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#* plot
asktheisle · 2 days
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[The two kick around a beanbag in silence for a few minutes. The tense atmosphere gradually grows uncomfortable until Cooper finally speaks up.]
What's going on in that curly head of yours?
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[Cooper kicks the beanbag into the air, catching mid-fall and without looking.]
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Nat: I'm not following you, huh?
Cooper: You gotta lead even if you're scared. It's performance time, and no one will know how terrified you are if you don't act it. You're team will match your energy, so try to match their calm before they get a hold of your nervous energy. Put on a show.
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[2 hours until call time]
(( previous ))
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thechekhov · 4 months
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I've had this little idea in my head for a while now, so I decided to sit down and plot it out.
Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!
Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)
And hey, is this helps... maybe sit down and write a story! :)
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elumish · 3 months
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I think one of the most fundamental plot failures I see across a lot of books is that the person chosen to solve a problem is not a person who it makes sense to choose to solve this problem.
This ends up being true for a lot of YA books where the teenager is the chosen solution to a problem because they need to be for plot reasons, but there is no actual logical reason why anyone would be relying on them to solve this problem (or often even letting them get close to this problem). No, this kid can't work for the FBI or the Secret Service. No, this twelve-year-old won't be a more accomplished soldier than a fully-trained servicemember. No, this kid isn't allowed to practice medicine.
And you can work around this by presenting a reason for them to be involved despite being less qualified--usually that they put themselves in a situation, despite the adults around them, but also that there is something else that makes them suited to a job/role despite their other lack of qualifications (we need someone who can blend in, etc.).
But it's also true for a lot of adult books. I'm reading a book where the ER doctor/medical professor First Gentleman is going to lead the response to a plane full of people who potentially have Marburg virus, and even ignoring the fact that he wouldn't be allowed within a thousand feet of that plane by the Secret Service, that also fundamentally just does not make sense with how U.S. pandemic and quarantine response work (or even how medicine works--an ER doctor is generally not an infecious disease specialist). It's waved away for plot reasons--but it also represents a failure of the plot as a whole.
Why is your character the one who is trying to solve this problem? Is it their job? If it's not their job, what does it mean for the story for them to be trying to solve a problem that they aren't qualified for, may not have access to, and/or aren't allowed to deal with?
If your only answer is "it works because it needs to work for plot reasons" then it doesn't work at all.
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Writing Notes: The Shape of Story
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by Christina Wodtke 
Start with Conflicted Characters
The character needs a goal, a motivation and a conflict.
The goal can be alien to your audience,
but the motivation must be shared by them, and
the conflict creates struggles that increase engagement.
Paint a Picture
Details transport you into the story.
The world disappears and you have a story play in your head.
Even though there are no literal pictures.
But be careful—Too many details and the story gets bogged down.
Make the Protagonist Suffer
“Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them - in order that the reader may see what they are made of.” (Kurt Vonnegut, How to Write a Great Story)
And when it can’t get any worse, make it worse before it gets better
The two key moments that create the peak of excitement in a story is the darkness before the dawn, and the dawn. 
The climax is the moment when the protagonist is either rescued or rescues themself.
In older tales, we saw a lot of Deux ex Machina (the hand of god) rescuing the hero. A hero could be rescued by luck, a partner, another hero…but modern audiences strongly prefer stories where the protagonist helps themself.
Resolution is Boring, Keep it Short
Interest grows with every additional conflict, but once the hero figures out the solution, our fascination collapses.
Don’t natter on while the audience’s mind is drifting.
Also Consider:
You need a good inciting incident to move your protagonist to action.
A setting is more than a place, it’s a situation and a moment in time. A vivid place has details.
Modern audiences prefer “return home changed” to “return home the same.”
EXAMPLES: ARCHETYPAL PLOTS ALONG THE ARC
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Boy Meets Girl
Internal conflict is always satisfactory (e.g., she believes love interferes with his career, he believes love interferes with his beer.)
The crises usually revolves around betrayal — lying, cheating — and the climax shows it was a misunderstanding or we get atonement.
The struggle is always about them being separated.
The resolution is about binding them more tightly together than ever.
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The Quest
You seek things, and find yourself.
Return home changed and don’t pass go.
Common elements include companions, a mentor, great losses and extreme character arcs.
