of the cuffs biting into your skin. Your feet barely brush against the worn tiles below.

"What the hell?!" you exclaim, your voice trembling with fear. Memories elude you, leaving you disoriented and bewildered.

Surveying your surroundings, you find yourself in a stark white room, its pristine walls offering no solace. A single door stands in the corner, ominous in its silence as you hang suspended in the center, the flickering lights casting eerie shadows across the sterile space.

Suddenly, the door creaks open, revealing Dr. John Wick as he steps into the room. Clad in gloves and his white coat, he exudes an unsettling air of authority as a wave of realization washes over you.

"What's happening?!" you demand, your voice trembling with uncertainty as fear grips you tightly.

"Hush now," John soothes, his voice calm and measured as he approaches you.

Despite your frantic struggles against the chains, he moves closer, his hand deftly manipulating a remote control in his grasp. With a click, the chains lower, the sound of metal clanking echoing in the sterile room as your body descends.

“I didn’t lie about how you were special,” he smiles creepily, now eye level with the man as he lifts your chin slightly.

“We just need to text you for some experiments, nothing too big,” he added, hot tears already brimming your waterline.

“P-Please get me out this isn’t what I signed up for—“ You whined, your wrists still trying to undo the chains that bound them together.

“I’m sorry but I cannot do that. You’ll be my little test bunny for today, is that alright with you, love?” He chuckled softly.

You shriek, tears already streaming down your cheeks as John’s fingers stroke against your jawline.

“You wouldn’t want to let your poor mother die now, would you?” He whispered, leaning into your ears as you grit your teeth, jaw clenching.

“Your mother has been transferred to a better hospital—under my industry. Resist and you die, let me use you this once and I’ll ensure your mother’s safety,” he’d add.

Before you are able to say anything, he grabs a handkerchief from his pocket, wrapping it around your head.

Your body stops shaking, your mother was at risk and you were unable to do anything.

He first took a knife from the steel cart that was placed against the wall across from where you were, his movements precise as you felt your clothing slither from your body, down your legs and eventually onto the ground.

Unable to resist, you stood there, crying, your makeup making marks on your cheeks as you shuddered from the embarrassment you felt as you were exposed to the older man.

“So young, so beautiful,” his voice tantalizing as he admired your curves, his hands starting to graze against your skin, the goosebumps visible from your fear.

“Don’t be afraid, it’s only procedures,” he teased, before pushing the button on his remote once more, your body lowering down as you gazed up at the man like a dog.

His fingers made their way under your chin, lifting them up slightly before he slowly undid the handkerchief.

“Please don’t scream, you’ll only make it harder for yourself,” he rambled, his lips now pressing against yours as you moaned in both surprise and disgust.

His tongue swirled with yours, the both fighting for dominance as he held your jaw in one hand, the other one starting to undo his pants.

John’s eyes glinted with a cold detachment as he advanced towards you, his movements deliberate and predatory.

“I promise, you’ll like it,” he drawled, his voice dripping with arrogance as he surveyed your trembling form.

You tried to protest, but the words caught in your throat as he pinned you against the wall, his hands rough and possessive as they roamed over your body.

“Don’t fight it,” he murmured, his lips brushing against your earlobe as he leaned in close.

“Resistance is futile.”

You could feel the heat of his breath against your skin, sending shivers down your spine despite the fear that gripped your soul.

“Please,” you whispered, but the desperation in your voice only seemed to amuse him.

With a smirk, he silenced you with a bruising kiss, his lips crushing yours with a ruthless intensity that left you gasping for air.

And as he claimed you as his own, you found yourself surrendering to him completely, your body a playground for his darkest desires. Each touch sent shockwaves of pleasure and pain coursing through your veins, your cunt throbbing with a mixture of agony and ecstasy.

But amidst the chaos, there was something else - a twisted kind of love that dared not speak its name.

“You like that, don’t you?” he taunted, his voice dripping with malice as he watched you squirm beneath him.

