#you better hope I never find you

[codacheetah]

Trifecta of practice Isabeaus

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

request: a reader that keeps messing around w him and at some point they mention they like him but then hoshina thinks theyre just playing... ..but they r not and he doesnt quite get it at first because hes so used to them joking around and then he ends up overthinking the whole thing until reader actually goes up to him to kiss him (or hug him very tight!!!!!!!! or both maybe!!!!!!)

maybe he liked them too but that thought didnt sit right with him because he doesnt believe hes worthy of something like that

notes: mentions the reader's face "flushing", reader is rather lively/outgoing, reader is not a fan of horror and is more a fan of romance, reader is a hoshina stan, one part is inspired by a scene in wakaba no komorebi, omg why are there so many notes I'm so sorry TY FOR THE REQ!!

wc: 2800

A new day, a new chance for you to shoot your shot at none other than your vice-captain of the third division.

You were always messing with him. This ranged from embarrassing pranks a grade school boy would menace his crush with, all the way to borderline hitting on him. There wasn’t a single day you’d forget to remind him he was stunning, and you’d always be bragging about him to the officers in the first division, regardless of the fact that you had absolutely nothing to do with the things you were bragging about. Simply put, you were loud about Hoshina.

Yet, every day, he'd brush you off and tell you to get to work. You didn't let that mind you much though, because you could tell he wasn't actually upset. You liked him unconditionally, and as long as you weren't actually bothering him, you couldn't care less if your feelings weren't returned. Well, you did care, but that wasn't going to stop how you felt for him.

Now, you said all of that, but naturally, you were still scared to just put your feelings out there so you hadn’t actually told Hoshina you liked him. You assumed he knew, but if you said it out loud, you’d have to hear an answer. And that, you were not ready for.

However, you weren’t going to stop messing with him anytime soon. Hoping one day he’d actually fall for you and one day you’d have the courage to properly tell him how you felt.

You were in the cafeteria with the rest of the division, having your breakfast while mindlessly scrolling through your phone, when you saw a post about a new movie in theatres. Immediately your mind went to possibly inviting Hoshina and you scrolled right back up, trying to find out what it was about. Horror. You sighed and continued to scroll. Horror was absolutely not your favourite.

“Oh, is it finally out?” you heard a voice from behind you say— your favourite voice say.

“Would you like to go?” you asked, whipping your head back to see none other than Hoshina Soushirou. Just the sight of him and your heart would flutter. How you loved him. “Together? Us? Just us? You and me?”

“Oh, like we have time to go,” he said.

“Man,” you said, knowing he’d say that. The entire defence force in general had been a lot busier ever since the appearance of so many identified grade kaijus. However, it did make you wonder if that meant he would if he did have time. No, he’s just declining your invitation politely, you’d tell yourself, bringing you back to your senses.

You’ve done this since always, and you do this every time without fail. Whenever a new shop had opened, or a new movie to watch had come to theatres, you'd always shoot your shot— hoping he'd say yes one day. Yes to a date.

Although you were used to getting turned down, it still wasn’t the best feeling. Recently, you've been letting it get to you far more than you used to. Maybe after all these times, the rejection did start to have an affect on you. Maybe you were falling for him even harder recently, or maybe you were starting to hope for your feelings to be returned.

Perhaps a relaxing day at the movies was exactly what you needed. Maybe you’d ask for a day off next week— just to go watch a movie you liked.

So you did exactly that, you filed a form to Captain Ashiro, requesting a day off anytime the next week. Preferably on a Tuesday, because movie tickets were cheaper on Tuesdays.

A few days later, you were called over to her office. You assumed it was just to let you know if you could have your day off and if so, when it was. To your surprise, when you walked in, it wasn't Ashiro but rather Hoshina there, working away.

“Hoshina?” you asked, pleasantly surprised. “I didn't expect to see you today.”

“You didn't?” he asked, genuinely perplexed. “But this is my office?”

“Your office? I thought it was Captain Ashiro’s?” you said.

“It used to be, but I took it over a little while back,” he said. “It's just a lot faster for me to do the paperwork.”

“Oh… I see,” you said, rather surprised you weren't already aware. There was a moment of silence.

“It was rather recently that I had officially started working here,” he said, somehow noticing that you were dejected. Oh, how did he always know exactly what to say? You were never going to get over him at this rate. “Anyways, you requested a day off next week?”

“Um… yes,” you said. Now you felt a little awkward about going to a movie alone, and you really hoped he wouldn't realize where you were going.

“On a Tuesday… are you going to see that movie after all?” he asked and he noticed you stiffened a little, so he immediately followed with, “Sorry, you don't have to answer that. You're absolutely free to take that day off.”

“I am,” you said. Half a lie, because there was no way you were watching a horror movie, let alone by yourself. But you were going to the movies. That was true. “It's been a while since I watched a movie in theatres, I realized.”

“I've never gone alone actually,” he said, imagining you were planning to go alone. “Or are you going with someone?”

“No, I'll be by myself,” you said, but instinctively you asked him out again. It was practically in your subconsciousness to do so. “Unless you'd like to tag along?”

There was a long pause before he said anything, and his unreadable expression only made the silence feel longer. You were expecting a quick rejection again, so the silence was absolutely killing you— you hadn't expected it one bit.

“Actually, I'd like to,” he said. “If that's okay with you, of course.”

You couldn't believe your ears. What did he say? You couldn't have possibly heard that right. What had he said?

On the other hand, he had no idea why he said yes. Why after turning you down all these times? Why now? He had turned down every offer of yours because he knew you were just messing around. You didn’t feel about him the way he felt about you. He knew this because you had done this since the moment you joined, and you couldn’t have liked him back then— you hadn't even know him yet.

But still, he hoped you were serious.

“You're joking,” you said.

“Were you?” he asked. This must be why he said yes. He wanted to know so badly— he was rather exhausted of playing the guessing game with you.

“Not at all,” you said. You thought he had known, but perhaps not. “I've never been. Not for a moment.”

“Then, let's go,” he said with his poker face on, but he was a little shaken. He didn't think you were at all serious, let alone that serious.

“Hoshina, is this a date?” you asked, and you could tell your cheeks were flushed. However, there wasn't much to be embarrassed about at this point, so you might as well have asked before you drove yourself insane.

“Okay…” you said, but you were spaced out. You had no idea what had prompted this all of a sudden, but this was the moment you had been waiting for, for your whole life. Yes to a date.

A date? Was it a date?

“Would you like it to be?” he asked. You had no idea what he was thinking.

“Yes,” you said. “Of course…”

“Then, let's go on a date,” he said. “On Tuesday, at 2pm. I'll pick you up from your unit and we'll go and watch a movie.”

It was yes to a date. A date with none other than the love of your life. You were going on a date with Hoshina Soushirou.

You left the office soon after, thanking him as you left, and you were lost in thought. You truly felt like the world around you had stopped, but at the same time, the time passing was a blur. You thought it’d be forever before your long awaited day, and you’d have plenty of time to calm yourself down and prepare, but it had rolled around before you knew it.

