#(<- i mention it at one point)

[starbuck]

i say i like tragedies and everyone’s all like ‘why do you like sad stories? are you depressed?’ and never ‘how was the catharsis? was the catharsis fun?’

[violent138]

Damian: "Red Hood has a pretty severe concussion. What do I do?"

Tim: "Extraction's still ten minutes out, just keep him talking."

Damian, urgently pressing the comm: "I don't want to talk to him, he's even more insufferable than usual."

Jason, lying on the ground, eyes closed: "That's funny Junior, because head trauma's the only thing that makes you bearable."

Damian, to Tim: "I'm leaving. It won't be the first time we've had a closed casket."

Tim, groaning disgustedly: "Robin--ugh, seriously, just stay there and keep him awake."

Damian, seething even more when he sees Jason's smirk: "Fine."

Jason, cracking open one eye: "Aww, are you concerned about me?"

Damian: "Shut up. The only thing I'm concerned about is our family's reputation after your public wipeout on that stupid motorcycle."

Jason:

Damian: "Are you still awake?" *kicks him* "Todd?"

Jason, grinning: "You said our family."

Damian, furious: "I didn't. You've lost more brain cells than you could afford."

Jason: "Wait 'till Tim hears, I think he'll want a group hug. Bruce is probably going to get emotionally constipated. Dickie would probably cry--"

Damian, panicking as he hears the Batmobile get closer: "Stop. Do not tell him--"

Jason: "You better erase every single fucking video of me crashing then."

Damian: "You have a deal."

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[hellishfig]

for the amount of time i spend thinking about erika ishii, i do not post about them NEARLY enough

everything i've ever seen them in, they have been fully dialed in. they understand the genre, they understand the character they're playing, and they NEVER. FUCKING. MISS

my current dnd character is actually based on multiple characters of erika's that i enjoy. my character is a witch (like ame of worlds beyond number fame [thank you to the witch class playtest]) but she is also a brewer who grows weed and shrooms, and deals them, and does them (and her personality is very much modeled off of danielle barkstock in dimension 20's the seven)

i feel that many of my favorite moments from erika are often focused on other characters. but many of those character moments would not have been possible without erika's incredible roleplay and sense for storytelling

and when the moment IS focused on erika's character? spellbinding. groundbreaking. from ame talking to orima in the overgrown shrine to danielle getting a nat 20 at the masquerade ball, i always fall into the scene and feel it so deeply due to erika's skill and poise and commitment to the story being told

tldr i think erika ishii is incredibly talented and wonderful

[hrokkall]

Everybody wants your head on a platter

[wangxian-the-zhijis]

The ship:

The shippers:

The anti:

The legendary third wheel:

[donttouchtheneednoggle]

I know the bi-generation was silly and goofy and all but like also

The Doctor getting to the point where they couldn't bear the weight of it all, Eleven and Twelve and Thirteen's guilt and grief on top of all that Ten already carried, and the only way to survive it was splitting in two?

Where one Doctor takes most of the trauma and has to stop and process it so the other Doctor is free enough of it that he can keep doing what they always have to do, keep running because what will the universe do without them? What will they do without the universe?

The self destruction combined with the most radical self love where they share the burden and the responsibility and the grief and the joy between them-

(x x)

They couldn't survive it alone any more, but between them they can

[ren-144p]

something about the first few episodes of the terror having so many numbers. the men, the provisions, the inventory; but also the tension of counting. the scene where goodsir takes a picture of john franklin and his men and he's counting down the seconds. the lashes being counted down during hickey's punishment. and something about how in later episodes, numbers get lost. dates get forgotten. counting just stops. all of it becomes insignificant. like it was a countdown at first but now the time is just running out instead

[autisticaradiamegido]

day 147

psychically induced chronic illness squad

[iamenits]

Screenshots of McCoy smiling (and a few where he isn't) from every Star Trek episode in production order.

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[empty-dream]

“You’re not hollow.”

