#without having to figure out the html for that

[darcyolsson]

also this feature has been around for some time (i think it came with the new editor that rolled out a few years ago?) but i love that even if you edit a post in html, you can now also use the preview tab as a rich text editor at the same time. i hate to say it but [tumblr] kind of popped off with that one i fear

[kuiinncedes]

bruh like

[autism-corner]

after 4 years of having compsci in highschool i finally fucking understand how to intergrade CSS with HTML jesus.

[valeriehalla]

I have gotten a lot of messages saying that they really love the presentation of CURSE/KISS/CUTE. Often the commenter in question can’t say what exactly it is about the formatting that they appreciate, but that it just reads well and looks good. Well!!! Allow me to bare my wealth of secret knowledge for you once and for all:

I sorta just did some research into book typography...?

Here’s something you should know about web development, alright: typography on the web is really, really bad. The tools we have at our disposal—HTML and CSS—are incredibly powerful, but they are set up to fight you every step of the way towards Good Typography. When you know what you’re looking for, you can fix all the common issues quickly and easily. But it’s not easy to know what to look for, because

problematic typography is overwhelmingly the norm on the web, and

good typography is invisible.

Here’s a screenshot from CURSE/KISS/CUTE episode 0:

Now, I don’t want this post to come across as prescriptive. It is not my intention to tell you, “This is what good typography looks like, so follow my lead exactly.” I made a lot of choices with the typography of my web novel: many of those choices would not make sense in other contexts. What I want to convey to you is what those choices are, so that you will know they’re available to be made.

I mentioned that the web “fights you” when it comes to good typography. What do I mean by that? Well, check this out:

This is how that passage of text renders “by default.” In other words, this is how a web browser would render that text without any input from me about what styles to apply. It kind of sucks ass! But it also looks pretty familiar, right? This is not that far off from how a lot of websites—even websites full of prose (looking at you, AO3)—render text.

I think the most illustrative thing to do here would be to walk you through my thought process and show you, step by step, what decisions I made to turn this unstyled text into the styled version you see in the novel.

So, first things first:

1. We have got to shrink that text column.

Computer monitors... are wide. They are wider than they are tall. They are so wide, and they have so many pixels. This means you can fit a lot of characters on them. If you wanted, you could just have a wall of characters from the left side of the screen all the way to the right side. Talk about efficient!!

You should never, ever, ever do this.

This is one choice that I actually will make a prescriptive statement about, because it’s supported by quite a lot of research: fairly narrow text columns are more legible. Specifically, research seems to support the idea that a width in the range of 50 to 70 characters per line is the most comfortable for people to read*. Every font is different, so it takes a little doing to turn that “characters” figure into a pixel measurement; I went with 512 CSS pixels for the maximum width of my text column:

Isn’t that just so much nicer to read already?

*A commenter reminds me that I’d be remiss not to point out that the research on column width legibility isn’t completely conclusive. You do want to limit the width of your text columns, but going over the 70 character-per-line recommendation isn’t necessarily the end of the world, and you might have good reasons to do so. I did not: as mentioned, one of my goals was to mimic book-style typography, and books by nature have fairly restrained column widths, on account of they’re books.

2. Picking a font.

I’m not going to give you the blow-by-blow on how I decided what font to use. The short story is that I asked some designers, and one of the recommendations I got was the free font Crimson Pro, which I took a liking to immediately:

It’s just an all-around attractive serif font, but one thing I really like about it for use in a novel is its highly-visible quotation marks. They’re just kinda jumbo! They’re real big! Easy to see! In a novel, those things aren’t just ornamentation. It makes a great deal of practical sense for them to stand out just a bit. It also has a fairly large x-height, unlike a lot of the more traditional options, which is good for legibility on a computer screen.

3. Adjusting the line-height

Web browsers default to a line-height of about 1.2em, which, as you can probably tell, is quite cramped. If you go and Google “optimal line height for legibility”, you’ll get a number of results right off the bat suggesting 1.5em. Sounds good! Let’s do that:

Well... hmm. That’s definitely an improvement, but between you and me, it actually looks a bit too spacey to my eyes. I wonder why?

I’ll cut to the chase: the 1.5em recommendation makes some assumptions about the font you’re using. In Arial, the letter “A” is about 0.6em tall; in Crimson Pro, it’s about 0.5em. That means that there’s no one-size-fits-all solution to spacing your lines, because different fonts have different amounts of empty space baked in. How annoying!

Let me tell you something about the kind of nerd I am. When I had this realization, I grabbed some books off my shelf and pulled out a literal micrometer. I started measuring the line-heights against various font features to see if there were any patterns I could spot in professional typesetting. Here’s what I found:

Almost every book on my shelf spaces lines such that the distance between one baseline and the next is about three times the x-height. How cool is that? I clapped my hands like a seal when I put this together.

Adjusting the line-height to match what I observed in the wild gives us this:

It’s a subtle difference, but to my eyes it feels just right. It’s almost like magic!

4. Paragraph spacing...

Let’s address the elephant in the room. Probably the most controversial choice I made with CURSE/KISS/CUTE’s typography was to opt for book-style paragraph indentation rather than web-style paragraph spacing—like so:

I did this for a few reasons:

It’s what I’m used to. I’ve read a lot of books, and this is just the way that books are formatted. I think for something aspiring to the title of “novel”, there’s value in making it look the way a reader probably expects a novel to look.

A novel has a lot of paragraph breaks in it. A paragraph in, say, an encyclopedia entry might go on for half a page or more; whereas it is unusual for a paragraph in a modern work of narrative prose to run for more than a handful of sentences, especially in any scene with dialogue. Because paragraph breaks are so common, spacing between paragraphs in a novel results in a lot of wasted space. Also, subjectively speaking, the additional space seems to me to lend an undue amount of weight to paragraph breaks. I’m just starting a new thought; there’s no need for a 21-gun salute, you know?

Having said that, here are some good reasons you might decide not to do paragraph indentation anyway:

Doing it right requires a bit of extra legwork. Notice how the very first paragraph in the image above has no indentation. That’s because it’s the start of a new section, and the first paragraph in a section traditionally goes unindented. This is an easy detail to miss, and it can be difficult to wrangle CSS into doing it for you automatically.

Web users don’t expect it. For the first decade of the web’s existence, there was no good way to do paragraph indentation; by the time CSS rolled around and made it easy, paragraph spacing had already become the norm. And while CURSE/KISS/CUTE may be a novel, it is also, specifically, a web novel!

But it’s my house and I get to make the rules, so I went with indentation. Incidentally, there seems to be a dire lack of research into the question of whether indentation or spacing is more legible for readers—but the data that does exist appears inconclusive at best. So, the choice really does come down to vibes.

5. The tragedy of justification.

You’ll note that one way in which I did not make my web novel look like a paper novel is the text alignment. It’s un-justified: the right margin is ripsaw-ragged.

This is because it is not possible to justify text on the web.

Oh, you can try. Look right here: there’s a CSS property for it and everything. Just turn on “text-align: justify” and...

Nightmare! The interword spacing on that first line is almost as wide as the indentation!

Reader, I’m afraid that your web browser is simply too dumb. That’s not the browser’s fault: robust algorithms for justifying text without creating these distractingly huge gaps between words have existed for many decades, and modern computers are powerful enough to run them in real time with little performance impact. It’s just, uh—nobody has ever bothered to implement them into web browsers. It is the damnedest thing.

I tried, I really did. You can mitigate this problem a bit if you enable automatic hyphenation, but browsers are unfortunately also kind of dumb at hyphenating. Firefox, for example, will refuse to hyphenate any word containing a capital letter, so any sentence with a lot of proper nouns in it is a lost cause. I tried manually inserting soft hyphens with a text preprocessor I wrote myself, but still these overjustified lines plagued me: when the text column narrows, for example on a phone, even hyphens can’t save you. The line-breaking algorithm is simply too naïve to optimize for well-justified text, and that’s not something you can fix as a web developer.

As a result, my heavy-hearted recommendation is to never use text justification. It’s just too distracting.