You put on what you personally thought was your best date outfit, but you had no idea if he’d like it. You really hoped he would. Now, you were sitting around, waiting for him to come pick you up. It was still 10 till 2, but he was always ahead of schedule— he hated making people wait, so he was always early. A few minutes later, you heard a few footsteps and some rustling outside your door, and you were pretty sure it was him. You waited for a knock, but it wouldn’t come.

Quickly, you opened the door and it was him, waiting by your door with his phone in his hand, opened to your messages with him.

“Oh,” he said. “Sorry, were you waiting?”

“No,” you said, immediately. “I just finished getting ready. Why didn’t you knock?”

“Well, I’m early,” he said. “Didn’t want to rush you.”

Gosh, you were on a date. With him. You had actually never seen him in anything other than what he wears at the defense force, and as much as you liked that training shirt he had on, he looked so incredibly gorgeous today. And this was just for you. He wore a black corduroy turtleneck, and a simple long coat to go over it. You were still so lost, how had you gotten to this point in the first place?

“You’re stunning today,” he said to you as he smiled a little and you swear you felt your heartrate spike. Did he even know what he was doing?

“Not to mean you aren’t usually…” he said immediately. “Sorry, I never say the right things when they count, do I?”

“No, I thought my heart was going to stop,” you said, frankly. This was the way you always were, there was no point in getting flustered all of a sudden. “You’re gorgeous everyday, but even more so today.”

“Well, I’d have to be glad our date is today then,” he said.

While the two of you walked to the theatre, it was rather quiet. Far more quiet than you usually were. Suddenly, you were so nervous, and there was nothing to say to him. So many questions filled your head but none of them felt appropriate to ask. You felt like the spell would break if you took one wrong breath. You wanted to know why he was here with you today. Why he said yes all of a sudden, why he took a precious day off to go on a date with you, and what he was thinking when he said yes. You wanted to know how he felt about you, or at least how he felt about this date.

“I’ll go get us tickets,” you said, as soon as you got to the theatre. “Please pick a snack and a drink in the meantime, I’ll get the tickets quick.”

“Oh, don’t be silly, I’m getting the tickets, and the drinks and snacks, for that matter,” he said. “Besides, we haven’t even decided on a movie yet.”

“We haven’t?” you asked. “I thought we were watching the movie that came out the other day?”

“What? Why would we?” he asked, genuinely confused. “You don’t even like horror." He pointed at another poster on the wall. "Why don’t we watch that one? Romance is more your type of thing, isn’t it?”

You thought you’d cry. If there was one thing that was worrying you about this date, it was the movie. Horror really wasn’t for you, and you weren’t sure if you could watch the movie without showing it.

“How did you know?” you asked.

“It’s obvious,” he said. “You’ve never asked me out to a horror movie, have you?”

Just how did he notice? “But didn’t you want to watch that one?” you asked.

“Please, I can watch that whenever, on my own,” he said. “I’m here with you today. I’d be a horrible date to make you watch it with me.”

“Thank you,” you said, starstruck. “At least, let me pay for it then?”

“No way,” he said. “I’m taking you out today.”

“No, I asked you out,” you said.

“Don’t care!” he said and went off to get the tickets and snacks.

You were in love with him, and you were going to tell him. You were sure he knew, but you had to tell him properly. It wasn’t even that you were hoping for him to return your feelings, you just wanted to tell him.

You thought you wouldn’t be able to focus on the movie at all, but you were, strangely enough. You were watching a cliche romance movie that couldn’t possibly be about you and Hoshina, no matter how much you tried to stretch the narrative, but you loved it. It was a sweet movie, a type that you've always loved, and you were watching it with the one you always loved. You couldn’t be happier.

So as soon as the movie was over, you went for it.

“Hoshina, I love you so much,” you said, and kissed him. On the lips.

His eyes were wide and his cheeks were faintly flushed. You weren’t expecting that, not even for a moment.

“You’re serious?” he asked.

You were confused, did he think you were playing around all this time? “Yes, of course,” you said. “I’ve loved you for forever.”

“Since… when?” he asked.

“Since the day you saved me, 3 years ago,” you said, immediately. It was like you had waited all your life to answer this. “You definitely don’t remember, but I remember like yesterday.”

He wouldn’t reply, but he was still looking at you surprised, so you continued on.

“I thought I had told you this actually. Not the part that I liked you, but the part that you saved me. I joined because of you, Hoshina,” you said. “Yes, you’re my vice-captain and the love of my life, and I’m one of your officers, but you were my hero and I was your biggest fan for all this time.”

Something in him shifted. It felt like someone had woken him up from a weird haze, and showed him how much colour there is to the world. You joined for him. Not for Mina, not for Gen, but him. To you, he was a hero. To the one he treasured most, he was irreplaceable.

“I love you too,” he said, with the softest smile you had ever seen from him. He was serious, you could tell.

“No way,” you said.

“I do,” he said, but he could tell that you were a little skeptical, or at least puzzled. “I love the way you work hard, the way you joke around, but actually care so much. I love the way you give everything your all. I love the way you always smile when you see me— it makes me feel so special. You make my day, absolutely every single day.”

It took everything in you to stop yourself from sobbing, but that made Hoshina laugh. He kissed you this time, and tears rolled down your cheeks anyway.

Wiping your cheeks with the pad of his thumb, he kissed you on the forehead.

“I absolutely adore you.”

BONUS:

Later that day, you were going to open up the one cardboard box you still hadn’t unpacked. The one filled with your posters and merch of Hoshina you had collected through these years. You were hiding them, because you thought it’d be a little too weird if you had those just hanging around, but finally, they’d see the sunlight. You would never have even imagined this day when you had those in your room, dreaming of him. If only you could tell your past self— just how thrilled you would’ve been. Well, not that you were any less thrilled now.

The next time Hoshina came to visit you in your room, he was utterly flustered, it was absolutely adorable. He couldn’t believe people actually bought the merch they sold of him, let alone put them up— and in the room of his loved one nonetheless. But he’d be lying if he said he didn’t like it, because it made him so incredibly happy.

He was thrilled that you did, in fact, love him the way he loved you.

[goldkirk]

okay, wow, I’m not publishing that ask, anon.

I need you to understand that online activism only reaches people who are also online.

And it only reaches people who, in our current algorithm-based internet, are actually shown that content.

When you do online activism that’s not something concrete like a petition, you’re spreading information and awareness. That’s super important.

But it’s also like, step one of twelve, and unfortunately it’s where most of us just stop. We share information and news and share guilt tripping posts and we say things should be different and we tell other people that things are terrible and we carry on and most of it makes no real-world difference at all.

I don’t know how to tell you that you have got to do local, real life activism if you want to make any change.

You have got to pay attention to your school boards and judges.

You have got to campaign for local candidates.

You have to encourage locals to run for office, or run for office yourself.

You have to volunteer your time and energy for real local causes and groups.

You have to get acquainted with your local news sources so you know who to reach out to when word needs to be spread about something important.

You have to call and contact and petition your local officials, you need to put up flyers where your actual community will see, you need to get aquatinted with local resources so you know where to direct people who need them.

You have to actually do activism irl. That is how you make change happen.

Any time you spend arguing with online users about activism and not doing enough could be spent actually making a difference in your literal real life community, or helping the people who do.

