#Also their cheap fight scenes are just. Very cheap

[add1ctedt0you]

Uh, should I watch the untamed?

[evilminji]

"DO BETTER!" Says Now Televised Fanboy

He, Dash Baxter is a Phan-Stan!! It's kinda his thing. See, he's a fancy ass talk show host now. Married Paulie, moved out of Amity, actually DID something with his life. His parents? Did not approve. Long n short of it? He got kicked out.

Paulie's parents were PISSED.

Retaliated by giving him all the help he needed getting EVERY scholarship he qualified for. He went to a really nice college. Missed his girlfriend like mad. But she was off in Metropolis, terrifying weaker men. Conquering the fashion scene.

And SOMEHOW? Thanks to that long talk he had with Phantom (*incoherent fanboy gibbering noises* SO COOL!) he's worked to be... more of a LEADER, you know? Less of an asshole. Cause he's popular. People copy him. He can't be an asshole.

So, somehow, when he's punching out some try-hard that thinks he's hot shit for bullying a Nerd? He and the nerd get talking, right? Cause the guy got his glasses completely fucked up. And it's what Phantom would do.

But GET THIS? Guy's never HEARD of Phantom! Is super curious, cause he runs a small time Hero's show on the web. And, Dude? Is it your LUCKY DAY! Cause you just met THE number 1 fan of Phantom, hands down!! He makes his VERY spirited case, about why Phantom is THE best Hero to ever have lived. And this guy?

Entranced.

In AWE.

Just straight up BEGS him to join his show. Cause apparently? He was BORN for it. Which? Yeah. He HAS been giving speechs to the team for YEARS now. And Talking at fan meet ups. Leading fan meet ups. Hosting parties... actually, now that he thinks about it? He DOES do a lot of public speaking? Huh.

But still, he's about to say "no", when?

Dude mentions? He'll get to talk about Phantom.

SOLD!

It. Blows. Up. Absolutely EVERYONE is in love with his pretty face, hot bod, and STRONG opinions. But they ALSO have no idea who Phantom is! Paulie! This is CRIMINAL! Horrifying! What is going ON!?

Some bullshit information black out, apparently. At least according to her... friendly Nemesis? The Goth Dweeb. Who's engaged, apparently? So good for her. Unsurprisingly, it's too the OTHER Dweebs, but still. Bout time she started planning to drag them to a court house. She's the only one with any spine in that group! If she waited for THEM to propose?

Not even as Ghosts, man.

They'd get distracted by shiny nerd shit and whimp out.

Still... a world where NO ONE knows how Awesome, Phantom is? Not on HIS watch!

So he works it in. To every segment. It becomes "his thing". Oh? Super man saved a kitten from a tree? Cute. Well PHANTOM saved a bus full of Ghost Puppies from a shady, rouge, Goverment agency. Do BETTER, Superman!

The Flash, who is a cheap knock-off and stole his name, took down an Ice Villian? Adorable! PHANTOM stopped a Rouge WINTER SPIRIT with the help of YETI WARRIORS then assisted in giving FREE medical care for anyone who needed it! Here's a picture of him making GHOST ICE SNOWMEN for small children! Do BETTER, Knock-off!

What's THAT you say? Wonder Woman fought a GOD in down town paris?

Excellent work Wonder Woman. Flawless as always. But YOU, god-boy, are a disappointment! All that power! And WHAT do you use it for? Are you even supposed to BE here?? PHANTOM uses his power to HELP people! Is awesome and knows TONS of better gods! You're just salty you didn't make the cut!

DO BETTER!

And obviously? No one believes him. There's no record of this "Phantom" guy. The pictures look fantastical and vaguely glitchy/glowy. Not quite right. They GOTTA be photo shopped. Manipulated somehow. But? As a shtick? A fake "perfect Superhero" is kinda funny and unique.

And it's one hell of Fake Hero!

A Dead Champion? Who fights gods and monsters? Rouge agencies? Sassy and tragic? With a mysterious past? Pretty cool! There's even an Offical Comic from some guy that went to the same high-school as Baxter!

Of course, as Baxter get more and more popular? The "meme" hero, Phantom, get more well known? People get more interested in where Dash grew up. You know, just a bored Google. Maybe see if the hero was based off a local legend or something. But... huh...

The Town website?

Weirdly? Sanitized.

Like... like aggressively sanitized. All smooth edges and no details. Very "move along, citizen". Ha ha... it's part of the joke right? They get it! They'll just look up local restaurants or som-....

Wait...

Hey, guuuuys?

Are you finding ANYTHING?

And! Nothing. And I do mean NOTHING! Triggers the "oh? Secrets???" Instincts of a Hacker, like finding a hard blank wall of "KEEP OUT". Especially when it's somewhere it rightfully shouldn't BE.

All it would take? Is ONE person, of decent skills and an account on Certain Forums, getting bored enough to Google the Dude On The TV(TM)? For the GIW's lil walls to come crashing down. Because yeah, you can stop ONE hacker. Even two. Probably five or six.

But how about thousands?

Hundreds of thousands?

From every time zone. Competing. Just to see what you HAVE and don't want them to see. Maybe they do something with it, maybe they don't. But fuck it, you're being RUDE and now they're CURIOUS. And THEN? Oh. Oh holy shit.

Not a meme.

Very real.

Not a joke.

The walls come crumbling down, down, down. Ripped apart by hundreds of hands. Emails sent to every sort of agency. The JLU line inundated with emergency tips. Not a joke. Not A Joke. Holy Shit, IT WASN'T A JOKE!

Phantom is REAL!

And there, on TV, stands the Man. The signal FINALLY breaching containment. Fighting off the invading God of the week. Built like statue, hair like an aurora borealis of white fire held almost delicately in place by a CROWN of ice, a suit made of void and starlight. Inhuman. Beyond human.

Here to help.

A laugh that crackles like ice and the snap of winter, rolls through the air like coming storms, rich and somehow warm. A smile that bares teeth, yet turns so KIND when he looks upon humanity, as though we are precious and worth fighting for. A living star.

A... a once living star.

And in the center of it all? Wearing his BESPOKE, custome made, Number 1 Phan full body outfit? That's right. Dash Baxter. Ha! You fuckers doubted him! Behold his blorbo and WEEP, ya fuckin casuals! The BESTEST of boys! The FINEST of Heros! Superman? Could NEVER.

And now? The weather!

@babbling-babull @nerdpoe @the-witchhunter @ailithnight @hypewinter @hdgnj @mutable-manifestation

[undreaming-fanfiction]

I am massively busy with work and finalizing my Big Bang, but this idea just won't leave...

Steve and Eddie are both actors. They're in their mid thirties, well established, but they never starred together in anything. Steve tends to be cast in the same type, the dumb but pretty love interest, Eddie has lots of indie and disturbing movies under his belt. But this time, they both landed something big.

They get cast in the new Batman movie.

Steve is, of course, Batman. He insists on doing his own stunts. He refuses to get dehydrated for his shirtless scenes because he knows how damaging it is to both young men and women alike, he's not going to contribute to shitty expectations. The director (Dustin, duh!) sees something in him other directors never have - a potential for depth, for internal turmoil. He gives Steve the chance to prove himself as an actor and Steve pounces on it.

He's still very hot.

Eddie is cast as the Joker. He is a fan of the comics and scoffs at how absurd and deranged the character is becoming. He gets hired because he immediately says he doesn't think the character needs to rely on cheap tricks and shock value to be terrifying. Cutting off his face? Not cool. He suggests to play the Joker according to one of the older comics he has - one where the Joker is actually absolutely sane, but hides it to never be held accountable for his actions. The only person who ever saw through his ruse was Dr. Harleen Quinzel. Joker took care of that issue very quickly.

The chemistry between Steve and Eddie on screen is insane. They go toe to toe, it's impossible to look away when they interact. Eddie utilizes his bright smile to the maximum, tweaking it just right within moments so it becomes unsettling. The first time he laughs, Steve gets goosebumps.

Steve encompasses Bruce's loneliness so well Eddie's heart breaks for him. Dustin finds him in the trailer, giving himself gentle slaps over the face and muttering "you're evil, damn it, you don't want to comfort the Bat!!".

Batgirl (Robin) and Harley Quinn (Chrissy) find their slow descent into love hilarious. They all become good friends on the set.

Hopper, an acting veteran who plays Commissioner Gordon, grasps Steve's shoulder after an intense fight scene and mutters: "Good job, Steve, but maybe don't stare at his lips so much?"

Robin doesn't give him the same courtesy and once Dustin yells "Cut!", she screeches: "NOW KISS!"

The movie is a hit. People love the cast and the story, some of the OG fans complain as they always do, but the ratings are great, there are many interviews, panels, all of that.

And of course, there's gossip about Steve and Eddie being a thing, which enrages the macho Batman fanbase. Their Batman isn't gay!

But the rumors quickly disappear after an award ceremony where Eddie is nominated for the best supporting actor. He wins, of course. And as he gets up to accept the small statue and deliver a speech with enough "fuck"s to give the censor a headache, he drags Steve up and kisses him in front of the whole world.

A week later, Steve and Eddie are together in front of a camera again, answering questions in an interview.

The host asks: "What do you say to those fans that are disappointed, who say that their Batman isn't gay?"

Steve just snorts, pulls Eddie closer and answers: "They're right. Their Batman isn't gay. But he's definitely bi."

Also the comic story I'm mentioning exits and is short but fantastic. 10/10 recommend.

Oh also. The first spark happens when Steve sees Eddie's hair and blurts out: "Please tell me they're not making you cut it shorter. It's too gorgeous for that."

