#''it's like a cartoon but also not like a cartoon at all'' is one way 2 say it but i feel like that feels

[ellatoone7]

❄︎ Helpful bunch ❄︎

Alexia's favourite girls series

The girls help you during your last weeks of pregnancy

You were due any day now. Your stomach was so swollen that you could barely walk. Alexia was on permanent hover mode as she basically never left your side unless one of her daughters needed her. Just like every other pregnancy your wife had been a godsend, she seemed to know what you needed before you even knew. The girls had seemed to inherit that trait from her too as they did everything, they possibly could to be helpful. 

Alexia had woken up early this morning, wanting to make sure you were okay and ensuring that you wouldn’t have to move too much today. Per routine Alexia quickly rifled through the hospital bag she had packed since she found out you were pregnant again. After she was happy that everything was in place, she ticked it off her mental checklist. 

Val was sitting happily outside your bedroom when Alexia opened the door, fluffy her stuffed rabbit clutched tightly to her chest as she stared up at her Mami. Valentina knew that she couldn’t jump on her parent’s bed for a while because her Mama had a sore tummy from her baby sister. Her Mami had told her she could come in a wake her up, but Val seemed to fall into a routine by waiting at the door. Her little face lit up as she saw her Mami, and she immediately reached out for her. 

“Hola mi Bebita.” Alexia cooed as she picked Val up and pressed a kiss to her cheek, “¿Has estado despierto mucho tiempo?” Val rubbed at her eyes tiredly as she shook her head. “Mami, want to see Mama por favor.” Alexia quietly peeked through the door to see if you were awake, but she knew you wouldn’t be for a while. “Mama is asleep nĩna.” Val pouted as she leaned her head against her Mami’s strong shoulder, “Cuddles?” Her hazel eyes shined softly as she requested her favourite thing.

Luckily for Val it was also her Mami’s favourite thing too, she giggled the whole way down the stairs as her Mami made Señor Fluffy speak in funny voices. “Señor Fluffy likes cuddles too Mami.” Val whispers as she holds the rabbit up to her Mami’s face and playfully snuggled into her neck just like Val likes to. “You and Señor Fluffy can have all the cuddles in the world, vale?” Alexia smiles as she gently sits Val on the couch. Val whines when she moves away but that quickly turns into a happy sigh as she watches her Mami grab her favourite cuddle blanket.

“I’ll be two seconds mi vida, I’m just gonna make some coffee.” Val nods before reaching her hands out, clearly not wanting to be separated from the former athlete for long. Alexia only smiles as she picks her daughter back up, Val fiddles with her Mami’s vest as they ywalk into the kitchen. The coffee making process didn’t take too long as Val watched from where she was perched on the counter. 

“Juice?” Val asked as she stared at the fridge, Alexia pulled out the bottle of orange juice and put some in Val’s sippy cup. Val cheered when she was handed her cup, and she nearly downed the whole thing in one before a playful warning from her Mami. When Alexia collected her daughter from the counter, she knew Val was starting to get a little tired because she was considerably clingier that she had previously been. 

Alexia saw down on the couch before settling Val on her chest. Val’s little hand bunched Alexia’s vest as she tucked her face into her Mami’s neck. Val was soothed by her Mami’s warm hand gently stroking her back and holding her even closer. Alexia pressed soft kisses to her hairline as she flicked through the channels, finally landing on one of the cartoons her daughters seemed to like. 

Alexia didn’t even hear footsteps until her 12-year-old was standing right in front of her with a sleepy smile. “Hola Mami.” She rasped out as she sat down next to the pair. Alexia wrapped her free arm around her eldest as she pressed a series of kisses against her cheek. “Bon dia, mi vida.” 

Val peeled out from her hiding place as she peered up at Isabella, reaching out to give her sister a hug before settling back against Alexia’s chest. A half an hour passed before Alexia glanced at the clock, going back and forth about whether to start waking you or not knowing that although the rest would do you good, your back could get sore from lying down for too long. 

Val had dozed off into a light sleep which made it all the more difficult for Alexia to get up. She lightly grabbed the little hand that was clinging onto her vest and slowly detached it before gently manoeuvring her to lie down on the couch. Alexia cooed gently at the sight of her youngest, brushing away the flyaways off her tanned face and placing a feather light kiss to her forehead. 

She made eye contact with her eldest who didn’t even need to be told what was happening she could just always seem to read her Mami’s mind. Alexia gave Isabella a kiss of her own before running up the stairs and into your shared room. You were sound a sleep but to Alexia’s utter surprise, you weren’t alone. 

Emilia was laying next to you, a small arm placed over your stomach in a protective manner. Emilia didn’t even notice her Mami was in the room, far too busy making sure her baby sister and her Mama were okay. Alexia made her way over to her side of the bed before sliding in under the covers making the small blonde jump. 

Emilia giggled quietly as she was pulled into her Mami’s strong arms and tickled gently. She playfully smacked her Mami’s chest as fingers dug into her ribs for the third time. Alexia grabbed Mr. Bear from the clutches of her daughter before tickling him too making Emilia lunge at her. 

“I think Mr. Bear prefers me.” Alexia stated as she held the stuffed bear over her head. Emilia scoffed and crossed her arms, sending her Mami a glare so like your’s that Alexia would’ve believed it was you in front of her.  “Mr. Bear, Mami, loves me the most and I love him the most.” Alexia hummed quietly as she looked at the bear, “I agree Mr. Bear might be loved the most, but he does not love you the most.” Emilia opens her mouth to argue before Alexia cups her freckle cheeks softly, “Because I love you more than anything in the whole wide world.” 

Emilia’s smile lights up the whole room as she wraps her arms around her Mami’s neck, kissing her cheek softly as she does so. “I love you too Mami.” Emilia whispers as if it was a secret, “Even more than Mr. Bear?” Alecia asks as she tucks the bear into her daughter's neck. Emilia pulls back softly as she placed her hands over her teddy’s ears, “Much more than Mr. Bear.”  

Alexia gave the teddy a victorious look before holding the back of her daughter’s head to bring her closer. “Were you looking after Mama?” She feels Emilia’s head move in a nod as she rolls out of her embrace and lands onto the floor with grace she learned from gymnastics. “She needs all the rest she can get until baby comes.” Emilia sites off something that her Mami had been telling her since she found out she was having another little sister. 

“It’s probably time to wake her anyway princesa.” Alexia tells her as she gets to her feet and makes her way over to your side of the bed. Her fingers thread through your hair softly as she slowly coaxes you awake. Your met with her hazel eyes as you finally come to the land of living, drearily blinking up at the Catalonian before smiling softly and cupping her cheek. 

Alexia softly joins your hands before bringing it up to place an adoring kiss to the back of it. “Bon dia mi amor.” You hum lovingly at the purr of her accent as you sit up with the help of her strong hands. “Good morning Meels” You coo as she shuffled her way to stand by her Mami’s legs. Alexia smiles down, absolutely infatuated with the little girl standing on her toes. You feel that pang of pure love fills every ounce of your body like you always did whenever you saw your wife with the girls. You never doubted that Alexia would the greatest mother of all time, but it didn’t really hit you until Isabella came into the world. Alexia held each of her little girls as if she would die if she ever had to be apart from them even for second. 

“Are you feeling okay Mama?” Emilia snapped you out of your bubble of bliss bringing you back into your equally incredible reality as she felt your forehead just like her Mami taught her. You caught her hand and pressed a kiss to it before reassuring her that you were perfect. Alexia held a handout for you to take as Emilia moved down the bed slightly to mirror her Mami. You laughed gently and took both of their hands as they guided you out of bed. You winced, your ankles were so swollen that it hurt to stand on them and your back absolutely killed. 

“Easy mi amor, relax I’m right here.” Alexia gently reminded as she took most of your weight, you sighed against her shoulder before making a move for the door. It was a very slow process, but you did eventually get to the door, you were severely out of breath, and you leaned against the sturdy frame of you wife once again. Emilia made sure that every door between you and downstairs were open as she waited at the bottom of the stairs just in case. 

