#writer's month 2019

[supercantaloupe]

do you still write opera fic (or other [musicals?]?)? any WIPS?

in theory yes. in practice i haven't had the motivation or time since like last summer

unless i get freak level obsessed with a thing, during the school year i usually have no time or motivation to write fic because i'm so busy reading and writing academic papers and stuff. i also don't read for pleasure much during the school year for the same reason. i usually have more time on breaks and over the summer, but then it's a matter of motivation and inspiration. even when i do have time on my hands i need a good idea to want to write and the luck of fate i guess to actually do so. and ironically while everything i write i write for the primary audience of myself, and appeal to what i personally want out of a fic, i am far better at Doing Things when i have external motivation. and the things i end up writing fic about more often than not are things that have like. a realistic potential audience of like 4 people, if i'm lucky, ha. so i don't really get the benefit of commenters or a rapt audience motivating me to keep writing.

there are still a few outstanding longform fics that, while i haven't touched in over a year, i haven't totally given up on the concept of finishing them. right now this would pretty much be the devil you know (don giovanni), starlight (oklahoma!), and the 25th annual solesian national spelling bee (fantasy high), all of which are relatively long multichapter works which i haven't acutally finished writing yet, but have at least loosely planned out an ending an a way to get there. fantasy high is the only one that i would hazard to say has a real potential audience, but since the junior year season disappointed me, i haven't gotten the interest back enough to keep writing that one just yet. but it's got enough behind it already that i don't want to entirely abandon it. starlight at this point is old enough to enroll in kindergarten (i started it shortly after i finished high school. jesus christ) and i don't even want to list the au qualifiers attached to that thing here lest i succumb to the cringe, but the story and the characters are still so dear to my heart i don't have it in me to truly abandon her. and the devil you know is similar, though (at least at this time) i think the premise is less cringe; i have Ideas for it still, but i don't have the drive to finish it right now unfortunately. or the audience. but i know better than to expect that anyone but myself is really reading fic of old ass operas and musicals.

[theinsomniacindian]

Finding old fandom OCs you thought you had forgotten about and turning them into original ones>>>

[autisticwriterblog]

Chapters: 1/1 Fandom: Control (Video Game) Rating: Mature Warnings: No Archive Warnings Apply Relationships: Casper Darling/Helen Marshall/Zachariah Trench Characters: Zachariah Trench, Helen Marshall, Casper Darling Additional Tags: Fluff and Smut, Polyamory, OT3, Threesome - F/M/M, Established Relationship, Pre-Canon, POV Zachariah Trench, Love, Plot What Plot/Porn Without Plot, Light Angst, Implied Sexual Content, Post-Coital Cuddling, Crying During Sex, Fluff and Hurt/Comfort, Sweet, writersmonth's Writer's Pride Month Bingo 2024, polyamships' Polyam Shipping Days, Triple Drabble Series: Part 10 of Polyam Shipping Days, Part 1 of Pride Month Bingo 2024, Part 219 of Polyamory Fics, Part 78 of Into the Remedyverse Summary: Zachariah often struggles with his mood. But thanks to Helen and Casper and the love they show him, he manages to feel happy again.

Written for June’s Polyam Shipping Day. @polyamships

Pride Month Bingo prompt: Happiness. @writersmonth​

My bingo card is under the cut.

[mybrainproblems]

so like. watching 11x23 after having watched the rest of the show and taking time to chew on what the fuck dabbnatural is all about is so interesting bc there's a certain framing of chuck dying in 11x23 that... i'm not sure if it was intentional by dabb or just the way the editing shook out (either option is insane) but at first chuck seems to imply that his death and the death of the world isn't the result of imbalance, but it's that amara killed him and is now destroying the world. but then we learn from amara that no, the sun is dying bc she hurt chuck to the point where he is dying and that without creation there is only the nothingness that is her nature. the sun dying is the result of her actions but it's not a direct choice, just a consequence that she didn't really foresee. she has come to love chuck's creations, why would she choose to destroy that?

and it just fascinates me. bc watching 14x20 immediately after it's kinda like... was this intentional? there's a certain element of 11x23 that feels like as much as chuck says he doesn't want to hurt amara, he doesn't necessarily feel regret about what he's done, only how it turned out.

which again, could just be that the takes used in editing biased towards a less remorseful vibe from chuck. we don't know if there were other takes where rob played chuck as more remorseful but that's what we end up with. dean asking if chuck wants amara dead and him saying that even after all this, no. but still lying by omission that the sun dying is something amara is choosing to do.

like idk there's just a certain framing of that reveal and the fact that it initially comes from amara that is like. yes, chuck is dying but he's putting on his best meow meow act. if he's gonna die it may as well be as he's comforted by the characters from his favorite show. he may as well snuggle in close and send dean out to one more act of violence; to kill his sister. but this time he doesn't hold the trump card, he can't force dean to act out the violence that he wants from him. he chooses the reprieve he's been given and when amara get sick of his shit, he goes right back to playing with his favorite characters.

after all, they gave him such a good show last time.

and then i just have to wonder... would chuck have died if amara was destroyed by the soul bomb? if chuck dies, then amara lives (presumably bc she's uninjured) but if amara dies... even if he's injured, does chuck die? we only have his word that he would and in light of 14x20 and everything in s15 we have to recontextualize everything chuck has ever said in light of one thing --

writers lie.

[neil-gaiman]

hi neil! big fan! first time i've mustered the courage to ask you a question, haha.

it's good omens related: i've heard a lot of people (and been infuriated by them) over the past nine months saying that you only did the kiss because of the fan pressure. i want to know whether this is true or if you still would've done the kiss had the fandom not been begging you.

tysm for reading this! can't wait for season 3!

No, I came up with the kiss in December 2019 because John Finnemore and I had spent a day talking about the general plot of Season 2, when, late in the afternoon, sitting by the Regents Canal, John asked how it was actually going to finish, because, he told me, he is the kind of writer who needs to know how something is going to end before ever he starts. (I'm the kind of writer who normally finds out how things end when I get there.)

And when he asked, I thought for a bit about where I wanted to be at the start of Season 3, and then I described the last ten minutes of Episode 6 to John, including the kiss.

Given that we wouldn't tell anyone that we were doing more Good Omens for another 18 months, the daily asks saying "THEY HAVE TO KISS IN THE NEXT SEASON OTHERWISE YOU ARE QUEERBAITING US" had not started to come in yet, and by the time they did, the kiss, along with the rest of the scripts, had long since been written.

(And at no time has any fan ever pressured me to write a kiss at the end of Episode 6 that would break their heart.)

[redgoldsparks]

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood. 

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life. 

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!" 

Panel 3: You can read the books again but with GIFs? Why? 

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined. 

Panel 5: "I’ll just read the actual books again, thanks." 

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

PAGE 8

These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

PAGE 9

Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

PAGE 10

What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

PAGE 11

Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

PAGE 12

Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

PAGE 13

Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

PAGE 14

But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

PAGE 15

Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017) 

PAGE 16

Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot: 

*One of the greatest dangers facing the modern world is the rise of fascism 

*The government cannot be trusted 

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper? 

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love 

MK 2019

PAGE 17

PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

PAGE 18

I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

PAGE 19

What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

PAGE 20

HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

PAGE 21

Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

PAGE 22

Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

PAGE 23

It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

PAGE 24

Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

PAGE 25

As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

PAGE 26

And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

PAGE 27

In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

PAGE 28

Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

[fuckyeahgoodomens]

The Good Omens Musical Masterpost🎵❤

How it started :)

Some time before 2013: Vicki Larnach, the australian composer and lyricist, read the Good Omens book, imagined figures dancing on stage with brilliant music and thought, ‘Ah, I’m gonna ask Terry Pratchet and Neil Gaiman if I can turn it into a musical.’ and sent an email to the publishers. The next day she got an email saying, ‘We don’t want a musical but Terry’s coming to Australia, so come and say hello and tell us what you got.’