[softpine]

she's looking especially sacrificial lamb today 🥩

[aucoba]

I am so sad people are being such dicks about the finale. Yes the season went freackingly (too) fast. Yes I cried and screamed and have some criticisms about how it was done. Yes I feel a bit underwhelmed after such an amazing first season

BUT

This finale wasn't a "disrespect" to us, we weren't mocked or punished or anything like that! The artists did the best they could with what they got, which was so fucking little! They brought us many fulfilling love stories and I won't care for any half wit sad hearted insults and far fetched interpretations you might cook yourself up, trying to make sense of your feelings you twats.

[fromtheseventhhell]

"It's normal for siblings to fight" Okay well it's not normal to be extremely classist and look down on your sister for being non-conforming. Or to go to the woman who ordered the death of your pet to tell her about your father's plans, when he specifically warned you against doing so, because you want to marry the boy you saw attack your sister and her friend (contributing partially to said father's death and your sister being unable to escape on the ship he chartered). Or to think of your sibling as unsatisfactory in comparison to another when you believe her to be dead. I notice that none of the "Sansa and Arya are going to reunite and instantly have no issues" crowd ever acknowledge any of this, which makes it seem like they don't actually believe what they say about their relationship being normal and easily reconciled. People wanting them to have no issues simply because they're siblings is another example of how fandom likes to flatten complex characters and relationships. They get reduced to being bickering siblings when their conflict runs deeper than that. If the author is telling you that they have "deep issues" to work out [X], I don't understand being so adamant about ignoring said issues. I also get the sense it's about ignoring the capacity for a certain character to be flawed, but that isn't going to change the fact that her "slip of the tongue" is very likely to be revealed and a source of further conflict 🤷🏾‍♀️

[laurapetrie]

UNE FEMME COQUETTE (1955) dir. by Jean-Luc Godard

[plan-3-tmars]

Is this what Happiness is?

- hey so I haven't seen an interpretation of the bar scenes in Half that I fully agree with, so I wanted to throw my own two cents out there into the void and pray that it makes sense !!!

so, in the bar scenes in Half we see what I interpret as a hangout with old friends (or, hangout with old friend + his wife.) These scenes used to be the biggest piece of evidence for the cheater theory, but now that that's been debunked by the man himself, I have a new way of looking at them

~ before I go any further, I just wanted to say that I'll be calling the brown-haired woman whiskey for simplicity's sake

In this scene, Kazui turns to look at Whiskey, saying the lyrics:

"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"

With my guess (cuz that's really what it is there's no evidence for it) that Whiskey is the Bartender's wife i think this scene is Kazui being conflicted with what he's been told is true, that marrying Hinako is "true love", versus what he feels is true, that marrying Hinako has brought distance into their relationship.

He looks at Whiskey, a woman happily married, and wonders why his relationship with Hinako isn't like that.

~ shout out to @prisoner-000 for the following screenshot

in this post he points out that Hinako and Kazui's rings are silver in Cat, not gold like they were in Half, yet Bartender's ring colour stays the same.

For the sake of this writing I'm going to go with the first meaning they put out, that Bartender's ring is gold because his marriage is genuine.

But wait!! I hear you ask. This is Half and Kazui's ring is still gold in Half!! EXACTLY MY FRIEND!!

Kazui's ring IS still gold in Half because at the time of these scenes he's still fooling himself that this relationship is good, that he will eventually garner real romantic feelings for Hianko.

"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"

Remember this lyric that plays during the Whiskey -> Hinako scene. You know what other scene in Half this lyric reminds me of?

laughing together, side by side,

this distance in our relationship is misleading me,

is this what happiness is?

He's beginning to doubt if what he believes is true, he's beginning to believe the feelings telling him something's wrong (and remember, the scene right after this one is when he confesses (?) his secret to Hinako) ARE infact true, and that maybe the logic he's been following for so long has a couple holes in it.

I think these scenes are meant to show Kazui gradually realising that his relationship with Hinako will not work out. It just won't, no matter how hard he tries.

He's able to laugh together and talk with Whiskey because she's his friend, yet he can't do the same with his own wife? Even though, according to his gold ring, their relationship is supposed to be real and true and genuine?

[not-poignant]

wait okay so now that you're seriously thinking of publishing, will you be writing a new prequel to game theory with the new 'Canon'? like the story as it's meant to have happened between gwyn, augus, terho and the nightingale, or are we just starting from game theory?

ALSO I'm so glad that you might be publishing the ftv soon for wholly selfish reasons -- you're clearly done writing about these characters, but personally I am nowhere near done reading about them, and I'm definitely not creative enough to write fanfiction myself either, so I'm just stuck rotating the characters inside my head like a microwave😭😭 it's really tough out here!!!

imagine the massive wave of new readers and the new community that's gonna come in once the story's more accessible... IT'S SO EXCITING

Hi anon!

No prequel, I'll be starting with Game Theory (and Deeper into the Woods will be published afterwards as a prequel, just as it was chronologically in general!)

Quite a bit of Game Theory is being edited and new content being added (anyone on the Gary & Efnisien tier can already see about 2,000 words of new content in the first three chapters alone, including new scene/s with Crielle), and some content being removed where it's OOC. The events with Terho and the Nightingale will be explained in Game Theory, with Gwyn likely meeting with Terho (or learning about him) a few times within.

As for Fae Tales, you know, it's nice to think there will be some new readers, and there might be like a handful or two, but there will be no massive wave. It is the least popular thing I've written in proportion to the amount of time I've put into it. Even the AUs have all generally done better proportionately.

It's one of the reasons I've never rushed to publish, honestly. It's a lot of work to put into something that you know will never financially justify itself. To the point where I think other projects are far more viable financially (Underline the Rainbow as a series I actually think would be great, because new, meaty omegaverse has a very intense (though small) fanbase and I think that series would bring more people in).

There would be no massive wave of new readers. I think we'd be lucky to see at most about 10 or 20 new folks, and I'll cherish everyone, but I'm also pretty realistic. More people find all my other works these days than Fae Tales, The Ice Plague is still one of the worst performing things I've written in proportion to length + time + work investment (despite being one of my favourite series out of anything I've written).

I think I'm realistic, and I also think there's a chance that the Fae Tales Verse if published could draw some haters. Most people don't want that level of BDSM in their epic fantasy, unless it's much lighter 'romantasy,' which Fae Tales definitely isn't. There's even a chance I might get my KDP author account suspended because of breaching content TOS/violations.

So yeah, it's a risk, but I'll take it. It's just not a risk I'm prioritising right now, because I can't see a way that the Fae Tales Verse will ever really go that far. Hand on heart, way more people who come over from my fanfiction find Falling Falling Stars and Underline and almost no one (with maybe a few exceptions - I love y'all) goes into the canon these days unless they're older / long-time readers.

[iamenits]

My AO3 Spones filter!

Because I wanted to read ALL the Spones without having to go through each separate tag for all the different versions :D

Includes: Spock/McCoy, Mirror Spock/Mirror McCoy, Mirror Spock/McCoy, Mirror McCoy/Spock, McCoy/Spock Prime, McCoy Prime/Spock, McCoy Prime/Spock Prime

Excludes: All Sp*rk and McSp*rk tags that I've found (You can easily remove these from the filter sidebar if you don't mind them or if you think I've been too strict <3)

The same filter but in chronological order (oldest to newest) (First fic's from 1976!)