“Let me carry you cariño.” Alexia whispered, hating when any part of you was in pain. “Alé I’m nine months pregnant and you are retired, you will break your back.” You sternly told her as you gripped onto the banister and slowly descended. Alexia grumbled beside you as you made you way down, “I still go to the gym.” You laugh slightly as you felt her tense her forearm against your hand, “Don’t get me wrong baby, you’re probably even stronger now but I need you to be able to pick up our girls.” That seemed to please your wife as she smiled charmingly at you. You sighed in pure relief when you were met with Emilia at the bottom of the stairs. 

“You made it!” Emilia wrapped her arms and legs around one of her Mami’s legs like a koala. Alexia picked her up effortlessly and placed her on her back as she led you to the sitting room. Before you could get there though Emilia gasped, “Mr Bear is still upstairs!” 

She let go of her Mami’s neck and landed on her feet giving Alexia and absolute heart attack in the process. “Meels we have talked about not doing that anymore.” It fell on deaf ears as she raced up the stairs to grab her teddy. 

“Sign her up for gymnastics they said, it’ll be fun they said.” The Spaniard mumbled as you entered the living room. Val had woken up at some point and was cuddled up in her favourite blanket as her favourite cartoons played. Her hair was a mess, but it was the absolute cutest sight to you and Alexia. Her hazel eyes lit up at the sight of you as she kneeled up on the couch babbling something in her sleepy state. 

“Morning baby.” You greet her with a kiss to her freckled cheek, “Were you being good for Mami?” Val nods as she jumps into her Mami’s arms to prove her point, “Mami’s best girl!” Val giggles as she clings onto her mother. “Sí, my best girl.” 

“I heard that!” Emilia shouted from upstairs as she somehow teleported back into the room with her stuffed bear in tow. Alecia gave her a sheepish smile as Emilia glared at her. “I need to sit down now.” You groan out as your back protests to the weight of your stomach. Alexia and Emilia jump into action, helping you sit down so your comfortable while Alexia places Val beside you. She cuddles up to you, small hand resting on your bump as she leans her head against your side. 

“Are you excited to meet your baby sister?” You asked softly, combing your hand through her brown hair. “I can’t wait Mama!” Alexia can’t help but playfully pinch her daughters' cheeks as she settles down on the other side of you. Emilia plops herself down on top of her Mami and pulls the blanket up to her neck. Alexia’s arms are quickly occupied, one wrapped around you and the other around Emilia as she kisses her cheek softly.

Isabella makes her entrance with a cup of coffee in one hand and a heat pack in the other. You could nearly cry with relief when she hands them to you, “Is you are saving my life right now, thank you baby.” You kiss her cheek and usher her to take a seat on the couch you are all occupying. You tilt your head up to meet your wife’s eyes before she leaned down to press a kiss to your awaiting lips, “Te amo mi amor.” She whispers against your lips before kissing them once more. You sigh happily before leaning your head against her strong shoulder, content with your little family.

[thisiscarlatrying]

modern!ellie hcs

notes/warnings: this is my first time doing something like this.. 😭😭 i hope u like it🙏 also, ellie and reader are dating and a lil of loser!ellie... that's just the way she is 😞

not proofread i think, i'll try to make it as good gramatically as i can but no promises 🙏🙏 (english is not my first language forgive me 😭😭)

| CONGO, SUDAN, PALESTINE | DAILY CLICK | DON'T BUY TLOU |

modern!ellie who cuts her own hair.. she REFUSES to go to a hair salon, she says it's a "waste of time and money"

modern!ellie who is kind of into fashion, i think she'd dress like this or like this...

also i just know she LOVES LOVES LOVES jorts, when spring starts that's ALL she'll wear

AND you guys just share clothes, you steal all her clothes and she steals yours

modern!ellie who wears a LITTLE bit of makeup, just mascara and chapstick. highlighter for special occasions

also her lips are so dry... 😭 she applies chapstick every five minutes and is constantly losing hers so you had to get her a one of those BIG vaseline things because she wouldn't stop stealing yours

modern!ellie who is a cat girl. you guys have like three cats together and they all look like the both of you

also their names are you guys' ship names until you ran out of name combinations and the names you had to choose were something like "sardine" or "chicken nugget"

modern!ellie who just loves kids cartoons like adventure time or the amazing world of gumball

modern!ellie who is CONSTANTLY daydreaming about being spidergirl and swinging around the city (spidergirl!ellie hcs coming soon... 🤭)

modern!ellie who plays minecraft and stardew valley for eight hours straight

modern!ellie who LOVES youtube and can't have a meal without watching a video

i KNOW she loves sinjin drowning. I DON'T MAKE THE RULES 🤷‍♀️

modern!ellie who has an INSANE vinyl collection.. it's all divorced dad music but she also owns a few of your favourite albums for when you come over<3

modern!ellie who is a barista. JUST HEAR ME OUT OKAY. while she's studying in college or something she works part time at a cafe... picture her with her little ponytail (like 17yo ellie) and her sleeves rolled up... UGHHH😭😭 she's so fine i can't.

talking about college... modern!ellie whose major is something nerdy like physics, astronomy or engineering... or maybe even architecture since she likes drawing so much

modern!ellie who was BEGGING you to move in with her until you finally agreed.. your apartment is the cutest thing ever, i feel like ellie's decorating style would be something like this:

modern!ellie who loves cuddling SOOOO MUCH. she's so touchy, she just IS.

modern!ellie whose burps make the entire building shake. it's actually insane and they smell so bad like.. you can smell the subway meatball sandwich she had for lunch earlier that day 😭😭

modern!ellie who constantly brags about you being her girlfriend, she never shuts up about you. and all of her instagram and tiktok posts would be about you (except from her outfit checks, of course)

modern!ellie who loves those cliche robbing movies, do you know what i'm talking about?? like those about robbing a bank or a museum and there's this incredibly unrealistic plan that comes out perfectly... THOSE kinds of movies. she eats them up EVERY. SINGLE. TIME.

modern!ellie who fights with people on the internet constantly 😭😭 she sees a comment on a tiktok video with an opinion different than hers? SHE'LL REPLY. and she's going to wait for HOURS for the other person to respond

modern!ellie who secretly loves laland. i said it.

modern!ellie who either sleeps for 12 hours straight or won't sleep for two days. there's no in between.

modern!ellie whose walk is so funny 😭😭 it's almost like she's jumping while she walks

modern!ellie who carries a picture of you absolutely EVERYWHERE

and your apartment is filled or pictures of both of you

modern!ellie who loves her friends. she makes those stupid tiktok slideshow trends about friends but posts them privately because she's embarrased about it 😢😢😢

modern!ellie who has a journal and writes every single thought that crosses her mind down. and when she doesn't have her journal with her she writes in her notes app

modern!ellie who secretly fucks with taylor swift's sad songs and cries to them

okay i think that's enough.. im getting a little too carried away 😭😭 lmk if you like them or if i should make a part two!!

[comradekatara]

so on a scale of aang (killing is always wrong) to katara (killing is a statement) to sokka (killing is a tool), where would the rest of the gaang + ozais angels go?

toph is hard to pin down because she’s the only character who ever actually kills people outside of the context of war. and i don’t know if she even realizes what she did, because she’s 12 and the adrenaline rush of discovering that you can actually metalbend probably supersedes any logical reasoning in that moment, but like, she did just leave two guys to die a gruesome death in a metal box. so i do think it’s more nuanced that simply saying, “to toph, killing is fun and flirty,” but like, there is a not insignificant part of her that will gladly kill as a means of asserting her power over others and individual autonomy, and has no compunctions about killing those who threaten her autonomy specifically, as it is such an acute point of trauma for her. but also, she’s twelve so like, she’ll probably develop a more nuanced approach to that quandary as she ages.

zuko’s stance on killing is mostly that he’s happy to outsource that violence and then take credit for it as long as he personally doesn’t have to get his hands dirty. like he’ll hire an assassin but won’t bring himself to admit that “end them” means “kill them,” or he’ll threaten to kill zhao and then try to save his life at the last minute. he wants aang to kill his dad but would never actually kill ozai himself, just as he wants katara to kill yon rha, but would never actually kill ozai himself. and i’m sure zuko thinks this is all because he’s a coward who simply lacks the capacity to be ruthless and effective (like sokka), but actually it’s symptomatic of zuko’s greatest quality, which is his inherent sensitivity, his queasy stomach for violence, his predisposition for gentleness, the fact that he actually struggles to deny his own inclinations and simply submit himself to a logic of brutal death and destruction. he thinks it makes him weak, but the fact that he actually has a desire to do the right thing and be a good person despite it all is truly his greatest strength.