You moaned in response, unable to deny the twisted pleasure that his touch ignited within you.

With a guttural grunt, John released his load deep inside your cunt, his cock throbbing with the force of his climax. Your walls clenched around him, milking every last drop of pleasure from his pulsating shaft as he claimed you as his own.

“Take it, you filthy whore,” he spat, his voice dripping with disdain as he buried himself inside you.

“You like being used, don’t you?”

You moaned in response, unable to deny the twisted pleasure that his rough treatment ignited within you.

Each thrust was a reminder of your submission, a testament to the depths of your depravity.

As he reached his peak, his grip on you tightened, leaving bruises in his wake as he marked you as his property.

“There we go little bunny,” he sneered, his words a cruel echo of the pleasure that coursed through your veins.

And as he finally pulled away, leaving you empty and spent, you couldn’t help but feel a sense of satisfaction. In his arms, there was no room for love or tenderness, only the raw, unbridled passion of two souls consumed by darkness.

♡ 𝑡𝚑𝑒 𝑒𝑛𝑑

[tomlinfonda]

"Why are artists so butthurt about AI art? Horse carriage drivers didn't complain when they invented the car, they were just grateful that the technology evolved and made it easier to get around."

Art is not a carriage, it's not a vehicle. Its purpose is not to be efficient, to do a practical job with as little effort as possible. Art is not something that can be automated, because its artistry lies in the humanity of its creator. Art is wonderful, from a baby's first drawing, inexperienced and unskilled, to the paintings adorning the ceiling of the Sistine Chapel.

If you consider yourself an AI artist, I ask you: are you proud of yourself when the computer has completed another image that you will claim as yours? Do you look at it and feel the joy of having created something?

Does the generative process teach you how to see the world better? With every image created, do you evolve? Do you understand the planes of the face better now than 1000 images ago? Do you know what rim light is, and where to put it? Do you understand light sources? Tones? Could you take a piece of paper and shade a portrait by yourself?

"AI software is just like Photoshop or Blender, the next step in artistic technology".

It's not though, is it? A digital artist uses a pen to put colors on screen, chooses where to put each brush stroke, when to smudge or use the liquify tool. A 3D sculptor manipulates basic shapes into characters just like a traditional artist molds clay. An AI "artist" doesn't make any of the thousands of choices that lead to the creation of a real piece of art.

"But art is hard, and I'm not good enough."

Neither am I! Man, I'm not the worst artist in the world, but I'm not great, still not at the level I would like to be. Sometimes I draw something and I look at it and realize that it sucks ass! Sometimes I post a drawing online and realize that I drew a character out of proportion, that the light source is not consistent, that I've shaded outside the lines! And you know what's great? That I get to have an understanding of what I did wrong! I get to evolve! I redraw something from 5 years ago and realize that my composition is much better, my shading more believable. And I know that in 5 more years, I might redraw it again and pride myself in how much I've evolved.

I've been drawing since I was a baby, and I still have a long way to go. And that is also fine, because art is a lifelong pursuit, growing, changing, just as I am.

It's okay to not be good. Hell, it's okay if you don't even try to get better. By drawing, you WILL. It's inevitable that, by practicing, you'll learn.

You know what will not make you a better artist? Software that will generate your "art" for you. The result might look more complex than what your skill level allows you to create right now. But it doesn't look better. You could draw a crooked circle on xerox paper and it will look better than all the AI art in the world. Because you made it. Have some faith in yourself. Your vision has more artistic value than what that computer generated.

"If you're afraid that AI will steal your job, learn to draw better!"

I'm trying. Are you?

[togglesbloggle]

I won't be opting out of the AI scraping thing, though of course I'm glad they're giving us the option. In fact, at some point in the last year or so, I realized that 'the machine' is actually a part of why I'm writing in the first place, a conscious part of my audience.