[asgardian--angels]

Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

[thevalleyisjolly]

There’s a weird recurring take in D20 fan circles that Zac doesn’t play “complex” characters and that people are just waiting for the day when he “finally” plays an asshole, which kind of baffles me.  Quite apart from the idea that only morally grey characters are complex or compelling, are you sure we’re watching the same show?

In Fantasy High, we have Gorgug, an adopted biracial teenager whose journey includes realizing his self-worth, coming to terms with his rage (literally), seeking out and navigating new relationships with others (his birth parents, the Bad Kids, Zelda), and discovering what he’s capable of. 

From The Unsleeping City we have Ricky, a second-generation Japanese-American, who has a very personal struggle across two seasons between doing the dutiful/sacrificial thing for other people’s benefit and expressing his own needs, wants, thoughts, and feelings; it’s a very particular exploration of immigrant generations and the relationship between the sacrificial model of your ancestors and the culture you grew up surrounded by which emphasizes the self.

There’s A Crown of Candy and Lapin, whose snark and one-liners are honestly less interesting than the way he engaged with and sought to understand religion and faith; the different yet similar ways in which both the Sugar Plum Fairy and the Church exerted control over their followers, and the search for spiritual meaning beyond these figures/institutions.

Then there’s Cumulous, whose every character aspect navigates a space of tension - the ultimate war guy who made himself hardened (literally) and pragmatic to get the job done but who also remains soft and caring and empathetic at the same time; wielding the power of death without glorifying or giving into it; the cousin who both is a member of the family and yet who remains at somewhat of a distance from the centre; a literal warrior-philosopher who is single-minded in battle and quietly thoughtful about the mysteries of life and death outside of it.

As for actual assholes, we have Norman Takamori in A Starstruck Odyssey, a bitter man who is the living embodiment of both the Superior Orders excuse as well as scapegoating.  On a side note, the amount of absolute vitriol and double standards which people threw at Norman during ASO for being an unapologetic asshole -and he had less than two full episodes of screen time- kind of underscores the calls for Zac to play a “real” asshole.  Zac can and will play whatever type of character he wants, but is fandom really ready for him to play an asshole if that asshole doesn’t have a secret heart of gold?

From the same season, we have Valdrinor/Skip, who starts as the “prince running from his destiny” archetype with a dash of brain slug possession, has a humorous yet oddly profound exploration of what humanity is and what it means to be human, and springboards from there into “wait, who am I really and actually, why are we doing things (brain slug possession) this way when there are other ways to engage with the universe.” 

Most recently in Neverafter, we have Pib, who apart from the fascinating meta element of being a literal character archetype, constantly straddles the line between self-absorbed self-interest and putting himself on the line to help others; his repeated demonstration of both at various points throughout the season is a subtle yet intriguing manifestation of free will and choice-making in a story all about lacking free will and agency.

So, I mean, lack of complexity where?  Does a character need to be an asshole in order to be deep or compelling?  And because I’ve heard this specific rebuttal quite a few times now, does a character need to vocalize their innermost thoughts loudly and frequently in order to prove their complexity?  If a character is “less vocal” compared to other characters, does that mean they lack interiority? 

Also, other people have brought this up before, but I am once again asking that people remember the difference between fictional characters and real life people.  Zac playing one (1) himbo on the show does not make him a himbo in real life, nor does it make him incapable of creating or playing complex characters (especially as said himbo is himself an extremely complex character), nor does it make him a lesser player than other cast members.  You don’t have to find all or any of his characters interesting or complex, but can we stop conflating character with player?

[thesunisatangerine]

against all odds (to wait for you is all i can do) – part four

alexia putellas x photojournalist!reader

warnings: explicit sexual content

(a/n in the tags) [parts: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve]

word count: 4.3k

It didn’t stop after the first and it sure didn’t stop after the third, either. 

