While the breakup was inevitable (especially if you read the comics), I think the show handled it phenomenally with it being even better than how it was done in the comics. Steven Yeun and Zazie Beetz absolutely killed it in this scene with you really being able to hear the heartbreak in both of their voices as Mark and Amber realize that for as much as they love each other, they can't make this relationship work. Then you have the "I can't live in your world, I want to, but I can't." which👏👏👏. That is some absolute peak writing. I haven't consumed many stories that actually treat the breakup as a heartbreaking moment for both characters involved since it's usually just treated as a minor obstacle to prevent the main romance from happening sooner. While I'm fine with that in some cases, I feel like it's a disservice when the main character's temporary love interest is a genuinely interesting and fun character who has a good rapport with them. In that same regard, it has been a nice change of pace to see characters who do care for each other attempt to make things work and talk about the issues before accepting that what they have just isn't going to work.
It's also a good commentary on the nature of superhero/civilian relationships since while someone like Debbie was able to handle the stress of it, Amber isn't able to do so. And that doesn't make her weak or a pushover, it makes her human because not everyone is built to handle that kind of life and it's totally understandable.
psa that the day there are no jgy stans left on tumblr dot com is the day i am dead
but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open
been wildly ping-ponging between projects and not finishing any of them. but finally. finished a worm thing. it doesn’t help that it ended up being so long. ignore any pacing issues (this is an command). you'll wanna click through
honestly it still feels like it’s got problems but i just want to stop thinking about it now
(this occurs Before it becomes semi-public knowledge that subway boss ingo is. a worm now.)
Feeling conflicted about the cyberpunk thingy impulse is going for because like yeah it’s a great theme and I like the aesthetics a lot but what I really like most about cyberpunk is the themes of corporate alienation and/or transhumanism etc etc which I know will not be addressed at all and in fact it’s kind of stupid of me to expect that at all from a minecraft series. Does anyone else get that or just me
currently thinking about how doug and michael both call lisa “kiddo” when lisa is in a vulnerable moment with both of them, they both betray her in similar/different ways, and how neither of them see her as equal to them
my inner demons would've easily been the best series on the aphmau channel if the daemos didn't act like children 95% of the time. the potential was THERE. ava was a great protagonist and the entire premise of the show was sooo good but ultimately fell flat due to almost all of the male cast being frustratingly clueless and stupid. it was beyond the point of being comedic and instead just annoying.
I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
---
P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
I gave myself a writing challenge and I am fascinated by it
So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.
Stephanie, the first sidekick who defines the role
Tim, the sidekick who dies and comes back wrong
Dick, the sidekick who saves Batman from himself
Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong
Jason, the youngest sidekick who is still the Kid Wonder
...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).
I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.
sukuna and gojo use binding vows for sex, taking things like orgasm denials or touch deprivation steps further, where the other is contractually bound to not be able to do certain things, like touch themselves or touch the other etc etc
one such instance being a vow where gojo has a vibrator up his ass, but he can't touch himself or remove it, until sukuna specifically, pulls it out.
he keeps the vibe in throughout the day, with sukuna controlling it remotely, even as they both go throughout their separate days.
gojo goes to have his usual breakfast, and meets yuuji at the dining room, they greet and sit next to each other. yuuji is, as always, energetic and excited to see him
they make conversation, until gojo gives a jolt and starts twitching and huffing. sukuna has turned the vibrator up all the way. yuuji worries and panics and asks him what's wrong. gojo gives a breathy laugh and reassures him. he motions low and tells yuuji about the vibrator inside him, through sudden jolts and soft whimpers.
satoru complains about it, and yuuji advices to remove it or go and take care of himself.
except gojo states that he can’t and yuuji puzzles.
"it's... a pact—mmh!"
"a pact???" yuuji's voice rises in volume, but he visibly calms, shoulders dropping into a fond sigh. "sensei, you really are..." that's all he can manage to say. reprimand is useless. gojo likes it, yuuji is well aware, he is enjoying every second of this, even as he complains.
gojo gives a few odd jolts, undoubtedly an odd pattern of intensity from the vibe, yuuji can guess. sudden irregular ups and downs that are not taken well by the man.
satoru clicks his tongue. "what is that guy doing?" he actually looks irritated for a moment—a look yuuji doesn’t get to see often—until it’s broken with a sigh and his pleased, calm demeanor returns, mimicking the soft waves of pleasure across his thighs.
still, yuuji can see his hands crumpled at his sides, undoubtedly wishing to use them.
that's when satoru perks flares up all of a sudden.
"actually, yuuji,” he turns to look at him, grinning. “you can help me" he opens his legs and lifts the edges of his kimono, his dick peeking out the fabric. yuuji gulps at the sight. satoru motions to it, giving yuuji a wordless look. yuuji hesitates for a moment, but complies, taking his hand to the cock, and starts stroking.
satoru crumbles under the touch, immediately breathing out his nose and muffling moans. he leans into yuuji, wrapping an arm around his shoulders, fingers clasped in yuuji's kimono, nuzzling into his hair and whining in his ear.
satoru's sounds fluctuate in pitch and volume, making it known when his vibe's gotten stronger. yuuji keeps his pace and satoru spills in his hand. he twitches and sighs, soft breaths against yuuji's flushed ear.
yuuji stares at the cum in his hand.
"you can wipe it on me,” satoru tells him with a breath that's calmed much too fast. “my clothes are already soiled anyways". and yuuji feels bad for it, but he obeys nonetheless.
satoru takes a hand to yuuji's chin and turns his face to him and gives him a kiss. short and sweet.
"as a reward." he smiles at yuuji. the boy surprises but takes it happily, cheeks warm and eyes softened, albeit a bit timidly. a tinge of disappointment colors the edges of his face.
"you want more?" satoru brings his face to yuuji's again. the vibrations have reached a slight plateau, so his voice is steadier.
yuuji’s face widens a bit, but he nervously chuckles, pulling back from gojo's face. "no, it's alright," he lies. "i don't want sukuna to kill me"
but satoru’s already pulling into him, breathing into his lips. "i won't let him <3"
"that's...actually reassuring......" yuuji’s eyes flutter shut as satoru's lips meet his again.
and with that, they're kissing and slowly the vibrations and gojo’s twitching start again. satoru moves atop yuuji's lap to straddle him, and while they kiss, yuuji takes his hand between them and jerks him off again. satoru moans and gasps into his mouth, each jolt mirroring the pulses against his prostate.
they separate for gojo to bury his face in yuuji's shoulders, arms hugging his neck. he humps into yuuji's hand until he comes against him again.
he pants and huffs atop the boy, catching his breath. yuuji's gentle arms hold him, fingers rubbing slow circles at his back.
One thing I really enjoy about transition is when the changes in hormones slow down...
It feels like I am a house settling, shifting ever-so-slightly, and becoming one with this new foundation.
I don't have a "typical" body, but so do the other guys in my family. I look like them now. I've been told I looked like my father when he was a teenager, and I feel as though I am in the mentality I need to be in.
So many people are excited when they get all these new changes all at once, and then they might become disappointed when their second puberty starts to slow down, but I find I am the opposite. I am so much more at peace than I was before, and that's saying something when I was at peace a month into my changes.