I have found that the biggest deterrent to assholes is asking "why?" Over and over.
"We can't have universal healthcare!"
Why?
"Because I don't wanna pay for a strangers health!"
Why?
"Because if they can't afford their own health care that isn't my problem!"
Why?
And so on and so on. Keep making them dig. Keep making them explain until they can't anymore and are faced with nothing but the ugly mask of bias and prejudice. Only then can they truly see that taking it off is an option. Whether they do or not is up to them. And that choice tells you whether they deserve more of your energy or not.
Trans kids can't be trans. Why? Why not? Why?
Free food is bad for ppl. Why? Why? Why? Why is feeding ppl bad?
Why?
Why is helping one another bad?
Why is doing what humans are genetically designed to do, to help and care for one another to ensure survival, bad?
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I think the thing that's fueling my Dead Boy Detectives fic series is that almost every major character has had some sort of interesting/unhinged interaction with every other main character. Like beyond the incredibly interesting/fleshed-out relationships between the main four detectives we have examples like:
1) Cat King and Monty forest interaction where the Cat King toys with Monty in order to both protect/play with Edwin
(Which, by the way, the Cat King knew about Monty before the forest scene when he shapeshifted into him by the lighthouse. So, like, did he know what Monty's secret identity was then and just straight up didn't say a word because he felt like it? Or did he figure it out later?)
2) Jenny straight up meeting Charles and Edwin only after being possessed by a demon and literal minutes before her shop gets blown up leading to the iconic "you were about to leave those boys forever now you're going to risk your life to save them" line
3) Jenny only meeting David to sing Belinda Carlisle/threaten him with a meat cleaver and get her SECOND near-death experience
4) Hell, on the meat cleaver POV: first and only time Niko meets the Cat King it's to threaten him with a meat cleaver and clock him for his interactions with Edwin (same goes for Crystal even though it's her second time meeting him)
5) Any scene Charles has one-on-one with Monty plus the bit on the sidewalk where Monty straight-up bypasses him for Edwin and Charles just goes "I was polite, wasn't I?" while the girls are clearing him away for Edwin and Monty to flirt
6) Night Nurse and Kashi. Everything about those interactions are *chef's kiss.*
7) Same goes for Night Nurse and Niko. Their dynamic is so fucking good and leads to the fantastic "reading comprehension" bit.
8) And from a more devastating/angsty POV, the scene with Esther and Monty in episode 5 where Monty feels more like a teenager than any other character in the cast. And as much as Esther is a camp queen in that scene, it's also terrifying because that iron cane is against Monty's chest and she literally ripped him apart episodes before that and she's going to kill him again next episode with that very cane and your brain is just bouncing between laughing at the "it's honestly nbd" line and going on red alert because get the fuck out of there, Monty, you're going to die at her hands-
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if trc was a visual medium and I was a tiktoker i would go insane talking about quiet luxury and how Declan and Adam both fall into this position of people with OBJECTIVELY less money compared to their peers and how both of them are trying to replicate luxury (ie: clothing=persona/identity) to varying levels of success. adam wears old gifts from the ganseys and declan is very clearly called out by other characters to be overcompensating. neither are fully seamless and even though thats not an overt plot point it is DEFINITELY very significant since plenty of their story beats echo each other down to their relationship with ronan, who is a different fashion debate (eg. how punk can you get off of a bank account you dont need to look at and a shaved head which needs to be constantly maintained and a BMW you stole w no repurcussion). again I DO think stief implies fascinating plot points that she doesn't focus on but her display of class and economic variation is very very cool & obviously people w more context of specific USAmerican culture can have this debate better than I can
editing to link the video that finally helped me put this thought into words
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the way people are inclined to believe jonah magnus who doesn’t believe in fate/bloodlines and who longed to become an immaterial extension of a fear ‘deity’ is more likely to be tory-aligned than og!elias who was raised to believe he is better and more deserving simply because he is a bouchard is honestly. very strange
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