6. And then some extra stuff just for me

I added drop-caps because it looks neat and I made the ellipses spacier because I think it looks good when it, uh, when they are spacier. I think that looks pretty good that’s just my opinion though.

That’s all! Hope you learned something bye!!!

[mostlysignssomeportents]

Academic economists get big payouts when they help monopolists beat antitrust

After 40 years of rampant corporate crime, there's a new sheriff in town: Jonathan Kanter was appointed by Biden to run the DOJ Antitrust Divisoon, and he's overseen 170 "significant antitrust actions" in the past 2.5 years, culminating in a court case where Google was ruled to be an illegal monopolist:

https://pluralistic.net/2024/08/07/revealed-preferences/#extinguish-v-improve

Kanter's work is both extraordinary and par for the course. As Kanter said in a recent keynote for the Fordham Law Competition Law Institute’s 51st Annual Conference on International Antitrust Law and Policy, we're witnessing an epochal, global resurgence of antitrust:

https://www.justice.gov/opa/speech/assistant-attorney-general-jonathan-kanter-delivers-remarks-fordham-competition-law-0

Kanter's incredible enforcement track record isn't just part of a national trend – his colleagues in the FTC, CFPB and other agencies have also been pursuing an antitrust agenda not seen in generations – but also a worldwide trend. Antitrust enforcers in Canada, the UK, the EU, South Korea, Australia, Japan and even China are all taking aim at smashing corporate monopolies. Not only are they racking up impressive victories against these giant corporations, they're stealing the companies' swagger. After all, the point of enforcement isn't just to punish wrongdoing, but also to deter wrongdoing by others.

Until recently, companies hurled themselves into illegal schemes (mergers, predatory pricing, tying, refusals to deal, etc) without fear or hesitation. Now, many of these habitual offenders are breaking the habit, giving up before they've even tried. Take Wiz, a startup that turned down Google's record-shattering $23b buyout offer, understanding that the attempt would draw more antitrust scrutiny than it was worth:

https://finance.yahoo.com/news/wiz-turns-down-23-billion-022926296.html

As welcome as this antitrust renaissance is, it prompts an important question: why didn't we enforce antitrust law for the 40 years between Reagan and Biden?

That's what Kanter addresses the majority of his remarks to. The short answer is: crooked academic economists took bribes from monopolists and would-be monopolists to falsify their research on the impacts of monopolists, and made millions (literally – one guy made over $100m at this) testifying that monopolies were good and efficient.

After all, governments aren't just there to enforce rules – they have to make the rules first, and do to that, they need to understand how the world works, so they can understand how to fix the places where it's broken. That's where experts come in, filling regulators' dockets and juries' ears with truthful, factual testimony about their research. Experts can still be wrong, of course, but when the system works well, they're only wrong by accident.

The system doesn't work well. Back in the 1950s, the tobacco industry was threatened by the growing scientific consensus that smoking caused cancer. Industry scientists confirmed this finding. In response, the industry paid statisticians, doctors and scientists to produce deceptive research reports and testimony about the tobacco/cancer link.

The point of this work wasn't necessarily to convince people that tobacco was safe – rather, it was to create the sense that the safety of tobacco was a fundamentally unanswerable question. "Experts disagree," and you're not qualified to figure out who's right and who's wrong, so just stop trying to figure it out and light up.

In other words, Big Tobacco's cancer denial playbook wasn't so much an attack on "the truth" as it was an attack on epistemology – the system by which we figure out what is true and what isn't. The tactic was devastatingly effective. Not only did it allow the tobacco giants to kill millions of people with impunity, it allowed them to reap billions of dollars by doing so.

Since then, epistemology has been under sustained assault. By the 1970s, Big Oil knew that its products would render the Earth unfit for human habitation, and they hired the same companies that had abetted Big Tobacco's mass murder to provide cover for their own slow-motion, planetary scale killing spree.

Time and again, big business has used assaults on epistemology to provide cover for unthinkable crimes. This has given rise to today's epistemological crisis, in which we don't merely disagree about what is true, but (far more importantly) disagree about how the truth can be known:

https://pluralistic.net/2024/03/25/black-boxes/#when-you-know-you-know

Ask a conspiratorialist why they believe in Qanon or Hatians in Springfield eating pets, and you'll get an extremely vibes-based answer – fundamentally, they believe it because it feels true. As the old saying goes, you can't reason someone out of a belief they didn't reason their way into.

This assault on reason itself is at the core of Kanter's critique. He starts off by listing three cases in which academic economists allowed themselves to be corrupted by the monopolies they studied:

George Mason University tricked an international antitrust enforcer into attending a training seminar that they believed to be affiliated with the US government. It was actually sponsored by the very companies that enforcer was scrutnizing, and featured a parade of "experts" who asserted that these companies were great, actually.

An academic from GMU – which receives substantial tech industry funding – signed an amicus brief opposing an enforcement action against their funders. The academic also presented a defense of these funders to the OECD, all while posing as a neutral academic and not disclosing their funding sources.

An ex-GMU economist, Joshua Wright, submitted a study defending Qualcomm against the FTC, without disclosing that he'd been paid to do so. Wright has elevated undisclosed conflicts of interest to an art form:

https://www.wsj.com/us-news/law/google-lawyer-secret-weapon-joshua-wright-c98d5a31

Kanter is at pains to point out that these three examples aren't exceptional. The economics profession – whose core tenet is "incentive matter" – has made it standard practice for individual researchers and their academic institutions to take massive sums from giant corporations. Incredibly, they insist that this has nothing to do with their support of monopolies as "efficient."

Academic centers often serve as money-laundries for monopolist funders; researchers can evade disclosure requirements when they publish in journals or testify in court, saying only that they work for some esteemed university, without noting that the university is utterly dependent on money from the companies they're defending.

Now, Kanter is a lawyer, not an academic, and that means that his job is to advocate for positions, and he's at pains to say that he's got nothing but respect for ideological advocacy. What he's objecting to is partisan advocacy dressed up as impartial expertise.

For Kanter, mixing advocacy with expertise doesn't create expert advocacy – it obliterates expertise, as least when it comes to making good policy. This mixing has created a "crisis of expertise…a pervasive breakdown in the distinction between expertise and advocacy in competition policy."

The point of an independent academia, enshrined in the American Association of University Professors' charter, is to "advance knowledge by the unrestricted research and unfettered discussion of impartial investigators." We need an independent academy, because "to be of use to the legislator or the administrator, [an academic] must enjoy their complete confidence in the disinterestedness of [his or her] conclusions."

It's hard to overstate just how much money economists can make by defending monopolies. Writing for The American Prospect, Robert Kuttner gives the rate at $1,000/hour. Monopoly's top defenders make unimaginable sums, like U Chicago's Dennis Carlton, who's brought in over $100m in consulting fees:

https://prospect.org/economy/2024-09-24-economists-as-apologists/

The hidden cost of all of this is epistemological consensus. As Tim Harford writes in his 2021 book The Data Detective, the truth can be known through research and peer-review:

https://pluralistic.net/2021/01/04/how-to-truth/#harford

But when experts deliberately seek to undermine the idea of expertise, they cast laypeople into an epistemological void. We know these questions are important, but we can't trust our corrupted expert institutions. That leaves us with urgent questions – and no answers. That's a terrifying state to be in, and it makes you easy pickings for authoritarian grifters and conspiratorial swindlers.

Seen in this light, Kanter's antitrust work is even more important. In attacking corporate power itself, he is going after the machine that funds this nihilism-inducing corruption machine.

This week, Tor Books published SPILL, a new, free LITTLE BROTHER novella about oil pipelines and indigenous landback!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/25/epistemological-chaos/#incentives-matter

Image: Ron Cogswell (modified) https://en.wikipedia.org/wiki/File:George.Mason.University.Arlington.Campus.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

[lonely-coconut]

New blinkie credit system idea

Heyo, new idea for my blinkie site today! So, right now for each blinkie they are linked to their source, and then it also says the source when hovered over, and it has a screenshot of the source (in an html comment) in case the credit link dies one day.