azula is always operating from a place of survival because it was impressed to her from a very young age that she exists in a world that is unforgivingly cruel, and it is kill or be killed. she does not want to die (which is quite possibly one of her greatest points of deviation from sokka, but i digress) so she wholeheartedly submits herself to this logic, and unlike zuko, who struggles to erode his own humanity even under the threat of violence, azula is very good at becoming something “monstrous” (her words) out of fear, can contort herself into any shape necessary as long as the threat is tangible enough. so obviously azula approaches killing in the same way sokka does, no surprise there. murder is a tool to achieve her ends, to ensure her own safety and survival. it is simply a mechanism of war. but unlike sokka’s view of it, she also believes that the strong kill the weak because the weak deserve to die, and that logic she inherited from ozai.

we never see suki actively kill anyone, but she does threaten to feed sokka to the unagi, so like, even if she is (probably) joking, i don’t think suki is flat out against killing. i think she’ll kill if she absolutely has to, but would also prefer not to because she clearly values and holds a deep appreciation for life. but also, whenever there is a gap in our textual understanding of suki, i usually just fill it in by being like wwkd (what would kyoshi do), so maybe that’s why i just said. who knows

mai always makes an effort to never actually stab people with her blades, but rather pin them in place. that said, whether this is because a Y-7 cartoon simply isn’t allowed to depict blood or if it’s because mai is genuinely that attuned to not seriously hurting the people she throws knives at, i’m not entirely sure. i like to think that mai doesn’t actually want to hurt people, because like zuko, she is naturally inclined towards sensitivity and gentleness, but i think there’s also a part of her that would lock people in a metal box if she could. i think the best way to summarize mai is thus, excitement is valuable (including the heat of battle), but killing is unpleasant.

ty lee has actively refined a technique that makes her extremely dangerous without ever actually having to cause long-lasting damage to someone physically (psychologically is another story). yet another W for ty lee air nomad heritage theory, but i digress. ty lee is smart enough that she never actually has to be personally responsible and culpable for killing anyone ever, but she is also submitting to and enabling the violence of an empire for the sake of her own survival, so it’s not like she’s not complicit either. so to ty lee, killing is also a tool, but one she personally doesn’t need to employ, which is a comfort to her.

iroh (technically you didn’t ask about him but he’s fascinating so i can’t just leave him out) used to view killing as a tool, and now views it as an inviolable taboo because it took him like over 50 years to recognize the inherent value of human life and the grief of losing a loved one. so it’s not that he grew up in a “kill or be killed world” that fostered his need to kill to ensure his survival, but simply that he grew up in paradigm that dictated that “killing is the path to attaining glory” and he was good at killing, and thus glorious. but then he experienced the consequences of that worldview firsthand, and had to completely recalibrate his own logic of conquest and domination. and so now he’s still capable of violence in equal measure, but is less willing to exercise it for purely shallow, destructive reasons. yay..??

jet actually does think that killing is fun and flirty. anyone who disagrees with him deserves to die because he is simply right about everything. sokka? closet fire nation sympathizer, obviously. guy he met on a boat who said “hey im not really interested in joining your child militia”? well he’s probably the prince of the fucking fire nation (okay he was right about that one but he had no way of knowing it so). he watched the rough rhinos burn down his house and murder his family with a smile on their faces, and a part of him that day calcified and decided that the only way to truly reclaim his power was to beat them at his own game. so he does everything in his power to control the people he can, to control his narrative, to refine his logic in a way that makes him the uncontested hero no matter what. but in truth, it’s quite simple: he wants power because he has none.

haru exists somewhere between “killing is a statement” and “killing is a tool.” killing is a tool because it functions as a statement. killing is a statement because it functions as a tool. violent resistance is necessary by any means necessary, but you know, in a nice way. he’s basically just the model of the “good” colonized subject who fights for collective liberation instead of personal empowerment, so it makes sense that he’s introduced before jet as like the emblem of what katara should do (how she should fight, what she would fight for) versus what she shouldn’t. which is like, perhaps a simplistic reduction of “good” vs “bad” methods of resistance into “our noble collective action” vs “their senseless terrorism,” but like. lol. what can you do

[liketrianglehead-butspaghetti]

I gotta talk about FourDogs (again)

It's barely about her, though. I think "he's so lucky his dad was brutally murdered" and "people with trauma need a second handicap because they're too motivated" are such absolute-the-fuck-ly bonkers takes, they're not even worth the time it took me to get mad about them, which was immediately. This time around, I have way more to say about audience reception. I'll try to keep it civil.

It feels like a lot of us are responding from increasingly personal places because these are characters with which a lot of us identify, or we see traits in them that remind us of people from our real lives. And hey! Another performance and storytelling slay on the part of one Brennan Lee Mulligan. Who else can invent 50+ characters every year and play them to the point where any one of them can evoke both an "omg that's literally me!" and an "omg that's literally Dani, the girl that bullied me all of freshmen year until I punched out her front tooth in the student parking lot and got in-school suspension for a month!". And whether Kipperlily reminds you of Dani, or reflects your own anxieties about potential, ability, and trauma, an important thing to remember is this: she is not real!

Brennan made her up! Brennan made her up to tell a story, and when he made her up, he made her annoying, petty, antagonistic, and he gave her not just opposing goals to the the protagonists we know and love, but the explicit goal of ruining The Bad Kids' lives, specifically.

Now, I'm not saying she's fictional to be a dick, or dismiss any deeper readings on her or any of the Rat Grinders. I'm bringing it up because the way I'm seeing people talk to each other about these characters is starting to get a little wild and it's in danger of waking up The Olde Gods™ (i.e. the special brand of Tumblr Self-Righteousness that lives inside us all).

It's important to remember Kipperlilly is a character in a fictive work so that different interpretations of her don't get treated as stone law. Each reading of her is personal and valid, but none are gospel. The "Kipperlilly is but a victim" take is not the only correct one, nor is radical empathy for her as a character the only correct reaction. Also, even if I consider her sympathetic that is not incompatible with an opinion like "Kipperlilly needs to get roundhouse'd in the head by a lesbian in a tracksuit and/or a wizard in a jean jacket, posthaste". Sure, you can say that anyone who doesn't feel a deep and eclipsing empathy for Kipperlilly above all other emotions is immature at best and sociopathic at worst, but then I can just say anyone who demands solely empathy for Kipperlilly and excuses her literal crimes and bass-ackwards world view because she's insecure and has anger issues, is probably also someone who has a history of weaponizing whatever minority status they may or may not occupy to talk over, silence, or harass people of color.

They're both just opinions. And also, like. Y'know. A bit much.

To engage in the long and rich tradition of measuring character trajectories against those in the Avatar: The Last Airbender cartoon, let's compare Kipperlilly to Azula. Azula had an incredibly sympathetic backstory and untreated mental health issues. Azula was also a danger to herself and others, as well as profoundly manipulative and abusive (although, it was a children's show so Azula never killed anybody for whatever that's worth). Do I wish that fourteen-year-old girl had an Iroh-type in her life? Literally one adult who loved her genuinely and advocated for her best interests? Of course I do. I saw the Ember Island episode, I watched that one video essay! Does that mean it was any less satisfying to watch Zuko and Katara kick her absolute ass? No! And it was non-lethal anyway, children's show, duh.

That brings me to my other thing; Kipperlilly is a character in a fictive work that is not finished. And I know that point will age poorly, but I'm thinking it won't be the only one (hey-o). Remember the people that were calling The Bad Kids bullies? And then we learned that Kipperlilly hated Riz because his fucking dad fucking died?? And that was a full academic year before getting reanimated by a rage god?? I'll do a tame one; remember when Gilear wasn't cursed?? He was "just a guy"?? The show is serialized, gang, the world is still building! Clerickiller is not done yet, y'all need to let her cook! I'm sure we'll tune in next week to see her graduate from "unhinged" to "unaffiliated with the door frame or any frame-like structure". Reprimanding people on Tumblr will not change the trajectory of this character who, by the way, has not expressed remorse or any desire for a path other than violence. You look me in my black face after your blorbo slits a kid's throat and say "help her"?? Kipperlilly doesn't want get better right now, she wants one thing and that's for Kristen Applebees to go fuck herself and die!! You were there, you heard it!! When the fictional behavior changes, as it often does in stories, so will my opinion. There is no fore-forgiveness. Without an actual redemption arc I will continue to see the villain as a villain.

