#*not having a big family that's functional

[rainba]

Animalistic Instincts ღ

a/n: I just wanted to write a small thing about Luka being in heat some more... Particularly his breeding kink~ I made this one a fem reader, but if anyone wants a male version of this, I'd be happy to write it! ( ´ ▿ ` )

For this, reader is implied to be living with Luka.

TWs: breeding kink, dubcon (?), silencing via fingers shoved in mouth, dirty talk, unwanted pregnancy on darling's end, Luka being Luka.

NSFW, 18+ only!

Luka is a man who typically never loses his composure. He’s almost always calm, careful, manipulative, and smart to some degree. It’s something that he takes pride in.

…However, as a man born half-fox, there are days where the animal within him likes to take control. Every year when winter rolls around, that’s when his heat takes over him. And when that happens, he can no longer think for himself– he just goes wherever his dick takes him.

There are some times where he can be rational. Luka can still reasonably cook, clean, work, and take care of both you and him. However, he needs to fuck multiple times between tasks, which is a little inconvenient. He can still function overall, though.

But… There are days where his mind turns into total mush, and all he can think about is fucking you raw.

Luka knows that it’s gonna be a rough day when he wakes up and his first thoughts are centered around how badly he wants to breed and get you pregnant.

God, the idea of it all sounds so damn enticing to him. He’ll fuck you over and over again until you can’t walk, stuffing you full of his hot seed as he lovingly rubs your stomach. He can’t stop thinking about how beautiful you’ll be when you’re all swollen and big while carrying his children. Luka will take extra-good care of you every step of the way… He’ll spoil you like a princess.

“We’re going to have so many kids,” He’ll growl darkly as he savagely thrusts his cock deep inside of you, shoving his cum further in as he locks your hips in place. At some point, you’ll lose count of how many rounds of sex you’ve had. 

“We’ll make a huge family.”

If you whine and tell him that you don’t want any kids, he’ll silence you by shoving his fingers deep inside your throat. You obviously don’t mean that…! You’re just a little confused and worn-out, that’s all. So instead of whining and saying things you don’t mean, how about you suck on his fingers and take his cock like a good girl?

After a couple rounds have passed and you’re thoroughly tired and overstimulated, Luka will start to slow down… But he doesn’t stop. Instead, he’ll just lay you down on your side and he’ll curl up behind you, raising one of your legs as he sensually fucks your pussy from the back. His breath is hot and heavy as he buries his face into your neck.

Luka's cum would be, quite literally, overflowing out of you and spilling onto the bed, but that doesn’t stop him. The animal inside of him demands that he keeps going until he physically collapses.

Also, it doesn’t matter if you feel all hot, sweaty, and disgusting– Luka downright refuses to let you take a shower. However, he will let you lay in bed as he takes a wet rag and wipes you down. His one rule is that you’re absolutely not allowed to clean up his cum. If you wash it out, then that means you’re lowering the chances of getting pregnant...! Right?

Afterwards, if you still cry at the thought of getting pregnant, he’ll kiss away your tears while reassuring you that everything will be okay– and that there’s nothing to worry about! Bearing his children can’t be that bad… If anything, it’ll be a wonderful experience! Don’t you worry your pretty little head, he’ll spoil you rotten for the next 9 months. ~

…But when tomorrow rolls around, if his mind isn’t mush anymore, the delayed post-nut regret will hit him like a speeding train. He’d consider giving you a morning-after pill, but… Honestly? Even when he’s not insanely horny, the idea of starting a family with you sounds nice. So, he wouldn’t give you it unless you genuinely begged him to.

[astral-mariner]

Vegeta's Mother Headcanons/Backstory (with Lots of Saiyan Culture Worldbuilding)

As promised to @blueper-saiyan, here is the backstory I've made up for Vegeta's mom and some of the royal family! I've literally thought about writing a saiyan Game of Thrones style fic about how King Vegeta came to power and how Vegeta's mother became queen. If, after reading some of the backstory, such a fic sounds fun to read, I might write it someday. Let me know!

(This post came up as part of a wider discussion about saiyan cultural/religious differences. Read here if you're interested, but the post will only enhance this one, and you don't need to read it for the backstory to make sense.)

To begin with some general information about how royal succession functions: There are four nations on Vegeta-sei, each with their own lands and cultural identities. When the heir to the throne reaches an age equal to three cycles of Vegeta-sei's moon (25 Earth years, roughly), they are bound to one consort from each nation. These consorts are within one moon cycle of the heir's age and can be any sex; measured strength at birth/assigned social class determines who is selected. (Anyone, however, can challenge the selected consort for their right to be bound to the heir apparent. If the challenger defeats the one originally selected in a duel, the challenger then becomes the new consort.) The "wedding" itself takes place in the weeks leading up to the first nights of the full moon after the heir turns 25.

The role of royal consort is a political one as much as it is about producing heirs for the royal family. Indeed, the consorts are not always reproductively compatible with the heir apparent. (This plays into another web of headcanons I have: gender/sex isn't really a big deal in saiyan cultures; they care far more about class/strength, and even the way they speak reflects this. Saiyago refers to people by class and not by sex/gender; there are no gendered pronouns.) The consorts function, essentially, as representatives for their nations. They are the highest ranking nobles/elites of their respective countries. The position comes with considerable political power and influence. There are motives, then, for someone to want to become a royal consort even if they cannot produce children with the heir.

Obviously, though, producing royal children is one of the main purposes of a consort. Those that are reproductively compatible with the heir are expected to engage in the necessary activities. And the consort who provides the crown with the strongest child assumes the title of king/queen consort, granting both that consort and the nation they represent special privileges, power, and influence. So even if there are motives for someone to want to be a consort regardless of reproductive compatibility, compatible consorts are preferred most of the time, and incompatible ones are often challenged. (Or, alternatively, certain conniving nobles might manipulate power level/class archives to ensure the person they want is "chosen by the gods" to stand at the side of the crown. Lots of fun GoT style shit here.)

