#Common Bonds

[aroaessidhe]

ARO WEEK 2023

just some of my favs to end the week :)

THE WOLF AMONG THE WILD HUNT / adult fantasy novella / centres a QPR between and aroace & enby

BAKER THIEF / adult urban/high fantasy / one of the two MCs is aro bi

FIREBREAK / adult sci-fi/dystopia / aroace MC, platonic besties and friend-crushes

FIRE BECOMES HER / YA historical fantasy / demi-demi MC

EVERY BIRD A PRINCE / MG Contemporary fantasy / questioning Aro MC dealing with amatonormativity

KAIKEYI / adult historical fantasy/retelling / aroace MC

SAILING BY ORION’S STAR / adult historical fiction / multiple aroace MCs

COMMON BONDS / anthology / focused on aros & platonic relationships

AN ACCIDENT OF STARS / upper YA/adult portal fantasy / secondary MC is a polyam married aro woman

*as a note, some of these only briefly explore aromanticism, and/or explore the ace part of the aroace character more. If you want more details on how much things are explored, see my database!  

[k-i-l-l-e-r-b-e-e-6-9]

Sepultura - Common Bonds

[anewgayeveryday]

Today's LGBT+ Character is;

Aja from Common Bonds; Moon Girls by Camilla Quinn-Bisexual Aromantic

Requested by Anon

Status: Alive

[secretsappyabode]

Howdy Tiff!! I appreciate your kind words on my art with Kabu and Hue, thank you ;--;!

I'd love to hear about a soft / tender moment between your s/I and the younger Pines twins sometime when you feel inspired!!

Luxe @tex-treasures

thank you for the asks Luxe!! 🥹🥹💕

mannnnn there’s been a bunch of tender moments between us. one that stands out is right after ford comes out of the portal.

I was upstairs in the attic making sure the kids were getting ready for bed, when suddenly we could hear stan and ford arguing downstairs. I could tell mabel was worried, since she asked me if she and dipper would turn into their grunkles once they got older.

“listen to me, and listen well,” i said as i huddled both twins close, “you two have something that your grunkles didn’t use properly. The Power of Healthy Communication. I am positive that you won’t “go stupid” like they did when they were younger.”

“but what if we do?” mabel asked me.

“mabel. do you guys love each other?”

“yeah.”

“do you two trust each other?”

the twins looked to each other and nodded.

“yeah of course!”

“then that’s all you need. you both have proven time and time again over this summer that you will do anything to protect each other. no stinky grunkle baggage or otherwise.”

mabel still looked a bit unsure, but dipper placed a hand on her shoulder.

“it’s gonna be okay mabel. sure, things might change now that we have great uncle ford, but change can be a good thing! I got you, and you got me. no strained relationship is gonna change that.”

she looked to us both. “You promise?”

“yeah, sure!”

“We both promise, sweetie. You’re not going to lose your brother. You won’t lose anyone.”

mabel wrapped us into a hug and sniffled. i could tell she was still a bit worried, poor thing. i just held her close and reassured her that things will be okay. That day, I made a mental note to myself to protect these kids with my life (and knock some sense into their grunkles)

I managed to make her laugh before I left, by vowing to kick their grunkles’ butts if they ever spread their ‘stupidity’ around. I’ve done it before and I’ll do it again, I said.

Things were changing, but no one is alone. I was gonna make sure they knew that.

[idmnbc]

ok I've just ordered "Common Bonds" and the "How To Be A" books and I can't be more excited aaasadjhasdkjhkdasaaaAAAaaAA I will have to wait until May to have them in my hands but I don't care sahjasdjdsa its gonna be incredible

[biggest-gaudiest-patronuses]

anyone else have multiple traumatic memories associated specifically with holidays/family vacations? because that is a topic I never see discussed in all the So You Had A Shitty Childhood, Now What? self-help books i've been reading. but for me, it was a significant thing. and the more i think about it the more it seems like this would be an (unfortunately) common experience. would be grateful to hear if this matches other peoples' experiences...

[askanaroace]

Common Bonds, a fictional aro anthology on aro relationships, is 50% off for ereaders for the week! $4.99!

[hatsunevita]

this is literally one of my favorite panels of the war arc.

i am OBSESSED with deku’s perception of romance and how it’s probably based off popular melodramas and his peers’ stories about their dates.

because you can’t argue with me that that’s the reason why he will have no idea his and katsuki’s relationship is so close to romantic. i’m so sure he’s gonna be the last one to realise his feelings for katsuki aren’t purely friendly and platonic. the guy will be like “oh yeah we’re really close and i care about him deeply and i hate the very thought of him being hurt and i wanna spend the rest of my life next to kacchan but haha that’s just our friendship! we’re not holding hands and sharing crepes so there are no romantic feelings involved🥰”

bro is gonna be so shocked when kacchan finally confesses his true feelings.

