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#young Uta
bublipuppy · 1 year
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My fanart of young Uta🔥 young Uta hits differently 😳🔥
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owl-it-here · 15 days
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Missed Opportunities: One Piece #3 [Fandom edition]
So Luffy, Sabo and Ace as brothers are called ASL. But a lot of people in the fandom like to add more people to their brotherhood. The most popular of them, of course, is Uta. But the initials ASL with the added U to make ASUL or ASLU just don't sound the same. With these letters, we also can't create any other word that can make up for the acronym made for age.
BUT, there is another girl in canon who has been recognized as a sibling by both Luffy and Ace. The only problem is that she's much younger, so it's harder to add her to their childhood bond. I'm talking about Kurozumi Tama! Known mostly by the name O-Tama.
By adding T to the other letters {A,S,L,U} we can create the word SALUT.
The word salute is commonly used as a greeting (both as a hello and a farewell)! However, the full meaning of the word is slightly different.
Salut is used to express good wishes or friendly feelings before drinking. (Mainly as a toast to good health, but some cultures also use it to express a greeting or honor to someone. The latter is also used in the military and can be used to honor a grandfather figure if needed.)
Also, salute acts as a short version of the word salvation. It can be explained as the act (process) of saving (or being saved), rescuing (in any context), providing needed security or liberation.
Somehow this meaning fits so well with their relationship. They all want to follow different paths, so they will only meet when their paths cross. This means that they will support each other throughout their lives - saying hello and goodbye on the way to their destinations. Their bond is also tied to their inner peace. It is something they can lean on in a moment of need. Additionally, ASL canonically used alcohol to affirm their brotherhood. So it can be said that by establishing this bond through alcohol, they all want a perfect future for each other!
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nomniki · 1 year
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also thinkin abt tokyo ghoul ! enha
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the-fatal-impact · 2 years
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Young Royals (2021), idk, I don’t watch anime…
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kizuike · 2 years
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Now every time anyone says Madoka is le epic teenage female empowerment anime I literally have to laugh
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seldomsee · 2 years
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It kills me that Hyori Ittai is considered The hxh song when Kaze no Uta is right there…
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Ive been listening to the film red soundtrack and thinking about Uta again, thinking about her weird purple eyes
Luffy is 12 and uta is 14 in this btw :) i wanted to do a young them moment
Alternatives under keep reading:
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missmouseeyes · 11 months
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October 22-28 is Ace Week 2023, so I’d like to give a spotlight to some manga I have enjoyed that have also touched on asexuality.
I Want To Be A Wall by Honami Shirono
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A 3 volume Josei manga about the lavender marriage between Gakurouta, a closeted gay man who pines for his childhood friend, and Yuriko, an aromantic, asexual BL fangirl.
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She Loves To Cook, and She Loves To Eat by Sakaomi Yuzaki
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An ongoing yuri Josei manga with a TV adaptation about two women who bond over food. The series recently introduced Yako, an asexual lesbian, and it’s possible that protagonist Nomoto may be on the ace spectrum as well.
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Is Love The Answer? by Uta Isaki
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A single volume josei manga about Chika, a young college student who has always considered herself an “alien” because she has no desire for romance or physical intimacy, but finds community with people like herself.
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Our Dreams At Dusk: Shimanami Tasogare by Yuhki Kamatani
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A 4 volume Seinen manga about a closeted gay boy who gets to know the patrons of a drop-in center who all turn out to be part of the LGBTQ community. Someone-san might be considered a deuteragonist of the story.
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I’d also like to mention two yuri manga I haven’t finished yet- I have only read the first volume of both- but because of what others have said I know they feature asexual characters!
Catch These Hands! (murata)
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Doughnuts Under a Crescent Moon (Shio Usui)
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luxthestrange · 2 months
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OP Incorrect quotes#45 Primadonna
After Uta was confirmed to be a healthy girl,You took the crew to your penthouse and were heading to put Uta to sleep in your bed...to come back and have a "Chat" with shanks about Uta's origins
??Y/n*Looking back at Shanks and grinding teeth* Ugh, I wasted so much time with a bag of holes like that...
Yassop*Seeing around your luxurious penthouse...pictures of you in cover bands and singing on stage...he THOUGHT he recognized you* I THOUGHT I RECOGNIZE THEM-THATS "Y/n Nightingale!?!
Lucky*Spits out a turkey he took from your fridge* You know YA/N NIGHTINGALE?!
Shanks*Looking at your awards cabinets, lost in thought as he spots a small picture that has a younger you, hugging with one arm a young buggy and...the other side of the picture of you hugging another is torn...he knew why it was torn*-Huh...? Oh, yeah. them, yeah. We dated...