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The Underdog
Even though they do not have a shot in hell, the underdog wants something. They want it so bad.
Common elements include an enemy who blocks their path, and a coach who helps them forward.
In this case, they do not return home changed but rather move into a new life that fits their changed self.
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Coming of Age
Naive person has the world teaches them a hard lesson, and they become a better person for it.
Struggle revolve around life sucking and then sucking more.
The hero grows and becomes better because of it, and via new understandings becomes competent.
In some tragedies, the world breaks them.
They can return home changed, but more often they move to a new life they have earned.
More Examples. Justice & Pursuit:
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Weaving Multiple Plots:
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Weaving multiple plots together to make subplots can further increase tension.
Multiple plots woven together makes the whole story not only unique but very compelling.
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askcupsandcasinos · 6 months
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(i swear the next one will answer an ask. just gotta get through all this plot (: )
…Prev ♠️    ♦Next...
            ♥  First  ♣
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thatsbelievable · 3 months
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underwaves · 6 months
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arminsumi · 1 year
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SAKURA.
𝐆. 𝐒𝐀𝐓𝐎𝐑𝐔 — 五条悟 ⋅ fem reader
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NOTE: i really liked this idea and merged it with my little daydream of Gojo being in his clan and meeting you in a small village (like before he moved to the city or something) and tweaked it just a lil bit if that's ok!! i hope i delivered, and mwa ty for your request lovely anon i hope i got it all right, enjoyyy 💐
REQUEST: Can you pls write gojo who gets the Hanahaki disease cause of reader and gojos condition worsens so to keep the strongest alive the higher ups set up an arranged marriage with reader (her mission is to love gojo so he doesn’t die but she is defensive and uncooperative at first) but then she warms up to gojo (he does everything to make her happy) and they both live happily ever after 😭💕
SUMMARY — you meet a boy on a Taiko-bashi as a child. Little did you know, he was the prodigal son of the Gojo clan, and you would be married into that family to save his life.
WARNINGS — heavy angst to fluffy fluff, he steals ur first kiss, domestic life with ur kid Megumi at the end <3 😭, unrequited -> requited love, arranged marriage, quite a lot of blood/bloody flower mentions, disease/afflicted with coughing spells (see about the fictional Hanahaki disease here. Basically u cough up flowers and/or throw up full flowers if it gets life-threatening), poor boy almost dies, there’s a scene where it’s insinuated that he throws up a full flower, some teasing/playfulness yk the usual you'd expect from gojo, lmk if i have missed a warning thank u
WORDCOUNT ≈ 4.3k
PLAY ME ♪ bouquet — Ichiko Aoba
🍒 𝐉𝐚𝐲 — サクランボ ⋅ 𝐑𝐞𝐛𝐥𝐨𝐠𝐬/𝐜𝐨𝐦𝐦𝐞𝐧𝐭𝐬 𝐡𝐞𝐥𝐩 𝐚 𝐥𝐨𝐭 !
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When you were seven, a boy a few years older than you – perhaps two or three – passed you by on a Taiko-bashi in a small village. You remember him as the boy with peculiar eyes and white hair who looked back at you on the bridge. In your eyes, it was a very ordinary encounter with a very extraordinary looking stranger.
But in his infinitely blue eyes, there was ingrained a more meaningful and vivid memory of that encounter. He held it very close to his heart. When you and he made that brief eye contact as he looked behind his shoulder, slowing at his mother’s side, he felt a windswept, lovestruck feeling come over him. He batted his pretty lashes at you and stopped walking for a fleeting moment, as if captivated, and then went his separate way with the image of your face burned into the forefront of his mind. His kimono fluttered as he tended to walk in a gliding manner.
When you were fourteen, the same encounter happened again. A familiarly pale face with barely grown-in features looked back at you – his whole body felt a twinge of excitement. He only took one small moment to look at you and yet knew you were the same girl he saw as a child on this very same bridge.
Years went by, and the two of you kept encountering each other at peculiar times in your lives at that same bridge. Neither of you spoke to each other once, well, you didn’t say a word – but he uttered a few boyishly desperate greetings and even bowed as he glided past you to try and get your attention. If only you would have stopped for a chat, the poor boy would have given anything for that.
In some way, it felt like the two of you knew each other, though it was only your eyes that ever talked.
