#when the heck is season 2 coming out?

[ellsieee]

I started White Cat Legend with low expectations and unfortunately it did not exceed those expectations in the end. I did finish it though, so it wasn't that bad, just nothing to write home about.

If there's one thing that guzhuang dramas do well, it's usually the angsty childhood friends turned enemies because of some misunderstanding trope. I will give props to the Li Bing/Qiu Qingzhi plot line. It was angsty, touching, and kept me guessing. I just wish it got more screentime.

Ouch. I felt for Li Bing here. He's too far away to see Qiu Qingzhi's face, otherwise he would know QQZ was shook up. 😢

When LB addressed QQZ as General Qiu, that was cold. QQZ was about to cry knowing LB was misunderstanding him so badly. You could see the pain in his face. He wanted to explain everything, but he knew he couldn't in order to protect LB.

Even after LB told him they aren't friends, QQZ didn't hesitate to save LB because QQZ still cherishes their friendship. I was a a bit pissed we didn't get to see LB visit QQZ while he was recovering. The man saved his life! It's the least he could do. 😑

Nooo! Poor QQZ. They just had to go the tragic route with this trope didn't they?

QQZ is about to die and all he wants to know is if they're still besties. 😭😭😭 QQZ was always looking out for LB. 😭 I would have translated this as "Of course. Of course we are." I think sure sounds a bit flippant for the situation. 😅

The fucking montage of their happy times together. 😭 They just have to break out hearts.

LB missing QQZ hours. This series is a comedy for the most part, but damn they really hurt me with the LB/QQZ story line.

[doromoni]

Lunch Preferences | LN4

Ships: Lando Norris x Personal Chef! Reader , Platonic! Oscar Piastri x Personal Chef! Reader

Warnings : None

Genre: fluff

Summary : Oscar’s food always tasted better and Lando finds out why.

Part 2

Lando was never adventurous when it came to certain things , most importantly when it came to the food that he consumed — His best friend Max could vouch on that , heck the entire grid and the whole McLaren hospitality can say it.

When it came down to it , when Lando didn’t like the ingredient used in the meal served in the Motorhome cafeteria, a special meal is always prepared for the Golden Boy of Mclaren. Most find it funny but the kitchen staff found it extremely annoying; to them Lando was a diva.

Kitchen personnel and caterers are shuffled within motorhomes and during races in different countries and it became problematic for Mclaren due to the new personnel’s lack of knowledge of their driver’s preferences. Funnily enough, this has become an issue much so that a protocol has been made stating that when a new driver is signed they are given their own personal chef that tours around with them during the races.

Cut to Oscar Piastri joining the Papaya Family, and Y/n L/n had been added to the roster. The Australian driver and Y/n had met during Oscar’s F2 season and had quickly formed a bond, by bond meaning Y/N fuels Oscar’s obsession with sweets. The aussie became obsessed, much so that when the “personal chef” clause came up in his contract, his immediate answer was “ Y/N L/N”.

“Osc what the hell? What do you mean you got me a job at Mclaren? Are you high on sugar again?” You asked in disbelief as you stared at the Australian, eyebrow raised.

You and Oscar are currently in his kitchen in his apartment in the UK. You were trying to bake your f2 paddock famous cookies while Oscar tries to help , emphasis on tries.

“Oh come on Y/N! You’re perfect for this. You know my likes and dislikes . Plus you know how to trick me into eating my veggies” Oscar said exasperatingly.

“ Oscar as much as I love to feed you , you know that I cant travel with you, I have a job remember? Plus Im not a professional chef , you dummy! I just cook as a passion” You muttered softly trying to get your point across.

“Then quit! I know you hate your job y/n. This is your chance! I made sure that they’ll pay you handsomely ~ more than your current pay . I swear! PLUS you get to travel with me and you get to explore food all over the world” The boy did made a whole lot of sense…

“Fine , let me see the contract” Then an enormous grin plasters itself on his face.

***

* Brownies

“Holy Crap , Mate! These brownies are killer! Where did you get these?” Logan exclaimed as he continued to stuff his face with Oscar’s snacks prepared by Y/N of course.

“My chef made them for ME , Logan. Hands off “ Oscar swatted the American’s hand as he tried to get another piece.

“What are you two idiots up-to now? “ Alex spoke as he came near the duo, Lando right on his tail.

“Oscar brought these amazing brownies and He wont share! Come on mate, just one more” Logan once again tried to reach for the bag only to be denied once again.

“Ohhh, let me try some of that!” Alex laid out his hand , and Logan complaining in the background saying “unfair “ as Oscar gave Alex one.

“You weren’t kidding! these are good. Lando try one” Alex gestured towards Lando.

Lando looking a bit apprehensive, took the offered treat and took a bite. As the Brit chewed , he couldn’t stop eating till there was no more. Screw belgian chocolate, that brownie was his favorite food now.

“Oscar, give me another.” Lando requested to his now younger teammate.

“Nope~ these are mine” Oscar grinned teasingly as he stood up , away from the reach of his fellow drivers

“Oscarrrr , give em up you muppet!” Lando whined and pouted .

“No! Ask your chef to make you one. “ Oscar implored.

“But the ones they make aren’t as good as thoseee” Lando continued to whine

“I know, this is Y/N’s special recipe. “ Oscar replied mockingly, a playful grin on his face as we waved them goodbye.

“Damn, Y/N made those? No wonder they tasted amazing” Logan muttered catching the attention of Lando.

“Y/N? Who?” Lando asked now curious .

“Oh, Y/N is our friend. Well now Oscar’s personal chef too. We met when Oscar and I were racing in F2. She used to bring us her cooking after the race.”

“Damn, did she put cocaine on those brownies or something?” Alex said wanting another bite.

“Did you say that she’s Oscar’s chef? That would mean that she’s in Mclaren right now?” Lando asked yet again to the now bemused American.

“Yes?” And with that Lando Norris is on a mission. Find the lady who makes extremely delicious brownies.

“Y/N” Lando muttered your name under his breath as he traversed towards his own motorhome with a purpose.

Finally reaching his destination only to be bombarded by his Pr manager pulling him along towards his media duties

Lando’s brownie mission was a fail

“Hey, do you know who’s Y/N?”

* Wok fried noodles

“ Ok so , Oscar will be done in a few minutes then it will be your turn” Lando’s manager , Valerie, explained as He was getting ready for the interview set up by Mclaren for a special edition for a motorsport magazine of some sorts.

“You should take a bite of your lunch , Lan. I don’t think you’ll be getting time to do so later” valerie explained, as she nudged the now cold , barely touched container of food towards the British driver.

“But there fish in it ,Val” The brit frowned as he glanced on his supposed to be lunch. How many times did he have to say NO FISH.

“It’s not even touching th-“ valerie tried to explain but was cut of by Lando as he exclaimed

“But it’s near a fish!” To which Valerie could only sigh and nod.

Then a knock and an opening of a door happened along with Oscar popping his head in — who appears to be carrying chopsticks and a container of sorts.

“ Hey, mate! They said it’ll be your turn in 15 mins or so” Oscar said as he scoops his lunch into his mouth.

“What ya eating there bud?” Lando couldn’t help ask as the savory aroma filled his room and a rumble came to his stomach.

“Some low carb noodle dish Y/N made , not really sure what’s it called . Tasted great tho.” The Australian said .

“Lemme have a bite” Lando waved his hands towards Oscar . With a shrug , oscar did.

As He took a bite , Lando could only think of one thing.

“Where could I get myself a Y/N”

* Spring Rolls

Practice 1 had just finished and the drivers have an hour or 2 to rest and kill time . And for our youngest Aussie driver on the grid it is time to annoy his lovely friend Y/N.

“ Hey, Y/N… could you please make extra servings of what ever you’re making for my lunch?” Oscar asked sheepishly

“Osc, No! You have to follow a strict calorie count and your trainer will kill me!” You said as you stoped what you were doing .

“It’s not for me, Its for Lando! He always eats my food “ Oscar explains and you understood clearly. Nodding with a smile , you shooed Oscar away.

“Thanks , Angel! “ Oscar left but not before leaving a kiss on your head.

You then set out to make lunch for 2 drivers, and finishing by packing them separately . You never forgot to leave a message on Oscar’s meals as encouragements to your closest friend

Your eyes go towards the food intended for Lando. You were contemplating whether you should write something or not. Biting your lip you took another piece of post it and started writing.

Maybe this is your chance to get the driver’s attention and shoot your shot. You have been crushing on the British driver for who knows how long. Tutting yourself you shake your head from your thoughts and delusions.

In the post it wrote ,

Dear, Lando

A little birdie told me that you liked my cooking , ey? Oh! I heard that you liked spring rolls so I made you a few. No fish , I promise. Hope you enjoy! And good luck on the race! I’ll be cheering on the sidelines 🧡

P.S. thank Osc , he begged me to tag you along :P

— Y/N

***

Butterflies filled Lando’s stomach as he opened the lunch box you made for him. You cooking for him and writing a note felt so domestic , like a wife and husband.Lando became a giggly mess as he re-read your note again and again.

He remembered the time when he first saw you. You were with Oscar in the Mclaren motorhome , sitting on the lounge when your eyes met his and you gave Lando a smile — it was only passing but to Lando it was enough. To him you were so angelic .He imagined coming home to you and you would cook for him and all seemed fine in the world.

“ you know , you should just ask her out on a date” and suddenly Lando was startled out of his daydreaming

“Huh , what? Dreaming? Who was? “ Lando tried to act cool in front of Oscar who was now sniggering as he leaned on the doorframe.

“ I know that you like Y/N, Lando! Just ask the girl already “

“Who’s Y/N?” Oscar rolled his eyes at his teammate

“You’re both idiots .y’know? You both have goggly eyes for each other — it honestly hurts to see. Here’s her number . Please just go out. Or I swear I’ll lock the two of you in a room or something. “ Lando was flabbergasted by his teammate who was now exiting the room.

“Uhh… Thanks Osc!” The Brit broke out into a huge smile as he shouted towards the australian

“Yeah yeah , just don’t hurt her or I promise to crash into you in every race”

***

[iidrk3i]

☆ BUMP IN THE ROAD

hq -- kageyama tobio x gn!reader, iwaizumi hajime x gn!reader, kuroo tetsurou x gn!reader, oikawa tooru x gn!reader

summary: facing difficult challenges with your boyfriend.

warnings: angsty but comfort, slight food mentions (most of them are over dinner srry i was hungry😭), some crying

word count: 1.9k

✦ KAGEYAMA TOBIO. miscommunication

you knew that volleyball was important to your boyfriend. heck, everyone in school knew. at the start of the season, you were still able to see kageyama in between class periods and lunch break. but as the season went on, you noticed that it was becoming harder to see kageyama at school and outside of school. sometimes he would even skip lunch breaks to practice. it was clear that kageyama was dedicated to training and improving his skills. it was also clear that practicing 24/7 left him with little time for anything else.

you had patiently been waiting for an opportunity to spend quality time with kageyama. earlier today, you texted him and asked if he would like to come over and eat dinner with you. at first, you were left on read. you were worried to say the least. it's been around 2 since you've last spent time with him in person. as you were looking back at the previous messages between you and kageyama, there was a pattern with his texts. they've all been short and quick. around an hour later, you had gotten a notification that he had liked your message. taking that as a sign that he was on his way to your place, you had started to make his favorite meal, and as if on cue, there was a knock on the door.

“hey, tobio,” you greeted him with a soft smile as you opened the door.

“hey,” he mumbled, head tilted down as he swiftly walked in and took his shoes off.

those were the only words exchanged for a while. the both of you were sitting at your kitchen island, the only noise that was heard were the forks scraping against your plates.

“tobio?” you looked up at him. his hair was disheveled, eyebags evident on his face, and his eyes were empty.

"tobio?" you repeated softly, concern evnident in your voice. his demeanor was so different from the lively, determined kageyama you knew.

he glanced up briefly, meeting your gaze for a fleeting moment before his eyes dropped again. "sorry," he murmured, pushing his food around on his plate without much appetite.

you hesitated, unsure of how to approach the growing distance between you. "is everything okay?" you asked gently, reaching out to touch his hand.

he tensed slightly at your touch, pulling his hand away, as if a reflex. "i'm fine," he replied curtly, his tone cold.

the air between you thickened with tension. you knew kageyama well enough to recognize when something was bothering him, but getting him to open up was always a challenge.

