#I actually have one but we're not talking about that

[whatcoloristhatcat]

raises hand What is a chimera and how does it work <- this is me giving you the opportunity to infodump, if you'd like me to google it instead i can lol dw <3

i'm sure i've explained this at some point but i can't find it everyone says thank you tumblr search function

simply, a chimera is when two zygotes fuse in utero and become one cat (this can occur in all sorts of animals and plants and other kinds of organisms as well but we're talking about cats here)

it does NOT mean all chimeras have some kind of genetically impossible patterns or are inherently visually striking. there are definitely many kinds of chimeras out there that simply go unnoticed because they are two solid black cats or a red and a white cat fused, for example. chimeras can also have patches with xx and xy chromosomes if a female and male cat fused

here's a graphic from the messybeast about it

however, chimeras can of course display coat patterns that are generally otherwise genetically impossible, for example (chimeras from the messybeast):

dense and dilute colors (red and dilute black (blue)):

point and non-point, xx and xy (red (flame) point male and non-point tortoiseshell female):

(probable chimera) shorthair and longhair:

(probable chimera) solid and tabby (dilute black (blue) and red tabby):

genetically, they're really cool. i would love to see more actual research into them!

why i get so fired up about it is the misinformation that flies around online about chimeras. if you look at that graphic from the messybeast up top, you'll see a note that a split-face appearance in tortoiseshell is not an indication of chimerism.

anyways, let's google chimeras for a second

ok.

i'm in the trenches with seeing all these "we said so" chimeras because i'm constantly tagged in them. please note! i'm not mad that people tag me in them and don't know! it's not common knowledge especially with all the people trying to catch some internet fame with their super real for sure chimeras

so i could write a dissertation here about how it does still matter because it's misinformation and there could be some health consequences we don't know about and how it's skewing the public perception of chimeras and that could have some influence on what research is done in chimeras (which again occurs in all sort of organisms, including humans) but you didn't even ask about any of this. so i'm going to end here. please remember that a split-face tortoiseshell is very likely not a chimera ok. i love you

[wordsarelife]

—mine

pairing: theo nott x fem!reader

summary: your’s and theo's relationship throughout the years

warnings: canon typical violence near the end, mentions of the war, blood and death

note: feel free to request stuff for the christmas calender!!

theo was startled by a sudden voice who called out his name, he turned around, the book he was about to push into the empty space still in his hand. 

"nott" you had muttered, arms crossed and the surprised expression on his face when he turned around had almost made you lose it. you quirked a brow at the missing reaction. "i guess you don't even know my name?" 

"sorry" theo winced and you could see how umcomfortable he was simply because he knew nothing about the person standing in front of him. 

"don't feel too bad" you shrugged. "didn't know yours until you borrowed my favorite book for four weeks and i had to beg madam pince to tell me the name of the person who had it" 

"well, sorry again" theo held the book in your direction. "you can have it now, if you still want it" 

you completely ignored the book, until theo sighed and put it back in the empty space on the shelf where it belonged. "guess not" he muttered to himself. 

"so, tell me, theodore nott" you followed him back to the table with his things. "what tempts a guy like you to borrow a book like that?" 

"well, without meaning to insult you, i'd say it is more male literature than female isn't it?"

"you're a moron if you really think something like female or male literature exists" you sat down in the chair across from him. "i wouldn't declare sherlock holmes as male literature, more preciously i would say that most boys are too daft to even understand half the things arthur conan doyle mentions and to your information i'm taking great insult to whatever the hell you just said"

"geez" theo's eyes had widened, he found you a bit odd, annoying even, but he couldn't help but feel all the same intrigued. "like what you just said isn't an insult. most boys are too daft, huh?" 

"maybe daft is a bit too harsh, i admit that" you rolled your eyes, a smile on your lips, "but i'd say most are too impatient to read those books, yes"

"well, you're not wrong about that" theo nodded "i can't remember the last time one of my friends touched a book that wasn't part of a class" 

"that's quiet sad, i'd say"

"i agree" theo smiled. "so, now that we're on the same page, do you mind telling me your name? i feel like i deserve to know it"

"no" you grinned just as the smile vanished from his face. "i decide when you deserve to know, theodore nott" you left him sitting there, speechless about the sudden rejection. 

you never actually told theo your name. he only found out when you managed to borrow the memoirs of sherlock holmes for two months straight. 

the next time that the two of you talked was a few months later, at the beginning of december. snow had fallen and the hogwarts grounds had turned into a beautiful white landscape. 

the snow was poudry, but you managed not to slip as you made your way through it. your body tightly wrapped in layers of clothing, the thick ravenclaw scarf almost reaching up to your eyes as the falling snow hit your face. 

"not the right weather for a stroll, is it?" theodore nott had caught up to you, not exactly spotting the right outfit for the wuthering cold. 

"well, i know there's a reason you're a slytherin and not a ravenclaw, but i would've expected you to be just a little smarter, nott" 

theo looked down on his clothes just as you did. "i was actually just going for a smoke"

"in the middle of a mild snowstorm?" you quirked a brow. "i'd say it's not the right weather to be doing that either"

"you're a real know-it-all" 

"tell me something new, nott" you rolled your eyes "it's exhausting to always be right, you know?"

"i bet it is" theo shrugged sarcastically. "there had to have been a reason you got sorted into ravenclaw"

"well, as said before, i can see why you weren't" you shrugged with a grin. 

theo sighed. "another dig at the outfit, really?" 

"well, considering you're standing here discussing with me and getting yourself wet, i'd say i'm allowed to keep judging your outfit" 

"fair point" theo nodded and you were surprised he gave up so easily. "are you coming or what?" he asked, ready to walk back inside.

"no" you shook your head "you go ahead though, wouldn't want you catching a cold, who would faint during potions then and entertain the rest of the class?"

"hey, that was one time" he called, as you walked away "how did you even hear about that, we're not in the same potions class?"

you just shrugged and send him a smile over your shoulder. he was standing in front of the doors to the castle, soaked from head to toe and you had to admit, theodore nott was a (beautiful) sight for sore eyes. 

it wasn't like you minded theo's company, but you noticed how he started hanging around the places you frequently visited during the weeks to come. 

theo had it especially easy when he realized that you stuck to your routines during the week, making it impossible for him to miss you once he had figured it out. 

monday and wednesdays after class were spent in the library, doing homework or reading a book from your list. tuesdays you helped madam pomfrey in the infirmary, healing minor injuries or filling up medicine cabinets. thursdays were reserved for your friends, playing card games or just spending time together in the common room, you always found something to do. 

fridays were flexible and you often decided what to do spontaneously. sometimes you did a little tutoring, on other fridays you helped madam pince sort through books and put them back where they belonged or you continued reading the book you had begun reading that week. saturdays and sundays were for remaining homework, hogsmeade visits and drafting letters to send back to your family on the start of the next week. 

"you're not being slick, you know that?"

it was a friday and you were putting away books, when theo kept lingering around you, like he had done that past week. 

"what?" he asked, looking up from the book in front of him, a confused tone to his voice, clearly trying to mask that he knew exactly what you were talking about.

"well, i was sure you knew stalking was considered a legal offence" you noted.

"stalking?" he repeated. "i'm not stalking you"

"now, you're not not stalking me, are you?" you send a tight-lipped smile in his direction. "i do admit that it might be a question of definition, though" 

"aren't you a bit full of yourself if you think i would be stalking you"

"that was offensive" you rolled your eyes "and i'm pretty sure i'm not imaging you turning up everywhere i went this past week. and considering i didn't know you until a few months ago, i'd say that you only started doing that recently"

"well, i didn't"

"okay, you didn't" your shrugged and turned back to the shelf, reaching for another row of books from the trolley beside you, before you pushed them in a row one after the other. 

theo furrowed his brows, surprised by you just letting him get away like that. he knew he wasn't being slick, hell, he even knew that he was behaving like a stalker. you weren't wrong in the slightest and theo felt a bit called out by your words. but on the other hand, you hadn't said anything about being opposed to the idea that he really did go everywhere you did.

you waved at him, before you pushed the trolley into the next row of shelves. it didn't take long for him to follow, already making a decision in his mind. 

"go out with me" 

if he had startled you, you didn't show it. you didn't even blink at his suggestion, rather ignoring him like he was a fly on the wall, as you continued reaching for books on the trolley.

theo pushed the trolley to the side and stepped into the empty space. the next time you tried to reach for a stack of books, you touched his chest instead. 

"you're still here, nott" you noted the obvious. 

theo had to admit that he was a tad bit unsettled by your ignorance. he wasn't sure if you really hadn't heard him or if you just ignored the question, because he had made you uncomfortable. 

"you know, normally stalkers don't look so scared" you smiled mischievously. 

"i'm not stalking you, but i can understand if my company made you uncomfortable and i apologize if i have gone too far"

"you're a bit weird, you know that?"

"this is a serious topic, y/n" 

you smiled at the honesty in his voice and sighed. "do you really think if you were making me uncomfortable or i was scared of you i would continue to speak to you?" 

"well, no—"

"i'm not a child, theodore nott, i can voice when i'm annoyed, but i respect your manners" you smiled "and if anyone follows me around like a lost puppy, i'm glad it's someone with at least a little intellect"

"little intellect?" theo repeated offended. 