Come your eighteenth birthday, you were burdened with awful news. You were to be married to a man you had never met – someone from the Gojo clan. That person was apparently fatally sick with a disease you had scarce knowledge on. You asked your friend at the time, her name you’ve long forgotten by now, about Hanahaki and all she said was;
“Your lover is going to spit flowers in your face.”
You scrunched your nose up in disgust and confusion at this. A very silly image formed in your mind about the disease ever since your old friend had said that – all you could imagine was your future husband spitting saliva-wettened, half-destroyed flowers at your face.
The Gojo family and your family had always distantly known each other, hence all the visits to the village that they resided in. Your marriage to Gojo was long-debated throughout the years – yet neither you nor him knew anything about it. Neither of you prospected marriage, you were just the two strangers that passed each other on the Taiko-bashi every time the Sakura was in bloom.
The first time you and the son of the Gojo clan were introduced, it had already begun with a rocky start. You walked in when he had been overwhelmed with a coughing fit, and you were hushed back outside. The shoji door smacked shut behind you, and you heard sickly coughs piercing through the translucent sheets. When your future husband stopped coughing, and the blood and petals were cleaned up, you were brought back into the room. There were both your families and some important-looking officials in the large room, all formally sat on the tatami mats with mixed expressions. His mother seemed delighted at the sight of your face – but not more than her son.
Gojo Satoru, an eighteen-year-old at the time, with usually such a loud mouth and good joke up his sleeve, was rendered speechless when you had walked into the room. He analysed and absorbed every feature that made up the image of what he thought was the most charming and alluring creature ever to exist. Definitely a creature, he thought as you formally bowed with him, because no human could possess such an ethereal beauty.
Satoru was intrigued by you from your encounter on the Taiko-bashi, but when he was finally introduced to you he was utterly captivated.
The reasons and conditions for your marriage with the Gojo clan’s prodigal son conflicted with your strong beliefs in love and romance. You had rather aggressively told the poor boy your opinions in the days leading up to your wedding.
“I always thought,” you emphasized with a snotty tone, yet he listened to you like one would listen to the tranquil flow of the river under the Taiko-bashi, “that I would marry someone I loved, and not be forced to love…” you seemed so disappointed with how your life was turning out, that he couldn’t help but feel a bit bad for you.
“I’m a positive person, I have faith that you’ll fall in love with me in no time.” He said cheekily and winked at you. You felt very taken aback by such straight-forward flirting – you must understand, no boys in your village ever did that. They were very proper, even reserved.
He was almost charming in that instant, but then he added; “Who wouldn’t fall in love with me?”
At the time he was so full of himself that you could hardly believe there was space for any petals in his body. But there certainly was – when you left him alone in that room and stormed off, appalled by his conceit, he clutched the side of the door frame and coughed up little pink petals – enough to comprise three whole flowers.
It started worrying him, a few days before the wedding, when he started coughing more often. And not just that, but he started coughing up more petals than he had ever in his life. The peculiar disease had started during a time in his childhood that was coincidentally very close to the time he first passed you by on the bridge.
The night before the wedding, he laid in bed and brooded. And he was never the type to brood – he let life happen and moved on relatively easily. But he brooded, and brooded until it felt like he sunk so deep into his futon that he became one with it. The ceiling blurred.
What was going to happen if you didn’t fall in love?
That thought scared him so much that he violently drove it out of his mind and replaced it with an ideal daydream; he envisioned you and him cuddled up, bracing each other’s bodies, and melting into each other like real lovers do. He imagined you would be warmer than him, with that cool touch he had, and you would also stroke his hair. It was very fluffy, he made sure to point that out to you several times – but you never took a hint.
On the day of your wedding, he snuck to meet you just before the ceremony. He was crouched in the garden outside the room that you were preparing in. It’s then when he heard you voice your feelings to whoever it was helping you get ready.
“How can I love a stranger? And anyways, he is so full of himself, I can hardly believe there’s space for any flowers in there. There’s nothing I like about him.”
“Oh, Y/n, you have yet to learn about him. I’m sure you will find he’s rather charming. He is the pride of the Gojo clan, after all – he has the Six Eyes and Limitless. He’s the strongest, he’ll always be able to protect you – ”
It sounded like the woman talking about him was your mother, with how she praised him so much. She was right, Gojo thought; he could protect you from anything.