[aroaessidhe]

Here’s a couple books that are on sale this aro week!

The Thread That Binds paperback

Common Bonds

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[jen-kellen]

okay but adaine learning that aelwyn is an expert on curses and then immediately turning around and deciding her final paper will be about curses???? the sisters are everything to me

[localguy2]

I find it highly amusing how in situations where the ninja are separated/it's just the OG four, Kai and Zane immediately assume control/start spearheading the team because apparently no one else is sane enough or in the right mind to do so.

Your honour, they literally have one of the best dynamics in the show, with how they're probably the most protective people in the team. And it makes me mad how this is overlooked by the fandom and the show.

[turtleblogatlast]

I unironically love how blatantly late 80’s early 90’s all the brothers’ styles are in “The Clothes Don’t Make the Turtle” because like…of course those are their styles! The majority of the media they grew up adoring is heavily influenced by that time period, so it makes perfect sense that they all took inspiration from it. It’s honestly super cute to see, they’re such kids I swear.

[grandcovenant]

who's pulling the strings of the puppet king?

[druidonity2]

A lost little king, seeking advice from all corners of Azeroth, finds himself searching for this 'Loa of Kings'. He is surprised when he finds it's someone he's met before...

[emmitaaa4]

“Elriel is too predictable! It’s boring & lazy writing!”

… 🧍‍♂️

My brother in Christ. You call SJM the fated mates author. Through 15+ books and 3 series she hasn’t diverged from that trope. Elain has a “mate”.

If an Elriel outcome is predictable, it’s because the author willed it so and therefore ✨wrote scenes✨ to ✨develop their relationship✨.

and by that i mean…

(long post ahead…. bear with me)

SJM wrote Mr. “I don’t need to resort to poetry” going all Azriel Allan Poe, flustered as he tells Elain “we are born hearing the song of the wind”. She wrote him uncharacteristically open & talkative, while when he 1st met Feyre he deferred all her questions to others.

SJM wrote that despite how different they may look, Elain does not balk from Az. She never has: from their 1st meeting she finds comfort in him, and he in turn notices her—she’s never been afraid of him, he has always seen her.

SJM wrote the 1st coherent thing to come out of Elain’s mouth in WaR to be “beautiful” as she beholds Azriel’s scarred hands. In turn, she wrote our gardener not minding imperfections on hers, for despite her lady-like conditioning, she prefers to get her hands dirty.

SJM wrote Az spending time with her in the sunshine: no forced conversation, no one hEaLinG anyone, just them both doing their own thing as a relaxed Az suns his wings. Just two pals comfortable with one another… which SJM foreshadowed in MaF through Feyre’s “Elain would likely cling to Az for some peace and quiet”.

SJM wrote Az and Cass both stilling at the sight of El & Nes, she wrote Az cutting in to set Elain up in her garden even as Feyre was about to do it, she wrote the mention that Elain was safe after the twin raven’s attack bc Az had stayed with her at the townhouse.

SJM wrote Azriel’s eyes churning as he looks at Elain and her too-thin body, before abruptly winnowing away, and we’re left with Mor looking at the spot where he left. Wonder what that was about (it certainly did not remind me of Rhys in TaR).

You know, Elriels are not just making stuff up and theorizing about the E/ucien bond cause we’re desperately pulling at straws…

SJM had Madja say “a mate would know if something is amiss”, then wrote a scene juxtaposing both Lucien’s and Azriel’s reactions/assessments of what was going on with Elain… and she had Azriel be the one to know nothing was “wrong” with her—no, she just had rare powers and needed to be heard, to be taken seriously. He didn't let her be misunderstood, for he was the ONLY one that listened to her, that took her visions/ramblings seriously right from the get go. And so he gave Elain the understanding she needed to free herself from the dream-like murky realm she was trapped in. Through it all, SJM emphasizes that Azriel also understands what it is like to struggle with rare, strange, prized powers in silence; what it’s like to be othered by them. I’ve said it before and i’ll say it again: she sees everything and he hears everything.

SJM wrote that “Elain had hoped that love would trump even a mating bond” and had her characters question the Cauldron in relation to Elucien *twice* (years apart!).

…

SJM wrote Az being the only one—in a room full of Made beings speaking of being Made—to notice that Elain was missing. A reassuring but empty statement by Cass that they’d get her back….but then it was Azriel that stated, eyes glowing golden, that HE would be getting her back, despite the girl’s own sister discouraging him & telling him he’d die. Hell, Feyre had this whole deliberation on whether she’d join him only after he’d say he’d go. His initiative.

The Hybern scene is too long to add, but this post and this theory break it all down brilliantly.

Yes, Az has sacrificial tendencies. Yes, he’d risk his life for loved ones in general. But we have never seen him this affected, and it is because SJM purposely used language to emphasize Elain and Azriel’s meaningful reactions to the other… despite it being wholly “unnecessary”

It is all intentional… lazy’s antonym.