"you might be smarter than i thought, but you're really bad at this" 

"i know" 

"well, would you now let me sort in the rest of these books? you're kind of in the way"

theo, nodded, the disappointment flashing over his features just like a wave of water. "i guess that's a no" 

you waited until he had stepped aside and pushed the trolley back in it's original position. your hands reached for the row of sherlock holmes books and you held them up at him like a trophy. "that means yes, obviously" 

theo spent exactly three days brainstroming what to do for your date. his friends tried their best at helping him, more than interested to finally hear something about the mysterious girl theo had been infuriated with these past weeks. 

"is she that hideous?" blaise asked on the third day of theo's hard thinking.

"what?" theo raised his brows, he had been too deep in thought to even hear his friend.

"blaise just asked if your girlfriend was hideous, i'd hit him if i were you" mattheo shrugged, stiring the pot. it had been a particular slow morning and he had to admit that it would be quiet entertaining to see blaise and theo fight each other. 

"five galleons on blaise" enzo added, before theo was able to say something. 

"have a little faith in him" pansy said next to theo. "he might not look like it, but the boy has a wicked right hook"

"this is just embarrassing" draco threw the newspaper down in front of him. 

"what?" pansy giggled "the newspaper or that theo and blaise are going to slap each other even more stupid"

"take a guess"

"guys" theo sighed, annoyance already taking over the worry that was bubbling inside him. "i'm not going to fight blaise and y/n is not my girlfriend"

"no yet" enzo wiggled his brows.

"y/n, huh?" mattheo said with a mischievous smile.

"oh god" all colour drained from theo's face. "please tell me the two of you didn't hook up with each other"

"close to it" mattheo shrugged. "she tended to my wounds in the infirmary once and i could tell she had the hots for me"

"wasn't she the one who said you had the charm of a troll and the brains to match?" blaise offered with a smirk.

enzo's mouth almost hit the table infront of him by how fast it flew open. "that was y/n?" he giggled.

theo had to smile. "that does sound like something she'd say"

"she sounds lovely" draco nodded sarcastically "but at least she never saw mattheo naked. that does make her at least a little likable"

"i already love her" pansy quickly said, before draco could continue his judging. "seems like she knows how to handle little annoyances" 

"i'm not a little annoyance"

"yeah" theo nodded "you're a quite big one, actually" 

theo couldn't tell what had led him to the idea for your date, but he had known in that moment what the both of you should do. 

"so hot chocolate was your huge idea?" you smiled as you sat down in the booth across from him, the server already putting down two mugs with steaming hot drinks in front of you. 

"i saw how your friends gave you their hot chocolate packages after dinner and figured this might be something you liked" he shrugged "and before you call me a stalker again, i'm just very attentive to those around me"

you giggled as the grandma at the table next to you send you a worried glance at theo's words.

"he's harmless" you laughed in a way to assure her. 

theo managed an awkward wave and the woman turned away quickly.

"well, it seems those around you are very attentive too" you giggled. 

"i'm sorry" theo tried to hide behind his mug, feeling a tad bit ashamed at the awkward encounter, but having to laugh at the same time. 

"don't be" you smiled honestly "rather tell me something i didn't already find out by snooping around"

"you snooped around?" theo exclaimed surprised. 

"i had to get even, after you found out everything about me" you shrugged "i met this lovely boy, i think he goes by the name enzo, who told me a whole lot about you"

"oh god, no" 

"quite interesting to hear about all those things from someone who has no interest in sleeping with me"

"what? i don't—“

"so you don't intend to sleep with me?" you smiled. "don't be ridiculous, theodore nott"

"i'm just not used to being this straightforward, admittedly"

you completely ignored the surprise swinging in his voice and went on with your story. "enzo did give me some exciting information and i wanted to talk about one thing in particular"

theo was ready to close his eyes and open them back up after you had screamed and left him sitting alone at the table. he had to admit that he wasn't particularly proud of his dating history (or lack of) before he met you and he was sure you weren't happy about that either. 

"before you say something" he interrupted you, before you were able to let the words slip past your lips. "i'm not like that anymore, i was young and not interested in a relationship and just wanted a bit of fun—"

"what are you talking about exactly?" you asked, a susprised smile on your face. 

"that wasn't what you wanted to talk about, was it?" theo asked and you shook your head giggling. 

"i mean, don't let me tell you what to talk about" you managed to say between your laughter. "we can talk about your previous hookups if that's something you'd like to discuss"

"i'd rather not" theo shook his head and his cheeks turned rosy. 

"fine" you smiled "now back to my question: how did you manage to play out that prank on professor binns in our third year?"

theo's features relaxed at the simple question and he smiled, recalling the memory. "so it all started with a ridiculous idea from mattheo and me getting roped into something stupid again"

you spent the rest of the night talking and ordering one hot chocolate after the other. there was not one second of awkward silence, even as theo brought you back to your common room. 

"i had a lot of fun tonight" theo smiled, hands sinking into the pockets of his trousers. 

you had admired how well dressed he was when he had come to get you in the afternoon. 

"me too" you said honestly. "i can't wait for the next one"

"so there will be a next one?" 

"don't be ridiculous, theodore nott" you smiled, before telling the password to the eagle ontop of the door. "of course there will a next one" you slipped into the common room and away from the smiling boy in front of it. 

"are they weirder than you?" 

the voice startled theo, as he was standing in front of the shelf in the library. he turned around, not surprised that it was you who had asked that question. you mostly started your conversations in the middle, without so much as a hello or some kind of warning. 

"what?" theo wasn't sure what else to ask.

"you friends of course" you shrugged, like that had been obvious "we've been together for a month and i've never even met them" 

"well, you have met them" theo corrected. "like in the hallways or during dinner" 

"you know what i mean, theodore" you rolled your eyes. "i don't think a grunting sound could be classified as me meeting someone"

"that's just blaise, honestly" theo muttered "but pansy waved to you during dinner more than three times now"

"theo" you pushed "either something is completely wrong with them or me and i'd like to know what it is, now" you sighed, before you added "just say if you're ashamed of me or something, i know i can be a bit rude to people i don't know"

"tesoro" theo sighed "i'm sorry that i let you think that. they're just annoying, that's all"

"and you thought they would scare me away?" you smiled, touching his cheeks with your hands. "you stalked me for weeks and i'm still dating you, aren't i?"

"that's never gonna be funny" he called after you, as you walked out of the library. "fine, breakfast at the slytherin table for you tomorrow" 

"aye, aye" 

"she's not hideous" was the first thing you heard when you sat down at the table the next morning. 

"well, you aren't either, zabini" you smiled, not even fazed by his assumption. "even though theo warned me about you" 

"burn!" enzo called, exchanging a high five with pansy. 

"i'm so glad we finally get to meet" pansy smiled. "i've just been waiting to have another girl around, it sometimes gets to much with all the testosterone"

"i don't know how you manage, honestly" you smiled.

to say theo's friends and you hit it off immediately would be an understatement. it took approximately ten minutes for you to become part of the group. enzo and you had been friends before, unlikely study partners, after you had helped him on a potions assignment once. pansy was ready to keep you by her side for the rest of the year and even blaise took a quick liking to you.

mattheo and draco were harder to break. mattheo, still having a pretty hurt ego about you turning him down the year before, was sure that you were just dating theo to get back at him for whatever reason and draco was just not interested to have any relationship past a simple hello and goodbye. 

you didn't mind their antics, even if theo repeatedly apologized for it. 

yours and theo’s relationship lasted for exactly two years. theo broke up with you one day after your anniversary.

the break up was painful, the fight that followed even more and still, you held him that evening, both of you understanding the severity of your situation and the war that was waiting to happen.

“theo” you cried, rushing through the ruins of the courtyard just months later. 

you had been on different sides after all. you had followed harry potter into the war and theo had been bound to his father and to the promise the man had given to the dark lord. just like draco, mattheo, pansy, blaise and enzo. 

your friends had gotten lost in the fight and despite not being supposed to, you were desperately screaming for them. 

you ran back into the castle, not having found theo outside. you send curses at the death eaters that tried approaching you, having more luck than an actual plan. you were simply determined to find him. 

you were thrown down to the ground as the doors of the room of requirement suddenly appeared and flew open. just as quickly as they had opened, they closed again, spitting out people in the procress, before the fire was tamed behind the doors. 

harry potter, hermione granger and ron weasley were standing up from the ground slowly, black powder darkening their cheeks and clothes. 

it took a moment for you to realize who the other two people were, as you quickly got up from the ground. 

draco was breathing just as heavily as blaise was, both trying to fill their lungs with air. 

“oh god” you mumbled, before you finally started moving, your legs guiding you into the direction of your friends, falling into their arms and pressing them close to you. “i’m sorry, i’m so sorry” you cried. 

blaise and draco held onto you just as tight, not being able to let you go as they cried into your hair.

“be honest, draco” you said when you broke the hug, completely ignoring the trio next to you. 

“theo” draco muttered, knowing what you were talking about immediately. blaise and him exchanged a look. 

“is he dead?” you asked, heartbreak already burning in your limbs and throat. you were ready to mourn, ready to lose your life just like him. he had died for the wrong cause, but you hoped, heart heavy in your chest, that death was more forgiving than his life had been. 