Depending on her schedule, you saw Alexia once or twice at most a week; most of the time it was on the night after a Barcelona match and by the next morning, she’d be gone before you even woke up. But you’d noticed her visits had been increasing in frequency lately, not to mention that sometimes she’d still be in bed when you awakened. The first time you found her still asleep beside you, you were dumbfounded, thinking it was a dream image of her in front of you. And what amazed you even further was that it kept happening.

It wasn’t an unpleasant development. In fact, it was something you gratefully welcomed. And it wasn’t just that, either. Sometimes when Alexia came over, you didn’t even have sex you just… talked: about her training and her health, her teammates’ shenanigans–and hers, of course–her family and bits of her personal life. Meanwhile you told her about places you explored and showed her photos of where you’d been. Then she’d tell you about places you could check out, food to try, and even went ahead and promised to take you to some of the places herself when she had the opportunity.

These times were rare, sure, but you found yourself enjoying her company more and more to the point you noticed yourself craving for it–found yourself missing her presence despite your constant back-and-forth messages. And still you didn’t ask where this was going for fear of ruining whatever the two of you had; you were content and you just simply wanted to watch this unfold as it was. And anyway, it wasn’t like you weren’t used to fleeting relationships, situationships–whatever you’d like to call it–because who was to say this wouldn’t end up like your previous dalliances–ending before it could ever truly begin? Despite you hoping otherwise, a large part of you already convinced yourself that this wouldn’t be anything different: just another highlight to your getaway vacation that you’d look fondly back on a few years down the line.

You had a month left in Barcelona, maybe an additional few weeks depending on the client. What could possibly go wrong?

———

A knock took your attention from your work to the door. You looked at the time–it was early evening on a Saturday and you weren’t expecting anyone. Perhaps you just imagined it? But then it came again not a minute later. You were reluctant to open it seeing as it was already dark but a ping from your phone that signalled a message from Alexia asking if you were home had you flying to the door. 

Upon opening it, you found Alexia there with Nala resting in the crook of her arm, phone in hand, and a paper bag in the other. 

“Took you long enough.” Alexia said playfully, all cool and confident but then her brows quirked upwards almost sheepishly as she said in a more tamed tone, “is this a bad time? I didn’t mean to disturb you.”

You smiled at her consideration before you ushered her in. “No, no! It’s fine, really! Come on in. Sorry, I just wasn’t comfortable opening the door when it’s dark without knowing who it was.”

“Ah, it’s my bad. I should’ve let you know before dropping by.” She bent down and let Nala loose before she untied her shoes and left them by the door. Nala bounded to the living charged with curiosity, nose to the ground, tail wagging as she carefully examined the new space. 

Alexia regarded her dog with an amused expression before she looked back at you. “I meant to bring this over after the game tomorrow but I saw the lights as I drove past so… here I am, I guess.”

You reassured her again as you locked the door behind her and you watched as she made her way to the kitchen. As you passed through the archway to the kitchen room, Alexia already situated herself by the counter taking out glass canisters from the paper bag she brought. When she took the lids off, a delicious aroma instantly filled the air, enticing your senses.

“What do you have there?” You asked as you leaned on the opposite side of the counter.

Alexia smiled at the eagerness in your tone and pride shone in her eyes as she spoke, “only the best fideuà and esqueixada in the world. Made special by my mother, of course.”

You peered into the containers and the sight made your mouth water instantly. As if it remembered that you hadn’t had any food yet, your stomach grumbled obnoxiously. Alexia definitely heard it because she fixed you with an amused smile and at that, your cheeks warmed so you tried to divert her attention. “You know what would put this all together?” 

“What?”

“Wine or champagne. Wait–are you allowed to drink?”

“I’m allowed since I’m still not qualified to play yet.” Her visage became somber for a moment–it fleeted so quickly you almost didn’t catch it–before the light in them returned again. “If you have it, white wine is the best complement for this.”

You hummed and tapped your chin, turning to make your way to the cellar. “I’ll have a look. I’m sure Derek has some wine stored in here somewhere.”

You’d mumbled the last part but it seemed Alexia’d caught it because she asked, “who’s Derek?”

