#which is a reference to some other show's title

[adropofhumanity]

Alexander Smith, a contractor for the US Agency for International Development (USAID), resigned from his private sector position on Monday, saying he could no longer perform contract work for the Biden administration after a presentation he was preparing on Gaza's humanitarian crisis was cancelled.

Smith claimed that USAID gave him a choice between resigning or dismissal after he attempted to give a presentation on maternal and child mortality among Palestinians, according to The Guardian.

USAID material online shows that Smith has worked on projects including gender and global health and development and the economic cost of gender-based violence.

"I cannot do my job in an environment in which specific people cannot be acknowledged as fully human, or where gender and human rights principles apply to some, but not to others, depending on their race," Smith wrote, according to a resignation letter referenced by The Guardian.

Smith worked for the Highbury Defense Group, which has a government contract with USAID.

According to The Guardian, Smith was scheduled last week to give a presentation to an internal USAID conference on maternal and child mortality in Gaza and the West Bank.

USAID's Middle East department told Smith to redact multiple sections, which Smith said included a slide on international humanitarian law, language that alluded to a Palestinian state, and references to agencies that have Palestine in their title, like the UN Family Planning Association (UNFPA) Palestine. The US does not officially recognise a Palestinian state.

After disagreements over the edits, USAID cancelled Smith's briefing, and two days later his company told him USAID wasn't satisfied with his work. Given the choice of resigning or being dismissed, Smith chose the former.

Smith's resignation adds to a small but growing list of officials working inside or for the US government who have resigned in protest against the Biden administration's support for Israel's war on Gaza.

USAID didn't respond to MEE's request for comment by the time of publication.

[homomenhommes]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … June 1

1880 – According to the United States Census, 63 men in 22 states had been incarcerated for "crimes against nature" – 56% in the South, 25% in the East, 13% in the Midwest, and 6% in the West.

The U.S. census reveals that 224 people are in prison for sodomy, up from 63 in the previous census.

###################################

1915 – Bart Howard (born Howard Joseph Gustafson d.2004) was an American composer and songwriter, most notably of the jazz standard "Fly Me to the Moon", which has been performed by Judy Garland, Frank Sinatra, Tony Bennett, Ella Fitzgerald, Nancy Wilson, Paul Anka, June Christy, Brenda Lee, Nat King Cole, and Peggy Lee, among others. It is played frequently by jazz and popular musicians around the world. Howard wrote the song for his partner of 58 years, Thomas Fowler.

Howard was born in Burlington, Iowa. He began his career as an accompanist at the age of 16 and played for Mabel Mercer, Johnny Mathis and Eartha Kitt, among others.

"Fly Me to the Moon" was first sung in 1954 by Felicia Sanders at the Blue Angel nightclub in Manhattan, where the composer became M.C. and accompanist in 1951. The song received wide exposure when Peggy Lee sang it on The Ed Sullivan Show several years later. Bart Howard "lived off" this song for the rest of his life, although he had 49 other songs to his credit.

The original title was "In Other Words", but so many people referred to it by the first lyric line, ("fly me to the moon") the publisher changed the title to "Fly Me to the Moon".

Howard died February 21, 2004, at age 88, in Carmel, New York. He was survived by a sister Dorothy Lind of Burlington, Iowa and by his partner of 58 years, Thomas Fowler.

##################################

1926 – Aubrey Morris, born Aubrey Steinberg, (d.2015) was a British actor perhaps best known for his appearances in the films A Clockwork Orange and The Wicker Man, two of the most talked-about cult movies of the 1970s. He was memorably sleazy as Malcolm McDowell’s probation officer Mister Deltoid in A Clockwork Orange and equally creepy as the gravedigger in the offbeat Scottish horror classic The Wicker Man.

Morris was one of nine children born to Becky (née Levine) and Morry Steinberg. An elder brother, Wolfe Morris, was also an accomplished actor. His grandparents were from Kiev and escaped the Russian pogroms, arriving in London in about 1890. The family moved to Portsmouth at the turn of the 20th century. It was a large and close-knit family and they were proud of the achievements of Morris and his siblings, though the fact that he was homosexual caused some tension at a time when views towards homosexuality were less tolerant.

Aubrey attended Portsmouth Municipal College and RADA. His first stage appearance in 1944 was at the Open Air Theatre, Regent's Park in The Winter's Tale. From 1954 to 1956 he was at The Old Vic and appeared on Broadway.

He was a great friend of Patrick McGoohan, with whom he appeared in the film The Quare Fellow in 1962 and then again on television a few years later in several episodes of Danger Man and in its surreal quasi-sequel The Prisoner.

Morris featured in over fifty films; a notable early role was as Thorburn, the oddball pornographer running a Soho bookshop in John Gilling’s science fiction thriller The Night Caller (1965). His better known films include Woody Allen's Love and Death (1975), Ken Russell's Lisztomania (1975), and Gene Wilder's The Adventure of Sherlock Holmes' Smarter Brother (1977). He also appeared in many television programmes, his debut being in a BBC production of the comedy Fly Away Peter (1948). Although most of his television appearances were in Britain, such as Z-Cars and Lovejoy, he also made some appearances in US programmes, such as a Columbo movie titled Ashes to Ashes (1998) and the Dennis Miller comedy vehicle Bordello of Blood (1996).

###############################

1947 – Ashok Row Kavi is an Indian journalist and one of India's most prominent LGBT rights activists.

Born in Mumbai, he graduated with honors in Chemistry from the University of Bombay. Later, he dropped out of engineering college. Due to his early difficulty in dealing with his homosexuality, he enrolled as a Hindu monk in the Ramakrishna Mission and studied theology. Encouraged by a senior monk, he left the monastery to freely explore and express his homosexuality.

In a journalism career spanning 18 years, he worked in various newspapers and magazines, including India’s largest circulated newspaper Malayala Manorama (as Western India Bureau-Chief), Sunday Mail and The Daily. For six years he was also senior reporter covering Science and Technology in The Indian Express group of newspapers.

In 1971, he started Debonair, with friend Anthony Van Braband and later in 1990, he founded Bombay Dost, India's first gay magazine. He was a representative at the International AIDS Conference in Amsterdam and served as chairman of the Second International Congress on AIDS.

Row Kavi was the first person to openly talk about homosexuality and gay rights in India. His first coming out interview appeared in Savvy magazine in 1986. His mother, Shobha Row Kavi, also gave an interview to the same magazine; it was the first time that a mother spoke about her son’s homosexuality to the Indian media.

At the present, he is founder-chairperson of the Humsafar Trust, a male sexual health NGO, which also agitates for the legal emancipation of homosexuality in India. The trust’s work comprises community work, outreach into the gay and MSM groups, advocacy on gender and sexuality issues concerning sexual minorities and research into sexuality and gender issues.

Row Kavi has been a regular contributor to newspapers, magazines and journals around the world, on homosexuality, gay rights and issues around HIV/AIDS. He is an active supporter of organizations like the Gay Bombay a LGBT social organization in Mumbai.

1950 – Tom Robinson born. Although Tom Robinson was never really a proper 'punk', the Tom Robinson Band emerged on the back of the punk movement and enjoyed some success. Notably his ground breaking 1978 anthem Sing If You`re Glad To Be Gay, which was a Top 20 hit in the UK. His other notable hits were 2-4-6-8 Motorway (1977) and War Baby (1983).

(4 mins 24 secs)

Tom enjoyed some solo success and then Britain's first openly gay pop star 'ruined' it all by getting married and having children - which attracted some amusement from the press and the ire of some sections of the gay community.

He now sings that he's glad to be bi and continues to be an advocate for the LGBT community.

He finally retired as a full-time musician in 2002 and works as a broadcaster for BBC 6 Music. He occasionally appears in concert for fan events and for causes he supports.

1950 – Michael McDowell (d.1999) was an American novelist and screenwriter. He received a B.A. and an M.A. from Harvard College and a Ph.D in English from Brandeis University in 1978 based on a dissertation entitled "American Attitudes Toward Death, 1825-1865". Stephen King once described him as "the finest writer of paperback originals in America today". Further, King in his book Danse Macabre, listed McDowells novels The Amulet and Cold Moon Over Babylon as, at the time of writing, being amongst his favourite books.

The Amulet (1979), Cold Moon Over Babylon (1980), and The Elementals (1981) were paperback original supernatural horror stories set in the South. Gilded Needles (1980), was a non-supernatural, historical horror novel dealing with a Victorian criminal family's exquisite revenge upon the family of a sternly bigoted New York judge. These were followed by his epic Blackwater (1983), a fifty-year family chronicle of a wealthy Southern dynasty with a supernatural ally, originally published in six short volumes, and the surreal Toplin (1985).

McDowell collaborated with his close friend Dennis Schuetz in writing four mysteries starring Daniel Valentine and Clarisse Lovelace: Vermillion (1980), Cobalt (1982), Slate (1984), and Canary (1986). These were published under the pseudonym Nathan Aldyne. They are light mysteries set in and around Boston and Provincetown. Daniel is a gay social worker turned bartender and Clarisse is a straight real estate agent and later a lawyer. Descriptions of the contemporary gay scene and its problems are lively and colorful.

In the early 1980s, McDowell released two psychological thrillers under the pseudonym Axel Young. Both books (especially the second) were over-the-top parodies of Sidney Sheldon-type suspense novels: Blood Rubies in 1982 and Wicked Stepmother in 1983.

His screen credits include Beetlejuice (1987), and collaborations on The Nightmare Before Christmas (1993) and Thinner (1996). He also wrote horror/fantasy/thriller teleplays for a number of television series.

His life partner of 30 years was the theatre historian and director Laurence Senelick. McDowell and Senelick meet in 1969 when McDowell was a cast member of the Senelick-directed play, Bartholomew Fair.

McDowell was diagnosed with AIDS in 1994. After his diagnosis McDowell "taught screenwriting at Boston University and Tufts University" and continued writing commissioned screenplays. One of the projects he was working on was a sequel to the movie "Beetlejuice". McDowell died in 1999 in Boston, Massachusetts from an AIDS-related illness. His unfinished novel Candles Burning was completed by Tabitha King, wife of novelist Stephen King, and published in 2006.

1967 – Los Angeles Police conduct brutal raids on several gay bars. Enraged by the sight of a few men exchanging customary New Year’s kisses at midnight at the Black Cat in Silver Lake, LAPD undercover agents attack patrons and employees, leaving several severely injured and arresting 16.

1970 – Sexology magazine reported that a study shows that gay men have larger penises than heterosexual men.

1975 – Drummer magazine debuted on this date. Leather sales went through the roof. It was published until 2001.

1979 – Jerry Falwell forms the right-wing, anti-gay fundamentalist hate group "The Moral Majority." They were neither moral, nor a majority, but they were a nuisance and a irritation for over ten years until they waned in power and were overtaken by other right-wing fundamentalist groups. The Moral Majority did represent the first wide-scale mobilization of conservative fundamentalist Christians in national politics.

1991 – The first Gay Days at Disney World took place. Gay Days at Walt Disney World is a loosely organized event where lesbian, gay, bisexual, and transgender (LGBT) individuals, their families, friends and supporters go to Disney World on a single day each year. Held on the first Saturday in June (with numerous other events in the area during the preceding week), it is now one of the largest gay pride events in the world.