“we don’t know” blaise finally said. “we got seperated in the halls, theo—he was looking for you i think”

“i have to find him” you muttered, touching each hand of the boys in front of you. “stay safe” you kissed both of their cheeks, before you turned on your heel, running down the corridor opposite of where you had come from. 

“theo!” you called once more, running up the stairs and through various hallways, hopeless to ever receive an answer.

“y/n” a voice called and you almost crumbled from the surprise it reached you with. hope was hard to keep and you had thought, really thought, that he was dead. 

theo wasn’t dead, but close to it. he was laying on the ground, his back against the wall, while the rest of his body was bathing in his own blood. his cheeks were empty of any colour, lips dry and almost blue as he looked up at you with tired eyes. 

“oh god” you muttered in shock, slipping onto the ground beside him, your uniform soaking up the blood like it was water in the lake. your hands touched his chest and the big glass shard that was stuck inside of it. theo hissed in pain. “sorry, sorry” you whispered. 

“they surprised me as i came down the corridor” he explained. “i was looking for you”

“you found me now” you whispered once more. 

“i don’t think they meant to do this” sweat dripped from his forehead. “they were kids, not older than fourteen, but they left and they took my wand”

“oh god” you repeated as you shook your head, holding his face in your blood soaked hands and kissing his lips softly.

“i thought you were dead” tears slipped over his cheeks and you shook your head crying. 

“i’m gonna help you” you said quickly, before reaching for your wand and using it’s magic to extract the glass from theo’s body. he was winding on the ground, the pain probably unbearable. but you had to do this in order to help him. he would heal, he would survive and that was all that mattered to you in this moment. 

“i don’t want to fight” theo cried “not for them, not against you” 

“i know, my love, i know”

the healing had begun, slowly but surely his wound closed up, only leaving behind the blood around you and the worry on your face.

“come on” you said, as soon as he looked less pale. you took his hand and he followed you through the corridors of the castle, standing next to you when you had to fight death eaters, even beginning to send curses himself. 

“you don’t have to fight, theo” you called over the loudness of the fight. “confringo! i don’t want you to fight against him” 

“i’m not leaving you” theo called back, his voice nearly drowned out by the deatheater across from him, who was screaming curses and uttering threats about theo’s betrayal at the same time. “he doesn’t mean anything to me”

“what?” you send the deatheater flying against the wall, effectively knocking him out. your wand was now facing theo's death eater too.

“i don’t care for my father” theo said, before he too send the man flying. “i only care for you and your well being”

you made sure it was safe, before you pulled him in and kissed him so passionately that you almost forgot you had ever been apart. “don’t ever let me go again, theodore nott” 

“i wouldn’t dare, y/n l/n” 

you took his hand, walking back into the entrance hall, looking if you were needed anywhere. that’s when you saw them coming over the bridge. 

“he’s here” you said, pushing theo behind you if there was really anything you could do to save him. “he’s—“ you paused, as the both of you walked closer up behind the rows of people already standing in the courtyard.

“harry…?” your voice was quiet, as you adressed the boy you had put all your hope in. someone you hadn’t known well, not well enough to be on first name basis, but what did it matter now that he was. what was he?

“harry potter is dead!” voldemort announced loudly, while the deatheaters broke into laughter. 

ginny weasley dashed forward with a heartbreaking scream. “no! no!”

“stupid girl! harry potter is dead, from this day forth you put your faith in me” you looked down onto the ground in front of you and then back at theo, who looked like he was being painfully tortured by voldemorts words. he too had set his hope into harry.

“it’s done” you said softly. “the war is over”

“we lost”

“harry potter is dead!” voldemort repeated once more “and now is the time to declare youself. come forward and join us.. or die”

your ears were drenched out by the wailing sound in your head. it was loud that you missed everything neville said. you pressed your eyes close, wishing to be anywhere else. to be free from this destiny, but you knew you could never just leave. you wouldn’t be able to leave all these people behind. 

it was theo‘s voice that woke you from your half sleeping state. the word he muttered was foreign on his tongue, but ignited a flame inside of you immediately. 

“harry”

your eyes snapped open like a gun shot had rung through the air. but it wasn’t the sound of a gun. it was harry potter, who was running and firing spells at voldemort. you just had seconds to react, before the fight broke out again, no end in sight. 

you had never thought to be happy that a war continued.

but continuation meant that you hadn’t lost yet. there was a chance to win as long as harry potter was alive. 

when voldemort finally dies, it’s nothing like you ever imagined. he bursts into the air, pieces by pieces disappearing until only his wand is left. 

the deatheater in front of you let’s his wand fall to the ground and you don’t have any interest to finish the job as you sank into theo‘s arms. content is flashing through your body and immediate tiredness is dragging you down. theo holds you as all your weight crashes against him. 

you‘re tired of fighting and of war and death and fear. there is nothing in your head, apart from the thought that you will never have to endure all of that again.

theo and you went away after the war.

you travelled europe for a year, before you came back to hogwarts to finish the school year you were still missing. 

theo got a job at the ministry, you started working at hogwarts. he proposed to you the day that you signed the contract. 

your wedding was beautiful. pansy and luna were your bridesmaids. draco and mattheo were theo‘s groomsmen. all of your friends were there. you had even invited the golden trio, it was only thanks to them that the both of you were still alive and able to celebrate your connection.

“you lost your bow again, robin!” theo picked up the little pink bow and clipped it to his suit, knowing that your daughter was way too busy to even hear him call for her. 

“maybe you should just give up” you suggested, picking up luke who was softly hitting your leg, seemingly tired of walking. 

“but she looks so cute with it!” theo protested, the disappointment sipping from his voice as he pushed the trolley through the wall. 

“it‘s no use if she always loses them” you shrugged. “what is it? like the tenth one you’ve gotten her in the past month alone? just wait until she’s older, love”

theo sighed, but nodded at your suggestion. 

“grace, robin” you called, looking around the people in front of you to spot your girls. 

“well, lucky you’ve got me” mattheo popped up next to you, robin in his arms, as he threw a wink in your direction. 

“why are you even here, mate?” theo asked annoyed “you didn’t have any children the last time i checked”

“well, theres still a few women we’re not a hundred percent sure about yet” pansy joked as she appeared in front of you. “hey sweetheart” she kissed your cheek, before she took luke out of your arms. 

“haha” mattheo rolled his eyes. “i was just accompanying my nieces and nephew’s like a good godfather and uncle should do”

“nope” theo shook his head. “you’re still not grace’s godfather, one daughter of mine has to be enough, riddle” 

“yeah, yeah” mattheo shook his head, clearly not caring about anything theo said “we’ll get there eventually”

“no, we won’t, that’s the point—“ 

“hello nott” blaise greeted, draco following, scorpius and grace behind him. you sighed in relief, glad you daughter had not gotten lost.

“blaise” theo nodded, while you went around the trolley, hugging both men. 

“amazing style choice” blaise pointed against his chest and theo's eyes fell down on his own chest, having completely forgotten about the bow he had pinned there. “looks great on you, mate”

“it’s robin’s”

“sure, keep telling yourself that” blaise said with a sarcastic smile “i heard denial is a river in egypt, y/n”

you giggled, but promptly stopped when theo elbowed you. “you’re my wife. mine” he muttered between clenched teeth, but clearly joking. 

draco took a look on his watch. “there are places we have to be, aren’t there?” he set a hand on both scorpius’ and grace’s shoulder, who were talking to each other excitedly.

“of course” you nodded, following your friends to the platform and hugging your daughter so close, as if that might make her leaving a little less hard. “stay with scorpius, sweetheart. stick together, the both of you” you advised. 

“i think isaac was trying to safe a department for the three of you” blaise told you daughter, who smiled gratefully. 

“yes, mum” grace nodded, before you swapped places with theo, who was already crying. 

“write to me every week, honey!” he declared. “stay far away from professor trewlaney and close to your mother as soon as she’s back at work”

“theo” you shook your head “she should have space to develop” you watched grace and scorpius board the train, waving as it slowly left the station.

“i’ve seen people develop at hogwarts!” he shook his head “it lead to a pregnancy in your case, tesoro”

blaise and draco choked on their spit simultaneously.

“that was after i became a teacher and you know it, dear husband”

mattheo held robin away from him, to take her in fully. “were you made there too?” he muttered, more to himself than anyone in particular.

“mattheo!” draco, pansy and you scolded loudly. 

“hey guys!” enzo appeared behind you suddenly, startling all of you. “oh no, they’re already off, aren’t they?” 

you nodded sadly, feeling sorry for the poor bloke who couldn’t arrive on time if his life depended on it.

“half an hour too late” draco exclaimed with a look at his watch. “as always”

“well you know the traffic is being a bitch” enzo slapped a hand to his mouth, before he took a quick look at evie next to him. “sorry, love. well everything’s been a b-word since jacky started forcing me to use muggle transportation.”

“i do not envy you one bit” mattheo shrugged.

“well, evie” enzo shrugged “the train is gone, but i hear that the weasleys have this super cool car, that—“

“no!” you shook your head, taking the little girls hand in yours. “i’ll take her!” 

“so get-together at yours or what, nott?” mattheo asked “gonna have to know which of your kids were conceived in hogwarts” 

“mattheo!” all of you scolded at the same time.

[li-x1nyu]

when someone insults you for being with il capitano

but you take matters into your own hands.

capitano x harbinger gn!reader, violence, mentions of blood, swearing, hanging, smidge of angst

a/n: help im so down bad for the fatui harbingers. if villain why hot??