Also because people were asking about the comics - it's Batman Black and White - Case Study and it can be found on Tumblr HERE

[l-in-the-light]

About pirates and their treasure (a theory)

You know what they say, right? X marks the treasure. Luffy has a huge X on his chest, where his heart is. Buggy has big crossbones painted all over his forehead. Chopper's hat bears the X mark. Strawhats used to have an X mark on their hands in their famous farewell scene with Vivi.

There are many really ridiculous theories trying to connect the X on Chopper's hat to the main treasure of One Piece, claiming it points towards Long Ring Long Land because the dots surrounding the X (post-timeskip) remind them of that island's shape. Don't worry, this won't be one of those theories. In fact, we're going completely different direction here, and by the end of this post you might instead start to vomit rainbows of happiness. Don't blame me if that happens :D

Let's start off with this mysterious occurance. Both Chopper and Franky mistake the symbol for danger with that of a pirate flag. What's up with that? Do those two scenes have anything in common?

Let's take a look at Hiluluk trying to explain the meaning of skull and crossbones. "This shows there's nothing a man can't do", "it makes man fight like a pirate", "it's the symbol of man's faith", "thanks to it the man rejects impossibilities". To understand this, let's take a closer look at history of Chopper's hat that bears an X, because it's for sure connected to this idea.

Chopper got that hat as his first ever gift, from his first ever friend, as his very first peace offering. Triple first meaning. And he got it from his most favourite person in the world. That's why it's his treasure from now on. Both Chopper and Hiluluk have matching hats from now on.

Hiluluk has his "treasure" symbol on his medical suitcase, because it's thanks to the specimens he keeps there that he can cure people (later it's the same for Chopper and his medicine bag, also bearing an X). Being a doctor and curing people is his treasure. Kureha is wearing a shirt with a cherry blossom image on it, just like on Hiluluk's flag. The symbol on the shirt is close to her heart. That's because Hiluluk was her treasure. That's why she picked his dream and took care of Chopper. Soon Chopper becomes her treasure as well.

Kureha and Hiluluk bantered with each other all the time, but they also knew each other for ages. Hiluluk knew that Kureha isn't overly emotional, but that he can count on her. After all she always helped him without taking any money for it. Her actions are honest, unlike her words. who does it remind me of? Do you catch the drift?

Pirates love their treasures. But pirates are just people, and actually for most people their biggest treasure can be something like a memento, autograph or other object holding emotional value, but if we put it in the context of One Piece we have for example Chopper's hat. Obviously it's his treasure, but not because it's a hat, but because it's a gift from Hiluluk. They both wore hats from then on and it symbolically connected them together. That connection is what is Chopper's actual biggest treasure. The reminder of love and acceptance he received from the most important person to him.

Okay, let's switch to someone else:

Did you know Nami and Nojiko wear matching bracelets? Those bracelets are cheap and worthless, the only value they carry is that they connect the two girls, no matter where they are. That's why those bracelets are their treasures, because they mark each other and serve the purpose of a symbolical connection between them.

Remember Vegapunk's broadcast when Nojiko declared she's not gonna listen to it anymore and instead went back to her tangerine groves? That's because she understood, in case the world is truly going to end, the least she can do is to take care of Bellemere's tangerines, because that's also a treasure for both her and Nami. And she for sure wants to keep those tangerines in top shape for her sister. All she can do to help her is just to do her best and have faith.

Next stop is Brook and Laboon. This theory explains why Brook's afro is so important to him. It's his treasure, because it reminds Laboon of a whale/himself. Rumbar Pirates even mentioned that Brook's afro looks just like Laboon. That's literally what connects them together, again, no matter how far apart they are from each other. Brook safekeeping the music dial in his head is also quite symbolic, since it will be a present for Laboon, for keeping his promise. Brook's treasure is his afro, but his biggest treasure is Laboon; that afro serves only as a reminder of their connection.

The talk about treasure always reminds me of Shanks and his strawhat. He claimed it was his biggest treasure when he handed it to Luffy, but later on Buggy is so perplexed: if it's Shanks's biggest treasure why would he just discard it like that, right? But Buggy is actually wrong. That hat means a lot to Shanks and is his treasure, but he has even more important ones. And in his case, it means the person he gave his hat to is his treasure, bigger treasure than the hat itself. And the funniest thing of all is, Luffy isn't even his biggest treasure. There's a person Shanks treasures even more.

In the first flashback of Buggy and Shanks we see the red-hair jumping in the water to save Buggy, uncaring what happens to his strawhat, not even stopping for a moment to remove it, it just flies somewhere to the side. That's Oda's hint: for Shanks, Buggy is his biggest treasure. Other treasures be damned.

And what's the most ironic here is that this is mutual. Buggy was ready to give up on his dream for Shanks. Despite being so disappointed in him, later on Buggy still said things like "I'm not gonna tell you anything about Shanks, not even as a send-off to afterlife", he's still defending him. It's ironic because neither of them is aware how important they actually are for each other.

This paragraph will enter speculation territory. My suspcion is that Shanks earned his scar against Blackbeard because the other surprised him by mentioning Buggy. He probably thought he's the son of Rocks D. Xebec. Blackbeard's ship is called "Xebec" and I bet there is a connection here. Shanks probably did the same thing Buggy did - refused to say anything not to sell off any information about Buggy. Those two might have seperated ways because of a misunderstanding, but they remain each other's treasures and defend each other to this day. Despite Buggy's promise/threat that they will be enemies the next time they meet, they both avoided each other. They finally met at Marineford and they were not enemies back then either.

And then I realized, it's just like in real life. Pirates or not, people's biggest treasures happen to be usually other people. That's why so many characters have specific X marks on them. Like Luffy or Buggy, but not only that. Scars, tattoos, they can also serve for symbolically marking a treasure. And just like in real life, one person can have many treasures, but only that One Special Person in their life.

For Shanks, he has this scar on his eye, while Buggy has crossbones on his face. X marks the treasure, their marks are kinda matching. Their jolly rogers also emphasize the marks around the eyes.

Now let's take a look at Whitebeard and Ace. Both got defeated by blow to their hearts. Whitebeard's treasure wasn't money or fame, it was finding a family. It was the same for Ace. They have the matching family symbol on their back: jolly roger of the Whitebeard Pirates (we're never shown any other crew having those tattoos on their backs, or at least I don't think I saw it, but please correct me if I'm wrong). The last words Ace said: "Thank you for loving me" weren't meant only for Luffy, but also for Whitebeard and his fellow crewmates. They were all Ace's treasures. But he also had just one Special Person and it wasn't Luffy.

In the very first introduction scene of Ace we see his back with the tattoo and the tavern people presume Ace is dead which feels like a very symbolic scene. Last scene we see of Whitebeard is his mantle falling revealing his back tattoo, identical to Ace. That's the mark of their treasures and it's on the same place on their body! Sure, Whitebeard has his other children, and Ace also has Luffy and a tattoo in memory of Sabo, but all of this exposition actually shows us something important: this means their biggest treasure is actually each other. Whitebeard loved Ace the most (that's why he said he's just a man with one heart doting for one lad of the young generation and he meant Ace then) and Ace finally found the ultimate answer he was searching for in Whitebeard's love for him.

Isn't it oh so curious that Law and Luffy share a mark in exactly same spot? They're matching. Luffy has a scar over his chest, marking his heart. Law has a a heart tattoo on his chest, in the middle of which there is a smiling face. Luffy rescues Law literally sitting on a Heart Throne. This is so straightforward it freaking hurts.

Of course Luffy has his crewmates and friends, they're his treasure. But after losing Ace Luffy earned himself a scar. It marked him. It shows us that from this moment on Luffy gained his most favourite person in the world, the Special Person. Who would that be? It would have to be someone who chose him over everything else, right? Because Luffy has serious abandonment issues. And what did Law do for him? He risked his life to get Luffy's ass out of the danger in Marineford, healed him and quietly sat there waiting for him to recover. So far significant people in Luffy's life always leave him (sometimes even his own crewmates, as sad as that is, and he needs to chase after them. Damn, even Ace finally left on his own, didn't he?), but this time this guy just appeared out of nowhere, he didn't even know Luffy well, but he was there in Luffy's lowest moment, and saved his life unconsciously fullfilling Ace's will ("live, Luffy!"). And that guy didn't even wait to hear thanks for that, leaving Luffy to do whatever he wants with the life he just saved. Like, how can we not think that Luffy would be all crazy about that person, knowing what we already know about Luffy?

As for Law... Law's novel puts it very nicely. His biggest regret and worst nightmare fuel is that he couldn't save anyone in Flevance. Not even one person. He helped quite a few people from then on. But many years later he managed to actually save Luffy's life, against all odds.

The life of that rascal who also defended prejudiced fishman in Sabaody, indirectly defending Law at the same time ("don't come closer, you will spread diseases!", that sure reminded him of Amber Lead Syndrome trauma or maybe even triggered him), just like Law's other favourite person did before, Cora-san.

I don't think it's a stretch that for Law rescuing Luffy was a big deal if not The Biggest Deal, exactly because Luffy survived. Just by that fact alone he became his biggest treasure. After all, in that situation, Law was literally the only person in the world who was able to save him.

Another potential "treasure" pair. After timeskip their eyes are marked - by a swirling eyebrow and a literal scar. We know that Kuina was the most important person for Zoro, she was his rival. Now that place is reserved for Sanji, he's Zoro's rival, and Zoro never misses opportunity to pick up a fight with him. And how are things from Sanji's POV? Perhaps all you lovely ZoSan shippers can tell me why Zoro would be marked as Sanji's biggest treasure. I know he must be the one, after all Sanji asks Zoro and not anyone else to eliminate him in case he loses control of himself thanks to Germa's suit. Sanji would never say it to just anyone but only to someone special, that much I'm sure of.