Something odd in her tone stopped you and made you look back at her. Her face was unreadable, almost too neutral. She didn’t think Derek was your boyfriend, did she?

“Oh, Derek’s my brother. He hasn’t been here for a while but he owns this house.”

“Ah, I see,” Alexia cleared her throat, looking away and you could just see a hint of redness in her cheeks. “Well, I’ll lay out the plates. I suppose they’re just in...?”

“The bottom drawer to your right and the utensils are in the upper one.” You instructed as you continued towards the cellar.

“Oh, yeah, I see,” came Alexia’s muffled response. 

When you returned with the bottle of white wine, you found that Alexia managed to locate the glasswares by herself and were drying them with a tea towel. There was only one set of plate and utensils laid out though so you fixed her with a confused look.

“You’re not going to eat?”

Alexia shook her head. “I already had my fill with my family earlier. I’ll take the drink, though.”

“That’s nice that you visited your family today. How are they?” You sat at one of the high chairs by the counter, popped the wine open and poured each of you a glass. You noticed that Alexia’d heated up the fideuà for you from the steam that rose from its container which strengthened its aroma and made it all the more enticing. Alexia remained opposite you but she was close enough with her leaning forward on her elbows, her glass of wine in hand.

She sipped her wine and told you they were well, described little snippets of what’s been happening in her family life. She even told you about a prank she recently played on her sister, one that nearly made you choke on your wine. 

You listened as she talked, liking the way her brows quirked and her shoulders move as she spoke, how each gesture became more pronounced the more passionate or interested she was on a subject. You asked questions and engaged with the conversation every now and again as you savoured the rich taste of the pasta and the freshness of the salad. You’d never had anything like it and you told her as much. In response, she said she’d give the compliment to her mother when she saw her next which made your cheeks warm up again. Once you finished, you tidied up and though you insisted she didn’t have to, Alexia helped you wash up anyway. 

Afterwards, the both of you ended up in the living room with your glasses of wine. She gestured at your laptop on the couch with her glass.

“Work?”

“Yeah. Just double checking if I missed anything important and preparing for the match tomorrow.” You sat on the couch and put the laptop on your lap. Alexia opted to sit on the carpet, legs stretched and crossed, back leaned back against the couch, her head just beside your legs as Nala settled by her side.

She turned her head, looking up at you. “Can I see?”

You turned your laptop so she could see better. You flicked through the photos you were sorting through, explaining to her every now and then the thought process behind each shot. On some photos, Alexia asked you to pause so she could soak them in.

“These are great. You have a great eye.” Alexia complimented with an appraising nod as you got to the end. You thanked her as you pulled back. Then a question came to mind.

“Do you ever get used to it? The cameras, I mean.”

A pause.

“I’m not and I don’t think I ever will. I’m more comfortable with it now but if it’s possible to avoid, I’d do it. I know it’s a part of football and god knows how much more exposure women’s football needs,” Alexia released a heavy sigh, “but sometimes it just gets too much, you know? I mean, I really should be grateful, right? To have gotten to this point? But the media side of it is… not without its own set of miseries.” 

There was an inflection in her tone upon her admittance–guilt. You gently carded your fingers through her hair, Alexia leaned into your touch in response, and you replied just as softly, “it must’ve been difficult. It still is and for you, especially. And I don’t know if anyone’s told you lately but you have to know: you’ve given so much of yourself already. It’s not a sin to want a little peace, Alexia, and it doesn’t make you ungrateful for wanting it, it just makes you human.” 

Alexia took a deep breathe before she rested her temple against your knee. Then you heard her whisper, “thank you.”

A silence fell upon the both of you after that but it wasn’t an uncomfortable one. She remained that way for the majority of the night, head against your knee as she watched a game of football on the TV. 

By the time you finished up your work, it was already late evening and Alexia’d dozed off beside you. You felt bad as you gently woke her up and groggy hazel eyes found yours when you did. The sight made your heart ache from how much Alexia looked younger and more at peace this way, and you told her to wash up so she could stay the night.