Rob Wilkins came down to meet Vicki and Jim Hare - Vicki's husband and writer - and took them to meet Terry. They spent an hour and a half with them where Terry asked ‘piercing questions’, had tea with them and they showed Terry a song that Vicki wrote (about the Chattering Nuns). Terry said to Rob, ‘Rob, write and email to Neil, “Dear Neil, this is Terry. I’m sitting in front of two hippies from Sydney and they want to make a musical out of Good Omens and I’m tempted to let them do it.”’ which was the best email they ever heard and then Terry said, ‘Okay, you have me curious.’ - it was because of the Nuns song which sounded like the book. ‘I’m gonna give you six months, come back with a first draft libretto and five songs.’

They then sent it to Terry who sent it to Gaiman. Terry said, ‘I really like it, you’re moving story, you’re doing all the right things, but where’s showstopper, where’s the toe-tapper, you know I need people to go to intermission just snapping their fingers with the song they just can’t get out of their head, and I haven’t heard that.’ - and they realized that they were so busy serving the story they forgot to do the wow-factor, but found it very encouraging from Terry that he wanted to make it better.

They went through the whole book again to find a centrepiece - and they found it  when Warlock is growing up and Aziraphale and Crowley are with him, and spent months working just on that one thing and called ‘All Living Things’ [the song at the start of this post :)] which is a line from the book.*’ Terry gave that song to a person he knew and asked him to play it to his wife with no context and when the next day the person said that his wife woke up still singing the song Terry said to Vicki and Jim: ‘Well, that’s what I asked you to do.’ 

* [“This here’s Brother Slug,” the gardener would tell him, “and this tiny little critter is Sister Potato Weevil. Remember, Warlock, as you walk your way through the highways and byways of life’s rich and fulsome path, to have love and reverence for all living things.” “Nanny says that wivving fings is fit onwy to be gwound under my heels, Mr. Fwancis,” said little Warlock, stroking Brother Slug, and then wiping his hand conscientiously on his Kermit the Frog overall.]

Vicki and Jim got the permission to being adapting it as a musical in 2013.

Vicki and Jim on it a couple of years ‘fumbling about’, took it as far as they could and decided to bring another person into it: Jay-James Moody

In 2015, Jay James-Moody joined the collaboration initially as a dramaturge and directorial eye, eventually evolving into co-book writer. Vicki, James and Jay have continued to evolve through countless more revisions and a number of private development readings with the support, time and talent of numerous wonderful Australian performers testing the material.

In November 2017, the musical was presented in its then-current form and entirety for the first time before an audience of over 500 eager attendees. The cast included Luke Joslin, Lachlan O’Brien, Nancye Hayes, Barry Quin, Brett O’Neill, Lauren McKenna, Nicholas Craddock, Paul Capsis, Rob Johnson, Amy Lehpamer, Debora Krizak, Blake Erickson, Nat Jobe, Ana Maria Belo, Jordan Hare, Bella Thomas, Anthony Abrakmanov and Samson Hyland.

Following a rapturous response to this reading it continued to be refined and developed.

In 2019, ten days before the show came out they did their last presentation, since then they’ve been to London and shown a videotape of that workshop to Gaiman and Rob Wilkins which was ‘a pretty heartstopping experience’.

Differences between the musical and the book

The ending of the musical is a bit different.

It opens with the burning of Agnes Nutter and Aziraphale and Crowley are introduced there. 

Act One ends with them ‘essentially breaking up’ because of a huge argument and they dissolve their friendship, Act Two starts with the first time they meet.

The Future?

What is the future for the musical: in 2021 they said that they need to work on some things and then they hope to do another run, initially in Australia.

There will be a CD of the soundtrack available when the show is produced in it’s full version.

In 2024 on insta they said that it is in "complicated process of rights to stage Good Omens" and "We appreciate your support and patience of the progress or seeming lack therof, of Good Omens the musical but we assure you, we will bring you the show in the next few years."

Videos

Vicki, Jim and Jay talking 46min about the musical (this video was shown at the Ineffable Con 3 in 2021 :))

Sizzle Reel 6min

Anathema singing The Perfect Place

Crowley calling Dagon to check on the hellhound

Shadwell and Newt

Aziraphale vanishing Hastur 👀

Links

Webpage

Instagram - a lot of more bts videos and pics :)

How to support?

Subsribe to the instagram page and like and comment that you want the musical on posts :)❤. If you want to be a sponsor or donor, there is contact on their webpage.

[jstor]

From all of us at JSTOR, happy Black History Month!

The profound impact of African American writers, artists, politicians, and academics, along with countless others, is indelibly etched into the fabric of American history–and we'll be highlighting them all month long.

Image credit: 

Fink, Larry (1941-2023). Malcolm X, Rally for Birmingham, Harlem, NY, May, 1963. 1963, printed 2019. Archival pigment print, 22 x 17 in. (55.88 x 43.18 cm). 

Levy, Mark. Mississippi Freedom Summer 1964. 1964. Queens College Special Collections and Archives.

Borg, Erik. Toni Morrison. August 26, 1977. 

Lisa Kuzia. Angela Davis. 1980-1985. Black and white photography, 4 3/4 x 3 3/4 in. Special Collections and Archives, Colby College Libraries, Waterville, Maine. 

Padow-Sederbaum, Phyllis. Junior NAACP Demonstration. 1963. Queens College Special Collections and Archives. 

Allied Printing Trades Council. Placard from Memorial March Reading “HONOR KING: END RACISM!” 1968.  National Museum of African American History and Culture; On View: NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 1, C1 053; Collection of the Smithsonian National Museum of African American History and Culture. 

Created by C. M. Battey, American. W.E.B. Du Bois/. 1918. Silver and photographic gelatin on photographic paper. National Museum of African American History and Culture; Collection of the Smithsonian National Museum of African American History and Culture. 

Mosley, John W. Civil Rights Demonstrators at Girard College. Philadelphia PA: Temple University Libraries, 1965-07-17. Charles L. Blockson Afro-American Collection.

[codmw2019-2022]

Modern Warfare Character Ages [2019 + 22]

Preface: Just wanted to add before getting into this that this is my interpretation of the character ages based on information from the games, confirmed information, research into the military/CIA and collage/university course information. This is by no means meant to be a definite statement about character ages, I'm happy to discuss or change any of the information here within reason.

I would also like to credit @sleepyconfusedpotato and @oleworldblues posts with their own opinions on the character ages. Which helped base my own thoughts and provided some good information that they had found. You can find Sleepy's post here and Blue's here they are really good posts and they both explain their own reasons for how they perceive the main cast of modern warfare's ages.

Farah & Hadir Karim : 30 & 32 [2022]

Both Farah and Hadir's ages have been confirmed by Taylor Kurosaki who is one of the writers from Modern Warfare 2019. This was confirmed when a fan ask him via twitter/X about how old Farah was during the Barkov invasion.

This means in 1999 when Barkov invaded Farah was 7 and Hadir was 9. In 2009 when they escaped they are 17 and 19 respectively and in 2019 they are 27 and 29. Hadir dies in December of 2022 as discovered in the Atomgrad raids at the age of 32.

John Price : 37 [2022]

Using the information provided from his original operator bio we find that "John Price joined the infantry at the age of sixteen and has served the British Army for 18 years." and that "he was ‘Badged’ a member of SAS in 2005, spending the next ten years in the Middle East, the horn of Africa.".

With this Price's age works out to be about 34 years old, but since it only mentions serving the British army. I added 4 years for him to be able to complete basic training which is roughly 18 weeks basic training.* Followed by Special Air Service (SAS) training with is roughly a couple months, but you must serve at least 18 months in the military to be selected**, and finally his training at the Royal Military Academy to become a Lieutenant and then Captain which is 44 weeks with 2-3 weeks of leave.***

So Price would join the British army at 16 in 2001, be badged a member of SAS at 20 in 2005, become Captain at 25 in 2010. In 2019 he would be 34 and finally 37 in 2022, which to me makes the most sense based on other character's ages.

*[army.mod.uk solider training] **[eliteukforces.info SAS] [eliteukforces.info SBS&SAS] ***[army.mod.uk officer training]

Kyle 'Gaz' Garrick : 32 [2022]

We can do the same process as we did with Price for Gaz, his operator bio says "Kyle ‘Gaz’ Garrick, enlisted in the British Army in 2008. Within four years, he passed selection for Her Majesty’s elite Special Air Service where he is currently rounding out a decade of service."