[demaparbat-hp]

hi dema! i’m learning how to do digital art, would you mind sharing your coloring process? coloring (and lineart) is the hardest thing for me to do T_T… what brushes do you use for coloring and how do you not make it look muddy? i’ve been trying to follow tutorials from different artists on youtube but i find my work to look so muddy… thank u in advance >__<

Hi, and thank you for thinking about me for advice! I'm honoured to share a bit of my process, nerve-wracking as that is for my shy self, and hopefully help you out as much as I can. Forgive me if I don't express myself very clearly—I have a bit of a hard time explaining these things. Now, let's get started, shall we?

I'll be using the first panel of this artwork as an example.

My process is pretty straight-forward for most artworks. Make a sketch, draw the lineart, and follow a self-made guideline for coloring and rendering.

Sometimes I'll throw the guideline to the trash bin and start experimenting with brushes and chiaroscuro and color palettes, but that doesn't happen most of the time and, when it does, it's more a challenge than anything else, and not really what I think you're looking for.

I'll include my usual steps here, however, and like I said earlier, these steps are more like what you'd call guidelines than actual rules.

(I just realized I didn't save the sketch for this artwork. Oops)

This is the lineart!

I tend to think that details bore me and are actually pretty exhausting to do, but then I go and make things as clear and detailed as I can. Because I'm a hypocrite like that.

I did try to keep things simple here, though, mostly because I had to go through three other panels and didn't want to burn out my fuel mid-process.

Base colors! The blush (and Zuko's scar!) I draw in a different layer in case I need adjusting the brightness or saturation later.

It's time for shadows!

Pick a color depending on the atmosphere you want the artwork to have. Is it a cozy, warm scene in a honey-tinted room, or is it a moment shared under the moonlight? The color choice should come as an answer to those questions���deep red for the first one and dark blue for the second.

Choose a color and make it dark and saturated. Then, play with the layer opacity! A darker shadow means harsher light, while less opacity works best for a softer look. See the difference? It's subtle, but it's there.

Of course, this is my personal choice. The way shadows are drawn and color is chosen depends on the artist and the artwork. I choose to play with a more simple coloring style, keeping shadows from blending into each other, but you may like a more realistic approach to shadows and colors.

My best advice? Try doing it every way you can, but in the end choose what works best for you. Whatever feels more comfortable, whatever you enjoy drawing the most. And then work to improve it. Love the little proof that you've gotten better, even if it's subtle.

And talking about subtlety...

I love to play with gradients. I use them mostly to give the artwork some form of atmosphere, and make it look cohesive and whole. A light gradient in the color and direction of the shadows will help the characters blend with the background, as will another gradient in lighter colors for the light.

Get creative with gradients! Use them so the lights feel brighter and the shadows darker.

Now it's time to work with the lineart again.

The pure black lineart makes the artwork look harsher, sharper, so I tend to give it some color to soften its edges and compliment the rest of the drawing. In darker shades as the rest of the colors, growing more saturated as the light comes closer.

I love to make the characters' eyes pop and glow! It's really fun what you can do by just messing a bit with the tones of the lineart.

Finally, I play with the level correction. A high contrast will help your artwork stand out and look brighter. See the difference?

And it's done!

Sometimes I like to add other effects or details, but this is the very, very rough shape of my usual process, and thus what I thought you'd like to see.

Once again, I'd like to point out that this is what works for me, and a large part of improving as an artist is just fooling around and messing up until you find the tools and tricks you're most comfortable with.

So keep drawing those muddy shadows and colors! They're only a step of the process.

[sea-buns]

Forgive me if I'm a bit nervous about Gorgug this season. It's just that the last Zac Oyama pc was Colin Provolone, who was arguably one of his greatest D20 performances, if not the greatest.

Zac always does great with every pc he plays, but Colin was something else. He came out swinging with actions and words that were teeming with unspoken emotional baggage. The way Colin's presence affected the other pcs; there was this level of depth that I don't think I've seen in any of his other characters. It was understated and quiet in that signature "just a guy" way that he tends to be, while still captivating everyone instantly with just how raw it was.

Not to say we haven't seen emotional depth in Gorgug. It's just that, compared to the other Bad Kids, Gorgug's journey and progression as a character has been very... impersonal? Like, yes, he found his birth parents, and he found friends who appreciate him, and he faced his insecurities about his intelligence, and he navigated relationship troubles, and his trial through the claustrophobic bug-tunnels was a horrifically-uncanny parallel to how he's spent his entire life trying to make himself as small as possible.

But how much of that has actually changed him from the Gorgug we started with? I would agree that he's definitely happier with his life, given all the loving and supportive people that have been added to it when it used to be just him and his parents. And he's certainly grown into himself and become more self-assured in his abilities, even if he's still, and always will be, our anxious little guy. And there's nothing wrong with that. I've always liked how Gorgug was a representation of all the little things. The subtle acts and kindnesses that don't seem like much to most, but to some are everything.

We don't need another Bad Kid living in fear that their mouth could be shit-in at any moment. We've already got one-too-many.

All that being said, I just feel like Gorgug's personal story beats are much easier to sweep under the rug than everyone else's. He has the same soft and understated quality that Colin held, but they lack that extra oomph that pushed Colin over the edge from being just another guy in a series of dudes, to a character that the vast majority of us could not get out of our heads. He took someone who was anxious and softspoken, who ultimately never wanted to be violent— someone who is remarkably similar to Gorgug in many ways— and maintained that demeanor and core in Colin's character while still hitting us in the feels with character development at max velocity at every turn.

I think Zac gets better and better at this with every season that goes by. With each new character, there is always something that leaves me stunned in awe. And it's been, what, three? Four years since we last saw Gorgug?

I'm just,,, I'm cautiously optimistic but also going into a bit of a worry about what violence this man may inflict upon us

[gjsxj0]

mindless rambling in tags don't mind me

[thormanick]

All the Kavetham/Haikaveh ideas I don't have capacity to currently write, a very detailed list:

(Which I am humbly placing here before you. Be warned: this post is an incredibly long one!)

1. Fatui!Kaveh AU, where the night before the meeting happens between Kaveh and Alhaitham at the tavern, Kaveh gets a deal from Fatui representatives to work on a huge project in Snezhnaya. Kaveh is sceptical about it, but decides to accept the offer during the dialogue with Alhaitham (seeing himself as a burden, Kaveh decides that he will cause more trouble to Alhaitham than the Fatui, thus he decides to accept their offer even if it seems too good to be true). He tells Alhaitham about his decision to leave for Snezhnaya, and so the two relatively amicably/peacefully part their ways (not without Alhaitham testing Kaveh's reasoning a bit, but Kaveh's resolve remains strong).

