Since today is Women's Day, I want to take a second to talk about a personal accomplishment. I've been writing as an intern for an entertainment news source for the last few months, and it's been incredibly rewarding. I have been given the opportunity to write about things I love, and they're published with credit. I didn't intend to pursue a career in entertainment writing, but I've fallen in love with it and want to continue on this path once my internship ends.
I've been able to write about a lot of women I admire, and some of them have even acknowledged my work. I love being able to support women, and it feels great when they support me back. I'm so happy about this internship, and I'm so grateful to the women that have taken the time to acknowledge and appreciate my writing. It's really cool seeing artists repost my articles, and also I'm extremely grateful for the women in my life who have shared my enthusiasm for this endeavor.
12 notes
·
View notes
On Waxen Wings We Soar, In Spite of Inevitable Ends - A Baldur's Gate Fic
Written by pokimoko
Chapters: 1/1
Word Count: ~15.5K
Fandom: Baldur's Gate (Video Games)
Rating: Teen and Up Audiences
Warning: Creator Chose Not To Use Archive Warnings
Relationships: Astarion & Karlach (Baldur's Gate), Astarion/Karlach (Baldur's Gate), (it's fairly ambigious; is it romantic? queerplatonic? platonic? yes), (the love and devotion is there regardless)
Characters: Karlach (Baldur's Gate), Astarion (Baldur's Gate)
Tags: Post-Canon, Post-Game: Baldur's Gate 3, Spoilers for Act 3 (Baldur's Gate 3), Alternate Universe - Canon Divergence, (in which a certain scene on a certain dock doesn't happen right at that very moment), POV Karlach (Baldur's Gate), Astarion as Player Character (Baldur's Gate), Vampire Spawn Astarion (Baldur's Gate), Astarion & Karlach Friendship (Baldur's Gate), Ambiguous Relationships, Queerplatonic Relationships, Non-Sexual Intimacy, No Smut, Location: Faerûn (Dungeons & Dragons), Dungeons & Dragons Game Mechanics, Road Trips, (minus the car), Canon-Typical Bag Packing Physics, (how are they fitting all that food and a whole tent into one bag? don't ask me), Polymorph Spell (Dungeons & Dragons), Animal Transformation, Corvid Token (Baldur's Gate), Birds, oh? my wisdom check engine light is on? well i'm sure it's nothing to worry about, (and yes i know that joke doesn't actually work in terms of d&d mechanics. shhh), Quest: Our Fiery Friend | Karlach's Companion Quest (Baldur's Gate), Karlach Needs a Hug (Baldur's Gate), Astarion Needs a Hug (Baldur's Gate), Angst and Hurt/Comfort, Angst and Humor, Karlach-centric (Baldur's Gate), Astarion-centric (Baldur's Gate), Protective Karlach (Baldur's Gate), Protective Astarion (Baldur's Gate), Karlach Has Chronic Pain (Baldur's Gate), Dying Karlach (Baldur's Gate), Ambiguous/Open Ending, Bittersweet Ending, Character Study
Summary: With her engine breaking down, and little time left to live before she burns up completely, Karlach takes one last journey across Faerûn. And thanks to a little bit of magic, it's a journey she won't have to take alone.
12 notes
·
View notes
Hi! I recently found your blogs, and can I just say how much I love your character analyses? Your portrayal of each character is always so in depth to the point where I can even picture them acting and speaking the same in game! I'm so impressed and I seriously don't know how you connect to each and every one of them so perfectly :O
If I may ask, what does your research and character profile process look like? As someone interested in writing, I hope to be as skilled as you with analysing characters (and writing plots and writing in general--) one day :) Any tips would be appreciated!
Thank you so much for all the hard work you do. I know I'll enjoy the story you come up with next!