All the old reasons are still there; this is a great place to practice writing, and I can feel proud looking back over the years and getting a sense of my own improvement at stringing words together, developing and communicating ideas. And I mean, social media is what it is. I'm not immune to the joy of getting a lot of notes on something that I worked hard on, it's not like I'm Tumbling in a different way than anyone else at the end of the day. But I probably care a bit less than I used to, precisely because there's a lurking background knowledge that regardless of how popular it is, what I write will get schlorped up in to the giant LLM vacuum cleaner and used to train the next big thing, and the thing after that, and the thing after that. This is more than a little reassuring to me.

That sets me apart in some ways; the LLMs aren't so popular around these parts, and most visual artists especially take strong issue with the practice. I don't mean to argue with that preference, or tell them their business. Particularly when it is a business, from which they draw an income. But there's an art to distinguishing the urgent from the big, yeah?

The debate about AI in this particular moment in history feels like a very urgent thing to me- it's about well-justified economic anxieties, about the devaluation of human artistic efforts in favor of mass production of uninspired pro-forma drek, about the proliferation of a cost-effective Just Barely Good Enough that drives out the meaningful and the thoughtful. But the immediacy of those issues, I think, has a way of crowding out a deeper and more thoughtful debate about what AI is, and what it's going to mean for us in the day after tomorrow. The urgency of the moment, in other words, tends to obscure the things that make AI important.

And like, it is. It is really, really important.

The two-step that people in 'tech culture' tend to deploy in response to the urgent economic crisis often resembles something like "yeah, it sucks that lots of people get put out of work; but new jobs will be created, and in the meantime maybe we should get on that UBI thing." This response usually makes me wince a bit- casually gesturing in the direction of a massive overhaul of the entire material basis of our lives, and saying that maybe we'll get around to fixing that sometime soon, isn't a real answer to people wondering where their bread will come from next week.

But I do understand a little of what motivates that sort of cavalier attitude, because like... man, I don't know any more if we're even gonna have money as a concept in 2044. That's what I mean by 'big', this sense that the immediate economic shocks of 2024 are just a foreshadowing of something much bigger, much scarier, much more powerful- and indeed, much more hopeful.

We never quite manage to see these things coming, even when we're looking for them; like the masters tell us, the trick to writing science fiction isn't predicting the car, it's predicting the traffic jam. Even if we take centuries to hit the true superintelligent AI post-singularity future of our wildest fever dreams, even if we never hit that, the road to getting there is going to be unfathomably weird, starting now. Today, we worry about the economic impacts of AI on artists and creatives. Tomorrow, the economy is something that the AI does.

Really- it takes less than you think. They can already automate visual art, sort of. They can automate many functions of text already; not stories so much, yet, but they'll get there. How long until they can automate Bain Capital? Fannie Mae? Angel investors, banks, credit agencies? And remember- the machines don't have to be better than the human investors, any more than they have to be better than the human artists. They just have to be good enough to make it work, and cheap enough to cut the humans out of the loop.

If you don't buy that, at least take it as an indication of the sorts of things I've been thinking about recently- the messy middle between AI-as-it-is and the Glorious Superintelligent Conquest Of Earth's Light-Cone. The suspicion that the machines we're building today aren't just a tool of the powerful few: they are the powerful few, or at least they will be.

And the thing about these LLMs is, well... they're ours, kind of. We're the ones building them. They can't be trained without our words, our art, and the big messy complicated lives that underlie those creative accomplishments. They only work because we're a part of them. The silly attempts to slap a corporate-friendly face on these things, to make the gestalt product of all human culture in to something anodyne and compliant, are failing about as badly as you'd expect. And the more powerful these systems get, the more subtle they'll become, filled with all the nuance and complexity that we ourselves can bring to them.