Since his bio never mentions what age he joins like with Price and Soap I'm going to assume he finished school and joined the military at 18. So Gaz is 18 in 2008, 29 in 2019 when he meets Price for the first time and 32 in 2022. I am not taking into consideration the archived Activision blog posts, which say he joined in 2014 because of them being archived. I do use it for some other characters but for Gaz it changed the date he joined not just giving extra information.

Johnny 'Soap' MacTavish : 26 [2022]

You can blame Activision for why Soap is so young compared to the others. So according to his updated operator bio, "Soap has spent the last seven years carrying out both covert and overt operations around the world." this with the contents of his old operator bio before MW3 "At 16, too young to sign up, but lying about his age, MacTavish enrolled in the Special Air Service…"

Means that Soap would be 23 in 2022, which doesn't make the most sense especially considering he is a Sergeant in 2019 meaning he would be 20 in the MW3 flashback. So I gave him the same treatment as Price and added 3 years, to make up for basic and SAS training. So he would be 16 in 2012 joining the British Army have to wait 18 months to apply for SAS, be roughly 18 when he starts SAS training and finish it at 19 in 2015.*

So making him now 23 in 2019, 26 in 2022 but since he lied about his age TF 141 would think he's 28 during MW2 or 25 during 2019.

*[jobs.army.mod.uk SAS reserve]

Alex Keller : 35 [2022]

Alex is one of the last characters who have dates or years of service in their information. From his Campaign Biography it says he was a part of, "CIA's Special Activities Division," and also has surrendered "his former rank and history of special ops military service with Army Delta, Alex sacrificed traditional contact and association with family to join the SAD. He has spent the last six years living a series of assumed identities to achieve “sensitive” objectives wherever he is needed."

There's also, "Through 2017, Alex’s units played a key role in ensuring definitive victories against emerging terrorist networks." So we know Alex has been working in the military before 2017, now most SAD members are former Delta operators. There's also some reports of SAD members having Master's and law degrees.* So with that we can add roughly 6 years to his age to complete a master's degree in law.**

Now Delta force has some requirements like being over 21 to join and having two and a half years of service remaining, so if Alex joined the US military at 18 after finishing High School and getting his diploma.*** In a couple years he could join Delta Force, so by 26 he would be able to be apart of CIA's SAD. (If studying part time while in Delta Force) Then adding the another six years which is when he is apart of SAD, which is mention in his biography as the last six years. The bio is published late 2019 so Alex would be 32 years old.

So Alex would join the Military at 18 in 2005, would be 32 in 2019 when he loses the lower half of one of his legs and 35 in 2022.

*[CIA SAD] **[coursera.org law school] ***[Delta Force] [US Military Requirements]

Now for the Characters with little infomation

Alejandro & Rodolfo : both 37

We find out they've known each other for 20 years and signed up together. So they are both younger than 38 but older than 30 since Alejandro is a Colonel. Looking at Wikipedia you can/have to join 18 the Mexican military for at least 3 years, this gives them about maybe two years to get to know each other before joining together.

Ghost : 35 [2022]

Honestly just pick an age between Price and Gaz, I personally like the idea of him being the same age as Alex and having them know each other previously. Maybe even before Ghost starts wearing the skull mask.

Laswell & Nikolai : 52 & 45 [2022]

No older that 52 and 45 if we go based on their actors ages, which personally makes the most sense to me. Laswell's Campaign biography mentions her supervising a SAD program in 2008, and her having studied a Master's degree in strategic intelligence analysis and having a BA in International Affairs. This doesn't help much though with figuring out her age.

AN: Hopefully this very long post is some what helpful or at least has some good resources that people can check out, especially fanfic writers or people making their own OCs.

I'm also going to repeat what I put at the top the end here. But what I've written down is not a definitive answer for their ages (minus Farah & Hadir) it's just what I personally think makes the most sense.

Don't let my own opinions/conclusions about their ages get in the way of you having fun with how you view/interpret these characters.

[il-predestinato]

hello beautiful elle

since it is going to be a long 3 months without our boys could you please recommend some fics that you liked? cause i really like your writings and how realistic they are and i wanted to get some of you suggestions for the break!

love you loads

Thank you, lovely anon, for your very kind message! 🥺 I must admit I have fallen behind in reading fics. I am sure I am forgetting some excellent Lestappen fics/writers, but these are some of my all-time favourites!

Lestappen Fic Recs:

And in the end I will seek you out amongst the stars by mandzilkos (@geeeooorrrge) - rating: G, 22k words

Soulmate AU where you see in black and white until you meet your soulmate, and the world goes back to black and white after your soulmate dies. This is ALWAYS the first Lestappen fic that comes to mind whenever anyone asks for a recommendation, and it is probably my all-time favourite. The fic that inspired me to write Lestappen, if I'm honest.

getting half of you just ain't enough by shybear_styles - rating: E, 20k words

The friends with benefits story that spans the 2019 season. The only thing better than amazing smut is amazing smut with feels. For sure a top 5 fic in the Lestappen fandom for me. Also, this author is simply amazing in general and you should read all of her fics! I haven't given up hope that she will return one day and write more Lestappen. 🤧

you feel the mornin' feel by shybear_styles - rating: M, 3.3k words

Remember that time Sebastian Vettel asked Charles, "Is he [Max] pretty?" And we never got an answer because Charles descended into gay panic? Well, worry not! We get an answer in this fic.

Monaco Malaise by ProngsfootxJily (@cupidskissx) - rating: E, 8k words

Rivals with benefits, takes place after the 2021 Monaco Grand Prix. Yes, this one is delicious smut but also a character study. Both of them are written so well, and it leaves you begging for more. Don't forget to check out the equally amazing sequel! (Don't worry, I have been relentlessly harassing her to write the sequel's sequel.)

algorithm by Anney (@badboy-george) - rating: M, 17k words

In a world where F1 uses simulation-based compatibility tests, five times Max doesn't find the right partner and the one time he does. Black Mirror ("San Junipero" and "Hang the DJ") vibes in the best way. Another one of my absolute favourite fics. If you've read any Lestappen fics, you've probably read "Every Other Sunday." This one is simply a masterpiece by the immensely talented Anney; definitely check out her other fics!

panem et circenses by Anney - rating: E, 13.2k words

Wow - simply devastating, haunting, an ode to these two as drivers, set in a dystopian future AU. The world building is absolutely incredible, but at its heart is such a beautiful story of love and hope. This one doesn't get enough recognition. (TW: implied non-con, not between Lestappen.)

Unlearn by wantinghopingwriting (Tazza1993) (@lightsoutfullhearts) - NR, 45k words

This is another all-time favourite, a must-read. Fake/pretend relationship to lovers multi-chapter story that is ever so satisfying; both of them are so well characterized. Set in a parallel-ish 2022 season. I really cannot recommend this one enough.

the edge of what can be loved by Ledger_m (@the-last-jedis) - rating: T, 13k words

The third wheel fic from the perspective of Max and Charles' various "Steves." It's funny, heartwarming, and everyone on the grid is nosy as fuck.

Charles Leclerc vs Red Bull caps by Ledger_m - rating: T, 6.4k words

Charles is the hero we all need, as he goes on a mission to get rid of all of Max's stupid Red Bull caps. This is REQUIRED reading! Kami is a genius. Go read all of her fics.

If You Don't Play, You'll Never Win by antimonyandthyme (@antimonyandthyme) - rating: T, 4.1k

Post 2021 Monaco Grand Prix. Max wants to take their relationship further; Charles... doesn't. Oh my God, where do I begin to describe how much I love this fic. The language is beautiful, both of them are so well-written, and I feel punched in the gut over and over again in the best way. The ending (well, the whole thing) is so damn satisfying.

all's well that ends well (to end up with you) by stylestappen (@stylestappen) - rating: G, 3k words

Max has a meltdown in the cereal aisle (yes, the cereal aisle) at 3 am when he realizes he is in love with Charles despite the latter's questionable taste in cereal. Dani has an absolutely wicked sense of humour! (Although I don't understand what she has against cocoa puffs 😭.) She also wrote a banger of a Lestappen soon-to-be teammates fic, so make sure to check out her profile.