"i... i missed you," you admitted quietly, hoping your vulnerability would help him speak his mind.

he sighed heavily, running a hand through his already disheveled hair. "i know," he said finally, his voice hinted with frustration. "i've just been... stressed. there's a lot ofpressure this season, and i feel like i'm letting everyone down if i don't keep improving."

you listened attentively, heart aching for the weight he carried on his shoulders. "you're not letting anyone down, tobio," you assured him gently. "we all see how hard you're working, and we're proud of you. but... i miss you too. i miss us."

he looked up at you then, sadness in his eyes. "i miss us too," he admitted quietly, remorse clear in his tone. "i'm sorry if i've been distant. i just... i want to be the best for the team, for myself."

you nodded understandingly, reaching out to hold his hand again, this time finding no resistance. "you don't have to do it alone, tobio," you murmured, squeezing his hand reassuringly. "we're here for you. i'm here for you."

he squeezed your hand back gratefully, a small, tired smile tugging at his lips. "thank you," he whispered, his voice laced with emotion.

—

✦ IWAIZUMI HAJIME. lies

iwaizumi had been acting unusually distant and preoccupied for the past few days, which hadn't gone unnoticed by you. despite your attempts to engage him in conversation or spend time together, iwaizumi seemed to be avoiding them, always coming up with excuses about extra training sessions or team meetings.

one evening, after a particularly long and tiring day for both of you, you decided to surprise him with dinner at his place. you had been looking forward to some quality time together, hoping it would give you guys a chance to reconnect. right as you arrived at his doorstep with bags of groceries in hand, you were surprised to find iwaizumi already home, looking visibly surprised and flustered at your unexpected visit.

"hey, haji," you greeted him with a smile, trying to ignore the tension in the air. "i thought i'd make us dinner tonight. i hope that's okay."

iwaizumi hesitated for a moment, glancing nervously towards the kitchen. "actually, um, i have plans with the team tonight," he replied, his voice sounding strained.

your smile faltered slightly, a disappointed expression creeping onto your face. "but you said you were free tonight," you pointed out gently, feeling a wave of hurt.

iwaizumi sighed, rubbing the back of his neck awkwardly. "yeah, something came up last minute. it's important, i promise," he insisted, avoiding your gaze.

feeling a mix of frustration and confusion, you couldn't help but press further. "hajime, is everything okay? you've been distant lately, and now this..."

he looked torn, clearly struggling with his next words. "it's just... there's been a lot going on with the team. i didn't want to worry you," he finally admitted, his voice tinged with guilt.

your eyebrows furrowed. "so you lied to me?" you asked softly, hurt evident in your tone.

iwaizumi looked torn, realizing the weight of his actions. "i didn't mean to," he started, but you interrupted, your frustration bubbling over.

"you didn't mean to lie, or you didn't mean to hurt me?" you questioned, your voice going against you as it trembled slightly.

iwaizumi sighed heavily, running a hand through his hair in frustration. "i'm sorry," he apologized sincerely, meeting your gaze finally. "i didn't handle this well. i just... i didn't want to burden you with my problems."

you softened slightly, recognizing the sincerity in his apology. "i understand, but i want us to be honest with each other, hajime," you said firmly, your hurt still lingering.

he nodded, reaching out to gently touch your arm. "i know. i'll do better," he promised as he got up from where he was, and engulfed you in a hug.

—

✦ KUROO TETSUROU. past actions

kuroo had been unusually quiet all evening, a brooding intensity replaced his normally easy going demeanor. as you and your boyfriend sat across from each other at the dinner table, the tension in the air was obvious. you glanced up from your plate, sensing something was wrong.

"is everything okay, tetsu?" you asked tentatively, voice breaking the uneasy silence.

kuroo sighed heavily, setting down his fork with more force than necessary. "no, not really."

you furrowed your brows, concerned. "what’s wrong? you’ve been distant all day."

"that’s the thing," he began, tone tinged with frustration. "it’s not just today. i feel like we keep having the same issues, over and over again."

your heart sank as you realized what kuroo was referring to—the unresolved problems from your past arguments that always seemed to resurface. you knew you couldn't avoid this conversation any longer.

"i thought we had talked through most of those," you replied softly, trying to keep your voice steady.

"yeah, but it feels like we never really resolve anything," kuroo argued, his voice rising slightly. "remember that time we fought about—"

"don’t bring that up again, tetsu," you interrupted, frustration bubbling to the surface. "we settled that, didn't we?"

"but did we really?" kuroo shot back, his frustration now fully unleashed. "it’s like we just patch things up for the moment, and then it all comes back."

the argument escalated, both of you bringing up problems that had long been buried but never fully addressed. voices rose, words became sharper as each accusation hit closer to home. kuroo felt a pang of guilt for bringing up the past, but he couldn't shake the feeling of dissatisfaction that had been gnawing at him.

you fought back tears, feeling the weight of the unresolved issues crushing you. "i thought we were better than this," you choked out, voice trembling.

kuroo’s expression softened momentarily at the sight of your watery eyes, but his frustration lingered. "i do too, but how do we move forward if we can't even talk about this?"

the argument reached it's peak, both of you hurt and exhausted. kuroo sighed heavily once more, running a hand through his hair in frustration. you stared down at your plate, tears silently streaming down your face.

"i.. don't know," you finally whispered, the fight draining out.

kuroo’s heart sank at the defeated tone in your voice. he realized then how much you both needed to find a way to resolve your problems—not just for the sake of the relationship, but for your own peace of mind.

"i’m sorry," kuroo murmured, his voice barely audible. "i just... i want us to be okay."

you looked up, meeting kuroo’s eyes with a mix of sadness and longing.

"me too," you whispered back, a glimmer of hope flickering in your eyes.

—

✦ OIKAWA TOORU. jealousy and insecurities

oikawa had always been charismatic, charming, and surrounded by admirers—both on and off the court. you had always been supportive of his career and his popularity, but lately, found yourself struggling with a growing sense of insecurity.

one evening after a particularly intense match, you and oikawa were walking back to his apartment when a group of fangirls approached, giggling and asking for autographs. oikawa agreed with his usual friendly smile and playful banter, much to the delight of his fans. you stood slightly behind him, feeling invisible and increasingly uneasy.

as you finally entered oikawa’s apartment, you couldn't contain their feelings any longer. "tooru, can we talk for a moment?"

he turned towards you with a grin, still buzzing from the excitement of the match. "of course, what's on your mind?"

"it’s just..." you hesitated, unsure how to voice your feelings without sounding petty. "i feel like you don't notice how much attention you get from other girls."

oikawa’s expression shifted to confusion, his brows furrowing slightly. "what do you mean?"

you took a deep breath, trying to gather your thoughts. iI mean... those fangirls. they’re always around you, and you're so nice to them, which is great! but sometimes, i feel... i feel like i’m not enough. like i can't compete with all those girls who adore you."

your boyfriend’s eyes widened as he finally understood your feelings. "y/n, i didn't realize you felt like this." he stepped closer, gently taking your face in his hands. "i appreciate my fans, but you... you're the most important person to me. no one compares to you."

you felt a rush of relief hearing oikawa’s reassuring words, but the insecurities still lingered. "i know, but sometimes it's hard not to feel jealous."

oikawa nodded, his expression softening with understanding. "i get it now. i’m sorry if I made you feel that way. i’ll try to be more aware of how my interactions might affect you."

you hugged him gratefully, feeling a weight lift off your shoulders. "thank you, tooru. i needed to hear that."

he pressed a kiss to your forehead. "i’m here for you, always. don’t hesitate to tell me when something's bothering you."

a/n: i was listening to champagne coast while writing these

[beiasluv]

forbidden fruit pt.2 | charles leclerc

part 1

a/n: i wrote last part at like midnight, apologies for any typos 💀 enjoyy 🤍

‘y/n l/n and charles leclerc. forbidden love, rival or lovers?’

front line mercedes driver, l/n, and the ferrari driver, leclerc, had been seen having a conversation together before the grand prix in italy…

“y/n, question for you please.”

the conference room. same old same old. lewis, you, and george were seated together in front of thousands of lenses, ready to pick each and every length of your skin just to get a piece of information they could sell to the media.

it was the day before the big race in italy, the media was catching their eyes closely at all the drivers - especially you know which two.

“..yes?”

“about the incident after the qualifying round, what had happened with charles?”

the clicking of the pens and the scratching of the notebooks were starting to get you any minute. clearing your throat you grabbed the mic closer to your mouth,

“i’m sure charles meant no harm..we’re racers..erm…rivalry isn’t the furthest thing from us.”

“are you dating charles, y/n?”

alarms were set off in your mind. it would be a crime if george and lewis couldn’t hear them. you were nothing with charles leclerc. he’s the reddest flag of all. really. you were nothing.

"we," clearing your throat and grabbing your mic closer to your dry lips. "we're not talking on any terms."

smile, y/n. smile for the cameras.

"what are your thoughts on the ferrari team this season? any comments?"

the journalist raised his hands through the crowd, his pen almost fell off his lap from the enthusiasm.

"it was always a challenge to race with any team on the track, ferrari included," you nodded. "the ferrari has a strong car, they are one of the many tough contenders. obviously, every team wishes to win...and so does mercedes," glancing a tight smile at the interviewer who took the answer down the notebook. perhaps a little bit too messy for your driver's head to decipher.

"how about when leclerc saved you? any additional comment?"

"i.."

you caught lewis shifting in his seat; his hands started to calm up together in front of the mic, seated between the three drivers and the whole internet. you could only pray your zoning out was missed by the media and you know who.

if only you could express your infinite pain of being the only female in the male-dominant sport, no paper could ever hold just a nick of the feminine rage pregnant inside you.

how come the only question you got asked was about 'charles,' 'men,' 'dating' and never the sophisticated 'performance car racing' or the ones filled with personalities?

george russell, for the record, your biggest shipper, even chipped in. he pushed the mic closer to his face and looked dead into the camera - if looks could kill - "please, this is a mercedes drivers' briefing."

the tension is sky-high, or you could say: rocket-sky-high. george settled back in his seat as you threw him a quick thankful smile. only god knows what the media is going to make up this time.

'george to the rescue'? bullshit.

"lewis, over here please."

--

"y/n, leclerc's getting aggressive. be careful for an overtake-"

"copy-"

the adrenaline is rushing, flowing, and doing whatever the heck it can in your bloodstream. pushing the pedal as hard as your baby could possibly could, the wind rushed against your face. if it wasn't for the helmet you had on, your face would've been cut like it were a thousand knives thrown at you.

looking to your right you see the infamous red ferrari again, surging with the wind and springing out against the green grass beside the track.

"leave space! you fucking-" you muttered as your fingers tick all the necessary buttons of the formula 1 car in order to keep your position above the ferrari. "what the fuck is he doing!"

praying the car tires could take a bit more, you applied as much pressure you felt comfortable on your baby for the first place behind the checkered end line. you glanced at the body behind the mask of the helmet as you continued to push and pray, push and pray.

if only you knew the ferrari was reciprocating the act.

what was important was you finishing above leclerc - mercedes finishing above ferrari, of course.

"leclerc! y/n! leclerc! who's going to win?! would he complete the overtake?!"

holding on to your steering wheel for your dear life, you saw something of a maroon color rushing to your side. perhaps it was the speed of the car that distorted your vision or was it something in your cheeks?

shut up-

"leclerc! leclerc! leclerc! ferrari have gained another victory home! ladies and gentlemen, charles leclerc!"

"fuck!"

the cracking sound from your radio chimed in your ears - at the worst time possible - "y/n! 0.02 second behind leclerc! P2!"

yeah, thanks. thanks for rubbing it in your face that leclerc had beaten you once again.

"..thanks," slowing your car down against the wind, you came to a halt after the race line; obviously at a considerable distance behind the red ferrari. climbing out and plastering on a fake smile for the media and your beloved fans.