Another possible pair. They have scars/tattoo running all over their face, one diagonally, the other vertically. It's probably not a coincidence. Considering both have the same goal of creating their very own armies, there is probably a story waiting here to be told. I doubt it's a happy story though, my bet is that their ways got seperated. They're kinda like Shanks and Buggy, constantly missing each other, at least that's my bet. I don't think this means automatically that Crocodile is one of Luffy's parents, sorry.

Caribou and Coribou, they're also marked as each other's treasures. We learn from the cover story that their grandma told them to get along and not fight, because they're brothers and should support one another. Indeed that's exactly what they're doing as adults. They are each other's most important people.

Other possible treasure/special persons matchups: Franky and Franky's Family, Franky and Iceburg, Usopp and Yasopp and Usopp and Kaya, Page 1 and Ulti, Kid and Killer (maybe Killer will even earn a matching scar to Kid now after he took the blow for him against Shanks, who knows). And possibly countless others.

Mr 3 and Bon Clay? Why not! But that's not why I chose this image. "Jolly Roger is not something to laugh at or shot at". Replace "jolly roger" with "treasure" and we get this: "You don't laugh at other people's treasure". And since we know now that the treasure is love, we get finally: you don't laugh at other people's love.

For jolly roger/treasure/love one is willing to "fight like a pirate" which means "risking your life". It's a symbol of faith and a promise of life. All of that applies when thinking about "love" as well, you fight for your loved ones (all the freaking time in One Piece), you show unbreakable faith in them (also all the time, especially Luffy's crew for him but he always returns the favour as well), and it's a promise of life because what's the point if you die and leave your loved one all alone?

Other possible indications that X marks the treasure on the jolly rogers. Bonney's favourite dish is pizza, Apoo's most favourite thing in the world is his music.

If Shanks is right that scars don't make a man and there's always a lesson behind the scar that you need to learn, then that lesson in this context would be: to realize who is the dearest person to you and how much you're willing to risk for them. Only then you "earn" your treasure, because if you have love but can't treasure it, what good is it for?

Live action actually plays with this motif one more time when small Luffy declares proudly he ate the devil fruit because it was an important treasure to Shanks, and now Luffy has to be that treasure for him instead. Sneaky child!

Every pirate treats their treasure differently, right? Some tuck it away so others can't find it (Law tucked Heart Pirates at Zou to keep them safe... to keep his treasure safe), some just reach their hands for the grab and always keep their treasures close to them (Luffy - any time he finds a good person he just forces them to become his crewmate), and some just resign from reaching for it at all, thinking they're unworthy or because they don't think that treasure belongs to them (that's Buggy in a nutshell). Other people just let it go, like Shanks.

How does it all relate to One Piece's titular treasure? Well, if it was treasure left by Joyboy, then I assume it was very personal, something or someone he loved the most. The same way with Roger's treasure btw. That one? Most likely snatched by Whitebeard for himself heh. Yes, I think it's likely it was Ace. But it could also be Roger's whole crew, Rayleigh included. "My treasure? You need to search the whole world to find it", because indeed, those people are scattered all over the seas. "I left it all there" part still remains a mystery though.

Post dedicated to @tae-rambles because she claimed I interested her in the art of fishing. This theory is your fishing rod. All of you, please go fish! I want to see what treasures you can find!

This is the theory I used as basis for my Lawlu series of analysis posts. This is why I'm convinced Luffy and Law are Special for each other. You think this is going too far and there's no way Oda did a code like that in his pirate manga? But he always says, even in the SBS, that love is an important part of his story. "Love" was the answer to a question of how exactly Sanji's legs can ignite! Why do you think Sanji is constantly repeating "love is a hurricane" otherwise? Love is everywhere in One Piece <3

[bylrlve]

Warning! Spoilers for Stranger Things 5 mentioned,

Rewatching episode 2, and I’m genuinely staggered by how many times Mike peeks at Will. It’s very clear his mind is on Will, in fact. I am also staggered by just how many small byler details are in here.

His whole face drops after no. 4 too, as @starbylers observed here.

I also want to include these @chirpsythismorning gifs from the roller rink scene, as they’re brilliant:

Mike watching Will get out of the van, and seemingly offering a hand to him.

Mike openly watching Will as they take their skates.

(X) (X)

These are very deliberate acting choices from Finn Wolfhard, and he was certainly doing it on instruction.

Some other notes on 402:

The transition from Mike and El being fake -> Murray looking up looking like he’s experiencing his Seeing Clearly -> Robin talking about Vickie laughing ‘and not like a cheap, fake laugh, but a real, genuine laugh’, right after we saw Mike hiding his genuine disgust at burritos for breakfast behind a tone of fake laughter.

Mike’s whole face just drops into an unhappy, spaced-out espression when it zooms in on El - this is after Will ignored his sock joke (video here by @buckybxarnes)

As many have observed, Mike and El look genuinely miserable when viewed from Angela’s perspective, as opposed to the shot of them skating with Will miserable behind them

It’s occurred to me that in s2, 3, and 4, the byler plot really takes off in episode 2. I’m wondering if that’s also the case with s5 - I’ve reconsidered my theory that the Mike + El rooftop scene takes place after the hospital plot in ep 2, as I’ve heard that the paparazzi at the filming site were told it was in episode 1.

The door slam/open transition between Joyce going to the bank to get the 40k random for Hopper, utterly singleminded, and Mike barging into the womens’ bathroom, being kicked out, and subsequently starting an argy-bargy with Will as opposed to continuing to prioritise El… well!

The disparity in time is so interesting. El counts off 185 days since she last saw Mike - which is roughly six months, as is canon within the show (Sept-Oct 1985-March 1986). And here Mike is, saying ‘you knew she was having trouble for, like, a year’ and Will saying ‘it’s been a year, Mike’ and, in 404, Mike saying ‘the last year has been weird.’ It’s pretty obvious the last one is Mike referring to their fight nine months earlier, plus the time prior that Mike had spent pulling away from the rest of the Party to focus on El. The second one is Will potentially referencing the time that elapsed since their fight - even if it’s moreso subtext from the writers. What, then, to make of Mike saying Will knew El was having trouble for, like, a year? What subtext could be meant by this? I’d love to hear your guys’ thoughts because u can’t quite deduce this.

Mike listing off everything Will did is so hilarious given the surveillance he carried out all day on the boy, and given the fact that poor El being humiliated publicly and assaulted with liquid before she skated off bawling did not, apparently, ruin the day. On second thoughts, I understand what Will meant… she’s in trouble having Mike’s gay ass for a boyfriend.

What’s striking me now is that this fight + El’s iconic roller skate moment, are the real emotional climaxes of this episode’s M/E/W plot. It could have been Mike finding El and comforting her before she lashed out at Angela. It could have been him talking to her afterwards. It could have been at the house - him following her up to her room and silently comforting her until she fell asleep. No, no. Mike and Will airing out their grievances (and Mike betraying which of the two truly emotionally affects him more) + El handling her own shit, while Mike thoroughly disapproves.

The way that Will just wants to be Mike’s friend, but it’s Mike making it so deeply weird.

The way, also, that they stick together at the rink even after the fight, and Mike openly is more preoccupied by Will in the van. I’ve seen it observed before: the parallel between El and Will staring out the same window in the van crying: Mike looks at Will in the shot. He does not look at El in the shot.

I think it’s hilarious that Mike ends the fight by feigning concern for El - he offered her no comfort whatsoever, actively stood away from her when she was waiting for Jonathan and Argyle to arrive, ignored her crying in the van, and of course:

She didn’t look fine.

Mike and Will are blocked together, not Mike and El

The sincerity of Mike’s concern over El juxtaposed with the rank falseness of ‘no, that’s…that’s not true, maybe I was a little upset in the moment’ etc really sticks out - the defensiveness is reminiscent of the tone he took with Will during the fight, but even then he was more sincere-sounding because he was more emotionally affected.

Bylers don’t talk enough about the insanity of ‘who… who said that I didn’t?’ In context, thinking logically, Mike is very likely referring to Will here (the bullies were shouting at her, he could hear what they were saying)- and why would his mind immediately go to ‘Will thinks I don’t love El, and has told her his suspicions?’ Why would he take a defensive tone?

Seriously, 402-403 M/W/E may well be the plot that (potentially) spells out byler endgame the most.

[urfavoritegirlkisser]

"To all the Girls I've Loved Before" Hazel Callahan x Reader

"And then she shoved them all into her closet, for her eyes only, and it would stay that way until she died…or at least that was her hope."

Tags: Fluff, Nothing big happens really, only one use of y/n, wlw, proof read but it's currently 4:44am and my eyes burn so just ignore imperfections

A/N: This is kind of loosely based on the scene in "To all the Boys I've Loved Before" where all the guys receive their letters, but make it gay, also please don't steal my writing...it would suck

Hazel always kept her romantic feelings to herself…well, she tried to at least. 

Sometimes she would have a crush that made her want to just scream from the rooftops and parade around town confessing her love to whoever was the object of her desires at that time.

So, Hazel decided to write them out, to save herself from becoming an even bigger loser than she already was. She would write letters to all of her crushes but never mail them so she could look back and read what crazy things a simple crush can do to a person.

There was only three letters, one to PJ, one to a girl she had met at summer camp once, and then you.

You were the one crush that Hazel didn’t think she would ever be able to shake, PJ was simple to shake after a few arguments and harsh words thrown Hazel’s way…

But you seemed to keep Hazel in your grasp even if you only knew her from that one spin the bottle game during a party freshman year, which was the first time Hazel kissed a girl. Ever since she would still catch herself faintly blushing if you caught her gaze in the hallways.

She had written your letter first, the night she got home from the party freshman year. Hazel poured out all of her giddy feelings about the kiss and how pretty your eyes were underneath the cheap party city lights.