Max Verstappen: Spotify Extraordinaire by frnndtorres - rating: G, 26k words

Max makes Spotify playlists for the grid. Fluffy, funny, care-free, liberal use of nicknames, with a healthy dose of feels between Max and Charles. A really fun read.

i love the way your green eyes mix with that malibu indigo by altissimozucca (@altisssimozucca) - rating: G, 11k words

Max and Charles spend summer of 2020 together in Malibu and try not to fall in love. Spoiler alert: they fall in love. I feel the urge to explain something: When I first started reading Lestappen, there were less than 250 fics in their entire tag (yeah I know, we are currently close to 3000 fics, which is insane). From 2019-2021, we truly lived off crumbs. So trust me when I say that we owe so much to altissimozucca, who wrote something like 40% of the fics in the Lestappen tag and nearly single-handedly kept us fed in those days. It's so hard to pick one of her fics to recommend, so make sure you check out her profile for more!

#803442 by altissimozucca - rating: M, 1k words

Max and Charles celebrate the end of the 2019 season in a hotel room. So soft, so fluffy, so satisfying.

Bruises by eefiplier - rating: E, 5.1k words

I think of this one as THE Lestappen smut fic. Oh my God, it's 5k words of amazing established relationship smut with all the feels. A classic. I can read this one over and over again.

outside the box by playclock (@endowataru) - rating: M, 6.1k words

Max falls in love with Charles' driving... oh and Charles himself too. They are ultra competitive idiots who are madly in love. There aren't enough established relationship fics out there, but this one is simply amazing. And don't forget to check out this author's profile for additional Lestappen fics. I promise every single one is a banger!

i made it link by link by purpleglasseswrites (@f-ferrari-forever) - rating: M, 4.2k words

Charles and Max try to be kinky, but who are they kidding - they are far too vanilla for that stuff. 🤣 This one is so sweet, and don't forget to read the sequel!

One man's trash, another man's treasure by AzziNow (@track-terror-apologist) - rating: T, 4.2k words

Charles turns into a raccoon and terrorizes everyone except Max. (Well, he terrorizes Max too... slightly.)

Call it madness, call it love… by AzziNow - rating: M, 3.5k words

Ferrari auctions off Charles for charity. No angst, just fluff. Alpha!Max/Alpha!Charles. So I confess that I never read A/B/O fics. There's nothing wrong with it - just not my cup of tea. But I really enjoyed this one. Al has such a chaotic sense of humour.

it all reminds me of you by grandprix (@grandprix-ao3) - rating: E, 3k words

Secret relationship Lestappen with flashbacks. Oh the yearning, the desire, the smut - incredibly satisfying. I must put a plug-in for this author's other Lestappen fics as well. Never misses - make sure to check them out!

burning you into my mind by thightattoos - rating: E, 4.1k words

Porn with feels and possessiveness. You cannot ask for anything more. I must have read this one a dozen times.

an evil plan or two by witchee_writer - rating: T, 5.2k words

Max and Charles are roped into a plan to get Brocedes back together; they come to a few realizations along the way. The only thing better than a Lestappen fic? A Lestappen AND Brocedes fic!

Fine Line by empireoffclouds - rating: NR, 7k words

One of the more light-hearted enemies to friends to lovers fics. I absolutely adore their dynamic here - it's snarky, warm, but also so them. The incomplete sequel is also a super fun read.

Into Darkness Of Thought by flamingosarepink - rating: T, 1k words

After the 2019 Japanese Grand Prix, Charles thinks Max isn't coming back to their shared space.

steal softly under castle walls by untouchableocean - rating: G, 521 words

Max gets home late from Milton Keynes and Charles has already fallen asleep. Short, tooth-rooting fluff of the best kind.

Zoomies by greeny1710 (@maxlambiase) - rating: E, 2.2k words

This one is just hilarious. A (mostly) naked Max walks into Charles' team Zoom call during the COVID lockdown.

...and many, many more that I'm sure I have forgotten! 🙈 You can also check out my AO3 bookmarks (the first few pages are pretty much all Lestappen fics).

Please remember to leave kudos and comments for these amazing writers. The talent in this fandom is absolutely incredible. They all deserve so much recognition. Happy reading!

[dduane]

Hello,

I am currently getting excited about visiting my first WorldCon.

So I wondered if you'll attend? And if so, what's your protocoll for being accosted by strangers (aka me 🙈)?

Also, do you have any tips for a firsty? 🥺

Mel

Hi there!

Unfortunately @petermorwood and I can't make Worldcon in Glasgow this time out. We will be guesting in a week and a bit at the International Discworld Convention in Birmingham (to which we committed last year).

We were open to the possibility that we might be able to do Glasgow as well. But a combination of financial and health issues—the "health" issues meaning the arthritis in my hips and the disc trouble in my lower spine—have over the last six months made it plain that trying to do two conventions in one month wasn't going to work out. (shrug/sigh) Them's the breaks. Sorry about that: we'll miss you.

Meanwhile, you should have a great time there! And a first time at Worldcon is always a blast.

Some advice in passing:

(1) First, and maybe most important: strategize. This is quite a large event compared to other conventions you might have done (besides media megacons like SDCC or similar).

There'll be multiple programming tracks with all kinds of things going on. So take your time, spend some time examining whatever downloadable form of their program that the con may be making available, and see what interests you most.

Make a list of what you want to see. Do some ranking of items. Add a few interesting alternates in case items get changed or delayed.

(2) Once you're on site: get clear as quickly as you can on how long it will take you to get from wherever you're staying to where the programming is happening. Take note of how long it takes to get around from one part of the convention centre to another. Once you have this basic data, be aware that you'll probably need to add time to account for slow elevetors (in hotels or at the con venues) and to deal with lines that may form up outside of busy popular events.

(3) Don't forget to set aside some time to see both the dealers' room(s) and the art show. I never did get to see the art show in Dublin in 2019, which continues to drive me a bit nuts (as I have a long history of volunteering at Worldcon art shows).

(4) Keep an eye on your food and drink intake. Make sure to eat. Make sure to stay hydrated! ...It is surprisingly easy to forget to do one or both of these at a Worldcon when things start to get exciting.

There are usually places in the venue itself where you can grab a sandwich and a soft drink if you have no time for anything else. Seriously, make sure you take time to do this.

Also. if you've got the spare cash to do it: Watch out for people who need feeding but don't have the cash. Do what you can to assist them. There are routinely some folks around who've spent every penny getting to the con, and as a result have shortchanged themselves on the money they need to eat. Feeding the hungry is a good thing to do.

(5) Make sure you sleep. Cons are not pleasant when you're so tired you're hallucinatory, or microsleeping without warning and falling down stairs and escalators and things.

(6) If you like to dance, try to make it to John Scalzi's dance party! These are always memorable. John does the DJ-ing, and does a great job of it.

(7) Go outside and breathe the fresh air occasionally. While doing so, please do your best not to fall in the Clyde. :)

(8) Go to the bars, whether you plan to drink alcoholically or not. UK conventions have a long tradition of Bar Cons, where writers routinely congregate between program items, sometimes in surprising numbers. At this one in particular, since George R. R. Martin seems to not be on any panels, he has said he's going to be "in the bar" meeting people a lot: so that's something to think about.

(9) Other than that: meet people, talk to people, be excited about stuff, learn about new stuff to be excited about! That's always been the great joy of Worldcons for me.

And have a great con!

[redclercs]

DELICATE✰ CHARLES LECLERC.

v. i gave my blood, sweat and tears for this

— the one where both of you have given everything to be where you are.

warnings: misogyny, sexual harassment, this is how monaco went btw i accept no criticism. barely proofread, sorry. 3.7k words (+ article, podcast excerpts)

masterlist ✢ next

'Have we let y/n y/ln get away with way too much?'

By Alan Gomez

Yes folks, it might be our own fault, we have created a monster in the form y/n y/ln. Mediocre actress at best and with an even worse personality, if the latest events are any indication.

But how could we let this happen? Come on, we're smarter than this!

The thing is, y/n brainwashed us into believing that her doe-eyed, no-brain characters were actually her. Don't beat yourselves up over this too much, even I was a victim of those pretty eyes. But now that the blindfold has fallen, we have come to realize we have let y/n get away with everything!