The problem is, that’s a whole lot of bologna. With this current system, I will have to swap the credit link for a screenshot link whenever an old link dies. And, well… how am I supposed to know when a credit link dies?? I’m not checking random blinkies 24/7. (Well, I kind of am… but that’s because I’m coding my blinkie site. Shh.) Would I make some kind of reporting system so users can tell me when they find a broken credit link? Or, will I have to tell the users that if a link is broken, to go into the code to find the screenshot?

No, those are both ridiculous and inefficient. Ideally, I won’t have to update a blinkie’s code at all, and the site should be accessible and intuitive to everyone. Once a blinkie’s in, it’s in, and good to go forever. That’s how it should be anyway. So my solution? Give each blinkie a link to it’s source AND a link to it's screenshot! I didn’t think this would be possible or easy, but with some css I think I’ve figured it out! Check it out gang:

(Blinkie source btw)

When you hover over a blinkie, you get three options. A link to the source, a link to the screenshot proving the creator, and a link to view the blinkie at full size! And, the blinkie itself is still linked to the source as well, so a simple click will still take you there. With this new system, I won’t have to update anything. Instead, on site I will explain like “Hey, each blinkie is linked to it’s source, but if the link is broken, you can view a screenshot which proves who the creator is by hovering over the blinkie!”

This goes so hard. I’m very happy about it. This means that I won’t have to update the site for credit over time, and the site should ideally still work perfectly fine without my intervention for years to come! The credit for every blinkie shall be immortalized, and accessible to all. It’s very exciting! Things are going just so swell right now.

Edit: Posting this today since I forgot it in my drafts lol. Since then the dropdown css looks a lot better, and I also made variations for each blinkie color! I’m not going to have this on day one (focusing more on quantity over quality right now), but I plan to go back and implement this at some point!

[the-sleepy-archivist]

Blocking Ads on Mobile Devices

Blocking ads on our phones is way harder than it should be so I figured I'd make some recommendations. These are not the only options out there, just the ones that I know and have used.

Please note that browser-level and system-level adblocking are complementary; you'll have the best experience if you use both of them together as they each block different things in different places. If you want a basic idea of how effective your combined adblocking setup is, you can visit this website in your mobile browser.

Lastly, there is some additional advice/info under the readmore if you're curious (EDIT: updated March 2025 to add more adblocking options for iOS and to add info about sideloading altered versions of social media apps that don't contain ads on Android and iOS).

Android

Browser-Level

uBlock Origin (for Firefox)

System-Level (works in all apps, not just browsers)

AdGuard

Blokada 5 (completely free version) OR Blokada 6 (has some newer features but they require a subscription)

iPhone/iPad

Browser-Level

AdGuard (Safari extension; free for basic browser-level blocking, requires a subscription or one time purchase of “lifetime” license for custom filters)

1Blocker (Safari extension from an indie developer; can enable one built-in or custom filter list for free, requires a subscription or one time purchase of “lifetime” license for enabling multiple filter lists and updating filter lists to the latest version automatically)

Wipr 2 (one time purchase from indie developer; simplest option to use, but also the least configurable. Best if you are looking for one time set and forget and don’t need any custom filters. Note that it does not have a system-level blocking option)

System-Level (works in all apps, not just browsers)

AdGuard (requires subscription or one time purchase of “lifetime” license for system-level blocking)

1Blocker (can activate without a subscription, but requires subscription or one time purchase of “lifetime” license to enable system-level blocking AND browser-level blocking simultaneously)

AdGuard DNS only (this is free and does not require the AdGuard app, BUT I would only recommend it for advanced users, as you can't easily turn it off like you can with the app. Credit to this Reddit thread for the DNS profile)

Some additional info: browser-level blocking is a browser addon or extension, like you might be used to from a desktop computer. This inspects the HTML code returned by websites and searches for patterns that identify the presence of an ad or other annoyance (popup videos, cookie agreements, etc.). System-level blocking is almost always DNS-based. Basically whenever an app asks your phone's OS to make a connection to a website that is known for serving ads, the system-level blocker replies "sorry, I don't know her 🤷‍♂️💅" and the ad doesn't get downloaded. This works in most places, not just a browser, but be warned that it might make your battery drain a little faster depending on the app/setup.

Each of those types of blocking has strengths and weaknesses. System-level DNS blocking blocks ads in all apps, but companies that own advertising networks AND the websites those ads are served on can combine their services into the same domain to render DNS blocking useless; you can’t block ads served by Facebook/Meta domains without also blocking all of Facebook and Instagram as well because they made sure their ads are served from the same domain as all the user posts you actually want to see. Similarly, browser-level blocking can recognize ads by appearance and content, regardless of what domain they’re served from, so it can block them on Instagram and Facebook. However, it needs to be able to inspect the content being loaded in order to look for ads, and there’s no way to do that in non-browser apps. That’s why using both together will get you the best results.

These limitations do mean that you can’t block ads in the Facebook or Instagram apps, unfortunately, only in the website versions of them visited in your browser. It also means ads served by meta’s/facebook’s ad network in other apps can’t be blocked either (unless you're one of the rare beasts who doesn't use facebook or instagram or threads, in which case feel free to blacklist all Meta/FB domains and watch your ads disappear 😍; I'm jealous and in awe of you lol).

One note: some apps may behave unpredictably when they can't download ads. For example, the Tumblr app has big black spaces where the ads are, and sometimes those spaces collapse as you scroll past them and it messes up scrolling for a few seconds (UPDATE: looks like the scrolling issue may have actually been a Tumblr bug that they have now fixed, at least on iOS). Still way less annoying than getting ads for Draco Malfoy seduction roleplay AI chatbots imo though. And honestly *most* apps handle this fairly gracefully, like a mobile game I play just throws error messages like "ad is not ready" and then continues like normal.

One final note: on Android, you may actually be able to find hacked versions of Meta’s apps that have the ad frameworks removed. In some cases they are a little janky (unsurprisingly, apps don’t always take kindly to having some of their innards ripped out by a third-party), and they are often out of date. BUT in return you get an Instagram app with no ads whatsoever, and some of them even add additional features like buttons for saving IG videos and photos to your phone. However, use these apps at your own risk, as there is functionally no way to validate the code that the third-parties have added or removed from the app. Example altered IG app (I have not vetted this altered app, it's just a popular option): link.

It is technically possible to install altered apps on iOS as well, but Apple makes it much, much harder to do (unless you are jailbroken, which is a whole different ballgame). I'm not going to cover sideloading or jailbreaking here because even I as a very techy person eventually grew tired of messing with it or having to pay for it. If you're interested you can read more about the different ways to do sideloading on iOS here.

[geoledgy]

your oc website is SO SO SO SO INCREDIBLY COOL how the hell do you even start learning how to do this ?? if you learned how to do this by yourself online, are there any tutorials or resources you can share with us? was making this website free??

omg THANK YOU SO SOOOOOO MUCH!!! It makes me so happy to hear that folks like my little site. I code my site with Phoenix Code (for the live viewer and number dials) and I host my site on Neocities - it is all free. Phoenix can be used in browser or on desktop, but I like having it on desktop more for big projects in case my files get deleted. I use the browser version when I just want to test something quickly.

The 2 videos I use and can not recommend enough to anyone who asks me are this HTML tutorial and this CSS tutorial. They are simple and easy to understand, but I recommend watching it the first go, and then following along the next few watches until you get the flow of basic parts to a website, how they're organized, and what order they go in. At this point, I've memorized exactly where everything goes, and it is all thanks to these 2 videos.

If I am being honest, I learned how to code by myself, not quite even with online tutorials but just from being stupid and messing around myself (1, because I was a kid, and 2, because I didn't understand English very well to know what tutorials are saying.) I used to do html coding for Neopet pages when I was a kid with too much online time, first by just editing the default petpages and adding info and images, and then just doing trial and error with the html. I'll just try something and then if it doesn't turn out the way I want it, I try to find out why it didn't work and also get inspiration from other similar sites to figure out where things go or how they coded (with this nifty thing called right click > inspect page or right click > view page source). And BOOM, working webpage.

