#which ties to a whole big this but the basics

[write-it-right-2]

Picture the force as an ocean. the surface - the ‘light’ side - is calm, is easy to navigate. as you sink deeper and deeper, it gets darker, it is harder to navigate, and the pressure means it is harder to even hold on to your mind, your identity. you need something to guide you. you need a tether, or many tethers, or a full submarine or other habitat to protect you. It is not inherently safe at the surface - waves still crash, and great destruction can still happen, but the deeper and deeper you get, the more dangerous it becomes. 

What if you filled yourself with all your anger, all your hate, what if you used pure will and pain to bend the waters around you, the nuclear equivalent of force use? These waters could drown you, you need something - so what will you use?

What if you did not go alone? You could bond yourself to others, allow the tension of this descent be spread amongst many - but if you go too deep, put too much pressure on those lines, or if you were at max tension and then one line snaps - you go spiraling off. All of that tension ricochets back onto you, suddenly in deep waters you are drowning. In that case, it’s easy to see why you might say it is just safer to never try and tie at all, when a break can ruin the whole network, when the tension could tear the whole thing down. More powerful, but more fragile.

The only thing left is to learn how to swim. But - more importantly, to let the waters flow around you, over you, to stay calm as they bob and weave. Panic is one of the greatest killers of drowning people. Don’t make waves, it’s such an easy visual - but how quickly does the meaning become lost? How soon do you end up applying it to everything else? When do you realizes you are still everywhere, everywhere in your life, except for these waters of your mind, the only place you are unseen, and the only place you are roiling. 

Go back. The waters could move around you. What does that mean? How does the water move around you? Forcing yourself perfectly still in water causes more ripples than moving along with it. You need to let the water move you, just a little. You are in the water. You are the water. Do not fear the water, it is not easy to move against but it will not hurt you, not now, not to move with it.

What if you are already deeper? What if by your very nature, you could never reach that place on the very surface, not without support, not without ties. What if you are told to ‘let the waters move around you, and move you with them’ and they do not see that you swim in deep water, you are not near the surface and you do not know how to reach it. The waters could tear you apart with one wrong move, you can feel it, and this doesn’t work right - why doesn’t it? The metaphor breaks down here. I’m not sure why. The problem is not the power - it is something else, it is letting the water move through versus trying to force it to move as you wish, but neither quite work.

Stop. Go back. No, further, we talked about going together. It is not safe to tie a few - you could be pulled back so easily, the tension snaps and it hits everyone - but what if you had more? How many could you have? 

It is something about will. It is about how much will you have behind your actions. How easily could you be led off this path?  There is genuine importance in being able to let go, to not bash your head against a single wall for all eternity, to not pick every hill as a hill worthy of dying on. You can not die for every hill. It is so dangerous to put all of yourself behind an idea, and the more of yourself, the more power it has. You must have some method of measure. How do you teach children what hills are worthy of dying for? You try to teach them to be good, to be kind, but when it is so easy to find yourself burning down hills for the sake of your beliefs, when a single missfire can burn down worlds, do you not end up teaching caution, before all else? Do you not end up saying to temper those flames, to never let them burn so high as to truly change the world, because every single one has the power to change the entire universe. And you know it. And you have no idea how to teach them to change it for the better. Who even are you, to try and determine that?

So what if? What if, by your nature, you are told you are going to change the entire universe. But the people you are raised by do not know how to teach you. You need to know how to stay yourself, how to stay true to your ideals, how to remember love, and compassion. Hope, and kindness. But they have spent all their time teaching themselves how not to turn the world over themselves, too scared, for such very good reasons, but they have forgotten, and they no longer know the things they would need to teach you. You need to know safety exists. All they can teach you is that you have to make it yourself.

To go in small groups, they have learned, is so much more dangerous than to go alone, or in pairs that can still divide. They still have these remnants of connection, but they are trying so hard to leave them behind. What they have forgotten is that many hands, working together, will do so much more than one person ever can. Many hands, working together, and protecting each other. In a desperate bid to not drown, tangled in snapping webs, they have banned them altogether, not understanding that it is by the very construction of these webs that we learn these things, of hope, of faith, love, and kindness, and compassion, and a belief that holds these, without reward, without payment, simply because it is, as all important. They understand what it means to care. But scared, so understandably scared of these deep waters, they no longer sink, they no longer let the water run through them, they no longer act.

[designernishiki]

well. finished yakuza 5.

[honeytonedhottie]

celebrity energy⋆.ೃ࿔*:･💅🏽

so i got an ask about this a while ago and i wanted to make a post about it but i went on hiatus 😭 so im making the post now. thank you to the anonie who asked the question that inspired this post and i hope you see this cuz it answers ur ask...💬🎀

THE TRIPLE C'S ;

while making the notes for celebrity energy (the big C) and i was able to umbrella it to three main points. those points being confidence, cuntiness, and charisma.

confidence ; celebrities need to have undeniable confidence in themselves and their abilities. they're famous for a reason and they know that. work on ur self concept and watch ur confidence sky rocket.

cuntiness ; to be cunty is to be feminine and aware of urself. be cunty in the things that u do and the way that u handle urself. to be cunty is to find the perfect balance of inner strength and delicateness. cunt = refined.

charisma ; authenticity is the heart of charisma. be authentic and dont be afraid to take up space.

ALL ABOUT IMAGE ;

to have celebrity you need an image to put forward. this is where the power of social media comes in. your social media is like your brand. in this day and age social media is such a powerful tool not only for networking but also for getting u into places that u wanna get to.

in order to do that though u need to learn how to formulate ur own distinct image and advertise it expertly on social media.

PERSONAL BRAND AND REPUTATION ;

to further touch on those points ur social media IS your brand. this section kind of ties in with the next but im trying to distinguish between the two. so ur personal brand is what u do. so lets say ur rly SUPER smart and ur known for getting A's on like everything.

that is ur personal brand and that comes with a reputation that u may or may not feel obligated to uphold. but its important to uphold a reputation of some sort. with that being said be careful of what u post on ur social media because DIGITAL FOOTPRINT IS REAL. and when people look at ur social media they're seeing a representation of what ur putting out to the world so always be mindful.

WHATS UR SIGNATURE ;

you need something about yourself that’s gonna set you apart. the way that you walk the way that you dress the way that you do ur makeup etc. decide what kind of energy u wanna serve, and SERVE IT. i choose to serve princess energy and i could write a whole separate post on that but find someone who serves that same energy so that u can learn from them.

remember, dont introduce urself as a vibe that u cannot maintain

but back to what we were talking about what is your SIGNATURE. what makes u or people think "yea thats so (insert ur name)" is the way that u talk or the way that u carry yourself. make sure to refine urself and be ur own distinct individual.

and dont be afraid to play around with signatures, ur allowed to have a few or one singular one, dont limit urself and keep trying until u can create the perfect one for you…💬🎀

while on the topic of signatures i wanna touch on STAR QUALITY. learn how to market urself not only as a person but as ur own brand. star quality is the perfect blend of (talent + training + confidence)

POLISH YOURSELF ;

refinement refinement refinement. u need to be studying yourself and you need to be able to see urself from other point of views. seeing urself from other point of views can be so refreshing and useful and it rly helps when ur trying to polish urself.

take impeccable care for urself and constantly show urself that u love urself. polish the way that u talk and the way that u carry yourself so that u can be exuding so much you-energy. its basically taking ur signature and the energy that u exude -> and refining it.

you have to create the energy before fame comes. if u wanna have celebrity energy u have to start getting comfortable with putting urself out there which leads me to my next point...💬🎀

KILL CRINGE ;

when people call u cringe thats like them exposing their fear of being seen and analyzed by the world. they're upset because ur putting urself out there and they're insecure, but thats for them to fix within themselves. so dont take it personally when someone calls u cringe.

furthermore ur fear of being cringe is holding u back because ur always overthinking everything and u won't let urself do anything even if it'll help you because ur worried it might be cringe or ur worried what other people think so nip that in the bud and let urself live! u might have haters but dont let urself be ur own hater.

SOME MORE SOURCES ;

THE IMPORTANCE OF BRANDING

MIRROR WORK + AFFIRMATIONS

[iluvzaddies]

⊹˚₊ zoro being in love with you ₊˚⊹

— roronoa zoro, a former pirate hunter turned pirate, is a very reserved guy.

— when he meets you, he starts to open up more, smile more and laugh more.

— whenever sanji flirts with you, he becomes jealous and possessive. he glares at him from afar all the while yearning for you. he yearns for your attention to be directed at only him, no other man.

— then he realizes he has feelings for you. romantic feelings, as a matter o’ fact.

— but it is difficult for him to admit his feelings. he is very new to the concept of love and doesn’t know what to do, unlike sanji.

— zoro is 100% sure he is better than sanji in all aspects, but he isn’t confident when it comes picking up women, which sanji is a pro at.

— no way in hell will he ever ask the perverted love cook for advice, so he asks nami instead.

— according to nami, women like compliments, flowers, gifts, a candle lit dinner with a beautiful setting, basically all the typical romantic gestures.

— with that, zoro begins to court you.

— and he does exactly what nami told him.

— day 1: he randomly compliments you on your looks and whatever you do.

— day 2: he gives you flowers. not a big fancy bouquet of roses, but a few flowers he plucked from a forest tied together with a string.

— day 3: he buys you something with what money he has from logue town and gives it to you as a gift.

— day 4: he prepares a secret candle lit dinner for you with food he cooked himself as your dinner and the beautiful setting being the deck of the going merry, overlooking the ocean. the ship almost catches on fire due to the candle accidentally falling on top of spilt alcohol.

— you appreciated the thought and effort he put into the whole thing, even though the ship almost burnt to a crisp.

— on the 5th day, he finally confesses.

— and you also confess. in truth, you have had feelings for him as well, so it isn’t one-sided.

— hearing your confession, zoro is surprised, to say the least.

— nevertheless, he is glad you return his feelings. zoro doesn’t believe in god, but he thanks god for it.

— he presses his lips onto yours and kisses you.

— everyone catches sight of you and zoro kissing. you can hear nami and ussop cheering for you, luffy’s asexual ass being confused as ever and sanji fuming.

— after he kisses you, he gives you a toothy smile. a smile that you adore.

— you smile back, happy and content.

[fandom]

Top 23 of 2023

Have you been aching to get your hot little hands on 52 weeks of data around original posts, likes, reblogs, and searches, all weighted and ranked and tied up into categories with a nice little bow on top? Well, today’s your day! It should come as no surprise that Artists on Tumblr reign supreme: from stunning traditional art, jaw-dropping digital art, fanart, sculptures, textile art—you name it, basically—this year’s list shows that Tumblr truly is the home for art and artists. Thank you, Artists on Tumblr, for enriching our dashboards day after day. 

Rounding out the top three, we have two iconic shows: Good Omens is live-action, and The Owl House is animated, but both have a heck of a love story at their core. The second season of Good Omens blessed us with not one but two ineffably exquisite ships, while the final season of The Owl House broke and then healed fans’ hearts in equal measure. Thanks, @danaterrace! Actually, come to think of it, the Good Omens finale kinda did the same in reverse. Thanks to you, too, @neil-gaiman! We can’t wait for season 3. 

Speaking of heartbreak and healing, Our Flag Means Death’s second season offered both in droves. The entire cast gave stellar performances, and fans couldn’t have been happier to see the kinds of representation the show displayed. Last year’s #1 topic, Stranger Things, may have dropped a bit, but trust us, you wouldn’t know it from the amount of meta, fanart, and fics in the tag. And did you hear about the live-action adaptations of both The Last of Us and One Piece? They were a preeeetty big deal this year, too. Check ‘em out if you haven’t yet (lol, of course you have). And we’d be remiss not to mention the hugely dedicated fans, fanartists, and fic writers devoting their time to all things Rise of the Teenage Mutant Ninja Turtles. Y’all deserve a little pizza, as a treat.

2023 was also a year for blockbuster movies, which of course hasn’t escaped anybody’s notice here on Tumblr. Barbie smashed box offices worldwide and left us reeling with every re-watch. How can one describe Greta Gerwig’s pink-filled opus? It certainly is one of the movies of all time. Meanwhile, with its incredible animation and soundtrack, Spider-Man: Across the Spider-Verse introduced us to a whole new multiverse of Spider-People, opening the portal to a veritable flood of incredible OCs. And then, of course, we got a fresh perspective on an old classic when cinephiles introduced Martin Scorscese’s cinematic masterpiece, Goncharov (1973), to a new generation of film aficionados who resoundingly agree that it is, in fact, the greatest mafia movie ever made. We’re so glad this underrated film finally got the acclaim it has long deserved.

In the realms of gaming and tech, the long-anticipated Baldur’s Gate 3 has basically become everyone’s new favorite D&D/dating sim combination. Of course, the Pokémon franchise, games, shows, and Hatsune Miku collabs remain perennial favorites. Elon Musk’s purchase of Twitter, sorry, we mean of course X, made waves across the internet. Similarly, the Reddit blackout drove Redditors to new venues, and Tumblr users welcomed the folks from r/196 with open arms—we’re huge fans of your memes, y’all, and you fit right in. Welcome, we’re glad you enjoy the chaos. Here’s a fun fact: if we included post metadata in Year in Review rankings, #polls, introduced in January of 2023, would have been the #5 topic on Tumblr this year. Phenomenal. 

And, oh right. Taylor Swift had kind of a big year, what with the albums, the epic global tour, and the movie and stuff. Fantastic work, @taylorswift, the Swifties on Tumblr thank you for everything.

This is Tumblr’s Year in Review.

Artists on Tumblr

Good Omens

The Owl House

Barbie

Pokémon

Spider-Man: Across the Spider-Verse

Critical Role

Goncharov

Taylor Swift

Genshin Impact

Stranger Things

The Last of Us

Rise of the Teenage Mutant Ninja Turtles

Elon Musk

196

Star Wars

Our Flag Means Death

Crowley | Good Omens

LGBTQ

Cottagecore

Baldur's Gate 3

One Piece

Aziraphale | Good Omens

[bnhaobservation]

Did Enji atone to Touya (and his family) and stepped up on his role as a father?

Boku no Hero Academia has a grave 'flaw'. The fact that's strongly tied to Japanese culture and Buddhism makes it a very interesting work but also makes it a hardly international work because way too many cultural things are left unexplained because they're assumed to be a given. Only they're not when the work is read by foreign readers. And this lead to confusion.

The Todoroki plotline is an example of this.

In the west many feel Enji did nothing for Touya or did too little because the little he did is a given in the west. The point is... it's not a given in Japan. In Japan is a BIG DEAL. So let's go though it.