"there's no way il capitano actually likes them." the sound of your lover's name stops you in your tracks. you were just trying to take a walk, but what's this?

"yeah," a different voice says, "i mean, they're so much weaker compared to him!"

"the first harbinger shouldn't settle for someone as low as the tenth!"

your heart drops.

in normal circumstances, you would tell capitano about it, who would track them down without a doubt. you try to appear friendly to your people, instead of unapproachable like certain harbingers.

but today is not a day where you feel merciful.

you turn the corner and see three drunk-looking men huddled in the alleyway.

someone has to teach a lesson.

there's waves of murmurs throughout the townspeople the next day. it's a clear morning, a cool crispness in the air.

capitano's hand rests on the other side of your waist, beneath your heavy coat.

the people huddling are blocking your view, but they are all pointing upwards and whispering.

the two of you follow their gaze to see three men hanging by the neck from the wooden beams of the city, bleeding out and barely alive.

your lover's hand finds yours with a gentle squeeze. "maybe you should head back, darling," he says in a low voice, "you don't have to see this."

"it's alright," you reply, eyes narrowing at the sight before you. you did it after all.

heels clicking, you let go of capitano's hand, making your way to the three. harden your heart, you tell yourself. the crowd parts for you, talking in hushed tones.

when the first man sees you, he starts to beg. half of you relishes in it, the other half feels sick.

"please," his voice is hoarse, blood dripping from his lips, "please, we're so sorry."

you ignore the churning in your stomach.

"we have families," he continues, "p-please.."

one of them has already stopped breathing.

"we didn't mean it, milady," the other stammers. "we've learned-"

the ropes are slashed and they all fall to the floor, dead or alive. gasps rise from the crowd.

you don't say a word. you're not sure you'd be able to if you wanted to.

the only sound in the square is heels on cobblestone, and then suddenly capitano is beside you as you walk away.

"chin up," he says sternly, but not unkindly. "shoulders back, don't break. you can do it."

so you hold your head high until the doors of the fatui's abode shut.

capitano's arms go around you, hands brushing your back. you tuck your head under his chin, avoiding the sharp edges of his helmet. "show them, darling," his voice rumbles with pride. "you did well."

[jesncin]

The Potential of Asian Lois Lane: An extra addition

A bonus addition to my Asian Lois essay. I know Lois Chaudhari isn't technically a Lois since the premise of the comic she's from is where the Superman mythos is fictional and the characters in it happen to be named Clark/Lois etc. But since she's a Lois stand in and romantic partner to the Clark Kent of that story, I figured she deserves an honorable mention at least.

Here's where I position her in my Spectrum of Asian Lois Lane chart. And I'd like to talk about her!

Compared to American Alien, this Lois is actually specific and textually Indian in Superman: Secret Identity. Unlike American Alien Lois (that never specified what kind of Asian Lois was), she can't be replaced as a white woman because the text acknowledges her Indian identity (her name, lines of dialogue like this, etc.) hence she's not interchangeable with whiteness. So this take has that going for it.

Where Lois Chaudhari still falls behind Girl Taking Over (and what it shares in common with American Alien) is yet again a sense of missed opportunities narratively.

In Superman: Secret Identity, a man named Clark Kent from Picketsville suddenly has Superman's powers. After years of being made fun of for his namesake, he suddenly is what everyone has been making fun of him for- and as he lives through life he slowly understands why fictional!Superman is the way he is. It's a great story but where it misses the mark for me is its failure to recognize Superman as an immigrant. Secret Identity's Clark isn't an alien immigrant, or a human immigrant, and is instead ostracized because of his name. Government baddies want to do experiments on him so he has to hide from them too. But then he meets city girl Lois Chaudhari, and they connect because people keep teasing them for their names and Lois knows what it's like to keep secrets because she,,, committed a crime as a teen once.

"I guess we're both dangerous felons, then. Public menaces."

Being hunted by the government and being experimented on isn't really the same as being caught shoplifting.

It works well enough as a connection but to me is a huge missed opportunity to have an Indian American relate to your Superman stand-in as an immigrant. To connect on a deeper level other than "people make fun of us for sharing names with fictional characters". Later in the story, Clark and Lois have twin daughters who are visibly Indian. They too, have Superman's powers. While we're treated extensively to the narrative showing us why Clark would hide his powers from the government wishing to seek harm on him, we never get to see what Clark's daughters have to deal with on top of being visibly non-white.

Superman as an alien immigrant is an anecdote in this story. Because after all, that's not what a white American man from Picketsville would find relatable about him, is it? I have the same thing to say about Secret Identity that I did with American Alien: "Clark isn’t the only American Alien in American Alien, if you catch my drift."

I think this story is the perfect encapsulation of the limits of a white writer. One of my hottest takes on Superman is that the best and most holistic take on his character doesn't exist in the white imagination. Take a look once more at the Spectrum of Asian Lois Lanes chart that I made. All save for Girl Taking Over were headed by white men (MAWS may have Asian directors and writers on their team but ultimately its pitch and main ideas are the brain child of Jake Wyatt, a white man).

People have taken issue with me saying this and assume that I mean white people can't write a good Superman story, and no. That's not what I'm saying. I like Superman: Secret Identity. I even like American Alien. But it's been 80 years of predominantly white writers of all backgrounds getting the chance to write Superman- and already multiple attempts at an Asian Lois- and yet it took until Gene Yang (and artists Gurihiru) with Smashes the Klan and Sarah Kuhn (and artist Arielle Jovellanos) with Girl Taking Over that I felt Superman's themes as an immigrant finally took center stage and weren't just a mention or anecdote.

In no way do I want to imply that getting writers of color or Asian writers specifically will mean you'll be guaranteed a great Superman story. I'm against promoting the idea that diverse talent is infallible or tokenizing and essentializing them in such a way. What I am saying is that the best and most holistic story on Superman as an alien immigrant isn't even a goal in the white imagination. Immigrant Superman doesn't live in that mind. He doesn't pay rent there. He doesn't stop by to visit. And no, Superman creators Shuster and Siegel wouldn't have written that story either. Superman may have been the "Champion of the Oppressed" from another planet under their pen, but he would never have related to or have had immigrant solidarity with America's perpetual foreigners the way Smashes the Klan portrayed him as having. Superman's creators were too busy writing Slam Bradley to be able to write that kind of Superman.

The appeal of these cape characters for me, is the process of adaptation. Seeing them be handed off to someone else with different life experience. Seeing them bring a whole new perspective that surpasses even the creator's intentions on their character. That's what makes these characters rich and worthy of constant revisits. I just think that people of different backgrounds should be able to get as many chances as white men have with writing Superman and his cast of characters.

[sevilynne]

bro was literally "grieving" for like 16 years and abused her child and every other student in his damn class

you're fuckin mental

Anon, we're all adults here, no need to hide.

And yet we don't talk about how other professors did to children, I don't see you talking about Minerva doing more horrible things to Neville hmmm....

Point: It's normal in the Wizarding World to torment children, we don't comment on stuff like:

— Minerva leaving Neville out of the common room when there's a mass murderer outside.

— Minerva trying to humiliate Neville that he will never transfigure a teapot.

— Hagrid disfiguring and making fun of a kid's appearance.

— Pince hexing Ginny and Harry's things.

— And Mr. Stutter.

Minerva has favourites just like Severus and it's actually worse.

— Bending the 'First Years Aren't Allowed Having Their Own Broomsticks' rule for Harry.

— Sending Harry and the trio to Hagrid (Oh she knew OP, if Neville did that, Neville would serve detention with her.)

"Why are you bending this thing to Minerva?"

Because you are making excuses to hate on Severus, and never care about the fucked up shit that Minerva did (Because you're a fucked up shit too.)

And why not blame Dumbledore for hiring shitty staff lmao? This is completely normal for them and I'm not happy about it but I'm living.

And Neville was a sensitive child, Remus's fear isn't the literal moon, so is Ron having his boggart as a literal spider, Parvati having a mummy, and Seamus with a banshee. Neville can't have fears from Barty or Bellatrix because he never received them himself. Yet I don't see you commenting on them, hmmmm?

Yes, he was grieving for several years because his life is so fucked up no one loved him but her. And Lily was a horrible friend who laughed at him while he was being SA'd and defended his tormentors.

"He didn't wear trousers." It's literal culture in the Wizarding World not to wear trousers, James knew what he was doing and he wasn't probably even wearing trousers either.

Grieving is completely normal, it's like losing your sister who loved and took care of you, and I don't see you commenting on Sirius grieving James for twelve years and would've grieved more if he was alive.

Lastly, he's a fictional arse character ☠️ I can like anyone just like how Mstans can like the Marauders. :P

I feel so bad for the innocent Mstans who has done nothing wrong to be included into your mental help club of 1970s gay wizards.

Sure he bullied kids, but compared to other professors who never been abused and act the complete same as him? He's better ngl.