Speaking of, I think what some people have an issue with is the level of hate Kipperlilly's getting and how aggressive it is. But like.... isn't that allowed?? Because of all the stuff I said but also because like, mama said that it was okay! And by "mama" I mean Siobhan Thompson who said Kipperlilly belongs under the jail. Sure, in the real world, adults don't tell kids they belong in the ground that's crazy fucked up, but all these kids are played by adults and Emily as Fig joked that she was gonna smite the sixteen-year-old girl played by the thirty-something man. You're telling me the antagonist antagonizes the protagonists, and the protagonists go "boo, hiss" and then I, the audience, go "boo, hiss as well" but I'm wrong? I'm wrong, somehow, cool checks out.

"They're XP Levelling*punches a locker*!!"

"That girl is worse than Kalvaxus."

"Littledoggy Girlcollar"

Am I not engaging with the narrative on it's own terms if I say "i'd tell Clerickiller to die mad, but she clearly already did, Jojo Siwa head-ass, in reference to that fuck-ass ponytail and your toxic yuri" Do I need to draw a little caitmay-style OC to say it for me, would that be better?

God-forbid, we have fun? Must we discourse, always? FourDogs is tragic, FourDogs is compelling, FourDogs is Dani from 9th grade. She is Azula from Avatar and Clare from Fleabag and Brennan Lee Mulligan from my dreams and that is something that can be so personal. But no one else has to participate in your parasocial relationship. What's crazy is, I actually like Kipperlilly! As a character. I mean, the "trauma is privilege" obviously hit a nerve with me because of real life stuff, but the image of her over the rogue teacher's grave?? With a backhoe and a "gotcha, bitch" expression??? Come on, that is fresh-off-the-vine Cunt™. Even more so than I imagined that moment to be when we first heard about it. Her ending up in a Ragh or Aelwyn place would be way more satisfying than a Goldenrod or Penelope Everpetal place, BUT IT WILL ALSO be satisfying to see whatever Kipperlilly's version of the locked-in-a-chokehold-and-being-gaslit-into-thinking-you-shit-the-coach's-pants-scene is. In addition to the non-lethal ass-kicking that proceeds it.

Y'all can chuck the insinuation that something so clearly subjective is actually objective and has moral implications that make me bad, directly in the garbage. What is this, religion, hey-o.

[whereserpentswalk]

There's an orc attending your college. Your city is pretty diverse, there's a lot of human cultures represented there, and even harpies and dwarves are common. But an orc is still a really rare sight. And she's not assimilated at all, she wears the symbol of the dark lord around her neak, and the strange black cloths from the wastelands she came from, and she always seems to have a gun somewhere on her. It's strange just to see an orc in person, she's not like the green skinned monsters you see in movies, her eyes are pitch black, and her skin is so pale you can see veins, she's muscular and tell but also strangely skinny, and her teeth are sharp and spiked like a sharks, this one doesn't have tusks, just these rows of serrated teeth.

Everyone avoids her at first. There's something creepy about her. She doesn't move like a human. She emotes weirdly, being stoic during conversations, but sometimes smiling or laughing at odd times. In class it becomes clear that she lacks knowledge anyone growing up in your society has, but has extensive knowledge on things most humans will never know. She also very clearly supports the dark lord and the demons who serve him, and gets mad when his narrative of conquest and strict genetic hierarchy is challenged in class.

You end up paired with her for a class project. It's weirdly awkward. But you end up spending more time with her then most. It still takes awhile to get used to her mannerisms, and you have to convince her of evolution in a long debate (but eventually you do convince her). She seems strangely naive to a lot of things. Every time she does something that she considers a failure she goes into self loathing, and she gets really afraid she's going to be punished. You have to explain to her things are going to be ok sometimes.

You try to spend time with her. She supports the dark lord but out of a strange sense of fear more than the type of ideological support humans in nations not under his control have. When she does something that she thinks is heresy agaisnt him she becomes afraid. And while she's angry at people who follow gods other than him (which is basically everyone here) she's more afraid of them than everything. When a holy symbol you own touches her she's surprised it doesn't burn her, you have to tell her it's ok.

She has a lot more freedom here than she did back in the wastelands. You slowly help her realize she doesn't have to worry about being punished for sinning agasint the dark lord. She's able to go on the internet for the first time, you help her get everything set up. You also introduce her to your freinds, only some of whom feel safe around her, but those who do seem to like her.

It's weird just hanging out in her dorm. She can be weirdly laid back and introspective at times, at least when she's not nervous or paranoid. But when she's just relaxing she'll tell you about things, about the beauty of the desert sands, about what it was like to observe the rattlesnakes and condors and wyverns of her homeland. How she likes to observe the city, the way the diffrent people flow through it, she was scared of it at first but now she likes to explore it, and the way it lacks stars at night but the lights from the buildings replace it. She says she wishes she could stay here forever, that she wishes she could be an artist but that she was sent here to learn skills useful to the dark lord's empire.

There's something nice about showing her new things. You get to take her to a musical for the first time. Get to show her neighborhoods you like. Get to explain to her what public transport is (though she got scared feeling trapped in a subway car). You get to show her stuff she never got to experience because orcs are never really children, she loves getting to hold a plush for the first time, or watching cartoons for the first time, it's like she's finally getting to live an experience she never had. Even though she's a well armed adult she really likes plushies once she finds out about them, they weren't something she was allowed to have back home.

Over time she starts meeting people and learning things that go against her worldview. As she makes more friends, understands new things, slowly learns that she shouldn't be punished for mistakes, she slowly comes around to seeing how fucked up the world the was raised in is. She tells you she doesn't want to worship the dark lord anymore, she cries just from saying it. You hug her, and realize she's never been hugged before, she seems to really like that feeling. She bathes in the waters of a healing goddess, and she worships something out of love instead of fear for the first time.

Eventually the spawning warlock who spawned her and her siblings comes to visit her. You told her to be careful but she ended up spilling that she doesn't worship the dark lord, she ends up spilling all the things a warlock like that considers a sin. When he leaves she tells you she can't go home. Not ever. Never again will she see the shifting sands, or flying condor, or flowing serpents of her homelands. She's trapped where she is now.

You know it hurts her a lot. She says she feels like she's in a small pocket of safety. Back home she'd be hurt for being an apostate. In human lands outside of the city she'd be hurt for being an orc. But she's safe here. She stays in her apartment for awhile, while you try to make things work. She's finally changing her major to art, and despite everything she's finally free, free to watch the starless sky, free to not be punished when she makes a mistake...

[224bbaker]

If there were - hypothetical - three mice waiting to be named, and someone - hypothetical - considers naming them after his favourite detectives on Baker Street but stood before the problem of really liking Archie as a mouse name, which, due to there only being three mice would mean another detective having to sit this mouse naming out, which three would you choose as name patrons? Archie, James, Madge or Hampton?

Ok, first of all, @angryducktimemachine , !!!

Second, I will attempt to view this objectively for advice giving reasons and address the question not on personal preference, but on your very astute pre-stated criteria: the best objective names for a mouse.

As you’ve noted, Archie is an excellent mouse name. There is no possible room for doubt here. It is both cute and distinguished, the perfect combination. It is funny for a mouse’s full legal name to be Archibald, but it innately feels right to call a small critter something like Archie when they have done something adorable or mischievous. Obviously correct, good call you.

Next, I would argue: Madge. Mouse, Madge. Alliteration from the start. Evokes the image of something small—dramatic irony for our canonically tall detective, but also objectively correct for a mouse. The choice.

That leaves us with: James or Hampton. Correct in their own ways. We face a dilemma. There are multiple ways to approach this conundrum:

Even though Hampton is a human name, I would argue it has more whimsical energy. It FEELS like a cartoon name. It’s why we chose it for the show. Cartoon names work well for mice.