It was rudimentary, white blank background without any boxes or anything, you just scrolled down the page and sections were separated by a horizontal bar. OH and every text was centered! I had no idea how to make scrolling boxes or fancy assets, but damn I still had so much fun working on it every weekend. When you find authentic selfmade sites from the 90s and 2000s, most of them aren't super fancy either unlike what modern nostalgia makes you think. So I hope you don't feel discouraged if you begin making a website and feel it isn't "fancy", you're already doing a first big step which is making a webpage and learned your first set of html code!

It was over a decade later before I coded webpages with html again. I've gotten lazy and started relying on site builders, but nothing was quite as versatile as html. I wanted to try coding my own OC site again, so that was when I started working on OutKrop (the site I posted). Until I started coding again, I had literally no idea what CSS even is (and let me tell you, it's a game changer!)

Personally, I work best when I can do things hands on. I don't read through tutorials, I code first then go back and read through coding help sites like w3schools when I find myself stuck and unable to figure something out. Sometimes I grab existing codes and play around with them to see what changes and what I can do with it, cuz having visual context is what helps me a lot.

I can also share my process:

Once I gather up some ideas, I make a sketch, including what boxes (divs in css) should approximately go. It is very rough, but shows me exactly what I need to know.

Next I load up my coding app (Phoenix Code in my case) and "sketch" the layout. Nothing fancy going on here, just putting things where they need to be, and fixing size of boxes and margins if needed. I give my boxes all a background color so I can easily see how big they are and where they are located.

After some adjustments like moving stuff around and adding assets like backgrounds and images, and changing colors of the boxes, rounding off corners, etc., we get this!

so recap + additional useful sites I use:

Coding app: Phoenix Code

Site hosted on: Neocities

Video tutorials: HTML and CSS

Sites for learning code: w3schools, also lissa explains is a great site that is written for kids to learn html so it's easy to understand. Finally, sadgrl has a lot of great resources for coding as well!

I recommend looking through these sites AFTER you tried taking a spin at coding - it doesn't have to be anything fancy just follow the HTML video tutorial I linked!

Thanks for the ask, and I hope this helps you and many others out there who are interested in building a site with html/css! Don't be afraid to get things "wrong" or have an "un-fancy" site. This is how you learn to code, and it'll become so easy once you get the hang of it.

Anyone is always more than welcome to reach out for coding help and advice :-]

[goblin-social]

A quick example of the current state of Goblin:

I imported my following list from mastodon and started following everyone with my goblin.band account too, so I basically read all my mastodon content from there already. Even if no one but me using the tumblr-like features I'm adding, I already enjoy Goblin more than Mastodon.

Things that I've added since my last post:

Integration with mastodon (and well, any other fediverse platform that use plain text instead of html)

Copy/pasting images in the editor

Sanitized html input when saving & updating posts

Improved the landing page

Cleaned the menus and improved the UI in general

Current "next" to-do list:

Fix posts displaying images twice when you paste an image

Fix RSS feed including the inline files again after the post

Sanitize html inputs on incoming federated posts

fix several style issues around different settings sections (black texts on dark blue background, white text over white background, etc)

Figure out if I can create a tumblr-api app so the posts from goblin can be automatically shared here without having to go through Zappier.

Figure out what kind of server I need to run a, let's say, 500 people server.

Find someone to do some security review of my server (Long story short, I've only a very slim idea of what I'm doing when configuring a server and I'm sure I've left some huge security holes around).

This is happening, folks. I think Goblin is going to be a reality. At least https://goblin.band will be.

[taekooktimeline]

Hello 👋🏽

I’ve completed uploading episodes 1-4 of “are you sure” 🥳It goes without saying, but this is a Taekook focused blog so all of these posts, just like all my other posts, highlight Taekook and their bond (or in some instances, my posts archive important pieces of information so others can’t distort facts).

I wanted to upload episode 3 as one post, and episode 4 as one post, but Tumblr wouldn’t let that happen due to their sizes. When I shrank photos to make each episode one post, text and images became blurred and my OCD couldn’t stand it. I hate that they each have 2 posts, but I preferred it to the alternative of unreadable pieces.

I’m not sure if I’ve ever gone in depth about the uploading process? It’s quite an undertaking for long pieces. I first draft the posts in Google docs. This can take days as I rewatch things, chat with friends and gather what people have noticed from my timeline. One episode can take 3-4 hours to watch, as I draft as I go and then go back through and fill in further, then tighten it all up.

After this, I upload the draft into Word Press. It’s not straightforward anymore. When I copy and paste the draft into WP, only the text follows. I have to then go back to Google docs and copy / paste the pictures one by one, and then add the timestamps and hyperlinks under these pictures.

Once that’s done, I convert the post into HTML code. I can’t simply hit “select all.” I have to drag my finger down the entire post and carefully hit copy, or else I erase the whole post (which has happened). I then copy / paste the HTML code into my email and email it to myself.

From there, I copy / paste the code and upload it into Tumblr. Tumblr won’t let me post more than 30 photos a post now, sadly, which means splitting posts up. I have to read the HTML code and decide where to break things up.

I upload the post, then reblog it to its respective year, so you can read the post in the “main” timeline, but also in chronological order in the year it happened. When it’s reblogged to its year of occurrence, I have to scroll to events that happened around that date to determine what backdate to make that piece, so it lands in the correct spot of the timeline.

Uploading these posts took me all morning. Factoring in drafting, I spent at least 2-2.5 days on these episodes.

I’m not sure why I felt like sharing that today, except that I wanted to really take a moment and sincerely thank anyone who stops by to read my blog and let you know it’s so appreciated. Even if no one read this blog, I archive Taekook’s moments as one way of supporting them. I really enjoy preserving their moments - we have so many! - and looking back fondly.

So I’d do it no matter if no one read this, but knowing people do read this blog and treasure it as much as I do means so much to me. I’m thankful for the friendships formed, the people I’ve been able to talk to and some I’ve been fortunate to meet in real life, and it’s all thanks to this blog.

Not only that, my anxiety gets the best of me. I greatly admire those who tweet on Twitter, or post on Instagram, without giving much thought. I can’t do it. I wish I could. I will sit on posts, get anxious, bail out of posting, or post then mute because I’m so tense. I’m not sure why that is. Sometimes I wish my accounts were smaller so I could maybe feel more comfortable freely speaking my mind. But I also think I’d be anxious no matter what because social media is so toxic and dark and my energy can’t stand it. It doesn’t help I’m still trying to figure out my medical mysteries, and that’s been such a drain on my energy. I can’t find it in me to do much more than lurk on Twitter and IG right now.

Here on tumblr, I feel like I’m in my little safe space. It’s quiet here, I post my pieces and show my support, and my support is measured in a more meaningful way for who I am as a person (in addition to streaming, buying their merch etc). I really am so grateful for this space. We all support in our ways and though I wish I was bolder on TW and IG, I appreciate those who are and I also appreciate that we are all here to equally love and support Tae and Jk. That’s what matters.

So if you’re reading this, I want to thank you from the bottom of my heart for being here and reading this blog💜💚

[millenniallust4death]

Here’s the third exciting installment in my series about backing up one Tumblr post that absolutely no one asked for. The previous updates are linked here.

Previously on Tumblr API Hell

Some blogs returned 404 errors. After investigating with Allie's help, it turns out it’s not a sideblog issue — it’s a privacy setting. It pleases me that Tumblr's rickety API respects the word no.

Also, shoutout to the one line of code in my loop that always broke when someone reblogged without tags. Fixed it.

What I got working:

Tags added during reblogs of the post

Any added commentary (what the blog actually wrote)

Full post metadata so I can extract other information later (ie. outside the loop)

New questions I’m trying to answer:

While flailing around in the JSON trying to figure out which blog added which text (because obviously Tumblr’s rickety API doesn’t just tell you), I found that all the good stuff lives in a deeply nested structure called trail. It splits content into HTML chunks — but there’s no guarantee about order, and you have to reconstruct it yourself.