Yassop: Was it before or after they became a pop star?
Limejuice*opens your expensive wine cabinet but looks back in shock* You dated a pop star?!
Shanks*Looks at his crew...highly offended*Okay, why are you all acting like that's such a shock?
Hongo: Hellooo, it's Y/n Nightingale?
Gab: It's you?
Benn: I just… *scratches his head* Are they blind?? Suffering some form of brain damage?
Shanks: Okay, look, you are all making this into a way bigger deal than it needs to be. I don't pry into your stupid personal lives!?
Crew: You do that all the time, shanks!
Yassop: Come on, you kinda do that
Benn: You totally do that
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Part 2 of:
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positivexcellence · 1 month
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Jared Padalecki Joins ‘Fire Country’ For Guest Arc That Could Lead To New Franchise Offshoot
EXCLUSIVE: Jared Padalecki is returning to series television. The former Supernatural star, coming off a four-season run as the lead of Walker, has been tapped for a three-episode arc on the upcoming third season of CBS‘ hit drama series Fire Country, headlined and executive produced by Max Thieriot.
He will play Camden, a SoCal firefighter and maverick with a surfer swagger who is a force to be reckoned with and immediately recognizes Bode’s (Thieriot) raw talent.
The deal with Fire Country producer CBS Studios is strictly for the recurring role, sources said. Given Padalecki’s status as a popular leading man with two hit series under his belt, I hear there is a possibility for the guest stint to lead to a new spinoff headlined by him that would join the upcoming Sheriff Country.
Sources stress that the idea is still in its nascent stages. And similarly to the NCIS franchise, which originated on CBS and has generated four domestic offshoots on the network but has also expanded into streaming with the latest spinoff, NCIS: Tony & Ziva (as well as the streaming/broadcast NCIS: Sydney), a new Fire Country spinoff could be for broadcast or streaming. Reps for CBS and CBS Studios declined comment.
Fire Country, which was the most watched new broadcast series in its freshman season, was quickly identified by the CBS leadership as a potential franchise anchor that could spawn multiple spinoffs.
“We are focused on mass-appeal franchises,” CBS President and CEO George Cheeks said in June 2023. “This season’s number one show was Fire Country, which completely lends itself to building out a whole new universe… It became very clear that not only was the show special, it really felt like this could be a great example of us building together a franchise from scratch.”
The first Fire Country spinoff, the Morena Baccarin-starring Sheriff Country, which started off as a planted spinoff episode on the mothership series this past season, was recently picked up to series for 2025-26.
Keeping Padalecki in the fold has been a priority for CBS Studios following the end of its CW drama Walker, on which he was star and executive producer, leading to creating the opportunity for him on Fire Country. Walker was canceled for financial reasons despite being the network’s most watched series.
Fire Country averages more than 10 million viewers per episode in multi-platform viewing. (Live+35-day on Paramount + and CBS TVE)
Season 1 became available on Netflix in the US August 1 and has already reached #3 in the streamer’s daily rankings. This is an additional domestic streaming window for Fire Country whose first two seasons are on Paramount+. It is designed to give the show additional exposure ahead of its Oct. 18 Season 3 premiere on CBS.
From creators and executive producers Tony Phelan, Joan Rater and Thieriot, inspired by Thieriot’s experiences growing up in Northern California, the series follows Bode Donovan (Thieriot), a young convict seeking redemption and a shortened prison sentence by joining a prison release firefighting program in Northern California, which sends him back to his hometown.
Billy Burke, Kevin Alejandro, Diane Farr, Stephanie Arcila, Jordan Calloway and Jules Latimer also star. Tia Napolitano, who also serves as showrunner, executive produces alongside Jerry Bruckheimer and KristieAnne Reed of Jerry Bruckheimer Television.
Since the end of Walker, Padalecki also has discussed a role on the upcoming fifth and final season of Prime Video’s The Boys, developed and executive produced by Supernatural creator Eric Kripke. He is repped by UTA, Industry Entertainment and Fuller Law.
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celepom · 1 year
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It’s Pride 2023! Time to put up some more comic recs!
This time I’ve put together some stories about discovering one’s own queer identity, outlining a family history of queerness, and several stories where being queer isn’t the focus - queer characters are simply allowed to be.
Belle of the Ball By Mari Costa
High-school senior and notorious wallflower Hawkins finally works up the courage to remove her mascot mask and ask out her longtime crush: Regina Moreno, head cheerleader, academic overachiever, and all-around popular girl. There’s only one teensy little problem: Regina is already dating Chloe Kitagawa, athletic all-star…and middling English student. Regina sees a perfectly self-serving opportunity here, and asks the smitten Hawkins to tutor Chloe free of charge, knowing Hawkins will do anything to get closer to her. And while Regina’s plan works at first, she doesn’t realize that Hawkins and Chloe knew each other as kids, when Hawkins went by Belle and wore princess dresses to school every single day. Before long, romance does start to blossom…but not between who you might expect. With Belle of the Ball, cartoonist Mariana Costa has reinvigorated satisfying, reliable tropes into your new favorite teen romantic comedy.