First, the fact that he doesn't want to kill Touya even though he's a criminal

Todoroki Enji ‘Ore wa ikinobite mo... ENDEAVOR wa shinda. Tairyō satsujinsha (read: musuko) to tatakaenai.’ 轟炎司「俺は生き延びても...エンデヴァーは死んだ。大量殺人者（��すこ）��戦えない。」 Todoroki Enji “Even if I survived... Endeavor is dead. I can't fight against a mass murderer (read: my son).”

Let's compare it to these two scenes of "Death Note" and see how Yagami Soichiro, a policeman, is taking the idea his son might be a killer and how, although Misa protests, the story doesn't present it as him being crazy but as it being his duty.

That's why Hawks doesn't want to send Enji, who's on an atonement path, to face Dabi, because Enji might end up in a situation in which he would have to kill his son and he would refuse... which is more or less what happens.

Second, Enji acknowledges that what Touya said is true, Touya is his son and Enji did what he did. In such a situation many would lie. Dabi's video proves nothing. He is a Villain, they had a doctor in the team who could create Nomu, the paternity test could be fake, even if Dabi were to provide a sample of his blood or skin they could insist that's fake.

Society didn't want the truth, they don't want Enji to confess, they wanted him to reassure them, they even commented he should have lied because yes, that's what's done often.

Basically he put his honor on the chopping block. A public apology like this one is a BIG DEAL in Japan. It's much more serious than in western countries and he does it when he could have spared himself and say Dabi lied but that would have meant to deny his son.

Third, it connects to the first in a way. While Enji is unwilling to kill Touya, he's willing to die with him. It's ‘shinjū’ (心中 Lit. “Mind/heart center/inside” but more likely means “oneness of hearts”, probably reflecting a psychological link between the participants) and it’s a word used in common parlance to refer to any group suicide of two or more individuals bound by love, typically lovers, parents and children, and even whole families. People who commit shinjū believe that they would be united again in heaven, a view supported by feudal teaching in Edo period Japan, which taught that the bond between loved ones would continue into the next world, and by the teaching of Pure Land Buddhism wherein it is believed that through shinjū, one can approach rebirth in the Pure Land. By volunteering to die with him, Enji is basically agreeing to remain with him in their next reincarnation.

For us it's crazy, it's Enji giving up on saving him. In Japan it sounds like 'I love you and I want to be with you'.

Forth, he'll apologize to Touya. As said before it's a BIG DEAL, especially since Enji is the family head and, although for us most of what he did is wrong, in Japan most of what he did is well within what he can do. Marrying a woman you don't love in a combined marriage to expect the child who'll be born from it will fulfill your ambitions and not really bothering to raise it because that's a mother job, well, things are changing in Japan but none of the above is a crime. In a not so distant past it was actually the norm. Yet Enji apologizes even though normally a family head wouldn't.

Fifth it's a bit in the first point and in the second but it'll drag on through all the story, Enji won't reject Touya. He's the only one (except Fuyumi who however doesn't get to say much) who never calls him Dabi after the reveal, and he won't strike him out of the family register but will keep on considering him his son.

Look at the Tobitas instead and at how they kick their son out.

Don't think Hawks is cutting strings with his parents solely because they were abusive, the Tobitas show us how you should just cut strings with a criminal. Same as the Togas.

Have "Theseus no fune" in which a man accused to be a murderer, send a birthday gift to his son and watch the reaction of his wife.

They don't want to keep contact with a criminal. It's scary because they'll be mistreated if they are discovered to be related to him.

And, in this vein, the fact he wants to go see him, that he'll keep on seeing him till the end instead than turning his back on him, is seen as important. It's seen as him being his father.

To many of us it seems as if he's forcing his presence upon Touya. Actually, from a Japanese perspective he's instead not abandoning him like many others would.

And since Touya is dying, very likely the talking will be the talking that's done in a Buddhist culture when someone is dying. Death should occur in a calm and peaceful environment, with close friends and family in attendance. Together they should reflect on the good deeds the dying person has done throughout their life, in the hopes it will help them in their next reincarnation. Additionally, family and friends can perform good deeds on behalf of them, which they believe will be of merit to the deceased.

So, since Touya is dying he won't get a scolding like Chisaki, they'll all only tell him nice and soothing things so he'll die peacefully.

Now... in the west all this is absolutely way too little, and in some points even feels wrong. Dying together instead than insisting in trying to save him? Deciding unilaterally to show up every day? Not our thing...

We can totally say 'thanks, I hate it' because we grew up with Darth Vader who instead gave his life to SAVE his son. All this accepting that Touya instead is going to die so Enji can at best die with him or keep him company until he does... well, it's mostly not our cup of cultural tea.

In in Japan though, all Enji does is important. Enji is doing something for Touya as a father, something important many fathers wouln't do for their sons.

Does it would satisfy a Japanese audience? They'll get the message better than us... but things are changing and anyway it can still feel too little. "Death Note" is dated 2005/2006 and back in it Misa was already questioning the idea of a father killing his son and then killing himself. BNHA is more innovative as Enji doesn't think to kill Touya but he still goes for the 'let's die together' route... and Horikoshi subtly criticizes it by having the rest of the family decising they'll try to stop the fire before just giving up. They're willing to die, but not before trying.

Enji represents plenty of old theories after all, which Horikoshi acknowledges were moved out of wrong beliefs, not moved by mean intents... which, is possible, would still not be enough for Japanese readers either because among teenagers, the target audience, there's an increasing number of teen who, in Japan, are forced to leave home (the Toyoko Kids) and often ends up committing crimes to survive and the league seems to be based on all the kind of homeless people Japan has.

While for a kid at home with a loving family being told that your father will die with him if he messes up instead than just dumping him might be comforting... for a kid that was abused and forced to leave home this might feel not enough.

People want to be saved, being told it's too late to save them, might be a lesson for those who hadn't done anything wrong yet so that they won't do it, but it's surely not a hopeful message for who instead got himself into troubles.

But well, that's something for the Japanese audience to ponder.

There's also to point out that, even though the message is not hopeful, Horikoshi is seeing the homeless people and acknowledging they should be helped.

Japan in regard to the Toyoko kids is mostly like the old woman who pretended not to see Tenko but that, in the end, helps that new boy.

I think Horikoshi's message desperately wants to be hopeful even for them, that he wants BNHA be like Midoriya's final stand, something that will push people to acknowledge they exist and reach out to help them.

It just that... it gets lost in what I'll call the 'litteral translation'.

No one explains us how we should jusge the scenes and, since we lack the cultural background, to us they are perceived differently because to us things work differently.

And, personally, even when I think I figured out the author's intent and can see the positivity of it, the cultural filter is still too tick and the picture gets blurried.

It's like being beginner at speaking a foreign language and having to constantly translate it in your head. The message loses its natural beauty, get simplified and not fully grasped.

I think I understand how Enji's atonement work in regard to Touya... it still doesn't feel fulfilling to me. But enough about Touya.

'Now,' you might rightfully say, 'fine, I'll bite, let's assume what Enji has is an atonement arc for Touya. It doesn't work at all in the west but let's give it a pass. What about his other kids?'

Natsuo and Fuyumi's wishes are in conflict.

Fuyumi wants the five of them to be a family (at the time she doesn't know Touya is alive), Natsuo doesn't want to be part of a family with Enji.

Enji's solution is giving Fuyumi a house in which she can welcome her mother and live with Natsuo (and Shouto when he comes home), while he removes himself from the equation. The solution fulfills Natsuo's wish of not seeing Enji because it makes him feel bad. It only partly fulfil Fuyumi's wish because it'll allow her to have her mother back (Rei couldn't bear meeting Enji either) and to stay with her siblings... but Enji takes responsibility for it, he doesn't tell her it's due to Natsuo that he can't live with them, so, in theory, it won't be Natsuo the one who's stressed to be at home when Enji is there and the one who has to leave home because he can't stand the sight of Enji.

There are many things I can say on how this is not a good solution (it doesn't make Natsuo feel better, it just stops him from feeling worse), but there are two points to consider. The first is that Enji is getting old and it would be his children's duty, due to filial pity, to take care of him, instead he's basically giving them the means to leave and take his wife with them.

Actually, since Natsuo is now the oldest MALE, it should fall on him specifically. Yes, Enji always intended to have Shouto inherit his mantle but this doesn't free Natsuo from his duties. Instead Enji is letting all his children free.

Even with Shouto, he doesn't insist anymore for Shouto to learn Flashfire Fist as his heir but just as an intern.

I take this is big in Japan.

Here again, not so much, especially in the countries in the west that think kids should leave their parents' home as soon as possible and we don't think our children are obliged to inherit our mantles.

Note how the story implies that this was meant to be the end for the Natsuo/Enji arc.

Natsuo made clear he didn't want to meet Enji again, he does it solely because they've to stop Touya and, once they've stopped Touya, he makes clear he doesn't want to see him again.

If we want though, the fact he's leaving the family can be seen as a concession in a way.

Since apparently Rei wants to stay with Enji (and likely their old house was devasted because that's what happens to relative of criminals) Enji can now move with Fuyumi and Rei and Natsuo won't have to see him because he'll leave home... to make his own home.

As for Shouto... Horikoshi answered his request by basically showing him Enji being a father for Touya and then promising he would protect them from the fiery fallout, which Horikoshi doesn't show at all because it's another thing that's a given in Japanese culture, it'll be hell for Enji to protect them, but not for us.

Just to get an idea of the fiery fallout here are some images from "Theseus no fune" again showing you how bad is this sort of thing.

Back to Enji, Horikoshi gives us verbal confirmation that Enji is now being a father by being willing to do this, by having Natsuo, who never called him as such, calling him father for the first time.

For Horikoshi that's Enji being a father.

Again, we've no idea of which hell Enji will suffer because that's not part of our culture. I've posted above screencaps of "Theseus no fune", that's how the fallout should be so not pretty at all.

So the fact that Enji will try to protect them from it is, again, BIG.

So yeah, Enji did do BIG things to atone and keeps on doing them and if he'll ultimately get forgiven by Natsuo (the rest of his family wanted to forgive him way before he were to do something), that's up to Natsuo... Horikoshi likely left this as open ending because he wanted to let it up to readers so as not to make them feel they were forced to forgive Enji.

In the general hopeful theme of the manga and with Natsuo acknowledging him as a cool father I guess his idea is that Natsuo too will eventually forgive him because he's kind.

I don't want to say that Natsuo forgiving Enji would be a culture clash because there's people even here that forgive their horrible parents and that's valid. Forgiving is a personal choice and one has the right to make it even if said horrible parent did nothing to deserve it.

It's up to you.

But sure is, if again we take the story at face value and not in its cultural contest, we can't see what Enji does to atone, because for us is nothing big.

It's even made worse by how Horikoshi doesn't show at all the hell Enji will go through (as for him is a given) so for us IT DOESN'T EXIST. We see Enji as having it easy, talking big but not having to face anything at all.

Honestly though... I think this is a bit of a flaw of the manga as a whole.

Way too often it prefers to focus on the good than on the bad so that the bad gets sidelined to much to the point people forget it.

There were horrible Heroes who committed crimes and had no intention to repent or stop... and we never met them. Nagant killed them off but we never met them.

Mountain Lady, who became a Hero for money and fame, then sticks to the job even when it's bad. Desugoro, who left the job when it turned bad, then came back to help. Enji is on an atonement path and, anyway, on work he was always a good Hero.

In the same way Horikoshi prefers not to show Enji's hardship but focus on how he'll have the support of his sidekicks, driver and Hawks... partly also because it ties in so well with the general message of everyone reaching out.

The result is that the Midoriya plotline of everyone reaching out becomes more important of the Enji atonement arc and overshadows it.

Enji's atonement arc ends in 426, chap 430 doesn't feel the need to tell us if Enji is keeping up with it despite the hardship, nor how his family is doing. It feels the need to reassure us that people will reach out for him even if he's in hell, that even if he had to give up on his family, he now as a new found family.

It's thematically consistent with the theme of reaching out but... the fact it overwrites the atonement arc honestly FOR ME doesn't work so great.

I think it's an overall problem of the 'reaching out message'.

While in itself is beautiful... it saves nothing I was lead to care about.

In Enji's case I was interested in his atonement arc, in how he could help his kids. I wanted more of that, partly because his atonement arc is so far from my culture, partly because it touched characters I cared about, I wanted to be reassured he would keep on working on it and that his family would be well.

Yes, he should be in hell, but the story didn't really work hard on trying to make me worry for him as it established already a support network for him. The story made me worry for the kids, for Touya, who was dying, for Fuyumi, who wanted back her family and won't have it, for Natsuo, who's marrying an unknown character so young, for Shouto, who has to cope with the loss of the brother with whom he wanted to connect.

I don't really care Burnin, Onima, Kido and Hawks are willing to continue to protect Enji, to reach out to help him, I knew they would, I wanted to be reassured Enji's kids are safe, well and protected. I wanted to see ENJI reach out and help them.

In this vein I don't really care the old grandmother saved a nameless abused kid, or, at least, not as much as I cared for Tomura to be saved. It's nice she saved him, it's nice he gets to live the life Tomura was denied but honestly, he's a mob character with a super tragic backstory created deliberately to force us to emotionally connect to him.

The message he now will be saved is good, but my emotional investment to him is too little.

The same applies to Uraraka's Quirk counsueling program, we knew next to nothing about the Quirk consueling previous program beyond that it didn't work (a real problem in Japan as they have a school consueling program that didn't work... and changes are in progress) and that now it supposedly does.

To how Shouji now solves peacefully plenty of conflicts caused by Heteromorph discrimination, which Horikoshi tossed in later and never really showed how to solve (and, don't take me wrong, it's not solved even by Shouji, he just solves peacefully the conflicts, how is up to everyone's speculation).

Long story short, I think Horikoshi worked really hard for BNHA to have an optimist, hopeful message... but part of it goes lost in cultural differences and part of it goes lost in how the story didn't try to get me invested in the things it's now saving.

So yeah, I'm still sad for this little panel in chap 430

I guess I'll eventually get over it. Today though, it's not that day.

On a positive note... if we count the pages of all the chapters that should go in vol 42 they're only 132. The chapters that were meant to go into Vol 39 had 165 (which yes, Horikoshi further expanded once the volume was released).

So yeah, unless Vol 42 will be slimmer than usual or that he'll add to it some sidestory or extra story, it's possible we'll get more plot in terms of epilogue. We'll see.

(also yes, I'm not touching Rei in this post. Rei is another can of worm entirely and one, I fear, Horikoshi doesn't care about. The poor woman doesn't even get a profile while Ikoma Komari does. And really, I do think Rei is much more important than Ikoma Komari)

Last, but not least, since someone seems to get the wrong idea, in case it wasn't clear enough, I'm not Japanese. I research on this. Through books, through the net and yeah, since I like to read manga and anime also through them which I often use as a source of comparison because they're easy, accessible to many and represent the same kind of media BNHA is so they more or less move according to the same or similar rules. I might have messed up somewhere. I encourage you to also research on the topic and take everything with a grain or two of salt.