And the grieving one? Have you never grieved or are you emotionless? ☠️

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[abigail-pent]

Thoughts on HTN Act Five on ??th reread:

- the joke about the Ninth knowing a thousand shades of off-white is absolutely a 50 Shades of Grey reference

- Ianthe wonders what Harrow's face "could have done to it" - ohhhhh yeah she is doing hella cosmetic "surgery" on Corona. this still isn't explicitly canon as far as I'm aware, but that line makes it pretty damn close

- Harrow Nonagesimus breaks into the Tomb and Harrow Nova breaks into the Anastasian. Baby girl is the same in every universe

- Harrow Nova is "the unfulfilled vow" and "the bloody teeth of the unkissed skull" AND THEN ALECTO KISSES HARROW NONAGESIMUS IN FULFILLMENT OF THE VOW AND SHE BLEEDS. I've connected these things, I've connected them

- ok if Harrow is pulling everyone who's dead into her River bubble, then doesn't that mean that in the BARI Star AU she is actually interacting with the actual spirit of Gideon Nav?

- I don't know if we talk enough about how Harrow actually becomes a full Lyctor after she's stabbed and remembers Gideon. It feels kind of weird that her body only gets Lyctoral healing once her soul is gone from it. The construct in her skull is still there, it stays there until Gideon talks to Mercy and hears her name.

I mean, the weirdest thing about it is it implies that John and Gideon the First were right that they could fix Harrow by killing her. And given that the sort of cav Gideon becomes is explicitly and canonically analogous to the sort of cav Pyrrha is - still conscious and able to pilot the body in the absence of the necromancer's soul - that makes me wonder if maybe this happened to Gideon the First too. Like maybe that's why he's described as such a zombie, and maybe that's why John seems to know that killing Harrow would "fix" her, and Gideon agrees.

- Abigail talks about the place over the River the way John talks about the place beyond the stoma - it's an undiscovered country he knows nothing of, where his power is meaningless.

- Mercy says if Gideon Nav were Alecto, she would have "gone for me already" - so yeah, Alecto wasn't just incredibly weird and creepy, she was directing violence at Mercymorn. Pyrrha later says Alecto wasn't so bad (but that absolutely doesn't preclude Alecto being super violent to Lyctors, Pyrrha would respect the shit out of that), and of course it seems like she and Anastasia loved each other. But: John says that anger was Alecto's sin; The Unwanted Guest implies that that anger may have been John's, but in a different body; and it seems like this anger got expressed at Mercymorn and probably other Lyctors too. When Gideon meets Augustine she says he looks at her eyes in Harrow's face like they were the last thing he'd ever see; which suggests she took her anger out on Augustine too. But why was she angry at them? Was it because they ascended?

- "I gave you one damn job, and instead you rolled a rock over me and turned your back!" Harrow IS the Ninth House for real... (this is exactly the problem Silas has with the Ninth)

- in GTN, in the Cytherea fight, when Gideon looks back at Harrow right after she says "Then we're all dead, Nav, but let's bring hell first" 🤝 in HTN, in the Sleeper fight, when Ortus looks back at Harrow who has just followed his lead to recite the Noniad ... the way both of her cavaliers are a little surprised, but very impressed and comforted, by her loyalty to them and trust in them ... I am very fine and normal about this

- when Abigail summons Nonius: blazing like a flare from an alien blue sun! appearing to hold a book made of blue radiation in her hands! soaking wet! everything smells like water and brine and blood! she screams as though there are a multitude of voices in hers! time seems to slow way down! her eyes become dark and liquid and feral! this is both extremely fucking cool and probably meaningful. the smell and wetness are for the River, the many-voiced quality recalls Alecto and her many voices, the time slowing recalls John's ability to stop time, the eyes recall John's (so, Alecto's) as well. SHE IS ABIGAIL FOR HER MOTHERS AND PENT FOR HER PEOPLE AND I LOVE HER

- I love that Nonius canonically fought Gideon the First, and calls him "a rival and ally". I'm not much of a fic reader myself (heresy, I know) but I absolutely want to read a fic about "we met long ago, and I fought him."

- "Genuinely sad, bordering on very funny" legitimately could have been the tagline for this book

- Augustine says that if it's really Wake, then Gideon has proved "yet again" that he's unfit for any job besides making simple gruels and stews. Yet again??

- it's probably Augustine that Mercy tried to kill tbh

- I think Wake recognizes Pyrrha in Gideon's face when no one else does. That's why she looks at her like that.

- the way Gideon Nav has always yearned for her parents vs the way her bio-parents treat her... oof ohh oww... Pyrrha Dve is the only parent I will diplomatically recognize for Gideon Nav

- Alecto's eyes end up in John's genetic code - Lyctorhood doesn't only meld souls, it melds bodies as well.

- John says Mercy and Augustine killed Alecto because he told them the truth about her; and Augustine says he told them that because Alecto also knew the truth. But ... which truth was it? When we hear from Alecto, she seems to have a fuzzy memory.

Also, worth mentioning that this is a different account than what Teacher offers. Teacher says that the Lyctors asked John to kill Alecto after they ascended and "found out the price." If this account is correct - and why wouldn't it be, it comes from Augustine, who was a key player - then the "price" wasn't the death of the eight cavs, the "price" was something to do with the truth about Alecto. And whatever this truth is, it isn't that Alecto was John's cavalier, because Mercy and Augustine are only finding out about this now. I suspect the "price" is the price of creating necromancy - murdering the 10 billion - and then when Mercy and Augustine know that Alecto is the Resurrection Beast of Earth they ask John to kill her. So I was wrong, and he must have basically told them "lol we've been hanging out with an RB this whole time."

- when John reconstitutes himself, the light he emanates leaches all the color from the room and turns everyone into shades of gray. LIKE WHEN SILAS SIPHONS COLUM. It makes sense that he's taking thalergy from somewhere to build himself back up, but where exactly is it coming from? Alecto?

[taylortruther]

very late i know but it just struck me that ttpd standard might be the only album where taylor doesn’t talk about wanting to be remembered by a lover. the very first, Tim McGraw, is about that hope and want

i remember a post where you mentioned that you have been thinking about how taylor has been digging into her past. it does then stand out that for the first time that very swiftian wistfulness is missing from the standard edition

it also may be one of the first albums since speak now that she doen’t talk about how she will be haunted by someone (loml is followed by TSMWEL where she decidedly says i’ll forget you). idk this adds to my initial impression that ttpd was an album that was written in the midst of a trying time but also an album that is about putting away things in her past. the anthology colors the latter impression

oooh interesting! i think it's a sign of how she knew she had to move on.

we do get a few vulnerable moments where she asks if he misses her: do you miss me in the shower? does it feel alright to not know me? if you want to break my heart, say you loved me... previously, her request to be remembered often seemed to point at her fatalism: nothing good can last, so please remember the good parts when we're over.

and ttpd seems to be releasing herself from that, too. she doesn't want to be remembered or pined for - actually, that seemed to be a destructive wish in her past. she wants to look towards the future and find a person who wants to be with her, for real, forever. or at least she just wants to be true to herself, living in reality.

[qiu-yan]

2 and 21 for mdzs please?

sorry for the wait!

choose violence ask game

2. a compelling argument for why your fave would never top or bottom

in terms of "compelling" arguments, i've got nothing. in terms of bullshit arguments i pulled out of my ass, though....

of course, the easy way out is to argue that jiang cheng is asexual and therefore would never come into sexual contact with anyone. an equally easy way out is to argue that jiang cheng is so rizzless that, even if he wanted to top or bottom, no one would do it with him....that's the easy way out of this question, though.

my own opinion is that, if jiang cheng were attracted to men and/or had a partner who was into pegging, he would have way too much internalized homophobia to give bottoming a try. even if he somehow got over himself enough to admit that he was into men (already impossible), he would still buy into the ancient-greek school of thought on homosexuality, wherein "ackshually it's only gay if you're on the bottom." he would be fully convinced that, if he were to bottom - and worse, if he were to enjoy it - he would become Less Man on an existential level. this would absolutely kill him inside, would make him actively more homophobic than if he were just straight or asexual, and would make him a nightmare for any other man to hook up with.

but of course, the more you adamantly refuse to even consider something - the more you fear something, in other words - the more you end up obsessing over it. if jiang cheng were actually hooking up with men in this scenario (entirely possible because he's like 6ft tall and probably can host because he's rich, which makes him a prime catch in the eyes of like 90% of grindr), he would adamantly refuse to bottom. he'd declare himself a hard top. but would he actually enjoy himself? or would he, as he topped in a lackluster manner whichever men were unfortunate enough to give him a chance, imagine himself in their position - first with disgust, as he told himself he was different than them; then with terror, as he feared that he might one day end up in their position; and then with something else?

because jiang cheng's fear - that he might one day bottom and enjoy it - would quickly mutate into a full-on psychosexual obsession with the concept of bottoming itself. because it's repression king jiang cheng we're talking about, said obsession would eventually become one of those things you're so afraid of that your fear ends up wrapping back around and turning into a fetish. because it's jiang cheng we're talking about, this would then lead to him actually bottoming one day. and then, because it's jiang cheng we're talking about and the universe hates him, he would actually end up enjoying it.

does his mindset change? maybe. or maybe he just becomes Worse.

i feel like i've ended up doing the opposite of answer the question.....sorry.....these are my honest thoughts, though.