His expression was grave after hearing your thoughts. But he put on a lightened smile and masked his slight heartbrokenness when the rituals and main ceremony commenced.
It was a very formal, rigid ceremony. Gojo looked up at you sadly a few times, wishing you would spare a glance. He brooded on the idea that you’ll never love him like he loves you, and then a sickening, ticklish feeling spread in his throat and just as the closing ritual ended, he burst into a coughing fit – one of his worst yet. A bit of blood dribbled out his flushed lips, contrasting against his pale skin. Of course you were concerned – and of course you felt the urge to help and comfort him. But those feelings were purely out of the goodness of your heart.
Friends share love. But even when you and Gojo developed something resembling a friendship, it didn’t alleviate his disease. It was embarrassing sometimes, to realize that you were failing at the one thing you had to do; and that was keep him alive.
He was quite genuinely dying for you to love him.
Yet you refused to be in the same room as him for too long. Your mother had to encourage you. Eventually, both his family and your family worked together to make sure you and Gojo spent adequate time with each other. They organized meetups ranging from fancy nights-out to long voyages to weekend sleepovers. It was comical, how your families got along more smoothly than you and Gojo.
It’s the spring of his nineteenth birthday when the thought of kissing you becomes a reality. Well, it doesn’t go as he planned it. See, Gojo envisioned that kissing you would solve all his problems – he thought he could infect you with his love, somehow worm into your heart through a passionate kiss.
So when you and him sat for tea in a spacious room, kneeled side by side on the tatami mats, he went in for a kiss. You were distractedly straightening out your kimono when suddenly a pair of inexperienced, boyish lips crashed onto yours.
“Mmf!” you reacted with sheer shock – why on earth was he kissing you? The audacity, he had just insulted and made a mockery of you with a cheeky, playful attitude.
“Satoru!” you whined into his mouth.
He cupped the back of your neck and partly entangled his hands in your hair. White lashes sat pretty as he closed his eyes and glided his wettened lips over yours. For the briefest moment, you let yourself enjoy his kiss. But suddenly, as if your principles of love kicked back in and stomped on the moment, you shoved him away.
And a hard shove that was, he fell out of balance and landed on the mats with his elbows, a look of shock and surprise twisting into comedy.
“Playing hard to get?” he joked. His heart sunk ever so slightly at your rejection.
“You can’t just kiss a girl!”
“Come on, I’m your husband – if I can’t kiss you, then who is allowed to?” he asked.
You looked furious, like you were about to bite him, so he slowly started backtracking.
“I just wanted to see if kissing you would – ”
“How dare you, that was my first kiss! I thought I would have a cute first kiss, not a hasty one shared over… over a cup of tea!” you complained.
His expression changed and he started sputtering apologies. “I’m sorry, I didn’t know – I – ahuh!” he started lightly coughing.
And now it was your turn to feel apologetic, because all the bad tension between you and him brought on another violent coughing fit for him.
“I’m okay.” He choked out, eyes water and face reddened – some blood pooled at the corners of his lips, he instinctually brought his hand up to his mouth to catch any that dripped.
You rushed and kneeled over him, placing a much-needed soothing hand on his shoulder. “Satoru, I’m sorry.”
He tried to muster up a joke to lighten your worry, “H-hey, since when d’you call me S-Satoru? I thought it was strictly Go-jo.” he was interrupted by more coughing.
You comforted him, until his parents came into the room. They seemed disappointed with you, but masked it.
The night fell heavy all around the Gojo home. The barren Sakura trees’ branches subtly shook in the wind. A storm was approaching.
“Hey, sweetlips.” Gojo slipped into your room as you were in the middle of preparing for bed. “There’s a big storm comin’, if you get scared you can sleep with me.”
“Are you out of your mi-” you shut up when a sudden, extraordinary crack of lightning sounded and shocked you right out of your skin.
Gojo had a little laughing fit at your overreaction. He was completely calm at such a loud noise. Of course he was.
“I’m not sleeping with you!” you muttered angrily, but then you saw the dejection on his face – no, rather, you saw the way he tried to conceal it, and you felt bad.
Maybe tonight is the night you’ll try harder, you thought.
“Okay, well, don’t cry like a wimp if the thunder scares you ‘cause I won’t come running to soothe you.” He said and left you alone.