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The Moth Keeper By Kay O’Neill
Anya is finally a Moth Keeper, the protector of the lunar moths that allow the Night-Lily flower to bloom once a year. Her village needs the flower to continue thriving and Anya is excited to prove her worth and show her thanks to her friends with her actions, but what happens when being a Moth Keeper isn't exactly what Anya thought it would be? The nights are cold in the desert and the lunar moths live far from the village. Anya finds herself isolated and lonely. Despite Anya's dedication, she wonders what it would be like to live in the sun. Her thoughts turn into an obsession, and when Anya takes a chance to stay up during the day to feel the sun's warmth, her village and the lunar moths are left to deal with the consequences.
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Hollow By Shannon Watters, Branden Boyer-White & Berenice Nelle
Isabel "Izzy" Crane and her family have just relocated to Sleepy Hollow, the town made famous by—and obsessed with—Washington Irving's legend of the Headless Horseman. But city slicker-skeptic Izzy has no time for superstition as she navigates life at a new address, a new school, and, with any luck, with new friends. Ghost stories aren't real, after all.... Then Izzy is pulled into the orbit of the town's teen royalty, Vicky Van Tassel (yes, that Van Tassel) and loveable varsity-level prankster Croc Byun. Vicky's weariness with her family connection to the legend turns to terror when the trio begins to be haunted by the Horseman himself, uncovering a curse set on destroying the Van Tassel line. Now, they have only until Halloween night to break it—meaning it's a totally inconvenient time for Izzy to develop a massive crush on the enigmatic Vicky. Can Izzy's practical nature help her face the unknown—or only trip her up? As the calendar runs down to the 31st, Izzy will have to use all of her wits and work with her new friends to save Vicky and uncover the mystery of the legendary Horseman of Sleepy Hollow—before it's too late. 
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Until I Meet my Husband By Ryousuke Nanasaki & Yoshi Tsukizuki
The memoir of gay activist Ryousuke Nanasaki and the first religiously recognized same-sex marriage in Japan. From school crushes to awkward dating sites to finding a community, this collection of stories recounts the author’s “firsts” as a young gay man searching for love. Dating is never ever easy, but that goes doubly so for Ryousuke, whose journey is full of unrequited loves and many speed bumps. But perseverance and time heals all wounds, even those of the heart.
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Is Love the Answer? By Uta Isaki
When it comes to love, high schooler Chika wonders if she might be an alien. She’s never fallen for or even had a crush on anyone, and she has no desire for physical intimacy. Her friends tell her that she just "hasn't met the one yet," but Chika has doubts... It's only when Chika enters college and meets peers like herself that she realizes there’s a word for what she feels inside--asexual--and she’s not the only one. After years of wondering if love was the answer, Chika realizes that the answer she long sought may not exist at all--and that that's perfectly normal.
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M Is for Monster By Talia Dutton
When Doctor Frances Ai's younger sister Maura died in a tragic accident six months ago, Frances swore she would bring her back to life. However, the creature that rises from the slab is clearly not Maura. This girl, who chooses the name "M," doesn't remember anything about Maura's life and just wants to be her own person. However, Frances expects M to pursue the same path that Maura had been on—applying to college to become a scientist—and continue the plans she and Maura shared. Hoping to trigger Maura's memories, Frances surrounds M with the trappings of Maura's past, but M wants nothing to do with Frances' attempts to change her into something she's not. In order to face the future, both Frances and M need to learn to listen and let go of Maura once and for all. Talia Dutton's debut graphic novel, M Is for Monster, takes a hard look at what it means to live up to other people's expectations—as well as our own.
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Golden Sparkle By Minta Suzumaru
Himaru Uehara’s first year of high school is off to a good start, minus one problem—he keeps having wet dreams. With only his mom and sister at home—and having skipped health class in middle school—he thinks it means there’s something wrong with him. Thankfully, a new friend has just the remedy and teaches Himaru exactly how to deal with those pesky dreams! But his solution only leads to more confusion, and the two find themselves navigating feelings they’ve never felt before.