Aww thank you so much!! Honestly sometimes I worry that my analyses won't be to everyone's tastes, so I'm very glad you think that they're good! I feel the same way about my writing because I know they're not the most romantic, so it's a relief to know you like it. ;v; <3 I have a lot to say about your questions though, so I'm going to put it under a readmore. It's an uh... infodump HAHA
When it comes to research, what it basically comes down to is reading everything. Read the character's lore, read their voice lines. Read what other characters have to say about them. Even talking to every NPC you see in the hopes that they'll talk about a character helps out a lot too HAHA. I also recommend going back to old events when doing research too. Reread them. Listen to the voice actor's portrayal of them. Read everything you can.
This is take three of trying to explain my character analysis process, but I'm going to give up and just explain to you the main logic that governs it. Basically what it boils down to is: we are not unique. Humans are not unique. What do I mean by this? People that are certain ways--for example, they have a low self-esteem, consistently overwork themselves, they want children when they get older, etc--they will typically share common characteristics. When you know the defining characteristics of each trait, you can potentially apply that trait to everyone you know that displays those characteristics.
For example, people that constantly overwork themselves typically have unhealthily high levels of perceived responsibility, typically with a self-deprecative trait that they don't deserve to be happy and rest. People that are very showy tend to care a lot about what people think of them. People that are extremely close to their families typically lose the ability to function properly without them.
If you know people that are like the examples above, you know that these observations are pretty accurate. And these examples represent pretty common types of people as well. Once you've seen one of them, you've seen them all. Nobody is unique. And because of that, you can apply these observations to characters because characters are meant to be human. Example one is Kaveh. Example two is Itto. And example 3 is Lyney. Now you've gotten a deeper dive into their psyche.
The way you become better at character analysis is by broadening your internal library of traits and their defining characteristics. This involves three steps: observation, drawing connections between observations, and fine tuning these connections by applying them to other people.
These steps are easy to understand, but let me go a bit more into step one. Observations come in two categories: physical observations and intuitive observations. Physical observations encompass things they physically do. Intuitive observations are larger statements that can't be tied to just a single physical observation. For example, physical observations may be that they don't go out much, they don't talk much in groups but do one-on-one, they wear bright colors, they're rude, etc. Intuitive observations are more: they seem to be uncomfortable around children, they act like they're scared to contact first, they're always on the move, etc.
The second step involves drawing lines between observations and trying to deduce meaning. For example, [they end their sentences using a rising intonation] + [they ask me my opinion a lot] = [this person cares about not sounding rude or unwelcoming]. Or, [they have a low self-esteem] + [they care about being seen as morally good] + [they engage in fandom] = [I probably should not tell this person I think Dottore and his penchant for human experimentation is hot].
Typically the logic goes: [physical observation] + [physical observation] = [intuitive observation]. [physical observation] + [intuitive observation] = [mid-tier intuitive observation]. [intuitive observation] + [intuitive observation] = [top tier intuitive observation].
But it does not end at step two. Step three basically tests to see if your observation from step two is valid or not. When you apply your observation from step two to a multitude of people, you're able to fine tune your observation to make it more generalized and more accurate. Maybe you realize that not everyone that ends their sentences in a rising intonation is necessarily polite, but it's more of a cultural thing. Maybe you see that having low self-esteem isn't always a symptom of having a high moral code. Test, revise, then test again. The higher the tier of your observation, the greater the chance it has of being wrong.
When I analyze characters, I go through my mental library and see which traits and characteristics I've catalogued before. And for things that don't have an exact match, I try to find ones that shares at least a few things in common that may follow the same logic. For example, I don't know anyone like Zhongli. However, I do have a friend that's very outgoing, but you can have a full on conversation with them and leave not knowing anything about them. Can I apply the logic of my friend to someone like Zhongli?
I will say this and I will say this again. People are not unique. Everyone is a copy of someone else in some way. When you treat the characters as if you were analysing any other normal human being, you can quite easily draw conclusions from what they have in common with people you know and have seen.
Anyway, this is so long I am so sorry. Hopefully I didn't completely bowl you over with information. OTL
15 notes
·
View notes