Conversely, James is a human name, this cannot be denied, which would appear to be a strike against it, but NO! There is something perhaps more innately whimsical in a human name for an animal companion. You imagine him with a job, with a briefcase, with taxes, which clearly he cannot have. He is a mouse. That’s absurd. Even funnier, he is a mouse named after a man who is hot. These are the building blocks of humor themselves. You can also pair him with Mouse!Archie and make humorous tableaus about how they are in love. That is adorable. I would argue James may have the edge here.

However, there remains one factor at your disposal still in determining the answer: the vibes and style of the mouse. Is this mouse innately pathetic? Do they give the vibes of insecurity? Are they light-colored or small but trying desperately to seem big? Does this mouse enjoy puzzles, mazes, exploring, or pretending to be other mice in elaborate disguises and voices? Does this mouse struggle to stand out among the other mice? If so, Hampton.

Is the mouse innately pathetic? Do they give off the vibes of insecurity—wait, sorry, that’s not helpful, both characters have that. But does this mouse’s pathetic energy have the sheen of cool? Could this mouse day drink at 10:30 in the morning and kinda pull it off? Does this mouse just kinda, like, vibe rather than puzzle? Are they good with other mice and show an effortless charm every time they waltz into a room? Does this mouse stand out? Most importantly, is this mouse hot by mouse standards? If so, James.

I hope this helps. I doubt it will, but I had a great time!

*throws in Ambrosius as a wildcard option*

[emmabirb8]

I've been an Invader Zim fan since 2011.

I was 15-16 at that time, and though I did thoroughly enjoy the show, I was not mature enough to really get it. Sure, it was funny, but I didn't pick up on the subtleties and style of humor beyond the surface level. I liked the wackiness and the characters, but I SURELY wasn't at a point of being able to deconstruct themes or analyze character motivations and narratives (like I very much enjoy doing now). I remember discovering an artist on DeviantArt who drew cute ZaGr stuff, so that was the pairing I liked too. I didn't think too deeply about much, and honestly, I don't think the majority of fans (if they were my age or younger, that is) did either. Everything was taken as dumb and silly for the most part, and that IS truthfully a major component of the show itself.

Getting back into Invader Zim within this past year though, I'm looking at it through a WILDLY different lens. I like Invader Zim for what it is and how it's intended to be perceived. I like that the show is meant to be dark, satirical, and tragic at the same time that it's silly, chaotic, and nonsensical. Almost everything that happens onscreen is written in to be funny above all else. (I've mentioned before that I've been watching Jhonen's Twitch streams for a while now, and I have a MUCH better understanding of his sense of humor bc of that. IZ makes way more sense if you can sorta see things from JV's perspective, lol.)

But at the same time, I also like Invader Zim for what it offers in terms of interpretation and what it can imply (intentionally or not). There is genuinely SO MUCH DEPTH to this dorky lil cartoon that a casual viewer wouldn't immediately pick up on. And a lot of that depth, I think, was not woven in purposely. The show itself was never meant to be taken so seriously. Nevertheless, I'm constantly fascinated by what IZ implies about good and evil, the nature of general society, and especially how it goes about demonstrating the devastating effects of social isolation and bullying. Meta for this series is always pretty damn *chef's kiss.* And what's even more interesting is how viewers manipulate canon to expand upon this world and these characters.

Given that I've come to understand Invader Zim better, I've also grown very fond of ZaDr. Now, while I wouldn't want to see this pairing happen in canon material, I love the potential it possesses in transformative contexts.

In reality, I get that these characters were intended to have a deep hatred for one another and a never-ending rivalry for the sake of comedy and not much else. It's an extraterrestrial perpetually throwing hands with a 12 year old because he's incompetent and his plans often fail. And that's funny. That's the point. But beyond that, canonically, these are two characters who are mirrors of each other; they're both treated like garbage by their respective peers, and they both crave acknowledgment, validation, and a sense of purpose. Throughout their story, they find they're only able to obtain these things from each other, so as a consequence of their similar personalities, they become utterly, unhingedly obsessed with each other (to a sometimes unhealthy degree). They are undeniably forever intertwined by design of how the show is set up.

And because of that, shipping of these characters was, frankly, inevitable in fandom spaces. I myself fell victim to their appeal too. (Sorry, Jhonen. 😅)

I'm not gonna go into any discourse surrounding this pairing because there's already PLENTY of that to go around online. Everyone has their own opinion on the subject, and that's fine. I respect that. Point is, even though I understand and appreciate what Zim and Dib are supposed to be in the context of the show, I also enjoy the idea of them as friends and romantic partners outside of and beyond the confines of canon.

And that's something that I think many fans who are biased toward ZaDr would also agree with! Actually, I'd say the majority of people who ship characters in ANY media would concur. We like the idea of seeing how specific relationships could develop over time and/or within different settings and circumstances. It's NOT always about wanting to see a relationship unfold on screen or in fan works strictly adhering to canon. It's about stretching canon, or in some cases, scratching canon entirely however you see fit! Who cares! It's fiction!

For me personally, I enjoy ZaDr because its attributes fall into so many trope categories that I've come to adore over the years (ones that I either wasn't aware of when I was younger, or that I didn't enjoy in the same intensity as I do now). Zim and Dib are, or could be, depending on context:

Codependent toxic soulmates

Human/non-human

Shared history

Classic enemies to lovers (or, as I often prefer it, enemies to friends to lovers)

Bicker couple

Battle couple, when put in the right setting for it

Violence as a love language

Smol and tol

The wild card paired with the rational one, the best part about this being that sometimes the more rational one is Dib, and sometimes it's Zim bc they're both a special flavor of insane

Make each other worse/stupider when together, tho oddly, they also kinda bring out the best in each other too

And, my personal favorites, the potential for hurt/comfort and angst with a happy ending, with the comfort and happiness aspects ultimately coming from each other

I like what these characters could be, to and for each other, apart from their roles in the show.

I would never want to explore a dynamic between Zim and Dib that goes beyond "frenemies" territory in canon (because that doesn't fit what the show is, and I do appreciate the integrity of Jhonen's vision). The subtle foundation for them is there, it's just that it can't really work unless a few key details are changed or manipulated, and, well...

I sure as hell like exploring every bit of that expanded potential in fan works because it's fun to imagine the various directions things could go if they were different!

This isn't me, like... trying to defend my (or anyone else's) enjoyment of this particular ship or trying to convince people to like it. Or the show for that matter! To each their own, truly. And I'm obv aware of the controversy ZaDr often incites and why. Everyone has valid reasons for liking OR not liking it, and I accept differing viewpoints on it. It's a touchy, nuanced subject to be sure. But this isn't about that.

I don't really know what this is, actually, aside from a very long very weird essay, lol. I just wanted to process why and how all of this works for me with my changed perspective from when I was first introduced to Invader Zim in my teens up until now.

It's strange, looking back. I didn't get ZaDr years ago. But I do now, and so much of it, at least from my perspective, has to do with taking the crumbs present in canon (that are undeniably there, whether you choose to acknowledge them or not, and whether they're intentional or not) and absolutely running with them to the ends of your own wild imagination.

[chubphoe-linkclick]

Hey so S2E9 'Three Stroires' was fucking bonkers

LETS TALK ABOUT IT

The episode is DENSE AS ALL HELL with things to talk about, the three main things being

The titles

The art style and style of storytelling

The dialogue (or lack thereof)

Lets speedrun some analysis notes of our three favourite members of the worst found family ever!!

Storytelling Styles

All three stories are emotionally driven and told in dramatic styles without realism, though all for differing reasons.

QJ mimics the over-the-top Shakespearean reminiscent of his wife, believing himself to be the main character of a tragedy. Though this style of story telling is obviously campy and corny, it's also presented in a way where it's not immediately clear to the viewers that this isn't actually real -- it's a fabrication of the canon within the canon as a reflection of QJ's delusions.

LTC mimics QJ, however, his disposition leads to him seeing everything as a Greek Comedy as opposed to perma-victim QJ's Greek Tragedy. It also reflects LTC ultimately leaning into and revelling in killing other people as part of his hunter ethos and evolution. LTC's style does not need to be realistic because LTC isn't looking for meaning in his story, but for an experience that's enjoyable and satisfying.