--

the monégasques national anthem was blasted through the speaker throughout the whole podium. any fan knew this song belonged to any of the leclerc and ferrari, for now.

holding your hands in the comfort of in front of you, you tried to remain calm throughout the whole song. nevertheless, your heartbeat was beating fast for the obvious reason after the race.

the shit-eating grin was plastered on the driver standing on P1. can you even blame him? congratulations, you had beaten your rival for the longest time and were placed on P1 while wearing your infamous red suit.

while you were wearing your notorious mercedes's fire suit on your waist, just like all the drivers on the grid (and charles), you grabbed the champagne bottle as the others did so.

"good one, leclerc.”

you sprayed the champagne straight onto the monégasques’s back, maybe it was a little intentional that you shook the bottle a little harder for more pressure of the liquor.

no hard feelings, of course. you only knew his hair was soaked under the cap on his head and the tingling of the bubbles down his neck.

how unfortunate.

charles smirked back as he aimed his half-empty champagne bottle at you, "it's still not a date."

what.?

seeing you in your stunned state, he lowered the bottle to an acceptable level. leclerc cleared his throat and wiped the foam of champagne off his upper lips and chin; looking back with the biggest annoying grin on his face, "congrats on the podium. next race?"

oh, how you wish you could smack his grin off his mother fucking face again. rubbing it into your face.

the media..the media. breathe in, breathe out.

"will do, 16."

--

"congratulations on P2,"

toto patted your back as he entered the mercedes's headquarters. how lovely it is to see his drivers bundled up in his room, once again, after a race 'gone wrong.'

"what is it this time," he sighed as he lowered himself to his chair, not ready to be resigning the team principal position for a therapist for his driver.

the room was your comfort zone, safe to say. the picture of toto's kid, susie, and all of his essentials to complete the job for a team principal. crashing into his room with george wasn't an abnormal thing in your team, nor was it the first time of your career with him.

"they kept asking if you're dating charles, huh?" toto grinned as he faked wipe his mouth for the dramatic effect.

"i'm sick of it-"

the environment of the room shifted - for the better, surprisingly. also. did you mention the fact that this room felt more like a therapy session than a team principal's room?

and. wikipedia got it wrong, it was: toto wolff, team principal and CEO of mercedes, and a part-time therapist.

perfect.

"i'm sure we've put on a great fight," toto nodded towards you, the unspoken tension of the media was killing you inside out.

"i'm sick of the media, toto-"

george shifted next to you on the black sofa, "who knows, they're just trying to write a story out of nothing."

"it'll be the death of me if I have to continuously declare my love life on the internet," resting your head back on the back of the couch you did.

the coldness in the room was cleared by a bit as george snaked his arm around the back of the couch, he whispered into your ear, "you don't have a thing for charles..do you?"

"i hate you."

--

"night, toto. night, george."

bidding toto and george goodbyes, you grabbed your bag from the floor and beeline for the exit door.

the hotel bed is calling your name like a mantra at this point. the race was mentally and physically exhausting, what could be better than a nice, warm bath and a soft bed waiting for you?

the sky was pitch black, darker than your deepest thoughts in solitary, but the pitch was never dark. thanks to the eyes-scorching light to illuminate the track during the night races.

“sup lando..sup daniel”

“good race, l/n.”

walking past a couple of drivers, quick and friendly nods were exchanged as you head for the garage for your beloved mercedes.

and for the love of god, the eyes of the ferrari next to your mercedes were ignited.

how could this get even better?

making your way into the garage, you tried to be as quiet as you possibly could. digging in your purse for the key was a painful ride to ride.

'ah, found it.'

your fingertip dug into the muscle memory as you press the button you hoped was coded with 'unlock.'

fuck.

how gracious of mercedes to make the unlocking sound so loud. so loud that it caught the attention of the ferrari driver. so loud that leclerc's neck flicked towards the sound of your car and you swore you could feel his grin growing.

the second slowed down by a quarter as you seized the handle for the door and swung your bag and body inside the car. perhaps it was not fast enough for the P1 winner today as he made his way next to your car before you could even shut the door. ignoring his steps as he teasingly walked over to his ferrari and played with the key in his hand.

"you put up a great fight for the first place," he grinned. "next time.." he opened his ferrari,

“eyes on the track, l/n.”

"how-...don't you worry about it, leclerc," you scoffed, hiding the beating of your heart. fucking hell- stop beating so fast-

raising his eyebrows in one quick, swift motion, he entered his ferrari, "of course." the driver was fully engulfed by the shadows of the vertical door, but his eyes were still looking into yours, "nice drive today."

"you too."

--

your phone screen screamed it was 2 in the morning, but who cares? the tiktok on your phone was a little more entertaining than seeing charles off the track - okay, maybe a lot less - but the thing so addicting about tiktok was a life mystery for you.

curling up to your side, your phone was plugged into the wall next to your bed, your hand starting to get numb from holding your phone for too long.

asmr. f1 edit. asmr. f1 edit. asmr. f1 edit. you were going to go mad. for the love of anyone, if you see one more edit of charles leclerc on your fyp, you are going to throw your phone out-

honestly, you wouldn't lie that you enjoy an edit of yours once in a while, but hell, charles leclerc..fucking leclerc...who told him that he can look so fucking fine after a horrible race from the ferrari?

you were almost tempted to slam your phone on the nightstand and get some sleep for the night. also. who cares if you wake up late tomorrow?

knock..knock

"oh, come on," you cursed. the audacity to knock at 2 in the morning?

you swung yourself off the comfort of your hotel bed and tiptoed towards the door of your room. your pajama short and oversized t did not help with providing the necessary warmth.

peaking through the cat-eye, you saw the last thing you were expecting.

charles leclerc, in the flesh. he was leaning one of his arms on your door as he was about to raise his hand for another knock.

"gasly! open the door-"

"have a problem, leclerc?"

gosh, you wished you could take a pic of how terrified he looked. shit. was he looking at the unbearable state of yours, or what? short shorts, oversized t, and your hair-

"y/n- i'm-"

squinting your eyes, you adjusted to the light of the hallway, "gasly's not here."

silence engulfed the air between you like a buffet. he continued to stare blankly at you. gosh- could he stop with his dark, green, eyes- fuck. "…leclerc?"

was it the tension or your ears going deaf - you weren't sure - that made you couldn't even hear his - probably lame - excuse of why he knocked at your door at 2 in the fucking morning.

what did matter was the blabbering of his mouth traveled through one ear and straight to the other, just like an f1 car, speeding on any straight path-

"-i think i'm fucking in love with you"

"charles...don't."

charles stopped - his breathing, his steps, his brain, and whatever he could be conscious of. you started - started leaning onto the door, started clutching the other hand to the door blocking the other half of your heart from his.

"what d'you mean 'don't'?" leclerc's mouth was gaped, letting the least amount of air in to keep his heart beating - for you.

retracting your hand, and the door, away from him; you still found his hand in the comfort of over yours, the one that you held onto the door to not fall onto the wooden floor of your hotel room.

every breath you took was a sharp nick on your lungs, but you've managed to heaped out, "i'm sorry, charles-" just in time before your lungs would betray you.

"why?...why?...please-"

"why? -really? why?"

finally regaining the willpower to look back at him, and not cry, you were greeted with his reddened eyes, "what the fuck do you want with me-?"

"you- you could go around and tell me all these nice things in front of my face and- and god knows what you've been calling me behind my back-"

his grip on your hands tightened as he opened his mouth again, but you cut him short- "it drives me crazy- fucking crazy that you act all so nice to me when we've fought our whole lives against each other."

"...what ever happened to all of your loathing glares when i'm on the podium?"

who cares what the sleeping people, ghosts, or whoever the fuck on this floor hears. you were done with cradling your heart as far away as you could from the pitch. it was stupid. fucking humiliating, at least, that you've found yourself back - back at the start.

all the effort to fight for your place on the grid as the only female driver and all of your effort to carry your dignity above all the scandals came crashing down just for a second of your selfish desires. was it so bad to want love from someone who really cares for you all your life?

dancing, kissing, crying, loving. was it so hard to deny when it is literally in front of your fucking face? under the reddest flag of all.

you wished and prayed every day that the races would be over soon so you could stop seeing his shit-eating grin, his eyes, his remarks, his cologne filling the air whenever he walked past.

charles stood in silence, unmoving, as if the time had stopped. if only you knew he was trying- trying to find the right word to express this weird sensation in his brain, his chest, his fucking heart. they all just ended up tangled in italian, frech, and english. mon amour. my life-

"..is that how you really think of me-" he felt slightly betrayed by his wrong tone, but even more by your thoughts.

"you think- y/n- you think i'm just trying to tick you off the podium?"

"..are you?" wiping the tears that betrayed you and escaped from the comfort of your eyes. "look- look at all the headlines- 'mercedes and ferrari.' is this really the- the condition you want to love under?"

"i'll love you under any condition i want," he breathed shakily as he continued to hold the door of your room open. who cares about the ruffled sheet you left or your phone uncharged by the bed?

"there's nothing between us-"

"you have a girlfriend for fuck's sake!"

"it's a PR relationship! and who cares what the media thinks? i'm not doing ferrari any good by confessing my heart raw to you-"

"you think mercedes is getting anything out of this but rumors? i've fought the press for all my fucking life from the scandals inside the pit-"

"this isn't about mercedes, and this isn't about the goddamn media-”

charles ran his hand through his messed up hair, "and I would have thought you knew that..."

"maybe- maybe i don't. maybe i'm too scared to love again. maybe i'm too scared of what would happen if we ended on a bad note. maybe i'm a coward for not wanting to open my heart for you.

-maybe i'm stupid...for you"

"you're not stupid," he said- decreasing the gap between you two, trying his hardest not to reach to wipe your tears.

"we won't work out," you sighed. "we'll focus on our drives, we'll fight, you'll leave."

"please," charles grabbed your waist and pulled you in, once again - you gave in. "i'll make it work."

all your walls came crumbling down as you broke down like a dam on his shoulder. you buried your face onto his chest and gripped his shirt until you didn't care it would crease. a mantra of apologies came out of charles's mouth that you wouldn't even waste an energy to decipher.

his hands found their natural comfort in your lower back, rubbing in lines of traces and tracks you'd spend the rest of your life trying to decipher.

tucking a piece of your hair behind, he kissed all of your tears away. his mustache which had grown since the karting days grazed your skin like they were made for each other. his cheeks were starting to hurt from smiling too much like an idiot in front of your hotel room..106.

you were still gripping his shirt hard, as he closed the space between your lips and his. it seemed like all of your walls were crushed to the point of no returning; towering over you, he pressed his body against yours like there was no more- like the last lap of the race.

the level of oxygen in your lungs was starting to set off an alarm in your head, but you didn't care. you were kissing the reddest flag of all in the grid and you were not regretting anything.

pulling away for air, he smiled against your lips; sending a wave of breath onto your chin.

"you have a lot to explain to toto."

"i'll have my ways..."

oh my goodnesss. if you like it, please do whatever you want to, I’ll appreciate it 🫶🏻

today’s a great day to take care of yourself, luvv 🤍

tag: @leclerclvr @buendiabebeta @be-your-coffee-pot @al-luvx

[phoenixlionme]

The Deep Significance that Vaggie has in Charlie's Heart

As the title of the post suggests, I don't know if many fans understand how truly significant Vaggie was/is to Charlie. And I hope, the importance gets expanded on in Season 2. The first (and above) gif shows how the couple first met - Charlie rescuing a recently abandoned/fallen Vaggie and the latter returning a grateful and genuine smile. And despite being visibly disheveled and having a gouged out eye, Charlie can't help but be romantically flustered. And just a short moment, the duo have impacted each other before even spending time with one another.

The look on Charlie's face is probably the most scared she's looked - Yes, she's been stressed and scared; but she's always been able to bounce back, or least, need a moment to think, but those moments of fear can't compare to the ones Charlie is having right now upon learning Vaggie's secret. She's not only scared but distraught. Prior to the reveal, Charlie was nothing but energetic, defiant to the higher ups of Heaven, especially Adam and Lute; heck, she wasn't even hurt when she learned that not even the higher ups know how a soul goes to Heaven or Hell. But when Vaggie's lie/secret is revealed to her? She's shocked, scared, confused, and distraught. There's no more fight left in her; no more fight to argue for her cause, nothing. All she can think about in this moment is the secret her Vaggie has been keeping from her.