When he walked down the hall, his fingers grazed over his lips. All he could think about was how blissful it felt to kiss you, even if you did reject him. And he was your first kiss – maybe it was wrong to smile over that, but he couldn’t help himself as he climbed into the comforts of his bed.
A violent rainstorm engulfed the village.
As the lightning got more frequent and more terrifying, Gojo scrunched up his shoulders and half-hid his face under his blanket. He felt like a boy again, as scared of the thunderstorms as he was when he was seven years old. His pretty upturned nose peaked over the blanket, eyes glistening with tears as he recalled the fateful day you and him encountered each other at the Taiko-bashi.
He held onto that memory with a death grip. No one else ever had the honor of being so close to his heart, not even his best friend who he had made at Jujutsu high when he was seventeen. No, that heart of his he kept reserved for you. He thought to himself that night, while curling up on his side in pain, that even if he dies, at least he would die having been able to love you – albeit without reciprocation.
And then it happened. He shot up and let out a violent cough, and began spluttering over his white blanket. The thunderstorm was so violent that it muffled even the violent coughing in his room. His head felt like a dense ball of tension.
Unrequited love for many boys his age was heartbreaking, but not deadly. He morbidly laughed at that fact, observing the flower that he had thrown up onto his blanket, soaked in his blood.
He was dying.
He defeatedly closed his eyes, breathing through his blood-glistening mouth. His chest lightly heaved. “Y/n, you’re really gonna be the death of me… ah, oh well. That’s okay.” He muttered madly to himself and fell back onto his bed, too weak to stay awake any longer.
It was probably the work of the universe, but you floated down the unlit hall and tapped at Gojo’s doorframe. “Are you awake? Satoru?” you called his name in a gentle murmur.
There was an eerie silence. You slid open the door and caught a glimpse of bloodied sheets and a mangled-looking flower.
“Satoru!” you rushed over to him, stirring him awake with a harsh shake on his arm. “Satoru? Are you okay? Can you hear me?”
He groaned weakly – you felt a small relief. He wasn’t dead, though he really looked pale enough to be. His cheeks were flushed, his lips cracked and dry with residual blood.
Not a word you spoke sounded coherent to him though it was, all he heard was the soothing qualities in your voice. Though his vision was blurred, he knew it was you, because he felt the familiar air and scent of you.
He felt a strange sort of alleviation when you cupped his cheeks, murmuring something. Oh, when did he end up in a doctor’s room, laid on a patient’s cot? Weren’t you and him just in his bedroom at night, during a loud thunderstorm?
All he recalled was that you held his hand and squeezed it for a long time, while you were travelling somewhere. He remembered feeling your comforting presence each time his consciousness stirred.
“Have I died and gone to heaven?” he chuckled jokingly, feeling your lips press to his forehead.
“Huh?”
“Probably dreaming…” he muttered to himself.
“Satoru, you’re not in heaven you’re at Doctor Tanaka’s home.” You told him.
He pinched his eyes shut, overwhelmed by his afflicting sickness and Six Eyes.
“I’m so sorry…” he heard you speaking in a more tender voice to him than you ever had before. He felt the pressure in his chest lessen as you spoke, “… I was going to come to you because the thunderstorm scared me… no, actually, because I wanted to be with you. I felt this overwhelming urge to be at your side, and I don��t know why. Satoru, I’ve been such a fool. I’ve been such a scared fool, fearful of loving a stranger. Or, no, I guess I’ve feared loving someone I’m not supposed to be loving. You’re so special I feel driven away by it. But I promise I won’t flee from your love anymore, Satoru – I love you, and I’ll express it as much as I can in this feeble human form. The rest of our love will happen in the stars, after we die, I guess.”
He opened his eyes. It felt like the burdening fog that had been plaguing him since he was a little boy on the Taiko-bashi finally cleared. Everything felt fresh and sharp, and good and properly comforting. It felt like he had woken up from a long dream or arrived home from a harrowing journey through the landscapes of his mind.
“So you can be good with your words.” Was the first thing he said, and that was such a Gojo response that you knew he was okay.
“How do you feel?” you asked him, peering down at him.
He groaned and stretched and shifted around, fussing dramatically.
“I feel…” he began, and looked over at your lips. “Like I deserve to be kissed.”
“Oh, shut up you…”
He pouted. “Okay, ‘guess the kissing can wai- mmf!”