SJM wrote the Truthteller scene. She emphasized the exchange, which left Cassian gasping and Rhys flabbergasted; it also left Feyre with a significant painting in her mind. It lead to Elain, aka “my God has answered me,” stepping out of a shadow to save her sister. Azriel, aka “God is my help”, indeed helped armed Elain so she could answer her sisters prayers.

SJM ended WaR with Elain’s smile literally lighting up Az’s shadows.

SJM had Elain’s thoughtful gift to him make his eyes the brightest we’ve seen—and by doing so gave us the most beautiful description of his earthy eyes, “the hues of green amid the brown and gray like veins of emerald.” We have never seen Az so joyful & carefree throughout the entire series.

SJM wrote that Azriel beat Feyre to Elain’s side as she was looking out into the night. She wrote Elain stilling at the sight of a dashing Azriel—her throat bobbing—while Az “just moved towards her”.

SJM wrote the potato scene—“sit i’ll take care of it”—Azriel again being the one to respect Elain’s presence & contribution as he makes a room full of his “superiors” wait until Elain finishes tidying herself up (cause girlie wanted to look put together for a certain shadowsinger). Mor gapes, Amren smirks, Rhys talks of Az’s mom… all because of that surprising, singular behaviour from him.

SJM wrote Az making a joke at Amren’s expense upon noticing Elain’s discomfort; our girl’s shoulders indeed relax in relief. THE LIGHT RETURNS IN HER EYES.

SJM has Azriel staying up past 3am with Elain, listening to her speak of something she is passionate of.

SJM wrote Azriel spending an entire convo with his brothers looking out into the garden from the window (SJM mentioned it 4 times yet some still missed it).

SJM wrote Rhys goading Az for a reaction as he quizzes him on Lucien and Grayson; wrote Rhys realizing that Azriel did not want to know what Elain did with Lucien (in the case she did anything). She wrote Azriel nervously stuttering as he asks risks if they need to get the sisters a present… I wonder why.

And Rosehall… SJM wrote ROSEhall: cracktheory this cracktheory that, to the gwonriels I’d say we both know you wouldn’t say it’s irrelevant had SJM chosen to call his estate Tealhall.

~~~~

Keep in mind: SJM could have written those significant scenes and ultimately kept it PG: she could have chosen language that built up a profound platonic relationship.

Yet… in MaF she has Feyre comment that they would be good together—as in make a good *couple*. WaR roles in and they’re both dealing with the very public rejections they went through—but SJM had them build a quiet companionship in the background, while giving them a wealth of scenes of great significance for both their characters, and while using language like “she DEVOURED the sight of him” “he CRADLED her to his chest”. In FaS they are slowly but surely getting over their last loves, and SJM continues developing their connection.

And in ACOSF, in the book that supposedly “ended” Elriel…

SJM wrote Az following the sound of her laugh (😭). “ It’s just lust” PLEASE BFFR.

SJM chose to remind us—THREE times—of the Hybern rescue scene... then had Az tell Cass that he’d know, in his chest, if something happened to Nesta.

SJM had Az longingly stare at the gift Elain gave him every night for a YEAR—mind plagued by thoughts of her—made him so affected by her that he had reactions to every mention of her name in SF, so affected that it took Nes one look at them to notice his feelings, to reach out in comfort upon noticing the pain that keeping himself apart from to her caused him. As SJM said she would, Nes saw through his secret in ACOSF, still it is “his secret to tell, never hers”. After Solstice we are met with a grumpy Azriel, who lost the snowball fight for the 1st time in centuries (i wonder why…).

SJM chose to link his every secret back to his feelings for Elain, as per the bonus . Why does he stay up so late and wake up so early? He longs for Elain so much he can’t sleep. Why is he staying in the HoW? It is too hard to be close to Elain given their circumstances; he must physically distance himself from her. Why has he moved on from Mor after centuries? Elain. Why is he grumpy post Solstice? The argument with Rhys concerning Elain.

~~~~

Ultimately, SJM wrote for Elriel:

- Complementary imagery (flowers and death? light and dark blending together to form something new… DUSK, anyone?)

- AND plot altering scenes

- AND chose to liken them to one another multiple times

- AND genuine moments of companionship that slowly bloomed into something more…

… Is it so insane to believe that maybe SJM spent so much page time and effort building connections & common ground between them because she intends for elain & az to find peace and quiet within one another?

Or idk, maybe it was all for shits and giggles… and if it was i salute her commitment to the shits and the giggles🫡

Either way, it is the opposite of lazy writing…

It’s SJM’s world & words, and we are just reading them.

P.S: This was all just typed on my cell phone from the top of my head… yes remembering all this is probs concerning, yes I am obsessed. Please correct me if I got anything wrong.