Like how Charlie's scared face differed from her previous ones, it's also the same but how her anger at Vaggie differs from her other moments of anger. She could be comically furious or genuinely enraged which came with her demon horns and fangs. And prior to confronting Vaggie here, she was emotionally incensed at Alastor's taunting. But, when she sees Vaggie here in this moment, right after learning Vaggie's lie? All of her anger becomes ice cold. There's no emotion or expression; and yet, ironically, the viewer (and Vaggie), can just feel Charlie's immense anger at her girlfriend. In the above screenshot, after Vaggie voices her surprise that Exorcist Angels can be harmed by demons, Charlie curtly remarks if Vaggie did know, would she tell her, which obviously surprise and hurts Vaggie; Charlie's remark comes from a place of hurt at Vaggie's secrecy but still that's gotta hurt Vaggie given how loyal she's been towards Charlie's dream. And the below gif has Charlie give another cold look to Vaggie while coldly asking if she was with her and Alastor. But also, before dawning the icy glare, Charlie has a brief expression of...something; I can't fully describe but I say emotion (?). Like she briefly wants to express her hurt to Vaggie but puts on the cold demeanor as they have their respective duties to do and Charlie is not ready to talk yet. Getting back to my original point, Charlie's anger at Vaggie isn't one filled with emotions, expressions, or demon powers - it's one of tranquil fury, coldness, and emotional distance.

In stark contrast to her earlier stoic fury when with Vaggie, Charlie is MUCH more open and emotional about her anger at her girlfriend's lie when talking to Alastor and Rosie. Now, remember - Charlie is dealing with Heaven not listening to her, them not even knowing how a soul goes there or Hell, Adam targeting the Hotel first, and now having to recruit extra people to fight. So, she has a LOT on her plate but what is her mind truly bothered by at this point? Having to come to grips with Vaggie's lie about her origins. She's hurt at the idea that Vaggie didn't trust her; hurt at how she shared EVERYTHING, Vaggie held back; confused and angry over why Vaggie felt she couldn't tell her. All the other hard stuff is hard to deal with, but she can deal with as long as Vaggie is by her side. And right now, Charlie is too hurt to be comforted by Vaggie.

To summarize, Vaggie's presence is DEEPLY important to Charlie. Vaggie was the first person in all of Hell to support her; before her father, before the friends they would eventually make, before Emily, before Heaven; and while realistic, Vaggie never tried to damper Charlie's optimism. This was something Charlie needed by the time they met, as she was already estranged from her father and her mother had went missing. I think this aspect may be explored in Season, or at least, hope so. I mean, look at how calm and relaxed Charlie becomes when Vaggie gently strokes her face.

In other words, Vaggie is Charlie's guardian angel.

[devotioncrater]

"no hints were dropped" ok not to be that person but here are the hints that were dropped regarding Colin and Trent being gay:

1. Colin mentioning Grindr in a joke

2. Trent touching the arm of a man in the background

Here is one of the hints that Keeley was bi (even though I do believe she's been canonically bi since season 1, but not everyone sees it this way)

1. Her desktop background was in the colors of the bisexual flag

Here were some of the hints that Ted was bi:

1. Bisexual flag colored triangles above his head in the hallucination sequence

2. Inverted pink triangle next to him in that same sequence (and you can't tell me the creators didn't know, when the Homomonument is based on that symbol)

3. Countless (countless!!!) comments about men's physiques ("huge muscular thighs all caked in mud", whistling at a picture of Pep, "look at that head of hair", "he's strong", "he looks like a Rodin sculpture in cleats", etc.)

4. About a man (Higgins) and a woman (Rebecca), he had to say: "that's a crowd I don't mind being smack-dab in the middle of"

5. Him checking Trent out in the pub in 2x07 (his eyes are up there, Ted!)

6. "It could go either way", "I contain multitudes" and other comments in this vein

7. Bi lighting as he entered the Yankee Doodle Burger Barn

8. Giving similar looks to the female waitress and the male waiters in that restaurant (including a waiter in a cowboy costume that looked like he belonged in a gay club, who tipped his hat at Ted when greeting him)

9. "That's cause you were put into a box", "That box ceases to exist today", the box in the hallucination sequence breaking into triangles (as in the bi triangles and the inverted pink triangke), "we've been playing too rigid", "our guys need freedom", "fast, fluid, free, with full support", the "box that one needs to break out of" being a prominent motif in season 3

10. Wishing Beard called him pet names ("Honey, is that an ingredient or something you just called me?")

11. His crush on Pep

12. The connection between Ted and Colin: "my whole life is two lives, really", both wearing orange in Sunflowers, "I just want to kiss my fella" (Colin doesn't say "fella" , but Ted says it all the time), Ted just needs to get inspired and Colin's play is "inspirational" after he comes out, as per the commentators

And so much other stuff that, had Ted not self-identified as straight (*cough* put himself into a box *cough cough*) , you could make the case that he was canonically bi.

Here are some of hints that there was a romantic connection between Ted and Trent:

1. They hit a lot of romantic beats, and not in the jokey self-aware way in which Roy and Ted hit them in "Rainbow", but in an organic and sincere way

2. They both checked each other out: Trent checked Ted out when Ted was changing in front of him, Ted checked Trent out when Trent came up to him in a pub and hit him with a pick-up line while his date that looked a lot like Ted waited for him outside

3. Did I mention that Trent was on a date with a moustachioed man who dressed in a similar style to Ted? Let's mention it again

4. In that very bar, during a 50 second long conversation, Trent managed to say the word "love" three times. I searched the word "love" in the transcripts of the episodes. There's no other instance in which its frequency is this high

5. "Love our chats" incomplete rule of threes

6. "Sport, it's quite the metaphor" (implied: a metaphor for love; see also "love's a beautiful game" from the song Ed Sheeran wrote for Ted Lasso), "Also makes for a heck of a nickname", "Good night, Ted", "Good night, sport"

7. The soft, romantic, melancholic song playing in the background of this scene, while Ted and Trent are the last ones left in the office, with lyrics such as "When your words begin to crumble like the sidewalks all around this crummy neighborhood / From the chalky cliffs of Dover / I'd come over, I'd start over if I could"

8. Trent wearing sunflower colors in the episode "Sunflowers" and in the finale; sunflowers symbolize Ted's home (it's not subtle). He's the only character dressed like that. I'm still looking for any other explanation other than "Trent is Ted's home"

9. Their constant flirting and the way they look at each other with incredible fondness

10. The entire episode "The Strings That Bind Us". It's structured around Ted and Trent's relationship, and the way Trent changed because of Ted (in season 2, Ted defined a soulmate as someone who changes your life forever). The red string metaphor. Ted points out that soulmates are connected by a string tied to their little fingers. Ted and Trent both extend their little fingers out in similar shots. They are connected by a huge block of red in their last scene of the episode. Ted makes several comments about other men that apply to Trent ("Look at that head of hair", "Frames his face nicely", "My favorite one, he was clean shaven"). Many more details that lead back to Ted and Trent: Nate tells the restaurant owner to tell Jade he said "Hello". Immediately after, Ted and Trent say "Hello" to each other. The map that Nate's father used to ask out his mom has the number 1.3 written on it and an illustration of two people at a table in a restaurant. Ted and Trent went to a restaurant together in season 1, episode 3. The last scene of the episode mimics a "Race for Love" scene from a romcom, with Trent chasing after Ted. Trent also does not say a word to anyone other than Ted in the entire episode. He is completely focused on Ted

11. "Trent, what do you love? Is it writing?" and Trent ends up writing a book about Ted and naming the manuscript after Ted and he only cares about Ted's opinion on it (he leaves the room when Beard starts reading, but stays in the office after hours just to watch Ted read. "I just wanted you to like it.")

11. Trent's crush on Ted, confirmed by Jimmy Lance (and also obvious in the show, if you ask me)

Now, why would I believe that none of these hints were intentional? Maybe some could be explained away, but all of them? The hints we got for Colin, Trent and Keeley were so much smaller than this, and those turned out to be intentional.

anon i wish i could offer you the response you deserve, but i cannot stop rereading this masterpiece & focusing on the portions of evidence you provided that i didn't even pick up on until you laid them out. holy shit

[yogurtlid10000]

moon phos.

closeup + sketch

….and 6 more color variations while playing with layer modes, I JUST REALLY LIKE ALL OF THEM TBH theyre so funky.

This is like an all moon phos long ass post ok

More silly phos head doodles.

Moon phos is probably my all time favorite character to draw 😓

Some panels of moon phos for my reference, Ik the way i draw them doesn’t reflect their attitude in the manga- but i do love their design!!! Especially their moon clothes theyre so pretty the collar and sleeves…. One of my favorite things to draw.

Another part of moon phos is their pearl eye!!!! In the manga phos get their left eye replaced by a camera pearl eye and it glows in the dark and never closes which is the reason whenever i never draw them with both eyes closed…

Hehe anyway yk phos’s alloy arms? They are so cool people dont make enough fanart of phos doing stupid stuff with their arms

Forget Luffy or whatever. Baller phos is way better. Phos can stretch their limbs so far… AND they can mold and bend into whatever they want. Come on thats so cool-THEY CAN MAKE MORE HANDS AND ARMS.

More ideas of mine. Phos has actually used their double hand wave in the series already:

Anyway i just think there are so many possibilities to what they could do

Multi arm phos idea…. This is very important to me

In the series their arm is more like a whip but i just wanted to draw a bunch of arms

^^other example of how alloy arms could be used-SO COOL!! Man i wish they’d animate season 2 :(( we could get cairngorm and moon phos

Also when they use their arm to make a net to “catch” cinnabar man phos what are u thinkin-anyway i like seeing all the things their arms do. Theres many other examples in the anime, like making a whole mother person with their alloy, or making flowers or making a shield or using it out of their heel to shoot them into the sky (so cool!!)

Here’s some miscellaneous phos:

I was looking for more panels and ended up just basically rereading the whole moon arc of hnk. So here’s a couple panels i like

Here some references of their outfit and sword (i realize i drew their sword handle design wrong,… i was drawing it from memory)

Here’s phos getting #REJECTED i think its funny

Wait ok what the fuck only 30 images allowed in a post?? IM NOT DONE WITH MY PHOS IMMAGES. Ok more coming soon what the heck

[avariantflaire]

Why Levi and Petra?

Of course, upon general viewing of SNK and its characters, it's clear that they have established Erwin, Levi, and Hange as the leading trio of the Survey Corps. They represent this faction of the military and in interesting ways, mirror the main protagonists of the series.

While there is a lot to be said and appreciated about Levi's relationships with Erwin and Hange, I have come to find that the character who humanizes him is the lovely (albeit forgettable) Petra Ral.

Early in the series, we are introduced to Levi as Humanity's Strongest Soldier. Erwin makes use of his abilities in this sense, and Hange often relies on his strength in combat as well. That is not to say this is the extent of their relationships: we have Levi's iconic "Give up on your dreams and die" scene with Erwin (S3 E16) and the infamous "Maybe we should just live here [away from my responsibilities] together" request from Hange (S4.2 E8). However, something to note with both scenes is that while they give depth to Levi's relationship with both characters, he essentially serves to highlight others. In the former, Levi's response directly challenges Erwin's dream, and allows this commander a defining moment of growth. Similarly in the latter, Levi is used as a means for Hange to express and eventually overcome their fears and insecurities about the deal they've been dealt as the new Commander of the Survey Corps (which at the time was rapidly disbanding under the Jaegerist movement).

In other words, Levi is the "subplot character" to Erwin's and Hange's individual arcs. (According to John Truby, 'The subplot character… provides another opportunity to define the hero through comparison and advance the plot.')

Which begs the question… at what point in the series, if any, is Levi defined as a character in and of himself?

Two prominent scenes from season 1 come to mind, which are namely: 1) The dying soldier scene (S1 E9), and 2) Petra's conversation with Eren in headquarters (S1 E15).

In the first, Levi comforts a dying soldier and vows to carry on their will and exterminate all Titans. When the soldier passes before he can reply to Levi's words, Levi turns to his fellow soldier Petra and asks her if he was heard. Petra provides confirmation, emphasizing the peaceful expression on the soldier's face.

In the second, Petra confronts a gloomy-looking Eren, who has been tasked to clean headquarters along with the rest of the Special Operations Squad (aka the Levi Squad). She specifically points out how Levi is 'not the hero he's expected to be' in the sense that he has a terrible personality, though she does so while smiling almost fondly, as though it doesn't matter what his personality is because they can always put faith in him as their Captain. It seems she wants Eren to understand this - or a notion similar.