[infernalantics]

qifrey witch hat atelier is really interesting bc i feel like with the type of character archetype he is (ie the mentor/teacher type who seemingly isn’t like most other adults who accept some kind of status quo) his personality traits are … fascinating. like granted there’s some stuff we don’t know that much about so a lot of this is speculation and me kind of spewing out my thoughts…!

but anyways somethign thats so fascinating to me about the small little glimpses of qifrey we get as a child is very different to the present day one we see now. which i don’t really know how else to describe other than putting these two side by side

he feels a lot more..? expressive now. which imo is a combination of a lot of things. young qifrey genuinely makes sense to be someone who’s quite uh.. confused & afraid. a young kid not really knowing his past but only knowing what took it away from him and a feeling of hard-focused anger towards them.. while at the same time having all of that taken away from him means he kinda doesn’t know who he was…? a emptiness from something they took out of him that he can’t really even place what’s missing..

which is realllyyy evident in this panel + these lines. i think that qifrey as a young kid being obsessive about his whole past was probably not super expressive or talkative and prob didn’t have that many friends aside from olruggio. being a kinda weird case of a witch learning magic and all…

(hm. sound familiar? i mean like. coco was in a horrible situation/circumstance regarding forbidden magic that caused her mom to turn to crystals and instead of having her memories wiped qifrey took her in and taught her magic. while qifrey was in a horrible situation regarding forbidden magic that took away his past, left him without his eye, but instead of having his memories wiped beldarut took him in and taught him magic. but that’s beside my point. for now)

but his search kind of abruptly gets cut off after going to the tower + learning it was a new type of magic. and he can’t tell anyone about this so i think he basically just sits with it for a while, his leads fizzle out for a while and in that time he starts the atelier and gets some apprentices and within that time is a lot happier and more content .

n then coco appears, he gets another lead, the grudge bubbles back up, yada yada youve read the manga. (probably)but all of that to say i think such a lovely part of his character is his ANGER!

i think this scene can be interpreted a lot of different ways since we kinda just don’t have the resolution to it yet and i think it may uh. be a minute until we do… but qifrey does absolutely care very much for the people around him. that much is evident. and i don’t think his anger is always in spite of him caring, i think it also works in tandem with it.

qifrey wants to keep being a teacher, he wants to be fulfilled and he wants a future. but essentially he’s been put on a time limit. (or at least he sees it that way) this happy present he has is temporary and slipping through his fingers so he’s working really desperately to settle everything with the brimhats to try and keep his future.. they took away his past, he didn’t know who he was or what he came from, and his future is being lost too… the combination of knowing his secret could super get him in BIG MASSIVE TROUBLE + that he seems pretty damn insistent on dealing with this on his own… makes his decision to wipe olruggios memories in ch40 REALLY COMPELLING!!! the line “from the pursuit of hope, comes the cost which is despair itself” really ties the whole scene together for me…

and even aside from his own backstory i think he has an anger to him that comes from his care for the girls + olruggio exactly too. you can see this in the way he immediately fuckign snaps when coco gets hurt

but god this is wayyy longer than intended but all of this to say. qifrey has a tendency when something isn’t fair, it’s hard for him to just sit by and let it go. it’s why i think he’s a rlly good mentor figure for the themes of witch hat atelier. his anger resonates with the viewer, because it makes you think: fuck, man, isn’t it unfair he just got his past ripped away from him? isn’t it unfair that coco just got hurt in a battle she shouldn’t have to be fighting? isn’t it unfair that the law tells you that there’s so much you can’t do about all of it, too?

where i think qifrey is going, or where i hope he his, is letting himself truly realize that he doesn’t have to feel all of this alone.

which i think he knows that, logically, but again he’s committed to dealing with things on his own and is kind of a hypocrite lol. which is something he kind of just literally says here in the fact he’s extremely reckless with his own well-being (also likely due to the fact he sees his future as slipping away from him too and well. probably illness in his brain) but tells coco not to do what he does…. god bless❤️

because also i mean.. coco understands. she might understand better than most! to have your whole world changed and not understand why everything has to be unfair! to be wronged by forbidden magic but still have to sit with the hurt of knowing it could be used to help so many people! (notably coco’s mom… qifrey himself…)

which she literally says herself!!!

and olruggio, who keeps reaching out, who wants to be someone he can rely on and trust.. and who probably helped him a lot in his search, too, even if he thought it might be bad for him, he cared about him..! in a lot of his most reckless moments, olruggio is there to help him (eg “whats your top priority right now?!”) and i think that was probably true for a younger version of them, too.

and overall for coco… magic is hope. magic is seeing a problem and finding a solution. magic is wanting to help people. magic is so many beautiful things bundled into one.

qifrey DOES have a future. because as long as coco is around, she will find a solution and she will find hope in the darkest of moments. because as long as olruggio is around there will be someone who cares about him and will try to reach out. because magic is hope, right?

isn’t all of that so much of what qifrey taught her himself?

because i do think qifrey still has hope. i mean.. so much of his conflict COMES from having hope and chasing it and the agonizing feeling of that. (again, “from the pursuit of hope comes the cost that is despair itself”) but even if it hurts to live in a world that is unfair and feeling like you’re powerless, even if it is a hard and difficult battle to hold onto that hope despite everything, it’s always worth it. even a tiny little glimmer of light at the end of the tunnel is enough to run towards it.

i think that in the end what qifrey has left to do is let other people use that hope towards him.

(….although it might be a bit of a rocky road getting there AHAHAH i don’t know how many more epic qifrey moments like ch40 we’re getting….)

anyways this got really long i didn’t expect this to turn into a whole rant abt qifreys character HAHA but thank u if anyone reads this witch hat fandom is pretty small so i might actually tag all of this. i would love more witch hat mutuals ehe.. ❤️ have a good one

[starbylers]

After spending some time listening and re-listening and thinking a lot, I think I finally have my head wrapped around all these songs. This post is an exploration of what they could tell us about Mike’s story, and also a sort of theory I noticed once I saw the full picture. This playlist is—in my opinion—the story we’ve been theorising for the past two years reflected in 12 songs. That might sound hyperbolic but it’s simply what I heard and interpreted, and wanted to share because I enjoyed writing it. I hope this is an interesting read!

If you didn’t see my last post about why I do believe this is Finn’s Mike/ST playlist despite the somewhat ambiguous title you can read that here. It’s totally okay if you disagree but I’m not interested in debating it, and this analysis is coming from a perspective of assuming we've guessed correctly that the playlist relates to ST (obviously we can't 1000% verify that, but for the purposes of this post that’s my stance).

I’m going to focus on themes and overall meanings in the songs because in my opinion that’s where any connections are going to lie, rather than specific lines holding anything important (aside from a few which I’ll highlight) because I feel like that’s closest to how Finn would’ve thought while making it. Basically a macro level representation of Mike and what he goes through next season, something that would help a person get into the headspace of a character. Oh and my larger point is about the playlist as a whole, which will come together at the end :)

➠ Track 1 | Ballad of the Texas King

The first song is an anomaly in that I think it’s meant to set the tone more than anything else. These explain better than I could hope to:

"Itʼs a murder ballad, and as is common in murder ballads, deals with promise and innocence being snuffed out.” [link]

"Clarke sings of a chance encounter with an ominous figure that feels akin to selling your soul at the crossroads" [link]

Hey kid come along, something is wrong, I believe you now / All this to say only one way that this can go / Come with us for a ride / Don’t it feel like hell? Boy let me tell you, that’s where you are

• • •

A nice little coincidence, Finn himself is quoted as saying season 5 is a “crossroads”. I can see this song being an allusion to inevitable big choices with life-altering consequences next season, and also more mature themes being tackled within Mike’s story. I mean he’s stepping back into his role as leader, and now they’re older that will come with a lot more weight and responsibility in situations where the fate of the world is likely hanging in the balance. Not to mention how his personal struggles will be tied up in that, it’s probable that a slightly darker, more self-reflective—and transformative—tone is waiting for us in regards to season 5 Mike.

➠ Track 2 | What You're Doing

A simple song about a turbulent relationship where one person is unhappy because their partner is messing them around, and they're pleading with them to stop.

Look what you’re doing, I'm feeling blue and lonely / You got me running and there's no fun in it / Please stop your lying, you've got me crying, girl

The partner is the one holding control in the situation, while they feel at the mercy of their partner’s careless choices. The mood here is one of helplessness and desperation while still remaining open-hearted, hoping they’ll change.

I've been waiting here for you wondering what you're gonna do / If you should need a love that's true it’s me / Why should it be so much to ask of you what you're doing to me?

• • •

This is heavily M!Ieven coded. What do we know about their dynamic? Mike is always the one chasing El (trying to “win her back” in s3, terrified of her not needing him in s4, stressing about her being in danger all the time). El is consistently seeking autonomy (choosing to learn about her identity over pursuing romance with him in s2, choosing to break up with him in s3, choosing to leave him behind in s4, and I’m willing to bet she’s the one who removes herself from his storyline in s5). We know their separation will happen early season, and naturally things between them must be unstable leading up to this. El being the one to pull away while Mike stresses over it checks out considering these past patterns, and also the end of s4 with her already closing herself off while Mike appears at a loss.

➠ Track 3 | After The Earthquake

A song reminiscing on a relationship and the failure and death of it, with a sense of lingering nostalgia and unwillingness to let it go. It’s set to the backdrop of a metaphorical car crash.

It wasn't built to last / If you wake up you’ll remember the awful things I said / Looking back to the vibrant days / Those days I'd never let you fall apart but things fade / Why would I ever fall in love again when every detail’s over the guard rail? / Velvet curtains drawn, flowers at your feet / Say you’ll climb your way out of your wake now / Are you awake now?

• • •

In simpler terms…this is a break up song. The longing tone makes sense to me for M!Ieven because I’ve long suspected the initial split between them is not going to be super clean cut (this should make more sense later). Mike and El were together for a long time for their age, and have a lot of intense shared memories. El was also his first and only experience of relationships; it’s going to be difficult to detach. It being the right decision to end something doesn’t mean it’s easy or simple. Even if Mike is gay and didn’t truly like her romantically, he still loved her and in my opinion that distinction isn’t something he’s going to have figured out and made peace with the second it ends.

➠ Track 4 | Promises I've Made

Very straightforward and repetitive, and follows on seamlessly from the last song: this is about having trouble moving on from someone who’s left your life.

Ever since you have gone the days don't seem so bright and I wish I could forget you but I can’t / I have promised myself I wouldn't dream of you but I find that awful hard sometimes to do

• • •

Based on what I’ve seen people might fight me on this, but to me it’s M!Ieven coded mainly because of its positioning in the playlist (directly after a struggling relationship song + break up song) but also because it is technically about an ex love. Could we say it doesn’t need to be interpreted that specifically? Yes. I suppose it could be Byler coded too but personally...the way I would interpret it is as Mike moping over whatever happened with El. There’s not any intense emotional pining going on; if you listen it has a very laid back, chill sort of mood and is honestly very upbeat. There’s no deep heartbreak. It’s just about missing someone. Plus it sort of perfectly closes out the process we see over the last two songs of being unhappy with someone, to breaking up and grieving, to the typical post-break up struggle of navigating this hole in your life and naturally missing what once filled it. This is a whole sub-arc for Mike.

➠ Track 5 | Angst In My Pants

We’ve reached the gay section! This song is about trying to fit yourself into an acceptable—aspirational, even—life but never feeling content, and continuously trying to squash this troubling Feeling, the titular phrase: angst in (your) pants. Some people think it’s a reference to literal physical arousal but others including me think that in context it’s intended more as a metaphor for sexual frustration/dissatisfaction.

I hope it doesn't show, it'll go away / It's just a passing phase / When you’re all alone, you and your head / When you think you’ve made it disappear it comes again, hello, I’m here and I’ve got angst in my pants

The queer subtext here is very clear, I don’t think I even have to explain (check out the cover art too lol). The song closes with a realisation/acceptance that no, this “phase” won't ever go away i.e. it’s just who you are.

Give it a hundred years, it won't go away

I also thought one of the opening verse lines was an interesting segue from the last few songs:

But when you’re all alone and nothing bites you’d wish you stayed at home with someone nice

• • •

Angst In My Pants may aswell be titled Forced Conformity the thematic parallels to ST are that blatant. Another point for team Mike Wheeler actually is connected to the main themes of the show like all his other friends, and no it’s not because he’s somehow oppressed for being a nerd. Also rather than being about feelings for another person the song is about personal struggle with sexuality which excites me to think about in relation to Mike because we’ve been saying he needs to explore his own identity outside of being a love interest.

➠ Track 6 | The Better Side

A very sweet, slow, slightly melancholy song. I’ll be honest I cannot decipher more than 2/3 of the lyrics but here are the most meaningful ones of those I could:

I know you cry and I’m trying to keep you by my warmth

You’re never gonna see my eyes, you’re coloring all the skies you want to / I tried staying alive, keep my head on the better side when you’re far away

You’re on the better side you’re always the better one for me

You’re all that I need, I’m not gonna miss you anymore

My understanding is it’s about pining over someone who is a “better” choice, whatever that means in this context. Deciding you want someone, someone who you don’t currently have, someone who is maybe distracted, distant or physically absent? But vowing to change that because you recognise that you need them.

• • •

This directly follows the Gay Thoughts song, and precedes the Gay Thoughts song 2.0 so I feel safe interpreting it as Byler coded and about how it’s Mike’s turn to pine. (Also because “better” implies that there’s a “worse” i.e. this is a situation where you’re differentiating between two things i.e. in Mike’s case, Will vs El). I can envision Mike and Will getting moments together away from whatever chaos is surely going on, having the space to connect more where Mike starts becoming conscious of his feelings, realising slowly that Will is the “better” one for him. And as the song also suggests, perhaps Will has pulled away from him in the beginning. I think this is possible because the torment Will's likely going to endure from Vecna could understandably cause him to push Mike away, fearing his safety or him finding out how Will feels, and also I just don’t think he’ll be able to stand the pain of being M!Ieven’s couple’s counsellor for much longer without cracking. But I think Mike “it’ll be easier if we’re a team” Wheeler would make it his mission to fix any rift between them, the final line literally being I’m not gonna miss you anymore.

➠ Track 7 | Don't Ask Me To Explain

As far as I can tell, this song is about being afraid to face queer feelings for another person who is also hiding this about themselves, and being conflicted about whether to confess because you're not sure how they feel.