So this brings us to Vegeta's mother:

She was the strongest (still living) saiyan born in one of the four nations within an appropriate age range to the heir apparent. Specifically, she is from the nation of people who occupy a collection of islands near one of the planet's poles. As mentioned in the long post I linked, this nation centers Oozaru transformation in their cultural/spiritual consciousness as opposed to SSJ transformation. The primal beast vs. the Enlightened Warrior. People from her country speak of a special bond to the moon goddess because, due to their location at the pole, they experience seasonal polar night. Whole seasons of nothing but the moonlit sky, and alternatively, seasons where they are waiting for the goddess rule the sky again.

And because they center the more wild, primal, and impassioned transformation, they are at odds with the culture in the royal city and the (most populous and influential) nation that surrounds it that centers SSJ transformation which is, supposedly, passionless and enlightened (in the Eastern sense). The unique cultural practices, powers, and techniques the people from Vegeta's mother's lands boast are therefore looked upon with skepticism by most other saiyans. Most saiyans don't know what to do with this essentially foreign group of people from sparsely populated polar isles who have strange ways. Some of them are even rumored to sense ki without scouters. The most powerful of them can even dissolve the borders of their mind as happens under the moonlight so they can communicate to others without speaking, soul to soul. (It's mild telepathy, basically. Speaking with the mind, being able to share thoughts/dreams; very skilled people might even be able to read others' minds in a limited capacity.)

And Vegeta's mother is one of those exceptionally gifted saiyans from this country/culture. But nobody cares or finds out about this until later. Because...King Vegeta was not the original heir to whom she would've been betrothed. The saiyan who became King Vegeta was a weaker/lesser royal child. One of his sisters, however, was the crown princess. And she was batshit insane.

King Vegeta's sister was exceptionally cruel. Even for a saiyan. And she came from a long line of rulers who were almost as cruel and insane as she was. Her lineage, in fact, is part of the reason saiyans are infamous throughout the galaxy. She and other corrupt royals/elites don't fight because fighting is what saiyans do. They don't fight for the sake of itself. They fight to shed blood, to kill, to revel in others' pain, destruction, and misery. The sadism is the point, not the art and joy of fighting. And they don't kill in a cold, unattached way. They rape and pillage because they are consumed with bloodlust, they get off on hurting others, and they are strong enough that few can stop them.

(Another topic I could write a whole other long post about: There is certainly considerable disagreement among different saiyan cultures about what their "fighting nature" actually entails. Is it about the excellence in craft? Is it about spiritual enlightenment? Is it about feeling at one with the body, the opponent, and the universe? Or...is it about defeating and destroying your rival? Is it about being the strongest? Is it about pain and domination? There are competing narratives for what the Ideal Saiyan looks like and about how that saiyan would fight. For someone like King Vegeta's sister, she and most of her family lean more towards fighting-for-domination/bloodlust because power has gone to their heads and warped them into something monstrous.)

And (not yet) King Vegeta sees all of this, and because he's one of the weaker children of his family, he faces considerable abuse. Naturally, he tries to prove himself by showing exceptional cruelty of his own, waging wars and conquering planets... But he never actually wins the approval of his family or the rest of the elite class. He becomes somewhat estranged. He comes to resent and look down on his parents and his sister especially. He sees their monstrous ways and turns away from them not because he sees their actions as evil, but because he comes to see their hearts as impure. He listens to the words and warnings of religious extremists around the royal city's temples who condemn the nobility for their impassioned bloodlust where they should instead be cold and tranquil when they fight. He becomes a bit of a fanatic himself.

Then his sister reaches the age where she's to be bound to consorts. And the moon festival is approaching and therefore her "wedding." She doesn't treat the consorts chosen for her like the esteemed nobles they are, however. She captures them and tortures them publicly to put fear in the hearts of everyone in their countries. On the night of her "wedding," she makes a humiliating display of them in the royal city's moon temple. It's pretty obvious that, once the ceremony is performed, she's intending to rape her consorts and perhaps kill the ones who can't provide children for her. Vegeta's mother is one of these consorts.

Vegeta's father is fucking disgusted by all of this. His sister is doing something absolutely sacrilege. She's using power in the most impure way possible, and she's literally desecrating altars doing so. It sets him the fuck off. He's watching the beginnings of the "wedding ceremony," but it's the last straw. While everyone's caught up in what's happening, he comes to the front of the temple and blasts his sister straight through the heart before she can touch any of the consorts, killing her instantly. And he doesn't stop there. He goes positively feral and kills every single member of the royal family while everyone is too shocked or drunk/high to defeat him even though he's not the strongest based on power level alone.

Covered in the blood of the king, queen, and all of his siblings, Vegeta's father calls upon any "righteous" saiyan to purge the royal lands of corruption. Certain religious extremists are all too happy to oblige (the tailless ascetic order from the other post is certainly included here). They begin with powerful elite families known to be close to the crown, murdering their figureheads and heirs. And even some lower-class saiyans join in on the bloodshed. Many of them despise the royal family and the elite nobility for degrading and abusing them. (Some particularly wicked nobles make slaves of low-class saiyans, treating them like aliens/animals; some of them even take children from low-class families to slake their most despicable lusts. While might-makes-right may be pretty commonplace in saiyan culture, I think it's still extremely feasible that those who get the short end of that stick would come to acknowledge that power does not justify every action, and that, especially among low-class saiyans, things like rape and murder of other saiyans are seen as traumatic and wrong as well as shameful acts to commit most of the time.)

The nights of the full moon, then, become a massive fucking bloodbath. Vegeta's father and those loyal to him massacre pretty much half of the nobility. And he, naturally, assumes the throne after the moon festival is over. He is at once respected and feared. He maintains his religious fanaticism and imposes it on the nobility. In some ways, he is just as iron-fisted and cruel as his predecessors, but it has an entirely different flavor. He follows the laws to the letter, taking them very seriously and giving them intense spiritual weight. He strives to emulate the model of the SSJ Enlightened Warrior and considers it his calling as dictated by the gods because they appointed him king.

And while he's not morally "good" by any stretch, and his religion/philosophy definitely leads him to commit some truly heinous acts, he's nevertheless "better" in many ways than his sister or his parents. Nobles who, for example, would have before taken low-class children to abuse are instead punished severely and pay dearly for their "impurity." (It kind of makes sense that someone like King Vegeta who faced significant childhood abuse from his family would consider taking advantage of certain kinds of vulnerable people to be weak and shameful---a corruption of strength.) And while King Vegeta isn't necessarily loved by all low-class saiyans, he's probably more popular than many of his predecessors were. Yes, he still ships off weak children, he still enforces the strict caste system (perhaps even more strictly than those before him too), and he still conquers planets and seeks out powerful opponents to destroy, but he does it with a certain spiritual sincerity.