It is in both moments that we are able to clearly see Levi beyond being a powerful soldier. Always, he is a threat. When he enters the scene we expect the shift in the dynamic of the battle - we expect him to win. He's a trump card. Erwin's last words to him are an order (S3 E16), and Hange's last words about him is "he's [Armin's] underling now, so really put him to work" (S4.3.1). Levi acknowledges Erwin's and Hange's humanity, bolsters it even, with the conviction of "dedicating your heart". In SNK he is the symbolism, the embodiment, of a soldier. That's all he really ever gets to be. Even his softest moments with - heck, anyone in the series - are meant to deeply reflect on the guilt, the burden, the purpose of getting the job done. ("So… you're telling me… I've spent all this time and energy running around killing people?" (S2 E12) / "Just think, if your hands were still clean... Jean wouldn't be here right now." (S3 E2) / "If we just run away and keep on hiding, what will we have left?" (S4.2 E8))

But for those singular moments in season one, he's more than just the threat. We see him as a human not only with (personality) flaws, but also with dreams and convictions, tied so seamlessly with his comrades' cause that we are reminded painfully, at the end of the series, that it was Levi who carried them all to the end. Throughout the story we see Levi lament fallen soldiers; we are exposed to how much he empathizes with his comrades and their deaths, to the point where it can be said that no one keeps us more aware of the lives that have been lost throughout the show more than Levi himself.

In this manner, Petra was the subplot character to Levi's hero. She gave the audience a (subconscious) glimpse of the Humanity within "Humanity's Strongest" and built the bridge that would lead us to compelling and important revelations about Levi's thoughts and actions as the show progressed. It's Petra whom he finds tending to a dying soldier; Petra whom he asks for confirmation that the soldier heard; Petra who, against all expectation, asks Eren to see past the station, the status, the soldier, to the person himself.

"He's not quite the great, perfect hero society makes him out to be, huh? The real Captain Levi is shorter than you'd expect, temperamental, crude, and unsociable. (…) You thought that because he's skilled, he doesn’t have to follow the rules like everyone else?" (S1 E15)

It's even Petra who, despite her rank, asks Levi to step aside when Eren becomes a half-baked Titan. Here, Levi's robust intuition and split-second decision making skills are shown even away from the battlefield. It's Petra who leads the Special Operations Squad in their apology to Eren (S1E19 "Bite"), who first instills in us (narratively) the notion of trusting your fellow comrades. More specifically, she is who convinces Eren to place his life in their hands. It's this notion that Levi carries with him even until the final arc - "I've saved Eren countless times over - each time, more comrades dying. All because I believed he was the hope of humanity." (S4.1 E13) In the manga (Ch112), it's Petra we see at the forefront of this belief.

"Do you, Eren? Do you find it that hard to trust us?" It's Petra who dies, her words the final say in convincing Eren: "I believe my squad will be victorious." (S1 E21)

"It's like some awful joke," Levi reflects later on, as his comrades' dying hopes and dreams flash by in the canopy of the forest. "What the hell was the hope that we saw? Such bullshit. It's not even funny." (S4.1 E13) "We" here could definitely mean the soldiers who've given their hearts, but the metaphorical representative of this heart is Petra herself... "Eren! Trust us." (S1 E19)

And in the end, it's Petra in the forefront alongside Erwin and Hange, representative of her fellow soldiers, the one (experienced/veteran) Scout we've seen and interacted with in the entire series to have professed the values of hope, of trust, of belief, which is henceforth carried on by Levi himself, his own convictions, his own dreams. They are, in the entire series, the glimpse we get into the Scout Regiment beyond the series' titular character and his comrades in the 104th, and a thorough dive into what makes Levi Humanity's, not simply its strongest.

Her character song, "The Light of Dual Wings", can literally be taken as an allegory of the dreams the Scouts have entrusted to Levi. That's how prominent she is as a Scout; how coded her devotion to Levi is, whether interpreted platonically, romantically, or narratively, as the dedication of hearts.

So, yes, I love them together. I love their scenes, the implications of them narratively, the values Petra professes so effortlessly in the air, washed away by the higher tides of the Female Titan arc. I love that it's still Petra at the forefront, in all of Levi's reflections moving forward, because she is our first glimpse into Levi's character, the real him.

In the end this is just a ship post struggling to keep from delving too much into the symbolism of Levi and the Scouts (how Levi is the face of the Scouts more so than Erwin himself, really), the truest depiction of humanity's collective fight for freedom in this entire series. In his early days, Eren wanted to be a Scout, after all. It is Levi and Petra who push him forward into 'that hell' - for better and worse, respectively.

[directdogman]

Hello Hound!! Since it's Dialtown's 2nd anniversary, I've been planning up a few "general" related questions about your series that I've been meaning to ask, but I decided to save them up for the big day because why not? Anyways, here's what I've got, these were meant to be fun to answer so don't sweat it :]

1: How do you feel about Dialtown's success? Are you proud of how far you've come? 

2: Which character was the MOST fun for you to write, and which was the most PAINFUL?

3: What is something you wish more people would talk about or just know about related to Dialtown in general?

4: If you had the opportunity to write a FULL complete, detailed life story of any of your characters, who would that be?

5: What's a character you wish you could have given more screen-time or just in general content? (Considering iirc you were trying to make sure Dialtown wasn't TOO long, so I was wondering if this ever came to mind)

6: From what I know, you've been doing the job of cosplaying several characters in the game and acting out their sprites, which one was the most fun to act out?

7: Speaking of sprites, do you have a sprite you could consider your favorite, out of ALL your characters?

8: Do you have a specific line of dialogue you could consider your favorite throughout the entire game?

9: Could you ever see Dialtown expanding into perhaps sequels or maybe even prequels? More DLCs mayhaps? Heck, maybe even a Dialtown 2 or a Chapter 4??

10: If you could make any fan-made interpretation (such as headcanons, designs, or ships) canon if given the opportunity, what do you think would be your pick?

11: What was the MOST fun part about developing Dialtown? Coming up with new characters? Writing them? Adding all the bizarre dialogue options?

12: And last but not least — on a scale of 1-10, how fun was developing Dialtown just in general?

That's all I have for now, and I'm really excited to see your answers!!

I normally don't answer this many questions, but... alright, sure, tis the season!

1: How do you feel about Dialtown's success? Are you proud of how far you've come? 

Yeah, of course! I'm a lil proud, admittedly, but I'm aware of how comically little I really have to do with it all, even if I did make the game. Luck does play a LOT into it, of course. Granted, I made my share of predictions that wound up being useful, but it always comes down to lady luck at the end of the day. I've seen good projects fail and bad ones go viral. It's really all just a hodgepodge of probability and whimsy. That being said, I am very pleased with DT's success, and the community that's formed around the game! It caught me by surprise!

2: Which character was the MOST fun for you to write, and which was the most PAINFUL?

Gingi's always fun to write. And Mingus. Most painful is tough to say. Maybe Crown. I got a little weird when I wrote his full backstory, kinda caught up in the emotion Norm talks about. Never been a fan of stories getting cut short. You gotta wonder what would've happened if he'd made different choices, y'know?

3: What is something you wish more people would talk about or just know about related to Dialtown in general?

Honestly? Karen, probably. She's super underrated for sure. The fandom still loves her, but she doesn't get the same kind of attention as Oliver, Gingi, Randy, Norm. She's worth it.

4: If you had the opportunity to write a FULL complete, detailed life story of any of your characters, who would that be?

Oh, I already have. I have this monstruous 30-40 page document detailing Crown's life and entire career. It's quite a read. and quite a mind-fuck if you don't know Dialtown's universe too well.

5: What's a character you wish you could have given more screen-time or just in general content? (Considering iirc you were trying to make sure Dialtown wasn't TOO long, so I was wondering if this ever came to mind)

Oh yeah, a few characters had scenes that were cut. Stabby, Shooty, Mingus, Bunny, even Bigfoot! There's also the game's cut 6th datable, who was an interesting character with ties to other characters in the cast who I wanted to do more with. Ah, maybe one day.

6: From what I know, you've been doing the job of cosplaying several characters in the game and acting out their sprites, which one was the most fun to act out?

Bigfoot. I made the ape noises in the suit. Had to. It felt right.

7: Speaking of sprites, do you have a sprite you could consider your favorite, out of ALL your characters?

I quite like Norm's set, Mingus' too. Karen's poses too are quite good.

8: Do you have a specific line of dialogue you could consider your favorite throughout the entire game?

That answer probably changes every day. I like pretty much any scene where Mingus loses her temper.

9: Could you ever see Dialtown expanding into perhaps sequels or maybe even prequels? More DLCs mayhaps? Heck, maybe even a Dialtown 2 or a Chapter 4??

I'd love to make sequels one day! I've got a lot of ideas for where the characters/story would end up. By the time DT1 wrapped up, I'd conceptualized way too much stuff to put in one game (without it taking another few years to finish), so if I ever wanted to make sequels, I'd 100% know where to start! But, that's a later down the road conversation.

For now, I'm gonna keep working on the Roger DLC and if there's demand for more, I can go from there :)

10: If you could make any fan-made interpretation (such as headcanons, designs, or ships) canon if given the opportunity, what do you think would be your pick?

I guess I COULD do that with, like, anything. Nothing immediately springs to mind, since, y'know, I'm in control of the canon anyway. I will say, I've seen headcanons and theories that ARE scarily accurate to canon, to the point where I've feared people would just think I'm lifting stuff from the fanbase! It's a good thing I talk about these things with collaborators, huh? I've got a PAPER-TRAIL!!!

11: What was the MOST fun part about developing Dialtown? Coming up with new characters? Writing them? Adding all the bizarre dialogue options?

Finishing a new scene and realizing how stupidly long it was (without me realizing it) was always a treat. But yeah, writing the characters had to be it. Specifically any scene where a character the audience knows meets someone the audience doesn't know well (or at all), with the dynamic changing. Those are fun to write.

12: And last but not least — on a scale of 1-10, how fun was developing Dialtown just in general?

Hard question to answer. I do really wanna give a high number, but truthfully, a lot of game dev actually isn't super 'fun'. Some tasks are, granted, but many parts are a slog. Sitting and formatting dialogue, and then adding text pauses and pose changes isn't exactly a super thrilling activity. The engine itself also has some issues which I have to work around that adds to the workplace. Play-testing a scene for the 4th time isn't super fun either, or trying to figure out why the game crashes on some PCs and ONLY very rarely... Those tasks are Sisyphean to some degree.

...But, while most of those parts aren't fun, it's all still rewarding. There's a sense of accomplishment when you finish a scene. You get to look back at your hard work, remember the hours you spent typing dialogue into a text box and formatting mass amounts of pngs, painstakingly + manually getting the game's awful pre-loader to deal with the sprites right, etc... and suddenly, at the end, you've got this lil experience that people can play and enjoy. Somehow, the sum of all of those not so fun activities has created something that's going to make people laugh, feel happy. That's special. and even if some parts of development weren't super fun on their own, that's always what I remember. That in the end, all of those not so fun days mattered.

The route I agonized the most over was Oliver's. I went through a few weeks of writer's block, and now, it's one of the most popular routes in the game! Crazy how that happens. I was SURE for about a week that people would rank the route at the bottom! That's what I mean, all of the stress I went through trying to figure it out amounted to something people connected with! To think I almost CUT the route entirely!!!

And y'know, God knows Dialtown gave me something to throw myself at during a time where I REALLY needed the outlet. I'm very grateful to the project for that. So, I'll give DT an honorary 8 out of 10, even if it wasn't a consistently 8/10 experience making it heh heh! Sure glad I did, though and I'm very glad if any of you reading this had a really good time playing it! :)

Thanks for the questions!