How will I ever know you enough to love you if you're hiding who you are? / How am I supposed to let it show when I don't even know? / Don’t move on without me, who will be watching my body when I sleep? / I don't want to be the one who's coming out first, I'd really like to but I'm just too shy

The end is an admission of…something. I’m not sure whether to interpret it as wishful thinking over this queer relationship you believe you can’t have, or as an offhand comment about forcing yourself to love someone you can’t because of your sexuality. Interesting either way:

It’s so easy to lie to myself and pretend that I could love you but I can't

I did do some research and the alleged true explanation of this song is it’s from one queer friend to another (man to woman, I assume both closeted, maybe a failed romance?) but I could only find one uncited source for that and everywhere else seems to agree with my interpretation so it seems when listening to the song that’s the story people hear. (Plus either way the song is about being queer. Undeniably so).

• • •

It’s not Byler coded we’re way past that, it literally just…is them. It does seem to suggest a level of internal conflict in Mike regarding coming out that I can’t say I expected (yes I have no doubts about canon Byler but I’m also a pessimist by nature—that should tell you how obvious their endgame is though lmao—so I assumed the Duffers would go wrong somewhere). I always thought he would be almost consciously clueless about himself until he finds out Will loves him, and the focus be more on him liking Will back rather than him liking boys (and obviously wasn’t a fan of that), but the prospect of Mike actually being aware and grappling with his sexuality is what we’ve been praying for and builds on the more low-level thrum of sexual confusion in Angst In My Pants. Oh and the song also could suggest Mike suspecting that Will likes him/is queer too before anyone confesses.

➠ Track 8 | What Do You Want Me To Do?

Another straightforward one. It’s quite angsty, a big contrast to the more sad feelings about a relationship from the earlier songs. This is about someone who left you for someone else/someone who walked out on you, who decides they want you back.

You walked out took your chance, turned your back on our romance / You said the change would do you good / But then the bubble burst your dream, turned into a nightmare scream / You came crawling to me your knees, and you were asking me to love you please

The main message of the repetitive chorus is basically: you want me to need you, but that’s not real love. You’re just using me to feel better about yourself.

What do you want me to do? Say that I need you more? Is that what real lovers do? Or only what you use me for?

• • •

I mean isn’t that last part how we’ve always described M!Ieven’s dynamic—all about aligning with the other’s needs whether for safety, validation or feeling ‘normal’, rather than genuine romance? I don’t think there’s any chance at all of El leaving Mike for someone else lol, as I said I don’t think we need to interpret these songs super specifically. But it does make me wonder: could we possibly see a moment of regression for El at some point in the season, after they separate? The focus here in my opinion is frustration at someone trying to re-enter your life when you know they don’t truly love you. Reflecting on their dynamic I talked about with earlier songs and their history in the show (El walking away, Mike scared to lose her), is it possible the break up could leave Mike struggling initially then he progressively understands why it was the right choice (especially after spending time with Will), meanwhile for El it’s the opposite—she’s more sure about breaking up but something happens later on that shakes her belief in herself. Her having one last hurdle to overcome in her dependency on Mike to finally break that pattern of hindering her growth by retreating to him could make sense. And based on this song…Mike would not be receptive to being El’s safety net. Growth for both of them.

➠ Track 9 | Substitute

Again, very angsty compared to earlier. It’s about a relationship characterised by false perceptions (focused on class), and those being what is holding it together. One partner is pretending to be something they’re not, cosplaying as someone else, and the other is also being dishonest/fake.

You think we look really good together / My fine looking suit is really made out of sack / The simple things you see are all complicated / Substitute your lies for fact / I see right through your plastic mac

The relationship breaks down because of this and their partner doesn’t truly want to fix things, and ultimately trades up.

Those crocodile tears are what you cry / It’s a genuine problem, you won’t try to work it out at all, you just pass it by / Substitute me for him / Substitute my coke for gin

Essentially: your partner not knowing the real you because you’re putting on a facade—the facade being the version of you they really like, the thing that was making you compatible—leads the relationship to fail. The literal title suggests neither of them as they are are what the other truly wants or needs.

• • •

Obviously this does not directly parallel M!leven in terms of the topic of the lying but in terms of the themes and core relationship issues…yeah. To me this could be about point Mike has reached after gradually coming to realisations about the nature of their relationship after it’s over, like I mentioned before. I can envision a mid-late season confrontation (or something less aggressive sounding lol) between them, pairing perfectly with the topic of the previous song. El scared trying to fall back on Mike and he’s like…no, we don’t work, I can’t be that for you anymore and this is why: betraying who he is (nerd) to impress her, trying so hard to play the “boyfriend” role (yet they never successfully emotionally connect), if he’s gay then there’s also the facade of straightness, etc. I think it would show a lot of emotional maturity from him honestly, and I really need him to have a strong grasp on what went wrong with El for them to have a shot at forming a healthy friendship, and also to psychologically process all that stuff before getting involved with Will.

➠ Track 10 | The Rebel Kind

A short song about life being tough when you don’t have much (this one is class-focused too), but still craving the freedom that comes from not following societal rules and pressures for how to do life “right”, and instead living on your own terms. Basically the struggle is worth not having to conform. The first verse sums it up pretty well:

They call us the rebel kind but they don’t understand the things a man must do to prove that he’s a man / It’s not easy but I don’t mind, I just wanna run with the rebel kind

• • •

Again, obviously the specific topic is not relevant to ST but the thematic parallels blew my mind, I mean the entire show is about people being outcasts and learning to find strength in that, and the final season is going to majorly drive that point. We know this from the fact that Will “being different” Byers is the one who’s arc is said to tie up the whole show. Now in regards to Mike…if this doesn’t scream forced conformity and deciding to reject it for your own happiness I don’t know what does. It perfectly captures the thematic end point of his arc next season (and not just his but probably the entire party’s in one way or another). Also the toxic masculinity reference in that one line applies heavily to Mike with his history of trying so hard to do what he thinks he supposed to do in going from boy to man i.e. We’re not kids anymore. Did you think we were never gonna get girlfriends?

➠ Track 11 | Block Rockin’ Beats

Another one I think is mainly to set a tone; no real lyrics just beats. In my opinion it comes after The Rebel Kind for a reason. Somehow it just makes sense, it’s got this really loud, frenzied, unrestrained energy to it.

➠ Track 12 | Just What I Needed

We end off with a love (or desire?) song. It’s interesting because it’s quite aggressive sonically but at the same time it talks about being with someone in a simple uncomplicated way:

I don’t mind you coming here and wasting all my time / I don’t mind you hanging out and talking in your sleep

…but it’s also very intense how you feel with them.

Cause when you’re standing oh so near I kinda lose my mind

There’s a repeated line that stuck in my head. It’s obviously written about a female subject, but there is such a rejection of the feminine going on:

It’s not the perfume that you wear, it’s not the ribbons in your hair

It’s saying those feminine attributes are not why this person is attractive—and yeah logically that means the subject must have those things, but as I’ve said I don’t think these songs need to be interpreted on such a specific level. The point being made is about a deeper connection. The line is just intriguing to me from the perspective of Mike being into boys, I mean he could’ve picked literally any other romance song.

I needed someone to feed / I needed someone to bleed / I guess you’re just what I needed

The message here is basically: I was craving the rawest form of connection/intimacy with another human being (that doesn’t have to necessarily mean sexual it’s just those visceral words feed, bleed in comparison to perfume and ribbons which sound very fluffy lol)…and now I’ve found you and it’s exactly what I was looking for.

• • •

With all the themes through the songs of rejecting fake relationships and conformity, and accepting and exploring queerness…Will Byers is obviously going to be the thing Mike needed. I’ve been saying (and so have many) but Byler isn’t happening till the end. Also the playlist finishing with this song is telling in my opinion. Aside from the Castle Byers Classics link, the title itself implies searching for something which is now found, a journey being over. I say this for the purposes of pushing my agenda about this playlist painting a narrative. Hear me out:

Personally……that’s not accidental. It just isn’t. Even if my more specific interpretations aren’t correct, I just cannot believe that this wasn’t curated to draw a particular picture. I believe in coincidences and if the playlist had been titled as it was with a bunch of random unconnected irrelevant songs I’d be the first person to file it under that. But the title and the inclusion of a song from Will’s official playlist and these specific songs in this specific order? Yeah it’s about s5 Mike and I cannot wait to see him! If you made it this far thanks for reading <3

[kinardsevan]

I don't know if it's enough of a prompt but : Tommy says I love you first

i come to you in pieces (so you can make me whole)

He never intends it to be a big thing. He’s done the whole to-do before, made a whole thing out of telling someone exactly where his heart is in the mix of it all. The first serious relationship he had after coming out felt like doing everything for the first time, and in a lot of ways it was. He’d spent so much of his adult life trying to fit into a hetero-normative relationship that when he finally met a guy and fell in love and everything felt the way all the movies and songs described it, he wanted all of it.

And granted, he’s always been a hopeless romantic at heart. Maybe that was a form of self-preservation in the midst of all the loneliness, that he could believe that someone might actually come along one day and sweep him away the way all the movies say happens. Still, when he’s actually had those moments, they never measured up. He’s given his entire heart to someone on a silver platter, flowers and candles included, only to have that moment fall short of what he expects out of it.

But then he meets Evan. 

And it’s a tenuous thing for a while. Because when they first meet, and the first date falls flat on his face with Evan basically shoving them both back in the closet, he’s sure that this gorgeous man he’s felt his heart quickening at is just another passing blip, something he probably shouldn’t let himself get so tied down too. He reminds himself not to get too excited when Chimney or Hen calls about something small; when Eddie wants to know if he wants to rent the next fight and split the price. 

And then Evan calls back and asks him out for coffee. And Tommy knows how much courage it takes, just to take another stab at something when it’s already fallen on its face once. He understands even more how scary it is to suggest the idea that the person you’re dating wants to out themselves to an entire group of people, more specifically their group of people. But for as apprehensive as he was, the wedding went off without (much of) a hitch, save for the awkward glances coming from the Buckley parents. Still, Tommy had long since learned that Evan’s thoughts on whose opinion really mattered about his personal life had more to do with Bobby Nash and Athena Grant than it did Philip and Margaret Buckley. 

He knows it’s coming after that; knows that even if Evan isn’t quite ready to shout from the rooftops that he’s bisexual, that at the very least, he’s okay with his loved ones knowing, and that’s what really matters to Tommy. As it is, Evan becomes the one who takes on a penchant for PDA, whether it’s a hospital waiting room, a bar on a Friday night after a shift, or the middle of the Pride parade. Tommy knows Evan meant it when he wasn’t sure what he was ready for, and he’d never mention it out loud for fear of scaring him back into some need to cower from outside opinions that don’t actually matter, but his boyfriend is no shrinking violet in embracing letting people know just how much he likes Tommy.  And at that point, how is Tommy not supposed to fall back? 

He waits a respectable amount of time. Even though they never actually put an exclusivity label on it all, neither of them are seeing other people. Dates on days off turn into showing up for each other atter a long shift, which turn into overnights, and then long weekends. They still live separately, but Tommy isn’t entirely sure why when one of them is always at the other’s place. Showing up for a loved one becomes a package deal, mostly because they’re just so limited already in the amount of time they get with one another. 

Maddie tells him she thinks it’s cute. Chimney jokes that it’s gross, that he doesn’t need to see his brothers quite that domestic with one another, though he refuses to admit that he finds it endearing. Eddie just gags at the sight of them at this point. Hen never complains, instead only ever commenting that she’s happy to see her two friends finally settled in a relationship, although the fact that it’s with each other was never on her bingo card. 

And Bobby…well Bobby sees it before he ever says a word. In the midst of a family dinner (breakfast) at the end of a long shift for the 118 that Tommy showed up to because Evan’s jeep was in the shop, and they already had plans to spend the weekend together. 

“You should tell him,” Bobby says after sending the rest of the shift off to change into their civies. 

“Hmm?” 

Bobby tilts his head at Tommy. “It’s written all over your face, Tommy. And I think everyone knows it but him.” 

Tommy can’t help glancing towards the first floor then, apprehensive at the suggestion. 

“Besides,” Bobby continues, drawing his attention back. “The whole house is betting on Buck going first, and I’ve got five hundred on you.” 

. . .

They’re standing in the kitchen again. They’d fallen asleep after getting back to Evan’s place when his shift ended, taken some well-deserved rest. After waking up, Evan had mentioned wanting to go back to their place; Miceli’s is only known to them as that now. It’s a Friday night, so Tommy had to call ahead to make sure they’d have the table, but at this point, there’s very little he’s not willing to do to satisfy his boyfriends wants and needs, regardless as to how ridiculous they may get. 

Evan is rambling on about another deep dive, and Tommy doesn’t mind. He enjoys learning little things from the vast amounts of knowledge his boyfriend consumes. More than that, he enjoys the way Evan lights up when he gets on a tangent. As the girls would say, it something about Evan that makes him get all “swirly”. 

“So I said to Eddie, just because giraffes are more likely than people to get struck by lightning doesn’t necessarily mean that they will be. I mean I think I proved-..” 

“I’m so in love with you,” he murmurs as Evan’s midway through his sentence. 

The blonde stares at him slackjawed, eyes unfocused and looking as though he’s just found the answers to a question he never thought to ask but always wondered, the very same way he did the first time they kissed. 

“W-what,” he rasps. 

Tommy gives a small nod, the hint of a smile on his face as his eyes trail down Evan’s chest, the fingers on his left hand rubbing gentle circles over Evan’s hip. His gaze drifts back up, finding those crystal blue eyes he so desperately wants to spend every spare second drowning in. 

“I’m in love with you, Evan,” he says in that monotone voice, like he’s not shifting their entire universe with those six words. “Stay awake after a twenty-four, drink your god-awful idea of good coffee, let all of my limbs fall go numb if it makes you comfortable to fall asleep on me, in love with you.” 

Evan clears his throat then, but Tommy has a front-row view to the way tears run into his waterline, and it occurs to him in that moment, maybe someone has never actually told his boyfriend that he matters that much to them. And on one hand, he’s glad he gets to be the first, but on the other, he wants to fill a room with every person that’s ever claimed to love Evan Buckley in the past and ask them how they could possibly tell him that without explaining just how much.

“You don’t have to say it back right now,” he continues. “I just wanted you to know that; that I love you.” 

Evan lifts his hand to Tommy’s shoulder and takes a step forward, fingers wrapped around the other man’s collarbone as he leans into him, slides his tongue into Tommy’s mouth. There’s such a gentleness about it, that Tommy almost doesn’t need the words. Any clarity of what exists between them burns its brightest when they’re like this, skin on skin, always needing to touch one another to ground themselves. 

He breaks them apart after a time, eyes closed for half a second longer, just taking in the moment. Evan’s hand shifts up, rests against the side of his neck as his thumb trails over Tommy’s jaw. 

“I think I fell in love with you the first time we stood here,” Evan admits softly. “When you asked me if it was okay that you kissed me.” 