The first event, in 1991, had 3,000 gays and lesbians from central Florida going to area theme parks on one day wearing red shirts to make their presence more visible. By 1995, the event had grown to 10,000 gays and lesbians traveling for the gay day at Disney. As of 2010 approximately 150,000 LGBTs, their families, friends and supporters attended the six-day gathering (including various pool parties, conventions, festivals, a business expo, activities for kids, etc.) with 20,000 to 30,000 going to Disney on the final day. The popularity of the event is seen by some attendees as a way of "reclaiming" normal joys of childhood lost to homophobia in their earlier years. Growth in attendance also reflects the growing number of LGBT families with children.

While Disney does not sanction Gay Days (and officially tells employees to treat it as any other summer day), conservative Christian-right groups accuse Disney of not doing anything to stop the event. The Southern Baptist Convention boycotted Disney for eight years. Another organization flew banner planes one year warning families of gay events at Disney that weekend.

1994 – The United States Pentagon receives a proposal from the Air Force requesting funds to build a "Gay bomb" that would turn enemy troops Gay. The proposal would not come to light until 2007 when the Sunshine Project would discover it through a Freedom of Information Act disclosure. As part of a military effort to develop non-lethal weapons, the proposal suggested, "One distasteful but completely non-lethal example would be strong aphrodisiacs, especially if the chemical also caused homosexual behavior."

The documents show the Air Force lab asked for $7.5 million to develop such a chemical weapon. In both of the documents, the possibility was canvassed that a strong aphrodisiac could be dropped on enemy troops, ideally one which would also cause "homosexual behavior". The documents described the aphrodisiac weapon as "distasteful but completely non-lethal". The "New Discoveries Needed" section of one of the documents implicitly acknowledges that no such chemicals are actually known. The reports also include many other off-beat ideas, such as spraying enemy troops with bee pheromones and then hiding numerous beehives in the combat area, and a chemical weapon that would give the enemy bad breath.

The Wright Laboratory, which had made the gay bomb proposal, won the 2007 Ig Nobel Peace Prize for "instigating research & development on a chemical weapon—the so-called 'Gay bomb' / 'poof bomb'—that will make enemy soldiers become sexually irresistible to each other." However, Air Force personnel contacted were not willing to attend the award ceremony at Harvard University's Sanders Theater to accept the award in person.

1998 – Jonathan David Katz is the founding director of the first annual National Queer Arts Festival.

Jonathan David Katz (b.1958) is an American activist, art historian, educator and writer, he is currently the director of the doctoral program in Visual culture studies at State University of New York at Buffalo. He is also the former executive coordinator of the Larry Kramer Initiative for Lesbian and Gay Studies at Yale University. He is a former chair of the Department of Lesbian and Gay studies at the City College of San Francisco, and was the first tenured faculty in gay and lesbian studies in the United States. Katz was an associate professor in the Art History Department at the State University of New York at Stony Brook, where he also taught queer studies.He received his Ph.D. from Northwestern University in 1996.

Katz is the founder of the Harvey Milk Institute, the largest queer studies institute in the world, and the Queer Caucus for Art of the College Art Association.

Katz co-founded Queer Nation San Francisco. He has made scholarly contributions to queer studies the focus of his professional career. He was the first artistic director of the National Queer Arts Festival in San Francisco and has published widely in the United States and Europe.

His book, The Homosexualization of American Art: Jasper Johns, Robert Rauschenberg and the Collective Closet, was published by the University of Chicago Press. An internationally recognized expert in queer postwar American art, Katz has recently published "Jasper Johns' Alley Oop: On Comic Strips and Camouflage" in Schwule Bildwelten im 20. Jahrhundert, edited by Thomas Roeske, and "The Silent Camp: Queer Resistance and the Rise of Pop Art," in Plop! Goes the World, edited by Serge Guilbaut.

Katz is currently co-curator with David C. Ward and Jenn Sichel of the exhibition "Hide/Seek: Difference and Desire in American Portraiture" at the National Portrait Gallery, the first major museum exploration of the impact of same-sex desire in the creation of modern American portraiture. David Wojnarowicz's video "A Fire in My Belly" was removed from the exhibition on November 30, causing controversy. Katz was not consulted before the work's removal.

2003 – Belgium becomes the second country to allow same-sex marriages, after the Netherlands.

2009 - On this date President Barack Obama issued a historic Pride Month proclamation on the occasion of the 40th anniversary of Stonewall:

BY THE PRESIDENT OF THE UNITED STATES OF AMERICA

A PROCLAMATION

Forty years ago, patrons and supporters of the Stonewall Inn in New York City resisted police harassment that had become all too common for members of the Lesbian, Gay, Bisexual, and Transgender (LGBT) community. Out of this resistance, the LGBT rights movement in America was born. During LGBT Pride Month, we commemorate the events of June 1969 and commit to achieving equal justice under law for LGBT Americans. LGBT Americans have made, and continue to make, great and lasting contributions that continue to strengthen the fabric of American society. There are many well-respected LGBT leaders in all professional fields, including the arts and business communities. LGBT Americans also mobilized the Nation to respond to the domestic HIV/AIDS epidemic and have played a vital role in broadening this country's response to the HIV pandemic. Due in no small part to the determination and dedication of the LGBT rights movement, more LGBT Americans are living their lives openly today than ever before. I am proud to be the first President to appoint openly LGBT candidates to Senate-confirmed positions in the first 100 days of an Administration. These individuals embody the best qualities we seek in public servants, and across my Administration -- in both the White House and the Federal agencies -- openly LGBT employees are doing their jobs with distinction and professionalism. The LGBT rights movement has achieved great progress, but there is more work to be done. LGBT youth should feel safe to learn without the fear of harassment, and LGBT families and seniors should be allowed to live their lives with dignity and respect. My Administration has partnered with the LGBT community to advance a wide range of initiatives. At the international level, I have joined efforts at the United Nations to decriminalize homosexuality around the world. Here at home, I continue to support measures to bring the full spectrum of equal rights to LGBT Americans. These measures include enhancing hate crimes laws, supporting civil unions and Federal rights for LGBT couples, outlawing discrimination in the workplace, ensuring adoption rights, and ending the existing "Don't Ask, Don't Tell" policy in a way that strengthens our Armed Forces and our national security. We must also commit ourselves to fighting the HIV/AIDS epidemic by both reducing the number of HIV infections and providing care and support services to people living with HIV/AIDS across the United States. These issues affect not only the LGBT community, but also our entire Nation. As long as the promise of equality for all remains unfulfilled, all Americans are affected. If we can work together to advance the principles upon which our Nation was founded, every American will benefit. During LGBT Pride Month, I call upon the LGBT community, the Congress, and the American people to work together to promote equal rights for all, regardless of sexual orientation or gender identity. NOW, THEREFORE, I, BARACK OBAMA, President of the United States of America, by virtue of the authority vested in me by the Constitution and laws of the United States, do hereby proclaim June 2009 as Lesbian, Gay, Bisexual, and Transgender Pride Month. I call upon the people of the United States to turn back discrimination and prejudice everywhere it exists. IN WITNESS WHEREOF, I have hereunto set my hand this first day of June, in the year of our Lord two thousand nine, and of the Independence of the United States of America the two hundred and thirty-third. BARACK OBAMA

[yuri-is-online]

... so what do we know about the Clash? (pt. 2)

moving right along from part 1

WARNING: THIS POST CONTAINS SPOILERS THROUGH EPISODE 5: HOTARUBI. PLEASE INTERACT WITH DUE CAUTION.

The Laurel Crown is first referenced by Ritsu in Episode 4. It is an award given to the best performing house of the year at an event called the Darkwick Gala. Kaito says it is held one week before graduation, Ritsu says there are a lot of rewards given out to graduating winners. He also very specifically says that it is "the shortest path to success and independence from Darkwick for us ghouls." That word independence strikes me as important, though it is not followed up on here or elsewhere unless you count the discussion surrounding Article 78 in Episode 5. Ritsu thinks that Taiga was interested in it once upon a time due to his impressive mission completion record in his first year. We know Zenji wanted to win the crown to obtain recognition as an author, while most of the other ghouls we've met show a degree of disinterest or lack of knowledge of it. Ren mentions at the end of this conversation that he didn't know about the Gala, and Ritsu points out that despite being canceled it was never removed from last years schedule. It is not not this year's though, and he implies that Cornelius is covering something up. Which really does seem to be the case...

The Crown system was discontinued as a direct result of the Clash... we think. It is never explicitly stated "yeah the Clash happened so we aren't doing this anymore" it's instead alluded to as something they can't do because there are too many ghouls to control. We know it had to be this as Haku tells Zenji that it was discontinued after he died, and Zenji died during the Clash. According to Haku, he was killed by a rogue anomaly. He adamantly discourages MC from looking into the Clash gee why would you do that HAKU and this seems to be a similar stance to what Cornelius would take if he knew you were curious. Cornelius and Moby are reluctant to let Lyca free because "what if we have another case of a ghoul-" We can assume he is going to say "killing" or something along those lines based off the concerns listed about Lyca, but that's not confirmed.

Ritsu finds documents about the Clash in the school's archives. he finds them alongside disciplinary documents, he says he either overlooked them or someone had them checked out as he has not read them before. The file is thick and is specifically titled "The Clash: An Overview of Civil Affairs Instigated by Darkwick Students." The term "civil affairs" is interesting. As best I can tell it is a military term that refers to small scale missions undertaken by small teams that focus on civil action? Like diplomacy stuff? Or organizing humanitarian aid? And in more sinister scenarios to assist in psychological warfare to condition a population to not fight against your military but I don't know if that's what the translation team was going for here exactly. I think it's just meant to imply things got really bad and really violent.

Lastly, this is less easy to prove than some of the other things as fact but I still think it is one: there are hints of a split in the student body over who is pro-anomaly and anti-anomaly. Subaru is obviously very pro-anomaly and thinks that capturing them is cruel, Taiga seems to be pro eating anomalies while Romeo is very comfortable with catching them and collecting bounties. A lot of this seems to be tied to how they view the school, the Institute that runs it, and their place in that hierarchy. The one thing everyone seems to agree on is that they are trapped at Darkwick and don't want to be. At least not forever.

So to re cap all of the things we know to be fact: the Clash happened sometime last year, half a year ago at the absolute latest. The fight is thought to have been started by the ghouls, we do not know over what. The Laurel Crown system and the Darkwick Gala were both canceled after the fallout of the Clash, in which at least two named people are thought to have died: Zenji Kotodama who would have been a second year Hotarubi student and Dante whose former role is unknown. Zenji still resides in the school as a ghost, though this is unknown to Darkwick staff, and Dante has been brought on as a Professor. Also, all of the Inspectors seem to have quit at the end of the previous year due to the ghouls abusing mesmer matches on them. Three dormitories were disbanded at some point and one new one was created. We do not know if this was connected to the Clash or if it was an inciting incident for it, but at some point Clementia, one of those dormitories, was the scene of some sort of fight. Some of the students of Dionysia dorm went missing, presumably the ghouls. We know nothing about what happened to Ultio aside from the prison they were tasked with running now being run "by Darkwick." All general students from these dorms were re-assigned elsewhere, as were the general students previously assigned to Jabberwock who had general admissions halted. There is a spy amongst these ghouls who Taiga believes is intending to make them look bad; Alan and Tohma are attempting to isolate this spy. We do not know who this spy is spying for, or what Alan and Tohma want out of him exactly, nor do I really expect to find out anytime soon.

So. Now onto the Questions and Theories. As in things we can assume but cannot exactly prove:

Questions and Theories

Jiro and Zenji look extremely similar with a few noticeable differences, namely the piercings Jiro has and the glasses Zenji wears. My first thought was that maybe Jiro was made out of Zenji's corpse, but his birthday is listed as October 13th, which is not the middle of the year by any stretch. They also have different blood types; I think the most practical explanation comes from Zenji himself. When describing why he's so attached to the haunted doll you've found, he says it looks just like his brother did when he was a baby. I have some screenshots of Zenji following Jiro around in a campus event because he wants to help him find something he's looking for, so it does make a bit of sense. And make me even more sad.