Then it becomes time for him to take consorts. He's in a pretty unique situation where he's already king before he's "married." After the murder of his sister on her "wedding night," he frees the consorts from their bondage and tells them they can return to their homelands until the gods call upon them to perform their duties. They are more than happy to get the fuck out of the royal city for a while, naturally. But when the next moon festival is approaching, those selected are asked to return. One or two of the consorts his sister would've "wed" had perhaps fallen in battle, but most of them are the same, including Vegeta's mother.

Vegeta's mother and her homeland had been happy, initially, that she hadn't been reproductively compatible with the original heir, King Vegeta's sister. The moon-worshiping people wanted as little to do with the royal city as possible so they could govern their own lands in relative isolation. Now, however, her position as consort carries with it an implicit obligation.

In the years leading up to the next moon festival, Vegeta's mother of course visits the royal city a number of times given that she's an important noble personality. But she doesn't spend most of her time there and only goes when absolutely necessary. She crosses paths with the king, naturally, but avoids him if she can. She remembers, however, the night where he, essentially, saved both her life and her honor (though this was not his primary reason for freeing her). Even so, she's been bracing for the king to go insane like his predecessors. Perhaps bracing herself for him to force himself on her in some way. She doesn't trust him. She doesn't trust anyone outside of her homeland.

But the king is strictly business with her even if he does watch her. She's mysterious; he hardly sees her. She doesn't look like many other people in the royal city. She has different manners, beliefs, and even speaks a different dialect of Saiyago (though she can code-switch and speak the standard royal city dialect as well). She has a small, very feminine frame despite having a very formidable power level. It makes her more terrifying in some ways---that her power comes to her effortlessly, that she doesn't need physical strength or size to wield as much might as she does. She is regarded as extremely beautiful and is compared even to depictions of the moon goddess. Her being from the moon-worshiping polar isles reinforces this connection as well; she has an air of pagan magic about her, and her beauty as well as her strange ways/fighting techniques have this spellbinding or bewitching quality to them in saiyan cultural consciousness.

And her beauty, mystery, and foreign background make her the subject of scorn among many nobles throughout the royal lands. They don't want a pagan queen. Especially since the nobles that remain are ones that are more in line with the religious fanaticism of King Vegeta. The king has very recently purged the nobility of corrupt heretics, people who gave themselves over to shameful bloodlust and made no attempt to purify their hearts and live up to the Saiyan Ideal. And the prospect of having someone who is all about losing yourself and becoming the wild Oozaru become their queen is threatening. Many assume, too, that King Vegeta simply won't favor Vegeta's mother for these political reasons and will instead produce heirs with his other consorts.

That doesn't stop King Vegeta from developing a huge fucking crush on her, though. She's drop-dead gorgeous and incredibly powerful. She doesn't fawn over him or try to win his favor. She steers clear of him, and when they do have to interact, she doesn't filter her foreign/pagan sensibilities whatsoever to be pleasing. She always approaches him as herself and comes off strong. She even outright opposes or argues with him when matters of governance/policy arise. She makes very clear that her people don't care for the traditional caste system or how children are measured for their power at birth. She reminds him that the strongest and most wise of her people can sense hidden abilities in others' souls that scouters can't capture with a mere number.

Ironically, though, Vegeta's mother approaching King Vegeta sincerely as herself makes him fall for her even harder. Those precious few times she sees him in the royal city become almost special occasions for him; he waits for her, he looks forward to seeing her even if he's out of touch with it. He relishes their philosophical debates. As someone who takes his "divine" calling very seriously, he admires her own spiritual passion and sincerity even though they disagree on some basic things and have very different ideas about what the Ideal Saiyan looks/fights like. He makes excuses to talk to her and spend time with her. He probably even constructs situations where he is forced to consider her political input. He desires her and feels that the gods gave their blessing for him to desire her by choosing her for him. She, however, rejects even the smallest advances very strongly. And he, nothing like his sister in this respect, does not punish her or pressure her to accept him. He carries on with his other royal duties.

As the moon festival and therefore the official royal "wedding" approaches, however, Vegeta's mother eventually refuses even to attend the ceremony. (Makes sense, after all---last time, an insane princess meant to torture, rape, and murder her.) Many elites encourage other people from the polar isles to challenge her, replacing her with someone who will not shirk their duties. Elites hostile to the moon-worshipers call for her capture and possible execution. King Vegeta, though, requests only that she attend the ceremony if no one will challenge her and vows that she may return to her homeland once it is over, and neither he nor anyone will touch her under pain of death. She eventually accepts this offer. Her limited interactions with the king have at least shown her that he is generally a man of his word, and she will be able to maintain her political influence over him while getting to stay in her homeland and not fear retribution.

The ceremony takes place and is a very somber affair. Think the most traditional, by-the-book royal wedding ever (just with more fighting because they are saiyans). Vegeta's mother returns to the polar isles the very night the ceremony is over, though, as the moon festival nights are sacred to her people, and she has no desire to spend them in the royal city. The king lets her go as promised. The other nations are happy to see her go, as the more time the king spends with his other consorts, the higher the likelihood that the consort that represents them becomes queen. The king does indeed spend the first few nights in the royal city as expected. But...he does something scandalous before the moon festival is over.

He goes to the polar isles. He participates in some of their festival activities (ritual Oozaru transformations, battles, hunts, and sacrifices). He frames it as a gesture of political good will, saying that he will be a king to all saiyans no matter their nation or favored gods/goddesses. He strives to live up to the example of his Super Saiyan ancestors and will seek strength and wisdom in whatever form the gods will reveal it to him. Even if it means listening to pagan moon-worshipers and hearing what they have to say, what knowledge and power they have to impart. He means it sincerely, but his gesture was obviously inspired by his preoccupation with Vegeta's mother.