Tommy lets out a silent chuckle as a smile crosses his face. Evan tilts his head to the side, that same sheepish smile Tommy has come to love playing on his features. Tommy finally manages to lift his gaze and meet Evan’s once more, bringing a thumb up to brush against his bottom lip. 

“If you had told me flying into a hurricane on a whim would get me here, I think I would’ve called your bluff.” 

Tommy’s smile pulls wider across his face and he leans back in, kisses the corner of Evan’s mouth. He tilts his head up then, whispers into Evan’s ear. 

“I thank God every day that I answered Chim’s phone call because I don’t want a version of this life that doesn’t have you in it.” 

Evan leans into him at those words, buries his face in the crook of Tommy’s neck, and Tommy kisses his shoulder as his hand runs over Evan’s back soothingly. When Evan finally pulls back, he rests his forehead against Tommy’s, eyes closed, swept up in the wave of emotion the conversation has brought up between them. 

“I feel so lucky to get to love you, be in love with you.” He pauses for a tick. “Be loved by you.” 

“There’s no luck involved, babe,” Tommy murmurs to him. Even with his eyes closed, tears slip past them, and then Tommy’s hands are on his face, wiping them away. 

“You are so deserving of it, Evan,” he tells him softly. “And you make it so easy.” 

[predestinatos]

'tis the season, i guess — CL16

pairing: charles leclerc x fem!reader

summary: cold winter days bring unexpected company to your bookshop. or in which your ex needs help choosing a book for his girlfriend.

words: 3.5k

tags: angst, SO much angst, dark academia vibes for some reason?, genuinely heartbreaking. some fluff but not much!

note: this was based off of this request but i got a bit carried away and wrote a whole thing! also am now obsessed with listening to sabrina carpenter... i hope everyone likes this even though it is very painful, but lmk your thoughts pls!!

The bookshop was basically empty, all the noise you could hear being yourself trying to rearrange the books in alphabetical order, and soft music playing in the background.

you stood on your tiptoes in order to reach a book at the top of the shelf, knowing a bench was available but being too lazy to go get it. Wuthering Heights refused to reach your fingertips despite your efforts and soft curses to yourself a bit louder than usual due to the emptiness of the shop.

"Need help?" a male voice called from behind, causing you to roll your eyes. Here we go, you thought to yourself, another man who catches you alone in the shop and tried to hit on you, and you'll have to find him funny and play delighted to be in his presence despite how bothersome he is, despite the ring on his finger.

"No, I'm okay, really-" you started replying, putting on your best customer service smile, fixing your hair as you turned around to face the stranger. but the person who you faced wasn't a stranger in the slightest.

"Sorry, I didn't mean to scare you" he said as he reached behind you for Wuthering Heights, taking him zero effort to do so, increasing your frustration and disbelief.

those brief moments of closeness brought to you a thousand heart clenching memories, time standing still as his scent hit you softly.

"Try this one" you tried to stop giggling as you held the dark brown bottle in your hands and asked for his wrist.

"Tobacco Vanille? I don't want to smell like cigarettes!!" he joked, although he let you spray his wrist gently, so happy just for the sole fact that you were happy.

Your smiles reached your eyes as they met for brief seconds, waiting for the smell to hit his skin. Reactions weren't needed as your expressions turned from smiling to shocked, mouths widening at the scent that seemed to fill you both.

"It's AMAZING!" you half screamed excitedly as he smelled his wrist in confirmation. "Charlie, it smells so good I could eat you right now!"

He laughed at the nickname, at how pretty you looked, at how simple it all was. He kept laughing with the perfume in a perfectly wrapped package in his hand, the other holding yours.

"Uhm, hi" you said, as his big familiar hands stretched out to hand you the book, which you hugged tightly to your chest in an attempt to hide or disappear in it, you weren't sure "Thanks."

"No problem" he replied politely, almost annoyingly so, the tiptoeing already starting before more than a few words could be uttered, his hands in his pockets as he looked everywhere but you.

It was uncomfortable - the silence, the stillness, how both of you stood there like ghosts, waiting for some direction, something to do, something to happen. "So uhm... what brings you here?"

"Oh, I'm a wedding crasher" the stranger next to you replied, black tuxedo slightly touching your arm, a drink in his hand and shirt slightly unbuttoned.

"Really?" your eyebrows raised as you took in what he said and his appearance – the nose, especially the nose.

He laughed slightly, taking a sip of his drink and looking back at you "no, I'm friends with the bride," his finger pointed in the direction of the beautiful woman dressed in white, but all you could see was how big his hands were, adorned with rings. "And you?"

"I am an actual wedding crasher" you replied, cheeky smile adorning your lips despite the shyness you felt as your eyes locked with his. It was his time to raise his eyebrows and your turn to take a sip of beer as he repeated what you had asked seconds before. "Really?"

"No, I'm friends with the groom" you replied winking, enjoying the stranger's company and humor, his smile causing small dimples to appear in his cheeks as he looked down at his lap.

"You got me," his hand suddenly stretched towards you, palm open and inviting, "I'm Charles."

He kept shrugging and avoiding your eyes, despite the fact that he had willingly chosen to go to the place where you worked. It was making you impatient and angry, those emotions replacing the initial shock and sadness.

"I need your help choosing a book," his voice sounded weak and embarassed, shame coming through every vowel. You stood still, waiting for him to continue, wishing he'd speak faster, explain himself already or just leave and forget he even came. "For my girlfriend"

Those words twisted inside you like a sharpened knife that knew the cut would merely hurt, not kill. Despite that, you knew better, you refused to let him notice any sort of hint of how that information affected you. "Oh wow," was all you could say at first, turning around to keep placing books in shelves, distracting at least your body since your mind was restless "birthday?"

"Uh? Oh no, 6-month anniversary" he muttered, almost inaudibly. You were too aware suddenly of how your clothes felt on you, how ironic red was in the necklace you were wearing as you placed Anne Boleyn's biography in its correct place, tight between the other books. You refused to look to him now, nodding intensively so he would understand that you had heard what he said, your skin prickling as you struggled to move. Calculations ran through your mind, trying to place those 6 months in the timeline of both of your lives as he moved awkwardly behind you.

"It's funny actually, she really loves reading, I guess I do have a typ-" he began, trying to lighten the mood, but each word he said felt like another grain of salt being thrown at the open wound that was your heart.

“What does she like to read?” you interrupted him, purposefully so, knowing how clear your intention to move from the subject was.

“I read a bit of everything, but I love the classics,” you said as the cappuccinos arrived and sat prettily in the café’s table. You stared at Charles as he stared at you; his entire expression seemed to give you undivided attention, registering every word and movement of yours. He smiled at all the correct times, nodded at your statements and frowned at certain parts of your narrative almost as if he had been custom made for you.

“What’s your favorite book?” he continued, sipping his drink, some foam remaining on his top lip, a feature you smiled softly at, bravely leaning over with a napkin and cleaning it. “Thank you” he said as he noticed your blushing expression, his way of both reassuring you and brushing it off as something mundane, and you bit your lip, holding back a bigger smile than necessary.

“This is such a cliché,” you started, rolling your eyes at your answer, trying your best not to say it. “Go on” his hand suddenly stretched towards yours, resting on top of it gently, like a sheet perfectly fitted for a bed. Your body burned with the touch, what is symbolized, what it promised silently in that small café.

“It’s Catcher in the Rye,” you both burst out laughing.

“She loves Fitzgerald,” his hands touched random books, looking for something to do, fixing them, opening some of them and putting them back in place, reading the backs of them as if he was paying attention to anything they said.

“Good taste,” you tried the compliment route. You didn’t want to sound bitter, and you weren’t bitter. It was just a lot to take in so fast, his presence as painful as his words, the way both made you feel so small for such a big place, so big for such a tight room.

“That's the best thing a girl can be in this world, a beautiful little fool,” you quoted the author as you contemplated the choices available for a lover of Fitzgerald. Work could fill your mind. Pretending it was just one more client made it easier. “Any other author or book? Help me out, Charli- Charles” you cut yourself off before the nickname could come out, hoping he wouldn’t notice, knowing that he did. You felt his entire body tense behind you as yours did, making it seem like a picture frozen in time in place, The Star-Crossed Lovers.

Charles seemed so silent that you unconsciously felt yourself turning back to check if he was still there, if he hadn’t been a fragment of your imagination after all. He stood in place, for a moment his eyes looked at you as if they hadn’t seen you in his entire life, examined you as if you were as unknown as letters in a freshly printed page. That soon faded as he snapped back to reality, registering the question with incredible delay. “Faulkner. She also likes Faulkner.”

“Aaaand Faulkner is done” you brushed some of the dust off of your hands as you stood up, looking at the now organized Classics section. “At least for the next week! Thank you for staying with me, by the way,” you said to the phone, as its screen indicated that you had been on a call for 2:45:17 hours.

“No problem,” Charles smiled. You knew he did although you didn’t see him, and that sheer though made you smile as well. “Can you do me a favour though?” he asked, his voice filled with excitement, a puppy-like tone that you cherished “open the door, I’m freezing.”

At first you were confused at his request, and you were close to questioning it until it hit you. You didn’t believe it. There could be no way he was- you rushed to the bookshop’s door, opening it while still holding your phone. Heart racing, you opened the door and saw Charles’ frame standing there, the lights illuminating his red cheeks and nose from the cold, one hand awkwardly holding the cellphone, the other trying to balance two warm drinks. He was wearing a beanie that made him look younger, softer, a puffer jacket that seemed to hug him perfectly- “Is there a code or something?” he jokingly asked, his breath visible due to the cold air outside, and you realized you had been staring for too long. You stood aside, turning the phone off as he placed the cups on the counter and removed his extra clothes.

“You didn’t have to,” you started. “I wanted to.” “You’re so sweet I could kiss you right now.” “Do it, then.”

 You started browsing through the spines of the books in the shelves in front of you, looking for answers to more than one question, relying on pulling you sleeves down to your hands to mask your nervousness.

“How have you been, though?” his voice made you jump a bit, pulling you back to reality as you pulled 2 books and held them against your chest with one hand, trying to keep them from falling by lifting a leg – an awkward stance, you were sure. “Great, actually” you replied, unconvincingly so.

Things were hard after what happened with Charles, and you had taken many different routes to get over it all at first – waking up hungover in strangers’ beds, not leaving the house, breaking hearts for fun, letting people use you for fun, meaningless moment after meaningless moment, where the highlight would be hearing a voice that sounded even slightly similar to his. They got slightly better, of course, a year had passed, you could function, yet it hadn’t scarred yet – it wasn’t even close. The wound was open and bleeding and hideous and his presence, his voice, his smell, his request, it all just made the blood spill harder.

“Really?” “Hmhm,” a nod. A cough from behind you, making you turn around. His face was stern, serious. Charles was considering if coming was a good idea, what even drove him to do it in the first place. There were so many bookshops, so many other gifts he could give, yet he felt like showing up, like seeing you, at least once. Now he was there and he felt peculiar. Something close to guilt crawled on his chest, but he wasn’t sure what he was feeling guilty of, which in turn intensified his guilt.

You reached for a third book, and as you did so, the ones you were holding fell once again on the old wooden floorboards. “Shit” you muttered, crouching to grab them as Charles did the same, you two being so familiarly close, the irony of the cliché overwhelming the both of you. Getting up, Charles felt the need to offer his hand for you to hold, a support you refused to take and acknowledge, pretending you didn’t see it when it reality it seemed to be screaming at you loudly and intensely.

“So here are my recommendations, I guess” you sighed, letting him assume it was due to tiredness, knowing that he wouldn’t. Placing the 3 books on the nearest table, they faced the both of you as you stood next to each other, his arm brushing against yours, eyebrows furrowed as he examined their covers and details carefully.

Mrs. Dalloway, Age of Innocence, and One Hundred Years of Solitude sat perfectly, yet stared at the both of you defiantly, knowing their words could cut through both of your souls if they pleased.

“Don’t let yourself die without knowing the wonder of fucking with love” Charles read aloud, laying in your bed next to you, your head resting gently on his chest as you felt him laugh softly, lying naked in . “You’re right, I think I like this author.”

You laughed alongside him, both unaware of the fact that you were laughing for different reasons.

Charles’ eyes glanced quickly towards you, the same memory haunting your minds as if you were locked in a cinema of nostalgia. Shyly, his hand reached towards the hardback edition of Age of Innocence, its soft colors drawing him attention when the other options were either too painful to grab or not as tempting for his eyes.

You leaned against the polished table, looking at the way he touched the pages tenderly, fingers brushing them with a softness that reminded you of times that had gone by yet seemed to close and so recent.

His features seemed so focused, eyes moving slowly across each sentence, eyelashes prettily adorning them, his throat bobbing up and down as he swallowed dryly. He almost seemed unreal, a mirage of a stranger who was once so familiar to you, breaking the spell when he chuckled softly. “What?” you asked, whispering, too afraid that a sudden movement might make him disappear entirely. The normalcy of the moment was as terrifying as it was comforting, a moment in which it seemed like you two were the same again. “Nothing it’s just, one of the sentences I stumbled upon…”

“Which one?” you rested your chin in your hand while looking up at him, forgetting the previous moments, the previous year, every previous instance in its entirety as he looked back down at you and bit his lip nervously.

“I want somehow to get away with you into a world where words like that -categories like that- won't exist. Where we shall be simply two human beings who love each other, who are the whole of life to each other; and nothing else on earth will matter.” the room went cold and silent as the night.

“I can’t give you a relationship” he stood in his own kitchen like a foreigner, a man you almost did not recognize. “Why not?” “Because I don’t do relationships and I don’t like labels and I don’t want to hurt you by convincing you that I can.”

Your ears rung as you fought back tears. You wouldn’t cry. You were too proud for that, to show him this mattered way more to you than to him. “If you don’t want to hurt me then try, Charles.”

He shrugged, arms opened in defeat and eyes looking at the window, the snow falling down outside, locking you both in this confrontation. “I can’t.” Frustration invaded your bones and skin as you asked why once again, though your voice was tired and broken.

“It’s not because of you, I just- Can’t I just love you?” “That’s what I’m asking you to do by staying,” you reply cut like ice, and as he moved closer to you and held your face in his hands, you knew you had lost. “I can’t. Because I can’t do relationships.”

“But you will” you pushed him away as you left, knowing you were leaving your toothbrush, spare underwear, and heart there.

He interrupted the stillness before you did, clearing his throat and his mind, failing to relieve you of the pain of the past. “I’ll take this one” he said, now too polite, too frigid to go back.

You held the book and moved towards the counter, aware of his footsteps behind you, following you. You knew he was doing it because he had to pay, because he was a customer, because that’s what you’re supposed to do – yet part of you wanted it to be for a different reason, wanted his hand to suddenly reach for your wrist and tell you it was all a lie, a big prank, he was sorry and he took it all back.