And then she shoved them all into her closet, for her eyes only, and it would stay that way until she died…or at least that was her hope.

It was a regular Friday afternoon. Hazel’s last period being gym which wasn’t exactly her favorite, especially since she had gotten caught up with fight club business and ran late causing her teacher to tell her she was running an extra lap because of her tardiness.

Hazel had been running for a while and stopped to take a breather as the sun shone down on her, and of course she forgot her water bottle in the bleachers in her haste.

Out of the corner of her eye, Hazel saw you approaching and tried to straighten her sweaty and wrinkled P.E. uniform. Not that it helped her appearance any since she knew her cheeks were probably a blotchy red and could feel her hair sticking to her forehead from the sweat.

“Hey y/n, what’s up?” she asks, trying to be cool but cringing at herself for not coming up with something less generic.

You smile sweetly, “Hi Hazel, look I wanted to tell you that I am very flattered, but I just broke up with Josh a few days ago” you say putting a comforting hand on her shoulder.

“I’m sorry…what?” Hazel says, confused and still trying to catch her breath from running, and that’s when she saw it

Oh fuck…

In your hands was a letter, Hazel’s handwriting clear as day with your name and address on it.

“And don’t get me wrong, that kiss freshman year was great for a first kiss, I wouldn’t say it was like a firework show but I mean I wasn’t in your shoes for it so…” You ramble on a little awkwardly

And that’s the last thing Hazel remembers you saying before she hit the ground

—————

“Hazel!” You say sharply while shaking her shoulder and she jerks awake with a sharp inhale

Hazel squints as the sun shines directly into her eyes, “Jesus…what happened?” she groans a little as she leans onto her elbows

“Well, you fainted” you say before helping Hazel sit up

She knows that you continued speaking to her after that, but she can’t really pay attention as she looks over you shoulder to see a confused looking PJ walking over, letter in hand

Oh no…no no no no no

“Oh my god…” Hazel mutters to herself trying to think of a distraction and then turning to you.

“Oh my god” she repeats before quickly pulling you down so she’s on top of you and quickly presses her lips to yours, while you shriek in surprise.

“Hey! You two! Get up and stop that!” the coach shouts, which causes Hazel to immediately break away in shock of what she had just done.

She looks over to see PJ staring at the two of you dumbfounded. Hazel jumps up and shoots you a thumbs up.

“Uh, thanks…i guess” she stammers out before running away from both you and PJ who tries to call after her. 

--------

Thank you for reading!! This is my first time posting fanfic so I am actually so nervous, go drink some water you girl kissers, love y'all!

[save-the-villainous-cat]

Goofy and erratic villian with an exasperated and somewhat uptight hero who has a crush on the villain? Maybe the villain says something vaguely flirty on accident and the hero has to pretend they don’t like it (and fails miserably)

“Come on.” The villain grabbed the hero’s hands and pulled them towards the dance floor. Eyes glinting, excitement filled up the villain. “Fight me.”

Utterly unimpressed, the hero just rolled their eyes.

“No interest.”

“That’s not very diplomatic of you. Refusing the enemy’s suggestion to resolve our issues? Come on, it’ll be fun. Just a little bit of combat.” They pulled the hero close, grip tight around them as they led the hero through the song. “Or are you scared?”

“We’re calling combat ‘resolving issues’ now?” Their eyes went through the crowd, concentrating. Professional. Obviously, the hero didn’t have time for their nemesis but the villain didn’t care.

At this point, they took whatever fell into their hands. The hero was a master at hiding, at avoiding people and the villain was not going to let them slip through their fingers that easily.

“It’s like couples therapy for crazy people, don’t you think?” the villain asked. They tried to redirect the hero every time they spotted the supervillain among the many millionaires.

Admittedly, the villain had been on their hands and knees when they’d discovered that the hero was going to be here. They’d begged the supervillain to take them with them and thank god, the villain had been assigned to distract the hero.

It was their favourite activity.

“I can’t argue with that, I suppose.” The hero shrugged. “I am not interested in making a scene, though.”

“But it’s so much fun...” Again, the villain pulled them closer, staring through half-lidded eyes at that heroic face.

One time, the hero’s hard shell had cracked in front of the villain. Ever since, the villain tried to crack it again, not because they wanted to torment the hero but because they needed the hero to know that being imperfect and vulnerable was normal.

The hero forgot that they were human sometimes.

“You’re aware that I am going to crush you like a beetle, right?”

And the villain had seen other people lose their mind to that.

“Oh, I’d love that, baby,” the villain answered. The hero’s face remained emotionless.

“If you think that you can distract me with your cheap tricks, then you’re blithely unaware of the fact that I am the best in this business.”

The hero tried to get out of the villain’s grip but the villain knew the supervillain wasn’t done with their investigation yet. So, the villain had to get creative.

“I know you’re the best, that’s why I want to fight you again. Gives me a kick.” The villain brushed the hero’s ear with their lips. “It feels good.”

“Ugh, you’re annoying.” The hero grabbed the villain’s jaw and turned their head away from them. The villain had to giggle at that.

However. The villain also caught a glimpse of their red ears.

The hero was embarrassed.

“Come on, grumpy…you love me.” They couldn’t help but smirk. Annoying the hero was a hobby the villain would never be able to let go of. Sometimes, they committed a crime just for the hero to show up.

“I’m wasting my time with you.”

Unfortunately, the villain spotted their superior. Giving them a sign to go back to the lair.

“You mean you’re having fun,” they mumbled.

The hero was quiet and looked (as usual) quite dissatisfied as they let the villain guide them. They didn’t seem to be passionate about dancing at all. They didn’t seem to loathe it, either.

“Let me invite you on a date, then. You. Me. Tomorrow. Bring your best weapon,” the villain said. They squeezed the hero’s hip, making the other’s eyes widen and somehow, the hero seemed much more human with their red face and their avoidant gaze.

Almost as if they did like the villain after all.

The villain could live with that, though.

[anthurak]

So here’s an interesting little detail I noticed while rewatching some of the Beacon arc:

Out of all the various disposable pawns, patsies and stooges we’ve seen utilized by Salem over the course of the show (not counting the stooges who make up her inner circle), it’s funny how the only one who seems to actually recognize how much of a pawn he really is, is TORCHWICK of all people.

Like when you look at Roman’s scenes with Cinder and her minions, and particularly his final fight with Ruby in Volume 3, it’s pretty clear that he was always acutely aware that he was a very small piece of a MUCH larger game.

Just compare that to the likes of Adam, Leonardo, Jacques and Ironwood, who by all rights were all COMPLETELY oblivious to how much they were getting played, or just how little they mattered to Salem.

And that gets even more interesting when you consider that Roman was probably the smallest piece in terms of both status and overall significance compared to Salem’s other pawns. Like I actually don’t think for a moment that Torchwick ever actually met Salem or even KNEW about her by name. I imagine all Roman knew was that there was some boss/mom that Cinder was reporting to.

Instead, Torchwick was able to look at everything Cinder was doing and plotting, between manipulating the White Fang, securing several warehouses of stolen dust, planning a full-on grimm-incursion of Vale during the Vytal Festival with the ultimate aim of toppling one of the four Huntsman Academies. Not to mention I imagine Roman had at least an inkling as to the whole Maiden business that Cinder was after, plus the fact that she seemed to be able to control grimm to a degree. Maybe even guess that this was a plot years if not decades in the making.

And it’s pretty clear that Roman took one look at all this and rightly surmised that he was a bit player in a truly MASSIVE game. As he implies to Ruby during their final fight, Torchwick may not have known much about Salem or her plans, but he knew ENOUGH that he didn’t want to be standing AGAINST her.

Again, just compare that to someone like Adam Taurus, so-called big-shot revolutionary with his big plans to topple the oppression of the humans… who seems to have had no fucking clue that his new ‘friends’ were fully intent on sending him and his followers out to die as a DISTRACTION for their own plans.

Or of course, James Ironwood the big, strong (self-appointed) defender of Atlas and (also self-appointed) last, best hope for humanity, who to his dying breath seems to have been ENTIRELY oblivious to just how completely Salem and her minions were playing him like the cheap kazoo he was.

Or just Jacques Schnee the big-shot corporate overlord who wasn’t even important enough to know about any kind of scheme. All he needed was Watts dangling an election win like keys in front of a baby to be a dutiful little pawn for Salem.

Though funny enough, to Jacques’ credit; the moment he hears about the heating grid going down he does seem to immediately catch on that Watts played him for a chump.

And it’s rather amusing that this is more than can be said for the likes of the ‘Faunus Revolutionary’ who bent the knee to a human girl who kicked his ass, or Ol’ Jimmy the Child-Shooter himself.

[0kayblue]

Need You

Need You 

You and Leon have been a little more than friends with benefits for awhile and he struggles with what he wants it to be. 

Word count: 3k (almost 4) 

Mentions of alcohol, slightly possessive Leon, over protective Leon, angst, fluff (??kinda??), happy ending, not proofread very well if it all.

A/N: HELLO!! How are you all doing? Good I hope. I’ve been gone for more than a hot minute. It took me a lot longer than what I thought it would to get back into the groove of things. With that being said, this is not that great. Kinda boring, but hey, sometimes things are boring. This is just kind of to get me in the groove of uploading and writing again. 

Part three and request are in the works. They are coming!! I just need a little practice before I start actually going at it again. 

With all my heart, I hope you are having a fantastic day!! Enjoy!! 

Time had never moved so slow as Leon anxiously bounced his leg underneath the cheap break room table. His tired eyes glanced to the clock and then back down to the untouched styrofoam cup of coffee. 

Leon hated a lot of things about his job, but at this moment debriefing was his least favorite. He detested having to explain everything that happened on missions before he officially had time to process how they happened to him. Not that he ever truly enjoyed thinking about the things he had to do in order to survive, but he liked to have an understanding on why he did this or that. Why he chose to go left instead of right. 