QJ and LTC's style complement each other with both being able to come together to tell a more cohesive narrative overall, although each does so by focusing on themselves more than anyone else.

LTX is a silent cartoon telling of her life story, quite literally the story that's gone untold, bar the words of the gossiping crows (people with frivolous and passing interest in her life writing their own stories about the events she goes through). Her story telling style is a reflection of her mindset and being trapped cognitively as a child for all time, and is further indication that her personhood wasn't allowed to independently grow since becoming an orphan.

LTX's story is outside of QJ and LTC's narrative because she cannot speak, and thus her story does not matter. No dramatisation of reality to paint a certain picture is needed, nor is her story seen or understood in either of theirs. Her story is insular and disconnected from theirs because her personhood is disconnected from theirs.

LTX's story is told through the lens of LTC and LX's worldview: that the world is made up of beasts and hunters. There is only ever one human character (likely LX himself rather than QJ, based on how visually loyal everyone else's designs are) while LTX watches LTC straddle the line between animal (his nature) and human (his will).

Story Titles

QJ's part being called the "Inevitable Tragedy" is a reference to how he is the creator of his own misfortune as it was never based in reality but his own unchecked paranoia.

LTC's part is called the Fortuitous Comedy is because it was fortuitous for QJ to find out about the twins' powers before anyone else via Tianchen's confession and subsequent laughter. It could also be due to LTC reaching his perceived hunter-status by the fortuitous case of Deng being Liu Min's first requested kill (for the same reason LTC hates Deng, no less).

LTX's title being the "Sibling's Fairy Tale" is rather self explanatory, much like the character herself if you took the damn time to talk to her. It's childish, stuck in the past (trauma), focused on her brother and the other light of her life: their late-mother. Another piece of insight that I remembered hearing is that fairy tales don't always have happy endings, but they always have a moral to learn from. In this sense, Xixi's story is thematically the most important because no character has put that moral into practice (confronting the worst aspects of those you love, refusing to look away from the secrets they hide while you stay in a peaceful dream with their softness).

Additional Notes

QJ caring for the twins in Part II is a reflection of LTC being gaslit about reality (reinforced by QJ's fatherly love being absent in LTX's story), as well as a reflection of his sense of self and human autonomy only beginning and flourishing due to the circumstances QJ provided

LTX's story suggests that most of the time she spends with LTC involves her napping in some form, or that most of her time in general was slept away as if she was trapped in some strange dream.

The only betrayal even hinted at is LTC's betrayal of LTX's morality, a twist that literally shatters LTX's childlike world and forces her hurdling into reality. This is the only betrayal because the twins are the only two who have trust in one another among the three.

Someone else made a point about how even when the foxboy picks up the bow and arrow, he remains a fox. In LTX's eyes, her brother can act as a hunter but he's still a beast and that's not a bad thing.

The fact that most people are 'beasts' and there's only one human in all of LTX's worldview really is some solid symbolism and messaging, especially considering LTX is socially classified as an undesirable a la her disabilities. It's peak reclamation and pride in Oneself.

[ofoceansandtombsanew]

How Umemiya Hajime Loves | As Told By Tarot

cw. gn!reader, tarot, headcanons pairing. umemiya x reader notes. normally, i stop at 4 cards per character but i've been thinking about doing more lengthy, in-depth readings with multiple stacks lately. so i figured, why not give this a shot with my newest obsession? if you have any characters you want me to cover, let a girl know deck. prisma visions tarot & true black tarot

three of wands, the hanged man, two of wands, two of chalices

When Umemiya Hajime falls, he falls. There's no resisting the waves as it envelops his person; instead he allows himself to be full submerged. He allows you to see him for who he is, all that he has been and all he will be and you allow him to do the same. You're his person. Hajime loves everyone he calls family and treats them all kindly but even among them you are special. The moment you are someone he sees he has a future with, he works towards that future little by little through connecting with you and cultivating a love that will last indefinitely. He isn't the type to seek short-term relationships, Umemiya Hajime wants forever.

ten of pentacles, nine of chalices, the high priestess, seven of wands

It should also be no surprise that he wants a large family. How this family is ultimately is obtained is of little importance to him but he wants a family. Kid running through the house to wake you both up to watch whatever their favorite morning cartoon is, little fingers covered in pancake batter as his little helper valiantly helps him make breakfast, the whole nine yards. That future is a dream come true for him who has always wanted a family of his own. Of course he is aware it takes hard work to get to that future let alone maintain it, but he is prepared for that challenge. Hajime is someone who thrives in large groups but for him to really be happy, you have to be happy as well. He's great at reading you and piecing together what you want but he isn't a mind reader, tell him what you want and need and he'll always be happy to reach a compromise where you are both satisfied.

the emperor, three of pentacles, the lovers, two of pentacles

Rather than constantly go back and forth fixing a leak to push his town in the right direction, Hajime decided to rebuild the entire house and relay the foundation brick by brick. He approaches self-improvement and relationships in the same manner. Words aren't enough, you need action to back them up. His actions more than speak for themself. You know he loves you in the things he does grand and small. He goes above and beyond to make sure you never have to question how he feels. Hajime fights that much harder when something he loves is on the line. Love is the very source of his strength. A joyous feeling that cloaks the two of you in a freeing dance of self-expression and intimacy reserved solely for the two of you. Together the food tastes that much better, the drinks that much flavorful and the hues of the world that much more vibrant. He wants you to feel the same way when you're with him.

nine of cups, the hermit, ace of cups, two of cups

For Hajime, this love feels like a luxury. Both of your glasses will always be full, overflowing with wine that he has grown with grapes from his very own garden. His pockets may not be overflowing in gold but if one could be paid in emotional wealth, Hajime is richer than the greatest king. It has taken much introspection to become the man he become today. A lot of pain he has had to overcome. Yet despite that pain, like how the scarred dove continues to fly so does Umemiya Hajime. His love continues to flow and pour onto the garden that is his relationship with you, carefully cultivating a living mosaic that encompasses your relationship. War and disruption does not exist in this man, thus it does not exist in your relationship. There is only peace and harmony bathed in a soft glow. Yours is a relationship that continues this soft dance for as long as time allows.

[ordinaryschmuck]

What I Thought About The Owl House Pilot

Huh. Never thought I’d get to do this again, but oh well.

Salutations, random people on the internet! I’m an Ordinary Schmuck! I write stories and reviews and draw comics and cartoons.

And, above all else, I LOVE talking about The Owl House. I have an entire masterpost dedicated to talking about every single episode of the show and I’m halfway through a six-part review discussing everything that I love about it (Part Four's coming when it’s done. Let’s say…late June. Early July at the latest). I figured that after I’d finished that whole deal, I wouldn’t have anything left to talk about when it came to this series. Then, out of nowhere, the show’s original pilot leaked online…Sort of. It’s just an animatic with the show’s original voice cast voicing MOST of the lines, but it’s very much the pilot episode. It’s just not a finished product and I won’t share a link because I don’t think it’s exactly…legal. BUT I will at least share my thoughts about it because, well…Look at my blog. The Owl House has become the BIG THING that I obsess over for a reason and I love that I got to see what’s basically an alternate version of the show that I love. What do I mean?

Well, a pilot is MUCH different from a first episode. Where the first episode is meant to sell the show to the audience, a pilot is meant to sell it to a STUDIO. It can happen at any point of the story or act as the show’s first episode. Just as long as it shows off the characters, concepts, and tone, a studio can look at it, greenlight it, and allow the show to continue, BUT with some extra notes. Sometimes, those notes can change the rest of the series where others can keep the pilot good enough to stay canon. Some best examples off the top of my head are the pilots for Regular Show and Rick and Morty. You can tell that not much changed from the pilots of those shows and what was initially pitched, but there are clear changes in tone, animation, and even personality. Skips sounds a little more illiterate and Benson being more informed of the consequences of something as simple as rock, paper, scissors in the Regular Show pilot and Rick is noticeably more reckless and unprepared for situations in the Rick and Morty pilot. Nothing is set in stone with a pilot episode, even the ones that are canon. For the case of The Owl House, it’s pilot is no exception. A lot of it is just the same as “A Lying Witch and A Warden” at least in terms of plot and themes, but there are so many changes that show off what the series COULD HAVE been instead of what it was. How different? Well, let’s go through it all.