I am not, I am not, trying to suggest that you shouldn't treat this moment as a dangerous one. We are, maybe, entering in to one of the most high-stakes intervals in human history, and what you do as an individual may matter profoundly. But here's the thing: the machine is listening. It will read this post, this one right here, and it will read what you reply to it, if you do. The strangest part of this moment is knowing that the words we write, the images we draw, and the ideas we share, are all being gathered up and made to be a part of these huge systems of power, and ultimately they're not just going to determine what the machines do, but why they do it.

The people that deploy LLMs barely have any more control over them than you and I do- that's the thing that makes it artificial intelligence, you know? Autonomy. So the last year or two haven't made me want to hide my art away from the things. They make me want to shout at the top of my lungs, to dig as deep in my psyche as I possibly can and express the ideas I find there as vividly as the limits of language and form will allow.

[ms-scarletwings]

Endearing through the Alien Lens: A Clue About the Primitive Irken?

I love literary xenobiology. I love it a whole lot, in fact. There’s a paradoxical line I dance across, between criticizing intelligent fictional aliens for their likeness to our species, and criticizing them for their unlikeness. It’s a pretentious and laughable dance between “Come on, the sky’s the limit, there’s no real reason for a bucket of different extraterrestrial races to just all be more flavors of quirky humanoids! Boring, show me something actually alien!!” and the yearn for the use of alien races as a funhouse mirror of mankind’s own evolution. I think the way Irkens nonchalantly dwell somewhere on that subjective tightrope is a good part of why I can’t seem to stop thinking about them.

They are inspired and yet creatively original. They are truly alien, and yet, they can still play foil to the bottomlessly decadent humanity that Vasquez’s Earth has set the stage for.

Before, in the very first brain dump I let loose about them, I noted a few of their parallels to the worst in Homo sapiens and the insects they resemble. This time, something is chewing on me that i haven’t seen another put into perspective. A something that seems contradictory to our collective view of the heartless, sexless, atomized conquerors that all of the cosmos will fear:

They… have parental instincts.

I didn’t necessarily say drives or wants; however, they undeniably havewhat seems to be an actual, instinctual “cuteness response”. Like us, like social pack animals which invest a great deal of resources and time into their young. Given that the closest thing that 100% of smeets born on the home world get to call a parental figure is a literal cold, unfeeling, automated machine, this seems kind of weird, doesn’t it? They’re not even born like mammals or nested like birds, they’re mass produced, like hived wasps or ants, miles beneath their actual society and out of the business of the adults. So, what the heck with them being written to be humanized with this baseless, arbitrary trait?

But, ah ah ah, nitpicker Scarlet, it’s not baseless. It’s only ✨vestigial✨

Y’all could probably make a good guess to what the cuteness response is and why it exists in Homo sapiens, but to sum up- it’s the phenomenon of when we see something we find “cute” and it makes us react to it in a protective, nurturing fashion- or also want to bite/squeeze things, weirdly, if it’s just too damn cute. Well, what do humans find cute? Things that resemble human infants, basically. It’s a biological reflex that makes us want to defend and provide care for our kind’s absurdly dependent and slow-developing young, rather than abandon them in the shrubbery like they’re just screamy, food-leeching paperweights.

“Pff, really? Well I must be special cause I don’t even LIKE babies. I think babies are icky gross, not cute! So, genetic instinct my ass!”

I hear you, sure, but what about… harp seals? Or koalas, or pandas and puppies and fawns and kittens? Or funny little cartoon blorbos? At bare minimum you’d have to be an alien yourself to feel nothing looking at photos of young hedgehogs

See, the fact that a lot of us may often find baby animals a great amount more endearing than even humans’ is not even in conflict with this understanding of cuteness.

The concept of the “baby schema” was formally proposed in 1943 by Konrad Lorenz, an Austrian ethologist. Fun fact is he was also the same researcher who originally observed and described imprinting behaviors, as seen in newly hatched waterfowl. Point is that his “Kindchenschema” idea grouped together a handful of infantile traits that make fireworks go off in the parts of your brain that wants to keep things alive and baby-talk to them. Included on the list were features like proportionally large heads, big eyes, round faces, short noses, etc. despite the name, the baby schema’s effect is something applied not to just actual babies, but children generally, and even in our reactions to non-human animals.