You kissed him very quickly and recoiled from shyness. His lips were divine.
He shot up out of the bed like he couldn’t just believe what happened.
“Wow.” He blinked at you. “So gutsy, you know you’re not allowed to kiss your husband!” he joked.
“You are such a – ”
“ – good kisser?”
“An idiot!” you giggled, genuinely enjoying his company.
The two of you bantered, basking in the newfound feeling of shared love. When the doctor came back in, he was preparing to witness the worst – but he was utterly surprised and at a loss for words when he walked in on you two smiling and laughing.
And it was the talk of the village. Neighbors gossiped, “Did you hear that Gojo Satoru is cured?” they spoke amongst themselves, “I heard! Apparently it’s a very romantic love story, did you read the newspaper article?”
You and Gojo drifted down the Taiko-bashi, together. He squeezed your hand when you set foot on the bridge, the cool skin of his wrist tickling your inner wrist as they pressed together.
“What are we doing here?” you asked him confusedly.
“Don’t you know this place? It’s the place we met.”
“Ooh, you’re romantic, huh?” you smirked.
A small blush crowned his cheeks.
“I’ve been romantic since the start.” He defended.
“What d’you mean! You were so cheeky!” you kicked his leg.
“I was quite a menace, I’m sorry – not sorry – kidding, kidding, I am sorry.”
He looked at you with a cheeky smirk, knowing damn well what you were talking about.
“You know…” he began, looking over the bridge at the river flowing beneath and admiring how the stream carried the Sakura blossoms. “Whenever I used to get coughing fits – bad ones – I would soothe myself with the memory of when we first met here. I can still recall the kimono you wore, and the Sakura that got tangled in your hair – and I thought about…” he came closer to you, speaking with a charming allure, “How badly I wanted to pluck that flower from your hair.”
You blinked up at him. How could such romantic words come out of him? You didn’t know how to respond.
“Ooh, did I make you shy?” he teased.
“No…”
“I totally made you shy. That’s so sweet. Are you blushing?” he giggled, putting his cool palm up to your cheek to feel the heat, “Oh, you’re blushing blushing. You could burn my hand right off.”
“Satoru!” you giggled.
“Ah!” he clutched his chest dramatically when you said his name, “Don’t say my name like that! I have a wife.” He joked.
“You are ridiculous!”
He gave you a big, toothy smile. “But you love me for it.”
“I do.” You tell him, and though he’s heard it many times after that day, each time feels like the first time you’re saying you love him.
“Gimme a kiss.” He asks.
“Come get it.” You tease, slowly backing away off the bridge.
“Seriously? You’re gonna make me chase you for a kiss? I’ve coughed up petals because of you, ‘n you’re gonna do me like this – heyyy! Get back here!”
Running into the petal-littered streets like carefree kids felt so freeing and exhilarating. He felt like he was catching up on all the fun he missed, if only you would have lived in his village as a child or visited more often.
“Got you!”
“Ah! Jesus, you scared – mmmf!”
He didn’t hesitate to take a much-needed kiss from your quivering lips. He kissed you so hard that you felt dizzied, lost for breath, rendered speechless. And he relished the love pouring out from you.
You stood there being kissed by your husband in a quaint alley, standing tiptoed on the Sakura blossom-littered ground to meet him halfway. Gojo’s heart thumped at the smallest things, like the fact you were standing on your tiptoes – that was the cutest thing in the world to him.
The two of you took a break for breath, and silently admired the Sakura blossoms as they drifted, being swept away by the wind.
Gojo looked at them, and looked at you, and thought of everything that had happened up until now. He was about to say something lovey-dovey but blurted out a dumb joke instead just to hear your laugh.
“Damn, I used to cough up those things.”
You laughed, “Your jokes aren’t good, Satoru.”
“But you laughed.” He said cockily.
“Shut up or I will never kiss you again.” You playfully threatened.
“You don’t mean it.” He tilted his head at you. You cracked a smile.
On the walk home, he kept calling you various nicknames – all flowers.
That day became a cherished memory of the past as the two of you weaved your way into proper adulthood. And the nicknames followed; he went through the whole flower alphabet, even the bizarrely named ones, even the Latin root names. When he wanted to annoy you, he’d call you prunus subgenus cerasus.