But real quick, I’m not going to do the “Like/Dislike” format I’ve done for previous reviews. Instead, I’m going to look through this pilot, note the changes it has, and share my thoughts on them. There’s also going to be a few spoilers to what happens in this pilot, so if you haven’t checked it out then I suggest giving it a watch wherever you can find it. It really is interesting to get a peak into what’s basically an alternate version of my favorite show.

With that said, let’s get into it.

Some Things Stayed the Same: Like I said, it’s basically an altered version of “A Lying Witch and A Warden.” The plot is that Eda uses Luz to get King back his “crown of power,” with some bits and pieces carrying over. Certain jokes that must have been too funny to get rid of, specific lines of dialogue that hit just the right notes, and some aspects of the characters’ personalities being just the same, proving that they're already perfect the way they are. It’s the changes, however, that makes for something more interesting. For one…

There’s More of an Emphasis on Comedy: As much as I love The Owl House, I’ll always admit that humor isn't its strong suit. It CAN be funny, really funny. But the jokes don’t land as well as something as Gravity Falls or Amphibia. I can say that a part of that could be because Dana Terrace wanted a more serious show, and we definitely get a sense of how serious it could be later in the series. Here, in the pilot, it definitely seems like there was more of an attempt to make the show comedic. King’s crown isn’t in a warden’s cell held within a magical barrier that only a human can get through. It’s in a Principal’s high school, locked in a human locker that Eda and King treat as something devious. Amity’s friends aren’t preppy mean girls who seem like they could cause conflict to Luz and her friends. They’re characters used for jokes who are amazed by Luz standing up to Lilith. There’s less of an edge and more of a lean towards cutesy fun, waiting until the very end to reveal something heavy. To me, it makes the pilot feel MORE like a Gravity Falls clone than the final product. Because while Gravity Falls has its serious moments, it makes it clear that it was a comedy first, both in the pilot and final product. Any moment of heart or drama was overshadowed by one hilarious joke after the other. Now, “A Lying Witch and A Warden” had a lot of jokes too, but there were also these moments that hinted at something more. You have the oppressive looking prison, the grand beam of light hiding human collectibles, a crazy chase from a threatening looking warden. And yes, the reveal that Warden Wrath was trying to go out with Eda was hilarious, but a warden who tortures a prisoner for speaking her truth gives a hint of how dark this world can be. Meanwhile, a principal sending a student to demon detention feels more like a joke, exaggerating how strict some principals can be.

And keep in mind, I’m not complaining about the pilot leaning more towards comedy. I actually laughed a lot more with it than I did with “A Lying Witch and A Warden.” I’m just trying to explain how the tone is definitely going for something different than the full series. It might have that darker twist in the end, but even that is nothing more than a surprise. I'll get into why later, but while it has darker implications, it doesn't detract from the fun times to be had. Not by much. From what I can gather from the pilot, it’s definitely going for a series with goofy, fun adventures with a bit of heart to it. It’s just missing that personal touch that’s in The Owl House. One good example of how?

There’s Not Even a MENTION of Camila: Before you say anything, this has nothing to do with me being Camila’s number one fan, to the point where I almost made a side-blog dedicated to her (I really should get on that, though…)

I bring up this change because Camila grounds the story in “A Lying Witch and A Warden.” She draws Luz close to reality and is the first thing that comes to Luz’s mind when in real danger, saying, “If I die, my mom will kill me!” More than that, though, Camila is the one real connection Luz has to the human realm. She has no friends nor adventures, but Luz always has Camila, with even the first episode hinting that. So when Luz starts getting herself into trouble or choosing to lie and stay in the Boiling Isles, it lets the audience get ready for the inevitable drama that could unfold when Luz finally tells Camila everything. By removing Camila, though, the anticipation of Luz telling her mom goes away with her. At least, it tells ME that there’s less of a worry about Luz basically running away from home. Either this version of the show is holding off from that for a future episode or that Luz and Camila’s relationship isn’t close enough where it matters. This is speculation, of course, but I still stand by that a sense of something personal with Luz is lost for the sake of having fun and epic fantasy adventures with entertaining characters. It’s still good and entertaining, and the pilot does offer something else that’s personal, but it’s not the same as The Owl House we all fell in love with. Though, it’s notable that our main cast stayed the same.

Luz, Eda, and King: Overall, I’d say that these three, personality wise, didn’t change much. King’s probably the least altered, being the exact same character he was in Season One aside from MAYBE having a design change (It’s hard to tell through storyboards). As for Luz and Eda, they’re more or less the same. There’s a BIG change with Eda (That I’ll get to later), but her devil-may-care attitude is very much the same, as well as her snark and soft nature towards Luz and King. It’s her magic that gets the real boost, being able to do more like teleport across the Isles and turn into a…softer version of the Owl Beast at will. It’s pretty cool to see the power that this alternate Owl Lady has. And then there’s Luz, who’s still the lovable weirdo we all know. Though, this version seems a lot more dim and I’m not really a fan. How does she mistakenly give a book report in geometry class? How did it take seeing Amity’s witch ears to realize that she belonged in the demon realm? Luz had her dumb moments in the show too, but not to this extent. There was still a sense of maturity and cognitive understanding that made Luz feel like someone that seemed weird but intelligent enough to think herself out of a situation. This Luz seems more weird and focused on using brute force on a problem. In a way, it makes Pilot!Luz more of an…emotionally driven Star Butterfly. A fun and capable character, but not the same kind I had made several posts and reviews talking about how much I love/personally connected to her. But, comparatively, I guess it IS the most minor change that could be done to this character. Now let’s move onto BIGGER changes.

The Boiling Isles: The look and feel of the Isles remains the same, but the fact that it’s more connected to the Human Realm is intriguing. From what I can tell, the Demon Realm treats traveling to the Human Realm like it’s going to a new country. You visit, make some memories, and, for some, send your children over to be a foreign exchange student of sorts. Except that racism seems to be encouraged in this regard as the demons and witches don’t see humans worth breathing the same air as them. And some think it’s more than okay to hunt down and kill if one human trespasses into their realm. And the reason for THAT is implied to be Belos’ doing. Er, I mean–*Checks the leaked pitch bible*--Emperor Pupa? Uh…I’ll just stick with Belos. 

And that’s extra fascinating to me because Belos being a witch hunter was a major twist that spoke VOLUMES of the kind of people he represents. To find out that this version is more anti-human makes me curious of what kind of angle the show would have taken. Would Belos have been your bare-bones fantasy villain or would the writers find a different way to tackle his symbolism? And is the reason why the Demon Realm is more open up to the Human Realm because he hopes witches and demons can report about their enemies for a possible invasion? There’s no way to know for sure because that version of the story will never come to be, but it’s interesting to think of all the things we COULD have gotten. The same goes for other characters.

Amity: To think, Amity was considered important enough to be included in the original pitch pilot alongside our main trio. It makes sense. Dana Terrace has gone on record in saying that Luz and Amity’s relationship was something she wanted from the get go, so it’s smart to establish it as quickly as possible. Though the route they take is definitely different. Instead of being enemies to lovers, Lumity, in the original pitch, went for the friends to lovers trope…kind of.

Luz, in this version, is someone so desperate for positive attention and respect that she latches onto the first person in school that was nice to her. Except that Amity was looking for some quiet and just so happened to look like she was supporting Luz when telling everyone to leave her alone. It was an act of kindness, but not one done in generosity. It still meant the world to Luz, though, making her go ALL IN with friendship. Only to be a little too forward and creeped Amity out to the point where she was polite enough to say “Thank you,” but you could see the desperation in her eyes to be anywhere but next to Luz. Yet Luz doesn’t see that. She’s still too focused that someone was actually nice to her that she blindly follows Amity into a new world just to return a weird looking passport. Because Amity’s Luz’s friend now and friends do nice things to each other. Only for Amity to accidentally reveal that she couldn’t care less for Luz and shatter her hopes and dreams in one fell swoop.