And she did.

Now, your cheek felt warm against her chest despite the slight dampness of her borrowed shirt from her hair. Her skin smelt faintly of the soap you were using and with her arm around your waist, you fell asleep content, lulled to a deep slumber by the steady rhythm of her heart.

———

“Hey, please don’t wear that, it’s dirty,” came Alexia’s reprimand from behind you.

You glanced at her reflection in the mirror: Alexia was propped up on the pillows against the headboard, an arm behind her head, nude except for the bundle of sheets that covered one of her thighs, the marks you’d left on her neck and chest last night and this morning generously displayed for you to behold. 

She was nothing short of glorious, you thought, looking relaxed and content like this. 

You turned your attention back to your own reflection: Alexia’s Barcelona jersey draped over your smaller frame and fell just partway down your bare thighs. It felt comfortable against your skin and the fact that it smelt just like Alexia made it feel all the more special.

When you looked at her reflection again, you found her with an affectionate smile, eyes lidded and brows inflected slightly upwards, and suddenly the attention warmed your cheeks.

“But you only wore it for a shoot, right?”

“I mean, yeah, but you know what I mean.”

You hummed, “do you need it?”

“No, I have spares,” she replied before she raised an eyebrow. “Why?”

“That means I have time to wash it before I give it back since you insists that it’s dirty.” You said drily as you turned away from the mirror and padded your way to the bed, crawling on the sheets on your knees once you got there.

As soon as you got close enough, Alexia’s hands were immediately on you, guiding you to straddle her lap before she embraced you fully, resting her chin between the valley of your breasts as she looked up at you. You carded your fingers through her hair to see those fair, hazel eyes that never failed to make you shiver.

“I didn’t say you have to hurry. Plus… I kinda like seeing my number on you.” And then she was kissing your neck and you felt one of her hand creeping its way down to cup your ass. You gasped when you felt the heat of her fingers brushing against your core and you buried your own in her hair as she traced a path from your throat to your ear with her tongue, nipping at your lobe when she got there.

“Fuck… Alexia…” You moaned, “you’re insatiable.”

She kissed your shoulder and then she whispered, “only for you.”

———

Something flashed from the corner of your eye followed immediately by a string of whispered curses and a familiar whirring sound. You put your thumb over the line you were just reading so you wouldn’t lose your place before you looked over your bare shoulder to the corner of the room you knew Alexia was who you found, as expected, holding one of your Polaroid cameras. 

She was only wearing a pair of grey sweats which left her torso bare and–like all the time you saw her nude–you couldn’t help but appreciate the soft curves of her breasts and the carved muscles of her stomach. When she met your gaze, she smiled almost sheepishly at you not dissimilar to a child being caught stealing cookies from the jar.

You raised a playful eyebrow at her but instead of answering, she placed her eye over the viewfinder, aimed the camera at you, then pressed the shutter again.

The film came out with a whir and Alexia immediately tucked it into the pocket of her sweats. She then began to make her way towards you and at every other step, she’d stop to take a photo of you, carefully manoeuvring the camera to get the right angle as she did so. It was an endearing sight, really, and it was one that filled your chest full of warmth. 

Eventually, she ended up on you, turning you over on your back as she straddled your waist, leaving you at the mercy of Alexia and her camera. From this position, you couldn’t help but feel extremely vulnerable and exposed not because of your bareness, but because you knew with the way your chest surged with warmth from how Alexia gazed down at you with a satisfied grin, the dimple on her cheek showing as her tongue peeked out between her teeth at the corner of her mouth, seemingly focused on getting the right shot, that this was a woman who had the power to completely and utterly unravel you. 

As a photographer, you were well acquainted with how cameras had the capacity to capture the essence of a moment–to display in raw details the emotions of its subject and freeze them in time, readying them for the dissection and scrutiny of the viewer. You wondered then what Alexia would see written in the shadow, the light, and the colours in the photos she just took of you once she looked at them, and the thought both elated and frightened you. 