You wanted him to say something daring enough for you to explode at him, to scream everything you’ve been holding inside for a year, to go back to that kitchen and its dimmed lights. To dare yourself to ask how dare he come into your workplace and throw everything at you, all politeness and fragrance and small talk, like it was nothing when you felt everything.

Instead, you wrapped the present nicely, placing a bright ribbon at the top while he fidgeted with his wallet from the other side of the counter. It was almost done, this exchange, and you didn’t know how to feel anymore. You were tired. So tired.

“Why did you come here?” you asked, facing him fully, staring at his green eyes that tried their best to hold your gaze. “Seriously, Charles, why did you come here?”

At first, he stayed silent. You refused to break the silence this time, even if he left without an answer you knew you had asked it, you did not save it for late nights lying awake. “I know you think I didn’t love you, but I do” he said.

It didn’t seem like a reply to your question, it seemed like a statement he was waiting to get out since the moment he walked in, the phrasing odd with its verbs being intentionally used in different tenses that didn’t seem to matter, at least not anymore. All you could do was laugh in disbelief, anger, or hurt, or a mix of both spreading throughout your body.

“You were- are- very important to me. You helped me realize a lot of things and if I could, I would go back in time in a heartbeat. But I can’t” he grabbed the present, hinting at the fact that he was going to leave, yet it didn’t seem fair to you. This wasn’t an apology, and was nowhere close to it, your hands trembling were a proof of such.

“You never can” you raised your chin, pride fighting against hurt as tears threatened to roll down your cheeks, jaw tense and firm, “not when it comes to me.” And there it was. What you both knew was true, said aloud like a forbidden fruit that was now bit into.

“It’s more complicated than that. And it’s alright for you to hate me, but I genuinely do love you. I care about you and think about you more than I should-“

“Do you love her?” it was a stupid question, and you knew that. You knew whatever answer he gave you would be a slap in the face, unsatisfying and painful either way. You hated yourself for the slight jealousy you felt towards a woman you barely knew, who wasn’t at fault at all, whose only problem was being too lovable.

“I do. I wouldn’t have known that if it wasn’t for you” “Oh wow. Thanks for that one” you crossed your arms across your chest, making yourself smaller, trying to hide while looking at the clock – 15 minutes left until the shop closes. 15 minutes left of the last time you’ll ever see him.

“Why wasn’t it enough? Why wasn’t I enough?” he wanted to reach for you and hold you, a moment of involuntary movement almost drove him to do something he couldn’t possibly do, not anymore, at least. You looked at his sudden jerk of movement, how he stopped as if his muscles burned and prevented him from acting upon his instincts. It was the best answer he could’ve given you.

“I’m selfish. I want to look at a bookshelf and know a piece of you is there. I know I’ll never fucking see you again, and I’ll leave you alone, but God I need something to remind myself that you’re real” he said, eyes closing in shame or frustration, you couldn’t say.

“You took a part of me with you that night. And I’ll never get it back. And you walked in today and took a bit more. More than that book. And every time I think of you, you take another piece. So when you look at that book, think of your girlfriend. I am real. But what we had wasn’t. Not anymore.”

You started closing the register, ignoring his presence, hoping he’d go away. The only reason you noticed him leaving was the small bell that rang as he opened and closed the door, and you finally succumbed and let the tears run free.

[mazzystar24]

Hi guys and welcome to Addie’s research spiral into the gay moustache:

Moustaches have always been a symbol of masculinity, sexuality and social standing

Like legit dating back to the 1800s we had the whisker and beard movement which started pushing the idea that facial hair can be masculine and sophisticated and not just a sign of lacking in morality and uncleanliness like the victorians used to think and you can actually draw a direct line to men feeling threatened to the patriarchy in those times and the prevalence of facial hair- this assertion of dominance and masculinity being seen similarly in ww1 soldiers, where facial hair became the accepted norm then post ww1 it went out of style again then this cycle repeats again with most wars.

There is also within the later 1800s and early 1900s links to sexuality and rebellion because younger men not having a full beard and instead having clean shaven faces or moustaches was seen as a sign of rebellion against older generations , also the need for maintenance of this style made it viewed as effeminate

Someone put it as the moustache has always been tied with the three fs: fops, foreigners and fiends meaning it was perceived that men would need to be well groomed or gay, foreign (particularly from Latin countries) or lacking in morals and evil to have a moustache

Okay so the origin of the gay moustache aside from the connection to the well groomed element

So post stonewall riots the gay moustache became a real thing like one qoute I found that was funny was arnie kantrowitz saying it was a requirement in the gay community, you needed a a flannel shirt, mustache or beard, bomber jacket, jeans and boots. We were dressing like the blue-collar men that turned us on." And a lot of it stemmed from what was dubbed the Castro clone look

Okay so Freddie was not in fact the originator of the Castro clone look

The castro clone look basically took all the really masculine and macho staples and made it extremely gay

The look originally being inspired by the men of the Castro neighbourhood in San Francisco in the early 60s and THAT actually comes from the “greaser”/hood look inspired by the 50s Italian American men and Latinos who also their subculture was born from their stereotypes

The Castro clone look doesn’t have one distinct origin but its popularity was fuelled by gay artists like Tom of Finland, and musicians like the village people and Freddie and gay pornstars like al Parker

And Parker was one of the big names in the Castro clone look this in particular not only explains the reason for his look well but also peep the “pouring beers over eachother” line and let me take you back to bachelor party buddie

And now I hear the republican man and Gerrard mentions and to that I say that’s the whole point of it

Like the hypermasculinised look was meant to not only play the macho aesthetic and be a form of queer signaling but it was also meant to subvert gay men stereotypes by instead doing this like extreme portrayal of masculinity

It’s drawing from straight men but making it’s undeniably queer

Like wife beaters, moustaches, denims and flannels were so tied to het males that they took that and still found a way to make it so undeniably queer that it became a form of queer signaling

Thus taking the power away from the macho hets and forming a new subculture

The gay moustache only started seeing its end around the 80s AIDS epidemic because the moustache aimed to make a person look older but as queer communities became more sick or perceived as unclean or sick the need to look clean and young grew and clean shaved faces became the trend again

So Eddie having the moustache isn’t some tie to Gerrard or straight people it’s actually so queer coded and a form of rebellion

And btw this isn’t even a niche thing it’s like a widely known queer thing to the point that one show got slammed for having a gay club scene set in that time and not having any Castro clones in it

[a-boca-do-inferno]

NSFW ALPHABET (caesar x human!reader) [request]

warnings: swearing, interspecies smut mention(duh)

words: 2.4k

notes: howdy caesar girlies! this was so much fun. im so excited bc ive never done a nsfw alphabet before, i hope i did well lol enjoy xx.

Aftercare; what he’s like after sex.

Affectionate to a fault. It would come to no surprise that Caesar is very protective of you—always careful not to hurt you given your difference in size and strength. He’ll constantly rub you arms up and down soothingly in silence, scanning you with his green eyes to look for any unintended marks he might have left on your hairless skin. The king restrains from being too rough a lot, but sometimes he can’t control himself and he knows it, even if you actually like it when he does that. And he’s not as stealthy as he thinks himself to be while checking on you, however you allow him to do it without any teasing comments, for his own self-reassurance. It’s adorable.

Body part; his favourite body parts of you.

Caesar has a thing for your chest. Regardless of size or shape, just the softness of it... How it fits into his big hand, how wrinkled your nipples get under his touch. Loves tasting your breasts with his tongue, cupping them, kissing them, the whole deal. And your belly, too; maybe it has to do with the fact that it’d be impossible for you to bear his child, yet he just cannot help himself from imagining how your womb would look like with a baby bump. 

Cum; anything to do with cum, basically.

This ties into his love for your belly and the kink part later on, but obviously Caesar has a breeding kink deep down, even if he doesn’t think about it too much. In his more, shall I say, animalistic moments, his aching need to fill you up with his seed is almost unbearable. He becomes another person—another creature, even—whenever his eyes watch your entrance dripping with his semen, hot, pale, thick, trickling your thighs gloriously. The sight is enough for him to get instantly hard again.

Dirty secret; a dirty secret of his.

Caesar is just a sucker for the sounds you make, although he shall never tell you this; mainly because you two have to keep it low profile, otherwise it would be embarrassing—at best—for him to face the council the next day after the whole colony heard your passionate… love-making. He can get aroused by the tone of your voice only, when you speak a softer word or produce a deeper murmur. Especially if you talk into his ear. And even though he never actively makes you aware of it, you can tell whenever his fur stands on end after you whisper something to him, no matter how trivial the subject is. With one look, you know it’s on.

Experience; does he know what he’s doing?

Mostly. Caesar is undoubtedly well versed in the art of sex with a female ape, but with you—for obvious reasons—he will often ask what makes you feel good, genuinely curious and eager to learn so he can please you. It doesn’t take much for you to get him going, yet he knows human females have a different pace for things, as you’ve mentioned a few times in casual conversation. He’s thankfully not shy when it comes to learning new things, be them about sex or not, and that makes for a considerable improvement every time you two fuck.

Favourite position; this goes without saying.

Doggy. Albeit Caesar can’t help but find the term ridiculous, occasionally making a joke about it and calling it apey style—to which you only snort softly and roll your eyes. He loves seeing your shapely figure all bent for him, completely under his mercy while you take his cock with your face muffled against the nest, moaning repeatedly. His palm tightens around your hair, guiding the rhythm of his thrusts as he goes faster and faster, pounding into your very core. The king enjoys every second of it, coming inside you with warm spurts all over your butt. It’s really a sight to behold.

Goofy; is he more serious in the moment? is he humorous?

Caesar has a sense of humour, sure, but he takes your intimate moments very seriously. He’s a natural leader, after all; and with authority comes an almost unshakeable sterner and more focused way to behave. Fortunately, he knows when to loosen up in bed, and it’s usually at times where he can sense you’re a little nervous or insecure.

Hair; how well groomed is he? does the carpet match the drapes?

lol All natural here, baby. Rightfully so, and Caesar knows for a fact that you absolutely love his fur in all the imaginable places. His natural musk turns you on to no end and the king is very aware of that, frequently using it in his favour. It’s annoying sometimes, how he’ll rub himself on your side when you’re mad at him for some random thing, and you just melt instantly as his furry skin tickles you. Interspecies advantage that the king just loves.

Intimacy; how is he during the moment? the romantic aspect.

Tender and loving all the way, except when Caesar’s really feeling it, which usually occurs whenever he’s had a bad day and you happened to be spending a little too much time with other males. Not that he’s the jealous type—he’ll never admit it, but it adds more fuel to the fire when he can smell the scent of other apes on you. He’s determined to erase it and replace it with his.

Jack off; masturbation headcanon.

Wouldn’t go as far as to say Caesar is a big fan of it, since he’d simply rather have your inner walls around him as opposed to your hands, but he will occasionally indulge in it. It mainly goes down to how much time you two have at your disposal, and how much stamina. Caesar’s an old man, let’s face it; sometimes he just wants to nut with your presence around and it will be enough for him. His only concern is your pleasure, anyway, but we’ll get to that...

Kink; one or more of his kinks.

Breeding is just a dead giveaway at this point. The fact Caesar can’t ever impregnate you is both a lingering frustration deep within him and somewhat a relief when it comes to coming (hehe) inside you, seeing as he can do so as many times as he wants, free of charge. And believe me, he does it a lot. The best part of sex with you is when his nostrils flare and his cock pulses desperately, releasing his seed and marking you as his, just how nature intended—in his mind, anyway. 

Location; favourite places to do the do.

Caesar’s got a thing for rivers, waterfalls, bodies of water in general. His favourite place to fuck you is underwater, preferably when you two go hunting and it takes longer than expected—something he often makes sure to happen, pretending to lose sight of a deer or two just so the sun goes down and he can use his favourite excuse that you should stay the night. He lives for the way you look all wet (hehe) whilst bathing in the river, so vulnerable and naturally beautiful, how the droplets contour your naked curves… The sound of water is a turn on for him too, yet you’re the one in the centre of his thoughts. There’s also a certain thrill of being in “public”, arguably, but he’s much too careful for it to actually be a risk. 

Motivation; what turns him on, gets him going.

Caesar loves your curves because they come with a plus of smoothness that only human females have; the way they shift as you move, making your body a feast for his eyes. You were forced to sew your own clothing as time went by with you living in the colony, and the scarcity of animal fur makes for quite the flashy outfits that show a lot of skin—which he isn’t mad at, at all. This softness of your body shape, paired with your strength, makes you irresistible to him, embodying the perfect balance of sensuality and resilience. You are, to the king, the epitome of femininity in your own way, and he can't help but be drawn to it.

No; something he wouldn’t do, turn offs.

Caesar’s pretty open minded and easy-going sexually, but something he would never do is definitely share. No getting freaky with other males, even females, if he can help it, nope! He’s not jealous per se—or so he keeps telling himself, it’s just the mere thought of having your attention split between him and others, in your intimate moments, no less… It makes him mad, not just turned off. Besides that, anything goes, as long as you’re both safe; especially you. In bed, you’re the boss.

Oral; preference in giving or receiving, skill.

Oh, my, does Caesar love eating you out. There’s just something about the human anatomy of your pussy that he can’t get enough of; your scent, your taste, how much you squirm and suffocate him with your tender thighs. He loves to tease you with his fangs, grazing his teeth over your pelvis before going all in with his skilful tongue. He laps your folds as if he’d been in the desert, without water—or food, in this case—for far too long, just deeply savouring you. Again, he’d much rather have your vagina around his cock, however he can appreciate your orals too. He won’t ask for it, letting you decide when you want to do it, if you feel like it. He’s happy to oblige, but he’s definitely more on the giving side of things.

Pace; is he fast and rough? slow and sensual?

Caesar is adaptable. He’s mindful and watchful of your needs, only getting rougher on his own account in those moments where he’s unable to hold back from his most animalistic urges. His default is slow and sensual, always wanting you to let go and relax after busy days in the colony, and you’re beyond grateful for that. But when you want it rough, do brace yourself. Face against the nest and all that.

Quickie; his opinions on quickies, how often.

Loves them and there are seasons—around winter and autumn—when it happens more often, as the colony affairs take most of his time. Caesar’s a patient guy and would choose to do things at his own pace always, sure, but the reality of leadership isn’t all peaches and cream and he knows how to navigate through that with you like no other. Man got skills.

Risk; is he game to experiment? does he take risks?

Caesar can’t afford to take too many risks because he’s got a reputation to maintain, as stated before. But, he will definitely experiment within the limits—more so if it has nothing even remotely potentially dangerous involved, as he is overprotective of you.

Stamina; how many rounds can he go for? how long does he last?