[kevin-the-bruyne]

I do find it quite insane that people think Bridgerton season 3 was too rushed. I really think Colin's every plot line has been to bring him closer to Penelope. I think there's plenty of gifsets already that show the little affectionate or longing looks between Colin and Penelope starting from season 1. But I don't even mean those when I say that Colin is written in a way that perfectly matches Penelope's fat girl romance story. People skirt around calling Penelope a fat girl and therefore her romance one that's strife with struggles around being fat because somehow that is what they think will betray their fatphobia. But it's not fatphobic to recognize the way that a fatphobic society has fucked with both Colin and Penelope's heads. Colin's incredibly strong, incredibly illogical crush on Marina Thompson, Penelope's cousin, suddenly makes so much sense when you contextualize it as his feelings for Penelope being misguided onto the closest eligible target. (It honestly even felt that way when I watched season 1 as it was coming out.) Because here's the thing about Penelope, right? That society has deemed her ineligible. A fact that we know Colin is painfully aware of by the end of season 2 when he declares to his 'friends' that he would never court her. The same friends he calls shallow to their faces in season 3. So was it surprising that Colin's whole arc in season 3 was about shaking off the shackles society has on his decisions and more importantly, his desires. Because Colin isn't just trying to get by with society's expectations like Anthony was, no. He was trying to change himself to like it. He was trying to buy into it. Because society made him miserable before and maybe embracing it would make him happier. There's a reason he's so passionately anti-Whistledown. She represents those very shackles of society that ironically keeps him from acknowledging his feelings for Penelope. Colin has been in love with Penelope for just as long as she has been in love with him, if not more. But Penelope wasn't the only one who thought that was impossible simply because she was fat. In fact, this is a very common fat girl dating experience, you meet men who would absolutely fuck you, heck they can even love you in their own way but they're not ready to face the shame of other's judgement in acknowledging you. Colin's every appearance on this show starting from season 1 has been setting him up to release those shackles. He wanted to for Marina, but his feelings for her were not genuine. He chased her out of obsession, not love and I think that distinction was infinitely clear to Marina. She could never inspire this soft, sensitive man to harden his backbone in a way that Penelope can. His love for Marina brought him anguish, his love for Penelope brings him joy. The Duke and Daphne barely had a conversation that entire season, Kate and Anthony met and created all of this havoc for what? Colin and Penelope are the only two, whose emotional connection has been established over the course of three whole seasons. Lots of criticisms can be made of their romance I'm sure, but rushed? Listen, I know why people think it's rushed and while season 1 and season 2 Colin would really really care that you think Penelope is unfuckable but season 3 Colin doesn't have a single fuck left to give.

[oshiawaseni]

Remember when Kacchan complained about Izuku obviously skulking around with All Might and how they need to be less conspicuous about their connection with each other? When you think about it, no one cared that much what the heck Izuku was up to… except for Kacchan himself. And in hindsight, that interaction is just so freaking cute. Just because this guy is always hyper aware of Izuku and the people surrounding him and absolutely concerned with his business, he thinks others will be too.

Take Season 2 for example at the sport festival… How did he even come to eavesdrop on Todoroki in the first place? By following and being invested in what Izuku was doing with him because Kacchan got so jealous about Todoroki declaring war on his shitnerd 😩 he couldn’t stand the idea of them going off alone somewhere together.

Stop the cap. You were there because you followed Izuku, Katsuki. 

Kacchan’s always overly concerned about Izuku and on top of that, he was jealous of Shouto taking his rival nerd from him. So when he got curious seeing them go off somewhere alone, he followed them and eavesdropped.

And another time he eavesdropped on Izuku in Heroes Rising.

He’s so focused on whatever Izuku’s doing or saying, he tunnel visions like hell. Here he forgot about his icey and it melted off the stick. 

Not only does he always give Izuku his undivided attention, he definitely wants it returned.

Izuku’s always looked at his back, right? Whether that was walking behind him in the woods, or being seated behind him in class... I think at some point Katsuki came to crave his gaze on him and secretly loved his praise too and that feeling was exposed in the joint training arc with his “Keep your eyes on me, Deku” 😂

Oh Katsuki don’t lie ❤️

You knew he’d be watching you like this with his big and shiny doe eyes didn’t you ;)

Turns out you’re allowed to be obsessed with Kacchan, Izuku. He was just being a hypocritical tsundere whenever he said stuff like this:

Remember when there were a bunch of Kacchan apologists that victim blamed Izuku for sticking around when he was told to leave him alone? What if I told you Katsuki never truly wanted Izuku to leave? Because if he did leave, then who would Kacchan stalk? 😂

Honestly!!! Kacchan’s Izuku complex and how he projected it onto him like Deku is the only one who’s obsessed, is one of my biggest sources of amusement with this ship. Heh. 🤭 They are true equal partners in a lot of ways…

Between all the “Did I do better than Deku?”, 

the eavesdropping

and every single time Katsuki targeted him, if you’re able to describe all of this as nothing other than PURE UNADULTERATED OBSESSION...?

DING DING DING. You’re damn right it is!

Then you flip the hate around because it turns out he was wrong to hate that person in the first place after all, and what does Katsuki’s obsession start to look like? Maybe a little something like this.

They’re obsessed with each other and always have been and this is perfectly fine. It used to be very antagonistic attention on Katsuki’s end but his attention has since become all soft and gentle because now..? Now he’s just in love. ❤️ And that’s the tea~ ☕️

[physalian]

Writing Tone #2: Avoiding Manufactured Sincerity

There’s a scene in season 5 of My Hero Academia where two beloved teachers have been brought to some high security prison to interrogate a captured villain that turns out to be a brainwashed childhood friend of theirs. The scene is really dramatic, these two teachers are screaming at this guy, heartbroken, and when I saw the episode (shortly before quitting the entire show mid-episode over how bored I was) I was not at all as outraged and horrified as they were.

It was so tonally jarring, and so unfounded within the plot, that it was almost uncomfortable to watch. The villain they’re interrogating isn’t unfamiliar, but the plot-twist-surprise childhood friend is a stranger no one but these two care about.

I didn’t care, couldn’t empathize with why they were upset, knew nothing about their relationship with the guy beyond the ham-handed flashbacks given right that moment. I wasn’t prepared to mourn the loss of this random character, wasn’t primed ahead of time with the idea that this was a possibility to dread the scene before it happened. I was just waiting for it to be over and when it finally was, the impact it had on me was a resounding: Well that was weird. Now back to the plot.

Unfounded sincerity is the uncomfortably ugly step-sibling of plots that are starved of sincerity—look at most of Phase 4, but really, starting with Thor: Ragnarok in the MCU. Many Marvel properties are afraid to embrace the emotional moments and resort to bad jokes to laugh at themselves before the audience can laugh at them. Because how dare a late-stage superhero story about mythical gods be at all sincere in its relationships, its quiet moments, its tragedies. Nope, time for jokes.

Unfounded sincerity is when a story goes far harder with the drama, the love-declarations, the angst, the humor, where it’s trying really hard to convince the audience to care and it just isn’t working.

This happens when arguments start out of nowhere, as well, when characters explode at each other in a heated screaming match that hasn’t been left to fester for nearly long enough, undercooked and hard to swallow.

This happens when characters fall suddenly, madly in love with each other with zero dubious intervention to explain away the sudden passion.

It happens particularly when characters care a whole heck of a lot about someone the audience doesn’t, at the expense of characters the audience is invested in.

It happens when characters have emotional breakdowns and start crying over what ends up reading like spilled milk. When stoic and strong characters break over something they normally would never, for ~drama~.

This is usually both a tone and pacing issue, and a serious case of telling. The author hasn’t done any of the work ramping up a situation or relationship for proper delivery of these emotionally charged moments that are written like critical character beats we’re supposed to care deeply about.

So how does this happen?

1. The author *really* wants this scene, but writes it too early into the story

Unless there’s foul play involved, or this is a romantic comedy that isn’t supposed to be a realistic and healthy depiction of how romance works, characters suddenly declaring love for each other at the cost of their own well-being, their own character arc and journey, and their other motivations can be very frustrating to read.

But the author wants to get to the Good Stuff, so they coast on the “male + female leads = relationship” expectation without writing the why (and so ensures the rise of so many gay ships in the process). Or the male + male leads” or what have you.

2. The author cannot fluidly change tone and characters explode, instead of simmer

An argument that comes out of nowhere can really take your audience out of a scene. Your characters suddenly look ridiculous and your audience can’t follow what’s going on or why they’re so upset. This is different than a character exploding seemingly out of nowhere, but who we know has been building resentment for dozens of pages and loses it over something otherwise inconsequential.

These scenes are painfully, obviously there for manufactured drama and don’t feel natural. These characters don’t feel like people, but playthings, action figures manipulated by the hands of the author.

3. The characters involved are underdeveloped

As in the My Hero scene mentioned above, of the three characters in the scene, the “friend” we’re supposed to care about is a non-entity. The two teachers could have lost their minds over this guy’s sudden death, or the reveal that he turned traitor, or that he murdered younglings and puppies and kittens, to the same emotional impact, because we don’t care about this guy (or, I don’t, at least. I didn’t, and shouldn’t have to read the manga).

You can of course have characters who grieve non-entities, like the fridged wife trope. The difference is the audience knows we’re not supposed to know or care about that lady and the character she never was. This happens pre-plot, not mid-season 5. The frigid wife is the catalyst for the character we then come to know, not a character whose death radically changes our heroes from the people we’ve already established.

4. The tonal jump is just too extreme from the established rules of the story

Abrupt changes in tone can be very tricky to pull off, and almost always fail when it surrounds an abrupt shift in character dynamics (as opposed to something more plot-related). As in, your lighthearted comedy suddenly stops the plot so two characters can scream at each other, when this level of emotional charge hasn’t been established as a possibility.

Or the aforementioned emotional breakdown that just leaves audiences uncomfortable like the awkward friend trying to soothe a weeping companion.

—

Unfortunately, the fixes to these situations are either delete that entire scene, or go back and do a lot of rewriting so there’s enough build-up to justify its existence. Go back and write in that simmering resentment, all the little frustrations, a pre-existing tension within the relationship that is always primed to snap.

Absence makes the heart grow fonder and there’s a reason the “slowburn” is so popular. Setting out from the beginning to write a fast-paced, passionate romance tells your readers to expect exaggerated displays of emotion.

My favorite musical is Moulin Rouge. This movie is insane. Everyone is hyperbolically emotional and nothing is half-assed. The dances, the belting singing, the costumes, set-design, editing, the declarations of love– they’re all dialed up to 11. So characters screaming their love or rage from the rooftops is a *lot* but you’re prepared for it from the opening scene, knowing exactly what kind of movie this is.

Even if you don’t start your story with the level of drama it will eventually reach, there should still be some sort of progression when it comes to character drama.

Last Airbender didn’t open episode 2 with the emotional intensity of Zuko and Azula’s last Agni Kai… but it did show you that this isn’t just a lighthearted comedy in episode 3, with the reveal of Gyatso’s body and Aang’s violently emotional reaction.

Speaking of episode 3, they didn’t throw in Gyatso out of nowhere. We know from the show so far that a) Aang is the last of his kind, and b) he doesn’t know this. Everything leading up to this reveal is lighthearted, sure, but with that undercurrent of dread, waiting for Aang to see for himself, waiting for that other shoe to drop.

So some things to keep in mind are:

Prime the audience with dropping that first shoe, make them aware of the building tension (romantic, aggressive, grief, or otherwise), even if not all the characters are aware.

Build that tension. If your characters will eventually explode, let them be mildly irritated first, then annoyed, then frustrated, then angry, then raging until they can’t contain it anymore.

Make sure every party involved in this dramatic moment is someone the audience actually cares about, not just someone they’re told to care about.

TL;DR: Don’t pull the trigger prematurely. It’s most obvious with suddenly passionate arguments, characters flinging insults and hurts the audience isn’t prepared for and doesn’t know about, in effort to move the plot along before it’s fully cooked.

So unless there’s some drugs or fairy magic involved, or one of these characters has a gun to their head forcing them to do this right now, people don’t just explode in a rage without some buildup first. People can explode in a rage over a seemingly inconsequential and unrelated thing, but they’re likely already upset and this one little thing is the final straw. Audiences love the anticipation of what that final straw will be, and whether the explosive drama is rage or romance, “slowburn” is immensely popular for a reason.

[rey-jake-therapist]

"Sauron is not enough evil and scary in Rings of Power"

Because he was scary in LOTR?! That thing is scary to you?