The Institute that runs Darkwick seems to be deeply suspicious of ghouls and feel a need to keep them on a short leash. There is a great deal of distrust and resentment between the ghouls and the Institute, and the Clash seems to have been the result of that distrust. The thickness of the records Ritsu finds suggests to me that whatever the Clash was exactly, it took up most of the previous year and that it had something to do with Darkwick's treatment of anomalies.

On that point, I think that Clementia was likely destroyed by a rogue anomaly. The destruction MC sees is described as something going on a rampage, and not as a fight. The fight angle is still possible of course, and if that's the case I wonder if it has something to do with how Ultio was running the prison. I mentioned in the previous post that the goddesses these dorms are named after are meant to sort of balance each other out, so if there was going to be a clash of ideals between anyone on campus it'd probably be these guys.

I feel like Obscuary was set up as a result of the Clash? Or at the very least some time before it specifically so there would be some place for Rui and Ed to go. I think the dorm members will all be crossed with an anomaly in some way, Ed with a vampire, Rui with a reaper, and Lyca with a werewolf. Also, Ed is rumored to have done something. What? No fucking clue, don't even know if it's related to the Clash but still he has done something to get added into the rumor mill.

We don't know what Haku's stigma is as he didn't tell us. He also makes a point of saying that he thinks it's a good thing to get through a mission without using your stigma, if anything he seems to discourage the MC from using or relying on the ring to help the ghouls. You could see this as him trying to encourage her to value herself more, or maybe he thinks that there is a cost for using stigmas we don't know about just yet and they're not the blessings the ghouls think they are. Also he asks Cornelius if he has ever lied to him at the end of the chapter and if you think I didn't find that sus as all hell-

I need to sleep, but remind me to make a post about Haku sometime. Because I don't think he's evil exactly, but I do still think he's the spy.

[good-old-gossip]

Alexander Smith, a contractor for the US Agency for International Development (USAID), resigned from his private sector position on Monday, saying he could no longer perform contract work for the Biden administration after a presentation he was preparing on Gaza’s humanitarian crisis was cancelled.

Smith claimed that USAID gave him a choice between resigning or dismissal after he attempted to give a presentation on maternal and child mortality among Palestinians, according to The Guardian. USAID material online shows that Smith has worked on projects including gender and global health and development and the economic cost of gender-based violence.

“I cannot do my job in an environment in which specific people cannot be acknowledged as fully human, or where gender and human rights principles apply to some, but not to others, depending on their race,” Smith wrote, according to a resignation letter referenced by The Guardian.

Smith worked for the Highbury Defense Group, which has a government contract with USAID. According to The Guardian, Smith was scheduled last week to give a presentation to an internal USAID conference on maternal and child mortality in Gaza and the West Bank.

USAID’s Middle East department told Smith to redact multiple sections, which Smith said included a slide on international humanitarian law, language that alluded to a Palestinian state, and references to agencies that have Palestine in their title, like the UN Family Planning Association (UNFPA) Palestine.

The US does not officially recognise a Palestinian state. After disagreements over the edits, USAID cancelled Smith’s briefing, and two days later his company told him USAID wasn’t satisfied with his work.

Given the choice of resigning or being dismissed, Smith chose the former. Smith’s resignation adds to a small but growing list of officials working inside or for the US government who have resigned in protest against the Biden administration’s support for Israel’s war on Gaza.

USAID didn’t respond to MEE’s request for comment by the time of publication.

[killjoy-prince]

House M.D. but it's when a character says the name of the episode

[reinabeestudio]

Understandably he has more than one voice but phew (°ー°〃)

[kalmeria]

so I know basically no one follows me for ensemble stars BUT! i think tumblr ppl could appreciate if i told them about how there’s two characters who meet for the first time and they feel some kind of connection immediately, like “have we met before?” and then later it turns out they used to be mutuals

[thschei]

Translation here

She pokes at me and then runs away Can’t let go; she does it on and on and on She calls me, and then turns away They say she’s dangerous but I can’t hear them Why are you doing this to me? Why am I doing this to you? The end of your words are vague And my tears fall I’m on my knees And I’m ready to get hurt You're looking at me, who came back Can’t let go; I do this on and on and on From your touch that held onto me I don’t see a single trace of love anywhere Your eyes change little by little, The moonlight starts to vanish As if everything is so fun for you, As if you’re laughing at me You get further away Tears come to me again I need therapy, la-la-la-la-la therapy I knew it but I’ve fallen for you again; I’m ready to get hurt I’m a toy that’s made for you; My life-line is always in danger I’m nervous but I’m sure That you will transfer to some other guy Just play with me for sure, today From head to toe, take all of me Roughly play with me, then throw me away; I’m all done getting ready to get hurt Why are you only like this to me? Why am I only like this to you? Once again, you leave room, you leave strange words And I look at you as you take off and I cry I need therapy, la-la-la-la-la therapy I'm waiting for you once again; I’m ready to get hurt

[insertdisc5]

📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

[rashomonss]

Readjusting

context: just a few somewhat angsty headcanons I have for when MC and Solomon return to the present after everything, enjoy!!

warnings: this does contain nightbringer spoilers

the past changes people

MC will often become more hesitant to talk to or even engage with the brothers. Due to being treated as an attendant in the past they now are used to it, so whenever one of the brothers tries to engage with them they find it hard to sit still or listen to said brother for long periods of time without feeling out of place.

MC will often mix up the fact that they are an exchange student rather than an attendant. When Diavolo claims that he wants MC to feel comfortable as an exchange student MC will respond with something along the lines of how they don’t need much because they’re the brothers attendant. Which in return gets a few confusing stares from others.

MC still carries out some of their duties as an attendant unconsciously. Such as keeping track of the brother’s schedules, events, student council meetings, etc. The brothers don’t mind at first however what they do find unpleasant is the fact MC always follows behind them instead of right beside them like they used too. This doesn’t register until one of them says something to MC, which they in turn respond with “I always follow behind all seven of you”. Which makes their hearts sink.

Still focusing on the attendant duties, MC will still continue to carry out anything asked of them without much of a fight. Since they were so used to carrying out such elaborate things when watching over the brothers in the past they are now used to doing such tasks for them. Most of the time this will confuse most of the brothers because MC is usually more vocal with their opinion on something.

MC will unconsciously be a bit harsher and stricter on the brothers than they usually were. Since being their attendant MC had to keep each of them on a tight leash so they wouldn’t get into trouble. So now in the present if they were to start fighting MC would be the first to show up to scold them instead of Lucifer.

MC will just straight up be petty with Lucifer for a while. Due to the things he said while they were in the past they still haven’t completely forgiven him. So whenever Lucifer mentions his “family”, MC finds themselves saying some remark along the lines of “well that doesn’t include me” or “just the seven of you I know. I leave you all alone” is enough to confuse and hurt the hell out of him. MC knows that Lucifer does really care for them in this timeline, but they can’t help it. His words really did hurt them deeply for awhile.

On another topic of MC’s attitude, Diavolo soon realizes that they are much more formal with him. The cute nickname Dia was dropped and he was always referred to by a title now. When Diavolo questioned them about formality MC simply explained that the past Barbatos didn’t like them referring to Diavolo in such a manner.

MC is now more vigilant around Satan, Belphegor and Barbatos, each for different reasons.

Satan is one that worries MC the most because they became used to having to deal with his violent outbursts and destructive episodes. So when Satan gets angry in the present MC will step in front of him and the brothers separating them. Satan soon grows confused when MC prepares a spell to restrain him.

Belphegor doesn’t worry MC as much as the other two, but after he found out they were a human in the past and tried to kill them again in response MC had to remain vigilant. They still do whenever they are alone with him. Which in turn makes the youngest guilty about the past.

Barbatos is someone MC keeps Solomon away from at all costs. After all MC was used to Barbatos teleporting the sorcerer around from place to place. It did become concerning when Solomon would show up later and later each time he came home. So to avoid that MC would make themselves and Solomon avoid the butler at all costs. However the present butler soon finds this behavior hurtful when MC constantly declines his offer to come over. In the end MC has a hard time remembering that this isn’t the past Barbatos.

Many soon noticed the strong bond MC now has with Solomon and of course they all become jealous. At first they noticed how MC would go to him for little things, or just prefer to be around him more, but when they asked about moving in with him rather than staying in the House of Lamentation it threw everyone for a loop. It made it even worse when MC said they’ll be there to help the brothers every morning like usual. They wanted MC to realize that they’re an exchange student not an attendant.

Many also notice how reliant they are on Solomon for certain things. Sometimes MC just needs Solomons presence in a room to be able to feel comfortable. If not MC will then become slightly annoyed or fidgety.

Solomon becomes more protective over MC without even realizing it. If he believes one of the brothers are being too bothersome to MC he will step in and whisk them away.

Solomon finds it easier to steal MC’s attention away now. Before when he would try and drag them away from the brothers, or even try and steal their attention for just a second it always failed. However with how close they both became in the past, if Solomon interrupts a conversation MC is having with the brothers MC finds themselves listening to him a bit more than the brother they were speaking with.

MC is much more reckless and blunt with their decision making now. Before they were a bit more collected with their thoughts. However being in the past made their impulsive decision making become a habit. Thus causing the brothers to sometimes question MC methods.

MC would often question the brothers as to why they weren’t in their demon forms. They suppose they just got used to seeing them in those outfits for so long now it became the norm.

[murdrdocs]

just read all your imagines and they are so good!! just on here to req anything hobie brown related cos god that man is so fine. maybe like a one-shot where they are fwb cos hobie doest do labels but gets jealous and then asks reader to be his gf and then shows her off to everyone. just like really anything u want to write tbh ✨✨

end of line | h. brown

description. being friends with benefits with your best friend, hobie brown, is fun and all, but you start to realize that maybe firm labels suit you better than whatever this is

includes. slight smut SUGGESTIVE 16+, fem!reader referred to as “girl”, fluff, sweet!hobie, pav gwen and miles mention, rockstar!hobie

a/n: i have no words this was supposed to be uploaded like a week ago but then i went to disney so ... sorry yall. also not edited well bc ... disney. edit: title from the song by daft punk bc tron <3

word count: 1.7k+

things are still in your bedroom. they always are right before he arrives.

you're not a psychic, nor do you have a "spider-sense" (which, with the creepy-sixth sense way hobie described it, you don't want one either), but you like to think that you can tell when he'll come by.

nights when you haven't heard much from him, but the sirens seemed to never stop outside, were usually when your window would creek as it slid up.

you listen out for the sound now as you finish painting your last nail. you'd used the quick dry polish tonight, in hopes that you wouldn't have a repeat of last time, when your fingernails weren't dried but hobie was incredibly impatient and when you were done, you'd realized that your right ring and pinkie fingers were smudged.

the bottle's closed, you'd blown on your nail to ensure it dried, and that's when your window slides open.

there's no point in looking back at him when he tumbles into the room. he starts mumbling complaints as soon as the window's closed, the sound of his shoes unlacing padding his words, something about some common thief who hobie was going to let go but then he went and messed with the lady on the street and her cat.

you'd lost the tail end of his words whenever he started walking closer to you. you sat up straighter, pushed everything out of the way, and waited for him to turn your chair around.

which, when he did, you looked up at him, small smile on your lips as you stared into his deep brown eyes.