Alexia brushed away hair from your temple but as she was about to pull away, you put yours atop of hers and turned your cheek into her palm, looking directly at her behind the camera. You heard her breath catch and then she stuttered out a breath, and the flash barely registered in your mind because you were too focused on the strength and the warmth of Alexia’s hand as you pressed butterfly kisses on the inside of her palm. 

The next thing you knew, the camera was abandoned completely and you couldn’t help the laugh that bubbled out from your throat when you finally felt Alexia’s lips on yours.

———

Alexia sat on one of the high chairs in the kitchen room, hair damp, a game of football on the mounted TV that was left forgotten in place of… something that you couldn’t quite see from this distance. Alexia’s shoulders were hunched over in concentration and you didn’t have the heart to interrupt whatever she was doing so you leaned on the archway, content with just observing her do her work.

“Are you just gonna stand there or would you care to join me?” You rolled your eyes and you didn’t fight the smile that graced your lips. So much for being sneaky–the fact that Alexia was an accomplished footballer who had crazy spatial awareness occasionally slipped your mind.

“Okay, Gwen Stacy, calm down.” Alexia looked over her shoulder then and stuck her tongue out at you, grinning. “How did you even know I was here?”

“Your reflection on the microwave.” She gestured to it with her chin and sure enough from this angle you were instantly visible especially with the white shirt you had on. The dark glossy surface almost made you look like a ghost.

Standing on your toes, you draped yourself over her broad back, arms wrapping loosely around her neck as you peered down. “So, what are we working on?”

“This.” 

A bracelet made of a dark-blue and red string that looped into itself with a singular, small gold diamond-shaped charm right in the middle, a vertical bar at the two corner points of the long edge of the diamond, dangled between Alexia’s fingers. She took your right hand and placed it in your palm so you could look at it: the bracelet was simple but it’s delicate nature made it all the more beautiful and elegant.

“Oh, wow, this is so pretty.” 

“It’s for you.” At that you looked at her, half-afraid that she’d feel the way your heart raced at her words against her back. 

You were so busy trying to find the right thing to say that you didn’t realise that she took the bracelet back until you felt the warmth of her fingers on your palm as she turned your hand over. You watched her as she wrapped it around your wrist, securing the tie. You turned your right wrist over and looked at the delicate bracelet, and something in your heart soared at the small gift. The fact that Alexia made it herself made it all the more special to you.

“Thank you, Alexia. I love it.”

“You’re welcome.”

That night while you were sufficiently warm nestled by Alexia’s side, naked except for the sheets, your head on her chest, a realisation hit you.

“It represents FC Barcelona, isn’t it?”

Alexia hummed in answer, the rumble from the sound a pleasant sensation on your cheek. Then she held your wrist in the space between her thumb and index finger, the width of her palm supporting your hand as she turned your hand just so so the gold of the diamond could catch the light.

“And what else?”

At that, you looked at the bracelet intently. The two bars: one and one–Alexia’s number. So she really was serious when she said she liked seeing her number on you.

You let out a small laugh, then you nuzzled her jaw as you spoke, “you little sneak.”

———

Minding her bad knee, you flipped the both of you over with a strength that even surprised yourself and with how Alexia’s brows raised high, you supposed it took her off guard, too. You settled your weight on her stomach and you bit your lip when you felt her abs tense against your core, and the desire in you blazed into a raging inferno that threatened to burn you inside out.

She grabbed your ass in both hands with a firm grip, making you gasp when her hold made you grind against her stomach, her eyes smouldering as she looked up at you. 

That look was your last straw; you couldn’t stop fighting your desire anymore so you let it swallow you whole. You fell forward, bracing your weight against your elbows as you craned your neck to kiss Alexia, rough and desperate, her lower lip between your teeth. The action rewarded you with a low moan, a delicious sound that shot heat straight down to your core.

“Just what do you think you’re doing?” Alexia gasped out between your relentless kisses.