He doesn't make any attempt to get close to her personally, but he does transform under the moon with her. And afterwards, when some time has passed and he asks her to come to the royal city, she accepts.

She tells herself it's in service to her nation. Not in many generations have they had the crown at their mercy like this. She knows she has the power to influence how saiyan life itself is ordered. She still may not want to give King Vegeta a child or become queen, but she does want to take advantage of the opportunity his favor affords her.

She's there when Freeza and King Cold first contact the saiyans. It's obvious to anyone who was in direct contact with Freeza just how powerful he is, how much manipulative leverage he holds... But Vegeta's mother can sense something is deeply off about him and the entire situation. She's fully aware that Freeza will straight up destroy everyone if they don't enter his service. And she doesn't have the same delusional pride that the king does. She knows he's going to have to bend the knee if they mean to survive. It's because of her influence that King Vegeta doesn't enter a doomed war with Freeza at the start. She helps him acclimate the people to their new "alliance"---emphasizes better access to technology like scouters, healing tanks, ships, and incubation pods. She's a much better and more natural ruler than King Vegeta is, in fact. She brings a certain "humanity" (saiyanity?) to the role---it's about safeguarding the people and their way of life, not about proving that she personally is the strongest.

Naturally, this pivotal political role she plays brings her and King Vegeta closer together. She'd already been developing feelings for him slowly. She already knew he was different after he killed his entire family and spared her from their wickedness. And as she got to know him better, she really came to admire his own sincerity just as he admired hers. They are both deeply spiritual people even though they have different beliefs, and they have an understanding of each other. And the time they spent under the moonlight together was, after all, quite romantic even if saiyans don't really have "romance" the way humans do.

She admits to herself after a while that she's attracted to him. Sure, part of her definitely enjoys being queen in all but actual title. She enjoys how hopelessly this extremely powerful and austere man bends to her every whim and worships her as if she were actually the moon goddess herself and had indeed bewitched him like all the rumors say she has. Even against his better political judgment or his religious sensibilities. He can't help but revere and admire her. You know, saiyans having a thing for strong women.

She's the one who goes to him first. She tells herself initially that it's merely to consolidate her power, her hold on the king. He, of course, can't resist her and just completely fucking melts for her when she commands him to meet her in her bedchambers. But it's clear that it's neither about duty nor politics as they continue to be intimate. They are in love with each other. They connect on a soul level.

She eventually does become pregnant, though it is no guarantee that she will become queen even if she does provide the crown with a child. She would have to produce the strongest child to be crowned queen, after all, and sometimes which child is strongest does not become apparent until later. But...when Vegeta is born, he's leagues ahead of the other children that had been born already (he has a number of half-siblings). He's the strongest royal child born as far as the archives go back. It's unprecedented, but he's named heir to the throne immediately, and his mother assumes the title of queen at the same time he is named crown prince.

That Vegeta's mother bore him such a powerful son just makes King Vegeta fall that much more in love with her. He takes it as a sign, even, that the gods rewarded him for his piety. That he had done the right thing by murdering his entire family (as much as it still hurt to do, deep down, even if he'd never admit it). That perhaps his son was born so strong because the two sides of saiyan nature were for once at harmony with each other, the Oozaru and the Super Saiyan, just as he, descended from the Super Saiyans, learned to love and fight alongside his moon-worshiping consort. He dares to hope that maybe Prince Vegeta will become strong enough to overthrow Freeza and cast off the shame of servitude.

But there's trouble in paradise. The nobles from the other nations are absolutely appalled that the moon-worshiper from the tiny, pagan population of the polar isles has become queen. Many of them do actually think that she put the king under a spell to do her bidding. They don't like that her battle partner, Nappa, was originally low-class (but elevated once the queen came to the royal city---another cultural difference; it's not as taboo for nobles to have low-class partners in the polar isles because their caste sensibilities are not as strict). The fact that the king bent the knee to Freeza just makes things worse. He's weak. He'll lead them to ruin. He's easily manipulated. He listened to a sorceress instead of his own integrity and pride by submitting to Freeza where he should have instead gone to war and proven his strength as his ancestors did before him.

There's unrest among the lower-class saiyans too. Freeza ships them off to faraway planets for degrading assignments. He takes saiyan children to his planet, and they never return. They hate Freeza even if they are encouraged to be grateful for the battles and resources the Planet Trade affords them. They resent the royal family even if the prince is so strong that they can't help but be inspired.

Several elites challenge the queen to fight. She proves victorious each time, however. And this only infuriates her detractors and rivals even more. Eventually, there are plots to dispose of her via less than honorable means. There are assassination attempts. Those that are caught are of course tortured and executed. But...sadly, one of the attempts succeeds. The queen falls ill, and poison is suspected. She begins to deteriorate rapidly, but she doesn't die immediately. Her body resists the illness, and she lingers for a time even if she knows that, ultimately, her death will be inevitable and painful.

King Vegeta, understandably, goes on a fucking rampage. But there's a distraction. Freeza attends a tournament to decide who will become Prince Vegeta's battle partner, and he finds Prince Vegeta himself to be rather remarkable. Soon afterwards, he demands that King Vegeta send the prince to "visit" him on his home planet. He wants to take the prince in and mentor him as a mark of the "friendship" between Vegeta-sei and the Cold Empire.

The queen, however, does not want to give her son over to Freeza. She fucking knows how that will go down. She can feel it. Vegeta will be examined, experimented on, tortured, treated as a pet and a slave. She doubts that the SSJ legends are even real; she's of the opinion that it's just another interpretation of the Oozaru. So she's under no illusion that Vegeta will transform and save them all from Freeza at just the right moment. She knows he's just a little boy at the end of the day, however strong he is already.

Plus...she knows she's dying, and she doesn't want her son taken away from her. She doesn't want her last days to be spent knowing she gave him over to a monster. But at the same time...she also knows that, if Freeza doesn't take Vegeta, then it will put the entire planet in danger. She takes a page from the king's book and tells herself that she'll have to set her personal feelings aside to do what is rational even if it isn't quite right. So she requests only that the king doesn't let Freeza take Vegeta until after she's gone.