"how's your night, hm?" he asked, a courtesy before getting to the real action.

you shrugged, pretending to think. "nothing. just a lot of this."

"no smashing societal standards? picking off misogynists one by one?"

a small laugh in the form of a snort from you. "nah. figured i'd take a day off, you know?" the sarcasm dripping from your words. that's not who you were. you wish you could've been like that, could've been like hobie. but there's one spider-person for a reason.

"oh, yeah, uh-huh..." and hobie trailed off as he leaned in, pointer finger hooking under your chin to pull your lips to his.

it always felt good to kiss hobie.

you'd fantasized about it for weeks before it actually happened. he's your closest friend at the moment, and he occupied the title before this arrangement even existed. and of course you had the worry about ruining your beautiful friendship if you became more, fear that you wouldn't be able to go back and you would subsequently lose probably the best friend you've ever had.

but that was no need to worry. because while you could let hobie pull you up and lead you to your bed, sitting back and pulling you into his lap while he kissed you with a tenderness you know so well, you could also just be friends with him, sitting side by side on the couch and having a movie marathon of horrible biopics without thinking about jumping each other's bones.

there's a balance here that you could only hope would've existed.

and it's never thrown off. not even when he pulls your shirt over your head and his full lips find your nipples and the slightly-faded marks he'd left a few days ago. not even when he switches your position, laying you back and kissing down your torso until he can bury his head between your legs. not even when you whine and cry just a bit, slightly begging for him to pull his suit off so he can fuck into you in a way that only he can.

you try not to think about the equilibrium of your relationship with hobie when your legs hook around his waist and the heels of your feet dig into your lower back. you try to solely focus on the way his cock fills you up perfectly, mostly long with the right amount of girth for your walls, tip reaching deep within you in an almost mind bending way.

but you can't help but think about the way hobie doesn't do labels when he helps you to your bathroom, where he lets the shower heat up while you sit in a shirt he left behind a few days ago when he'd shown up as just hobie brown and not spiderman. you can't help but think about being hobie's girlfriend when his big, veiny hands run along your skin after the shower, smothering you in shea butter as you struggle to hold your eyes open. and you don't bother attempting to fight off the lasting thought of being hobie's while he hums an unknown song to himself with your head on his chest, the deep sound of his voice and the vibration of his chest lulling you to sleep.

you need to be someone's.

the friends with benefits scenario was fun, it worked, it was glorious, but you don't think it's for you. and labels aren't for hobie.

so, you look elsewhere.

you're at hobie's show, standing in the back of the pub with a drink you weren't interested in, with some guy you really weren't all that interested in, either. but he smelled nice, and he seemed nice, and you were just looking to broaden your horizons just a bit.

you and hobie weren't exclusive, but maybe it's a little wrong to flirt with someone else at his show. but you were slightly upset, and craving attention, so it didn't matter.

not until hobie got off stage.

it took a while for him to roam over to you, but even then you were still entertaining the other guy. giggling, tilting your head, batting your eyelashes, your hip popped out and a manicure, that was still fresh, blinging as your hand rested on the bone.

he greets you with a term of endearment that he uses often, but it feels different in this circumstance. you tell yourself that it feels different because you want it to feel different.

"oi, babe! who's this bloke?"

his arm slings over your shoulder and you tense under it. your hands folding over your chest, your smile tightening a little.

“uh this is steven.” your hand reaches out to point to the man, a tight lipped smile spreading onto his lips.

“steven …” hobie repeats the name slowly, and without looking at him you can tell that he’s eyeing the guy up and down.

the air is stiff, the three of you are silent, and unfortunately, steven takes the hint to dismiss himself, and you instantly turn to hobie, a scowl on your face.

“what the fuck, hobes?” you’re pissed, but the nickname still slips off easily.

hobie shrugs and reaches into his back pocket, a cigarette appearing and he sticks it between his lips. instantly, your fingers pluck it out from his mouth, instead putting it in your own back pocket.

instead of looking upset, hobie looks amused. his hands reach out to grab your waist, and you want to give in, but you try to push his hands away instead.

hobie lets you, and you don’t know if your happy or upset with that.

“what’d you mean?”

you stare at him, deadpan, then gesture to where steven had walked away towards.

“you just cockblocked me!”

a cocky grin, almost a little condescending. “i didn’t ‘cockblock’ you, babes. you weren’t trying to get with that guy.” your eyebrow lifts and you can see realization come onto hobie’s face. “oh … you were?”

“yes! of course i was!”

“but why? you are i are together.”

“sure, hobes, but we’re not ‘together’.”

“yes we are.”

“no, we aren’t.”

“why do you think that?”

you suddenly feel a little insecure, eyes scanning the thinning crowd, ears noticing the way the volume in the pub is lowered. “because you’ve never put a label on it, bee.”

another layer of realization. hobie’s hands coming to your waist again, but this time you let him pull you in.

“i didn’t know we needed a label. but you’re my girl. and i’m your guy.”

your body heats up and you bite down onto your lower lip giddily, peeking up at hobie through your lashes.

"thought you didn't like relationships?"

"labels. i don't like labels."

there's a disruption in the atmosphere. goosebumps raise on your skin, the hair on the back of your neck sticks up, and even if you weren't aware internally, the way the magazine you were previously reading floats above the table would've tipped you off.

the portal opens shortly after, but you knew it was coming. it took hobie a while to tell you that he was spiderman, longer to convince you that he was spiderman, and a while longer to convince you of the existence society, and even though you know, you still get a little shocked whenever a portal opens.

he comes through first, thud of his heavy boots against the floor of his flat. the spoon in your mouth clings against the side of the bowl, your free hand reaches out to the tv remote to pause the episode as you look over at hobie.

"oi, didn't know you were still here." is all he says before he's walking over, pulling his mask off on the way, and leaning down. your head tilts up instantly to meet his lips in a kiss, your body warming with the way his hand pushes into the back of the couch, slender but muscular form caging you in.

you expect him to sit beside you and force you to give a recap of the episode, but he stands back, and then three other people come through the portal.

"oh ... are we expecting guests?" surprise sits in your words, the tone amplified when hobie takes your bowl of cereal out of your hands to finish it off himself.

"right," he speaks through mouthfuls, saying your name as an introduction to the other three. "this is pav, miles, and gwendy. spider people." you nod, waving at each.

"this here, is my girlfriend." three sets of spider-eyes widen with the admission and you can already sense what's coming.

"wow, you're pretty. 's nice to meet you."

"i knew it! i could sense the tension as soon as we got here."

"you have a girlfriend? wait. i thought you didn't like labels."

a small smile on your face as you tuck your hands in the pocket of hobie’s sweatshirt that you wear.

in coordination learned from how close you two are, you speak at the same time.

"he doesn't like consistency."

"don't like consistency, mate."

[wosoamazing]

Rescue

Barça Femeni x Teen!Reader (Mainly Alexia)

Based off of this request. (And also vaguely off of Lauren Daigle's song - more so just the title, but it kind of under lays the fic I guess.)

WARNINGS: Attempted Sexual Assault References (flack backs), Abusive Father (physical and emotional), drinking/drunk, slight mentions of implied sick (doesn't happen). Let me know if anything else

The team were always suspicious about your home life and what it was actually like but you always brushed them off when they questioned and no one had tried to push further until recently.

“Y/N, we missed you last night, what happened?” Lucy asked you as she walked in, most of the team following behind her.

“Oh, sorry I was going to message but I must’ve forgotten, I felt a little sick so I thought it was best to stay home,” you told them, causing Alexia to move towards you with her hand out, which you dodge, “but I’m fine now,” you smiled at your captain and she gave you a fake smile back.

That was far from the truth but you didn’t want to tell them what happened. You were in your room making some finishing touches before you left to go out with them, when one of your Dad’s friends had walked into your room, you thought you had locked your door but you must’ve forgotten. He walked up behind you and his body was pressed against yours before he slinked his hand up under your dress and brushed his hand over your upper thigh. You snapped around and punched him before you ran, you could hear him yelling at you afterwards, and you Dad yelling at him, but all you could do was run, and to the safe place you knew no one would come looking for you. Thanking the heavens above that Jona somehow gave you a pass that meant you could go to the training grounds at all times. You quickly got changed into your training kit and took off your makeup before setting an alarm on your phone and falling asleep on one of the couches.

That day during treatment you flinched every time one of the physios touched you, and when he moved his hand up to your thigh you felt your body tense up and your breath becoming laboured, when he applied pressure to start working you bolted straight out of the room, the touch bringing back all the feelings from the night before. You found yourself in a room, full of your teammates, who all worried over but when you finally calmed back down they all left except for one, your captain. Who gave you a pointed look as you made contact with her eyes.

“I’m fine” you reiterated to her for probably the 100th time that hour.

“You know you can talk to us anytime, about anything,” Alexia reassured you.

“Si, I do, but I don’t need to because I’m fine,” she gave you a very unconvincing nod before walking out, leaving you to be by yourself. The team knew you weren’t fine. You constantly showed up to training with bruises that were slightly too dark or too big to be caused by whatever your excuse had been that time, but you were clumsy so they never really questioned it. However Alexia had kept a mental note of when they happened and what your excuses were and she couldn't help but see that there was a pattern. Then there was the incident last week when you were calling some of them and your Dad started yelling at you, and calling you names. You tried to convince them that it was because he had tripped over because you had left your boots and bag and other stuff all over the floor which caused him to stub his toe, however they all felt that it was a very poor excuse to yell at your child in such a way but you just brushed them off.

One week later you found yourself laying on a yoga mat in the gym, you were flat on your back as you stared straight up at the ceiling. Alexia had come over and placed a mat down next to yours, she didn't say anything but just laid there next to you on her back, as the team filtered out to go to the pitch for training neither of you made an effort to move. 

Several different thoughts ran through your head as you laid there next to her for quite some time. You were having an internal battle in your head of whether you opened up to her or not, maybe she would help, maybe this wasn’t normal. But maybe she would tell you it was your fault, you had a short dress on that night, that was slightly slutty, were you asking for it? Had you deserved all of it, all the yelling, the hitting.

“He-he, tried to touch me,” you blurted out, one side of the fight winning, your words caused her to bolt straight up, sitting crossed legged on her mat facing you.

“Who did? Your Dad?” she asked.

“No one of his friends,” you said, shaking your head.

“Did he?” she asked, concerned. “No, not really, I mean he put his hand up my dress, he was leaning forward into me and he touched my thigh, but I quickly moved away from him and punched him and ran, while I was running he was saying something about reporting me for hitting him, but I don’t think he did because I could hear Dad saying something about them finding out if he did because the police would show up to the house,” you said as tears started to flow out of your eyes.

“Find what out?” Alexia asked, confused, wondering what had been happening.

“That he abuses me, they would see the holes in the walls from where he would try and punch me but miss, the shattered mirror that I glued back together, it smashed because he threw it at me, but they wouldn’t see the emotional things, they would only see the physical things. The name calling, the swearing, they couldn’t see that, it would be his word against mine,” you continued as your shoulders started to shake as your cries turned into harsh heavy sobs, “I’m sorry,” you cried out as you rolled over onto your stomach, head resting in your arms as a puddle formed on the underneath you.