“I like being on top,” was your simple answer whispered hotly against her ear, nipping gently at the soft skin there–teasing. 

Then it was your turn to gasp. 

Her fingers dug delightfully into your flesh, kneading your ass roughly before easing them apart with equal force. The harsh treatment caught you by surprise and the effect of it even more unexpected as you immediately melted against her, moaning her name helplessly against the crook of her neck. 

She knew just how to make a mess of you.

“Hmm, do you?” She asked coyly and then proceeded in a deliciously low voice that oozed seduction, smugness, and sex. “Too bad I’m still in control.”

“Fuck.” Your body answered for you in a full-body shiver. Her words turned you on to the brink of falling and you found no purchase as you slipped from the ledge.

It should be embarrassing how you could come without Alexia even fucking you, and it should scare you that she had this much power over your body but in this moment, when her hands were everywhere but your pussy and her filthy words were whispered hotly in your ear, you could care less. So you fell apart, shaking and weak, as you sank on top of Alexia’s firm and soft body, her name barely coherent from the sobs that came out of your lips. Euphoria lit every nerve in your body as you came, the fabric of your underwear latched deliciously on your pussy like a second skin and you were sure that you’d made a mess on Alexia’s bare stomach.

You only realised Alexia had stopped her teasing ministrations until you heard her thick voice through the haze of the afterglow which you barely caught.

“You came.”

It wasn’t a question, really, but you let out a small affirmative moan because what else could you do? You were mush–the intensity of your orgasm caught you off guard and left you floundering that no thoughts formed in your mind, just pure bliss and ecstacy. But as the veil of euphoria began to lift, embarrassment bled into the edges of your consciousness and with it the instinct to apologise. The words were poised at the tip of your tongue when Alexia moaned.

“Fuck, that’s so hot,” she breathed out and when you found the strength to lift your head to look at her, her eyes were lidded, pupils blown so wide they were almost all black.

And then she was pulling you in for a kiss, and then the wet heat of her tongue traced the edge of your ear, and she was nipping at your jaw while she dragged her palms from your ass to the side of your ribs. Your skin burnt at her touch and you could do nothing but surrender, to moan and whimper as your heat blazed anew despite having just been swept away.

“But this time, you’re going to come with my fingers in you.”

She didn’t even let the words sink in. Instead she wasted no time to slip her hand between your bodies and to push aside the fabric of your ruined underwear. Usually, Alexia liked to tease you and ease her fingers in you slowly as she sought as much reaction from you as she could, but the slick she found there must had been enough to satisfy her because she pushed two fingers in as soon as she found you. The thickness of her fingers slid in easily and you nearly screamed her name from the pleasure. 

She was relentless in her endeavour to make her words true with the way she gripped your hip steady with her free hand so you didn’t stray too far from her touch when you moved to meet her thrusts, the pace at which she worked her fingers in you left you lightheaded the same way her teeth on your neck worked to drive you insane.

“Alexia, Alexia, Alexia–” You chanted her name like a holy litany, burying your face into her hair that was now slightly damp with sweat and breathed her in: her scent of sun and freshly cut grass, of faint wintergreen, and an essence that was uniquely hers. The moment left you full with something heavy and warm, something that spoke of and hoped for forever, and clarity washed over you: this wasn’t like one of your previous dalliances anymore because you wanted more with her.

The realisation hit you hard, the gravity of it left your mind in a momentary stasis that when you came back to yourself, the shock of your orgasm knocked the breath from your lungs and you felt yourself being pulled by the tide. So strong was it that you could do nothing but pray the flood wouldn’t take you–that Alexia wouldn’t let you drown.

[yes-asil]

Dream Team is going to turn 10 this year, so a decade passed with me giggling at Luigi on the bottom screen doing a little jolt in his sleep whenever I jump.

Also; headcanon that he has been nothing but sleepy since he arrived on the island and Mario is constantly worried Luigi's gonna fall flat on his face during battles in real life/is hurting him while traveling through his dream world.