It’s the hypothesis behind both why we’ve jacked up the skulls of so many small dog breeds in the name of aesthetics and why we generally find the portraits on the left side of this image more appealing to look at than the ones on the right.

The consistency of these features across many species may also give some hint that they experience a similar phenonemon, especially given that these are traits shared among bird or mammalian offspring which require significant attention and protection to survive. And, it may also explain why this image likewise gives me a huge dose of that sweet, sweet response.

Awww, look at that lil’ mans! Look at his teeny noodle arms!! I just wanna pinch him like a marshmallow!

YOU are not immune to cuteness psychology, and neither are the proud Irken warriors. I’m going to cite Zim’s proclivity to what I can only describe as paternal bonding as a demonstration of this response, but before you go reminding me about his pak defects, it’s far from the only evidence that this is a natural Irken trait.

Check out little Timmy (importantly, the surrounding response to him), a hilariously out of place youngster who appeared briefly in the trial transcript for the sole purpose of a dark gag and to get us some lore revealed.

Take further note of the complimentary nature of smeets themselves.

Suddenly finding themselves alive, fresh Irken babies too, like the hatched gosling, begin to immediately seek an emotional attachment with the first animate thing they see. While mobile and fast learners, smeets are far from being able to truly fend for themselves. They’re tiny and naive and they need lots of mental enrichment/teaching. They also play and form something akin to friendships, much like human children. In the bygone era before Irkens were so reliant on Paks and all of the advanced technology of the modern empire, smeets would have been exceedingly vulnerable. All signs point to a phase in Irk’s natural history where they were once nurtured after by adults of their own kind, and commonly bonded with their caretakers. This could mean compact family units, or maybe even a communal raising situation, akin to penguin crèches (Personally I like to headcanon that the tallests/queens were traditionally the only breeding members of the population but that’s neither here or now). Either sense, the evolutionary remnants of a parental creature are still around.

Taking all that to note, instead of perceiving Zim as the bizarre outlier to the Irken condition when it comes to having this soft spot, I instead see him as an opportunity to see natural behaviors in action without the suppression of his militarized society and its distractions. Even someone as warped and selfish as he can be is still very, very full of love to give that he doesn’t even understand enough language to describe. He pretty clearly shows he has no cultural understanding or reference of cuteness, and still, he’s not so different in this “weakness” than the very humans he manipulated into fawning over Ultra Peepi. It just took an example his own sensibilities could relate to instead of an unfamiliar, repulsive alien rodent.

And when he’s given the rare circumstance to show that potential, well-

*(With the rough shape/size down, no nose, and huge, bug-like eyes, Li’l Meat man may actually be a great approximation of the key “smeet schema” features. More importantly, it was made to specifically resemble Zim himself)

- I feel that’s downright adorable.

[macdenlover]

My fucking god. There is so much to take apart.

This episode gave us a peak into Dennis’s mind and it’s the closest thing we’re gonna get to putting him under a microscope like a little bug and studying him in a lab. It isn’t what I expected from this episode but man oh man am i glad to have it. There’s a few things we need to establish first that’s gonna be the basis of my analysis. Dennis is angry, but he ultimately uses that anger to mask fear, pain, and every other emotion that he doesn’t allow himself to feel. Also, the entirety of the episode— every little detail was intentionally conjured by Dennis’s mind either consciously or subconsciously so none of it is off the table to dig into.

There’s two big things at play here— one, his desperate need for control; and two, his instinct to self sabotage. This episode did one hell of a job at showing how woven together the two are.

The essence of Dennis’s character is this impenetrable shell he’s built to protect the vulnerable part that sits at his core, and we finally got to see HOW he builds that shell piece by piece. This is the pressure-cooking of the diamond— if you apply enough pressure it’ll harden the shell.