21. part of canon you think is overhyped

i'm going to get killed for this, but that's the purpose of this ask game, so i'll be honest....."lan wangji as Love Interest." of course, by this i do not mean to say "lan wangji himself." rather, what i mean is the way in which lan wangji is a "love interest" first and a "character" second. in my view, the story is only really interested in lan wangji as "the guy who loves wei wuxian and is unquestioningly devoted to him," rather than interested in lan wangji as a character in his own right.

of course, the story spills a lot of ink on how much lan wangji loves wei wuxian, how much lan wangji has sacrificed for wei wuxian, how unquestioningly devoted lan wangji is to wei wuxian, and so on. and while this is all true and good, in my view, there are also several other interesting angles in lan wangji's story worth exploring. however, these angles instead seem rather neglected by the story, which appears to only want to discuss "lan wangji's devotion to his One True Love."

some angles i consider to be interesting, and which i felt like went underexplored in canon:

how much of lan wangji's support of wei wuxian is because he believed wei wuxian was right, and how much of it is because he loves wei wuxian and does not want to lose wei wuxian again? where does lan wangji's personal romantic love end and his moral compass begin? the novel equates [standing with wei wuxian] with [being righteous], but it is exceedingly easy to design a situation where the morally righteous path entails sacrificing wei wuxian in some way - how would lan wangji behave in such a situation? if wei wuxian himself had not protected the wen remnants (due to canon divergence or whatever), would lan wangji have spoken up for the wen remnants?

to what degree does lan wangji agree with wei wuxian's actions and consider said actions to be morally justified? comparatively, to what degree does lan wangji consider wei wuxian's actions to be morally questionable, and simply wants to shoulder wei wuxian's sins with him out of love? does lan wangji know and/or believe that wei wuxian killing jin zixuan was a genuine accident? if he does not know, does he care?

what does lan wangji's relationship with his family look like? on one hand, in his failed bid to save wei wuxian, he injured 33 of his own sect's elders, which under confucian principles is a massive wrongdoing. have the injuries of these elders healed? does lan wangji feel guilty? on the other hand, lan wangji's family betrayed both him and the moral principles they espoused, by first nearly whipping lan wangji to death and then joining the first siege of the burial mounds. does lan wangji resent his family for this? does he resent lan xichen and lan qiren, or does he understand that they had argued the punishment down from execution? is that why, after lan xichen's world shattered at the guanyin temple in yunping, lan wangji was able to immediately leave the premises with wei wuxian in tow, without once checking in on his brother?

what does lan wangji think of his late parents? does he want to know why his mother killed his father's teacher, or would he rather not know? does his family keep the knowledge from him, or does he avoid the knowledge himself? what does he think of his father's actions - to him, is his father someone who fell from the path of duty and righteousness for the sake of love, someone who selfishly abandoned his duties and forced his responsibilities onto his younger brother, and/or someone who imprisoned lan wangji's mother against her will and perhaps even forced himself onto her? does lan wangji know whether or not he was conceived consensually? does this bother him?

given the whole history of lan wangji's parents, how does lan wangji view his own, how should i say, sexual interests? lan wangji did once pin down a struggling wei wuxian and forcibly kiss him; would lan wangji make a connection between the nonconsensual nature of this deed and the imprisonment of his mother? furthermore, wang and xian's relationship postcanon seems to have an element of d/s and noncon roleplay to it (which i'm not judging them for, good for them); would that also remind lan wangji of how his father and his father's sect brought about the imprisonment of his mother? or are these two separate things entirely?

in my view, these are all highly interesting aspects of lan wangji's story - and all of these are implied by details given in canon. however, canon shirks discussing these aspects of lan wangji's character in favor of focusing on him as the Male Lead: rather than explore any of these angles, which would further define lan wangji as a person, canon seems far more interested in single-mindedly focusing on how sad lan wangji was that wei wuxian died, how tragic the loss of his One True Love was, and how wholeheartedly happy lan wangji is now that wei wuxian has come back and returns his feelings.

to me, it feels like this guy got sanded down from a "full individual" to a "love interest." it feels to me like the story gives us some details about lan wangji's own life, but then nonetheless insists on reducing him from a person in his own right to a satellite that revolves around wei wuxian (the story's real favorite). because of this, MDZS the novel read as less the wei wuxian and lan wangji story, and more the Wei Wuxian story starring Wei Wuxian, in which lan wangji is a love interest first and a person second.

i forget if i said this before or if i read it from someone else's blog, but it does feel like, if you want to love lan wangji on his own, you have to do a lot of the heavy lifting yourself. or at the very least scrub all the male lead energy off of him first, so that the individual underneath can be revealed.

[milehighmegs]

The Window Theory

This is kind of a two-parter, and a bit long and circular, but it all connects, so just bear with me 😁

So, I just finished my 42598302621827732263435th re-watch of S2E6. When Beez says, "I just found something more important than taking sides," and she & Gabe join hands, Zira touches Crowley's arm. Ya know, this touch:

Look at Zira's face. I think, maybe- just MAYBE- Zira finally realizes that this is what Crowley's been talking about every time he's said, "our side." He reaches out to Crowley, but because he can't actually speak at that moment, it's his way of saying, "Oh my god. I get it now. I completely understand." And if you watch a bit longer, when Crowley walks away to take Nina & Maggie out of the shop, he keeps reaching for Crowley (couldn't find a GIF of it, but it's there). Almost like he's saying, "oh, oh yes, we are going to have a VERY good talk when this is all wrapped up."

There's also an element of "we're not the only ones," and "maybe, if the Supreme Archangel of Heaven can fall for the Grand Duke of Hell, this isn't as bad as I've been telling myself it is." If Gabelzebub haven't been- smote? smited? smitten- by God or devoured by Satan for falling in love (and not being coy or secretive about it), maybe Zira is FINALLY ready to actually be with Crowley, in the open, and without fear.

But we all know what happened after that.

Yes, Metatron is a bastard. But (and this is just a bit of a theory here) in telling Zira that he (Metatron) knew about the "de facto partnership" with Crowley, and then later about the Second Coming, he gave the whole game away**. Zira thought that Heaven wasn't watching all that closely. And maybe they weren't, right up until the two of them thwarted the Nopocalypse, but looked into the records and found out what they'd been up to for millennia. What Zira knows now is that not only are they aware of it, they are fully prepared to use it as a threat against him, but more so against Crowley. At that moment, however, that's all he knows. Metatron didn't mention the plans for the Second Coming until after The Kiss™. So after accepting Metatron's offer and desperately trying to convince Crowley to come with him and failing, but before the Jesus 2.0 bomb, Zira is visibly shaken (I mean, I would be too if I had just accepted that I COULD be with the love of my life, then got kissed like THAT by them, only to be broken up with right after they told me that they felt we'd been together all along). He didn't have a plan to protect Crowley. He didn’t think he needed one because he was so sure that his offer to go to Heaven would be accepted. He figured it was a given, knowing & understanding now that Crowley wanted to be with him, and part of the reinstatement of Crowley as an angel would facilitate that.

Now that Crowley has refused, Zira doesn't know what to do. He didn't have a backup plan. And he still, at that point, doesn't really know what Metatron needs him for. It's why he hesitates to leave at first. For the first time since The Arrangement, he doesn’t have a partner. He's alone, trying to figure things out, trying to find some way, ANY way, to make this work. He keeps looking out the window, ostensibly at Crowley, but... did you notice that we're never actually shown WHAT he's looking at? I have a feeling we'll find out in S3 what it is, but for now, he's flustered, anxious, and of course still reeling from what had just happened. He looks out the window a second time, and just, like... suddenly snaps out of it. We can tell, as the audience, that there's a lot of game face happening here, because we know Zira: we know his mannerisms, his moods, his reactions to certain things. And we also know he's smart. But I digress.

Something occurs to him (or he sees something out the window), which is why he suddenly feigns detachment and goes with Metatron. The wheels start to churn, but only insofar as it has to do with protecting Crowley. When the Second Coming plans for Supreme Archangel Aziraphale are dropped, everything changes. EVERYTHING. He suddenly realizes that the whole purpose of the offer, and the chance to take Crowley with him, was a trap. Metatron knew Crowley would refuse, and having made the threat, he knew Zira wouldn’t refuse. Zira understands the offer’s true purpose was to separate them so that they couldn't prevent another apocalypse. So now, not only is Crowley's life at risk, but Earth is once again under the threat of annihilation, and he doesn't have the one person he's always been able to rely on to help him prevent it. He goes with Metatron because he knows it's the only thing he can do to protect Earth AND his beloved.

That one last look at Crowley... I don't know, maybe something had passed between them through the window that we don't yet know about. Maybe Zira just had a sudden realization that had nothing to do with what he was looking at (perhaps the bullet catch mentioned below**?). Whatever the case, hearing about Armagedd-it's-back-on was a seismic shift in his attitude. You can see it in his demeanor: he’s no longer flustered, no longer searching for answers, no longer anxious about what happens next. In short, SHIT JUST GOT REAL. Because of this, Zira has to once again think fast, but keep Crowley in the dark, and get to work. That ride up in the elevator was spent hatching the most clever, most ingenious, dare I say the most devilish plan the Universe has ever seen. He is really and truly on OUR side now, the side that he & Crowley had been on for millennia, the side he was no longer pretending to NOT be on, the side that he finally stepped into with perfect love and perfect trust. With no way to tell Crowley about the Second Coming and therefore what he was planning, it seems like he chose Heaven over love. But he didn't. He did choose Crowley, but he also chose Earth, and in reality, he chose "us." It's just going to have to wait.