Now Gojo fusses around the living room of his tiny Tokyo apartment, preparing food for a little boy of the name Megumi. The day is full and busy, but any second he can get with you, he relishes.
“My tulip, 'gimme a kiss.” He asks.
“Come get it.” You tease.
“Ew.” Megumi grimaces, hearing this exchange right as he walks into the kitchen. He walks right back out.
“Gumi, get back here, food is almost ready.” Gojo calls after him, then leans down to try and kiss you but you playfully dodge him.
It always happens like that – he asks for a kiss, you refuse jokingly, he chases after you for a kiss and you scamper away. Like a running joke that’s a callback to your past.
“C’mere, you – ” he finally snatches you up, too needy for a kiss to play around anymore. “Stay right there and let me kiss you.”
He enjoys every second of kissing you, embracing you tight like he’s never letting go. Just like when he first kissed you, Gojo cups the back of your neck and tilts his head to deepen the kiss. It has you breathless, gasping – he’s so alluring that you shudder.
“Satoru!” you scold, “The food will get cold…” you excuse.
“Okay, okay. But you owe me extra kisses tonight.” He winks.
“You’ll have to get them out of me yourself.” You tease.
“Oh, I will, don’t you worry. I’ll take every little kiss I can.” He says determinedly.
He pecks at your lips, savoring the sound and feeling of the act.
“Ew!” Megumi grimaces, and walks out the kitchen just as he walks in like earlier.
“Gumi! Food! Sit-your-silly-butt-and-eat! You rascal you.” Gojo lifts him by the armpits, and tickles him like a real dad.
Megumi is poker-faced at the tickling.
“Y/n, tell Gojo he’s being annoying.”
“Husband, you’re being annoying.” You murmur up at Gojo.
“Am I?” he smiles down at you, giving you another cheeky peck.
Megumi sighs.
“Stop spyin’ and start eating, little lotus.” Gojo threatens playfully.
“Dad. Save the flower nicknames for Y/n.” Megumi scrunches his nose up.
Gojo's face lit up. “Okay, okay. Enjoy eating, I'm gonna go see where she went off to.”
He hurried into the bedroom where you had wandered into and excitedly whisper-shouted “He called me dad!” he gushed like he was the happiest man alive.
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© 𝐚𝐫𝐦𝐢𝐧𝐬𝐮𝐦𝐢 𝐃𝐎 𝐍𝐎𝐓 𝐒𝐓𝐄𝐀𝐋 𝐖𝐇𝐀𝐓 𝐈'𝐕𝐄 𝐖𝐎𝐑𝐊𝐄𝐃 𝐇𝐀𝐑𝐃 𝐓𝐎 𝐂𝐑𝐄𝐀𝐓𝐄.
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soul-shenanigans · 6 months
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RivenTale
Family Drama
After months of coexsisting with the Skele-Brothers...
Something had to finally explode...
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Notes:
When a monster bonds with a human and forms a deep connection through soulmateship, profound changes occur within the monster. The effects of this bond are transformative and go beyond the physical realm, extending into the emotional and magical aspects of the monster's existence.
Monsters absorb the traits that the human that they’ve bonded with has, meaning that their attack type might change or modify slightly
A soulmate doesnt have to neceserily mean a lover, it can be a friend, a family member
Building an actual bond and connecting with the monster has it’s pros and cons. The monster gains a soul, can use magic and doesn’t suffer from starvation anymore, the bonded monster’s magic resonates with the soul of their human and becomes stronger when around them. However that soul bond makes both creatures slightly more vulnerable, if one of them gets hurt, the other one will feel that effect aswell.
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ask-cupbros-parents · 6 months
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Whispers of the Hearts Pt 5
Quadratus Rhythm
...♣️ Previous ---- Next ♥️...
♠️ First ♦️  
Comic list
🚫Please do not repost or trace my artwork! 🚫AI learning prohibit🚫 Cupbros blog |Main blog| Twitter | Patreon
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cacodaemonia · 1 month
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forager-m · 4 months
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When Ratio realizes he's fallen in love with Aventurine, he reacts in the most Dr. Veritas Ratio way he could:
By conducting "field work" and making a research paper trying to rationalize his feelings.