“Oh Nena,” Alexia sighed as she went to place a hand on your back, “please don’t touch me,” you asked and she obeyed, quickly retracting her arm, “b-but, please, s-stay” you hesitantly asked her. You felt broken, like there was something wrong with you, how didn’t you notice it wasn’t normal. You thought you had a broken home but at the same time, you never spoke about it so maybe everyone had a broken home and just didn’t talk about it, but since being at Barça you slowly started to realise that what was happening in your home wasn’t normal and wasn’t okay, but it was normal to you, to you being called an idiot, or a stupid bitch was normal, being told you were too lazy or not good enough was normal, being scared to take a step in your own home was normal. Constantly living on the edge and not feeling comfortable in your own home was normal. It was normal in your extended family as well, you came from a long line of toxic men, there was no one to show you that what you were experiencing was abnormal, until now. Men drinking until they passed out was normal. Men controlling the house was normal. Women only dated Men, even in a different universe you would never see a Woman dating a Woman in your family. But somehow Barça had shown you this wasn’t normal.

Alexia’s heart ached as she watched sobs rack your body, she just wanted to hold you tight and tell you it would all be okay, but she couldn't. She had to respect your boundaries and give you some control back.

But you soon found yourself sitting in her lap, your body having gravitated to the warmth and safety she seemed to provide. Your hands clutched to her shirt.

“Nena, can I hug you?” She asked not wanting to do anything against your will, you nodded into her chest and she wrapped her arms around you. You suddenly felt safe, cared for, loved, it suddenly all came crashing down, this team loved you, you had never really experienced that before, and you broke down even more. You were now gasping for air as your body shook, Alexia’s concern for you was rapidly growing.

“Nena, I need you to breath, you’re going to make yourself sick,” She told you, “I-I can’t” you told her as you struggled to suck in air, “Yes, you can Nena, just in and out, focus on my chest moving up and now,” you managed to slightly calm down, but it was barely, your were still shaking and your sobs still racked your body, but you were no longer gasping for air. Alexia put her headphones over your ears and made sure to turn on the noise cancelling feature, she needed to call someone for help but didn’t want you to have to listen in, you didn’t mind, you kind of liked the quietness they provided you. She called Mapi.

Mapi, I need you and Ingrid to take me and Nena home now.

[doufudanshi]

ON GHOSTS AND DEMONS: Wei Wuxian's "demonic" cultivation?

There are a few big misconceptions I have repeatedly seen in English-speaking fandom about things that are fundamental to the story of MDZS. One of them is this—

Wei Wuxian is not a demonic cultivator.

To prove this, let's take a deep dive into the original Chinese text of MDZS.

(Adapted from my original gdoc posted on Twitter on May 27, 2022. All translations my own unless otherwise stated.)

Demon vs. ghost

Let's start from the very basics. In addition to orthodox cultivation using spiritual energy and a golden core, there are two other forms of cultivation that are mentioned in the novel:

魔道 (mó dào), or “demon cultivation/path.”

鬼道 (guǐ dào), or “ghost cultivation/path.”

To be clear, 魔 mo "demons" and 鬼 gui "ghosts" (and thus their respective cultivation/paths) are not interchangeable because of the in-universe worldbuilding within MDZS. Using the characters in the term 妖魔鬼怪 "monsters," MXTX created four distinct categories of beings, each of which has a strict definition in the novel. From chapter 4 (jjwxc ch 13):

妖者非人之活物所化; 魔者生人所化; 鬼者死者所化; 怪者非人之死物所化。 Yāo (妖) are transformed from non-human living beings; mó (魔) are transformed from living people; guǐ (鬼) are transformed from the deceased; guài (怪) are transformed from non-human dead beings.

And of course, WWX hoards all the ghost-type pokemon monsters at the Phoenix Mountain tournament, and he only exerts control over corpses, spirits, and the like (aka people who have already died). (As opposed to Xue Yang, who appears to have been actively trying to make 魔 "demons" out of living people with those "living corpses" of his, perhaps.) (And, ironically, in order to avoid showing necromancy / zombies on screen, CQL technically does show WWX practicing demon cultivation because everyone is "supposedly alive" even when they're corpses? Which is, funnily enough, far worse morally in the MDZS universe, lol.)

So, intuitively at least, we know that WWX must be practicing ghost cultivation—now let's look at some concrete examples from the book.

Running the numbers

1) 魔道 (mó dào) means “demon cultivation.” As such, it must use living humans.

魔道 appears one (1) time in the novel.

Yes, once. The only time it appears is in the term 魔道祖师 modao zushi, or the namesake of the novel, in chapter 2. This is a title the general public has given him through rumors:

魏无羡好歹也被人叫了这么多年无上邪尊啦、魔道祖师啦之类的称号，这种一看就知道不是什么好东西的阵法，他自然了如指掌。 Wei Wuxian wasn’t called titles like “The Evil Overlord,” “The Founder of Demon Cultivation,” and so on over the years by others for nothing—he knew these sorts of obviously shady formations like the back of his hand.

2) 鬼道 (guǐ dào) means “ghost cultivation.” As such, it must use dead humans. 

鬼道 appears 12 times in the novel.

Here is the first instance that 鬼道 appears, which I believe is the first time Wei Wuxian's method of cultivation is properly introduced. From chapter 3 (jjwxc ch 8):

蓝忘机 […] 对魏无羡修鬼道一事极不认可。 Lan Wangji […] had never approved of the fact that Wei Wuxian practiced ghost cultivation.

Here's another quote from chapter 15 (jjwxc ch 71) for funsies:

蓝忘机看着他，似乎一眼就看出他只是随口敷衍，吸了一口气，道：“魏婴。” Lan Wangji looked at him as if he saw through his half-hearted bluff. He took in a breath, then said, “Wei Ying.” 他执拗地道：“鬼道损身，损心性。” He stubbornly continued, “Ghost cultivation harms one’s body, and harms one’s nature.”

3) 邪魔歪道 (xiemowaidao) means heretical path/immoral methods/evil practices/underhanded means/etc—e.g., lying, cheating, stealing, bribery, and so on.

It appears ~24 times in the novel.

I mention this last term because it is often used to refer to Wei Wuxian's cultivation, but as a pejorative. Every instance of 邪魔歪道 is said by or to quote someone looking down upon Wei Wuxian’s cultivation (Jin Zixun, Jin Ling, etc.) and referring to it derogatorily, whereas every instance of 鬼道 guidao/ghost dao is said by someone discussing it neutrally and/or factually (Lan Jingyi, Lan Wangji, Wei Wuxian himself, random cultivators at discussion conferences, the narration, etc.). Here is a pertinent example with Jin Ling (derogatory) and Lan Jingyi (neutral) in chapter 9 (jjwxc ch 43):

金凌怒道：“是在谈论薛洋，我说的不对吗？薛洋干了什么？他是个禽兽不如的人渣，魏婴比他更让人恶心！什么叫‘不能一概而论’？这种邪魔歪道留在世上就是祸害，就是该统统都杀光，死光，灭绝！” “We are discussing Xue Yang,” Jin Ling said angrily. “Am I wrong? What did Xue Yang do? He’s scum that’s lower than a beast, and Wei Ying is even more disgusting than him! What do you mean ‘don’t make sweeping generalizations?’ As long as those practicing this kind of demoniac, heretical path are alive, they’ll continue to bring disaster. We should slaughter all of them, kill all of them, annihilate them once and for all!” 温宁动了动，魏无羡摆手示意他静止。只听蓝景仪也加入了，嚷道：“你发这么大火干什么？思追又没说魏无羡不该杀，他只是说修鬼道的也不一定全都是薛洋这种人，你有必要乱摔东西吗？那个我还没吃呢……” Wen Ning shuffled around. Wei Wuxian gestured at him to stay still, only to hear Lan Jingyi also cut in loudly, “Why are you getting so riled up? It’s not like Sizhui said Wei Wuxian shouldn’t have been killed. All he said was that people who practice ghost cultivation aren’t necessarily all like Xue Yang. Do you have to go around breaking things? I didn’t even get to eat any of that yet…”

Tl;dr—Wei Wuxian does not 修魔道 practice demon cultivation. When Wei Wuxian’s craft is discussed in a neutral and factual manner, it is referred to as 鬼道 ghost dao. 

In fact, Wei Wuxian’s imitators are also referred to explicitly as 鬼道修士 ghost cultivators.

魏无羡早就听说过，这些年来江澄到处抓疑似夺舍重生的鬼道修士，把这些人通通押回莲花坞严刑拷打。 Wei Wuxian had heard a while back that over the past few years, Jiang Cheng had gone around snatching any ghost cultivator suspected of being possessed or reborn, detaining them in Lotus Pier to interrogate them using torture.

So why the confusion?

Of course, there is the matter of the novel's title, which I will get into in a second. But the real issue is a matter of translation.

The idea that WWX uses "demonic cultivation" is a misconception in English-speaking fandom due to issues with the translation of terminology. Of note, EXR actually did translate 鬼道 guidao as "ghostly path" most of the time, though there were at least 3 instances of "demonic" and 1 instance of "dark," especially regarding the first few.

However, this misconception was perpetuated (and arguably worsened) by 7S's official translation, which not only mistranslated additional terms as "demonic cultivation/path" (at least in book 1), but also consistently mistranslated every instance of 鬼道 as "demonic cultivation/path."

So why is this book called 魔道祖师, commonly translated as "Grandmaster of Demonic Cultivation?"

One possibility is one posed in Chinese-language meta online, which often cites that WWX himself is a sort of 魔 demon. While this may be true—after all, he can hear the voices of the dead—it doesn't quite explain the fact that the title sets him up to be the 祖师 or "founder."

My take is that this novel is very much concerned with hearsay vs. truth. This is one of the many monikers WWX is given by the public, who collectively view him as evil. (Also of note is that the non-cultivator public is not aware of all the nuances that cultivators learn re: distinctions between the 妖魔鬼怪 monsters.) In the quote from earlier, note that the first title we're given is actually 无上邪尊 “The Evil Overlord,” then 魔道祖师 "The Founder of Demon Cultivation." Like, what can that be other than MXTX telling us, "please take both of these with a HUGE grain of salt, lol."

(And not only the title, but the very first line—"魏无羡死了。" / "Wei Wuxian is dead."—is a lie.)

I think the title is genius, honestly. It intentionally makes readers come into the novel with preconceived notions that Wei Wuxian practices 魔道 demon cultivation and evil techniques—just like the public in the novel. What better way to tell a story warning about the dangers of how easy it is to fall for misinformation and jump to incorrect conclusions?

(Though, in our case, perhaps it worked a little too well.)

[lipglossanon]

They Were Roommates

୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆

Roommate!Leon S. Kennedy x fem!reader

For the anon who asked for roommate Leon! 💜 I hope I did it justice 😬 🫣 this is pretty much just smut not much lead up 🫣

Warnings: 18+ minors DNI, masturbation, voyeurism, dirty talk, unprotected sex, slight oral, cum swallowing, uhh I think that’s all lol

Not proofread (you know me 💁‍♀️ lmao)

Title pulled from a vine! It’s one of my faves lmao 🤣 ୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆*｡୭̥⋆

“What do you mean you didn’t put in the ad?”

You know your voice is pitching higher, but this couldn’t get any worse. The guy at least has the good grace to look apologetic. 

He rubs the back of his head, “Yeah, I guess my old roommate put that out but he ended up moving instead of me. He never told me he even made an ad, so I’m really sorry about that.”

Frustrated tears prick your eyes but you ignore them.

“So there’s no room to rent? This is literally my last resort before sleeping out in my car.”

He looks at your earnest face and the bags at your feet. You watch as his blue eyes dart back into the apartment and he frowns. 

“Well, do you have any references?” He finally sighs, “if you’ll give me their numbers, I’ll call them and if everything’s kosher I’ll let you rent the room.”