The king, meanwhile, is in fucking denial that she's dying at all. He doesn't want to believe it. He's caught up in his feelings about it. He's caught up, too, in the fear and dread their oh-so-tenuous relationship with Freeza is. He says he'll go to war with Freeza. That he won't let him take their son at all. But they both know that they have to. He copes with it by telling both himself and Vegeta that Freeza's "mentorship" and the opportunities his assignments will afford will make him stronger, will perhaps move him to transform when the time is right. The king doesn't explain to the child what he's really in for, just that he must be strong above all else. Vegeta's mother, though, probably tries to warn him in some capacity, as far as he is able to understand (he's about 4 Earth years old at this point).

Freeza, though, comes to collect Vegeta unannounced sooner than anyone expected. He is forcibly taken from his mother. She puts up a fight, but it's useless, and Vegeta ultimately goes to Freeza's home planet to begin his servitude. The queen dies soon afterwards, and when Vegeta returns to Vegeta-sei for the last time before the planet is destroyed, his mother is gone. He never got to see her again after the day he was taken away.

King Vegeta is consumed with grief and anger. He acts according to his worst impulses. Wages reckless wars, tortures people just to watch them suffer. It doesn't help that the person who was the actual political mastermind behind his regime (the queen) is gone. His rule is messy, and he becomes increasingly unhinged. He probably tries to make an incredibly stupid final stand. His actions certainly accelerate Freeza's plan to destroy him and the rest of the saiyans. And this is where all of this backstory catches up with where we meet young Vegeta in canon.

Anyway! There you have it, an epic backstory for Vegeta's mom and the royal family.

I made all of this up to be background stuff in my fic, but it's not just that. It's also there to show some of the internal conflicts going on in young Vegeta's character. He's caught between living up to the legends of his ancestors and his personal feelings just as his parents represent these two opposing interpretations of saiyan nature. He doesn't quite know how to reconcile these things within himself. His first years with Freeza, too, are colored by the loss of his mother and his father's becoming particularly strict and power-obsessed as a result of her death. This background story is in the fic is also there to tell the reader things about how saiyans conceptualize things like "romantic" relationships, what they consider beautiful. Besides all the stuff about religion, spirituality, and how saiyans construct morality, meaning, and enlightenment.

I hope this was fun to read!

[ananke-xiii]

i know that ruby and cas are often compared in their "love interest" function but to me there's just so much more than that. they're basically opposite characters (not just in the literal sense of hell vs heaven): ruby seems to be rebelling against hell while she's secretly acting in its favor; cas starts off as a soldier following heaven's orders and ends up rebelling and working against it. they both die for their own personal cause, although ruby was not granted the possibility of resurrection. and aside from the problematic fact that death is more permanent for women than men in spn, i wonder if it's also because ruby totally failed at her "friend/support" function (because she was sort of faking it or, if she wasn't, she was manipulating sam) while cas manages to create a real connection with the human in his charge and it starts changing him. don't get me wrong, i actually love that her "reveal" was an evil one, and i generally don't like when the show offers us weak redemption arcs consisting in monsters falling in love with one of the winchesters (ugh). i'm also not a fan of redemption arcs in general but anyway. but i do wonder if the cas/ruby parallel is way more interesting in light of their "friend/support" function. i might be wrong but these two are the first non-family characters interacting with the brothers for extended periods of time. and having someone outside of your family with whom you spend time, who supports you, and that you generally like is important. not great news here but what i'm saying is that for sam and dean to have someone else was a big step. so while i like ruby as a character, i'm a bit saddened by the fact that they didn't give sam someone to establish this type of bond with. that he was being manipulated again. and this state of affairs stays exactly the same for many seasons. sam has 0 friends/support figures outside of dean, which is just plain tragic. with ruby out of the way forever, cas' "opposite/dark mirror" function is given to crowley (it's not a case that, again, the two died on the same episode, just like with ruby and just like her crowley, too, was not granted permission for resurrection). which, okay, for all practical purposes i like crowley (although i suspect i like mark sheppard more, tbh), but i mean, bad bad bad women who die die die must stay dead dead dead so ruby had to stay as such, but what about meg? we were so close to having her as cas' mirror :"(. i'm a fan of homoeroticism as much as the next person but i do find that in spn it sometimes dims the light on other characters, especially female presenting demons (don't even wanna talk about abbadon grrr). cas cannibalized anna and then crowley cannibalized all other demonesses, it's not fair okay? i loved them! :( *me: shouting at chuck: now you bring her back! ruby, meg, even lilith!* *puches the wall* **chuck actually brings them back in s15** *me: not like that, chuckdammit! clenches her fists at heaven*.

[rokhal]

Resident Evil 7 Biohazard whatever is an amazing portrait of the impact of methamphetamine in the rural US. Everything from the textures to the design of the environment to the story itself.

I guess, as an American, I should be used to living in a media panopticon where everyone knows how we talk and what our houses look like, but the Baker estate is not like a movie set or an influencer's home. There's real clutter, the kind that accumulates when you haven't moved cross-country in over ten years and your kids have grown up: kennels for cats who've lived and died, tool boxes, riding mowers, plastic bags full of plastic bags, pool toys. The age of the house shows, not just in the dated wallpaper and cupboards, but in the glimpses we get through the crumbling walls of construction techniques that have been obsolete for eighty years. The pegboard as wallboard. The cludged-together, homeowner-grade repairs of railings and staircases. The immersion is total. This could be any rural home I've ever visited whose owners lost the battle against entropy.

Houses on cheap land can get big. Real big. The Bakers appear to have inherited a plantation house, but there's a lot more on the property. It's perfectly normal to build a mother-in-law apartment and park a trailer in your backyard when you've got the land. Code inspector? What code inspector? You don't need no stinkin' permits. You're not gonna sell, and if you do, the buyer can figure out what they want to do with your wobbly deck.

You own the house and you've got no neighbors to complain about their property values. If you've got money, you trick out your garage. Get a lift. Get a hoist. Fuck it, dig an oil pit. You can do it! That's your man shed. Build some racks out of hog panel and hang all your tools in some haphazard arrangement that makes sense only to you. You've got to be your own mechanic if you want to keep your vehicles running.