A Phenomenological Study of Romantic Attraction And Its Effects On Human Behavior: A Scientific Perspective on Love
Dr. Veritas Ratio (20XX)
Abstract:
Romantic love is a phenomena observed in all human societies and cultures. It has been a point of study for scholars in differents of studies; all of which have provided biological, psychological, sociological, evolutionary, and cultural perspectives on love. In this study, the researcher aims to gather and analyze existing theories and hypotheses on love to gain insight on the mechanisms, biological incentives, and influences that serve as a catalyst for the development of romantic attraction. Verification of literature will be done utilizing participant observation and participatory methods; data gleaned from the results of the experiment will be used to determine the positive and negative impacts of love on human behavior.
...
Scope and Delimination:
This study considers all perspectives, theories, and hypotheses of love including but not limited to Attachment Theory, Triangular Theory, Color Wheel Theory, Evolutionary Theory, Instrumentality Theory and Reward Theory of Attraction.
However,
The sample size of this study is one participant.
This plot came to me after taking a nap. I'm working on writing it but I have to do some legit research, because Dr. Veritas Ratio would not entertain mediocrity and incompetence, so neither will I. The RRL part is gonna be a pain... and the APA 7th edition citation...
This is going to be the geekiest ratiorine fic ever, my apologies in advance.
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Katrina's large frame sat in the slightly-too-small seat in the second grav deck of the Leap of Faith. Her Nighthawk XXII armor scraped obnoxiously at the plasteel of the deck-mounted chair, prompting a groan of annoyance. The sound grated on her ears.
Glancing down towards the glass clasped in her armored hand, she turned it thoughtfully. It felt like a child's cup in her grasp, Elemental bred as she as. Setting it as gently on the table as she could, the Star Colonel turned her attention towards what she had in her other hand - a bottle of cheap alcohol.
They said never to drop with anything in your system, but Katrina had never had much of an issue with a single drink beforehand. Her modified (PAL) neurohelmet helped filter out any strange interference from the drink. Beyond that, her nerves were fried and she needed to take the edge off.
The woman carefully grasped the cap between index and thumb, grimacing at the scrape of the metal cap against the glass of the bottle as she cracked the seal open. Now loosened, she held the bottle up and flicked the cap. It came off the bottle and flew out into the hallway outside of the gravity deck.
"To one hell of a drop," the Star Colonel mumbled to herself as she tipped out far too weak alcohol into a far too small glass.
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asksavel · 28 days
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Fix the System
(Youtube Alt Link)
Featuring:
The Doctor (10th), Incarnate of Hope Amal, Incarnate of Hope, @dailyashleighraichu Ghost Kid, Incarnate of Fear, @ghost--trails Takeo, Incarnate of Love, @inaris-pokemon-world ???, Incarnate of Sorrow, @creation-quintet Emma, Incarnate of Gratitude, @ask-the-shiny-pokemons
???, Incarnate of Love, @askiceboundlopunny Zephyr, Incarnate of Fear, @bugsofpetalroot Moth, Incarnate of Sorrow, @borealis-siblings Willow, Incarnate of Love, @cosmi-cat
Felix Dawn, Incarnate of Hate, @falloutpoke Steven Universe, Incarnate of Joy Starscream, Incarnate of Greed ???, Incarnate of Hope, @pmd-waveringfate Professor Cinnabar Dracaena, Incarnate of Fear, @daybreak-mun ???, Incarnate of Greed, @askleaderscrest Keenan, Incarnate of Hate, @askbohemiancompany Thank you so much to everyone who let me borrow your characters for this! :D
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Writing References: Plot
Basics: Plot Structure & Narrative Arcs
Basics: Plot & Other Elements of Creative Writing
Plot Methods: Save the Cat! ⚜ The Story Circle
Plot Development: The Transformation Test
Plot Twists ⚜ Types of Plot Twists ⚜ Subplots
Ten Story Genres ⚜ Elements of the 10 Story Genres
The Shape of Story ⚜ The Shapes of Stories by Kurt Vonnegut
Tips
From Margaret Atwood
From Rick Riordan
Editing
Chapter Maps
Plot Holes & Other Structural Issues
Self-Editing
For Inspiration
Character & Literary Tropes
Ways to Generate an Idea
Writing References: Character Development ⚜ World-building
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askcupsandcasinos · 1 year
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(look who cups ran into!)
…Prev ♠️      ♦Next...
            ♥  First  ♣
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