Here’s a stylized diagram of what trail looks like in the JSON list (which gets parsed as a data frame in R):

I started wondering:

Can I use the trail to reconstruct a version tree to see which path through the reblog chain was the most influential for the post?

This would let me ask:

Which version of the post are people reblogging?

Does added commentary increase the chance it gets reblogged again?

Are some blogs “amplifiers” — their version spreads more than others?

It’s worth thinking about these questions now — so I can make sure I’m collecting the right information from Tumblr’s rickety API before I run my R code on a 272K-note post.

Summary

Still backing up one post. Just me, 600+ lines of R code, and Tumblr’s API fighting it out at a Waffle House parking lot. The code’s nearly ready — I’m almost finished testing it on an 800-note post before trying it on my 272K-note Blaze post. Stay tuned… Zero fucks given?

If you give zero fucks about my rickety API series, you can block my data science tag, #a rare data science post, or #tumblr's rickety API. But if we're mutuals then you know how it works here - you get what you get. It's up to you to curate your online experience. XD

[sonicenvy]

[Megapost] Online Resources For Fiber Arts

Hi y'all! Local crazy lady librarian n' crafter here! I am one of those people who loves collecting resources and to that end I created my Weird Wonderful Web spreadsheet many moons back (which is an ever updating project btw) which is a spreadsheet of useful, interesting, wacky, old school, unique, or just plain delightful gems on the internet. For the purposes of this post I decided to pull out all of the fiber arts related resources (+ I added some new stuff just for this post that will make it on the sheet eventually)

Today, I am here to share with you collection of useful resources online for embroidery, cross stitch, sewing, knitting, and crochet. If you have any useful sites that you know of that I didn't share here I'd love to know! Reblog or comment and share!

Without further ado:

Sewing

@fatmasc’s google drive of sewing resources –– lots of sewing resources in one gDrive folder

Dagraeve’s Jedi Robe Pattern –– sew a simple jedi robe for a costume!

Vincent Briggs’ tutorials on making fabric covered buttons (18th century style!) –– what it says on the tin. These are very thorough video tutorials on this topic from a dude is extremely knowledgeable about sewing 18th century men’s clothing. Check out his whole YT channel for more 18th sewing content and his blog @ vincentbriggs.tumblr.com for more excellent content!

@wastelesscrafts basic circle skirt tutorial –– learn how to design and sew a basic circle skirt

Google WeWearCulture Project –– browse a huge collection of images and information about fashion around the world and throughout history.

Embroidery/Needlepoint/Cross Stitch

Sarah’s Hand Embroidery Tutorials –– a complete visual dictionary of embroidery stitches with tutorial videos for each stitch. Super thorough and informative!

Lord Libidian’s Cross Stitch Blog –– lots and lots of useful resources for cross stitch and embroidery, including the extremely handy downloadable DMC thread color chart spreadsheet for helping you organize your thread hoard. Lots of reviews of products and free patterns as well.

ThreadColors –– DMC thread colors to html hex codes. Excellent resource for selecting matching colors from your reference image to color block your next project. Note that some of the color names on this site are older names that DMC no longer uses, but the number codes and the colors themselves remain unchanged.

Faimyxstitch’s embroidery blog posts –– embroiderer Kseniia Guseva, who is well known for her stunning embroideries of scenes of various cities around the world has a variety of freely available posts with information about getting started with embroidery, including a very thorough post on the supplies you might need. She also sells patterns on her etsy and teaches a class (paid).

Free Patterns on the Official DMC site –– DMC has a lot of free to download patterns for cross stitch and embroidery.

DMC thread conversion charts –– convert DMC colors to other brands and vice versa using these handy charts.

reddit’s embroidery community r/embroidery –– lots of great, talented people, many of whom very kindly offer tips when asked!

Needle n’ Thread embroidery tutorials –– lots of posts and videos for beginners!

Knitting/Crochet

Ravelry –– if you’re not new to crochet or knitting you probably have already heard of Ravelry, but I figured I’d stick it here because if you’re brand spanking new you might not have heard of it. You need to create an account but you can download free patterns or purchase patterns on Ravelry. The other main thing you can do with your Ravelry account is to use it to keep track of your projects in your “journal” where you can put notes, a list of the yarns used, the hooks/needles you used, etc. and continue to update the project as you go along. Because I am a person who starts a project and completely forgets about it for like 2 months, I love my Ravelry journal because I put down the yarn I used, the hook I used and the stitch counts for the last row that I crocheted. Nifty!

Left handed Knitting from LeftyKnits –– short, sweet videos on knitting for lefties posted 16 years ago. All are less than 2 minutes long and cover a single micro topic!

Rowbot’s Knitting Videos –– similarly old knitting videos that are short, sweet and to the point from 10+ years ago.

thecrochetside crocheting videos –– short, sweet and to the point crochet videos from 15+ years ago. Right handed mostly.

Internet Archive’s Collection of Knitting Magazines –– collection of knitting magazines that can be viewed online via IA from a variety of time periods. Some magazines also contain crochet and a few crochet magazines are buried in the mix. Magazines contain patterns and project ideas.

Bella Dia’s “vintage” style vertical stripe crochet blanket pattern –– photo tutorial for crocheting a vertical striped multi-color blanket.

General:

findoldvideo.com –– for those who weren’t on YouTube 12+ years ago, you might not know this but there were a TON of super useful fiber arts tutorial videos that were short, sweet and to the point that were all over YouTube, but since the YT search algorithm heavily weights new content you’d never be able to find them now …. unless you use this site! findoldvideo allows you to search YouTube videos from a particular year and sort your results chronologically. A good example search would be “crochet” year: 2008 Boom! Now you have tutorial videos that are less than 2 minutes long and have no promos, random extra talking, title cards, or other fancy shit because they were posted 17 years ago before YouTube was awash in “content”. You’re welcome.

Degraeve Color Palette Generator –– generate a color palette from any image on the web and get hex codes. Good for graphic design, but could also be useful for coming up with “inspired by” color palettes for your projects.

Kleki –– digital painting in your browser for free. Includes a wide range of brushes and the ability to use layers. If you need to do some drawings for your project, Kleki is a good free alternative if you don’t have paid software on your computer or tablet.

Library of Congress Digital Collections –– Free to use reference images of a wide range of items, including images of historical fashions!

ManualsLib –– did you just buy a second hand sewing machine, digital embroidery machine, or knitting machine that doesn’t have a manual? You might be able to download a free copy here on the internet’s most comprehensive catalog of product manuals.

Stitch Fiddle –– A site/tool for designing patterns for knitting, crochet, cross stitch, needle punch and more.

The Smithsonian Image Archive –– Free to use images of a massive amount of things! If you like designing embroidery or cross stitch images of botanicals, insects, animals, etc. you can find high quality images of these here and download them for free and use them for anything.

Encyclopedia of Needlework by Thérèse de Dillmont (1890) –– Dillmont’s Encyclopedia of Needlework contains tutorials for sewing, embroidery, cross stitch, lace making, knitting, macrame and more. Originally published in 1890, it was an extremely popular work on the topic and is still being reprinted today. The link takes you to a free online copy on  Project Gutenberg. It unfortunately doesn’t seem to have included the Table of Contents so you’ll need to pop a ctrl + f (cmd + if you’re on mac) and search your desired terminology. If you get it in print it is HUGE!

The Dictionary of Needlework­ by Sophia Frances Ann Caulfeild (1885) –– Read another popular book stitching, with the delightful subtitle: “an encyclopaedia of artistic, plain, and fancy needlework. Dealing fully with the details of all the stitches employed, the method of working, the materials used, the meaning of technical terms, and, where necessary, tracing the origin and history of the various works described. Illustrated with upwards of 800 wood engravings, and coloured plates. Plain sewing, textiles, dressmaking, appliances, and terms”

Volunteering Opportunities:

Project Linus ––  Project Linus seeks to “Provide love, a sense of security, warmth and comfort to children who are seriously ill, traumatized, or otherwise in need through the gifts of new handmade blankets and afghans, lovingly created by volunteer blanketeers.” Knit, crochet, or quilt blankets that will be donated to NICU babies, Peds Oncology kids, and more. My grandma quilted for Linus for many years. I think that this post is a great encapsulation of the impact of Linus and similar orgs that donate blankets to kids in need.