Then there's the Baker family themselves. They were nice. Normal. Probably voted for Trump, but so did everyone they know. Of course they'd take pity on a nice white woman and a little girl begging for shelter, they're not animals. Jack was ex-military and pushy; Marguerite was socialized to stand by him whether or not he treated her well; Lucas was an amoral genius who couldn't make it in the real world; Zoe was at least prepared to fly the nest but either she'd tried and had to retreat, or she hadn't quite gotten up the nerve.

By the time we meet them, Jack and Marguerite are caricatures of themselves. Violent, paranoid, impulsive, irrational, moody. They can barely even function. Marguerite's kitchen is swarming with cockroaches and flies, and Jack's outbursts destroy the furniture and walls of the home that he was once proud of. The areas where Jack and Marguerite live are heaped with garbage bags, dimly lit, and filthy.

Every time we meet Lucas, he's wired as hell. Lucas seems hyperfunctional, constructing his elaborate traps and escape rooms, except he can't make the details come together. He lines the walls of his areas with white plastic sheeting, but the mold creeps through the seams anyway. He doesn't bother to change the codes on his padlocks. He toys with Ethan and banks on Ethan being too dumb to shove a bomb through a conveniently placed hole in the wall.

Zoe can still be reasoned with, but we see her fears in her diary. We see the tinfoil taped over her window to block the light.

Lucas, Jack, and Marguerite exhibit behavioral changes consistent with early, chronic, and long-term methamphetamine abuse. Their house bears the same marks of frenetic remodeling, ambitious yet ill-conceived design choices, repetitive behaviors, and neglect that scar so many homes occupied by meth addicts.

Meth is like other drugs in that it rewires the brain to promote drug-seeking behavior, but it also over time causes the brain to atrophy. Signs resembling dementia or schizophrenia eventually occur, accompanied by cognitive decline, and much of this is permanent. It becomes harder for the user to fight back against their dependency (against Eveline) the longer they use the drug (the deeper Eveline's mold works into their bodies).

This is an American horror story, it's a familiar American horror story, and it's a love letter to our country from Japan that seems to me to say, "We're so sorry about what you're going through. Here, shoot some mold-monsters about it."

[anim-ttrpgs]

Eureka: Investigative Urban Fantasy, and Themes of Disability, Mental Illness, and Criminality.

Back Eureka: Investigative Urban Fantasy on kickstarter before May 10th if you want to help a disabled person with limited ability to work pay his bills.

Verisimilitude, What Would a Person Do?

To understand Eureka’s themes regarding disability, mental illness, and criminality, you first have to understand its verisimilitude.

“Verisimilitude” is defined as “the appearance of being true or real,” and it is a big part of the core design ethos behind Eureka. It is a very realistic game.

We aren’t necessarily of the opinion that “realism” is a better design choice than stylization overall for RPGs, but it is a better design choice for Eureka, because we want the PCs to be very normal, believable people who make believable, organic decisions in extraordinary situations. No matter what anyone says, the mechanics of a TTRPG strongly influence what kind of stories are told with it, and what characters do in those stories. So if we want characters to make realistic decisions, the world they inhabit and interact with must be constructed of realistic rules.

Even though there is a small chance that they may be a supernatural creature, PCs in Eureka are still not fearless action heroes, chosen ones, or anything of the sort. They’re normal people with jobs, friends, and families who get mixed up in mysterious and/or dangerous situations, often against their will. They are fragile, vulnerable, imperfect, and they, largely, know it.

“Composure” is a mechanic that helps you know it too. I’ve given a deeper explanation of the Composure mechanic in the post linked here, but I’ll give a very very very condensed version in this post. Composure can sort of be thought of as “emotional/fatigue HP,” (and no, it is NOT “sanity”) it acts as a guideline for how well your character is handling the situation, and when it gets low enough, it starts to have serious mechanical effects as well, because a character’s stat modifier can never be higher than their current Composure level. Fear, hunger, and fatigue all lower Composure, and eating, sleeping, and bonding with one’s fellow investigators can all restore it, at least for normal people. More on that further down. All you really need to know for now is that when Composure gets below zero it starts eating into HP, so characters can even pass out or die from loss of Composure, and also one single bullet is enough to permanently cripple a character, and the rate of Composure loss during combat reflects how serious that is for the characters.

Grievous Wounds

It isn’t too uncommon for RPGs to have some sort of “flaw” system, whereby in character creation you can give your PC “flaws” or some kind of penalty, and usually get that balanced out by being able to add extra bonuses elsewhere, and these “flaws” may take the form of disabilities.

Critical Role’s Candela Obscura, the whole document of which is one of the most egregious examples of liberalism and toxic positivity I’ve ever seen in the TTRPG space, takes this beyond just character creation, and makes it so that if a PC receives a “scar” in combat that reduces their physical stats, their mental stats automatically go up by an equivalent amount, and proudly asserts that to make any mechanic which functions otherwise is ableist. I think you can probably tell what I think of that from this sentence alone and I don’t need to elaborate. Getting bogged down in all the failures, mechanical and moral, of Candela Obscura would make this post three times as long.

I actually do think that as long as you aren’t moralizing and patting yourself on the back this hard about it, “flaw” systems in character creation are a pretty good idea in most cases, it allows for more varied options during character creation, while preserving game balance between the PCs.

But in real life, people aren’t balanced. The events that left me injured and disabled didn’t make me smarter or better at anything—if anything, they probably made me stupider, considering the severity of the concussion! Some things happened to me, and now I’m worse. There’s no upside, I just have to keep going by trying harder with a less efficient body, and rely more on others in situations where I am no longer capable of perfect self-sufficiency.

Denying that a disabled person is, by definition, less capable of doing important tasks than the average person is to deny that they need help, and to deny that they need help is to enable a refusal to help.

This is the perspective from which Eureka’s Grievous Wounds mechanic was written.

When a character is reduced to 1 HP, which by design can result from a single hit from most weapons, they may become incapacitated, or they may take a Grievous Wound, which is a permanent injury with no stat benefits. Think twice before getting into a shootout.

Grievous Wounds don’t have to result from combat, they can also be given to a character during character creation, but not as a trade-off for an extra bonus.

“But then doesn’t my character just have worse stats than the rest of the party?” Yes, didn’t you read the above section? There is no benefit, except for the opportunity to play a disabled character in an TTRPG, and this character will probably have to be more reliant on the rest of the party to get by in various situations. Is that a bad thing?