He had just spent nearly three days fighting his way through the deep Rocky Mountains; B.O.W’s at every turn, and he didn’t even get the information he was expected to return with. The whole thing was a waste of his damn time. He was sent to follow a lead that only set the operation two steps back and whatever up and coming supervillain, or want to be Umbrella Corporation, or extremist cult one leap forward. All while defense was wounded and information scrounged for a thread to pull to loosen the seam on the shit show they were currently trying to clean up. 

He was annoyed and beyond frustrated with everything. On top of the emotional stress he also was not in the best shape physically- it wasn’t anything major all things considered- but, broken ribs, internal bruising and external bruising causing almost his whole torso to be a  deep purple almost gray hue, and the bandaged up gashes on his limbs and slight cuts on his face only kept adding straws to the camel's back. He felt like it was only a matter of time before he snapped, he felt like he could only sit here for a few seconds more before he stormed out the door and out of this damn stale sterile building that was too clean. 

He took a deep breath before adjusting himself to sit up straight in the deep blue plastic chair. As he exhaled he closed his eyes and saw the face he’s seen behind his eyelids since he landed, desperate to see it in person. To touch the soft warm flesh of someone he could never get enough of, regardless of the fact that he tried so hard not to get addicted to. Each hit of you more potent than the last, each high allowing him to forget for a little longer, each graze of his skin against yours permitting him to daydream of a life he has always ached for. Even if you didn’t long for the same things he did, he saw you with everything he had ever wanted. It was cruel and yet he continued to do it to himself. 

He had bought you a burner phone with his number and his alone. You were not to use the phone for anything other than to communicate with him. He had asked you to carry it with you at all times, lying and saying he didn’t bug it. He told you that with his line of work that it would make your meetings more secure, that it would keep you off the radar. In a lapse of poor judgment you took the phone and him up on his proposal to make him an official fuck buddy. Who could blame you? It was a scene  straight out of a movie and boosted your ego. It made you feel special that someone so important took such an interest in someone like you. Someone who lived such an exhaustingly normal life. It kept you on cloud nine for at least a week and a half after receiving it. 

It was a purely physical relationship that didn’t require any emotional attachment regardless of the deep emotions that sunk into the both of you too quickly for comfort. Each rendezvous lasted longer than the previous one. Him staying at your place for days, while you both interacted like domesticated adults. Not quite like a married couple, not as casual as friends, and nowhere near as uptight as roommates; it was such an odd relationship, but it wasn’t  uncomfortable. Oftentimes by the end of his stay he left you with more questions than answers. Your knowledge of his life was barley skin deep and you were left to piece it together from fragments he dropped you. 

He on the other hand knew everything about you. He couldn’t help himself. All your information was at his fingertips; your past, your present, and a vague idea of your future. In hindsight he should have left it alone and maybe if he did he wouldn’t be stuck in this current predicament. Maybe wouldn’t be digging in his pocket for the phone that held only one contact number, a phone number that he had memorized even though he shouldn’t have. He leaned forward in the chair as he typed only two words. 

‘Need you.’

He didn’t think about the impact they could have, he didn’t think of the weight they carried, he just sent the message. Not a part of him even considering the fact that you would think it was the truth. He needed you. Rather you are below him or watching some low brow television show that networks pumped out to dumb down the population. He just needed you within reach, he needed the comfort of your presence to ease the buzzing of the world he lived in. 

He sat the phone on the table as he crossed his arms and sat back, anxiously awaiting a reply. He didn’t get a chance to glance at the clock before the phone buzzed against the table. 

‘Busy.’ 

The message read and he couldn’t help but to scoff as his hand ran through freshly washed damp hair. 

‘With what?’ 

He asked in his reply as he sent it. His jaw tightening in annoyed agitation. What part of need did you not understand? He took a deep breath and reminded himself of the nature of the relationship. As he went to follow up his demanding question with a meeting time and place the break room door opened and he shoved the phone back into his pocket. 

“Mr.Kennedy,” A rather thin man with tired eyes and a disheveled navy blue suit sighed out, “I’m sorry, we know you are exhausted, we just have a few more questions. Can you stay for another thirty minutes? No more, no less.”  

Leon forced a polite smile as he stood, “Lead the way.” 

“Thank you so much, Mr. Kennedy.” 

“Please, call me Leon.” Leon insisted as he took the door from the man and just like that he followed the man down the hall and into an elevator; leaving behind a hot cup of coffee to grow cold on a cheap linoleum covered piece of wood where it would eventually be washed down the drain by night janitorial staff. 

It had been an hour since Leon set foot in that room and not much of anything had come out of his answers. He was out of the building now and almost free as his hand found the handle of his car door, but a buzz in his pants pocket caused him to let go of it immediately. As he unlocked the phone he noticed he was left with a voice memo and not a message, which he found odd but not alarming. He couldn’t help but to smile, ready to hear your voice. He pressed play and heard the hustling of feet and an unrecognizable song in the background. 

“She said she was busy, Le-on. Take a hint.” 

A low masculine voice came out of the speaker as he gripped the phone. He pulled it away from his ear with a snarl as he looked at the phone screen. It took every fiber of his being to not shatter the phone right there; it took every remaining ounce of sanity that he had to not let this red hot anger consume him. This little voice in his head pleaded for him to think rationally. 

He opened the car door and slammed it shut behind him as he got in, it was a miracle the car door window didn’t break from the force. He was quick to pull up your location and an airy laugh left him as he knew the location too well. A dive bar on the outskirts of the city, the same exact bar he had found you in. It was tragically comical. 

He didn’t bother with a seat belt as he backed out of his parking spot and hit the gas and drove off after you. The speed limit was a mere suggestion as city lights passed him just as quickly as they appeared. He was livid as his knuckles turned white as he gripped the steering wheel. He was angry. He was angry that you had the audacity to be out with someone at the bar that he met you at. He was furious that you were busy with some asshole who had the nerve to address him by his first name. He was livid that he didn’t just leave work and go to you as soon as he landed. He was heartbroken because even though he was lost in this haze of consuming rage he had no right to feel this way. You weren’t his, but he was yours. 

As Leon quickly pulled into the parking lot he parked his car with no regard to the faded white lines that were supposed to indicate parking spots. He left the car running as he slammed the car door shut, making a bigger scene than the screeching sound his tires made against the asphalt when he parked. He could feel the eyes of smokers burning a hole in his frame as he took quick strides to the front doors of the bar. 

“Nice ride-.” A voice started but was cut off by the beep of Leon locking the car. Normally Leon would nod politely, but he didn’t bother to spare a glance to whoever made the comment. His brows furrowed and a glare that could kill adorning his face as he stepped into the warm bar. 

“Hey!” Zack yelled, the bartender was shouting as Leon watched him scurry from behind the bar and over to a crowded table. Men and some women of varying ages were crowded around the table cheering. “Give that back! How did you even-?” Zack tried to reason as some guy held him back from the table. Leon proceeded with some caution as he approached Zack. 

“Let it go, buddy. He’ll give it right back and pay for the shots as soon as he’s done.” A stranger said as he tried to keep Zack back. “He’ll even pay extra if this chick handles her liquor the way she says she can.”

That got Leon’s attention faster as he pushed his way closer to the front of the table. His eyes locked on your frame laying on the tabletop with your head leaning off the end as another guy poured vodka down your throat. 

“Yeah! That’s what I’m talking about!” The man screamed before putting the bottle to his mouth and taking a shot straight from the bottle.

Your laugh rang through the bar as you began to try and sit up, but the man was quicker than you were as he bent down to meet you, his arm wrapping around your shoulders to keep you in place. His lips graze yours as he spit his shot into your mouth. Your throat burning as you tried to push him off of you. For a second you thought your weak  effort was successful as his lips left yours, but when you gained some composure you heard the shattering of glass and saw people back away quickly from the table. 

“Get the fuck off of her!” A voice yelled, that voice, you knew that voice all too well. You sat up as your eyes found Leon’s frame. His shoulders tense as they fell up and down with his labored breathing. His fist clenched and jaw tightened as he threatened in a deep low growl, “Touch her again and I’ll break your fucking spine.” He was in no condition to fight, he was barely standing. He was utterly exhausted and his limbs ached, but the angry adrenaline that coursed through his veins kept him upright.

“Leon.” You dryly got out as you sat up on the table. You repeated his name but he didn’t even glance in your direction. 

“Leon? Jesus Christ. Look, she already-.” The man spoke and Leon recognized the voice immediately from the voice message. Leon’s eyes darkened with rage as he looked at this pathetic excuse of a man. 

Busy. 

“Where is her phone?” Leon asked as he roughly grabbed the man by his shirt collar, “Where is her damn phone?” 

“Here, here! Take it!” The man shook as he pulled the phone out of his pocket and handed it to Leon. Leon snatched it from his hand before pushing the man roughly to the ground. Leon towered over him as the man shook, Leon’s unbridled rage causing the bar to grow freezing cold. 

“Stay away from her.” Leon turned from the man and his gaze softened only slightly as it landed on you. Your eyes locked with his for only a moment before he avoided your gaze and approached you. His hand found your arm as he helped you off of the table. He wrapped an arm around your waist as the crowd parted like the Red Sea. All eyes were on the both of you as you walked out of the bar. 

“I can take it from here.” You said agitated as you tried to push yourself away from Leon. 

“I don’t care. I’m taking you home.” Leon said as he unlocked his car. That aggression he felt still resting on the tip of his tongue. He opens the passenger door and with a deep sigh you get in his car. After he just opened the door you took a deep breath before running your hand through your hair. A bottomless pit settled in your stomach before you sat back against the seat. 

