The 2024 Short List JOURNEY Book Awards for Overcoming Adversity in Narrative Non-Fiction
The Journey Book Awards recognize emerging new talent and outstanding works in the genre of Overcoming Adversity in Narrative Non-Fiction and Memoir. The Journey Book Awards is a genre division of Chanticleer International Book Awards and Novel Competitions (CIBAs).
Chanticleer International Book Awards is looking for the best books featuring true stories about adventures, life events, unique…
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Years before the covid pandemic began, author Naomi Kritzer wrote the charming, emotionally genuine short story "So Much Cooking," which was a pandemic log through the eyes of a cooking blog. The premise is that the author is a home cooking blogger raising her kids, and then a pandemic hits--and bit by bit she's feeding not only her own, but her sister's kids, some neighbors' kids, and so on, in a situation of pandemic lockdown and food shortages.
It's very good, and was prescient for a lot of the early days of the covid pandemic. I found myself returning to it often in the first couple of years because of how steadfast it was in its hopefulness.
Last year she wrote a novelette, "The Year Without Sunshine," which attacks a similar problem in a similar way; instead of pandemic, this one is about the aftereffects of a distant nuke or a massive volcano explosion (it doesn't say), which has churned a great deal of dust into the air, causing massive damage to society and agriculture. The story covers one neighborhood, pulling together to keep each other alive--not through violence, but through lawn potatoes and message pinboards and bicycle-powered oxygen concentrators.
I recommend both stories. They're uplifting in a way that a lot of what I see lately isn't. They're a bit of a panacea for constant fearmongering about intracommunity violence and grinding hatefulness. We can be good to each other, if we try.
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No bc if i fumbled ford as badly as bill did i'd be on the news
Edit for clarity: The text says ‘I Grow Maddened’!!
(No bg+ close-up— click for better quality)
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i genuinely have no animosity towards ppl who get upset abt not being able to read academic texts + i do think we need to expand the pathways/methods of being exposed to critical concepts so that "sit + read for 2 hours" is not the only option.
however, as someone dx with adhd + incapable of sitting still for even a minute (actually right at this moment i am writing this instead of reading the book sitting open in front of me), i do feel like a lot of ppl do not realize that not all readings are designed to be read like a novel.
as in, it's ok + normal + good to need to reread a paragraph several times, to only read part of a book, to have to research or reference words or concepts in order to grasp the reading, to skip over large chunks of text which are not relevant to your expertise, to continue reading despite not understanding a concept. this is something 'neurotypical' academics do frequently + many of these texts, especially contemporary ones, were designed with this in mind.
there are many ppl with accessibility needs that are not being met by academic texts at this time! many texts (in my humble opinion) are unnecessarily complex in order to show off or hide the fact that they have no idea what they're talking about.
i still feel like many of the kneejerk reactions on this site are based on the assumption that their experience reading academic texts should be similar to their experiences reading a nyt bestseller, rather than a process of thinking, analyzing, researching, processing, returning. some of u are telling yourself that any challenges u face while reading are a result of some internal fault u have + not an expected + precious part of the experience.
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i got lazy in the second panel
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[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post
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I’m reading a book on how to realistically injure characters (for reasons, don’t worry about it) and the section on broken legs is so interesting now that I’ve had one!
my break was a comminuted one, so it’s really good that I didn’t need surgery. they kept telling me that I would, but the pieces weren’t too far apart, and my leg just grew new bone to catch them all.
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poor dazai he's just worried
Dazai: "Just stick with your old man speech."
Chuuya: "Old man- oi! I'm not that much older than you!"
Chuuya: "I assume you're not gonna eat before coming over, right?"
Chuuya: "You're already freeloading off me, so you're gonna eat what I give you!"
Dazai: "Why didn't Chuuya let me know he wanted me over this morning?"
Dazai: "I've never been to Chuuya's with an invitation before."
Chuuya: "And I'm a bit too busy to do that right now."
Dazai: "I guess we can't say no, huh?"
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uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)
neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.
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The 2024 Long List JOURNEY Book Awards for Overcoming Adversity in Narrative Non-Fiction
The Journey Book Awards recognize emerging new talent and outstanding works in the genre of Overcoming Adversity in Narrative Non-Fiction and Memoir. The Journey Book Awards is a genre division of Chanticleer International Book Awards and Novel Competitions (CIBAs).
Chanticleer International Book Awards is looking for the best books featuring true stories about adventures, life events, unique…
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homage to one of my favourite books ever
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Broke: "Dick Grayson was upset at a new kid taking over his mantle because he doesn't think Jason will be good enough as Robin"
Woke: "Dick is upset at Jason, not because he's suddenly taking over the mantle he created, but because Jason isn't nearly feral enough of a child to drive Bruce insane in Dick's place"
Dick: You wanna be my successor? Go swing from that chandelier right now.
Jason:
Dick: As a matter of fact, I need to see you crawling all over the walls. Make a ruckus, break some furniture
Jason: But Bruce-
Dick: SCREW Bruce. Your job as my new brother is to make his life HELL. Why are you so polite? Why are you so calm? Where's your DRIVE, your PASSION, huh? You may be worthy of the title of Robin, but are you WORTHY of being my disaster brother?
Jason, a little scared: I dont-
Dick, scoffing: The youth these days just don't rebel like they used to.
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Buttercup begins to wail as well. No matter what I do, he won’t go. He circles me, just out of reach, as wave after wave of sobs racks my body, until eventually I fall unconscious. But he must understand. He must know that the unthinkable has happened and to survive will require previously unthinkable acts. Because hours later, when I come to in my bed, he’s there in the moonlight. Crouched beside me, yellow eyes alert, guarding me from the night. In the morning, he sits stoically as I clean the cuts, but digging the thorn from his paw brings on a round of those kitten mews. We both end up crying again, only this time we comfort each other.
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