Monsters

Just like mundane people in Eureka: Investigative Urban Fantasy, monsters are playable, because they are regular people. I’ve gone over this in other posts and also you can just read about it in Chapter 8 of the Eureka rulebook, but the setting of Eureka doesn’t have a conspiracy or “masquerade” hiding or separating supernatural people from normal society. They exist within normal society, and a lot of them eat people.

Most RPGs consider monsters to just be evil, they do evil for evil’s sake. RPGs that seek to subvert this expectation often instead make monsters misunderstood and wrongfully persecuted, but harmless. Eureka takes a wholly different approach.

There are five playable types of monsters in the rulebook right now, and it’ll be seven if we hit all the stretch goals, but for simplicity’s sake this post will just focus on the vampire. Despite them applying in different ways, the same overall themes apply to nearly every monster, so if you get the themes for the vampire, you’ll get the gist of what Eureka is doing with monsters in general.

I mentioned Composure above, and how it can normally be restored by eating food and sleeping. Well, vampires can not restore their Composure this way. They don’t sleep, and normal people food might be tasty as long as it isn’t too heavily seasoned for them, but it doesn’t do anything for them nutritionally. Their main way to restore Composure is fresh living human blood, straight from the source. To do what mundane PCs do normally by just eating and sleeping, vampires have to take from another, whether they’re happy with this arrangement or not. They do not, of course, literally have to, and a player is not forced to make their vampire PC drink blood, just like you don’t literally have to eat food, but they do and you do if you want to live in any degree of comfort or happiness, or else they’d eventually just sit at 0 Composure and not be able to effectively do anything.

There’s a reason that this is a numerical mechanic and not simply a rule that says something like “this character is a vampire and therefore they must drink blood once every session,” and that is to emphasize and demonstrate that the circumstances a person faces drive their behavior. In America, there is a tendency to think of criminality and harmfulness as resulting from something of an intrinsic evil, but in my experience and observation, people do not just wake up at like age 16 and decide “I think I’ll go down the criminal life path.” Through their life circumstances they have been barred from the opportunities that would have given them other options. People need food, food costs money, money requires work, work requires getting hired, but getting hired requires a nearby job opening, an education, an impressive resume, nice clean clothes, a charismatic attitude, consistent transportation, and so on. For people without, criminality is something they are funneled into, which becomes harder to avoid the longer they go without consistent access to their basic needs. The choice will be between taking money from others by force or trickery, or running completely out of money.

As the Composure counter ticks down, a vampire, or other playable monster, is going to encounter much the same dilemma. There is little to no “legal” or “harmless” way for them to get their needs met, even if they do have some money. Society just isn’t set up for that. And no your kink is not the solution to this, trying to suggest every vampire get into sex work is like one step removed from telling every girl she should just get an OnlyFans the minute she turns 18, or that women should just marry a man and be a housewife that gets taken care of if they want their needs met.

Playable monsters in Eureka are dangerous, harmful people. They were set up to be.

“Oh well then the vampire should just eat bad people!” You mean those same bad people i just described above? See this post for answers to all the other arguments people are going to make to try and absolve vampires of causing harm.

Society not being set up for that brings me to next reading/theme: Monstrousness as disability, and monsters as takers.

Mundane human characters restore 2 points of Composure per day just by eating food and sleeping, but vampires do not, they can’t. To restore their Composure they have to take from others a valuable resource that everyone needs to live and the extraction of which is excruciatingly painful and debilitating (blood). No one knows what happens to blood after a vampire drinks it, it’s just gone. Vampires are open wounds through which blood pours out of the universe.

This is a special need, something they have to take but cannot give back. Their special needs make them literally a drain on society and the world.

Even in so-called “progressive” spaces, there is a tendency to consider takers, people who take much more than they give back, such as disabled people, as something that needs to be pruned, with the mask over this being the aforementioned total denial of the fact that disabled people take more than they can give.

In this way, vampires and other playable monsters are, inarguably, “takers,” but in positioning them as protagonists right beside mundane protagonists, Eureka puts you in their shoes, and forces you to at least reckon with the circumstances that make them this way, as well as acknowledge their inner lives. You have to acknowledge two things: That they are dangerous, harmful people who take more than they can give, and that they are people. Because they are people, Eureka asserts that they have inherent value, a right to exist, and a right to do what they need to do to exist.

One final point is that of monstrousness as mental illness. Mental illness is a disability, one pretty comparable to physical disability in a lot of ways, so all of the above about disability can apply to this metaphor as well, but there are a few unique comparisons to make here.

It’s not the most efficient, but there are a couple of loopholes deliberately left in the rules that allow vampires to restore Composure without drinking blood. Eureka! moments can restore Composure, and Comfort checks from fellow investigators can restore Composure.

When I was writing the rules for how monsters regain Composure in accordance to these themes, I came to a dilemma where I wasn’t sure if it was thematically appropriate for them to be able to regain Composure in these ways, but ultimately I decided that yes, they can. It works with themes of mental illness, which is mental disability.

People with mental illnesses may have the potential to be harmful and dangerous, but study after study, including my own observation, has shown that mentally ill people with robust support structures and agency allowed to them to handle tasks are much less likely to enact harm, be that physical violence, relational violence, or violence against the self. So that’s why I kept that rule in for playable monsters. Being able to accomplish goals, and having friends who are there for them, makes the harmful person less likely to cause unnecessary harm.

I couldn’t really figure out where to fit this paragraph in so I’m sticking it here right before the conclusion: Vampires are especially great for this because they’re immortal, and because they always come back when “killed.” They can’t be exterminated, they aren’t going away, there will always be problem people in society, no matter how utopian or “progressive.” They’re a never-ending curse, who will always be a problem. The question is how you will handle them, not how you will get rid of them.

In conclusion,

Eureka is as much a study of the characters themselves as it is the mystery being solved by the characters. It is a harsh, but compassionate game, that argues through its own gameplay that yes, people do have needs which drive their behavior, many people do have special needs that are beyond their ability to reciprocate, and failure to meet the needs of even a small number of people in a society has high potential to harm the entire society, not just those individuals whose needs are unmet.