Loose Ends Project –– “Loose Ends is an everyone-is-welcome movement that aims to ease grief, create community, and inspire generosity by matching volunteer handwork finishers with textile projects people have left undone due to death or disability.”

[menlove]

now i'm curious .. why do you think john was gay?

disclaimer: this is not bi erasure & if anyone tries to start discourse w me about that i do not careeeee sorry. i care deeply abt bi erasure but he never labeled his own sexuality & as a figure of the past it's more than fair to speculate that when he talked abt his attraction to women it was from the pov of a gay man dealing w comphet. if he were alive today and saying he was bisexual i'd leave it alone but he's not so i'm not. sexuality can absolutely be fluid! and he very well may have been bisexual! this is just my personal theory & interpretation of things he's said through the lens of viewing him as a gay man. MOVING ON.

i need you to imagine all of this to the benny hill theme. let's go

with the beatles by alistair taylor pg. 98 (at least in the pdf copy i have- there's no actual page numbers so it might not match up exactly if you have the print copy)

and from the same book like a paragraph down- this one is not AS crazy bc there's a million explanations but also not being able to get it up for the one woman you've fantasized about forever...... oh brother

in a description of an auctioned off audio tape:

this :|

this from JOOOOAN BAEZ. JOAN BAEZ.

(source)

"It’s a plus, it’s not a minus. The plus is that your best friend, also, can hold you without… I mean, I’m not a homosexual, or we could have had a homosexual relationship and maybe that would have satisfied it, with working with other male artists."

this infamous quote (source from the wonderful @amoralto who is a great resource for beatles archiving)

"He was completely open and uninhibited with her, as she learned to be with him, owning up to his deepest sexual fantasies—like one of making love to a woman in her eighties, or even older, whose veined and wrinkled hands would be covered in diamonds. Over time, she became accustomed to his particular style of backhanded compliment. 'Do you know why I like you?' he remarked on one occasion. 'It’s because you look like a bloke in drag. You’re like a mate.' Yoko laughingly replied that she thought he must be 'a closet fag.'"

john lennon: the life by philip norman (take him w a grain of salt. also the doc i have for this one is html so i truly would have 0 clue on what page number this would be) BUT this is also corroborated by a yoko quote herself in a 1981 new york magazine interview

no, no, no by yoko ono which. what do i even need to say.

"I remember it, vaguely. I was out of me mind with drink – when you get down to the point where you drink all the empty glasses, that drunk. And he was saying, 'Well, come on, John, tell us,' something like that, 'Tell me about you and Brian, we all know,' like that. And obviously, I must have been un– uh, f– frightened of the fag in me to get so angry at that. You know, when you’re twenty-one, you want to be a man, and all that. And for the first time I thought, 'I could kill this guy.' I just saw it, like on a screen, that if I hit him once more, I – that’s gonna be it."

this other infamous quote uploaded in an audio by @amoralto (source)

"John believed in my work as an artist wasn’t accepted in part because I am a woman. He got angry when people said about me, 'She’s not a woman, she’s a female impersonator.' John said to me, 'If I had been gay and gotten together with a guy who was talented like you, after ten years that guy would have become famous as an artist in his own right. Maybe we should come out and say, 'Actually, Yoko is a guy.' Maybe that will do it!' That made him laugh a lot. John learned about women’s oppression from me, but I learned a lot about men’s vulnerability from him. He expressed his vulnerability, unlike a lot of other men. I learned that it’s not just men oppressing women. Men also suffer, they feel fear and guilt. For example, I thought the fact that men buy prostitutes was terrible. It filled me with indignation. But John explained it differently. 'It’s humiliating for a guy to buy a whore,' he told me. 'It’s proof that he’s rejected, he’s just so desperate.' I had never thought of that: for me who go to prostitutes, sex is connected to being rejected and humiliated. I always hated people who committed sex crimes, but through John I tuned in to their pain. John told me that it was unfortunate for the poor guy whose sexual preference was a crime and something to be feared. John’s perspective was, 'I’m lucky I’m normal.'"

yoko interview with jon wiener in come together: john lennon in his time. just..... whatever the hell is going on here.

interview w lisa robinson in hit parader "a conversation with john lennon" 1975

"With his four months’ greater experience, Sheridan was an ideal guide to the Reeperbahn’s more exotic diversions, like the Schwülen laden. Stu Sutcliffe later wrote home in amazement that the transvestites were 'all harmless and very young' and it was actually possible to speak to one 'without shuddering.' Though raised amid the same homophobia as his companions, John seemed totally unshocked by St. Pauli’s abundant drag scene; indeed, he often seemed actively to seek it out. 'There was one particular club he used to like,' Tony Sheridan remembers, 'full of these big guys with hairy hands, deep voices—and breasts. But they used to make an effort to talk English. There was something about the place that seemed to make John feel at home.'"

another from john lennon: the life so take it w a grain of salt

so many excerpts from skywriting by word of mouth

and more!

and thats all i'm hunting down for now but he also like Continuously went on and on and and on and ON about how his relationship w yoko worked bc she was so much like a man/mate/what have you

[idrellegames]

Do you have the code of Wayfarer available to the public? I just have been working on making games in twine myself and am so impressed with your game, and can’t find out how to do some of the code you used for the life of me. (Mainly wondering how you implemented code like custom pronouns, custom name, etc)

Not from me.

I know people who have gotten their hands on the public game's HTML file, but it's not something that I've released myself for people to play around with. I prefer if people don't touch it, and I wouldn't recommend poking at it as a way to learn unless you know what you're doing. The compiled file is incomprehensible in the story viewer and will break the Twine editor. It also has a lot of bad or awkward code in the early section of the game since I didn't know what I was doing, and it's too late to fix it without breaking something else.

There are a lot of resources available online for basic IF needs. I have a page here that lists some old tutorials I made (they should still be compatible, but they haven't been updated for the most recent versions of Twine/SugarCube).

There's also a list of Twine guides, custom templates, custom macros, and the like.

If you want to play around with someone else's code to help you make your own game, I'd suggest starting with a custom template. Many of them come with name and pronoun macros built-in. Any macros or other bits of code will be much easier to play around with from a template then a fully-functioning game.

I'd also suggest looking through the documentation for the story format you want to use. SugarCube's has a bunch of stuff built-in, or you can figure out how to make your own from base principles.

[bluecanvasshoe]

Time and Place - EEAIETIF

Chapter 3 of Everything Eats and is Eaten (Time is Fed)

Red Dead Redemption x teen!fem!reader

Summary: The journey to Saint Denis is a lonely, daunting task. But the world really isn't as big as it seems, and maybe this is only the start of a long trip down old roads.

Warnings: descriptions of panic attacks, big cat jumps u, talk of guns

A/N: This chapter is a little short, i will admit, but i had trouble writing this one. However, this one is still important to the plot!!! i'm excited for the next though! stay tuned!!

and thank god in the most atheist way possible for the ability to write in html on posts. i would not have survived without it

this is PLATONIC! :D

Word count: 2.3k

Part 1 | Part 2 | Part 3 | Part 4

Taglist is open! Comment if u wanna join! :)

-----

It was late at night, the stars having come out and the moon shining bright, outdoing the stars’ brilliance.

You slipped out of bed, dressed in two layers of clothes to minimize the amount of things you needed to store in your old, patched-up bag. Holding your breath, you listened for anyone outside of your room.

It was quiet. The house creaked occasionally, and crickets chirped outside, but it was quiet.

Standing up cautiously, you pursed your lips as you prayed the floorboards wouldn’t creak obnoxiously loud. They thankfully didn’t, allowing you to tiptoe towards your bag. It had been hidden underneath your splintered, wooden wardrobe, packed with bare-minimum necessities.