“Really?” Your smile lights up your whole face, “yes, I have some printed out. You’d really be doing me a favor.”

He blushes as you hand him the reference paper in question, looking down at it then back up at you, “I just don’t feel comfortable letting you go without somewhere to stay.”

“Thanks, that’s really nice of you,” you nod your head at the paper, “I’ll chill out here until you’re finished with that.”

“No,” he shakes his head, opening the door wider, “you can at least sit in the living room. I’ll make these calls and we can go from there.”

And that’s how your first meeting with Leon S. Kennedy, your current roommate, went.  So after months of living together, getting used to each other’s schedules and eating habits, you fall into a really nice and comfortable pattern. Leon is tidy and polite, but also kinda dorky and sweet. 

You find yourself excited to come home after a long, grueling day at the office. Leon works in law enforcement so sometimes he’s working opposite hours from yourself; this week, however, your schedules are synced and it’s Friday night which means movies and pizza. Even better is you got to leave work early, a rare occurrence that you won’t take for granted!

Opening the front door, you drop your keys back in your bag and sing out, “Honey, I’m home!”

You hear a muffled thud from the living room, making you pause in the entryway—door half shut behind you. 

“Leon?” you call out hesitantly. 

Hearing no answer, you quietly set your bag down and slowly inch your way further in the apartment. You peek around the wall into the living room and hold in a gasp. 

Leon is practically naked, the only thing covering his modesty is the flimsy boxers he has on—doing nothing to disguise the fact his dick’s hard. 

You notice a box of tissues tipped over in the floor along with lube which must be what caused the noise. Covering your mouth with your hand, you can’t pull your eyes away from the scene in front of you. 

Leon has his phone in hand, headphones connected, as he splays out lazily on the couch. His thighs are spread wide, taking up as much space as possible. You can see his other hand slide underneath the band of his underwear and jerk himself off in his boxers. 

“Fuck,” he whispers, eyes glued to his phone, hand picking up speed. 

He rests his head on the back of the couch for a moment then pulls his cock completely out of his boxers. You have to swallow down a whine as you see how big and thick Leon’s cock is, throbbing in his hand as he pulls the foreskin down to show off the fat, oozing tip. You rub your thighs together to ease the ache in your clit.

Leon groans low in his throat and slowly strokes his cock, teasing his fingertips across the head.  He fingers the slit, precum oozing out and coating his fingers making them sticky. He sets his phone on the couch so he can keep watching but use both hands on himself. 

He pants and keeps slowly teasing himself with slow, light touches using one hand on his cock as the other gently rolls and tugs his balls. Your mouth waters at the thought of walking the rest of the way into the room and getting on your knees in front of him. As you watch Leon, slick drips from your pussy and fills your panties, making them wet and clingy. 

Leon tosses his head back with a low moan. He humps up into his hand as he fucks his fist in short steady strokes. Pausing, he reaches down for the lube and coats his hand in the clear, shiny liquid. He brings his coated palm back to his dick and moans as he jerks himself off more easily. 

“So wet,” he whispers to himself, “being so good for me, huh.”

You feel shameful arousal curling in your belly as you watch Leon in a private, intimate, moment; but you can’t help ask why he’d do this in the living room? You know you’re home early, but—

Wait, your eyes widen as your brain whirs with thoughts— is this even the first time? You bite your lip to stop yourself from whining. God, how many times has Leon jerked off in the living room while you weren’t here? Or even when you were??

“So good,” Leon’s voice rumbles, “suck that cock, baby, fuck.”

His hips slowly thrust up as his hand tightens around the thick shaft, “You’ve got such a pretty fucking mouth, sweetheart.”

Those words make you dizzy with arousal, a hot surge flooding your body so quickly it feels like you’re going to pass out. You rub your thighs together and can feel yourself starting to leak through your panties. 

Leon starts to fist his cock more roughly, precum and lube oozing over his knuckles. 

He groans, voice gravelly, “Can barely fit me in your mouth, baby.”

He bucks his hips up hard, “God, can even see how far you get cause of that ring of lipstick around my cock.”

You bite into the meat of your palm to curb any sounds, not wanting to get caught. You swallow thickly at the thought of getting caught while watching Leon get off. Maybe he’d want to see how far your mouth would fit around him. Leave your own sheen of strawberry lipgloss around his fat length. You rub your thighs together again, feeling more turned on than ever before in your life.  

Leon groans, pulling your attention back to him away from your own thoughts. One of his hands is still tugging his heavy looking balls while the other keeps a tight tunnel formed around his cock. 

You really want to touch yourself, but it’s hotter to just watch Leon. You can always get off later, remembering this moment.

Your wide eyes continue to watch as the leaky tip of Leon’s dick peeks out of his fist on every stroke—teasing you with the promise of hot cum on your tongue if you only dared enough to go in there for a taste. 

He quickly jerks himself harder, sounds of shlick shlick shlick filling the air. Leon starts humping up into his slick fist, growling in satisfaction as he rolls his hips just right.

“Fuck, you take it so well, baby. A tight little throat just for me.”

Your nipples tighten under your bra, clit throbbing with need. You’re so wet, you can feel it leaking down your thighs now. Torn between wanting to leave to touch yourself or watch Leon finish, you ultimately want to see him come undone. 

“Gonna cum all over that cute face, sweetheart,” Leon moans out, thrusting his hips harder as his hand strokes faster. 

Leon’s head lolls back on the couch, eyes closed as he strokes himself faster to completion.

“Yes, fuck,” he groans, low and deep, as ropes of cum spurt across his abs and chest, coating himself in white sticky strands. 

Your pussy flutters, aching and throbbing— needing something in your wet hole. Eyes darting up to his blissed out expression, his own eyes thankfully closed, you quietly tiptoe backwards to the front door. 

You pick your bag up off of the floor and pull the half open door completely open and walk out. You softly shut the door and lean back against it, blowing out a harsh breath.

You really don’t know how you’re going to react when you look Leon in the face, but I guess that’s just something you’ll wing when you get to it. 

Giving yourself several minutes to calm down, you finally re enter the apartment acting like it’s the first time. 

“Heey I’m home!” You yell, a little louder than usual, but you really hope Leon hears you this time. 

“Oh uh, hey,” you hear Leon call back, voice nervous, “you’re home early.”

“Yep!” you take more time than usual to close and lock the door behind you, dropping your bag in the floor near the coatrack. 

“Cool, I haven’t ordered the pizza if you wanna go ahead. I’m actually gonna grab a quick shower,” you can hear his voice get further away as he walks deeper into the apartment. 

You listen for the bathroom door to shut and once your hear it, you let out a relieved sigh. Opening up your phone, you just order the usual Friday night spiel and walk to your bedroom. 

Once inside, you close and lock the door. You shed your clothes like they’re on fire and quickly climb into your bed. This isn’t your usual way of doing things, but your brain is a little too fried to think outside of the image of Leon’s thick cock. 

You grab a pillow you only use as decoration and swing a leg over it as you kneel on top of it. Rocking your hips down, your clit grinds against the fabric and makes you whimper. Slick is steadily dripping from your needy hole as you hump your pillow, imagining Leon in its place. 

Using one hand to keep the pillow steady, your other hand comes up to tease and pinch at your nipples, shooting bolts of pleasure straight to your clit making you cry out softly. 

“Leon,” you whimper, rolling your nipples between your fingers. 

You rock against the pillow faster, already so close just from watching Leon earlier, dragging your wet sensitive clit over and over the coarse pillowcase. 

“God, ‘m gonna cum,” you whine out loud, eyelashes kissing your cheeks as your hips stutter and grind down, cumming so quickly it makes your thighs spasm. 

Slick covers your pillow as you shakily let your hips drop down to sit. Your clit pulses with aftershocks while you pant to catch your breath. 

“Fuck,” you whisper to yourself, flopping down onto your bed and pushing your used pillow into the floor. 

Your phone dings and you lazily grab it from your nightstand and look at the notification, reading that the pizza delivery is on its way. 

Pushing yourself up, you get out of bed and go to throw on some ratty pajamas when you pause. 

You pull out a sleeker, prettier matching pj set—a thin teasing top with matching  shorts. Deciding to try your luck, you put them on and give yourself a once over in the mirror. You fluff your hair and apply a quick layer of gloss on your lips, puckering them at the mirror before grinning at yourself. 

Spinning around, you make your way out of your room and into the shared living space hoping to, subtly, grab Leon’s attention as you hang out for the night. 

It works or at least maybe it does—it could be you’re looking too much into things; frowning to yourself, you shake your head and go back to relaxing on the couch. The pizza’s long since gone and now you’ve been chilling in the living room, watching b-rate horror flicks and chatting. You at least think Leon has been looking at you when you weren’t paying attention, but it’s hard to say when you’re not paying attention.  

You sigh out loud and cross your legs. 

“Something the matter?”

You start and turn to Leon with a sheepish smile, “Yeah just thinking.”

He squints his eyes at you, “Mmhmm.”

You laugh this time and kick out your foot to push his knee with your toes, “Fuck off, it’s nothing important.”

He grabs your foot and presses his thumb in the arch making you suck in a sharp breath. 

“You’ve been on your feet all day, haven’t you?” he asks, eyes looking down to his hands now rubbing your foot. 

You feel like melting into the couch cushions, a hot coil of want slowly unraveling in your belly. 

“Yeah,” you say quietly, “was a long day.”

His brow pinches as he looks back up to you, “Did you talk to your boss about—“

You groan and flop back into the couch arm, kicking your other foot up into Leon’s lap, “Yes, mom. I talked to him and he said until we can hire a replacement, that we’re all just gonna have to ‘do our best for the team’.”

You roll your eyes and grumble, “Like he even does anything more than clock in.”

Leon grabs your other foot and traces along the arch, “I can go talk to’em if you need me to.”

Your smile spreads across your face, “You really would, wouldn’t you? You’re so sweet, Leon.”

His blue eyes drag up from your legs and skimpy sleep shorts, across your body with the nearly sheer top, to look up into your face, “You need someone to take care of you from the sounds of it.”

You gasp out loud at that and Leon wraps his hands around your calves, yanking you down the couch til your ass lands in his lap. 

“Hoping I would notice your slutty little getup, honey?” his smoky voice murmurs in your ear, snapping the band of your shorts, “trying to show me what I’m missing out on, huh?”

Your head spins from the complete 180 Leon is pulling, but you feel a thrill run down your spine.

“Just wanted to feel pretty,” you say, feeling hot all over, hands plucking at the hem of his shirt. 

“So pretty, baby,” he affirms, hands running up your calves to your splayed thighs, thumbs softy grazing your skin. 

His hands slide from your thighs, up your hips to pet at your sides. 

“Heard you get off earlier too, honey,” he whispers hotly in your ear, “walls are thinner than you think.”

You lean back to look him in the eye, “B-but how? I thought you were in the shower.”

He grins at you, “I forgot something so I stepped out to grab it. Not like it’s the first time hearing you anyway.”

Embarrassment makes you squirm on his lap, ducking your head down, “I didn’t know.”

“Sure, baby,” he kisses your jaw, fingers dipping below the band of your shorts and panties, fingers finding your leaking hole and slowly sinking into your pussy. 

“Leon!” You cry out, spine arching until your chest is pressed against him. 

“How d’you think I don’t hear you?” He rumbles, making your nipples stiffen in your shirt, “stuffing your fingers in that needy fucking cunt night after night.”

You gasp, hips rocking down into his fingers, pussy clenching around the digits. 

“M sorry,” you hiccup, eyes watering, “I’ll do better.”