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Thieves By Lucie Bryon
Ella can’t seem to remember a single thing from the party the night before at a mysterious stranger’s mansion, and she sure as heck doesn’t know why she’s woken up in her bed surrounded by a magpie’s nest of objects that aren’t her own. And she can’t stop thinking about her huge crush on Madeleine, who she definitely can’t tell about her sudden penchant for kleptomania… But does Maddy have secrets of her own? Can they piece together that night between them and fix the mess of their chaotic personal lives in time to form a normal, teenage relationship? That would be nice.
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Fun Home: A Family Tragicomic By Alison Bechdel
Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.
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She Loves to Cook, and She Loves to Eat By Sakaomi Yuzaki
Cooking is how Nomoto de-stresses, but one day, she finds herself making way more than she can eat by herself. And so, she invites her neighbor Kasuga, who also lives alone. What will come out of this impromptu dinner invitation...?
Kasuga and Nomoto promised to spend their Christmas and New Year’s together. Now, they find themselves learning more about each other’s families through the food sent by Nomoto’s mother. Cute character bento, salmon and rice, stollen, fruit sandwiches, roast beef…Nomoto and Kasuga warm up to each other over a cheerful holiday season.  
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Imagine the red hair pirates helping you with your depression
Unfortunately, it's that time of year when seasonal depression, and regular depression team up and beat my ass. So new content will come slower than usual, and I'm sorry about that, but appreciate your patience and understanding.
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Shanks: *enters your room* are you gonna get up anytime soon.
You: *in a cocoon of blankets* I don't want to.
Shanks: *stares at you for a minute* are you okay?
You: no
Shanks: should I get Hongo?
You: there's nothing he can do for me.
Shanks: *thinks back to Roger's illness* ... What sort of illness do you have exactly?
You: depression,
Shanks: oh... Well staying in bed isn't going to help
You: I don't have the energy to get out of bed
Shanks: then let me do it for you, *scoops up your cocoon and carries you outside* sun light ought to do you a lotta good.
Hongo: what's going on?
Shank: they're depressed.
Hongo: oh, I have just the thing for that *goes into his office*
Benn: hmm, I suffered from depression as a young man.
You: back in the Stone Age?
Benn: *playfully rolls his eyes* yes, back in the Stone Age. My life kind of fell apart because I couldn't care for myself. I could not wash my clothes, or bath, or brush my teeth.
Shanks: that explains the state of their room then.
Benn: elaborate
Shanks: their laundry bin was overflowing, trash on the floor, and the whole room was dark and smelt bad.
Benn: ... Cleaning it would probably help them recover.
Shanks: would you go evaluate the room and see what needs to be done.
Benn: we're probably gonna have to clean it top to bottom, I will go get some volunteers.
Hongo: *comes back* no I need you to eat these supplements, and this mushroom.
Benn: how come they get to have some of your hallucinogens.
Hongo: multiple studies have shown they're very effective at treating depression long term and because they're mine, and I get to decide who to give them to.
Shanks: *pulls open your cocoon, and hands you a cup of water.*
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While you are tripping
The crew: * cleans your room, does your laundry, and puts said laundry away*
Hongo: I think the main cause is seasonal depression, they were fine a month ago when the light was at its fullest.
Shanks: hmm, would installing another window in their room help?
Hongo: probably.
Shanks: okay, while the shipwright does that, (y/n) can stay in my room.
Benn: you just wanna fuck them.
Shanks: A few orgasms would probably do them some good. Plus I can help them better if they're close to me.
Hongo: he's right, but you need to make sure you're not taking advantage of them.
Lucky Roux: we also need to make sure they're eating, I noticed a while ago that they're only having one meal a day.
You: eating is inconvenient, and having a corporeal body is like being stuck with a pet you don't want.
Shanks: *pulls your head into his lap and strokes your hair and shushes you* sh sh sh, I know darling, I know.
Hongo: we should also make sure they exercise more, in fact we all should.
Benn: we can take up daily training practice.
Shanks: totally
You: I dun wanna
Benn: well I expect you to at least try it out for a week, if it doesn't help then you can quit.
You: really?
Benn: no
You: aww
Benn: we'll find a nice activity you like, or don't mind.
You: ugh fine
Shanks: thank you
You: ... You have pretty eyes, kinda like storm clouds
Shanks: we should get you high more often.
You: do we have any music snails?
Shanks: *pulls out his collection of Uta's music* Yes we do.
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List of Up-and-coming works || Masterlist || Twitter
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sashi-ya · 10 months
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"What you doing baby girl?"
Uta, come get your dad. He is drunk and trying to flirt with young girls.
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fanaticsnail · 5 months
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Red-Hair Masterlist
Navigation Masterlist Here
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Red Haired Shanks:
Dancando Lambada (one-shot)
After your ship crashed just off the coast line of your hometown, your friend: the bride, is left without a Captain to perform her ceremony to unite her with her beau. Fortunately for you, you see a ship coming in off the coastline. Will their captain help you in exchange for a night of good food, fine drink and sensual dancing?