Slinging it over your shoulders, you shuffled to the door of your bedroom and twisted the handle. Taking one last look at the bedroom you’d had for years so far, you realized that this would likely be the last time you’d be in this godforsaken house.

The bed was unmade, the window open to allow the breeze in. Shadows of tree branches were cast on the low ceiling, the room bathed in a dark blue light. It was peaceful. Your life was peaceful. Nightmares would plague you regularly, but farm life in a quiet, field-filled area would calm your nerves. Meals were assured, and you were never alone and left to drown in your thoughts often. There weren’t many people to talk to, and you hadn’t had a nervous fit in some time.

Were you ready to leave?

Was chasing a ‘maybe’ worth it?

It was a thought that you neglected to mull over, considering the fact that you gave yourself an afternoon to crack a plan on how to get out of your new home. But you figured that it’d be time to leave home soon enough, as you were, responsibility-wise, more than capable of living alone and old enough anyways.

Sighing, you pushed down any feelings of uncertainty and anxiousness.

You turned, closing the door gently and taking a deep, quiet breath. The stairs, a formidable enemy, now stood before you and freedom. A hand on the banister, you walked down with caution, dodging floorboards you knew would groan under your weight. One screeched underneath you, and you froze.

Anne was a light sleeper; she said she became one after beginning to take in foster kids, whatever that meant. There had been many times when you would attempt to slip out undetected, only to be jumpscared by a sleep-ridden Anne with a disappointed look on her face. The surprisingly big rats you lived with, or your supposed brothers, had also been the cause of Anne’s lack of sleep.

However, seconds passed… and nothing happened. Breathing a sigh of relief, you continued down the staircase and approached the backdoor. You fished a note out of the pocket of your bottoms, unfolding it and giving the letter a quick once-over before placing it on the dining table.

A closet stood to your left, the key to it in your pocket. You slowly walked towards it, pulling out the small metal tool before raising it to the closet door’s lock. Inserting it, you twisted the handle of the key before carefully opening the well-oiled door, a contrast to the neglected hinges of the rest of the house. Inside hung an array of guns, from hunting rifles for smaller game to a shotgun with rib-breaking knockback.

Reaching in, you grabbed a hunting rifle, extra ammo, gun oil, and a brush. David would notice a gun of his was gone; he always noticed. He noticed if one was tampered with, he noticed if one was ever so slightly askew from their normal positions, and he sure as hell would notice if one was missing. But when was the last time he used a hunting rifle, anyways? It won’t matter. It doesn’t matter. Not anymore.

You closed the closet’s door, locking it before walking back over to the dining table to place the key on the note.

Finally, you reached the back entrance and pulled the door open. The breeze hit your face, the scent of spring carried in the night’s air. The outside was pitch black, but these parts were known for the quiet, lawful community, so there wasn’t a need for fear despite the nagging feeling in your chest.

You stepped out of the house, closing the door behind you as quietly as possible. You crouched down, grabbing your working boots before pulling them on and lacing them up with practiced ease. Going over a list in your head, you triple-checked your memory to make sure you’d grabbed everything you needed before setting off to the ranch’s stables.

Most horses owned by your foster family were shires, as things like hay or products to be sold often needed to be transported to and from the ranch. Thankfully, there were a few horses used simply for riding, though there was one in particular that you had taken a liking to. He was fast enough and had good endurance, a reliable horse to be out on the road with.

You tacked him up, mulling over your reckless decisions once again, and finally got out onto the road.

—

The first word you’d use to describe the journey to Saint Denis would be one thing: eerie.

You see, where your foster home was situated sat a few miles west from the Grizzlies. That, of course, was out of the picture. A snowy, mountainous wasteland was hopeless and risky to go through alone.

So, you opted to cut through West Elizabeth.

But the crevices and corners of this place held strange secrets that made you afraid of nighttime. The only thing that comforted you in the dead of night was the fact that your horse was incredibly easy to spook and therefore would make some sort of noise if there was something amiss. Nevertheless, the fear persisted.

And to add to your fear of the night in general, the feeling of being a teenager, on the run and alone in relatively unknown territory was terrifying. Not knowing what to do, where to go, or if your decision would derail your life was a daunting thought. You were in such a big space, nothing in each direction, no way of finding anything; not the right path, not a helpful stranger, hell, not even yourself in the midst of this void-on-earth. You have never been in this situation before, nor do you know anyone who has. A feeling of doom has plagued you for far too long.

But maybe the nothingness was okay, because the silence that came with less and less interaction cleared your mind, allowed you to think for once in years. You forgot how much alone time helped.

–

Birds chirped and foxes yowled as you trudged your way through the dirt paths of West Elizabeth. During the day, and especially the morning, it was peaceful.

The sun had risen not long ago, and its rays were still golden and rich. Dark, green pines riddled with budding pine cones were doused in the light, casting soft shadows and highlighting the hidden shades of light green within their needles. Bushes, shrubs, weeds, and flowers swayed softly, the sound of leaves creating a cacophony of nature and highlighting the silence of the morning.

Your horse trudged on at a slow pace, rocking you back and forth in a repetitive motion.

A few minutes went by of map checking and endless, tree-filled nothingness when the borderline unnatural growl of a cougar was heard. The horse beneath you immediately went into flight mode, rearing and causing you to fall from your spot on its back.

You hit the ground with a thump, the wind being knocked from your chest as panic and adrenaline coursed through your veins.

You reached for the hunting rifle you nicked from David’s collection on your back, only to find nothing there. You panicked and watched as the beige, human-sized mountain lion spotted oh-so-vulnerable you, getting ready to pounce with a guttural growl. Your vision grew white and fuzzy, the wildcat looking closer than it actually was, the trees caving in on you.

It jerked to the left, letting out a piercing yowl as one of its back legs gave out. A muffled bang, and then it stumbled before turning its attention to a figure. Your vision cleared the slightest bit, and your panic-muddled brain recognized the shape of a man holding a shotgun.

The next few moments felt like a dream, your head dizzy and eyes perpetually unfocused. The hard, rough gravel beneath you grounded your thoughts as rocks dug into your hands that held your body up.

Then, a hand was put in front of your face.

“Ma’am? Ma’am? Hello? I’m—“ An older man’s voice came from above you, causing you to crane your head up towards him. He had a scruffy beard and a brimmed hat, his skin tanned and freckled from the sun. His clothes were obviously patched up in a few places, a shotgun held in his free hand.

You took his hand hesitantly, looking up at him with slight confusion as you stood.

“Where’s my horse?” you asked, looking past his shoulder and seeing nothing.

The man scoffed, “I just saved your goddamn life, and you thank me like that?” He had a bushy eyebrow raised, his expression one of slight annoyance.

Your eyebrows raised as your focus went back to the heroic stranger in front of you. “Of course, I—thank you, sir, I didn’t mean to offend—” “Kid, are you serious?” he laughed. “I was joking. Jesus, you got a stick up your ass or somethin’?" He grinned, stepping away and adjusting the hat on his head.

“He ain’t far; don’t worry. I’ll get him for ya, let you regain your senses and whatnot.” He turned before you could protest, leaving you standing there, incredibly confused as you watched his retreating figure.

Sighing, you busied yourself with dusting off your clothes and taking a breath. Though the cougar was long dead, you were still afraid of another wild animal jumping out at you, but this time, you wouldn’t have the safety of the hunter. Your mind cleared, and you decided to listen to the birds chirping to busy your mind as the adrenaline wore off.

You looked up from your absentminded staring when the sound of gravel under worn boots was followed by languid hoofbeats further ahead. The man was walking towards you, a slight limp in his step you hadn’t noticed before.

“Here he is,” the man said, meeting you halfway as you approached him and your horse. “Got some bad news, though… Looks like your bedroll fell off when he was runnin’. He must’ve kicked it or somethin’, ‘cause it’s pretty damn torn up.” The older man handed back the reins of your not-so-trusty steed. You accepted them into your hands, a palm tentatively brushing down the horse's nose and resting on his neck.

