I just spent an hour wondering if Sirius would be pro or against restaurants that have the no-child policy. One thing is sure, James would HATE them.
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time is so fake
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current mood:
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So far, with what I know of her character, rather than being a representative of ipc's absolute greed, i see jade as a representation of absolute exchange instead.
i'm honing in on her snake symbol right now, especially the one on her stamp as she crushes us with her heel. Highly speculative at this point, but if she does wind up having some relation to a certain snake eating its own tail, it wouldn't surprise me. When I think of oroboros, i see the give and take of life, its cyclical nature, birth going into death and the movement and vicissitude of seasons.
People may not see it at a glance, but Jade is super nurturing. From one of her messages to TB about 'managing up' to her lightcone 'Yet Hope Is Priceless', Jade cares a great deal about helping up others- especially children - reach their full potential, regardless of how we may interpret her intentions as of now. We only see her more menacing side with the moles, the traitors, who presumably broke important oaths and hence 'committed sins'.
She doesn't strike me as someone loyal to IPC, per se, and we know every one of the Stonehearts is in it for their own thing. Their department has beef with the Marketing group. Also, there is this line on her Character Story 2 that stuck with me:
Witness: The Silverchain Galaxy that once rejected the IPC have now become reliable allies of the 'Strategic Investment Department
She's trying to get them on the side of Strategic Investment Department, specifically.
What is sinister about Jade, to me, is her authority as a senior member of SID, and she's hardly alone in that front– but also the fact that she ultimately has a hand in how people or planets are priced. I for one felt outrageous for the girl who offered three rare gems and third lease on her planet's mining industry, for their planet to be saved from the impending storm, just for jade to go 'nope im taking your soul too. now you're working for the amber lord!!!' or to that effect. She can easily slip into cruelty when need be, as we see her putting the pressure on Old Otti, and that's par for the course for a senior-ranking manager.
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I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.
You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?
Click on their name. And look at their profile.
I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.
"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.
"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.
Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.
Click my author name. Just click it. Just click it.
Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.
I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.
Click the author's name, and explore before you ask.
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going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:
There is never a satisfying answer to ‘Why didn’t they love me?’
like wow babe. good fucking point
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happy 9 years
here's to 990 more
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When writing, did you ever suffer from a fear or underdelivering or misrepresenting a topic? If you did, how did you overcome it? I enjoy writing but rarely bring it to the public out of fear that I am either not doing good enough or badly portraying the themes or aspects of what I write.
Absolutely, and on the one hand it's a very healthy fear - it prompts you to do your research and be thoughtful in how you write. On the other hand you've just got to accept that occasionally it will happen. Inculturation is a hell of a thing, and leaves us all with a thousand kneejerk preconceptions and perceptions of the world, some benign and some downright awful. And sometimes they crop up no matter how thoughtful you try to be. And you gotta understand that when it happens and people call you on it, you just have to take your lumps and learn what you can from it.
It doesn't help, of course, that the words you write are only ever half of what your audience reads: five people reading the same book are reading five different books, each filtering the text through a lifetime of psychology and experience. And they will find themes and problems in there you never even considered, and they will also find resonances and beauty in your work that you could never have foreseen.
At the end of the day, writing stuff thats meaningful to you (hell, writing anything at all) is a messy, bruising business, and anybody who tells you there are simple solutions or clear rules to follow is either lying to you or to themselves.
But you can't let it paralyse you. Its like if you're playing football and you're worried about falling over. It's a reasonable fear and you should do your best to avoid it, but occasionally it's gonna happen, and unless you want to spend the whole game just standing still in a field, you've kinda just got to get on with it. Just try not to be one of those writers who's always taking dives and... screaming for the ref to get a free kick? Hm. That analogy may have gotten away from me. I don't actually know much about football.
Point is, I'm aware that this isn't the most reassuring writing advice I've ever given, but yeah, its a messy, scary business. Just do your best. Be thoughtful. Be kind. And always do your research.