Remember Me (one-shot)
Ten years since the love of his life was claimed by the sea, Shanks finds himself celebrating her memory with many a drink in a fishing village. Spluttering over his amber ale, Benn Beckman pales in freight at the sight of a woman drinking merrily at the bar. But it couldn't be her, she was lost to him.
Where is my bride (Sapsorrow Spin Off Drabble)
Once lost, again found: Shanks has accidentally bcome lockd into a cruel plot to have him marry a woman he has never seen nor heart of. The timer is ticking, the claws of the spectre of a woman scorned tethered to him and awaiting to claim his soul should he fail. He has seven days to wed. But where are you?
Two More Times (one-shot NSFW)
A meet up with a beautiful Captain has you feeling unworthy of being by Shanks' side as his partner. Shanks does not like being ignored - he wants to showcase his pretty girl sat on his knee. He reminds you of your importance to him, while punishing you for behaving like a brat. His brat.
What do I do? (One-Shot) (Not 'x reader')
Uta is going through a leap week and Shanks is an overwhelmed teenager. He does his best to soothe her, but becomes overwhelmed by the wailing cry of his daughter. He calls the one person he knows has hands on experience with a situation exactly like the one he's found himself in.
Drabbles & Headcanons:
Shanks Likes to Dance HC Drabble
Benn Beckman:
When You Had The Chance (one-shot)
Serving as first mate to the Buggy-Pirates, it was your job to keep your captain grounded and uplifted. When tempers flared, he decided to confront his childhood rival once and for all - pulling out all the stops to finally lay their feud to rest. One of them would be leaving with their life, the other fallen at their feet. Instead of stifling his fury, you decided to elevate your captain’s wrath: seeking vengeance of your own against the man who once cast you aside after you confessed your feelings for him. Crew against crew, Captain against Captain, First-Mate against First-Mate - will you win, or lie at the mercy of the man you once loved.
"Mister Beckman" (one-shot)
The first mate of the Red-Hair pirates is attempting to relax and enjoy his evening with you, but is rudely interrupted by Shanks' tinkering and clanging within the Captain's quarters.
Kind And Gentle (One-Shot)
Your shoulders and back ached with a pain you had attempted to cast aside as you went about your duties. The ache turned excruciating, your focus now being taken hostage between the gripping pain. Fortunately, the grip of two firm hands found your body and eased you through the torment.
You shot a baby? (Dialogue)
Part 2 (one-shot)
Benn Beckman shot Eustass Kid's arm off. You are not happy about it.
Daughter of the Sea (5/5 series)
As a reformed spymistress working for the new title holder of "Worlds Greatest Swordsman," you are prepare for the worst, anticipating every possible outcome. What you did not prepare for was Mihawk's oldest rival presenting you with a sight that had the pair of you perplexed: his latest plunder.
After first meeting years ago, Beckman had longed for you from afar. All those feelings come flooding back to him once he sees the young baby in your arms.
He's in love with you (one-shot)
Benn Beckman can no longer ignore the way he feels about you, and it's eating him alive.
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beanghostprincess · 6 months
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TW // Suicidal behavior/tendencies
The ASL brothers deal with suicidal tendencies constantly in different ways and I find it so interesting how little the three of them value their lives for completely different reasons.
Ace is obvious from the very beginning. He has been constantly told that he shouldn't have existed. That he should die. That he is not worthy of living. His whole identity was a secret from the rest of the world because if they knew, they would want him dead. But he knows already that people want him dead, so, whatever. He can't take love from others. And it is not he is actively trying to kill himself but he doesn't value his life at all. At least not until he meets Sabo and Luffy. And he still doesn't value his life much, but he realizes there are people who want him alive. And it is hard for him to believe it, but they do. Ace's journey is a tragedy because he keeps asking himself if he should be alive, constantly fighting against it because he genuinely thinks he shouldn't have existed, and then dying in the arms of his little brother and thanking him for loving him. And he dies because he is too proud and stubborn and it was just obvious that his recklessness would end up killing him somehow. It was not a conscious action but-- Ace knew he was dying that day. Which is extremely sad because he realized he wanted to live seconds before he was killed.
Sabo is just too focused on saving the world. He puts the greater good before him constantly because he quite literally has never known any better. He joined the revs with no memories and no purpose and only hatred for the ones with power. He was raised with love and friends there but-- There is only so much you can do in a place where they teach kids specific ideals and what they should do. And Sabo is happy there and more than glad to be of service, but he doesn't value his life at all. He constantly puts himself in danger, ever since he was a kid, to fight for others. And not even others as 'specific people' but just society and his ideals as a whole. Like he would rather die and kill if that spreads the revolution around. He genuinely doesn't care about dying if he is able to help the cause. I mean-- I think it does change when he meets Luffy again (he is canonically still reckless af okay this is self-indulgent) and realizes he can't let his brother lose him again. But still, he keeps on not valuing his life at all and acting without thinking things through.