I'll tell you what : Sauron's eye in the movie NEVER scared me. Not even a little bit. I remember that the first time this big ridiculous eye appeared on screen, we all chuckled because... "That's it? that's Sauron?" . And the least that we can say, it's that in terms of personnality... Well he has none, right? The conversations must be nice:

"Hey Sauron, how are you today?

Sauron: RING! RING !!! AHHhrhzjjjjjjj RING!!!!!!!

Oh yeah, the ring, sure Boss. Anything else you need?

Sauron: RIIIIIIIIIINNNNNNNNNGGGGGGGGGG!!!"

Fascinating.

I hate to break it to you, but movies Sauron is BORING. He's boring because he's hardly an entity. He's more a concept, and at the end everything about him rests on what the characters tell us about him: that he's extra evil, very cruel, a tyrant, obsessed by the One Ring, yada yada. But since he's no more than this giant eye on a tower, he never becomes tangible. We believe he's evil because that's what everybody says and also because of what his unpaid employees do, but he never gets to do anything himself, so we don't really see it.

Shelob scared me. The Nazguls terrified me. Heck, I was more afraid than Gollum than I was of Sauron. Don't laugh, did you see his teeth? I would be at least afraid to catch an horrible disease if he bit me...

In ROP, however, Charlie Vickers nails it as Sauron. He may not be literally on fire, but his evilness and his cunningness are palpable in season 2. I mean, the way he treats Celebrimbor?! If that's not sheer cruelty I don't know what it is, and it will get even worse in the episodes to come. Sauron doesn't take no for an answer. He tortures Celebrimbor, not physically but psychologically to bend him to his will. Since day #1, he lies constantly to Celebrimbor, flatters him, tells him what he wants to hear, gaslights him, isolates him from his people, nearly drives him to madness and only at the end, threatens to destroy his city if he doesn't do what he wants... That's not evil enough for you?? Oh, and add "creepy" on the list too, for this poor girl he keeps being weird with.

And as for the scary side of Sauron: Charlie proves to be an excellent actor when he manages to express his moments of contained rage through his micro expressions. For example, every time Celebrimbor resists him, his face changes enough for the audience to see he would tear the poor man's eyes out if he could, but it doesn't last long, blink and you miss it ! Same in the last episose 6, when King Durin refused to deliver more mithril to him; it was so obvious he wanted to kill the old man on the spot, but he's patient, he'll let the Balrog do it for him. Because yes, he's vicious and likes to keep his hands clean, so he tells animals do the job for him when he can!

But it's there, and we already got to see a glimpse of the sheer fury that can possess him when he loses control : in Numenor, when he beat the shit out of the men who had mocked him, and on the raft when Galadriel rejected him. That was probably just a forestate of what we can expect from the next seasons, folks.

By the way, I wrote all this with love. I love that TROP made Sauron tangible. I can see the threat he is now. I understand why everyone during the LOTR is terrified at the idea that he may come back. And I don't want anyone to fix him, mind you...

TROP Sauron, stay as you are, get much worse, PLEASE!

[capswarmedals]

BBC GHOSTS: DEEP DIVE

"You're a bloody fool, James!" - Ben Willbond, Inside Ghosts: A Christmas Gift.

CONTAINS SPOILERS FOR CHRISTMAS EPISODE AND SEASON 5. BE WARNED.

Okay, just before we start, I WILL be referring to BOTH James and The Captain. Wait and see, your poor little dumplings.

We all know The Captain. Brave, stern, always has a stiff upper lip and of course, most obviously, he's an ABBA loving star. Joking (not really though)!! The most obvious part is that he is gay, but he hides it deep down inside himself. You'd have to kill him to find out or well, you know what I mean (/ref). That part deep down inside himself is James. James. The real person, the person under the mask, the villain, the mastermind of it all. Except that... James isn't really anything like The Captain. James is not brave, not stern, never has a stiff upper lift, but he's still an ABBA fan and gay. Incredibly, incredibly gay.

We know that he had a very, VERY strong crush on Havers (Anthony as I will be referring to) as evident in the Cricket Report in the Button House Archives and in Redding Weddy/Carpe Diem. Throughout the series, we see James fall for men. Mike ("Yes, he'd make a very fine soldier."), Adam, the director ("Yes, though I might just... Check."), Pat (even though it's not as obvious, but it's certainly there).

Many people, including myself, head canon James/The Captain to be autistic, and I can very much add some reason and proof to these reasons.

1. A very strict routine. This man will NOT let go of routine, and it is clear in 4x02 (Speak As Ye Chooses) where he states: "It's all very well saying 'At ease', but what do you do for the rest of the day?" and visible expression of shock and anger to finding out that a club was cancelled. As we come to the end of episode, where we see the man casually without his jacket on, he says "We've got forever" before immediately re-settling himself into his strict routine when being reminded of Film Club. But of course, this could be either that James is attracted to Captain America or is just reminded of his strict routine. This links into another point about change. In 3x05 (Something To Share?), this silly man agrees with Pat about how it is frightfully important to have an extremely strict routine. DON'T get me started on his almost coming out. (I will talk about this.)

2. Hyperfixations. This man has a hyperfixation/special interest in tanks, birds and basically anything remotely military related. He made a club solely dedicated FOR birds. He values his hyperfixations over secrets ("This is outrageous, I'll simply have to tell Fanny-" "No more war documentaries, then." "Your secret is safe with me, she'll have to kill me first- Well- You know what I mean."). 1x02, watching Hitler's Secret Superweapons "It's Christmas! I mean, it's Christmas Morning!" and when Mike turns it off... "What the bally heck do you think you are doing? Where the bally hell are the tanks?" "If you were dead, I would thrash your bottom, sir!". As like other autistic people, such as myself, taking away our hyperfixations isn't a good thing. We don't like that.

3. Masking/easily overwhelmed. (Basically what this deep dive is about). James is the true individual. The Captain is his mask, his shell. And he's been living in it for far too long now. He does not like change, and hates loud noises. This is clear when a club is cancelled in 4x02, and when he realizes the Queen's speech is televised in 2x07. He stress stims by using his swagger stick (Or Anthony's) and twirling it around in his fingers, he bounces a lot, he hums a lot, and whenever he matches about the place, he swings his arms depending on what arm the swagger stick is under (usually the right), and yes, I know that military marching is very exaggerating on the arms, but STILL, it's an output of energy that he does CONSTANTLY. I don't think I've seen anybody talk about the fact he hums. He does it SO MUCH.

4. Tone. Because of his ridiculous amount of gayness inside of him, this man cannot always understand straight jokes. 5x04, where they play Blankety Blank and he does not understand the word "saucy" (I mean, it is late 20th century/early 21st century slang...) and does not approve of the meaning. He gets jokes late, but that's alright because I do too.

ANYWAYS. Back to his pining.

In the first GIF, you see James check Adam out. This also happens in another scene with the quote "Do you find yourself to be distracted?" where he takes the moment to check Adam out yet again. In this second GIF, you see James slightly creep out when he realizes that he's openly saying he'll miss a man, with that look down, almost ashamed of himself.

But why does he fall for these men of order? Because it reminds him of Anthony, not because they're bossing everyone about - it's as if they're doing the bossing about for him, so he can relax and be himself. During Redding Weddy, we see Anthony order the unit around whilst James is looking outside the window (suppressing stims, but bouncing slightly on his feet) trying to spot Germans. I could see why James fell for Anthony. Despite everyone else, Anthony does not see these stims as annoying or his remarks to be unfunny. We see him SMILE when James makes a joke.

As we know, their love for each other was mutual.

He knew.

Anthony smiles after saying "James" and saying "I know". Why? He knew he was dying, he knew that James loved him, he knew why James was here. He wanted to be by James' side as he died to comfort him. To just be together, maybe once. Maybe twice. We don't know if they've held hands, kissed, but still. This is a very significant moment.

Additionally, Anthony's knowledge of James' intense crush is during their talk in James' office in Redding Weddy as it starts to reach a conclusion. Anthony subtly hints to the fact that if James should say anything, the moment is now ("Well, if that's all?").

He raises his eyebrow slightly, communicating to James that he is eager to hear what he really says, and that it's okay to be them because they're alone together. But no. The Captain completely hides James away. Anthony understands, he always has. The Captain probably hid James away because of Anthony's reaction to "I shall miss you, Havers." (his smile drops).

But... "I say, Havers?"

The way Anthony turns around. SO QUICK.

His smile. It's so ridiculously warm. But he knows because he saw that hesitancy, he saw James' sad expression. James is bally well sad that Anthony is leaving!!

Masking is clearly shown in this conversation. The Captain is preventing James from speaking the truth. And just like how he buried the limpet mine, he too, buried his feelings. And it became a ticking time bomb to Carpe Diem, where that emotional bomb finally explodes.

He leaves it to the last second. Literally. Let me show you proof.

Ben is absolutely AMAZING at micro-expressions, one of the many reasons I love to delve into The Captain so much. Carpe Diem (5x05) is an excellent example of some of the best James scenes.

Right here, what I am personally reading is that James is attempting to unmask, or is in the process of doing so. He deciding whether he should tell his story or not. This frame is important as it comes just after the quote "When I died, I never got to be surrounded by the people I loved." Blatant foreshadowing here because well, it shows that James loved Anthony and still does, despite it being 83 years since Anthony left of that year, he still holds him very dear to his heart. Of course, he has Anthony's swagger stick, which I love because he's always been there with James to help him out through moments. I love that and I love everything about that. How I ADORE Simon Hynd's directing here of the camera position, openly hinting to the fact that James died with Anthony next to him. God, everyone in that show is a mastermind!!

I also think that he is remembering here. Perhaps remembering the good memories? That Sunday afternoon stroll, or that certain Cricket Report? He's trying desperately to remember Anthony so he doesn't forget him when he moves on. For all he knows, he doesn't even know if Anthony thinks of him. All he knows is that he knew, and is most probably dead. He doesn't know what's beyond the veil. He doesn't know if he'll see Anthony. It's worth it.

This "desperate searching" facial expression is the same as the expression he had when glancing at the gate a few scenes prior to this, eyebrows furrowed and mouths slightly agape. It cuts to the gate, where we know, that in Redding Weddy, Havers walked out of. Anthony. Yet again, he's remembering him. James is obsessed with the memory of Anthony, the good times they had yet the good times they never were really good as laws about homosexuality were extremely strict. You could even say he is clingy.

Another thing is that, The Captain is one of the most favourite characters and people have been demanding to see how he died for ages! Why is it near the end of the last season? Well. I may have an idea to why it is in the last season.

James leaves things until the last second, he leaves the real explanation to things until it's too late. I saw someone on tiktok quote that James is as pretty as poppies because his love sprouts up in the wrong times and wrong places, which I think is amazing. I personally believe that his death was purposely the last one because you needed to see that he's more than just a stern WW2 CO with no feelings. He's an anxious man who's terrified of the real world so decides to seclude himself in a time and place where he was loved. World War 2. 1940. When Anthony loved him. We needed to see this inner secluded character within him to make the death sadder, which is what Ben likes, the silly man.

This also explains why he says "Is it? Is it, Alison?" during Redding Weddy because, well, with his mindset and attitude, he doesn't believe the war is over. He wasn't very good at keeping a unit of alive people under control, but perhaps he could try at keeping a whole bunch of dead people under control to keep himself busy from accepting the fact that Anthony is gone and he should emotionally move on.

In 4x04 (Gone Gone), the episode where Mary moves on, we see that James' coping mechanism is to keep himself busy. Keep himself busy so he doesn't have to focus on his feelings, but when he's given the time to pause and process it... He completely breaks down. Imagine that with Anthony when he left for North Africa.

But why does he like Pat?

Well. It isn't canon. But, the most recent Christmas special definitely hints at it. Pat introduced James to the amazing thing of baby talking, attempting to teach him just as Mia is put to bed. But once again The Captain's hard shell is back again and gives him a monotone voice and tone, rather making him seem like a robot. But at the end of the episode. He learned, and the glance he takes towards Pat is "Did I do it?" and Pat gives him a warm smile and a subtle nod. HUSBANDS I TELL YOU!