**If you wanna go really deep with this, the whole reason for the bullet catch episode was to mirror Furfur’s threat with the Metatron’s, and Furfur also revealed the plan too soon (I think there’s also another reason for this episode, details below). Like a bad Bond villain, they were too cocky. In 1941, Zira was able to think fast, palm the photo, and protect him & Crowley. But note that he didn’t tell Crowley what he was doing (there was neither time nor opportunity); Crowley only found out after the fact, when they were having dinner later. Zira protected "us" even then because only hours before, he realized that he loved Crowley and (I'm pretty sure) that Crowley loved him back. At the time, however, he didn't think anything could come of it. But that touch in the bookshop... that's when he knew. So when Metatron made the offer, there was no need to protect anything because he thought Crowley would come back to Heaven. Since that went down like a lead balloon, Zira is left helpless & scrambling. Then that look out the window... I think Zira remembered the bullet catch. That silent "trust me." The “aim for my mouth then shoot past my ear.” The diversion tactic. Again, until the Second Coming plans are revealed, Zira only plans to find a way to protect Crowley in secret. When the stakes rise, Zira ups his game. THAT’S the reason for the changing looks on his face on the elevator ride. THAT’s what the smile is about. He’s doing the calculations, setting up the illusion, perfecting the con. And just like the magic act he & Crowley pulled when they saved Job’s children, just like when Crowley seemed to be the random volunteer to pull the trigger, Zira knows his partner will be there to help him pull it off one more time. Even if it means leaving him, leaving him in the dark once again.

[abzulios]

So, we probably don't write enough to have any sort of standing, but a bit of prefacing: We are a medically diagnosed DID system. It was hell. Please take what we're writing as our own personal experience, but also as something to relate and/or help. We aren't trying to say like, you experience this versus you don't.

I don't really see a lot of people talking about the actual day to day struggle that is being a system. We have a routine we follow every day. We check out simply plural, change anyone's fronting stuff (if they didn't do it already, or if there's been a change), we get out of bed, get dressed, maybe eat something, and then the rest of the day is a perpetual "Did we do this thing? Obviously we did, it's done, but when?" And "Are we sure that we ate, put on clean clothes, and didn't forget anything?" It's a literal nightmare sometimes. We have a lot to do around the house every day, and we only get about half of it done.

We can't drive because we dissociate in the car, because car rides have always been a safe place for us. They always meant we were going *away* from the bad things. We can't really cook because a lot of us are in co-con, and argue about food, we always settle on extremely basic things everyone will eat. We can't really clean our bedroom either, the moment we do it's suddenly a mess again, and we've cleaned it, but it's been a week between cleaning it. Blink and you miss it.

As the front locked host, I can't get a lot of work done. I can't remember where I put important things down, I can't keep a schedule the way I'd like to for us, and I struggle every day remembering enough stuff to actually get anything for us done whatsoever. I can't keep things on the desk the way I need them to be (I'm autistic.) and I can't organize the room or our games or anything. It all drives me mad every day, and I can't right put into words how it all makes me feel. The co-con that we live in is.. interesting to say the least, a lot of passive influence, and a lot of indecision. I live our life, and I feel so fucking horrible for my headmates. They can't live their lives because they're stuck in our body. I get so many notes expressing these feelings, and I really do try my best to get people things. Some of my headmates I've managed to buy source accurate jewelry that they really wanted, or a particular item of clothing, it's not a lot, but it's the best I can do considering everything.

Every system out there that struggles with constant amnesia and time loss is valid. The ones that don't have it as bad as we might or others might are valid.

I'm really sorry this turned into a rant post >•<

- Alex, Moxidryne Composite.

[doomeddove]

might rb this on main, but I actually wanna touch on something the rq community helped us with while we were lurking!

So, we're cisdisabled, we have some funky thing with our bones.. idk what it is, but we kept looking at content that talked about mobility aids because we knew we wanted a cane.. seeing all those cisdisabled beings with their canes and wheelchairs that seemed to have worse symptoms than us made us feel like we were unworthy and 'not disabled enough' (internalized ableism) to get mobility aids..

we ended up looking at someone post regarding trans-mobility aids & transpots, which really helped us grasp that if we want a cane, regardless of the opinion of other beings, we should get one! it's helped us a ton and it's given us so much euphoria, and we've been so much happier!!

So please remember if you're transid in general, if you want to get something that helps you feel more comfy in your skin, go for it! this community will always accept you, even if cis beings try to bash you for it!!

[stellocchia]

Killer being incredibly touch-starved is something I've been thinking about for a while. We know very little about monster biology, let alone Killer's who's something in between, so I'm gonna base this on the effect of touch deprivation in the real world (which, yes, is a very real and highly studied thing. And no, the people using it as an excuse for why they're 'owed sex' are still full of shit, because to the human brain the kind of touch, as long as it's positive and well received, doesn't make a difference).

Killer, for his whole time with both Chara and Nightmare, is deprived of any positive touch. Nightmare stabbing him and forcefully manipulating his soul certainly doesn't count as positive, and most Chara did was cut him up for fun (and out of curiosity).

There is a chance for him to receive some affection in an expanded Nightmare's gang situation, as I refuse to believe that people stuck in such awful conditions together would not develop a certain degree of closeness. Still, they live under Nightmare, so they probably cannot afford to indulge in any form of comfort too much. And I don't doubt that, in such a tense situation, fights would also break out often. Meaning he'd most likely get more gaster blasters to the face than pats on the back.

With that out of the way, here are some of the symptoms Killer may experience:

Overwhelming loneliness

Strong cravings for affection

Feelings of depression

Anxiety

Heightened levels of Stress

Difficulty sleeping

Attachment avoidance patterns

He'd also most likely do things to emulate the feeling of touch like cuddling his cats a lot, laying under whatever heavy thing he can find, and taking hot showers/baths. After all, this is Killer we're talking about. These are a lot of feelings and uncomfortable sensations that are entirely out of his control, he's definitely gonna try and reign them in.

I do think that, of course, this would affect every Stage differently. And they'd probably go about dealing with it differently.

Stage 1 would have a conflicted relationship with touch. On one hand, it's hard for him to keep from showing the discomfort he's feeling due to the touch deprivation. On the other, he also always struggles with feelings of guilt regarding the fact that, in his mind, he put himself in this situation. He probably wouldn't think he deserves to feel better. And definitely wouldn't outright ask for a hug or to hold hands unless he was desperate.

He'd probably try to deal with it quietly. Probably running the shower as hot as it can get and hoping it gets rid of the itch in his bones. He has probably begged both Chara and Nightmare for affection before, though I doubt that ended well. I think Chara just pushed him away in Disgust, Nightmare probably made him regret asking.

I feel like later on with Color he's probably gonna need constant reassurances and frequent gentle reminders that he can ask for a hug whenever. And, if that feels like too much, he can sit close to Color, shoulder to shoulder. They can hold hands, and, when that feels like too much, they can interlock pinkies. There are ways for them to navigate around this. And I think Color would be happy to help from the get-go with him.

Meanwhile, with Stage 2 I've always felt like they probably dislike touch (something something they don't allow themselves to show any degree of vulnerability and never let go of control. Both things that would happen if they indulge in any amount of physical affection). To be clear, this does not mean that they're immune to the consequences of touch deprivation, it just means that dealing with them will be even harder for them.

During their time with Chara and Nightmare they'd probably use a lot of the good old "gaslighting themselves into thinking that everything is okay" method. Similarly to how they did with convincing themselves that they actually enjoy being hurt on the regular, eventually, they'd probably start believing it. Also, they'd be highly reliant on their cats if they have any around. Cuddling them does soothe a lot of the symptoms for quite a while, and those little balls of fur at least are not gonna backstab them.

Even once they're with Color, I still feel like Stage 2 would rather cuddle with animals than with other monsters or humans. They'd just be far more free to do so without the threat of Nightmare killing those little critters hanging over their head. Also! A lot of types of dance and stuff like theater can help stave off the touch starvation in a way that may feel more comfortable to them. In a lot of those situations, there's a ton of touch involved, but as they'd be able to remain professional about it, it would probably feel less like giving up control and showing weakness than the alternative of being physically affectionate with Color.

Stage 3 is an interesting one. I feel like it would be the most open to admitting (at least to itself) that they have an issue. However, to solve said issue would mean putting the body in danger and that's not something it's willing to do.

Still, it would try to mitigate the discomfort as much as it can. Trying to find soft things to wrap the body up tightly with. Trying to find small places where it can feel somewhat compressed. It would never try to ask either Nightmare or Chara for help. Ever. It hates them with a burning passion and, besides, it's fully aware that, whatever is wrong with them, is most likely the fault of those two.

It probably also would regard Color with distrust at first, but, eventually, as it comes to trust him, it probably would be more than happy to get some cuddles in with him. I do think its favorite thing would be to sleep all curled up around one another in whatever safe den it has built. And, of course, as it builds trust with more people, those people are gonna be let in too. Though that's gonna take time, because for Stage 3 to trust anyone, Stage 2 and Stage 1 have to trust them first.

Stage 4 my boy... it's suffering. Not only can it not remember any instances of kindness, however rare, the other 3 may have received, but it is also the one that would struggle the most receiving any kind of genuine help even after running away with Color. And, before that, it basically just gets treated like a dog. Though, no matter how much he'd want it, the treat for a job well done is never a hug or a pat on the head for it. Usually, it's just it being allowed some basic necessities like water, food, maybe even sleep if things went particularly well.