You whispered a curse under your breath, pursing your lips.

“That’s… That ain’t too good. Thanks for tellin’ me, sir. I'll be off if you don’t need any kind of payment—” “Payment?” He interrupted, chuckling as he shook his head. “Jesus Christ. Loosen up, kid. And we still say the youth are too laid back.”

You didn’t know how to reply.

“Uh, I—” “Listen, I’ve got a friend back at the Hanging Dog Ranch. You heard of it?” You listened with slight annoyance, sharing a one-sided, exasperated glance with your horse.

“No, I’m not really from around—” “Well, it’s a nice place.” Oh. My. God.

You decided to let him speak, seeing as he just couldn’t let you get a word in no matter what.

“I can ask him if he’s got an extra bedroll or something. Mind givin’ me a ride?” He gestured to the horse, and you inwardly groaned.

“Yeah, of course.” You sighed, walking around to the side of the animal before stepping up and onto him with practiced ease. Getting yourself settled into the stiff saddle, you turned him around to help get the older man up. Extending a calloused hand that was grabbed by his, you helped pull him up behind you.

“Oh, and uh, by the way, my name’s Guy.”

Of course.

–

After a myriad of confusing instructions that went along the lines of, ”Go right. No, wait, no, go left. Actually… yeah, yeah, go right,” the two of you had finally made it to the incredibly scenic ranch. Purple beds of lavender flourished before it, small streams of water separating the full and healthy grass. Deer grazed in pairs or small groups, their heads lifting and regarding you, your horse, and the awfully chatty stranger behind you.

Stopping at the ranch, the man went on about his long-winded past with the owner and his family. “You see, we met at an auction. It smelled like shit, and that’s about all I remember from it, other  than—” “Yeah, that’s… uh-huh, sounds real interesting.” You nodded, stepping down and onto the ground beneath you, tying the reins of your now very dusty steed onto a hitching post just outside the ranch’s gates.

Helping the old man off, the two of you set off to the larger house that overlooked the rest of the ranch’s buildings. “You stay here. I’ll go talk to the old bastard.” Guy said, holding the back of his right hip as he turned and walked off, his boots squelching in the mud of the path.

You absorbed yourself in the scenery when a familiar face rounded a corner.

You were looking for Charles Smith. You’d be happy with just Charles Smith.

So why is John Marston here?

Your eyes widened, mouth agape, as you watched him narrow his eyes, looking at you with slight familiarity before it clicked. He looked the same as ever, but his hair was a bit shorter, and his clothes were more civilian, ranch hand-like than they were outlaw.

“No way,” you saw him mouth, dropping the mallet he held and jogging towards you.

You couldn't move, standing there with wide eyes.

“Kid?”

--

TAGLIST!!!

@gallantys

[sgiandubh]

Caitriona didn’t mention Tony. Seems the ‘reporter’ utilized Google. 😂

Dear Didn't Mention Anon,

It's always a sarcastic pleasure to see tension climbing for literally nothing across the street. Some other Brazilian Anon, just like you (best way to convey your thoughts was, in proper English, 'the reporter used Google' - not the Portuguese semantic calque 'utilized'...), even speculated we must be hiding this shattering press article, since no reaction and/or discussion happened as of yet.

Brazilian Anons would certainly have made better use of their time and grey cells if they simply presumed that in another time zone people really have other (simple and boring and prehaps even endearing) things to do. While Brazilan Anons were probably sleeping or having breakfast, someone else was just about to end a shorter Friday work schedule, buy Chinese takeaway on the way home, have a light lunch, take out Baby the Lab for a short pee stroll around the block. And mercifully collapse in flannel sheets for a blessed siesta, waiting for the first snowy day of the year. But enough about me, Anon, you are not here for this: you are here for that article - https://www.mindfood.com/article/caitriona-balfe-looks-ahead-to-life-after-outlander/

It is also an amusing factoid that C's PR and/or *** very often seem to favor second-tier media outlets in order to keep spreading around the Narrative Word. Pinoy regional gazettes, borderline clickbait/gossip websites and now Mindfood, a vanity/hybrid press magazine based and edited in New Zealand and Australia by McHugh Media Group, which main activity, at least in Oz, is (🥁🥁)...paper mills and paper manufacturing - of course.

[Source: https://www.dnb.com/business-directory/company-profiles.mchugh_media_australia_pty_limited.6ded585ed8e21b347589059682b44143.html]

Within that group, the Mindfood project is but an apparently lucrative subsidiary ('integrated media company', LOL), despite some dire client reviews ( 2 out of a resounding global 3, how odd!) on Google:

'Rank amateur's' [sic!] (...) What sort of magazine publisher doesn't have a manned office? (...) They'll go broke very quickly like that.' '(...)pretty shabby treatment of a customer.'

😱😱😱

But let's assume I am twisting again the plot (I don't, I do not need to). Let's assume I am evil like that and I give credence to two very negative (but brutally clear, too) user reviews only. Perhaps I am wrong, you might say. So, let's also have a look at some company figures, shall we?

Nay contest, it's them.

[Source: https://rocketreach.co/mchugh-media-profile_b5d2097af42e3bbb]

Now, my lovelies, how can I put it without offending anyone? What we are looking at, here, is a small company with 5 (five) employees, few web hits (164.480 hits is ridiculous, when we are talking about press/media!), but a comfortable revenue (7 million AUD - about 4.5 million USD). May I remind you that a company's revenue is roughly its gross income, before subtracting operating costs, wages and taxes. But given they have only 5 employees, wage expenses & operating costs must be marginal and taxes are rather friendly in New Zealand, where their HQ is (to the point there was, three years ago, an ongoing debate in order to determine if the country was a tax haven: https://thespinoff.co.nz/business/06-10-2021/is-nz-a-tax-haven-for-the-rich-and-dodgy-the-pandora-papers-reignite-the-debate), you do the maths. Therefore, how can this rather substantial profit be explained, otherwise than by a very friendly editorial policy towards paid and/or sponsored content and product placement galore (Lifestyle, anyone)?

Its immediate competitor is a supermarket chain in-house bulletin/leaflet, Campbell's Cash & Carry. The kind of thing that always lands somehow in your shopping bag and then directly in the kitchen trash:

This is enough to show their real reach and place on the market, I believe.

All this for what, Madam Knife? All this to say that paper is probably paid by the talent's PR/***. I will not go into useless detail, because there is very few new-ish/relevant information (e.g.: 'With a long season seven concluding in January, the Outlander epic will close out within the next 18 months, taking the episode total to 101. '). But I will, gleefully even, point out two tiny details, all of you patiently read this long rant for, in fact.

As always, McGill doesn't even deserve a quote, only reported speech that is, in fact, snowballing prior reference (this is exactly where copy/paste comes in very handy, you see). And a clumsy one at that, sugar on top - hence the copy/paste certainty and this is so, so rude, I could cry (nope...):

But... but... such a nice, thoughtful touch for her Stans, who spent DAYS in a row proving he was not a music producer, but the Night Media Manager (and I have to say, delivered actual quotes - still No Face, No Name, No Number, though):

[Tait rhymes with hate, alright - I know, darlings, it pisses you off to no tomorrow 😉.]

Copy paste/Goes to waste. Finally, I had to snort (not a pretty, nor feminine sight) when I realized Mindfood takes its readers for complete, amnesic idiots:

So she became 'a mother in August of 2021', but she did film 'the sixth season of the drama while pregnant'. Granted, this paper is written for casual OL viewers, the kind of people who did find C interesting/beautiful/clever/extraordinary, but who don't remember her name when prompted on candid camera, for example. The kind of superficial audience who will never do the maths and never question the fact a pregnant actress was filming beautiful (but steamy) scenes with her... ahem... with her co-star she is now 'consciously uncoupling' from.

ROFLMAO.

Not even sorry for the length, Anon. There you go, let's say good bye with a merry little song - I am told I have the best tunes on Tumblr (SMH). Really, Mindfood's client could have curated and tailored better the Retconning Operation - but perhaps even PR has trouble taking that man and his narrative role seriously?