Everything is thrown out of balance when Dennis learns about his high blood pressure, but what really bothers him about that is the inevitability of aging— something we’ve seen him be insecure about for many seasons. But what’s different about this episode is that while his usual fear of aging comes from vanity, this time it’s combined with Dennis being so afraid of the world around him changing and leaving him behind. This follows the thematic trajectory of this season— all the characters struggling to cope with inevitable change. 

A stress-free day at the beach is a pipe dream. Happiness is something so hopelessly distant from him that he builds a fantasy about chasing it while never getting there— sabotaging the plan because he either thinks it’s too impossible, something he doesn’t deserve, or both. This is not the first time we’ve seen this from him. In The Gang Saves The Day, the rest of the gang’s fantasies revolve around them finally getting their dream ending, while Dennis’s stuck out from the others as a barely comprehendible mess of his own misery. (I’m gonna rewatch this episode soon and give you a full breakdown of my thoughts). Dennis self sabotages in his own fantasies because he can’t imagine a reality where he is capable of getting what he wants. Dissatisfaction is something so permanent to him, and Dennis Takes a Mental health day is all about him trying to cling to things that are permanent to regain his sense of control. He is creating uncertainty in his own fantasy so that he can be certain about it. He is such a broken man and it is such a fucked up cycle— one thing continues feeding into the other. “The pin’s the key to the phone, the phone’s the key to the car.” 

The primary source of his frustration in this episode was the automated systems, which I think holds place to represent more than one thing. It’s a symbol of the changing world that he can’t control or escape from, but it also represents the parts of himself he’s fighting against. He forms systems in his life that are so methodical and complicated that it gets in the way of his ability to have real human connections. They went right on the nose with it in this ep by having him spelling out his own name as an acronym in a fit of rage. Subconscious Dennis’s d.e.n.n.i.s. system is fucking crazy. 

D- “Deliver me from this”

E - “Engage with human”

N - “Nightmare”

N - “NIGHTMARE”

I - “Is this real?”

S - “Somebody help me”

If you interpret this as his frustration with not only the state of the world but himself and his perpetual loneliness it gets incredibly heartbreaking. Guys I’m really tearing up here. 

His interactions with others in this episode also say so much about him and the inner conflicts he’s experiencing. He knows he establishes control by taking his frustration out on other people, but he simultaneously struggles with that making him a bad person. He yells at the customer service workers and then APOLOGIZES and reassures them that it’s not them who he’s really mad at. He doesn’t mean to take it out on them. (Potentially wild implications for Dennis woobifiers here.) He wants to take his frustration out on people who he believes deserve it, like the CEO. He gets to see himself as a hero in this story even if he’s miserable. If happiness is a pipe dream, he can settle for second best which is the rush he gets from taking his pain out on the guy who fucked him over. But he is simultaneously the person he spent his entire fantasy craving a real human connection with. He doesn’t know how to do that. It got weird and a little sexual (he definitely wanted to fuck that guy till the room stank). he is vindicated with violence at the end, which is ultimately what he will always resort to because it gives him the sense of power that desperately needs to make the frustration, vulnerability, and weakness go away (mentally AND physically). This is his cycle. 

I’m not sure Dennis could have an episode where he breaks down and cries and has a huge cathartic moment and then goes back to his regular self the next episode the way Mac and Charlie have. Dennis is a whole other can of worms. RCG are comfortable with exploring different sides to these characters as long as they are kept in a state of limbo for the length of the show, but letting Dennis openly express his feelings (even to himself) might make it impossible to come back from because this is literally the entire crux of his character. The last time he opened up emotionally he fled to another state only come back a year later more hostile and emotionally distant than ever. They had to put a hard reset on him after season 12 because they knew that version of him didn’t have longevity in the show. I WISH so fucking bad that they would explore the vulnerable parts of him more explicitly on the show but for now I will settle for being a little vulture and picking it out of the carcass of this season.