The Woodworm Men (3x03): Pat outbests The Captain with camping, yet they are still both very keen. The Captain trudged back though!! In this episode, James is awarded the teamwork badge from Pat, and when you see the scene, you can tell that he is smitten and in love. Because, now rewatching that scene with the context of his death, he must've been the happiest he had been in a while to achieve and properly earn a badge. James, I think, personally likes Pat because he still has all the leading roles (being a scout leader) and that reminds him a lot of Anthony hence why we see them working together in a lot of episodes (2x06, 2x02, etc). It all leads back to Anthony. Who knows what would've happened if they didn't meet.

I also think that Getting Out (1x06) is a good episode that represents self growth as well as debating with the issue of being mocked, as James is mocked in the episode.

This is him overhearing the conversation. Confusion. Anger. This episode is where James learns that not everybody will adapt themselves for him, not everybody will accept the way he acts. It's pretty clear that he cannot control this mindset he has, it was probably drilled into him, the poor soul. The way he brings himself back into the group is through a secret weapon (Kitty, because she's the most likeable and their relationship is mwah).

This episode is also important because of the scene in the library with James and Kitty.

"What matters more? Keeping Alison here, or letting her be happy?"

Now imagine that question but Anthony. James has sacrificed his life and soul towards Anthony, and even has a piece of him with him. This man is obsessed with Anthony. Crazily in love. He can't control his feelings for people. It just... Happens.

After Carpe Diem, it took me only a fraction of a second to see how comfortable he was. He was free to love who he wanted! I was stimming so crazily when the last scene of Season 5 (disregarding the Christmas special) was him being gay. Fanny comforted him after he came out, and every one supported him. He feels safe now.

The mirror and the draw in the intro.

Personally, I believe that the mirror represents the fact that his medals are the right way, meaning that the man in the mirror is The Captain and the man looking at his reflection is James. He's looking what he could've been. A hero. Yet now that he's come to terms with himself, James knows that he can be himself now. Free of judgement. Free of secluding himself away. I believe that the drawer represents him ever searching for more memories to grasp onto, more things about Anthony to remember. I also think it represents the fact that there is something inside of him that is worth looking for, and that thing deserves to be looked for and looked after. The draw is pulled out as far as it can go, so this could point to the fact that there is something buried within the house that needs to be found and given back to him. Could be the limpet mine. Or perhaps that William letter truly was a love letter.

OVERALL:

James is a different man to The Captain. The Captain is merely a costume or a nickname James wears knowing full well of the man he is underneath those perceived images of him. James is a coward. James is obsessed with Anthony. His heart has bled so much he has to rely on the small amount of attention from someone so he can carve it out and then offer it to those people who attention has been wasted on him. Ben is an amazing actor and writer who threads things together so subtly and sneakily it's insane. James won't let go of the military mindset, just incase he meets Anthony when he moves on. He thinks that no one will fall in love with the present him so he tries his best to act like his old self. Ben is right. You certainly are a fool, James. But oh, how I love your character.

[miimo96]

Thoughts on My Adventures with Superman S2 episode 5

I love how Wholesome this Clark is, at 1st it looked like he wasn't really into attending the contest, but as soon as he heard that it was going to be Donating money to the children's hospital, he immediately made up his mind, Showing us once again Why this Show is Amazing, Because they Know how to HANDLE Superman

Aaaaahhh!! We're Finally being introduced to Kara, Omg She looks Soooo good I can't wait to see how they handle her and her relationship with Clark, maybe we might actually get see the "Sibling" Dynamic I talked about not to long ago ^^; (also is it me or does kara look kinda familiar, I don't know she just looks someone I've seen before I just can't put my finger on it, hmmmmm 🤔 eh it's probably nothing )

Annnd just like that Love at 1st sight, in all seriousnes I really love Jimmy's character and how he's handled throughout this show, It's clear that he does feel Guilty for What happened last episode, after all He was the one who gave Lex the "motivation" to do what he is doing So I understand that he does feel responsible in someway, plus he did bring Clark to Expo in the 1st place which led to Superman being framed when the Villains attacked, but C'mon, you Didn't know that would happen or that Lex would be there, or that you guy's would have a TED TALK discussing the "Dangers" of Superman, You have No reason to feel guilty or have any obligation to Fix this because it wasn't your Fault, just sit down and talk to your boy and for crying out loud Omg 😫

Also Clark using his X-ray vision to immediately see who was running is extremely funny to me for some reason idk why lol 😅

Ok 2 things, 1 Lois throughout this episode was really infuriating to me, Lois's ego was really shining here I mean she really feels that there's Nothing Specail about her, and that it would be completely unlikely for a guy like Superman to ever be interested in a person like her, because "who would ever be interested in the reporter right" even though they made entire episode last season focusing on the LOL/ League of Lois Lanes and how Lois lane is DESTINED to be with Superman in every reality, so it really Grinds my gears when she starts getting jealous when she sees Superman acting single around other contestants/girls, and wants act all salty and question if they're even "right" for each other and that maybe he should be with someone who is more Special than her when in reality that's exactly WHY he fell for you in the 1st place, because you are Different and because you Makes him feel Normal, also you're the 1 that Told him to "act" single in the 1st place like Wtf!? Also I find it hilarious that Clark immediately waves as they're talking about who could Superman's identity be, like it's LITERALLY right in front of them 😂

Judging by this scene it feels like she's never been on Earth before whatsoever, from her being to foriegn to stuff like what Ice cream and hot dogs are, to earlier with her wanting to immediately square up with a Truck, It's pretty clear that THIS Is her 1st time being on earth, leaving the question Now to where has she been all this time, and who is her father? Because as far as I'm aware I thought only her and Kal were last 2 kryptonians that made it off Krypton, So who could her "father" be? Well there's only 1 option, but I'll save that for a later scene ;)

So as I was watching this I kept wondering on who the heck the other contestants were, as far as my knowledge of comic books go it's Not really that good, since I mainly grew up with cartoons and only read a few comics from time to time and Superman was the 1 thing that I Never really kept up with all that time, So forgive me I don't really know who most of the people are on here other than Hank Hanshaw AKA Cyborg Superman, if y'all happen to know feel free to lemme know in the comments or just Ask me in the submissions Thx ^^;

Also can Clark Not come up with a good excuse to change into Superman, I mean how hard is it to say "I'm going to the bathroom, I'll be right back" also saying you're going somewhere and then immediately having Superman show up is completely Sus as hell, how has no one else figured out Who the heck he really is yet ?😅

Ah the Jealous girlfriend face 🤣🤣 also the scene here with Hank talking about just how dangerous Superman is and how he is literally a weapon waiting to go off just shows how much Lex is affecting people and how he already has people thinking he's right; This is stuff that will Definitely be brought up in season 3, I can already see the "Earth is for Earthlings" Hashtags 😅also I don't know about you but to me there's definitely something suspicious about Silver from the way she's acting, idk but to me I'm thinking that maybe Silver may not be as sweet as we think she is, hmmmm 🧐

I love the callback from Last episode with her saying "everything" when Jimmy asks what she wanted to see, just like how he did when Clark asked him the same question, also between this and the Jimmy from the Supergirl TV show on CW, Jimmy really has a knack for pulling Strong powerful women, Nice ^_^

I Really love how Devoted kara already is to Jimmy, the fact that she immediately was ready to go and completely DESTROY Whoever hurt Jimmy tells you just how much she Already cares about him just from being on this planet for like idk 3 hours maybe, bro really knows how to pull the Baddies, Ngl I ship them ^^

She's LITERALLY the embodiment of this

Bruh Kara is really talking crazy here, to me this Not how kryptonians Speak, as far as I'm aware kryptonians are usually intelligent chill people with only a few of them being like soldiers, they're Not effing Conquerors, tbh this Version of them sounds more like Sayains than anything, Damn they're really going in on the whole Anime theme this season huh, which leads me to my Next topic; I think I Know who Kara's father supposedly is, here me out but what if it's Freaking ZOD, think about it, what if before she left krypton Zod kidnapped her as a baby and raised her to make her Think that she was his own, hence why she has this mindset and Why she's talking like this; after all Besides Kal only Zod and her would be last 2 kryptonians, So it's possible he could've raised her and molded her into the warrior/ conquer she is today Similar to him, and if you still don't believe me, then take a Good look at what She says here Next

Ladies and Gentlemen, I rest my effing Case ^^ also OMG WTF IT WAS HER THE ENTIRE F#%KING TIME!? 🤯

Ok 3 things: 1 she beat the Absolute Shit out of him my god she showed No mercy even to her Own cousin Wow, 2 the Animation for this fight scene in this episode was Wild omg I loved every minute of it, They have Not missed a Beat this season when it's come down to the Animation whatsoever, and finally 3 Her design for this Suit looks Just effing incredible, Omfg I love the Red and black color scheme they got going on here and the Symbol, aside from Bulky ass Shoulder pads, everything just looks So effing CLEAN, Man I can't wait to see the Fanart from this Suit; Also it's clear that Brainiac is controlling her somehow judging by how she keeps hesitating and the way her eyes go completely blank after She receives her orders, So there may be hope for her Just yet, but in the end I know that even IF she turns good, Earth is going to be Completely against her and Superman by the end of this Season, So yeah...

Wow it looks like we Gotten yet another New superpower for this man, Ngl, I'm not a fan at all, the last one we got from him was his Bio electric aura which at 1st I wasn't a fan of but once I thought about It some more and did a bit more research on it, It really started to grow on me, Since it's how he's able to Defy the impossible, THIS however I am just Not feeling it, this does make any sense for him to have and Never even once in my life have I ever seen this man Shoot effing energy from his Mouth, like what is even the Point of this power and what is it used for like Bruh, Sry but this is Definitely ain't for me, and is Not going to grow on me anytime soon ^^;

No Please Not the Injustice FINISHER, Omg DON'T DO HIM LIKE THAT!! 😱😱😱

Wow this episode was just Balls to the Walls insane, between this and the Reveal that Brainiac was the one She was referring to as "father" i have No idea what else to expect from this Season, and this is Just making me completely unsure about what's gonna happen next for the future of this show, Omg this Series is so good, Can't wait for the next one #SupermanSaturdays

[love-takes-work]

Here we are in the future (merch) and it's WRONG

Hot Topic has been kinda killin' it with neat new designs on SU merch, which to me is pretty special considering how long the show has been off the air and how much I like to get new merch. :X However, the last time I was browsing their site, I decided against getting one of the designs because it's this:

Huh? "Ladies love a hero"? Where the heck did THAT come from?

It's certainly never said in the show, and it's not a sentiment that's presented by any characters, nor is it intended as a message by its creators. Not to mention that the Gems pictured technically aren't even "ladies." Who got the weird idea that "ladies love a hero" would be an appropriate thing to associate with Steven Universe?

I ended up buying a coffee mug with a bunch of SU artifacts and was dismayed to find the "ladies love a hero" phrase had somehow made it onto the otherwise canon-referential mug.

(The side I saw when I decided to get it was this:)

When it came in I showed it to my friend and asked him to find the thing on it that was "wrong." IMMEDIATELY he was like "Ladies love a hero? WHAT?"

Just kinda makes me think that instead of being designed by anyone with a passing familiarity with the show, it was thrown together by someone who thought it would look good. Who decided this?

But speaking of which, then today I saw this one:

Okay. So, seeing merch with random shit from the show splashed all over it is common with knockoffs and lazy ripoff artists, but seeing something like this in a mainstream store is puzzling. It's a somewhat confusing graphic with no message, but it's like . . .

Okay, Steven, Spinel, and Connie from the movie, versus. . . .

Amethyst with her Season 2 design, versus. . . .

Random image of Stevonnie from a single scene in a late Season 5 episode, versus. . . .

Random Greg, random Pink Diamond, versus. . . .

Garnet in what appears to be an attempt at her post-"Jailbreak"/pre-"Change Your Mind" outfit, but it's miscolored, and. . . .

Completely missing Pearl, one of the major main characters. Who puts Pink Diamond, Greg, Connie, Spinel, and Stevonnie on a shirt but forgets Pearl?

It's just kind of a mess, conceptually. A bunch of pretty pictures, several of which are stock art and a couple of which I've basically never seen on anything (so why these, why now?).

It's not uncommon for images featuring the four main characters to have character designs that couldn't have coexisted, but that doesn't bother me as much as something that just feels like it was an out-of-touch designer's google search result for Steven Universe characters.

Man, I need to be a merch consultant for this show or something. I am not much of an artist and am not a designer, but like . . . if they'd just asked ONE fan. . . .