And Candela Obscura sucks.

Back Eureka: Investigative Urban Fantasy on kickstarter before May 10th if you want to help a disabled person with limited ability to work pay his bills.

If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[iero]

Reading smutty parts of a fic while keeping a straight face around family/in public should automatically grant you an Academy Award.

[lewiscarrolatemybrain]

Y’know how Kaido was all about how fruits don’t matter and Haki is the real power? I want somebody — some high-tech Vega punk-esque weapon-smith guy — to have the same opinion, only it’s “both fruits and haki can be defeated by a well-crafted weapon; you’ll never win if you face me unarmed.”

And Luffy goes “What makes you think I’m unarmed? I brought my swords, my guns, my canons, my staff and my steel-toed shoes.”

And Zoro, Brook, Usopp, Franky, Nami and Sanji all standing around him just grin.

[cinnamon-phrog]

I feel too sick to sleep right now, everything's' too cold or too hot and I can't even breathe without thinking I'm gonna throw up

[paimonial-rage]

hey i'm the anon who asked the questions about lyney and it's totally fine! you can just do question 21 then i really don't mind lol<3

[Character Analysis Ask Meme]

What's Lyney's breaking point in a relationship?

It's hard to imagine, really. With how much Lyney may seem in love, the idea there's a point a relationship would be too much for him is hard to believe. But when you really think about it, his breaking point is simple. As strong as his feelings may be for you, his devotion to his family and its cause outweighs everything else. Should your relationship with him ever reach a time where it encroaches upon that which is the most precious to him, then there's nothing more he can do than let you go.

[thewingedwolf]

luther: the golden child

diego: the mastermind

allison: the peace keeper

klaus: the clown / mascot

five: the rebel / truth teller

ben: the lost child

viktor: the scapegoat

is this something i think this is something

[blinkpen]

having long ago made the executive decision to sublimate MUCH more of my rage over all the ways my body identity and personhood have been violated over the course of my life on levels both mental physical domestic and systemic into my writing by the way

[hella1975]

i actually didnt think it could get worse but touya's reveal being the thing that brought the todorokis together and finally made them ally themselves with endeavour regardless of all the trauma he caused them and how impossible they've found it to even hang out together as a family for the entire decade touya has been gone. THAT being what binds them. they might as well have spat in the face of touya's memory. it's not even an acknowledgement that dabi must be stopped it's just like they never even loved him. endeavour is giving him more sympathy than them. 'you will have to fight dabi one day' et tu rei?

[bumblingbabooshka]

Icheb, Naomi, Miral and T'Meni

[bitimdrake]

how would you describe arrowfamily in canon? Cause i have seen conflicting things ranging from "Oliver Queen is a terrible horrible person" to "canon arrowfamily is what people think batfam should be like/if you want fanon batfam you want canon arrowfam" and it is confusing

Disclaimer first. A full, proper, arrowfam read-through is next on my list once I finally catch up with the bats, but I haven't gotten there yet. I have still read a whole bunch of comics, and by virtue of how the DC universe works, I've seen a fair bit of the arrows scattered throughout. (In particular, I've read a lot of Roy via Titans and Outsiders.)

So I can give a broad strokes answer here, but I'm not going to try to claim a deep meta analysis of the arrows yet.

I think the quickest way to explain the contradictory information is this:

batfam fans take up most of the space in DC fandom

for whatever reason, it has become highly popular bat fanon to use Oliver Queen as a scapegoat Designated Terrible Dad to show how much better and cooler and nicer Bruce is.

This is not a fair or accurate depiction of Ollie.

(Nor, for that matter, an accurate depiction of Bruce, but that fanon diversion is intentional and less like throwing shrapnel at a guy who isn't even part of this.)

People who actually read comics and like Ollie therefore try to push back on this extreme and ooc demonization of him, and also vaunt the arrows in general.

Said pushback is sometimes an exaggerated overcompensation.

Basically, no, Oliver Queen is not a terrible horrible person, nor even a terrible horrible father.

And I would say the canon arrows are a lot closer to what fans are desperately trying to find (or just make up) in the bats. There are various things that are true of the canon arrows/Ollie and of the fanon bats/Bruce that are not true of the canon bats/Bruce. [All post-crisis disclaimer.] Examples:

Ollie is outspokenly liberal and this is a well accepted piece of his canon characterization. (Meanwhile DC writers try very very hard to make Bruce Totally Apolitical and therefore acceptable to all readers. Not that anything is ever actually apolitical.)

Ollie also hates cops! And rich people! For a significant chunk of comics, he lost his fortune and was better off for it, realizing he could never be truly good if he were still a billionaire.

The common fan argument about how Bruce totally isn't abusive; he's a good dad who's just been written that way once or twice by bad writers is...actually not that far off from describing Ollie? He hit Roy once in a comic about How Not To Respond To Addiction; in another comic he was revealed to have secretly known about and abandoned Conner, despite this not lining up with previous comics showing how he really wanted to be a dad. Both of these things are canon and bad, no doubt! But he is also usually a lot better, and has shown an ability to grow and change. (Meanwhile canon Bruce just has a consistent pattern of abuse.)

Subjective, but Ollie seems to really think of himself as a father and delight in it in a way that Bruce just kinda...doesn't.

All the arrows, from what I can tell, actually like each other.

They don't try to murder each other either.

But, as you surely notice, being closer to batfanon desires doesn't mean the arrows literally are the fanon batfam. Like the bats, they are not a perfect model nuclear family (nor should they be!). They too have had conflict and dysfunction (Roy and Oliver stopped talking for a significant period of time!). And they do indeed exist in a comic book world driven by crime and superheroics and conflict, not a fluffy fanfiction world driven by comfort and interpersonal reassurances. (This is not a dunk on fanfic, which I love, just a reminder).

so tl;dr, the arrows aren't a perfectly fluffy fanon family either...but if you see a batfam fan throwing Ollie/other arrows under the bus to make their fave look better, that is definitely bullshit.

[mariemariemaria]

when deirdre maguire said ‘punk is the only religion worth fighting for’

[featherymainffins]

*Trigger warning for eating disorder talk*

I hate how whenever I eat anything my brain is like "You should kill yourself. Now." Like what's your fucking problem