Luffy is quite obvious, isn't it? It's not that he doesn't value his life, but he values his life around others. He is a person whose core need is to be with people. He was left alone at a very young age. Dragon left him with Garp and Garp, aside from being an awful role model, wasn't even there much and left the kid alone. The only role model he had was Shanks and he was going away constantly too. Uta basically disappeared from his life out of the blue without explanation. So when he finds Sabo and Ace it is normal that he gets heavily attached to them right away. When he is kidnapped and tortured he doesn't say a word about their treasure because he doesn't want to get in between their dream which-- Is another story. He values people's dreams even above his own life too. But there is also this layer of "If I break the promise of not telling people they will not want me" and it is just-- Pretty fucking sad. Like. Luffy's need to be around people and not lose the ones he loves comes from abandonment issues. Plain and crystal clear. He puts his life in danger constantly to not lose people and when he is alone he doesn't see any reason to keep going. He always finds something, of course, but being alone for him is quite obviously worse than death and he has had those types of thoughts/tendencies before. That is why I love the Baron Omatsuri movie so damn much. It is basically this whole thing.
Ace and Sabo are pretty similar when it comes to not valuing their lives and acting recklessly, but Ace is more on the 'I should not be alive' side of suicidal thoughts and Sabo is more on the 'I don't care if I die' side of self-destructive tendencies. While Luffy is on the 'There is no point in living if I am alone' side of abandonment issues.
I don't mean to go anywhere with this, btw. I just find it interesting how the three of them value their lives so little and end up forming a little family together. They found comfort and love in each other and I think their damaging tendencies keep existing because they are not together anymore. Like. Genuinely. In a Modern AU where the three of them are together their mental health would be so much better because of being next to each other. Ace would struggle with his self-worth but would be constantly reminded every day that he is loved, Sabo would overwork himself but they'd keep him from it being actually damaging, and Luffy would just not be alone at all.
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nieves-de-sugui · 1 year
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A Quick History of BL
As someone who wrote a thesis on this very subject a few years ago, here is the short version of how BL has evolved throughout the years. For the new comers ❤ 
a minute of silence for the original form of this post that tumblr decied to not save right after I saved it
I am going to go with a chronological approach. Unfortunately, I cannot put everything in one post so if there’s any questions about this or that aspect of the history of BL that you want to know and it’s not talked about here, you are welcome to ask me directly :)
Context and influences - Japan in the 60′s
Before the US forced Japan to open its borders to the outside world in the 1800s, homosexual practices were common place between budist monks, samurais and kabuki actors. During the Edo period (1600s to 1800s) there was a very rich amount of poetry, art, books (such as Nanshoku Okagami (The Great Mirror of Male Love) by Ihara Saikaku) and codes of conduct about how to have a good master/aprentice relationship, kinda like the greeks if you know what I mean. However, with the arrival of western influences, in order to become a more “civilized” country, it was all put in the closet. 
Yet, in the 60′s Japan started to pick it up again through literature about young androginous beautiful boys (aka bishounen). On one hand, in 1961, the novel Koibitotachi no Mori (A Lover’s Forest) by Mari Mori was published. It tells the story of a young and beautiful 19 year old worker and a half french half japanese aristocrat, and their tragic romance. On the other hand, Taruho Inagaki wrote Shounen ai no Bigaku (The esthetics of boy-love), an essay on aesthetic eroticism (of which he wrote a lot of). All this was know as Tanbi (lit. aesthetic) literature. It generally refered to literature with implied homosexuality and homoeroticism such as works by Oscar Wilde, Jean Cocteau, etc. And of course, Mori and Inagaki. 
In chinese tanbi is read as danmei (term used to refer to BL novels in china today, ie: The Untamed it’s all connected friends).
From the birth of Shonen Ai  to Yaoi - 70′s to the late 80′s
Around the beginning of the 70′s, shoujo was being revolutionized by the Year 24 Group, a generation of women manga authors (mangaka) who started to explore new themes. Among them, their interest in tanbi gave birth to a new subgenre: Shounen ai. 
Their most known manga were:
Kaze to Ki no Uta (The Ballad of the Wind and Trees) by Keiko Takemiya, and Toma no Shinzo (The Heart of Thomas) by Moto Hagio
Their stories are characterized by having suffering eurpoean bishounen in boarding schools, living an idealized perfect love (meaning passionate) that, despite the tragic end of one of them, lives forever in the other. 