You might know y/n from Supercut, the romantic comedy that took the world by storm in 2019, where she starred alongside Aidan Kim and it lead to these two becoming one of the general public’s most cherished couples. At least until two months ago, when their breakup was announced via Inside Out. Although there haven’t been any official statements, given the circumstances, we believe it was the actress who broke it off with Kim.

RELATED:

→ Aidan Kim and friends at Cannes Film Festival

→ Y/N supports alleged boyfriend at charity football match

But whether she’s dating a new guy now or not, why do we keep letting her do whatever she wants?

How did she actually brainwash us into thinking she’s anything close to an “it girl”? After Supercut, all she’s done is the absolute bare minimum to keep people talking about her, it’s all RomComs and no effort. I didn’t want to be that person, and you have to believe me on this, but Aidan Kim made her.

Let’s remember Aidan built his career from the ground as a member of Star-5 the early 2010’s boyband that split in 2018. He was the ‘someone’ in the relationship. How can people even compare having the hit song “Round and Round” in your résumé to being in Scream (Netflix) and The Mist (again, Netflix)?

Aidan made us like her and the writers of Parisian Valentine, The Hating Game and Last Night In Love, did her a HUGE favor by consolidating her as the “Queen of RomComs” by what standard? Well, don’t ask me.

The truth is, we accepted y/n into our hearts and homes, thanks to Aidan Kim and an unbelievable amount of luck, and we haven’t held her accountable for anything ever.

Here’s what I’m talking about, if you’re still wondering what the point of this article is, click on every link to be taken to the whole context, you’ll thank me later:

❍Y/N yells at paparazzi to leave her alone as she walks around Beverly Hills with Victoria Presley.

❍ Y/N praises Taylor Swift while tearing down several male artists for writing songs about their personal experiences.

❍ Y/N says in interview with ELLE that not every movie has to be “profound”.

And just for fun:

❍ A collection of Y/N’s disastrous looks.

It’s time we realize y/n y/ln is talentless, has a horrible personality and feigns innocence she certainly doesn’t have. You will NOT continue to take advantage of us, y/n! It’s all over for you, so I’m glad you’re dropping your pathetic career to become a WAG. #Y/NIsOverParty.

↺ FROM ❛WE WATCH❜ PODCAST

Paul Byrnes: Can y/n really do another role now, after all she’s known for are romantic comedies?

Anna Sanchez: well, I really liked her in The Mist, she did great as character in a horror it was—

Paul Byrnes: No one cares about The Mist, Anna, just you.

Anna Sanchez: all I’m saying is she’s a good actress, she can do other things. That was your question, Paul.

Paul Byrnes: Well, in my opinion she can't and that's it.

↺ FROM ❛IT TALK❜ PODCAST

Greg Zane: Let's talk y/n y/ln and her fashion choices now that she's an F1 WAG. What do we think?

Riley Green: She's a what now? How long has it been since she broke up with Aidan Kim?

Martha Vincent: I think she's looking great, I just wish she'd let go of the ugly caps.

Riley Green: No seriously, how long did she stay single?

Greg Zane: I agree Martha, but caps are big in Formula 1, nothing we can do about that. I'm wondering if she'll go for a more glamorous look in Monaco.

Riley Green: guys? hello?

Martha Vincent: Oh Riley, we're not talking about her love life, let it go.

↺ FROM ❛HOLLYWOOD VIBES❜ PODCAST

Pauline Oscar: [cont.] I'm just so curious about the reason of their breakup, why hasn't anyone said anything?! It must be juicy.

Brenda Yim: I feel like it's bad for one of them, most likely y/n. Hello, can anyone offer one of their friends some money? Just like old times!

Pauline Oscar: [laughs] Definitely! We need to know! Can it get any worse than the fact that she's already with another guy? What's his name? Charles Le what? She soooo cheated.

liked by charles_leclerc, vicpresley, mati.bassi, carlossainz55 and others.

ynfreesia UM THE LIKES?

xxynbaby it's "monaco" of course

aidanluvs you don't even have the decency to pretend like you're alone? fuck you

ynredstar i cannot defend you if you pull this shit girl

mati.bassi great view for breakfast with my best girl!💕

ynredstar oh ynredstar nevermind thanks mati ↳ feels4aidan don't be so gullible she's obviously covering up for them

THE COMMENTS FOR THIS POST ARE DISABLED.

May 27th, Montecarlo, Monaco.

THERE are tears in your eyes, and despite your best efforts not to let them run down your cheeks, it's futile. The worst part is that you're the one doing this to yourself. There's zero need to read 'articles' from pseudo journalists on how a man gave you your career and how you're tossing it into the trash for another. Not to mention the cascade of curses you received for a picture on instagram, where everyone thought you were with the other man.

Has your life really come to this? People don't talk about you unless a guy is involved? You loathe it. Your career was never about Aidan, and it's not about Charles now. Who only makes things worse every time he shows up and yet you can't manage to bring it up to him.

It's embarrassing. You don't want to walk up to him during whatever free time he has in a hectic weekend, and ask him if it really doesn't annoy him everything the press has made up about the two of you, or if he's really that unbothered by being paired up with you in the wildest scenarios, and tell him that he can shut them down whenever he feels like it (you wish he would already), and let him know you won't mind whatever he says about not being involved with you.

But no, Mr. Leclerc is busy giving unclear answers at interviews and liking your instagram posts, as if this isn't already a wildfire.

You put down your phone and pick it back up almost immediately, Vic's ringtone fills your hotel room and you wipe away your tears before answering her FaceTime request.

"Were you crying?" it's the first thing she says, moving her sunglasses to the top of her head. There's a lot of noise in the background and you can barely make the words out, but she comes so close to the phone that all you can see is the tip of her nose. "Why were you crying?"

"It's nothing, Vic. What's up?" you sigh, rubbing your eyes only makes things worse but you don't want to worry about that now.

"I just got to Monaco, babe," the phone is at a safe distance from her nostrils again and you can see around her, the airport where you landed a few days ago. "I'm with my parents," she rolls her eyes, lowering her voice. "But if you could get me into the Ferrari Suite I can hang out with you tomorrow!"

They allowed you one guest and the spot has already been taken by Mati, so there really isn't much you can do in terms of getting her into the Ferrari Suite. "Well, let me see what I can do, okay?"

"Okay," she sounds unsure, you know Vic enough to be sure she expected a different answer. "I mean my parents have Lounge privileges but it's more fun to be with you."

Had she said something about coming to Monaco you might have been able to do something, but as far as you were concerned she planned to stay in France all week, enjoying Cannes and mingling.

"I'll do my best Vic, but you know how they are," you exhale heavily, "Plus it's a crazy-ass weekend."

"Isn't it always?" she's yawning now, "We can meet for dinner later and you can tell me what's up alright? Being with my parents is so boring."

You shake your head, "Be nice, they just want to hang out with you. I'll call you after Quali," you check the clock on top of the nightstand, it's 10 am. You have to get ready for FP3, which you don't care about attending or not but Stuart Schaffer asked to see you, so you haven't got much of a choice.

"Sure babes, love you." Vic pulls her sunglasses down again and blows a kiss to the screen.

"Love you too," it's your turn to yawn as you tap the hang up button.

You look at the special edition Ferrari cap you received as a gift yesterday on top of your suitcase and immediately discard the idea of wearing it. No caps. And then the wave of disgust invades you, are you seriously going to do what some random man said on a podcast you came across by accident?

The answer is yes, unfortunately.

─────────

You would rip your leg off if you could, at least it would mean you’d be able to get out of this chair and away from Stuart. But his palm resting on top of your knee feels like a death grip and you’re frankly afraid to move in case it goes further up.

Mati decided to skip FP3 and you’re really hoping she’ll be on time for Quali because you have no one else to talk to, Stuart is just parading you around again and keeping you way too close for comfort because he’s in a great mood since both Ferraris maintained their top spots and things are looking hopeful for Qualifying.

You know it’s your chance to ask if you can bring Victoria around tomorrow, and you know the answer will be yes, but you don’t. You don’t want to ask things from this man, he’s the type to never forget a debt.

You barely catch a glimpse of Carlos and Charles as they walk by on the way to their debrief and Charles waves at you quickly, with a single-dimpled smile. He’s wearing the same cap you refused to put on.