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i was never as optimistic about the ending of bnha as some villain stans were, but i never thought it'd end so badly it left me wondering why horikoshi ever bothered to humanize the villains or make them complex characters at all.
like-- i expected that at least 1-2 of the 3 villains who were heavily foreshadowed and outlined by the narrative as people to be saved would be, you know, actually saved. i didn't think that was a high bar. i've been let down before in fandoms where everyone was certain a character would live and then they didn't, so i tried to keep my hopes low. AND YET.
what happened to tomura was upsetting, but i wasn't that shocked after how disinterested the manga has seemed to be in him for like, the past 100 or so chapters. a bit surprised, because you'd think if anyone would succeed in the 'saving' mission it would be the MC, but whatever. dabi, well, they've spent a lot of time showing the way his quirk destroys his body even before this arc, so that also sucked but at least it didn't feel completely out of left field.
........but they're not even letting toga live???
i just-- what have we even been doing here? when zero out of the 3 characters that were marked out for saving were actually saved, you have to acknowledge that something has gone seriously fucking wrong with the storytelling. not even just from the perspective of a villain fan but from the perspective of someone who likes stories to be thematically consistent or satisfying in any way.
you can set up an expectation of these characters being saved and then subvert that and turn it into a tragedy- if done well that could even be worthwhile and interesting. but you can't turn it into a tragedy and then just... keep trucking along with the happy ending messaging and act like anything in the manga has been resolved and that the characters have somehow successfully completed their heroic origin stories.
like, maybe i shouldn't have expected this much from a shounen- at the end of the day it is still a shounen so i didn't expect to feel that it truly satisfactorily wrapped up all the themes it brought up around societal ills. but i expected it to at least resolve those things in a shounen-y way where they punch the problems and help these specific people and then you can feel good assuming that the state of things will continue to improve in the post-canon world of the manga.
instead we got... uh, none of that. the story refused to answer a single one of the larger questions it's been outlining for the past 400+ chapters. in the end, it was all flash and no substance, which again could've been fine, if it weren't for the way the story seemed to spend significant chunks of time trying to delude you into thinking it had substance.
truly makes me wonder what horikoshi thought he was doing the entire time. can it really all be blamed on burnout? the most that can be said for this ending is that it is, well, an ending. fuck dude, it is that.
and that's just... such a sad way to end a project that took up 10 years of your life.
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LEON
LEON YOUR EYEBALLS
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ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story
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i've always enjoyed the way tsubomi is portrayed. she's not really part of the story and we don't know much about her outside of her being the target of mob's feelings and in a way a symbol or symbolic goal for his character arc - but that's the point! the point is that that's a shitty thing in a story and also in real life to do to another person!
she has a very strong feeling of having her own thing going on. she's not the love interest in a shounen series, she's a middle schooler with her own life and troubles. there's kind of a meta level to it too, how we as the audience are not entitled to find out every detail of her life, right? i like how understated her portrayal is while also being consistent with the things that we actually see of her true self are. truly, she's a strong person who knows what she's about.
specifically the conveyor belt of confessions and her justified annoyance at having to deal with the emotions of all these people that have cast her into the role of their love interest is just *chefs kiss* perfect and a mood
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This was home.
[First] Prev <–-> Next
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Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.
Kamala 2024!
If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.
But you got one thing right in all of this gibberish, Kamala 2024.
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there is something so quintessentially modern about learning about fiberglass filler in mattresses from tumblr dot come and ruining my bedtime by:
Finding nothing substantial on my mattress label.
Frantically scouring the internet for more information and the mattress website is all sof t blues and greens and smiling heterosexual couple and has a bullet point list with
+made without formaldehyde❤️✨️ +made without mercury or lead🥰💖 +low emission (???)🤩💗💯 and only under a company run blog "home sweet foam" do they say
❤️yes❤️ we do use fiberglass💅💖🌟 (gobbernment told us we cant use asbestos anymore😢😔)
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