In a weird way, I’d say Luz and Amity are off on a better first impression here than in the original series. There’s no attempted dissections or witch’s duels. Just…Amity trying to be polite in Luz’s presence only to act like your typical mean girl when she THINKS Luz isn’t around. Tossing away the drawing is harsh for sure, but here’s the interesting thing: Amity didn’t know she was talking to Luz at that moment. She didn’t even get rid of the drawing until someone drew (haha) attention to it. If anything, it’s worth noting that Amity still kept the drawing on her. Almost like, despite being weirded out by Luz, Amity felt as though the drawing WAS cute and only got rid of it when she thought someone would question her for having it. Can’t have that Little Miss Perfect status shatter over something some human gave her.

Am I reaching as a Lumity shipper? Oh, most certainly yes. But we all know the inevitable conclusion between these two. We know where they’re headed. Dana has been pretty adamant about wanting it from the start and this pilot sets the groundwork well. Knowing where these two will end up, it’s easy to make connections and hypothesize what means what. Plus, look at the face of shock and amazement on Amity’s face when she sees Luz standing up to Lilith. That looks like a girl who’s…feeling things for this human weirdo. They’re not off to a ROARING start, but I can see how things could improve between Luz and Amity. And who knows, maybe this version of these two might end up dating sooner with how quickly they seem interested in each other. Again, am I reaching? Most definitely, but I went without any new Lumity content for over a year so LET ME REACH!

The point I’m trying to make is that this version of Amity definitely seems a lot more chill and polite at the start, even though it’s likely she still has issues of even being FRIENDS with a human. But not everyone starts off polite.

Lilith: Crazy to think that Lilith started out as…basically a one-off villain like Warden Wrath. At least, that’s what I gathered from the pilot. The pitch bible hints that there COULD be more to her, but at the same time she gets sent to a fire dimension and loses a hand. That’s one-off villain energy if I’ve ever seen it. But if she is meant to be something more, I would love to see what differences could come of her being the headmaster of Hexside instead of Bump and how she could either develop into someone better through Luz’s influence as a student or regress into someone worse as she makes Luz’s school life a living hell. Whatever could come from her, it was kind of fun seeing Lilith act as more of a threat with her…out of nowhere ability to turn into a bat monster. It’s a pretty cool design and I love that it was brought out due to Eda’s constant pestering, proving that Lilith is still the same insecure nut that I love. And it is pretty great that this pilot confirmed that Lilith really did dye her hair to look more serious. You CAN’T tell me that’s not why the Lilith we know ditched the curly red hair.

But that’s about it when it comes to changes towards characters and locations. Let’s talk about the potential differences in the ongoing story.

Luz Stays Trapped Instead of Choosing to Stay: I mean, technically she chose to stay by breaking that key for no reason, but that’s more of a consequence of not thinking things through. She didn’t NEED to break the key, Luz could have just as easily pulled it out. Instead, she kicked the dang thing, leaving herself trapped in this new world. And it’s here that I would like to once again point out how this makes Pilot!Luz different and what’s lost by not including Camila. The Luz WE know would have been more careful. She always felt like someone who fought smarter, not harder, even in that first episode. Luz didn’t fight Wrath head on, she rallied a prison riot that distracted him long enough for her to hit a firework ball into his mouth. She’s intelligent and resourceful, where this one…kind of is? It was smart to send Lilith to the fire dimension, but again, not a great plan to break the key. Plus, without Camila, this doesn’t feel like as big of a deal as it could have been. Camila was the first person in Luz’s mind as she destroyed the portal door in the Season One finale. In the pilot, with no Camila, it feels like a non-sacrifice or even that big of a deal. She’s stuck, sure, but Luz doesn’t really seem to care that much. She feels happy being with Eda and King and doesn’t seem to be in that big of a rush to get home. Plus, it’s not exactly complicated to get back. There was a whole line of portal doors in the beginning that Luz could potentially sneak through and there’s not yet an established cannon that makes it seem like getting a new key would be difficult or even complicated. Once more, it gives the impression that this version of The Owl House would be focused less on personal stakes and more like giving Luz that fantasy adventure she’s always been craving for. It would make for a fun show, but not the SAME show. However, it is worth noting that there could be some potential drama. Especially for one twist that was a JOLT to my system.

EDA WORKS FOR THE EMPEROR?!: WHAT?!

I’ll admit, I feel like the reason why this is so shocking is because of the Eda I know and the Emperor I learned to fear. I mean, Eda, the woman who would sooner eat her own fist before even CONSIDERING helping Belos, even before the witch hunter business, was originally meant to HELP him. Of all the changes that the series could have made, this was by far the biggest. Everything that I thought to be constant turned out to be a lie and I was NOT prepared for it!

But again, the reason why I got that big of a reaction is because it goes against everything I knew about Eda. If this was my first introduction to her, it’d be less of a shocking twist and more of a…hook. Like how Invincible’s first episode (Don’t watch if you’re a baby) ends with a character you THOUGHT you could trust doing this intensely dark thing. The rest of the season is leading you to figure out WHY this was done and how the other characters would react, making you want to see more as the show inevitably leads up to this big conclusion that changes everything you once knew. The same applies here, with the reveal making me wonder why Eda would do this, how long she’s been doing it, how it will affect her relationship with Luz, and whether or not it’d be an easy fix. And much like the ending of Invincible’s first episode (Seriously, NOT meant for babies), this hook makes me interested in wanting to see what comes next. Except I never will know because that came from a version of The Owl House that will never exist.

The pilot is interesting because it shows me what The Owl House COULD have been. I wouldn’t say that it’s better than what we got or even that it’s a better first impression than “A Lying Witch and A Warden.” It’s definitely FUNNIER, I’ll give it that, but it doesn’t make the original pitch better, it makes it different. Everything looks the same and sounds the same, but the overall feel of this pilot makes it something that would have had a different story, tone, and ideas on how to develop these characters. Would I have liked it? Absolutely. It seems like a fun time. But that doesn’t mean I like the show we got any less. This was more like…getting a peek into an alternate universe where a show I already love would have been vastly different. And after over a year without any new Owl House content aside from stuff that fans have made, this was a very pleasant surprise that leaves me excited for the NEW fan content that springs from all this.

But that’s enough talking about a show that could have been made. Time to get back to a series that came into existence and I still love so much. See you all then as you all milk this gift that the internet has given you.

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[strongermonster]

no real cheese will ever live up to the phantom taste i imagined the cartoon cheese from tom and jerry cartoons i watched as a kid tasted like.

this is the pinnacle of the cheese-based foodgroups. i think it was less the visual appeal (almost none, it looks like a dried sponge half the time) and more the fervent desperation with which the mouse pursued it. the permeating lust for this cheese.

the fanatical daydreaming was so evocative that my brain and tongue made up a flavour that will never exist and i am doomed to spend my life unfulfilled

[ducktracy]

proper reupload in the high quality this fantastic segment so deserves; eagle pig and duck bias notwithstanding, this will forever be my favorite variant of the fabled switcheroo (and a reminder that Daffy was first at his own game!) the committal on behalf of both characters--especially the sincerity of Daffy's feigned sincerity--really sets it apart

[kingofattolia]

"Do you miss it? The Order?" "I miss... the idea of it. But not the truth, the weakness. There was no future there." OKAY, THIS MAN MISSES THE ORDER SOOOOOOOOOOO BAD IT MAKES HIM LOOK STUPID

I'm serious. He's carrying the husk of his long-ossified grief so obviously. It is evident in everything he does and says that he was a young knight absolutely ripped to shreds by Order 66 and its lonely, dark aftermath. He allowed despair to be his comfort, convincing himself there's nothing to mourn because it's easier than dealing with the loss.

[gxlden-angels]

On today's episode of Holy Shit My Childhood Was Not Normal:

Kurtis Conner being thrown off by the girls'/boys' bibles with the random "Dream Girl" and "Grossology" passages and shit like that in them

[luck-of-the-drawings]

TRAINING ARC: START!! BOTHER YOUR GUARDIAN AND EXHIBIT ISSUES. NOW SOLVE THOSE ISSUES BY BOTHERING GUARDIANS. I HAVE FULL FAITH IN OUR HEROS!