As this genre starts getting popular, more and more fans of these stories start making their own self published manga, aka doujinshi, of the genre. It is around this time that the term Yaoi is coined. Meaning “YAma nashi, Ochi nashi, Imi nashi” (no climax, no fall, no meaning). Basically PWP fanfiction, for the most part. Doujinshis could be considered an equivalent of fanfiction in manga form.  It is also here that the term Fujoshi (aka Rotten Girl, for liking rotten things) starts being used to refer to women readers of yaoi. 
With this rise in popularity come the start of the commercialization of the genre. Which meant the publication of magazines dedicated solely to yaoi/shonen ai/BL. The most popular yaoi manga magazine at the time was June. The common trait of their stories being the therapeutic power of the love between the mains. The traumatized character would heal throught this newfound love.
Most of the stories at this time happened in the West (Europe or the States) as the exploration of these dark themes intertwined with homosexual romance and homoeroticism still feel safer to explore as a foreign concept. One example would be Banana Fish (1985).
Commercialization and Yaoi Ronso -  90′s 
As more publishing houses pick the genre up, the term Boys Love is used to include every type of manga about homosexuality made for women. 
The increasing amount of BL series sees a changes in its themes: 
the start of the “gay for you” trope where one mantains their heterosexuality despite being in a homsexual relationship, 
the uke/seme dynamic (mirroring hetero realtionships) also relating to physical appearence (one being more feminine, the other being more masculine), 
the use of rape as an act love (sexual violence has always been present but here it becomes a staple),
anal sex as the only type of sex, 
older and more masculine men start to appear 
they now happen in Japan
Good examples of the presence of these themes in manga are Gravitation (1996) or Yatteranneeze (1995).
However in 1992, Masaki Sato (a gay activist/drag queen) wrote a letter in a small scale feminist magazine attacking yaoi and pointing out how it “represented a kind of misappropriation or distortion of gay life that impacted negatively upon Japanese gay men”. The female readers of yaoi responded, defending the genre as a means to escape gender roles and explore sexual themes that was never meant to represent the realities of gay men. This is know as the Yaoi Ronso (Yaoi Debates).
The debate ended with both sides understanding more of each other, with mangakas starting to include queer views in their works. It also started the academic reasearch of BL. 
Yet, it is a debate that has been restarted more than once, as it is still relevant despite the evolution of the genre.
more on this on another post
Globalization and coining of BL - 2000′s 
By the beginning of the 2000s BL is being sold all over the world (like all manga), and has become a stable industry. We could say it has finally become it’s own genre. 
Some of the most well known manga series, to us (in the west), of the time are:
Junjou Romantica 2002 Koi Suru Boukun 2004 Love Pistols 2004 Haru wo Daiteita 1999
all of these have anime adaptations for the curious ones
We also start seeing short anime adaptations or special episodes of the most popular series, with questionable themes, such as: adoptive father x adoptive son  (Papa to Kiss in the Dark 2005), father x son’s friend (Kirepapa 2008), etc... 
However the themes remain more or less the same. Junjou Romantica’s love story starts with a non-con sex scene by the older one (masc, seme) to the younger one (more feminine, uke) addressed years later in the manga btw. Koi Suru Boukun’s love story is triggered by aphrodisiacs and rape. They’re still very present in the stories but slowly going away. A mangaka that represents this era could be Natsume Isaku (Candy Color Paradox 2010).
Change is slow in Japan. Even though the voices of LGBT+ people started to be taken into account in the genre it is not until later that we see it reflect in the mangas themselves. However, we can already see the start of this in Doukyusei (Classmates) (2006) by Asumiko Nakamura. Also Kinou Nani Tabeta? (2007) which is actually part of a more mature genre: Seinen.
It is my personal (subjective) theory that the BL of this era was the one that got popular outside of Japan, which is why we see lots of references to the themes, tropes and dynamics of this time in today’s BL series. 