And so, Kaveh leaves for Snezhnaya, where he gets to work on several huge projects for the next several years under Sandrone. Most of them are related to construction, engineering and reverse-engineering of Khaenri'ahn and Khaenri'ah-inspired technology, and he gets barely any time to work on his personal projects (he's overworked and exhausted and doesn't get much time and opportunity to be creative; however, the payments are good and he's on his way to getting out of debt, which is practically the sole reason driving him forward. The projects get progressively more complicated and, in a way, unhinged - engineering military equipment is alright, but working with the remains of Khaenri'ahn technology, dead gods and such proves to be... mentally taxing. Everything happens very gradually though, so Kaveh does not immediately notice the true scale of where the Fatui are ready to go to achieve certain goals). Kaveh doesn't really like the work environment of the Fatui, but he does his best (the Harbingers creep him out whenever he gets to see them on a rare official occasion (he might specifically dislike Pantalone because the Harbinger keeps picking at him for his debt, given a chance), but Sandrone's a decent boss who is somewhat encouraging and invested in his work and personal projects. She might be especially interested in Mehrak's existence and operation). Overall, everything goes quite smoothly for Kaveh, even if he doesn't feel quite at home in Snezhnaya and is aware of how dangerous the Fatui can be. He does not consider himself to be paranoid, but the other shoe has to drop at some point - and that happens when the new Acting Grand Sage of Sumeru gets to visit Snezhnaya on a diplomatic mission (aka: Kaveh reconnects with Alhaitham & Co for the first time in what feels like forever). The situation gets complicated when Kaveh realizes that Sandrone encourages the reestablishment of his connection with Alhaitham specifically - and she never encourages an action if she doesn't directly contribute from it.

Feelings, emotions and shenanigans ensue.

TLDR: Kaveh's doing his best despite being restricted in his ways of work, prevented from realizing most of his creative projects and slowly but surely building emotional walls around himself because Fatui and Snezhnaya; Sandrone being a kind of decent boss with sorta good work ethic but horrendous morals who is not exactly a good influence on Kaveh's idealistic tendencies and guilt complex; Fatui being contextually horrifying but kinda normal coworkers if you don't look at them too close; Alhaitham trying his best as a political figure (Nahida help him) while also trying to get Kaveh to return home with him (because he misses him); the main conflict revolving around Kaveh and his life choices with Sandrone and Alhaitham being kind of foils to each other (with Sandrone gradually destroying Kaveh's idealistic morals and playing on his guilt to get the most out of his potential as an innovator, and with Alhaitham actively trying to resolve Kaveh's guilt and show him that, despite their arguments, Kaveh's idealism still has place in the world and can co-exist with other philosophies). There might or might not be some macguffin-esque Deshret relic that both Akademia and Fatui hunt for that eventually brings the whole crew back to Sumeru. Kaveh might or might not get a chance to meet a fragment of Deshret's spirit within the mentioned relic. But there definitely will be a happy end for everyone here (Deshret will make sure of it).

2. Calamity!AU. The new Cataclysm comes, enveloping all Seven Nations, and so Sumeru does its best to survive. The cities are ruined, and the people gather together in random places to survive. Alhaitham gets to live within one of the settlements, established by the Akademiya. While trying to survive the first wave of the new Calamity, he is also looking for Kaveh; after an argument between the two the architect left for an expedition to the Desert, right before the new Calamity began. Unfortunately, the news comes that his group should have been around Tunigi Hollow - one of the spots in Sumeru where the first wave of the new Calamity hit the hardest. There is no concrete information on whether Kaveh's group survived or not. Alhaitham, not loosing hope, does his best to find any information on Kaveh's whereabouts, but due to Sumeru becoming extremely dangerous to traverse and disjointed as a result of the new Calamity, the search stretches out for almost a decade.

One day Alhaitham helps a caravan, traversing the forests to get to one of the settlements, to fight off the monsters. Unexpectedly, Kaveh turns out to be one of the members of the caravan. Their reunion is almost cut short by the caravan's need to keep going, but Alhaitham convinces Kaveh to join him instead. The two return to the new Sumeru city settlement, where Alhaitham lives and works under the watch of Akademiya and Lord Kusanali. It appears that during his years of travels around the destroyed Sumeru Kaveh learned new ways of architectural construction that would be more efficient against the monsters, born by the Calamity. He also seems to behave quite differently, hardened by the experiences of the past years. Alhaitham proposes for Kaveh to stay with him in the city, and Kaveh accepts. The feelings, new routines, dealings with the changed versions of each other and attempts to find new pace of life in the new world ensue.

TLDR: The world might be ending and impossible to live in, but even so each new day is brighter when the person one loves is by their side.

3. Another Cataclysm!AU, where Kaveh and Alhaitham get assigned separate missions in the grander scheme of things created to prevent the coming of a new Calamity. The plan succeeds and the world remains safe, but not without heavy losses: amongst many others, Kaveh does not survive while carrying out his mission.

Decades pass as Alhaitham goes through his grieving process. Eventually, one evening on the anniversary of the Calamity's prevention, Alhaitham wanders to a place he and Kaveh used to visit together. A Ley Line disruption occurs, and he gets to see a glimpse of Kaveh through it. They have a conversation; the Ley Line apparition (a memory of Kaveh) is convinced that Alhaitham is from the future, and so they talk a lot about the Calamity, whether it was prevented, and about each other's futures. Alhaitham can't bring himself to tell Kaveh that he does not survive the Calamity, but he does tell Kaveh that his architectural legacy lives on. Kaveh commends Alhaitham on his achievements (though not an acting grand sage for a very long time, Alhaitham kept playing an important role throughout Sumeru's history, helping to keep it safe).

Eventually, their time runs out. Ley Line disorder starts gradually disappearing. Alhaitham urges Kaveh to be careful and stay safe, knowing that the Calamity (on Kaveh's side) is yet to come. Kaveh laughs and tells him that on his side, Alhaitham just told him the same words after they finished the debriefing session, related to the Calamity. He says that he was feeling very nervous, but that seeing future-Alhaitham made him convinced that they are on the right path.

And so, the Ley Line disorder disappears. Alhaitham spends some more time at the spot before returning home. Despite painful memories having been brought up, his heart feels a bit lighter.

TLDR: closure comes unexpectedly, takes many forms and does not erase the pain in an instant, but, nevertheless, it heals.

4. AU! where Kaveh and Alhaitham are both magical birds that can transform into humans (and half-humans).

They live together in the depths of Sumeru forest - a domain of a long lost God of Wisdom. Kaveh's feathers are rumoured to bring blessings, while Alhaitham's feathers, on the contrary, are said to bring bad luck or even curses. Humans, living at the edge of magical forest, kinda worship them, but also prefer not to interact with them, primarily because Alhaitham is not happy when others trespass on his lands, and because searching for Kaveh is extremely hard (he's often off working on his projects deep within the forest), and the magical forest is very dangerous on its own. So, the humans build their cities outside of the Sumeru forest, and Alhaitham and Kaveh peacefully live together in the depths of it.