“Seatbelt.” You heard him say as he got in the car, pulling you out of your thoughts. You compiled as he started to drive out of the parking lot and turned right out of the parking lot. 

You raise an eyebrow before looking at him and confusingly confront him, “You were supposed to turn left.” 

“I said I’m taking you home. I know where I’m going.” Leon glared ahead and for once wished you wouldn’t say a damn word. He was heated. 

“How did you know where I was?” 

“Can you not ask questions right now?” 

“No, because you’re freaking me out. First, you know where to find me and second, you hook a right when you know my place is left. Where are we going?” You stated in a matter of fact tone as you crossed your arms. You could tell he was angry, but you didn’t care because you were angry too. You never disclosed your location to him, he nearly started a fight, and he continued to treat you like you were something more to him regardless of the fact that he made it clear that you would never be anything more. 

“My place. It’s closer and I’m too tired to drive further than what I have too.” He admitted as he sent you a quick glance. 

“Your place?” You rolled your eyes, “You’re telling me that your place is closer and we’ve spent all this time at mine?” 

“Yeah.” Leon sighed with irritation. 

“How is that fair? How is it fair that you know all this shit about me, but I know nothing about you?” You asked flat out and annoyed. Normally after going an extended time without seeing Leon you didn’t ask any questions, you just tended to him until he was ready to talk. He loved that about you, you never pushed him. Leon grunted knowing that it was the alcohol and a mix of unconfronted emotions made you bold. 

“We talked about this-.”

“Yeah, we did, but you tracking my location wasn’t in that conversation.” Leon took his eyes off the road as the car came to a stop at a stoplight and he looked at you. He opened his mouth to speak, to defend himself, but you cut him off. “Cut the shit, I know it’s a bugged phone. I had it looked at and your sudden appearance tonight only proved it.” 

“It’s only bugged for your protection.” Leon got out through gritted teeth. 

“My protection? What the fuck are you even talking about? If anything it’s so you can keep your whores straight and away from your wife.” You spit at him with venom. You knew Leon wasn’t the type of guy to run around town like that, he was a one woman type of guy. You were just angry and confused at why you would be enough to protect but not enough to be his. 

Leon’s face turned up in pained disgust and he went to say something, but the blaring of a car horn called his attention back to the road and a green light. You huffed as you turned away from him and he continued to drive onward to his place. 

The rest of the car ride was silent, giving you time to feel bad about what you said and how you said it. Your face falling and your anger simmering out as your eyes felt heavy with the weight of fresh tears threatening to spill. You refused to cry though as you sniffed and he pulled into his driveway.

A two story house that was too big for just him, but old enough for you to believe that it was a house that was left to him in some family members' will. Or he could’ve bought it himself easily with the way you’ve seen him treat money; like it was something that grew on trees. He was a complete and utter mystery to you and it drove you insane that you could still fall for someone who you knew so little about. At this point you were more mad at yourself than you were at him. You knew of his interests and hobbies, his likes and dislikes, you saw his heart; but you didn’t have a clue about his day to day life. It was like he existed only to you and no one else. No criminal record, no traceable family; he seemed to have nothing. All you had were snippets of an article about Raccoon City that left you with more questions than answers. 

“Don’t worry, the wife’s not home.” Leon muttered through gritted teeth and you winced as he got out of the car. You went and got out of the car alongside him as you followed closely behind him. 

“I’m sorry, I didn’t mean that.” He opened the front door and you followed him in, shutting and locking it behind you. Your body now shaking as his focus remained straight ahead. He was so cold and you knew you deserved it. “I know that’s not you. I just…” you hesitated as you could feel your throat beginning to clog, knowing that your voice was going to waver and your next words were going to come out broken if you didn’t get a grip. 

“I’ve got a guest room, but I haven’t found time to clean it out so there is a bunch of junk and shit in there. You can take my bed and I’ll take the guest room.” Your heart broke, thinking he didn’t even want to be near you and you couldn’t blame him.

“I think we should call this off.” Your voice still broke as you said it and Leon quickly turned to you. His gaze softened immediately as soon as he saw your big glassy doe eyes. He stood frozen as his heart shattered. He was losing you and it wasn’t to some unforeseen force, he did this. His refusal to let you in completely had pushed you away. 

Leon was a fighter, it was his job. He stood up for what was right, he fought for people who couldn’t fight for themselves, he fought so people who weren’t fighters never had too. But did he ever fight for his own selfish desires? At the end of the day was he willing to fight for the first good thing he’s had in his life for a while? At the bar he was ready. He was ready to push his exhaustion aside and fight the object that stood between him and you; but now? Fighting you, the person he desired the most. 

“Look, it’s not anything personal…I just…this isn’t working for me.” You nervously blabbered out, the silence killing you. You took a deep breath as your hands found your hips, “I mean the Pretty Women aspect of it was fun, I had fun. I don’t know, I guess, I mean…” you stumbled over your own words. 

“Alright.” He said and you looked away from him as your arms wrapped around yourself trying to comfort yourself. The floodgates of your tears threatening to spill as your eyes darted around the room. 

“Okay. Good. I’ll sleep on the couch and grab a cab and be gone before the sun comes up.” You voice low as you head to the couch but Leon catches you by your elbow. The sudden connection of your bare skin against the palm of his hand sends a chill up his spine.

“I want to start again. I want to make it right.” He said as he slowly looked at you, his own eyes glassy. You study his face now and how exhausted he looked. “I’ll tell you everything. Let me start over. Let me make it right.” Your brows knitted together as you relaxed slightly and your other hand cupped his cheek. Tears fell from your eyes as you stifled a pained groan. “Please.” He begged and how could you say no?

Your lips found him in a hesitant kiss that he returned with desperation. The moment your lips sparked against his he was ready to fight again. His hand trailed down your arm and before it found your waist. He pulled you close to him as your arms wrapped around his neck. Sweet desperate kisses turned into feverishly hungry ones.

“Need you.” He admitted softly against your lips; hoping that you understood. Hoping that the feeling was returned. Hoping that right now that he said enough, that those two words meant enough. As you melted against him he knew that you understood. 

For the first time in a long time Leon was ready to give his all to something besides work. 

[dezmolad]

ES Starscream: What they took from him (last minute!)

I can't stop thinking about season 2 of Earthspark so I'm at it again. Overall I was mostly unbothered to the very last 10 minutes of the last episode, this last minutes made me so mad it's unbelievable. So what I'm gonna do now is list all the things that got screwed up in this short time, particulary how Starscream character got absolutely butchered.

Without further ado, that's the list: > Starscream lost any agenda. His agenda in this season wasn't good anyway ofc, but it was ANYTHING at the end of final episode he's just. gone. and that's it woohoo. > Starscream lost his respect among the Decepticons. It was interesting for me how we could see how obedient towards him they were, a bit in season 1 but mostly in season 2. Even Shockwave didn't dare to question him most of the time. I was waiting to discover why is that so. Maybe they knew he was capable of pulling a stunt like the one he did at the end of season 2 so far? But yea we will never know bc noone from Decepticons is going to stick around him now, and now Shockwave is the leader so gap has been filled. so fun. > He also lost his mission, his care for anything! cyberforming Earth was ment to serve the Decepticons, his fellow cybertronians. But first in the dialogue with Hashtag Starscream says he's doing it just for himself and then he just. Lost his mind i guess. > Speaking of Hashtag. Starscream in this dialogue with her twists his own words from "What Dwells Within" from season one. His words coming from genuine care we saw developing in that episode here are shown as somehow mischievious, as some stupid foreshadowing. Its completely insane how the show retrospectively is erasing everything that could make Starscream redeemable later on. Awful, absolutely awful. > Hashtag also says that his actions will make him worse than Megatron, and he accepts that. The intention of this specific line is super clear. It makes his relationship in simplistic reality of the cartoon somewhat less of a problem. Starscream is bad right, even worse than Megatron, so why bother. I fear that's the way this series closes the problem of Megatron's and Starscream's relationship, expecially with how earlier on in season 2 Megatron is framed as reasonable and the one trying to speak to him before the fight. I'm afraid we will never hear anything about them that makes sense in this show. And it's just so disappointing. > Starscream murdering two children (that's what Chaos Terrans are ok) which is. Oh my god. It's such a cheap move to make the character unredeemable. Not to mention how deaths of Aftermath and Spitfire were kiiiiiinda convenient for our protagonists. "uh oh how sad they are dead how could you Starscream :(((((( ok now lets get the Emberstone that is now complete thanks to them being dead :))))))" > About that scene. I hate it from different reason, too. Because the way Starscream treated Chaos Terrans, expecially Spitfire was a beacon of hope for me in this season. The way he was never violent towards them (even Breakdown kicked Aftermath! And Starscream never did anything like that, even when Twitch in Spitfire's body made a mess and ruined the equipment!). The way we could kinda see him getting closer with Spitfire, in the way that reminded me how kind he could be for Hashtag in season 1. And all of this absolutely ruined, none of this was relevant.

So that's all I've gathered, if you have something more feel free to add your observations! Starscream's character in season 1 is very dear to me, even if "What Dwells Within" isn't perfect I still loved it so I feel personally robbed by season 2.

[dallasgallant]

As I re-read the novel I find myself appreciative and disappointed. As it’s really damn close a lot of the time, some parts are word for word and there’s little details here and there but then it’ll loose these pretty important moments. The biggest for me being how cut down the drive in scene is. Not only because there are some funny quippy parts to it but also so much world building and character work.

The whole reason Marcia cracks her “you just burry him no sweat.” joke is because Greaser fighting is wildly complicated! It’s fascinating to how two bit explains it.