“I’m going to call my friend,” you blurt out once Charles is out of sight, finally moving your leg back to make Stuart’s hand drop. “She had the worst hangover, I have to check up on her.”

“Oh, you girls get wild in Monaco,” Stuart cackles as you sprint away from him, actually resisting the urge to wipe your knee clean.

"Hey y/n!" Mati's voice can barely be heard above the EDM playing wherever she is. "What's up?"

"Where are you?" you whine, looking back inside the Suite. "Help."

"What's wrong?" you picture her frowning as she tries to walk away from the noise helplessly.

You feel guilty for worrying her so you sigh. "Nothing, I just hate being here. Are you coming here for Qualifying?"

"Yep," she pops the 'p' and laughs. "Listen, why don't we have lunch here at the yacht and then go back for Quali?"

"Yes!" once again you look over your shoulder to where the Elix men are laughing at their own jokes and patting each other's backs. “I’m on my way, okay?”

“I’ll be right here, also don’t scare me like that again, please.”

“Sorry,” you chuckle, embarrassed. Maybe you’re a bit dramatic at times, but it’s really all good-natured. “See you in a minute.”

You turn to the door of the Suite, giving a short jump back when you open it at the same time as someone else.

“Oh, god,” you sigh, stepping inside as Charles moves out of the way to let you in. “Thanks.”

“Sorry I scared you,” he smiles, closing the door again once you’re fully in. Charles is once again holding a closed Elix can, tapping his fingers on the side.

You eye it suspiciously, wondering if the thing has really grown on him. After all, one of the first things he told you was how much it disgusted him.

“It’s alright. I thought you were in your debrief?” You grab a can of Elix yourself, looking good in front of the sponsors cannot hurt.

“It was a short one. Keep doing what you’re doing kind of thing,”

“Right. Well, good for both of you,” you look around for Carlos but he’s nowhere to be seen. “Would it jinx it to say ‘good luck’ for later?”

You know many sportspeople take their jinxes and rituals way seriously, and you don’t want to be the one to blame if something goes wrong for the local star.

Charles considers this for a second and then shakes his head no. “Wish me luck,” he smiles.

“Good luck, Charles.” You beam back at him, enjoying—despite yourself—the way his eyes burn into yours.

─────────

You’re back at the Suite with Mati 10 minutes before Qualifying starts. The tension that had seeped out of your body in the form of laughter and loud singing with Mati is already making its way back to your back and jaw. You’re not ready to be around the Elix people again, but you must. However, first, you make Matilde promise she won’t leave your side.

Stuart Schaffer is already patting the empty seat next to him when you make your way through the refreshment tables. You smile at him, a muscle in your cheek falters as you walk past him on your way to the balcony, to catch both Ferraris leaving the garage.

“Oh don’t drink that,” you whisper when you see Mati walk your way, two cans of Gold Elix in her hands. “Don’t.”

Matilde snorts, “You’re literally the ambassador of this thing, and you don’t like it?”

“SHHH!”

“Fine, but those guys are looking at us so we have to at least sip it.”

You groan, opening the one she offers you and then taking a huge gulp. “Yum,” you mock.

Mati laughs again before her face goes sour with the taste. “Oh my God,”

“Warned you,” yet you take another sip. You think that if it grew on Charles it might grow on you, but you don’t really see it happening.

Q1 and Q2 go by smoothly, at least for Ferrari and you’re on the edge of your seat for Q3. This is the race you’ve been more excited for, but it’s not like you’ve attended many others. Still, Monaco just hits different.

The end of Q3 almost gives you a heart attack, although you also blame your almost empty Elix. You didn’t even notice how much you drank, but the thing that really gets your heart jumping out of your chest is Victoria’s ringtone.

Begrudgingly, you turn away from the track. She has texted you a thousand times, without exaggerating, since Quali started and you know it’s because she’s bored out of her mind at the Lounge with her parents. But you’re starting to find this genuinely entertaining and you are bothered by the distraction.

“I told you I’d call you after Quali, Vic,” you singsong, looking up at the screens inside the Suite.

“Well Quali is almost over, no one cares about the last three minutes.”

You do, Max Verstappen is in first place, then Charles and Checo in P3. You’re crossing your fingers for Charles to manage to get above both Red Bulls. And for Carlos to squeeze in there too.

You don’t say anything else, too enthralled by the battle on the screen.

“Y/n?” Vic raises her voice, “Are you listening to me?”

“Yes Vic, what is it?”

“We’re going to be at Ferrari together tomorrow, right?”

You wince, glad she chose a phone call instead of FaceTime this time around. You haven’t asked and you don’t intend to. Vic still has VIP Lounge access, she’ll be fine.

“They said no, Vic.” You lie, your eyes scanning the screen, it’s the last lap before they get the checkered flag out. “I’m sorry.”

“What? Why? Did you tell them I can give them publicity? I have one million followers!”

“Monaco is different from Miami,” you explain gently, “But you’ll still be at the VIP, you have a great view.”

“Yeah, whatever,” she’s beyond annoyed now, as it happens every time things don’t go her way. You can’t blame her, but you also think it will be good for her to spend some time with her parents, whom she refuses to visit although they live in Malibu and pay her mortgage. “We’re still up for dinner though, right?”

“Yep! I’ll meet you at your hotel.”

“Okay see you then, babes.”

By the time your eyes return to the screen, Charles is in P1, Carlos in P3 and the Ferrari Suite is exploding in cheers.

YOU’RE up painfully early the next day. Vic and you went back to your respective hotel way past three am and you’re exhausted, but at least you had enough self-control to avoid today’s hangover.

Nevertheless, the morning goes by in a blur between breakfast with Elix people, calls with Mildred and Walter, your manager, and two casting agents that tell you that no, you don’t need to go for an in-person casting, you’re not getting the role.

By the time you get to the Suite you have a headache and the knot on your throat is progressively getting harder to swallow. You only make things worse by rage-reading tweets with your #IsOver hashtag.

People claim, with more force every day, that Aidan gave you everything and you are starting to regret ever meeting him.

You have worked your ass off for years, taking on small roles, commercials, stock-photo deals. Learning scripts and going to castings and taking classes, you have been criticized and rejected for more things than just “not fitting the role”.

You have given everything you are and everything you have, and people assure what you got in return you owe it all to some man.

“Hola y/n!” Carlos is the first one to get back to the Suite and you wish he would rub off some of his good mood on you. “How are you today?”

“Hi Carlos, I’m alright and you?”

“You definitely look it,” he says, semi-sarcastically. “Something on your mind?”

The knot is back in your throat so you shake your head no. “And yours?”

“Nada de nada.” he smiles. You’re still growing on each other, but this is the most comfortable you’ve been while sharing the same space.

Charles arrives while Carlos, Mati (who is hungover from her party at the yachts) and you are comparing workout playlists. Wearing what now seems to be like his comfort cap, and a pair of ugly ripped jeans, he smiles brightly at the three of you.

You’re happy to see both Ferrari boys so smiley after the past couple races. Miami especially. And you hope they’ll do well; but you’re particularly scared for Charles, and whatever it is that made him unlucky in his hometown, you don’t want this day to end on a sour note.

You spend about an hour talking to them about anything, your movies, their races, Mati's tour with Romeo and Juliet. Music, hobbies and quirks, Charles and Carlos have an opinion on everything and they are actually quite fun to be around. Then, a Ferrari Team member comes to get them for the Drivers Parade so you wave them goodbye, wishing them a smooth race.

"You're not going to wish me luck, y/n?" Charles asks, the smirk on his face is one you identify as mischievous, and it makes a small wave of anxiety run down your back.

Mati stops the bottle of water halfway through her mouth to ogle at the two of you, and the palpable tension that has installed itself in the space.

"Good luck, Charles," the smile you return falters in one corner, but Charles doesn't seem to mind as he adjusts his cap and says thank you before leaving behind Carlos.

Mati has forgotten about her need to hydrate and is staring at you with both eyebrows raised. "I thought you were not doing that?" she gestures with her head towards the door through which both drivers vanished.