Being a chimpanzee has its perks and one of them is definitely resistance. Although chimps’ intercourse is fairly practical and quick, Caesar’s simply built different. You reckon that’s also a reason why apes respect him; perhaps they can somehow sense the king’s physical advantages over any other males around. You have no complaints, that’s for damn sure.

Toys; does he own toys?

Caesar’s familiar with this concept after you tell him, but it’s no secret the options are scarce in your conditions. When you find an untouched vibrator in one of your scavenging trips to the city, though, his curiosity is instantly peaked. He’s still sceptical about the toy’s ability to satisfy you over his own cock, of course, yet the option seems more reasonable when you ask him to stimulate you further with it while he’s fucking you. He’s always happy to oblige if it adds to your pleasure.

Unfair; how much he likes to tease.

Caesar’s genuine nature doesn’t really allow him to make you suffer often, even if it’s for a reward later on, however he can tease you from time to time. Mainly whenever you get too cheeky with your jokes about giving more attention to the males in the colony, Koba from all apes. He finds himself rolling his eyes in a mix of impatience and amusement at your jabs about there being a thin line between love and hate for humans. Puffing his chest in response, he will sign to you playfully, with a cocky grin, that no other ape in the colony would ever be able to satisfy you like he can. Additionally, he makes his case for it that night, coming three times inside you without batting an eye. You have no choice but to yield.

Volume; how loud he is, what sounds he makes.

Fun fact: Caesar is regretfully much louder than he should, but he just can’t control himself with you. It’s particularly hard for him to shut the fuck up whenever you get the idea of bouncing on his cock. Not his favourite position, yet for some reason, just the sight of you riding him with so much necessity, practically coming undone with every movement is enough for the ape king to snarl and growl almost like he’s being gutted, filled with pure desire for you.

Wild card; a random headcanon.

Caesar’s favourite hobby includes casually grooming you after sex. Not that you have lice or anything like that; he knows you manage to keep up with your hygiene even whilst living with the apes, but the king enjoys bonding like this with you, similar to when you teach him new human customs he never got the chance to get in touch with before the flu.

X-ray; let’s see what’s going on under that... fur.

Caesar’s stature is impressive for an ape and his cock, while not disproportionate to his size, is certainly above average for his species. He’s thick and veiny, qualities that can both be a delight and a burden when you turn him on in public with your teasing.

Yearning; how high is his sex drive?

High as fuck. Seriously. Caesar might kill someone with his bare hands if he spends too much time without touching you. Apes already drive him crazy almost on a daily basis, but if on top of that he can’t even come home with the silent hope you’ll be there waiting for him to fuck you senseless, the ape king will fall apart. He’s that needy.

Zzz; how quickly he falls asleep afterwards.

Depends on what kind of a day Caesar had, really. If he’s been stressed and took the opportunity to blow off some steam, then he will be most likely to pull out of you and hold you to his chest, closing his eyes and drifting off the next minute. Oppositely, if he only improved his day by having sex with you at night, he makes conversation and asks about you and your day in the colony. Ultimately, it all comes down to context.

[itsabouttimex2]

Hi, I wanted to say that I really liked reading your analyses when it comes to flaws in lmk's writing, along with the ranking of the villains that you did. I hope it's alright to ask for advice, since I'd like to make a romantic self insert story with Macaque, but the thing is that I'm worried on how to portray the platonic relationship between Sun Wukong and Macaque. While we still don't know entirety of how Macaque died in his fight with Wukong, I've already made decision to address both of their faults that caused their relationship's downfall. What I'm worried about is how to portray it clearly that it's both of their faults, without making them too OOC. Some fans have tendency to chose sides with their whole situation, which is something I'd like to avoid. But I'm not sure how to avoid that, which is why I'd like to ask for your advice on it.

Sun Wukong and Macaque

A Rundown on the Fallout

This is an interesting question, and thank you for asking! Given how much of their personal backstory is left to viewer interpretation, I’ve included a little bit of mine.

I think the big, big thing that people miss with the Sundial/Shadowpeach fallout is how severely uneven it is. But give me a minute to get there…

Probably the biggest of Past!Sun Wukong’s biggest issues is what I’m going to call “externalizing”. (This isn’t the appropriate way to use that word, but I’m at a loss here) Wukong is bright and loud and happy- and very, very desperate for attention.

Sun Wukong’s literal first action in the world was to excitedly barrel towards a group of monkeys. His first words end with him asking plainly “Don’t ya like it?!” like a child begging for praise from a parent. He shows off to Subodhi’s other students. He eagerly tells a chaotic story to his sworn brothers and is implied to play it up to some degree for attention.

This is direct opposition to Macaque.

Past!Macaque is quiet, withdrawn. He has no ties to other people. He doesn’t pipe up. He’s not bold or confident. So what does Macaque do?

Well, just about jackshit. There’s only TWO members of the six-strong brotherhood that he actually shares interactions with- Sun Wukong and Peng.

Azure Lion? Yellowtusk? Demon Bull King? Macaque literally doesn’t interact with any of them even once. Nobody calls him brother. Flash to the modern day, and he’s the last person Azure bothers looking for.

He doesn’t joke, or tell stories, or try to bond with the rest of the crew. This is literally how he responds to being called a coward and a rodent by a “brother”.

By mildly frowning.

(Side note: WUKONG IS NOT IN THE WRONG FOR NOT DEFENDING MACAQUE FROM PENG. Macaque never went above a mild frown and never acted hurt or upset beyond this little facial expression. If he was sad ((WHICH HE WASN’T)) or seethingly angry ((WHICH HE WASN’T)) then it’s on Macaque and Macaque alone for not defending himself. Wukong is not his brother’s keeper, etc.)

(Macaque, even in the past, was a lot stronger than he’s often given credit for. Did this remark make him unhappy? Yes. Did it break or ruin him? No.)

He has no friends or ties to the past. No mentor and no fellows and no troop. No one likes him. No one wants him. No once cares about him… except for the Monkey King.

All he has is Sun Wukong.

So already they’re on this MASSIVELY unbalance scale where Wukong has a title and a troop and a heaping handful of immortalities and a band of brothers and a sacred weapon and a mountain and and and!!!

And… Macaque has… his shadow powers?

Yeah, they’re not on level footing. Wukong could pull out of the brotherhood and away from Macaque and throw down his staff and still have so, so much!

And Macaque, if he left Wukong, would have next to nothing.

Sun Wukong is his one good thing. His one star in a dark sky. Sun Wukong is all that Macaque has.

Already is this an EXTREMELY unhealthy dynamic, where you’re basically living for a second person without them putting that devotion back towards you-

Which is exactly what causes the downfall of this relationship.

Macaque doesn’t speak up for or against anything. He’s just willing to sit pretty and play along… because it’s for his one good thing.

Because it’s for Wukong.

Even if his brothers don’t like him, or he gets mocked, or he doesn’t want to play along, Macaque grits his teeth and stays- because it’s for Wukong.

Because he can’t lose his one good thing.

So he’ll do anything.

And that’s the problem.

The Monkey King isn’t asking him to shut up and play nice. Nor does he ask for blind loyalty. And he doesn’t ask his friend not to voice his concerns and fears.

Macaque is choosing to do these things.

Because he can’t lose his one good thing.

Macaque is choosing to “internalize” (again, this isn’t the appropriate way to use that word, but I’ve set a precedent here) his thoughts and feelings.

Macaque pulls everything inside, and Sun Wukong pushes it all out.

The First Crack: Uneven Expectations

Macaque is not honest with his thoughts and feelings. He never actually expresses the way he feels to Wukong, which leads to the Monkey King never understanding his feelings. But you know what Macaque DOES do?

He gently and softly nudges the idea of maybe kinda I dunno potentially not taking over the entire Celestial Realm???

But he doesn’t say no.

Macaque never expresses himself or genuinely tries to talk Wukong out of overthrowing the Jade Emperor. He just hints at the idea and EXPECTS Wukong to pick up on his thoughts and wants without any real effort on his own part. He puts ALL of the onus onto Wukong to understand and reach out to him, without putting that amount of time and effort in himself.

Macaque wants to be understood without putting on the effort to be understandable, which isn’t fair to Wukong at all.

The Second Crack: Unfairly Divided Consequences

Wukong is solely punished for the crimes of six men, and left to rot while his sworn brothers run free.

(Quotes pulled from prior analysis)

Sun Wukong is trapped. For attempting to overthrow the Jade Emperor, he is sentenced to FIVE HUNDRED YEARS trapped under a mountain.

Let me elaborate for anyone who doesn't sympathize.

For the next five hundred years, Sun Wukong will be 75% immobile and alone under a nearly lightless mountain. There will be no noise, no stimulation, and no company. He will suffer in silence, and he will suffer alone.

But you know who ISN'T being punished for an attempt to overthrow the Jade Emperor?

Macaque.

Now, this is funny. Wukong leads a six strong band of brothers against the forces of the Celestial Realm, but only ONE of them faces consequences for the rebellion- himself.

Even five hundred years later when Wukong is set free and traveling with his fellow pilgrims...

No one else has faced consequences for the rebellion. All five of Wukong's "brothers" (Azure Lion, Peng, Demon Bull King, Yellowtusk, and yes, Macaque) get away scot-free to continue their plans and schemes.

I would be pissed. You would be pissed. There is not ONE SINGLE PERSON in this world that would NOT be pissed about how blatantly unfair this is.

(End Quote)

This is especially important if you read Azure Lion’s about Wukong “surrendering” as the truth (he is an unreliable narrator), then it’s likely his brothers were spared as a result of his surrender. And still, he’s all alone in this cavern, bored and uncomfortable and angry.

And probably very sad and lonely, too.

The Third Crack: Peach Symbolism

When Wukong wants to cheer Macaque up, what does he do?

Engage in snacking and physical affection that leaves the two snuggled up side by side on a sunny beach.

Seems like the Monkey King has a pretty good read on his best bud!

Now, how does Macaque repay the favor?

After an unknown period of time spent in the extensively explained condition above leaves Wukong angry and frustrated, Macaque comes by to-

Jam a peach into Wukong’s face and act like nothing is wrong at all.

Sun Wukong doesn’t want to pretend that nothing is wrong. He doesn’t want to act like everything is okay. He wants to be free.

But Macaque has put on an act this entire time. He’s played along and kept quiet and complacent and been “good”, and even now is he acting.

So he presents, of all fucking thing, a peach.

Sun Wukong likes peaches, yes. They’re likely a comfort food from a time long past, a constant in his long, long life.

(I bet that on Flower Fruit Mountain there’s a special strain untainted by the push of genetically-modified fruit that’s grown to be chock-full of sugar. I bet it’s his absolute favorite thing in the world to eat. I bet he shared it with the Pilgrims. I bet he wishes he could share it with them again. I bet.)

They’re a symbol of massive freedom- freedom from strife and pain and death.

And having that symbol presented to him so plainly and pretend-happily?

It’s just the final nail in his diminishing coffin of self-control.

The Fourth Crack: Wukong Lashes Out

So, as was unavoidable from the start of his imprisonment- Wukong snaps and rejects the peach, mocking Macaque for trying to cheer him up from a five-hundred year sentence with fruit and a false smile.

But he doesn’t stop there-

The Monkey King continues to castigate his best friend, blaming him for things that are the shoulderweights of six men.

Except he’s not really lashing out at Macaque directly- he’s just lashing out, and Macaque happens to be the nearest target.

There was bound to be a breakdown eventually. No matter how you look at this scenario, anyone would snap. There’s literally not even one person who wouldn’t break down eventually.

And then, Macaque lashes right back, and says something very interesting-

The Fifth Crack: Macaque Lies and Run Away

(Censored quotes taken from same analysis)

No, he didn't.

Macaque nudges the idea. He implies the idea. He hints it, quietly and softly.

"You're really going through with this?" Is not him shutting down the idea of fighting the Celestial Realm.

It's him being a coward and trying to dance around the issue without a direct confrontation.

Not even once does Macaque say: “We shouldn't fight the Jade Emperor."

He directly LIES to present himself as being the better person during this fight.

Macaque is lying to his best friend’s face to make himself look better in this utterly pointless argument, then prepares to run away and never comes back- but not before placing literally all of the blame for EVERYTHING onto Wukong’s shoulders.

(End quote)

Final Crack: YOU are responsible for MY behavior!

Finally, Macaque makes a few last “Nothing is ever MY fault!” statements to Wukong, consisting of:

“You dragged everyone else into this!”

“You put yourself here, not me!”

Which are BOTH blatantly untrue, given that

1. The Azure Lion is actually the one who started the Brotherhood in the first place

2. Macaque is a grown man who makes his own decisions

3. The rest of the Brotherhood are grown men who make their own decisions

4. Macaque went along with the plan willingly

5. The rest of the Brotherhood went along with the plan willingly

6. Everyone took part in the attempted rebellion of their own will and volition

Everyone is responsible for the end result, including Macaque who was there literally every step of the way, but he doesn’t want to accept that!

Macaque wants to be a perfect little victim who can wipe his hands of the matter, and who better to blame…

Then his “one good thing”, who is now utterly helpless and incapable of doing anything about it?

Macaque only finally lashes out and speaks up when there is literally no way to face recourse for it- which is proof of the cowardice lurking inside him.

There’s a big reason that Wukong calling him out for “running away” hits so hard and is what finally prompts Macaque into speaking up and tries to absolve himself of all blame.

Because Macaque knows that Wukong is right.

The first thing that Macaque does when things go wrong is to prioritize himself and run away. (Just remember how he responded to unleashing the Samadhi Fire.) Then, when all is said and past and it’s time to tell the tale, Macaque will whitewash himself- which he does blatantly in “Shadowplay”.

So when his gilded “one good thing” finally cracks the image Macaque built up by being a fallible person who stumbles and slips up and makes very human mistakes?

He abandons ship, and allows his flaws to start sliding out- now Macaque is “externalizing”, which he’ll continue to do to the present day- taking everything inside and putting it out- by projecting and slandering and lying and trying to hurt innocent people.

Essentially, Macaque puts his best friend on a pedestal and of his own will and volition plays the role of “lackey” for nothing in return without being asked, then ditches him over a fight and returns to a much unhealthier group of “friends”, while Sun Wukong is left to serve a lonely sentence as punishment. But because the Monkey King receives punishment and does his time, Wukong is allowed a chance at redemption under the loving and caring eye of his Master, Tang Sanzang, and manages to redeem himself, where his guilty brothers going free leads them to continually rack up crimes that leaves them on the receiving end of the pilgrims wrath.

Okay I’m tired now love you guys ❤️❤️

[lazyneonrabbitt]

Hunters Ink

Tattoo artist!Daryl Dixon x Reader

One tattoo leads to many more when you fall head over heels with the artist.

You made your way into the shop, quickly engulfed in old rock music and the buzz of machines. The place was packed.

An older bald man welcomed you, a bright smile on his face after he had notified his client. "What can I help ya with, sweetheart?"