To a greaser violence becomes almost like another form of communication, blowing off steam, solving an argument- getting the anger out of the way now so there’s less grudge holding and more solidarity. They have self made rules and honor that holds them to their system of fairness. You back up your friends when they ask you but sometimes it’s their fight alone— Dally’s getting what’s coming to him for slashing those tires, they ain’t cheap and it’s a poor community. Tim will whip him and they’re back to buddies by the end of the night. Big fights, real fights - rumbles- are organized with rules and this weird sense of civility.

There’s this weird mix of “Boys will be boys” roughhouse with “got to be tough to survive” raised in violence survivalism.

Meanwhile,the Soc’s are a lot less warm with their approach to fighting its “cold and impersonal” like they handle all things. Though honestly I’d argue it’s a lot more personal— not fighting for communication but because one can or to exert power. They don’t fight fair, they hold those grudges and there’s no solidarity to that. Ponyboy describes them best as “a snarling pack”. Their violence is rooted in the same systems and misfortunes Greasers face - in that what perpetuates violence is a bit universal. The difference is a greaser will help a guy up and maybe get him an ice pack where as a Soc will just leave you in the street for the sake of appearance or dominance, it’s not enough that they beat you. Nothing is ever enough, like Cherry mentions they can never be satisfied.

“It’s not the money it’s feeling— you don’t feel anything and we feel too violently.”

I’ll keep mentioning that quote until I’m blue in the face honestly, it goes right alongside “things are rough all over” Differences stem especially from their reactions and behaviors in response to what’s rough. Some hardships are universal but don’t mishear me as a good portion of it is also class issues because the Reason a Soc might drink himself into oblivion is way different from why a Greaser might.

Beyond Two-bits explaination I’m sad we loose more of the talk between Cherry and Pony on emotions and money. How people are people and they’re all a lot more similar than one might think (despite the contrasting I’ve been doing in this post it’s very true). And talking about his brothers. In the movie it’s a little weird as he only brought up Soda once but she “feels like she knows him” and he brings up sunsets to her later in the movie and they never mentioned it here! Unless they’re trying to imply they had more of a convo on the short walk to the parking lot but I’m not buying that.

Ponyboy being resentful (not that he’s wrong for it) because how hard everyone he knows has it compared to Soc’s. How he has to learn though the novel that “things are rough all over” isn’t that everyone has the same troubles/level of trouble. As they’re certainly worse off; it’s about empathy and everyone being human. That some might be better off but that doesn’t mean they’re entirely without problems. That not everyone is out for a fight all the time.

It’s just a shame as this scene adds so much context to the world, social circles and the moral of the literal freaking novel. The compare/contrast with their lives is pretty important… I digress.

[breadraccoon]

I know this will never happen, but I really wish Btsv alluded to the fact that part of the reason Peter turns himself into the lizard is because Gwen reject his romantic feelings. Just think of the layers!

Stay with me here. I promise I have an interesting take.

It’s made clear to us that she never saw her Peter romantically. Peter was family. That scene at the dinner table at the beginning of atsv is proof enough of that. Gwen already feels guilty about how that fight with Peter’s lizard self went down. She watched her best friend die. But if she also rejected his feelings, then Gwen would probably feel guilty for not giving him a chance. (That statement felt so gross to write. Hold on, let me cook real quick).

Gwen’s an empathic person. She tries to see the best in people. Like how her Dad is a cop in a corrupt system trying to do good. She can see that all he wants to do is protect people and serve justice. I can see her seeing Peter’s intentions of getting super powers as a desperate plead for attention. He was a kid bullied in school and had few good friends. Gwen was probably the only girl who gave him any attention. No matter how easily Gwen let him down, it probably made Peter feel like he was undesirable. And in Peter’s twisted mind, he thought becoming a hero like Spider-woman would make him feel desired. Tragic, but this is by no means an excuse for he did to himself. Peter turned himself into a monster and attacked his high school. Take away the superpower and Peter was a- well you know. You can try to defend him and say well he didn’t mean to turn himself into a monster. But intention can’t mean everything. Sometime you do something with good intentions and people still get hurt. That still means you did a bad thing.

The public opinion of spider-woman only turned mostly negative after Peter’s death. So now Gwen is forced to carry this wound while the public keeps stabbing in to it by barging in with their opinions. This teenage boy managed to screw Gwen over both superhero-wise and in her personal life. She was his friend. Her father talks about him like a son. The public is probably well aware of who Gwen is and her relationship to him. And all of this unwanted attention is forced on to Gwen because he couldn’t handle rejection. This screams girls who are bullied or called the b-word for rejecting guy who the public see as shy or award. The guy doesn’t not inherently deserve the girls attention. Girl have feeling and are not object to be give too.

Peter’s death makes Gwen carry around a guilt that she doesn’t deserve to have forced on to her. And this affects how she interacts with other spider-folk. She can’t help but feel a little scared of what would happen if she fully rejects an alternate dimension Peter’s attention. So she plays coy with them. She pleasant when she really wants to run for the hills. Not every Peter is in the same stage of grief. Gwen is forced to be around all these men and teenage who all have different views on their old relationship. I bet a bunch of them project their Gwen on to Spider-Gwen. She hates when they do that. Spider-Gwen is constantly made to feel like a cheap copy because she isn’t their Gwen.

Looping around to Miles, this can be another reason why she starts becoming interested in him. He respected her boundaries. She said she just wanted to be friends and he said okay. And in Atsv, on the clocktower, he stop inching his hand towards her when she shows her discomfort. He let Gwen set the pace. This is very traumatized teen. He wait for her to get comfortable. It just show how Miles see her as her own person. Someone with equal say in a relationship. And one of the few people who can see Gwen is her fullest form. She isn’t the typical book smart Gwen, but she has this love for music and gymnastics/ballet. She is artist not a scientist. Gwen may be friend with a lot of other spider-men but none treat wholly like her own. Miles see her and doesn’t see her as a victim of dying young. This is what makes their bond so much more special to her.

Adding this can add so many more layers to Gwen. Also what’s more the female experience than having to be constantly worrying about how men perceive you. It’s awful, but that just how the world works. I think if btsv could nail this, then this could be a nice way to support is own theme. Everyone has these views of Miles and who he should be. Miles decide to push forward and do his own thing. Everyone has these views of Gwen and how her life will end, but Gwen is going to keep living on and being herself.

[aroaceleovaldez]

i am having A Time looking through some old blogs and stuff because I found some Ye Olde Gifsets of the Sea of Monsters movie and. okay. I know it's not fair to compare a movie and a TV show. Howeverrrrr, the PJO TV show allegedly had a HUUUGE budget. Cause it's Disney. (Actually, I did the math - low estimate budget for all of s1 was $96 million USD - allegedly $12-15mil per episode, compared to SoM's $90mil total budget) So why does the Sea of Monsters movie from ten years ago over half the time look better than the show? Like. A lot better.

Like I've complained about the CGI in the show before. Quite a bit. They can't consistently scale Chiron's horse half so he's changing size/proportions in every scene, they can't properly scale the stationary trident floating above Percy's head (you can TELL the asset is elongated improperly like someone stretched it and didn't fix it), they're actively avoiding animating Percy's hydrokinesis as much as possible, and the majority of monster or general CGI scenes are as hands-off as possible.

And as an animator I get it, if you don't have to animate something don't animate it. But. if your series is ENTIRELY CENTERED AROUND A CHARACTER WHO'S BIG MAIN THING IS CONTROLLING WATER. but you REFUSE TO SHOW HIM CONTROLLING WATER AS MUCH AS POSSIBLE. Then maybe you SHOULDN'T HAVE CHOSEN THAT SERIES. And I get most scenes with monster fights are difficult to CGI interaction with. CGI interaction is not easy to make look good. But also. You cannot get through the entire series without the characters physically interacting with monsters that are going to have to be CGI'd. And there are ways to do it where the avoidance of interacting with the CGI things is less noticeable, but the show very much does not do that. They did it for the minotaur fight! Everything is really dark with strategic lighting so stuff gets obscured. That one looked fine! But in like every other CGI fight Percy just. Does not touch. It very clear the show is doing very cheap CGI wherever possible and then having the nicer monsters and things that carefully do not touch moving things as much as possible. Walker sits completely stationary when Percy's turning to gold cause they had to CGI over him and it looks bad anyways. PJO TV has the budget for it to not be bad. Disney has the means. But they're not doing that. Even fully stationary CGI scenery like Olympus is clearly super lazy and is skipped over as quickly as possible and is just sad.

Anyways I'm gonna go reblog some old Sea of Monsters gifsets.

[hainethehero]

Steve Rogers Headcannon- why Steve was so against the Sokovia Accords (trigger warning as this analysis involves SA/r*pe)

I think we can all agree that the MCU absolutely desecrated Steve Rogers' character to the point where people actually believe he's a horrible person- especially after Civil War. But I've had this headcannon about why Steve was so vehemently against the Sokovia Accords and its never been more obvious after She-Hulk.

From the jump (CATFA), we see that the serum is generally regarded as "property of the U.S government/SSR" thus, whoever is injected with it becomes government property by proxy. Ironically, after getting the serum Steve's freedom becomes limited. He has to follow orders and put on a show for the senators because they're the ones who have the power and position to fund the fight against the N*zis. He's their dancing monkey. We even see evidence of this when Steve is made to parade about like a showgirl in this scene 👇

Now, throughout the MCU there's an ongoing interest in Steve's "virginity" and cheap jokes at his perceived lack of sexual proclivities. We see it in CATFA, CATWS, Avengers 1 & 2 etc. Which leads us to She-Hulk. There's this whole reveal in that one episode that Steve lost his virginity to a showgirl on one of the USO tours.

This is where my headcannon comes in.