The LGBTzation of BL and the rise of webtoons - 2010′s to 2020′s
Slowly but surely LGBT characters and themes enter the scene of BL. Existing simultaneously with the previous tropes and themes, we start seeing a shift in these stories. We now see:
characters that identify as gay or some type of queer
discussions about homophobia
more mature themes about life and romance
At the same time as we get the usual love stories with the usual themes, a new trend starts to take over. And we get simultaneously, cute, sometimes questionable but light love stories:
Love Stage 2010 Ashita wa Docchi da! 2011 Kieta Hatsukoi 2019
More profound stories and darker or more complex themes:
Blue Sky Complex 2013  Saezuru Tori wa Habatakanai 2011 (mafias) Given 2013 (suicide) Hidamari ga Kikoeru 2013 (deafness)
And others that adress the queer experience in a more mature way (which might actually fall into the Seinen genre)
Itoshi no Nekokke 2010 (slice of life, queer characters) Smells like Green Spirit 2011 (two ways to deal with a homphobic society) Strange 2014 (relationships between men) Shimanami Tasogare 2015 (an LGBT group helps a closeted gay) Old Fashioned Cupcake 2019 (you know this one 😉) Bokura no Micro na Shuumatsu 2020 (the end of the world)
As queer stories are explored, BL mangakas and mangakas from other genres start to consider more stories about queer people such as the Josei Genderless Danshi ni Aisaretemasu (My Androgynous Boyfriend) (2018) by Tamekou, or the Shoujo Goukon ni Itarra Onna ga Inakatta Hanashi (The story of when I went to a mixer and there were no women) (2021) by Nana Aokawa. 
Still, we can see two realities live side by side. Doukyuusei gets adapted into an impactful animated movie in 2016, meanwhile Banana Fish gets an anime adaptation that keeps the homoeroticism but not the homosexuality.  
For those who might be interested. Here are some of the authors that represent the first half of this era, where they start to include newer points of view:
Scarlet Beriko, HAYAKAWA Nojiko, KURAHASHI Tomo, OGERETSU Tanaka, Harada, KII Kanna (Stranger by the Sea), etc...
And authors that while keeping classical themes break the stereotypes in a subtle manner:
CTK, ZAKK, Jyanome, Cocomi, Hidebu Takahashi, SUZUMARU Minta, etc...
Mangakas also no longer stick to one genre only. They explore whichever of them they want, from BL to Seinen to others. 
ie: Tamekou, 
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or Asumiko Nakamura
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The curious case of Webtoons
With the digitalization of mangas, throught Renta and Lehzin, it has become easier (and more expensive) to access these stories. Korea makes and appearence with their webtoons. Through the lack of piracy protections and the majority of them being digital, manhwa (korean webtoons) sees a rise in popularity. Through the digital medium the influencee can be the influencer.
However, like many other East Asian countries they have consumed BL, without hearing about the conversations about BL. So they end up mantaining the older themes and stereotypes that newer BL is trying to leave behind. Therefore, we end up with a mix of old and new, ie:
Killing Stalking 2016 Cherry Blossoms After Winter 2017 Painter of The Night 2019
Additionally, it is also thanks to the easy access to internet that Omegaverse, with its higher dramatic stakes (that parallel hetero dynamics), enters the mangasphere in 2016. It has grown in popularity ever since.
With the Thai BL Boom of 2020, Japan rediscovers its own BL market and starts investing in it more. Which is why we get live action adaptations of BL manga that was popular years ago (Candy Color Paradox was a manga from 2010), the more recent ones (The End of the World With You) or new anime adaptations (Saezuru Tori wa Habatakanai in 2020). 
more on this in my japanese live action BL post
What has it become now? is it BL? ML? or Seinen? Or is it all just gay manga?
It is clear that Shoujo manga (with BL, Josei and Seinen) is exploring queer themes such as gender and sexuality more and more. Japan is interested in this conversation, not only in manga (Genderless fashion). Which brings up the current question in BL studies: Does it make sense to keep these categories?
As a response to BL, ML (Male Love), which is made by gay men for gay men, started happening (around the 70s too). And Bara (gay manga porn) in response to Yaoi. However both gay men and women read BL and ML. We also see other themes being explored through BL, such as friendship (in BL Metamorphose), food (in Kinou Nani Tabeta), male relationships of all kinds (in Strange), and different queer views on life and its challenges (in Shimanami Tasogare). More and more what is LGBT and what is BL is merging, the line is blurred. 
Conclusion
BL has been in my life for longer than it hasn't. It is through shoujo and BL that I have come to understand people and romance.
It is flawed, like everything else this life, but it's flourishing in many ways.
The genre feels old and new at the same time. 
We can still find shounen ai/tanbi elements in more modern manga (All About J). Or the gay for you in a new light (Itoshi no Nekkoke). Or more educational manga on queer issues (My Brother’s Husband by Gengoroh Tagame). BL has around 50 years of existence but it is also being born anew in Thailand and Korea. 
BL manga will continue to evolve in acordance to Japanese tastes, as it is still a local market. Hopefully the korean webtoons that get popular will be the more daring ones in their themes. Who knows where it will go from here? The only thing we know for sure is that it will continue to change. Isn't it exciting?
A post on the evolution of live action BL in Japan is coming, to complement this post.  As well as a more detailed explanation of the Yaoi Debates and gay manga.
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