You stumbled over your words, unsure how to go about things. "I'd like to get a tattoo."

The man gave you a soft laugh. "Well tha's a given, why else walk into our shop, huh? Now, you got a picture withya, or do ya need sum time to look around fer inspiration?" He motioned around and pointed at the walls adorned with designs.

"I brought something" You fished in your bag for the piece of paper that held the print of a dog's paw.

The man took in the print and called someone else over.

"Daryl! C'mere, this one's yer business." When he turned back to you his voice went softer. "Mah brother does what ya want, my style ain't good fer the lil' details. He'll take over, yeah?"

He handed your paper over to his brother, who looked it over. "Where d'ya wan' it?" You went over all the basic details, where, how big and if you had any other tattoos already. You shared the reasons behind the pawprint and got a couple of placement suggestions before deciding you wanted the piece on your lower arm.

The appointment was quickly made and you left with Daryl's artist card and a warm feeling inside.

The day of the appointment came up quick and you made sure to follow the advice you were given. You had a good meal beforehand and brought some sugary sweets and drinks with you.

"C'mon over, cutie. Got yer paw ready for ya." Daryl came to collect you after you hadn't moved when he called you.

"I got the whole day for ya, so we'll go at your pace, yeah?" His gravely voice was so calming, it really helped with the first tattoo nerves.

"Thanks, really appriciate it." You gave him a sweet smile as you watched him cut different sizes of your tattoo and asked for your hand. "Let's see which size looks best."

Daryl held the guessed sizes to the chosen spot on your arm. "I think the second one?" He took it and held it to your arm once again at your decision and after taking it in you decided it was good.

"Aight, go sit and I'll get it ready for ya." You followed his every move as he talked through the whole stencil making process and came back to you.

With minimal peach fuzz removal and proper cleaning the stencil was on your arm and you were admiring the idea of what it would look like when it was done.

You were ready to go.

Daryl's touches were featherlight, so precise and focused you were almost scared to speak from the moment he held tour wrist to place your arm on the stand beside the chair.

"M'gonna start, do a lil' line ta see how ya handle it." He rubbed something on the stenciled skin and moved the buzzing, inked up machine to your skin, keeping and eye on you as well but you barely gave a kick when he drew the first line.

Daryl gave you a proud smile and went to work. "Ya can ask ta tap out anytime, need ta keep ya as comforable as possible."

You watched his hands work your skin. The way the muscles in his arms tensed at every precise movement and the way his hair was tied back for the work was hypnotising to see. The outline was done before you knew it with how distracted you were by his own large collection of ink.

"How'r ya holdin' up? S'not so bad ain't it?" He came back with a glass of soda for you to give you both a little break.

You admired your arm, the skin all red from the scraping but it didn't hurt that bad. "I'm good." You started, giving yourself a moment to form a sentence. "You're so.. so much softer than you look?" God what were you saying? That was nowhere near a compliment.

"Ya thought we're all as loud as Merle? Loud music, loud angry mouth?" You shyly nodded as his correct assumption. He was being so sweet to you, making sure you were still good every few moments and it warmed your heart to know such kind people were still around. You just didn't think they looked like that.

With the way his heavy boots stomped through the room and the chains on his pants jingled with each step you'd expected short, snappy answers and the all black attire didn't feel welcoming at all before.

But now as you stared at him while he was answering a phone call you couldn't help but let your mind wander off.

You were mesmerised with the ink covering his throat, the wings that followed the natural lines of his body almost perfectly, and every other piece that disappeared into the neckline of his shirt. Even the nude lady laying over the top end of a knife on his lower arm was pretty to you, and you never though the silouhette of roadkill would hold your attention like it did.

"Didn't your mama ever teach ya it's rude ta stare?" You were so deep in thought you hadn't heard the door bell jingle when Merle came waltzing in. His voice pulled you from your daydreaming so fast you got embarrassed. With your head ducked down you glanced over at Daryl who was still on the phone, but he did look back at you with a smile and winked at you. He flipped off his brother with his free hand and went back to writing on a scrap piece of paper and ending the call.

"Ya see me on the phone from outside the window and ya still come in like tha'?"

Merle only laughed and went over to his station to set up for the day. Their back and forth bickering kept up for a bit but it didn't bother you with Daryl smiling through all of his comebacks.

"Darlene, when will ya learn it's still mah own shop, so I can do whatever the hell I want." Merle was at the printer, reading his client's designs while Daryl wiped the excess ink off your skin. "Your shop? Aight how 'bout ya start doin' all the supply orders too, then. Watch ya run outta paper towels halfway into a client's piece."

Merle only yammered some insult in return and went back to working in silence.

Now that his brother was finally quiet again Daryl could continue working without interuptions, having constatly removed the machine from your skin as he replied to the conversation.

A couple of times you thought he was done when he went to move away, but eaxh time it was small top ups and detailing, making sure all the small lines of fur were copied over from the stamped pawprint of your dearest friend were copied over onto your body.

"Ya still like me after today?" He was cleaning up his station while you were admiring his work in the mirror and saw him smile at you in a way that had your stomach do a flip in the best way, already thinking up a next piece so you could come back.

"Ofcourse I still like you! You got me exactly what I wanted, thankyou." You were back at his station, letting him clean your arm for the last time with his gentle touches, but not without a soft "Sorry." before wiping away the excess fluids and wrapping it up for you.

"I'll give ya this, tells ya how ta care fer new ink. And this, on the house." You accepted the paper and aftercare creme and made your payment before you shared goodbyes and you went on your way.

As planned you came back to the shop four weeks later to show the healed piece, not needing any touch ups and getting compliments on taking good care of it.

Instead of heading out immedately you stuck around, looking at the walls until Daryl's voice caught your attention. "Ya wanna ask somethin'?"

You looked at him before averting your gaze again, somehow feeling it was wrong to already ask for a new tattoo. You heard Daryl chuckle. "Ya want somethin' new, dontcha? Tell me whatya got in mind."

He had stopped to lean over the front counter and gave you a knowing smile. "Ya were starin' at the animals, want one o'them?" He looked over and pointed at the frame that held a part of his flash designs and you carefully mentioned liking the rabbit, but not the overall dark theme of the collection.

"Lemme draw ya a pretty bunny and i'll send ya the picture, 'kay?" You immediately loved the idea. The way Daryl's animal desings held so much emotion had you excited he was designing one just for you. "Yeah, that would be amazing. A softer, maybe less dead bunny." You smiled whe he slid over a piece of paper that held your info he copied from your previous appointment, but the phone number section still open. "Fill tha' in for me? Fer the books."

Maybe it wasn't the smoothest way to ask for your number, but he had it now along with a reason to text you.

Not long after you got your bunny, then came some flowers added around it and eventually you were getting custom pieces drawn by Daryl every time you had some money to spend.

Ofcourse it wasn't all you. Daryl had figured out where you worked and made sure to leave you very generous tips to add to your tattoo funds, just so Merle wouldn't figure out you weren't paying full price anymore now that you were getting so close.

"No way he just left you that much--" your work bestie squinted at you as your gaze followed Daryl out the door after he had paid way too much and headed out. "Is he your boyfriend?" You looked at her with a frown and swatted her arm. "Shut up, oh my god we're just friends.."

The truth was, you were both too scared to ask the other out, so seeing each other at the shop and the lunch place was what kept you both close for now.

A/N: This took so much longer than I planned, I hope the hype for this one hasn't left yet!!

[darlingsfandom]

Hiii pookieeeee,I hope life is treating you well 🙂‍↕️🫶🏻

So if you're taking requests, could you write one about Cillian being OBSESSED with the reader's boobs, like he always wants to touch them or put them in his mouth, something about that😮‍💨🥵

I love what you write, and to be honest I reread some of it🤭

Also take this request only if you feel comfortable about it if not you can discard it 🙂‍↕️🫂

I send you all my love, I hope you have some nice and kind days ahead.!!🤞🏻🤞🏻❤️‍🩹

Hi! Stop it 🥺🥺 you’re so sweet ! Thank you so much 💕 I’m doing alright just getting back into the swing of things! I hope you’re doing alright. Also anything with boobs!! I’m in! I love boobs.

TW: tit sucking, nudity ! Not proofread.

It’s not even noon yet and Cillian has asked more than ten times to see your boobs that day. It wasn’t anything new. He was more obsessed with your boobs than you.

“Baby please…” you sighed following a soft laugh as he stood behind you holding your boobs in his hands as you put the dishes on the drying rack.

“Can ya blame me darlin? They’re lovely.” He gave them a squeeze which made you push back against his hips with your own. If he was going to play that game, so can you! You finished up the dishes, dried your hands on the dish towel and took his hands off your boobs to which he gave you a playful pout.

“If you can go until seven o clock tonight without touching my boobs… I’ll let you suck them for the rest of the night.” You arched your eyebrow as he furrowed his.

“That’s not fair! That’s basically the whole day!” Cillian ran his hands over his face in agony and threw his head back before looking you in the eye. “Wut happens if I don’t make it eh?”

“No boob touching for a week!” You had the quickest response he’s ever heard. Cillian sighed before giving you a look that made you feel bad but only for a split second.

“Can I touch them one last time before ya start tis whole thing, please?” He gave you puppy dog eyes.

“Fine. One last time!” You reached down , pulled off your shirt and tossed it onto the table before you felt his big,warm hands on your boobs. His fingers massaged the warm skin with a smile on his lips. It was actually enjoyable to see him so enthused even if it was just your boobs, he praised them. Cillian can recall clearly the first time he seen your tits! How naturally they fell out of your bra, the way they felt in his hands, how you bit your lip when he played with them! Ever since that night he’s always finding a way to touch them! You know he’s always looking them no matter what you’re wearing. It could be your pajama shirt, a low cut tank top or that burgundy dress that’s low cut and ties behind your neck that instantly has him about to cum in his pants, he was always looking at your chest! Even when he shouldn’t be!

“Alright darling, times up.” You gently smacked his hands away to which he huffed when he let go. Cillian pursed his lips together as he watched you grab your shirt from the table and make your way to do the laundry. He was in for it because you weren’t making it easy. You walked around in just a pair of panties doing your little bits of housekeeping. He made his way to the living room to get away from you but that didn’t work since that’s where you liked to fold laundry.

“Yer not being fair ! Just walkin around in those skimpy little panties! That’s just rude.” Cillian threw his hands in the air before crossing his arms over his chest.

“Oh honey …” you fake pouted before stroking his cheek. “Never said I’d play fair.” Your lips brushed against his ear before giving it a little nip. A shiver went down his spine. This was torture! His eyes closed tightly so he couldn’t look at you and it was his way of trying to ignore you but it wasn’t working. He just kept picturing you, how you look so pretty riding him that way he could watch your tits bounce. Cillian grunted before quickly getting on his feet and running to the bedroom. He paced back and forth running his hands through his hair before a smile crept onto his face.

The sound of his footsteps echoed in your ears. He stood in front of you with his hands behind his back before leaning down to kiss your head. That was nothing new but the timing of this made you think. Cillian sat down next to you and watched as you finished folding laundry. Neither of you said a word , not a glance at each other either . You turned to put the clothes back into the basket but as you did suddenly Cillian lowered his head and wrapped his mouth around your nipple.

“Cillian!” You went to push him away but he bit down on your nipple making you yelp. “I said no touching!”

He smirked around your nipple before giving it a kiss. “Exactly! Ya said no touching baby, I’m simply sucking on them! There’s the difference! Should’ve been more clear on yer little rules.” He looked you in the eye and as mad as you wanted to be, you couldn’t be because he was correct. Cillian wrapped his mouth around your nipple and sucked gently while you scratched the back of his head with your nails giving him that pleasurable feeling. If there was one thing about Cillian that you admired was that if he wanted something he’d do anything he could to get it.

[barbatusart]

bit of thinking outloud but for my current tactician run im doing a special wyll origins playthrough im calling the Evil Wyll Run & it’s given me a lot of food for thought about his character (or at least the freedom of psychological movement + exploration afforded to an origin run!)

wyll spoilers abound we’re entering the wyllenium here

wyll always felt a bit underwritten to me - i know that’s partially because there was that big kerfuffle in the 11th hour with changing his whole story and personality on top of having to recast his VA, and frankly hats off to both original VA lanre malaolu & new VA theo solomon for their hard work - both brought tremendous performances, & i sincerely hope mr malaolu was paid well for his work & time even if his voice wasn’t used in the final cut (i would also say warlock as a class itself felt a bit underdeveloped but im 100% OK with chalking that up to me the player not understanding how to play warlock effectively yet lol im more of a fighter barbarian Hit Stuff guy)

but honestly this feeling of being “underwritten” combined with a character with a long history of heroism in his pocket made wyll really interesting to me even in my tav playthrough. for all his accomplishments he still feels like a blank everyman, or like he’s someone who fully believes he’s the main character who doesn’t “need” to do any extra work on himself - and honestly he feels Very much like he could be The Main Character. once his backstory of the son of the duke was revealed too i immediately got the sense of like, rich boy trying to prove his worth beyond his wealth and status by striking out & becoming that hero, or that Prince Charming. basically that perfect happily ever after somebody. and im of the opinion that you don’t get mixed up with a cambion in the first place unless you’re either the kind of naïve “everything will just work out” immature that tends to comes with his status as the son of a noble, or you’re hungering for power. depending on playstyle he’s very easily both of these things

on the naïve front (ie a good wyll playthrough) if anything he feels very believably immature, & from that perspective the events of the game feel as though they’re the prequel to the actual start of wyll's story where he finally finds himself & learns what kind of man he really is. we just dont get to see it alas, but i really enjoyed the thought exercise of somebody still grappling with overcoming his own immaturity. he feels like someone who can still grow and that his tale is just beginning

Evil Wyll (meaning any time mizora shows up he drops everything to enact her instruction & hasnt once tried to find a loophole out of his contract) which ive come to be far more fascinated by is someone clearly vying for power, which is interesting because his noble status would’ve given him all the power he wants had he Played Nice. to me it speaks of someone who wants to be able to take what he wants from life without it being handed to him, which contrasts in a really fascinating way with entering into a warlock pact at all. maybe he thought it was better that it be a decision he made as opposed to nobility given to him by his family ties, maybe there’s still that pollyanna sentiment of “it’ll just work out & ill live happily ever after.” again maybe both. maybe in a sense the fiend, as he calls himself, is a good excuse to shuck off any poor decision he makes or any genuinely heinous thing he does under mizora’s instruction - an identity he uses as power fantasy (and very much in tandem/interchangeable with the blade of frontiers power fantasy) until it means taking ownership for any of his misdeeds, and then a scapegoat.

may be a bit incoherent but im only now hitting act 3 in my origin run & im Really enjoying this difficult characterization ive cooked up for myself lol