Despite Kaveh and Alhaitham living together for a long time, their opinions on humanity are diametrically opposed: Alhaitham barely tolerates humans, finding them to be reckless, meddling, cowardly and deceitful; Kaveh, on the contrary, finds humans to be creative, inspiring, free and beautiful in their own way. Throughout the years, Kaveh manages to build somewhat of an amicable relationship with the humans, living at the edge of the forest: he learns more about their traditions and arts, while the humans receive his guidance and blessings in various matters of living, craftsmanship and arts. Eventually, Kaveh's knowledge and magical powers catch the eye of Lord Sangemah Bay, who resides in and governs one of the bigger settlements at the forest's border. She makes a deal with Kaveh that, despite providing him with valuable (in his eyes) experience of working with humans on some of his grandest architectural projects, costs him a lot - meaning he has to give away lots of his blessed feathers, which makes his remaining magic much weaker (and generally undermines his health for a bit). Alhaitham is not a huge fan of such approach (in his eyes, Kaveh is wasting his powers and time for nothing, endangering himself), and so a conflict between him and Kaveh breaks. As a result, Kaveh flees their home, secluding himself while he's focusing on other projects he finds curious. Kaveh keeps working with humans, and though Alhaitham certainly keeps an eye on Kaveh's wellbeing, he does not make it easy for humans to reach him. So what if there are new random magical seals, obstacles, almost-traps and riddles appearing here and there when people try to get to Kaveh? It's a magical forest, things happen! (Kaveh knows that Alhaitham does this on purpose, and Alhaitham knows that Kaveh knows, and it leads to them indirectly, and then directly bickering and arguing. The magical forest quite possibly grows very tired of them. Their friends Tighnari and Cyno certainly do, but alas.)

The new equilibrium, found by Alhaitham and Kaveh, is challenged once more when Kaveh leaves to the Lord Sangemah Bay's city to direct yet another one of his grand projects. They do not see each other for a long while. Despite all the challenges, Kaveh's relationship with Dori gradually grows stronger - the two value their partnership - and Kaveh ends up making friends amongst humans. However, not everyone is happy about Lord Sangema Bay's growing friendship with the "deity of blessings" personified. As some people come to despise her for her wealth, influence and ever growing power, so do they come to despise the bird of paradise.

When the project is complete, the time for celebration comes. Kaveh gets to attend a feast by Dori's side as a guest of honour, and is invited to stay the night in her palace before returning to the forest. Kaveh agrees: he's been spending all his days and nights at the building site, and resting a night before returning home would be nice. As the night goes on, however, Kaveh begins to feel weary and unwell - the new type of wine he was served did him no good. He excuses himself early for the night and, as soon as he gets to his bed, he's out cold.

After an undetermined amount of time (in what appears to be the middle of the night), Kaveh wakes up because of immense pain in his back.

As he gradually comes to his senses, he has a horrible realization: one of his wings was cut off when he was asleep. Alerting the guards and Dori yields no results: the intruder escaped, presumably with Kaveh's wing, and there are no traces of them left. While Kaveh gets immediately attended to, he goes in shock and, eventually, loses consciousness.

When the messengers form the city arrive to the forest, Alhaitham receives them reluctantly at first, but as soon as he hears of what happened, he rushes to the city. He ends up taking Kaveh back to the forest, hoping that its healing magic will help restore his wing. However, nothing seems to work: neither spells, nor the powers of nature, not even Tighnari's medicine. Though the wound is slowly healing, Kaveh remains unconscious for days. To get more information on what happened, Alhaitham returns to the city to question Dori together with Cyno (who's also to continue the investigation within the city once Alhaitham returns home), while Tighnari stays with Kaveh.

Though the questioning concludes that Dori knows nothing and is willing to assist in the search of the perpetrator, Cyno concludes that she was not thorough enough in ensuring Kaveh's safety and overall security of the celebration in general, revealing that Dori recklessly cut corners here and there. Furious, Alhaitham leaves Dori his cursed feather, giving her an ultimatum: she has to find the perpetrator and give them to Alhaitham to deal the final punishment. Until then, her city is doomed to slowly crumble into decay and oblivion. Dori accepts the deal.

Alhaitham returns to the forest to look after Kaveh, while Cyno remains in the city to continue the search. When Alhaitham comes back, Kaveh is finally awake. However, he remains extremely closed-off, practically a shadow of himself. The recovery process is slow and challenging, but Alhaitham does his best to support Kaveh in all ways that matter. Kaveh struggles with healing: the loss of a wing affected not only his body, but also his mental state and magic. He cannot transform, he can barely use any of his magical skills, and he cannot fly anymore, which hurts him most of all. It takes a while for Kaveh to get on his feet (quite literally), even longer to finally leave his room. He also feels guilty for being in Alhaitham's care, because he remembers all of the Alhaitham warnings about the humans he didn't listen to, and so lots of internal conflict ensues.

Meanwhile Alhaitham does all he can to try and navigate the situation. He looks after Kaveh's healing process; brings back his blueprints and equipment from Kaveh's place so that he has enough to work with if he wishes; he also (to the best of his ability) remodels their home to make it more accessible to Kaveh. Given that their natural method of moving around their house was flying (whether in form of birds of half-humans), Alhaitham now implements more adjustments for walking or climbing. (When Kaveh feels good enough to leave his room, he's amazed by what Alhaitham managed to achieve. He also helps fix some of the constructions, given he's the one with the experience in architecture.) Alhaitham and Kaveh grow closer, slowly unpacking and mending their relationship, turning it into something new and beautiful.

At the same time, Alhaitham continues to watch the forest borders - to make sure that no intruders interrupt Kaveh's recovery and their peaceful life together. One day he notices an interesting sight: a small, but beautiful shrine appeared right by the forest. He decides to investigate; upon approaching the shrine, he meets Nilou (whom he saw in the palace when he visited Dori). She explains to him that, after he and Kaveh left the city, a group of people decided to organize a shrine, dedicated to Kaveh, to pray for his recovery. Nilou explains that in their eyes it's the least they can offer for all the help that their city received in the past and as amends for the pain they have caused. Alhaitham warns her not to get any closer to the forest, but the action of people leaves a lasting impression on him.

Meanwhile, Cyno's investigation progresses. Cyno writes to Alhaitham that together with Dori they managed to find and capture the perpetrator. Questioning reveals no useful information, but Cyno suspects that there might be more to the attack on Kaveh than they anticipated. To uphold his end of the deal Alhaitham goes to the city to deliver the punishment to the attacker and to undo the curse he put on Dori's city. Before he leaves, Kaveh, scared of what might happen to Alhaitham, sews into his cloak a blessed feather for protection (because Alhaitham wouldn't accept it outright). While Alhaitham is away, Kaveh begins working on a new project: a mechanical wing.

When Alhaitham gets to the city, he is led to the cell where the attacker is being held. Cyno and Dori are by his side for the final questioning. The man - a mere mortal (with strange red-ish eyes), one of Dori's citizens - keeps talking in circles, making less and less sense with each new word. Alhaitham lets Cyno and Dori go before rendering the punishment. When the curse (one of Alhaitham's darkest yet) is finally prepared, suddenly, the tables are turned. The perpetrator attacks Alhaitham, but his movements seem unnatural, almost like those of a puppet. Alhaitham realizes, that the man is being controlled by someone with prowess for strong, incredibly dark magic that seems similar to that of the Desert. The strange puppet manages to overpower Alhaitham in a fight, but cannot harm him (due to the protection from Kaveh's feather). The perpetrator manages to escape, taking with him Alhaitham's cursed feather (they seemed to be pleased to receive it. Alhaitham fears to think what they will use it for).