“Yeah you will,” he rubs his thumb across your swollen clit, “cause I’m gonna start giving this little pussy what she needs, whenever and wherever I want. Sound good?”

“Leon,” you whimper, hands grabbing at his forearms, tendons flexing as he keeps finger fucking you on the couch. 

“Seems like every night, I’m in my room stripping my cock raw from those hot breathy moans you make,” he murmurs in your ear, low and smoky, “wore my fleshlight out the first month you moved in, baby.”

Your eyes rolls back as slick leaks from your pussy all over his hand. 

“Like that huh,” he laughs, tongue dipping in your ear before he places a wet kiss on the shell, “s’true, never made such a mess til you moved in, always fucking into that fake pussy thinking of yours.”

You moan high in your throat, “Leon, please, want you so much.”

“Yeah? Y’sure? Don’t want me using my toy, want me in this needy cunt?”

“Yes, yes,” you grind your hips down harder, his fingers stretching your hole open, “want it so bad.”

You whine and tug at his wrist til he finally slides his fingers out of your drenched pussy.

“Gonna give it to you sweetheart,” he promises you, eyes heated and dark, “gonna fuck you open right here, and then I’m gonna bend you over that kitchen counter and eat your pretty pussy til you cry for me.”

“Leon!” You gasp wantonly, “in me please. Wanna feel you.”

He pulls out his hard cock, smacking the head against your clit, making your hips jump. 

“Sit on me, want you to ride me baby,” he grins, guiding his dick into your drippy hole but not pressing in any further. 

You whimper and rock your hips, easing down his thick cock inch by inch until you’re sitting flush against him. He’s so deep in your pussy, it feels like he’s in your throat. You moan as he grinds up into you, fingers pinching and tugging at your hard nipples. 

“Mmm just like that baby, feel so much better than that plastic pussy,” he groans, twisting your nipples until you’re whining, “god, love the sounds you make.”

Pulling his hands away, he slaps across your breasts making your back arch your chest towards him. 

“Leon,” you mewl, tears slipping from your eyes because of the sting.

“I know,” he soothes, slapping across your tits again, “feels good doesn’t it, baby?”

You dig your nails into his big biceps, bouncing down in his lap to stuff his cock repeatedly into your hole. 

He slaps across each hard nipple until they’re puffy and swollen. You moan and hump down on him harder, the pain bleeding into pleasure and making you even wetter. One hand dips between your bodies to softly rub across your clit; he drags his fingers lower to stroke your pussy lips, getting his fingertips wet and dragging them back up to circle around your swollen bud. 

“Greedy little thing aren’t ya, honey?” he laughs deep in his chest, “c’mon ride me a little harder, baby.”

He moves both of his hands down to grab the fat of your ass and fuck up harder into your clenching pussy. 

“Leon,” you moan, fingers digging into the tense muscles on his shoulders, “gonna cum.”

“Already?” he scoffs, “pretty easy cunt ya got here then, sweetheart.”

You cry out, the sound of skin slapping and your pussy squelching from his rapid thrusts are so loud in the small living room, making your walls flutter and clamp down on his pistoning cock. 

“Wanna cum,” you sloppily kiss down Leon’s jaw to his neck, sucking a bruise into his skin, “want you to cum with me.”

Leon groans, sounding pained, “Sure, honey. Where do you want it?”

“My mouth,” you pant out quickly, “cum in my mouth, please.”

“Fuck,” he laughs choppily, “okay then sweetheart. I’ll cream your little throat.”

You whine and rock your hips down faster, “Yes, yes, Leon, so good.”

One hand moves to your hip to help you keep up a quick rhythm and the other goes back to rubbing and flicking your sensitive clit. 

“C’mon, honey, cum on my cock so I can fill that pretty mouth,” he smirks and shakes the hair out of his face, “you can do it, be a good girl and cum for me.”

Leon bottoms out in your pussy and just grinds against your g-spot as he teases and pinches your clit; your thighs lock up as your orgasm washes over you, pussy clamping down and milking his cock, clit throbbing under his thumb as he keeps up the slow steady circles on the sensitive nerves. 

“Good girl, good girl just for me,” he noses your hairline, feeling your body shake as he overstims your clit, “get in the floor, honey, ‘m ready for you to swallow this load.”

You moan and arch up, begrudgingly pulling yourself off of his dick so you can kneel between his thighs on the floor. 

“Want it, Leon,” your glazed eyes peer up at him, watching as he fists his cock in front of your mouth. 

“Oh you’re gonna get it, baby,” he grunts, “open that fucking mouth.”

You part you lips and loll your tongue out, whining when you feel hot spurts of jizz land on your tongue and lips. 

“Fuck that’s it,” he groans, watching you with sea dark eyes, hand slowly stroking his dick, feeding each spurt of cum into your open, eager mouth. 

You moan, the sound garbled from the cum pooling on your tongue and sliding down your throat. 

With one last groan, he lets go of his twitching cock. You watch as it droops, a drop of cum beading on the fat tip making you duck froward to lap at the head. 

“Baby,” he hisses, “a little early for me to go again,” he laughs and rubs his thumb across your bottom lip. 

Your tongue darts out to lap at his thumb, “S’good though?”

“The best, sweetheart,” he leans down to pull you up in his lap, “can’t wait to taste you later.”

You sigh, eyes drooping in pleasure. Guess that pajama set really did work out in your favor. 

[gotham-daydreams]

How would it have gone differently if Reader didn't try to be an "overachiever" and instead just stayed quiet and didn't interact with anyone besides Alfred until they left? Their room they left being mostly blank, with only the music journals? Giving up on trying to get their attention.

I think what's so funny about this ask, to me, is that I already have a concept like this written down (along with 3 others since the current reader I'm writing for the "Not [ ]" series is one of them but with a few missing details), so this'll be fun!

I guess it generally goes how you'd expect? Which is different for the most part, but the reader's perspective on what's happening is also different.

Granted, I would like to point out that, at least for this particular concept and the idea I have for it of how this would go, does have more stuff going on pre-Batfam that do affect how they perceive what's happening, and that's what makes things interesting in my opinion. Because someone can be naturally shy or just overall more reserved either out of nature or because they feel a certain way, but still feel bad about being neglected and, despite their lack of effort, feel that pain just as much as someone who's tried. Which is valid! Besides, someone's definition of 'trying' can vary as well.

Everyone should have a chance to have a family, and form some kind of connection with people. Just because you aren't going above and beyond for one person, doesn't mean you're undeserving of certain things. Especially not a chance to have a family, or feel like you have one. That's what I think anyway.

Nevertheless, back to the reader!

From the original concept, I will be tweaking a few things to fit the ask, but the same general outcome remains! Though again, the reader's perspective on things is a tad different. But how about this- I'll show two versions of the reader.

One that's quiet and more reserved because they gave up much earlier, or just generally hopeless really early on because maybe they felt as if anything they'd do just wouldn't be enough, who'll be accurately named Quiet!Reader. With the other being more closely related to the concept I wrote for such an idea, that we'll refer to as Waiting!Reader.

Quiet!Reader would change up things quite a bit! I won't lie!

They might already have bad self-esteem that's quick to develop at the start of things, which is something to note as that doesn't get better with time. They grow more cold and distant from the family at a quicker pace both from personal and external reasons.

Put simply, they don't feel good enough, and even if they did- anything they could do to get the Batfam's attention would never be enough in their eyes. To which, they see very early on when they try to engage and do some things with the family, only to be turned down. What doesn't help is when Quiet!Reader sees Damian get adopted and almost immediately showered with love, (compared to them) and that really cements some ideas that were already developing in their head about the family.

When Damian comes into the picture, they feel replaced. Seeing him as someone to fill in the 'youngest Wayne' role instead of them, so that Bruce and the others actually have someone to acknowledge for such a title. Just someone else to further take away the little they had.

So, they further step out of the way, glaring at the Batfam with tired eyes before that eventually stops too. Envy clawing at their heart, hatred being sent through waves of pain all throughout their body. Hurt unmatched. Yet they still remain invisible. Quiet as ever. Unnoticed. Everything they ever felt dies down, and forms a cold numbness that they begin to associate with the family.

Maybe through that, they feel closer to the family in some twisted way. Now just as cold as them. Just as talkative, and just as engaging. Almost mirroring them, but they're honest about how they feel. Honest about what they think, and therefore better. At least when compared to the Batfam- and to them, even if it wasn't a high bar to reach anyway, at least it counts for something.

It was never Damian's fault, or really about Damian at all. It could've been anyone else and Quiet!Reader would've still reacted the same way, they know that. Though just seeing the Batfam show love and care to him and not them just makes them feel... worse.

Clearly they're capable of love, and can notice new additions to the family (to which they may have mostly believed that the Batfam's neglect was just something the family did for whatever reason, and thought that them being the youngest had something to do with it for a while) and that breaks the reader. It doesn't hurt, not as much as it would've, maybe, but whatever hurt is there dies down quickly as Quiet!Reader, well, quietly accepts their fate.

The Batfam clearly wants nothing to do with them, so why should they try to do all of these things for them? It's simple, they shouldn't. So they don't. Quiet!Reader gives up, and continues to live their life without them.

The Manor just becomes a place they sleep in, and nothing else. It isn't anything close to a home, and not even Alfred can help with that.

It's because of that little fact, however, that Quiet!Reader leaves much sooner than the reader in the "Not [ ]" series. Maybe once they get a friend they can trust, they essentially end up living with said friend, hence why their room remains so empty. The notebooks they even keep in the room they have in the Manor is from when they were way younger, instead of just being from a few months ago or so. We're talking years since Quiet!Reader has touched those things now.

Maybe they do 'officially' leave a month or so before they usually would as an overachiever in the "Not [ ]" series, having only bothered to return so often before because of Alfred. Though even then, they'd forget to return most nights- only being reminded to even try and go back once Alfred would personally call them, and ask them where they were.

However now, after a while of just the time between them basically living with their friend and sleeping at the manor, they stop returning altogether. Though this time around they instead personally go to Alfred to say they're goodbyes. Not explaining much, but just saying that while they might still try to come and visit him sometimes, they don't live in the Manor anymore. Alfred already knows this, and the embrace they share fully hammers in that fact.

Yet when Quiet!Reader turns away, and leaves the Manor for good- even through the front door at that. Alfred can't help but just... miss them already.

You see, while Quiet!Reader is indeed quieter and more reserved, especially towards the Batfam, with Alfred really being the only exception, they still made music.

Maybe they didn't have as many concerts or physical, grand, live performances compared to the reader in the "Not [ ]" series, they not only started earlier, but may have actually started out on a social platform such a youtube. They really started out small, but were able to find and start their passion much earlier!

Most of what they played was when they were in the Manor, but slowly they started to get involved with things music related outside of the Manor and in Gotham- and from there were able to build themselves up even more. Hell, I'd even say that Quiet!Reader is a little more well-known and popular than the reader in the "Not [ ]" series because of the amount of extra time they dedicated to their passion.

So basically, Alfred this time around has more recordings and such of Quiet!Reader actually doing something they love than with the one in the series. However! Funnily enough, they're gone for a shorter amount of time despite having left earlier than normal.

Alfred is just, extra fed up with this nonsense, and so pulls his tricks more early on, but also make them hit harder.

He doesn't clean Quiet!Reader's room to show how long they've been gone, adding onto the emptiness and almost abandoned feeling the room itself gives off because of how bare and empty it is. They're music haunts the halls, subtle, sure, but still noticeable- especially to those who are hyper aware all the time. Pictures of Quiet!Reader and Alfred begin to be hung up, and if he can manage- some with Quiet!Reader and their friends during important parts of their life.