I don't think he lost his virginity consensually. I think he was forced into sexual acts by powerful men like the senators and military officials who saw Steve as a literal puppet and of no true value as he was not being used in battle or the war yet. Remember, they initially saw him as a failure because the serum was lost and their plans for an entire army of allied supersoldiers were lost after Erskine died. Now, for anyone who knows the comic Steve Rogers, it's not in his character design to have sex with a random girl he just met on tour- a tour which by the way didn't last that long.

We did see, however, that Steve is easily taken advantage of, esp in this scene 👇

Which ultimately leads to my main point, Steve was against the Accords because he knew that giving up their autonomy meant physical, mental and sexual abuse. The government wouldn't just be able to control where they went but also who they worked for and as he said in CACW, "[the UN] is run by people with agendas and agendas change. If we sign the accords we surrender our right to choose."

Steve knows what that much power (over super-powered beings like the Avengers) can lead to and he doesn't want that to happen to them. Add on the very heartbreaking case of how Bucky's autonomy was stripped from him as well and that only strengthens his case.

I just find it hard to believe that Steve would lose his virginity so cheaply and honestly shame on the writers for even insinuating that. He was taken advantage of and assaulted and this is one of the main reasons why he's against giving up his freedom to the very same people who would use and abuse him without a second thought.

[rancid-zinnia-onthepatio]

MCU's Mysterio was lackluster.

DISCLAIMER: if you like MCU Mysterio THAT IS FINE. I probably love a character you dislike! This is my opinion, it’s not fact.

I become very passionate about characterization, so it’s likely this can be seen as an overreaction to other people. But this is what I like to do so :DDD (I love over-analyzing characters)

So, I’ve obviously been in a Mysterio phase the past little while. I watched Far From Home because I had only heard from people around me about the MCU version of the character. I never watched any MCU movies (besides NWH when it came out), so I didn't know what to expect. At this point, I have watched all of TSSM, read Mysterio’s first issue and a couple others from that era, watched his episodes in the ‘94 cartoon, read Webspinners, and Amazing Mary Jane. I say I have some understanding of what/who Mysterio essentially is.

MCU’s Mysterio, in my opinion, isn’t a good representation of who Mysterio is as a character. The movie seems to only understand him at a surface level. What similarities does MCU’s version have with the common comic consensus? He’s good with technology (and some acting), he’s a liar and a manipulator, and was underappreciated by the people around him. They both also mention illusions, as that is Mysterio’s ENTIRE shtick.

However, I’d argue MCU’s version doesn’t really delve as much into that aspect as it could. Yes, at the time of Mysterio’s debut in the comics, CGI wasn’t really a thing. Perhaps the MCU decided to “modernize” him. But instead, it felt to me, like someone painting an old Victorian house beige to modernize it. Changing his practical effects/magician knowledge to an understanding of holograms feels cheap. Comic Mysterio would absolutely HATE exclusively using CGI. Do other variants use holograms? Yes, TSSM used them a few times. But he also included practical props and magic tricks. Mysterio is a multi-media creative, not just a technician. (To me, anyway.)

The last scene of the movie that features Beck had the perfect opportunity for him to use a robotic clone instead of ANOTHER hologram to trick Peter while he was dying. The smoke surrounding him could've been emitted by the drones, but it was holographic too.

But, holograms are all MCU Beck knows. The other members of his crew had all of the creative or technical traits that the multi-talented stuntman of the comics would have. His character, Quentin, wasn’t even his idea. (Quentin isn’t even his real name, apparently. But we never find out his real name, we just know him as Beck.)

He’s a liar and a manipulator, sure, but that's the most he has that's really in line with who Mysterio is.

He doesn’t have that signature ego the traditional Mysterio is solely reliant on. (To the point where most jabs about him made by Spidey are about said pride. Even in an old PS2 game he called a large robot version of Mysterio “almost as big as [his] ego.”)

When he saves the city from the water elemental, he simply salutes and leaves while the crowd cheers. Mysterio would encourage the cheering, revel in it, as that’s who he is. Hell, even while fighting every elemental in the movie, he does not even try to make a snarky remark or make himself seem cool. (He never even speaks! Only when Peter joins him in fighting does he speak during fights, but it's only to Peter.) Webspinners gave us the idea that Beck knows he’s not the coolest guy ever, but as Mysterio, he can be greater. There is no separation between Beck and Mysterio in the movie, there’s hardly a mask he is putting on (or rather fishbowl). Sure, he tells Spider-Man that “Mysterio is the truth!” seemingly to make Mysterio a symbol, but it falls flat for me.

Usually, Beck and Mysterio are almost two distinct people. Mysterio in the movie has no signature voice or way of speech that makes him grander than the average joe Beck is.

MCU Beck’s given backstory can be interesting, if it weren’t for how it is framed. Note: I do not care about Tony Stark or any of his friends, everything I know about him is surface level. Beck expresses that his holographic technology was taken by Stark and insulted. Supposedly, Beck was fired for being, as he put it, “unstable.” We do not see what this really means. How this scene read to me is that a rich man took advantage of an employee, and thus framed him as mentally unwell to discredit him should he speak up. It could be from my knowledge of Disney’s employee treatment that gives me this icky feeling seeing this scene being framed as “unreasonable” in a way. How dare Beck, a man who’s life's work was stolen and insulted by someone much more powerful than him, get angry at the MCU’s golden boy?

Could Beck be an unreliable narrator here? Absolutely, but from what I heard this is not the first time something like this happens in regards to Stark.

Beck, to me, didn’t read like a loser who puts on a fishbowl to take on a much bigger personality. He feels like a man who you could replace with anyone, and it wouldn’t make that much of a change.

It is such a difference watching that movie, then watching any of his variants in cartoons or reading them in the comics. It’s not even an interesting difference. It’s not a twist on his character that makes me go “Oh, that’s cool.” I'm just left disappointed.

If Beck wasn’t framed as an irrational, short-tempered monster after his “twist reveal,” there could be something to say about his character. He has a legitimate reason to be upset, but it sucks that that is the only motivation he has (and that this motivation drives him so up the wall that he’s willing to kill Peter and mass amounts of people. Mysterio is rarely framed as a killer, from what I’ve seen.).

Yes, Beck is traditionally a very petty man. But my issue is that the backstory also just HAS to include Tony for the sake of Disney's meatriding of him and for Peter's grief the whole movie.

If we use this backstory for him, it could be a representation of lower wage employees being treated as disposable. It could give him some much needed depth. This depth is lost when he gets the “angry killer” characterization after his reveal. It no longer feels like a backstory that makes the audience sympathetic towards him, it feels like we’re just supposed to see that story as the supporting evidence for him being “unstable.” (Because Disney doesn’t want us to side with the lower wage employees that they regularly take advantage of. Look guys! He’s the villain for a reason!)

I could be wrong. This could be a show of how a grudge can turn you into a shell of your former self and lead you down a bad path. Perhaps Beck did have some mental health issues that enhanced his irrationality and anger, but I don’t think that was the intent at all. The framing doesn't feel like we're supposed to feel bad for him. But I do to an extent.

MCU “Quentin” Beck does not feel like Mysterio. He just feels like a guy who knows how to make holograms and maybe says the word "illusion" five or so times.

The illusion Peter is stuck in before he gets hit by a train is actually the only scene I like. There are creative visuals and trippy imagery. But that's one scene, and it's not even that long. Disney, you made the pink elephants on parade segment, do that more.

I simply wished we got the pathetic theater major we ("we" as in Mysterio likers) know and love.

tagged: @mango-water, @cronchyy2, @bluebutterflytears

[lost-inanotherlife]

If you had to convince someone to watch lost what arguments would you use?

Now this is a great and very difficult question, dear Anon.

The thing is that Lost has a bit of a bad rep because of its finale. 14 years later people are still very bitter about it and some of them also still hold a grudge against Damon Lindelof which okay but chill, folks.

And I understand that, well, i do up to a point at least. The issue is that the discourse frames Lost as a series that's not worth watching because it supposedly lacks payoff and this is just unfair (and incorrect, but that's an argument for another day).

Having said that, my arguments will be the following:

it's a show that doesn't feel cheap. Many shows nowadays do. Very small cast, very set-like settings, you can sense the plot is constrained by production's demands. This doesn't happen with Lost. There are scenes in the water, underwater, on the beach, on the beach at night, in the jungle, in a subterranean bunker, there are aircrafts' remains, fighting scenes in the rain... you name it, you got it in Lost. They don't make shows like that anymore. The cast has, like, 20 people in it or something and all, ALL characters are fleshed-out, they are ALL convincing and very well played by the actors. They deliver dialogues that are brilliantly written but that also sound like real, normal sentences people would actually say. 20 years later and Lost S1 still feels contemporary, it's a fucking miracle. There are very few shows that can say the same thing.

the writers have a superb command of the storytelling craft. It's old school but also innovative. Lost was groundbreaking as far as TV storytelling goes. They wrote TV history. You can't say "cliffhanger" today without thinking of Lost. What I mean is that this is a compelling story and you're bound to be hooked on it. With Lost you're in for an experience that can verge on the existential. And I'm not joking.

Talking about existentialism: Lost's themes, they are universal. Destiny vs Free Will? Science vs Faith? Moving on from one's past? I mean, come on. From S1E1 the show goes hard on this stuff thanks to an array of deeply flawed characters that might not be liked by all but that you can't but sympathize with because of how deeply human they are. It's a show that talks about humanity standing in front of Big Questions and how each one of us replies differently to them. These questions are, of course, still relevant to this day, making Lost a sort of universal show. You can watch it in 10 years' time and you'll still find these questions interesting.

So, to sum it up, I'd say that Lost is 100% worth watching today because it's still relevant, it feels like you're actually watching a show and not actors playing in a setting and the writing is so fucking good you'll find yourself addicted to it in a hearbeat.

Have I convinced anyone? Eheheh!