Dori and Cyno pick up the investigation, with Cyno going straight to the Desert. Dori begins reinforcing the city (her people discover that Alhaithams curse (now lifted) awakened Miasma deep under the ground. The Miasma begins to slowly spread, seemingly in the direction of the Sumeru Forest). Cyno sends back a message, confirming that strong and dark magic seems to be gathering within the Desert, possibly for the purpose of destroying the magical forest.

Alhaitham manages to get back to Kaveh and tell him of what happened in the city. In order to be able to protect the forest together with Alhaitham, Kaveh doubles down on his efforts to create a mechanical working wing. Everything works, besides the golden feathers - they need to be blessed in order to allow the mechanism to work as intended, but Kaveh does not have enough power for it. Alhaitham takes a risk and brings the feathers to the shrine, created by Nilou and other humans, so that they could bless them for Kaveh. (They are short of one feather eventually, and Alhaitham gives Kaveh one of his own, his first blessed feather, to complete the wing.)

TLDR: Kaveh works on restoring his wing and faith in himself and humanity; Alhaitham learns that humanity is not always evil. Dori and Cyno discover that the escaped perpetrator (caugh controlled by Dottore caugh) used Kaveh to get to Alhaitham to gain his cursed feather for completing some sort of ancient ritual to unseal the forbidden knowledge magic deep within the Desert in roder to unleash it on the magical forest, slumbering God of Wisdom and human cities. Kaveh learns to curse his feathers (while opposing Dottore in a final fight), and Alhaitham learns to bless his. Humans and Sumeru Forest continue to coexist peacefully. Alhaitham and Kaveh live together happily ever after.

5. Pacific Rim!AU, where Kaveh and Alhaitham used to be pilots of a Jaeger, but during one of their battles they suffered too much damage. In order to save Alhaitham and what remains of their Jaeger, Kaveh takes most of the damage by severing already unstable connection between Alhaitham and Jaeger's system. Both barely survive the encounter, but meanwhile Alhaitham manages to recover fast, the damage Kaveh has taken leaves him in a critical condition, eventually resulting in him being unable to ever pilot a Jaeger ever again (and putting many new restraints on his usual daily life).

As soon as Kaveh comes to his senses, the two have a huge fight about Kaveh's rash decision, and eventually break off their friendship. They don't see each other for a long, long time.

As the time goes on, Kaveh learns how to live with the changes that his body sustained with the help of his service dog Mehrak. Eventually he takes on a job at one of the Jaeger construction facilities (together with his friend Tighnari), studying Kaiju and creating new Jaeger modifications - though no Kaiju has been seen in the past several years, the world is still afraid of their return.

When the suspicion of the new Kaiju appearance arises, new pilot recruits and ex-pilots are summoned to the facility. There, Kaveh meets Alhaitham for the first time in years. After their fallout, Alahitham resigned from piloting Jaegers, yet now he had no choice but to return to train new recruits (and possibly resume his role of a Jaeger pilot). Now once again the two have to work together as a part of a team in face of approaching danger, trying to resolve their past conflicts and overcome their fears and insecurities along the way (when deep down they simply want to keep each other safe).

TLDR: Kaveh & service animal Mehrak is a neat concept I'd love to see more of, just as a concept in general. I think this one could be an interesting story idea centered mostly around Kaveh's day to day life. Additionally, Alhaitham who used to be only drift compatible with Kaveh but now suddenly discovers he's drift compatible with Cyno. I need more Cyno & Alhaitham camaraderie I think it would do them lots of good (at least in this specific AU setting lol).

6. Oxenfree!AU where Kaveh and Alhaitham are two ex-best friends turned reluctant coworkers (photo-journalist and journalist respectively) working on writing a piece about the disappearances of a group of teenagers that happened at the Edwards Island several years prior (timeline somewhere between the first and the second games). The radio shenanigans ensue, making the two face their past, possible futures and, most importantly, their present. (In Oxenfree tuning into certain radio sequences can temporarily mess up time-space shenanigans, just fyi).

TLDR: I just think that this setting could facilitate some character exploration that would be very fun.

7. Modern MermanKaveh!AU, post-fallout, where it's a little bit more about haunting Alhaitham (and the narrative), than being a merman. Due to an unfortunate set of circumstances, Kaveh drowns one day, trying to save someone from the water. Due to an unfortunate set of circumstances, he doesn't really die, being stuck in between (existence and death, normal life and the necessity to live in water). Kaveh manages, for quite a while even!

But of course Alhaitham has to come back and turn his world upside down once again.

TLDR: can you tell Alhaitham's quote about drowning stuck with me huh (and I made it literal lol). On a serious note... Idk, vibes??? I want to see the "stuck in the middle" Kaveh, whatever that entails. Some existential explorations. And the development of his relationship with Alhaitham, of course. // Kaveh is a merman unable to fully live the life he used to have, and Alhaitham doesn't know that he survived (for a while), alternatively "let me help to save you from metaphorical and literal drowning" Alhaitham and "I learned to live like this, this is what my norm now looks like" Kaveh.

8. Another Modern MermanKaveh!AU/DrownedGhostKaveh!AU, because I apparently have no self-control (I feel like I should also clarify that whenever I mention a mermaid, I think of them more as of ghosts of drowned people and less as mermaids-mermaids, the half-human half-marine creature ones). This idea was initially prepared for chili/zhongchi but it's been sooooooooooooooooooo long and I still haven't done anything substantial for it so I'm borrowing it from myself for myself and tweaking it for kavetham because I figured it could fit them. So here it goes,

Alhaitham is a scientist/marine biologist that moves from the city to a much smaller port town, getting himself a place in a local partially repurposed lighthouse. Kaveh is a merman, who has been dead for a long while and who's been living within local waters ever since he drowned. Alhaitham leads a very isolated life, going through a rather rough patch emotionally (maybe a badly ended past relationship and relocation from an established group of friends to a remote place brought up past negative emotions related to loss that were bottled up for a while. who knows, not me). Anyways, Alhaitham's not doing too well, but seaside walks help him unwind, even if for a short periods of time. During one of such walks, he finds an old pendant washed ashore. He picks up his find, hoping to do some research on it outside of his work time (because research is his fun-time).

He expects this to be a brief excursion into local history. He does not expect to become haunted by the ghost of a man to whom this pendant belonged to way back when.

Kaveh, in turn, is extremely excited to finally, finally be able to get out of the sea to the surface. He intends to stay ashore as long as possible and, well, if he just so gets to amuse himself by haunting a grumpy marine biologist that refuses to believe in merpeople, ghosts of drowned and other supernatural occurences - who's he to say no?