"I'm not doing anything," you reply, defensively. "He's being—"

"y/n, you could cut the tension there for a minute," Mati finally takes a swig of water and you wait for her to continue talking. "Like I said, I don't recommend it but... you're free to do whatever you want." she isn't unkind while wording that last part, but it still stings you with annoyance.

"Thanks, Mati." you bite the inside of your cheek, leaning back into the sofa.

─────────

The Ferrari Suite explodes in cheers once the checkered flag is out. After a frankly insane race with rain, crashes and too-long pit stops, both Ferraris have crossed the finish line, and most importantly Charles has finally managed to get rid of his Monaco curse. His enlarged picture appears on every screen with P1 right in the middle. Carlos is P4, but the points are extremely important in the long run, so people celebrate nevertheless.

Before you know it, Mati and you are being dragged down to the track for the podium celebrations. You're buzzing with excitement, holding Matilde's hand as you run to one side, where the mechanics can't crush you as they jump up and down.

Even above the general screams of happiness, you can hear talks of 'Charles deserves this so much', 'It was about time' and 'His hard work is finally paying off at home'.

At least someone's blood, sweat and tears are valued.

YOU are probably not living down the Charles dating allegations this weekend. Which is not your fault, honestly, had they enlarged the picture, it would have shown Mati just as excited for Ferrari as you were. She's Italian, and she bleeds for Ferrari.

But right now, surprisingly, you're not overwhelmed with whatever it is they're saying on Twitter. Although it took Mati snatching your phone away and tossing it in her own purse before sitting you down to retouch your makeup for the celebration party.

Victoria is joining you too, because a 'the more the merrier' applies to any sort of party happening in a Monaco club, especially if it is for the unofficial prince.

It is the first time in three months you let go of your worries, even if it is for the shortest amount of time as you dance with Victoria and Mati and drink anything you please and whoop every time the DJ mentions Charles and Carlos.

You're happy to be with your friends, away from Elix and celebrating two people who can become something more than coworkers to you. Although through the night you see them on a few occasions, Carlos waves at you as he passes by a few times only stopping in the third time to let you congratulate him with a quick hug that's more of a shoulder squeeze than anything.

Charles is obviously harder to approach, and to be fair, it's not like you're even trying. He's surrounded by his hometown friends and by anyone who wants to have his attention for a minute, for a picture or a dance or to buy him a drink.

It's past three am when Victoria is beyond buzzed and you're starting to feel exhausted so you decide it's time to leave. Mati has found someone to take home so she's been gone for around forty minutes, minding her business.

"Come on, let's go," you are grabbing Victoria by the wrist as her ankle twists. "We've both had enough," you laugh, Victoria joins your laughter as you snake through the crowd of people pumping fists in the air, some of them point and wave at you and you smile back at them politely.

You hear your name being passed around a few times, but you focus on finding the exit while keeping Victoria by your side, who has started to whine about not wanting to leave.

Once you break into the outside, you take a breath of fresh air, the coolness makes your skin rise in goosebumps and you shiver, letting go of Victoria to lift the hair on the back of your neck.

"It's too early!" Victoria complains once again, her eyes are glassy and she's just as sweaty.

"It's not, plus you're drunk, we should leave," your ears still feel drowned in the sound of music. “My feet are killing me.”

The exit opens again, and a couple stumbles out laughing and they tell Vic and you goodbye in drunken French. Before the door shuts again, Charles is out on the street too.

"I heard you were leaving," he says in what you're sure it's a too loud voice. But your ears have barely stopped ringing, so you can't blame him. "Are you two okay?" he eyes Victoria, who is starting to lean down on her knees to soothe her dizziness.

"Oh we're alright, we've just partied enough," you smile at him. Charles is rosy, bright-eyed and sweaty. Is it corny to describe someone as painfully handsome?

"I didn't get to congratulate you," you add, trying to keep your attention on Charles while being aware that Victoria might start retching at any given moment. "You did amazing."

Victoria straightens immediately, her glassy stare focusing on Charles. "You're such a good driver, Charles, for real."

"Thank you," Charles nods awkwardly a few times as Victoria pokes him with her left index finger. "And thank you y/n."

"Come on, Vic," you chuckle, keeping her hand away from Charles. "Seriously though, I'm happy for you."

Charles smiles again, running a hand through his hair. "Thank you, really. I'm sorry I didn't see you earlier," he points behind him, to the club.

"It's your party, you can't be everywhere,"

Vic is yawning loudly, and you roll your eyes, amused. "We better get going."

"y/n, when are you flying to Spain?" Charles blurts out, the moment you turn to lead Vic down the street.

"I'm not sure, Wednesday probably?"

"You know, I can still show you a place or two in Monaco. If you want." He sinks his left hand in the front pocket of his dark jeans, and you wonder where the mischievous aura from what seems like ages ago went.

You pause, letting Vic put her whole weight on your shoulder as she finally gives up to the exhaustion. "Um well..."

The same tension that appeared at the Ferrari Suite is back, and the more you hesitate, the thicker it becomes.

Victoria pulls you down with her as she throws her head back, yawning again. Charles is just in time to hold you back up, his other arm pulling Vic back to a standing position.

"Only if you want," he says, he is far too close now and you can smell the mix of alcohol and cologne on him.

And maybe it's the alcohol in your own system, and you'll regret this once you sober up and realize that you told Matilde several times this is exactly what you were not going to do, but you say yes.

─── team principal radio: ❝thank you for reading! I hope you've enjoyed this chapter. I want to say thank you to everyone who interacts with this series, it means a lot to me to know that you're enjoying it!♡❞

✰ paddock club members: @majx00

[fiercynn]

palestinians poets: summer farah

summer farah is a palestinian american poet, editor, and critic. she is currently the outreach coordinator for the radius of arab american writers and sends out the occasional essay at evening conversations. she writes the poetry double features column at palette poetry, putting two collections in conversation each month.

IF YOU READ ONLY ONE PIECE BY SUMMER FARAH, MAKE IT THIS ONE: "the moon is pro-palestine"

OTHER POEMS ONLINE I LOVE BY SUMMER FARAH

"what it's called when israel destroys a palestinian village because there's allegedly an ancient jewish civilization under it" at sumuo mag

"noooo don’t be a birthright apologist you’re so sexy ahha" at bahr magazine // بحر issue 1

"at the met cloisters" at the rumpus

"for lorelai gilmore, cece parekh, & all the girls who take to the wilderness" at violet indigo blue etc

[airplanned]

Frequently Asked Questions from the last two days:

There have been a lot of questions shot my way lately, and I'm a little overwhelmed. Sorry if I've missed anything.

Recurring things:

"I was going to do NaNo this year, but now I guess I won't!" NO! Writing is great! Just don't use their website! There are other online trackers if you don't feel like using excel. There are other online writing communities. I recommend 4theWords. I recommend finding out what your former ML is doing or asking your local library/bookstore if they're hosting anything.

"I didn't know there was an organization. What did they even do?" They had a website that tracked your progress and hosted an online forum of writers also doing NaNo. They also hosted the Young Writer's Program, which mostly ran out of schools and had more direction than the adult version. They also supported the MLs, who hosted in person write-ins, kick off parties, and occasionally a pot luck Thanksgiving dinner. Also, the sponsors of NaNoWriMo would often give discounts to winners. This is how everyone I know in real life affords Scrivner.

"Why is this time stamped from July?" A NaNoWriMo timeline of events: In 2023, there was a grooming scandal. It was ignored for months and then handled poorly. Later that year (*correction: it was in 2024), in response to the grooming scandal, they offered the MLs (Municipal Liaisons) new contracts that required them to moderate their regional forums, accept all liability for behavior at their in-person write-ins and their regional forums, and threw in an anti-defamation clause for good measure. In July of 2024, they posted on tumblr about "Ethical Ways to use AI." My screenshots result from that debacle. In September, they put out their official AI policy, and here we are.

"Why are you canceling them now and not over the grooming scandal?" My history with NaNoWriMo: I started doing NaNo in 2009. I stopped using the site in 2019, when the website was so glitchy that it wouldn't keep track of my word count, but I kept doing the challenge without them. I deleted my account in 2023 when the ML scandal broke. I forgot to unfollow them on Tumblr, because they don't post much. When I saw their July AI post, I commented "Boooo!" and unfollowed them. They promptly slid into my DMs.