And it wouldn't try to soothe any of its needs by itself. Just like it doesn't eat, drink, or sleep if it's not explicitly allowed. If Nightmare or Chara wanted it to get a hot shower or some cuddles from its feline friends, they would have said it. Since they didn't clearly it's against the will of the Players, as they're the Players' mouthpieces. The same would go for Color not saying anything.

And, here's the thing, Color would struggle to show kindness to Stage 4 at first. Both because it starts off as hostile as it doesn't initially recognize him as an owner and because there is something fundamentally unsettling about a being so divorced from humanity and monsterkind wearing the face of his friend. Stage 4's biggest downfall is the fact that it is so other that even the kindest souls would struggle to not dehumanize it. It was created to be a tool and it doesn't recognize itself as anything more than that, so others often fall into the trap of doing the same.

Anyway, Stage 4 would straight-up weep the first time it gets a hug. And, seeing that, Color would undoubtedly feel like shit for ever thinking that Stage 4 wasn't just as lonely, hurt, and deserving of kindness as the other Stages.

[fanfic-writer-and-rambler]

Did they or didn't they?

Stephanie Brown: It's so annoying explaining this to everyone. Tim and I dated, yes. We broke up, yes. Then I got adopted by Bruce, it's not that complicated!

Barbara Gordon: It's confusing to say the least.

Stephanie: Oh yeah well, how do you explain to people your relationship with Dick?

Barbara: We're friends and I see him as my brother which ... Is leagues better than my actual brother.

Stephanie: Yeah, but like you guys hooked up in the past, right?

Barbara's eyes widen in shock. Dick, sitting next to her, covers his mouth hiding his laughter, but can't control it and bursts into laughter.

Dick: I- I- They think I and you and- HAHAHAHAHA!

Dick falls to the ground laughing hysterically.

Stephanie: What? Have you not ever like dated or had a night where you guys were together and then things got heated and-

Barbara forces bile down her throat to not vomit.

Dick: People still believe that? Hahahahaha!

Barbara: No, no, no, no, no, a million of no's!

Dick, laughing: Agreed.

Barbara seethes.

Barbara: It's not funny!

Dick: I'm sorry, I'm sorry. They think we had sex, not again, not again!

Dick sits back in his chair.

Stephanie: You guys have only done it once.

Dick: Yeah, she doesn't like to talk about it.

Barbara smacks the man on the head as he continues chuckling.

Barbara: I had a crush on him when we first met, we went out on two dates, hated it. We never hooked up at the docks, on a mission, after stopping a heist or at a cold stone creamery!

Dick: That last one still confuses me.

Stephanie: Hold up, no way... Guys!

Barbara (looking at Dick): Don't you tell them about the beach.

Dick: I might.

Stephanie runs out the room and drags Tim into the study room. Jason enters next.

Stephanie: Tim, Jason did Barb and Dick ever get together?

Tim: Yeah... I think so.

Jason: I heard you guys got stuck in a shed and they found you guys asleep.

Dick bursts into laughter again and topples back to the ground.

Barbara sighs, rubbing her forehead.

Barbara: We were found that way because we were knocked out! Dick-head stop laughing!

Dick: This is just funny to me. I love that people think that, you're like my sister, annoying and stupid.

Barbara attempts to bite the man's hand as he pats her on the head.

Dick: Like a snapping turtle too.

Stephanie: You didn't date? Okay, but I heard- Just going to stand behind Tim for my protection from Barbara- You guys did it on the beach.

Barbara remains silent with a twitching eyebrow.

Dick laughs harder.

Dick: And that was the only time. It was her idea and we had to go to the hospital afterwards.

Barbara: This never leaves this kitchen.

Barbara rolls pass the group, punching Stephanie in the arm as she leaves.

[aihoshiino]

Chp 160 was so??????? that I am straight up unable to form an opinion on it.

Like I can see the story going one of two ways. 'Kamiki is the evil mastermind actually he faked his reaction to the dvd' or 'Kamiki is playing the villian but is actually not the culprit'

And like both directions have massive problems.

The former would mean that the movie (which we spent nearly 40 chapters on) amounted to fucking nothing. Other characters ominous talking about Aqua trying to kill his father with it? Ruby's so called revenge arc? Nah, that meant nothing, the movie didn't do a damn thing.

And while I prefer the latter interpretation as it's the tonally and thematically consistent way, it would also mean that Akasaka has been circle-jerking us with the 'Kamiki is an evil serial killer.' -> 'No wait actually he isn't.' -> 'SIKE, HE IS EVIL.' -> 'Nvm he isn't.' for some inconceivable reason.

It's a mess no matter how you slice it, honestly I am so tired of oshi no ko and I just want it to be over already.

YEAH. THAT'S BASICALLY WHERE I'M AT.

In general, I just don't know why we're having a second confrontation with Kamiki. Narratively and emotionally, it's redundant - having him come back into the story and get his final resolution would be fine but playing out Yet Another Big Dramatic Showdown between him and Aqua just falls so flat for a number of reasons. We've already had the huge release of tension that was Aqua and Kamiki facing off like nearly an entire volume ago and everything that was emotionally riding on that confrontation was emotionally resolved. I know some people are still mad that Aqua didn't hit Kamiki with an orbital laser or something, but the absolute fucking gutpunch that was 153-154 was so incredibly effective and also just more interesting than this much more generic standoff. Not only is it kind of mid on its own merits but I feel like it retroactively makes that first confrontation weaker because like... it ends up not really mattering and we get a take 2 where Kamiki is acting like an entirely different character.

@yuseirra made an excellent point in their discussion of ch159 which is that (thematically speaking) the movie has to be the method by which Aqua achieves his revenge because Ai's tragedy was the result of the public's perception of her. If it isn't able to do that then not only was that arc just kind of a waste of everyone's time, reader and character alike, but it means the movie itself as an object in the narrative loses what little shaky thematic ground it has.

An issue the Movie Arc always had that it never really engaged with to my satisfaction is the underlying discomfort of watching Ai's life being turned into a movie. I said this over and over as the arc was ongoing, but there's something almost repulsive about taking this character whose life was warped and eventually ended up the exploitation of the entertainment industry and the voyeristic gaze of the public and indulging in that voyerism by creating fiction out of her life, chopping it up and outright making shit up to invent a version of her that the public can devour. It claims to be a movie about 'Ai Hoshino' but literally and explicitly fictionalizes the most pivotal events and relationships in her life - the 'Ai' of 15 Year Lie is just as fake as 'Ai of B-Komachi', just sold with an even more insidious lie to make her go down a little sweeter.

If the manga actually engaged with this idea or was even the slightest bit aware of this underlying discomfort, the Movie Arc as a whole would've been much better off for it and so would all the resolutions in the arcs following that rely on it as foundation. But as it stands, the movie is thematically dead on arrival and the fantastic emotional resolutions we got out of it, in spite of everything, have been seemingly retconned into irrelevance.

[dyemelikeasunset]

is there a season you associate with dom and mor? either individually, as a pair, or story-wise (both their current story and their prequel)?

dom struck me as a winter type, she kind of reminds me of a tall bare-branched tree in a snowy landscape. and mor reminds me of spring and flowers. i’d love to know if you had specific seasonal symbolism in mind for them.

and do you think they would’ve gotten along if they had met when they were younger? like high school age?

You're very close!! I do assiciate Dom with winter, but I actually associate Mor with autumn

I wrote a lot so under a readmore it goes lol

Mor is late autumn afternoons with warm tea, big blankets and sweaters. The type of day ideal for curling up with a favorite book and vinyl playing softly. The first bites of winter frost are starting to creep into the air, but there are earthy but vibrant colors everywhere. Her favorite flowers (roses and pansies) are still quietly in bloom. At her worst I think of her like that depressive mindfog of days wasted entirely in bed, but at her best she's like those indoor dates spent talking about your deepest feelings and dreams

Dom is like a quiet and snowy winter solstice night, desolate but also romantic. The types of nights where the snow eats up every sound, but reflects light and makes it easy to see where you're going. The type of night that makes you feel it's not so bad being alone even if the sky is pitch black. It's unbelievably cold, but the snow seems to glitter like ten thousand little crystals. At her worst I think of her like a disoriented blizzard, but at her best I think of her like a romantic Christmas date

I associate their prequel largely with their seasons of autumn and winter (it's generally the span of the story as well, it takes two seasons for them to meet and fall in love), while Dom & Mor is every season. I wanted d&m to go beyond themes that have trapped them, because together their lives become fuller and less claustrophobic. Their feelings of being trapped are released and they have to grow beyond their roles and motifs

And the last question: Would they get along if they met younger? Yes actually!! I think they'd have been friends very easily. They were both quiet and studious. Mor would've been intimidated by Domi at first, but if they talked she'd quickly realize she was kind. I actually think it would have been easier for them to become friends in high school because Dom was a lot less tortured then and didn't give off her terrible aura lol, and Mor was less neurotic and self-doubting (she gained a lot of her insecurities from her failed relationships). I think it might have been harder for them to bridge the gap of friends to lovers though. They probably would've had one of those "we were friends in high school and thru the years she helped me through a lot of my heartbreaks but now we're adults and I'm realizing she might actually be the one" type of stories LOLLL