TLDR: this AU can go two ways (in my eyes): the happy ending way and probably more gothic-horror-story-esque ending. So, Alahitham is cursed to be haunted by Kaveh: for a while he's the only one who can see him, with Kaveh being something akin to a ghost. However, the longer Kaveh haunts Alhaitham, the more human he becomes (others can see him, he cannot phase through walls anymore, etc.). The curse in itself goes something like this: the cursed thing, after being picked up/taken in, cannot be thrown away and will always come back. The ghost, tied to the haunted thing, shall haunt whoever picks the cursed thing (the thing should be tied to the ghost, but may not necessarily belong to them) and drain their life energy. The ghost can become free and human again if the haunting goes long enough and they kill the human who picked the cursed object in the end during a very specific time that doesn't occur too often (proverbial blue moon, idk). If they don't kill the human and decide to let them go, then the ghost will seize to exist and the human will regain their strength. (An alternative option to the ghost dying for a less angsty au: the ghost voluntarily takes back the cursed object and returns to the place where they died, but then they will never be able to haunt anyone ever again. The effect of the curse on the haunted remain, but much weaker).

In this case, let's say Kaveh and Alhaitham stay by each other's side from half a year to a year, idk. They grow closer, eventually becoming friends and maybe more (the usual kavetham shenanigans Kaveh falls first but Alhaitham falls harder). Alhaitham's mental state gradually improves, yet overall he becomes weaker because of the curse (to the point that it becomes a serious concern), which Kaveh blames himself for. The appointed time approaches (both Kaveh and Alhaitham are in on the details of the curse), and Kaveh, seeing it as an opportunity to set Alhaitham free, manages to separate himself from Alhaitham. Kaveh is ready to return to the sea/merge with it (ah yes the classic Little Mermaid influence does anybody feel it lol). However, Alhaitham sees through his plan and arrives just in time to stop him. They have a confrontation. Eventually, they manage to lift the curse (as you can see I have not figured out exactly how this can happen but! it definitely can!) with Kaveh becoming human again and Alhaitham regaining his health. The two continue to live together happily ever after.

The other scenario is practically the same, but it's more ghothic? and abstract (and probably more suitable for the og pairing it was made for, but i'll throw it in anyways). I have not engaged with gothic literature much and thus don't have much experience in how it works/how to write it, but the idea is that Kaveh is more of a projection of Alhaitham's grief than a ghost fo a drowned person (in other words, he's definitely a ghost, but his presence is also much more symbolical). The story follows quite similar beats, except the setting of the curse is a bit different: it's more of a "kill first or be killed" thingy with a deadline. Kaveh earnestly tries to drown Alhaitham at first through various means, but the more time they spend together, the more Kaveh sees of Alhaitham's life and pain and feels sympathetic for him. Despite the curse, Kaveh tires to help Alhaitham in various ways; and it works! Alhaitham gradually begins to feel better; the two grow closer to each other (more in a platonic way).

So now the precedent is that though Alhaitham's overall doing better, the curse still preys on him, hindering his life in various ways that become more and more serious/dangerous (the curse's deadline approaches, and it tries to survive the best way it can through Kaveh's influence on Alhaitham). Eventually, Kaveh lets Alhaitham go, merging with the sea (once again, yes, it was partially inspired by the Little Mermaid). Alhaitham realizes what happened and tries to look for Kaveh, but it is in vain.

Eventually, life goes on.

Bonus Elden Ring AU (because guess who suddenly went on a lore video watching spree): Kaveh is a craftsman and one of the inhabitants of Castle Morne who managed to escape before it was overrun by Misbegotten. He's a follower of St. Trina and Miquella (he doesn't follow Miquella at first, but slowly he comes to suspect that the two are one and the same). After escaping from Castle Morne, he finds his way to Jarburg, where he is welcomed to stay and be the new Potentate.

Alhaitham is from a distant branch of Carian royal family and a scholar at the Academy of Raya Lucaria. Quite possibly explored an area of studies similar to Sellen's. Eventually he separates himself from both Academy and his family, becoming a wandering scholar.

The two meet somewhere nearby Jarburg when Kaveh gets ambushed by the same people who were trying to get to Alhaitham. The two fight them off. Kaveh, trying to help injured Alhaitham, leads him to Jarburg. The two continue living together there ever since (not without hiccups, but they're doing their best).

TLDR: this one is short and very simple because I just started diving into the Elden Ring's lore, but I just. Really wanted to make some AU for them. I also desperately wanted it to be peaceful and happy one despite it being a seeming impossibility for anything dark souls/elden ring related, but one can dream. If I were to make this one darker I'd probably expand on the duality of their two characters here, and how Alhaitham probably used to conjure spells on humans (with gaining knowledge being his sole life purpose for a long time) and has challenges with comprehending the world outside of a framework of pure logic, and how Kaveh gets an increasing tendency of escaping to the dream world/wherever Miquella is in order to alleviate his mental turmoil (maybe he witnessed too much during his escape from the Castle), and how the two have opposing perspectives on the idea of worshipping gods, and- like, there's a lot that can be done. But I also just really really really want them to simply be happy together in a jar village, leading a peaceful life.

That's it for now! Thank you for reading all of this, I can't commend your patience enough if you got to the end of this list!!!✨🎉✨

Maybe in the future I will unpack some of these aus. who knows.

[autisticlee]

"good people are out there you just need to get out and find them"

cool thanks. but i'm too tired to keep ~going out and looking for them~ i'm too tired to keep trying, using up all my energy, getting super overwhelmed and burnt out after just a couple weeks of trying as hard as I can, met with other people barely trying back or not being very responsive, and needing to recover from it for a year or more each time because it overwhelms and burns me out so bad. I get nowhere no matter how hard I try, all i get is uselesss advice from people i try to befriend who dont want the responsibility of friending me. i'm tired of trying beyond my limits and causing more issues for myself. or dealing with issues I get from meeting the "wrong" people. if the "right" people exist, why can't they find me? why does it have to be only my job? i'm too tired and overwhelmed and burnt out to do it!!!!! the right people will just easily help and be there for me right? so I guess i just have to keep waiting for them for all eternity????? i'm tired of waiting. give me more than "just wait/keep trying/don't give up" because those instructions unclear and my useless attempts are very discouraging and exhausting and i'm so overwhelmed that i'm losing the ability to even socialize at a minimum at all now!!!!

if humans are meant to be social creatures and we require positive interactions with each other to stay healthy, then why do humans ostracize their own? why do some of us struggle so much and are denied any help and instead blamed? why can't I be given advice on how to live a lonely life without anyone else by my side instead of being told "one day! keep trying! you need people because it's essential to being human!" even though i've been waiting for "one day" for 25 years and could wait 25 more, or even longer? I don't know what i'm doing wrong or how to improve it so waiting is all I have. what if I wait forever?

[shock-micro]

the practice of taking multiple names... i do wish it was a bit more supported in places like the united states. i love my family name, my family means the world to me,

but there's also the last name of berri that i'd love to take. it was the second name that stuck with me after "mira", and i've nicknamed myself "miraberri" in a lot of things over the past year i've had it...

...i suppose the other trouble is that i've already changed my legal name once, and so now i'd have to pay for it to be changed again... ahh, the wonders of capitalism and rigid social systems.

wouldn't it be nice if we lived in a society that embraced Change?

that freely allowed, even encouraged changing oneself? embracing the fact that everything will change eventually, and must do so for things to not become stagnant?

that some things might not be right as they are, despite the state of things being comfortable for many people? that the status quo, or our time-honored traditions, aren't infallible, perfect concepts?

i guess the idea is too much for some people to understand.

maybe some day, that'll change, too.