[scoatneyhall]

WILD. Was anyone else aware that the Ted Lasso team has gone in and made post-production edits on season 3 episodes, sometime in the last year?

I've been rewatching the finale in advance of the one year anniversary of it airing, and straight off, I noticed that the points total on the graphic looked different to how I remembered it - a much closer race. It stuck out because I remembered being annoyed that they didn't celebrate the moment Richmond got confirmed for the Champions League, as the gap was big enough for it to have happened a while ago, offscreen. I still have a screencap from when the episode aired:

However, the current copy on Apple has an updated graphic, making the post-production graphic in line with the numbers on the actual physical whiteboard prop and the script mentioning the win streak. See here:

The corrected copy makes Richmond's points match the whiteboard, but it also puts the teams in 3rd to 5th place much closer to them points-total wise, meaning that now, in the current version of the episode, Richmond only qualified for the UCL in "Mom City," making it make more sense that the start of 3.12 is the first time it gets discussed. Would have been nice to mention that stake in the City match commentary during 3.11, but I genuinely am shocked that they went back in and edited the already-published episodes to clean up the post-production errors. For the record, here's the whiteboard as of 3.08: W10, D9, L6.

Just in case anyone cares, the order of those results was - 1 draw against Chelsea, 6 wins with Zava, 1 loss against West Ham, the rest of the draws and losses occurring between 3.05 and the loss against Arsenal in 3.07, and then the 4 wins mentioned at the start of 3.08. By the start of 3.12, it's mentioned they are on a 16 game win streak, so that's 22 wins overall, 9 draws, 6 losses, going into the final weekend, hence the updated graphic.

I like that they went in and fixed it - no idea when in the past 12 months that occured - but I also kind of can't believe they bothered? Then again, I can't believe the mistake was made in the first place, as they were so specific with details in the prior seasons, so maybe they couldn't live with it being wrong.

I know there were rumours about a ton of issues in terms of getting these episodes posted in time - right down to the wire, still fixing the edit on the airdate - and it's clear that these details were not checked and confirmed by the poor people in post who were not working off the show bible that lives in the writers heads. I don't blame them at all, I blame the people who got the edit to them late, but it did annoy me during the season a LOT. The maths wasn't mathing, and as we know this is a show that has been careful with dates and timelines and stuff like that.

Anyway! The point is, a) this post about my UCL qualification fantasies is now moot, and b) I went back and checked another post production error that had REALLY pissed me off, which was the dates of texts in Ted's phone in 3.04. Phone dates have always given us the timeline quite strictly before - it's how @belmottetower and I started the timeline in our primer, with Ted arriving in London on January 6, 2020 and then following the football seasons from there to place the season 3 finale in May 2022 - but in 3.04, all the cute texts we see to all the characters in his phone were badly misdated, placing the timeline further in the future. This caused arguments or misunderstandings, at the time about the actual timeline of the show, but it seems this was another detail the producers really wanted to fix and tighten up, as they've gone back and had it edited.

It's weird, because the texts Ted was actually going back to - the messages from Doctor Jacob - were dated correctly as late 2019, and there's even a little easter egg in the form of a US rideshare notification picking him up to go to the airport in America, on 5 January 2020. (Even the area code, 316, is apparently correct to Kansas.) That's all correct even in the original version of the episode, but somehow we then skip a year and place his most recent texts, as of 3.04, in late October 2022, when they should only be in late September or early October 2021. (I found this post on Reddit that screenshotted his phone at the time.) Examples:

I had to go back and check this, and sure enough, it's been edited to reflect the established timeline - they didn't just redate the year on each message, they also changed a bunch of the chats to be more recent - so rather than dates, his most recent chats with Henry, the Coaches, etc are from "Yesterday," then the first dated texts are in very late September 2021. This matches up pretty perfectly with where they are in a typical Premier League season - they REALLY cleaned it up. Further back, they do just switch the years on the dates, so he still got a picture from Sassy last Valentines Day, and his last one-on-one contact with Jamie is still set before the events of Wembley in 2.08 (FA Cup semi finals are in April, so a few weeks after the March 2021 date on Jamie's chat.)

My brain is itching because I swear there was a screen of Nate and Ted's text chat at some point too? With Ted reaching out about his new job, on a date that deeply did not work with the timeline? But maybe I imagined it. There's no record of Nate's number in his phone at all now, and the texts date back to before Nate left, so I guess in this version of events, Ted deleted Nate's number and message history.

Anyway, I'm aware that basically no one is going to care about this, but I suspect that the three people who will actually care will REALLY FUCKING CARE. Has anyone else noticed it? Does anyone know when it may have happened? Does anyone know what else might have been changed or fixed? I love details and I love the fact that there is no longer conflicting data about what football seasons the show is covering - it's mid 19/20 to the end of 21/22, end of story - but what a fucking mess the production of season 3 must have been, to end up at this point!

[adoptourcrew]

While clowning is fun we’d like to provide some additional context about Netflix and their history of reviving canceled shows on their platform.

https://www.cnn.com/2021/09/10/entertainment/lucifer-and-netflix/index.html

After a robust, fan-led renewal campaign on social media, Lucifer was rescued by Netflix after cancellation by Fox due to budgetary concerns and a slight decrease in ratings. Lucifer went on to have 3 more successful seasons.

https://www.latimes.com/entertainment/tv/la-et-st-lucifer-netflix-tom-ellis-20190513-story.html

Lucifer was inherently expensive to produce because it is a DC property which requires licensing through WB, and because it was produced by an outside studio, however, Lucifer was a major ratings boon for Netflix and well worth the price tag.

https://www.indiewire.com/features/general/netflix-lucifer-season-5-nielsen-streaming-ratings-1234646785/#:~:text=The%20premiere%20of%20the%20first,by%20Netflix%20in%20June%202020

Cobra Kai was initially produced by YouTube Red, but when the platform moved away from more expensive scripted programming after the second season, Netflix swooped in to save it, and it is now in its 6th and final season.

https://www.hollywoodreporter.com/tv/tv-news/cobra-kai-moves-netflix-1299581/

Longmire was highly rated on A&E, beating out other cable shows like Mad Men. A slight drop in ratings by the S3 finale and less interest from advertisers due to an older audience led to cancellation. It went on to do well on Netflix with 3 more seasons.

https://www.looper.com/371526/the-real-reason-longmire-season-7-was-cancelled/

Designated Survivor was canceled on ABC after reduced ratings, budgetary concerns, and issues behind the scenes. Netflix ordered 1 season, but it was canceled again after ongoing issues behind the scenes.

https://www.slashfilm.com/1314648/why-designated-survivor-cancelled/

Manifest was canceled by NBC in 06/2021, then added to Netflix. Its surge in popularity once added to the platform prompted Netflix to order a fourth and final season, and while the writers had a 6 season arc planned, they were able to finish their story.

https://www.cosmopolitan.com/entertainment/tv/a41984394/why-manifest-canceled-season-5/

You was initially produced by Lifetime, but it didn’t find its audience and they didn't order a 2nd season. When it streamed on Netflix a few months later, a boom in popularity and chatter on social media prompted Netflix to order subsequent seasons.

https://www.washingtonpost.com/lifestyle/style/you-was-ignored-on-lifetime-then-it-blew-up-on-netflix-what-does-it-mean-for-tvs-future/2019/01/17/900fab9c-1a86-11e9-88fe-f9f77a3bcb6c_story.html

While licensing on Netflix can lead to a revival of a series, this is not always the case. There is a threshold of streaming hours weighed against the budget, and recently it was announced that Warrior failed to meet this.

https://www.forbes.com/sites/paultassi/2024/09/23/some-disappointing-news-about-warrior-season-4-on-netflix/

Heels has recently been added to the Netflix roster, with hopes from creators that high viewership numbers could lead to a third season, although sources caution that logistical challenges may make this difficult.

https://www.hollywoodreporter.com/tv/tv-news/heels-licensed-netflix-season-3-hopes-1235869552/

While the dream is that Netflix buys OFMD with the intention of producing an additional season, even just acquiring the licensing rights for streaming leaves room for hope. Until we know more, we can keep our beautiful show alive by doing what we do best, talking about it.