No one is safe from the guilt and anguish Alfred seeks to cause to not only have the Batfam look for you, but most importantly, to finally notice you.

Let's just say, things work out a little too well.

---

As for Waiting!Reader? Oh man, I've been wanting to rant about them for a while!

Unlike the reader in the "Not [ ]" series and Quiet!Reader, Waiting!Reader had some semblance of a life before getting adopted into the Batfam. Though the idea and character themself isn't musically inclined/involved in music, or even all that interested in music for that matter- for the sake of this ask, lets say they are!

I won't dabble too much into the life Waiting!Reader had before the Batfam, as if I do end up writing them I'd also like to keep some details vague (for the sake of leaving it up to interpretation and everything), but just know that during the time they were still with their original family, they were essentially taught that they should 'wait their turn', and eventually their parents would spend time with them and care for them. Hence the little name I've given them.

So! When they get to the Manor and are officially adopted, only to be neglected and ignored during their first few attempts- because of their young age, they immediately think "oh! they're just like mom and dad!" So they 'wait' for 'their turn', believing that eventually, should they wait long enough, they'll be rewarded with bonding and such from the Batfam just as they were with their previous parents.

This mindset changes what they do as well, as Waiting!Reader even goes out of their way to not bother anyone, or "get in the way" of whatever they could be doing. Waiting!Reader treats the situation so much like their previous home life, that sometimes they might even forget that the Batfam are completely different people from their parents. The only real difference that they can think of is that they're not acknowledged at all and it seems like their 'turn' never comes. Though for a while that doesn't get them down. The Batfam is busy like they're parents were! Waiting!Reader is sure that when things die down then they'll have their time.

... Hopefully.

I can imagine that part of the reason why Waiting!Reader holds on to hope for so long is because, again, their own parents constantly reassured them that they would have their time eventually. That if they behaved, and stayed out of the way, then they would go somewhere fun with their parents and essentially be rewarded for their efforts. They were conditioned to wait, to be patient, and just comply until those around them decided to actually take care of them, and spend time with them.

Of course, as they grow up the reality of the situation does hit them eventually, but during that time they do try.

Waiting!Reader helps Alfred around the house, and so they mostly bond over doing chores, among other things. They are also more mindful, and try to keep the amount of noise they back down— so they actually don't play at the Manor all that often, and instead play literally anywhere else. If and when they do play outside, around the area of the Manor like in the gardens or something, they make sure no one is around before even thinking of playing.

Alfred does help them break a few of their habits that they got while living with their parents, but the one thing he can't seem to 'fix' is how absolutely quiet Waiting!Reader is when they walk around. Which, as on can imagine, doesn't exactly help in a situation where the whole family, except for the butler, is neglecting you.

The amount of times Waiting!Reader has caught Alfred off guard is more then you'd think for someone that works with the Dark Knight, and his various sidekicks and such, over the years. Which does say something, sure, but it's also funny!

Regardless, similar to Quiet!Reader, Waiting!Reader is able to start their musical career earlier than normal, and thuse becomes a little more popular than they would originally. However, they're more known for their live performances and giving back to the community. Seemingly just like Bruce as they attend charity event after charity event, and try to do good by the people.

Waiting!Reader also does genuinely try to become a vigilante as well, but they do so in a way where they only take care of the smaller/medium guys, and leave the bigger ones to the rest of the Batfam. This is because they want to remove possible distractions for their family, and while they would try to take on "bigger guys", they don't think they're skilled enough or experienced enough to even think about it. So they don't even try. (They also don't have the same theme as the Batfam- since they don't want to 'ruin' their reputation with what they're doing or something. Which does hell them further detach themself from the family later on.)

I'd say that with Waiting!Reader, the difference between them and the Batfam is more clear to them? Like, to them, the Batfam are just so good at what they do that they have no hope of reaching them. So instead of trying to reach for them, they just do their own thing and try to help in their own way.

Because Waiting!Reader takes care of smaller guys, they are kind of closer to Waiting!Reader as a vigilante.

The best way I can put it is that while the community trusts Batman and the members of the Batfam to save their city, they trust Waiting!Reader to save their homes.

So basically- Batfam is the bigger picture while Waiting!Reader focuses on the smaller picture.

Nevertheless! Also like Quiet!Reader, Waiting!Reader actually leaves earlier. Except when they leave, they leave.

Waiting!Reader straight up leaves Gotham City to attend the college that they want to go to, in an area that has more opportunity for them, that isn't close to where the Batfam lives or patrols.

So they not only leave earlier, but it also takes the Batfam longer to find them. Especially because Waiting!Reader does still do some things in Gotham, they just don't live there anymore.

I feel like out of all three readers, Waiting!Reader definitely feels like the kind of person that someone would assume is some kind of "Phantom of the Wayne Manor," y'know?

So Alfred definitely tries to make the Batfam feel bad like he does with Quiet!Reader. Except how anyone in the Batfam is reminded that Waiting!Reader even exists, and that they've been gone for a while now is through a letter that is accidentally sent to the Wayne Manor from one of Waiting!Reader's fans. From there, some research does start and the more the Batfam learns, the more they want to go and find the reader- you know the deal.

I hope this answered your question even if I really did ramble on this time- if you'd like me to clarify anything or go into more detail on a specific part, feel free to send in an ask!

[yumeka-sxf]

Japanese Linguistic Observations in Spy x Family - part 3

Part 3 - Yor's keigo

I discussed in part 1 about the different levels of speech in Japanese, particularly how Twilight changes his speech depending on the persona he's donning. He uses keigo, the standard polite form of speech, when he's acting as Loid Forger, but uses casual speech as Twilight. Yor, however, uses keigo all the time, to a degree that some would feel is excessive, but also makes sense for her character.

Keigo is the most basic form of polite speech in Japanese. It's the speech that's taught in pretty much every beginner Japanese learning course because it's the "safest" for most situations. Without getting too technical, it basically involves using the polite conjugations of verbs. All verbs in Japanese have a "polite" conjugation form that's used in keigo. For example, the verb "to go," 行く (iku), will change to 行きます (ikimasu): change the く(ku) to き (ki) and add -ます (-masu). -masu itself is then conjugated further to show past tense, negative tense, etc. Likewise, one would use です (desu) as the "to be" verb instead of its casual equivalent だ (da). For example, saying 車です (kuruma desu), which means "there is a car" instead of 車だ (kuruma da). It's even more casual to leave out the "to be" verb altogether.

Unlike Twilight, who changes his speech depending on who he's talking to or which facade he's using, Yor consistently uses keigo, whether she's talking to an adult like Loid, a child like Anya, and even an animal like Bond. She uses keigo with strangers as well, even those who are antagonistic to her, like the other assassins in the cruise arc.

Even at times when using polite speech isn't warranted, like in her own thoughts, she still uses keigo regardless.

In addition to using keigo with pretty much everyone, she also uses the polite -さん (-san) honorific with everyone's names as well. It's not unusual to do this with fellow adults like Loid, Camilla, and Franky, but when it comes to kids, especially when they're not your own kids, other honorifics are also an option. For example, adults can use the honorifics -ちゃん (-chan) for little girls and -くん (-kun) for little boys, both of which denote endearment to someone young/cute. Loid calls Damian "Damian-kun" and Fiona calls Anya "Anya-chan" for example. But Yor uses "-san" for Anya, Damian, Becky, and probably every other kid she hasn't met yet! She uses "-san" with animals as well, which isn't nearly as common. She's the only one who calls Bond "Bond-san" and she even called the cat Kopi from chapter 43, "Kopi-san."

She also uses "-san" for people whose names she doesn't know, and in some cases, probably shouldn't show respect to. She calls the terrorists from the doggy crisis arc "terrorist-san", bad guys that she takes out on her missions "warumono-san," Olka's group "mafia-san," and the other assassins from the cruise arc "koroshiya-san."

The only exception to Yor's excessive use of keigo is Yuri, which makes sense since it's standard practice to be more casual with a younger relative than an older relative or someone outside the family. He's the only person she refers to without "-san" (she just calls him "Yuri"). And while she does use the informal verb forms with him, she still uses "desu" and its conjugations. So overall, she's more casual with him, but not completely so.

When talking about herself, Yor uses the standard, gender-neutral, polite word for "I"/"me," 私 (watashi). However, when talking to others, she never uses any form of "you." Like I mentioned in part 1 about how there's different ways of saying "I" and "me" in Japanese depending on the speech level, the same is true for "you." But it's always more polite to say someone's name or title instead of "you," and Yor does that all the time. Just like in part 2 how I couldn't recall any instance where Anya says "I" or "me" since she always refers to herself in third person, I can't recall any time Yor called someone "you" instead of saying their name or title.

While Loid uses the casual "you" word お前 (omae) when talking to Anya, Bond, Franky, and anyone else he doesn't have to be polite with, he doesn't use any form of "you" for Yor. He speaks to her the same way she does to him – saying her name plus "-san" instead of using "you."

Unlike English, Japanese is a language where you don't have to say pronouns if it's understood by the context, which is why something like this is difficult to convey in a translation.

I think it's an interesting contrast that Twilight is constantly changing how he speaks depending on whether he's acting as Loid Forger, as a spy, whether he's conversing with a fellow spy like Fiona, a casual friend like Franky, someone he respects but can't be fully open with like Yor, and even how he talks to himself in his head…yet Yor is the total opposite. As I've discussed in this post, she's extremely consistent in her speech, never straying from being polite no matter who she's speaking to or whether she's in her Thorn Princess role or not, or even whether she's speaking to herself in her head or not. This just further proves that, while Yor has to keep her assassin job a secret, she doesn't have to create a fake persona for it. Unlike Twilight, who acts one way as a spy and another way as Loid Forger, and perhaps another as his "true" self, Yor doesn't feel the need to hide anything about herself other than her job as an assassin – Thorn Princess and Yor Forger are the same person who shows respect for others no matter what her relationship is with them.

Such excessive use of keigo is odd for a fluent speaker, but it's not unheard of. There are plenty of examples of characters from other anime/manga who use keigo all the time too. I think it gives us an interesting, subtle look into their character. In Yor's case, I think her constant use of keigo comes from a combination of her sweet personality that never wants to offend anyone, but also her poor self-esteem. After all, keigo and other polite forms of Japanese speech are meant to elevate the listener while humbling the speaker. Yor speaks politely to everyone because she simply wants to be kind to everyone and make them feel comfortable, even those she has to kill, but at the same time, she often feels inferior to others.

However, there are rare exceptions where Yor stops using keigo which are, appropriately, during very suspenseful, high-stakes moments where politeness would be the least of her worries. For example, during her fight with Barnaby when she realizes she's holding back, she starts using casual speech. But she goes back to keigo before too long.

But probably the most notable example of her completely dropping keigo is near the end of her big battle against the assassins on the cruise ship, where she finally comes to realize what she's fighting for. During her whole epiphany scene – starting from when she thinks of Yuri and herself as kids until she stands up and says she won't stop fighting – she switches completely to casual speech.

There are many ways to interpret this, but I think it shows what an emotional revelation this was for her: she remembered that the suffering in the world is what caused her to want to protect Yuri from any kind of tragedy, and now the same can be said for Loid, Anya, and Bond. She remembered the words of acceptance she heard from Loid when they first met, words no one else had likely ever said to her before. She realized that she didn't care what happened to her as long as she could stop anything bad from happening to her loved ones – in that moment, no formalities were necessary with such intense self-reflection.

Continue to Part 4 ->

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