#I didn't even have to do anything

[arthursfuckinghat]

Hosea and Arthur 𑁦𐂂𑁦 Saint Denis

[inkskinned]

probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.

we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."

at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.

the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.

the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.

what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.

here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.

[zosanbrainrot]

I'm not just cooking, i'm baking a whole ass CAKE

not 100% happy with the design but I wanted to get it out of my system, I went for darker and more muted colors for Zoro while still utilizing the usual elemnts of his outfit like the sash and the haramaki. also the color palette for the full outfit turned out very tasty, like it makes me think of chocolate and sweets. not sure about the use of haramaki though, I feel like it makes the proportions a bit awkward when everything else is dark, but it does make the shirt fold nicely so I may keep it in the end

now that I'm further into WCI I think I should add a suit version as well for the wedding bit hmmm

My idea for this is after coming to Big Mom's territory and fighting her commanders they get to the Germa carriage just like in canon. Zoro watches Sanji fight Luffy, restraining himself from interfering. He respects Luffy's decision to not fight Sanji back, but the moment Luffy gets knocked down it's Zoro's turn to try and bring the cook around and he's not gonna hold back

a very tense fight ensues

[vaguely-concerned]

when obi-wan said 'I won't kill anakin' and then spent the entire rest of his life following through on that. fuck everyone else obi-wan I respect you yoda should've taken you at your fucking word

'boohoo why did he walk away and not kill anakin this time either even with all the suffering he'll go on to cause if he lets him go' he's told you why very clearly you just didn't believe him I guess!! desperately not killing anakin is obi-wan's main export. it's his universal constant, his life's work, his magnum opus. he gets creative about not killing that guy. he tries to send anakin's teenage twink son to do the job for him because he simply can't. he fucking... peaces out and dies to avoid killing anakin. that's like his whole deal. whether he's right to be like this is another entirely separate conversation but it is what he is

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[egophiliac]

lostinthebookwithstitch.jpg

this is all I can muster right now, too busy having my brain absolutely melted by the September schedule, what is happening

[darkeneddawning]

Escaped clone au

You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.

Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.

Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?

So, Danny does the responsible thing: he goes to Batman to turn himself in.

Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.

More thoughts under the read more

Here's how I'm thinking Danny leaving the League went down:

After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.

But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?

That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.

Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.

Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[bixels]

While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.

Bye.

[zillychu]

woke up from a dead sleep last night realizing I could make soroku flavored pitch pearl and no one could stop me

edit: you know what? I'm feral and I won't apologize. more under the cut bc this is my house

I slammed this out all at once so I apologize for the quality but I'm having EMOTIONS

so imagine. bc of the way Danny was quickly resuscitated, his ghost only barely started forming. With the excess blast of ectoplasm from the portal being created, that little whisp was given form even after Danny's soul returned to his body.

except this ghost (Phantom) slowly comes into consciousness while trapped in Danny's body. they're separate entities sharing one body, but Phantom doesn't really have a sense of self right away. he pieces together vague fragments of Danny's memory to get a basic understanding of the world, and is mostly just observing like a backseat passenger.

Phantom starts reflexively protecting Danny, his powers and instincts bleeding through when his emotions are high. Danny doesn't really transform, and his personality doesn't totally shift that much at first because Phantom’s mind isn't complex yet. but as time goes on, and Danny has tense conversations with ghosts, Phantom realizes that's what he is. he's a ghost, somehow trapped in his old body. and even now, this early on, he already feels separate. he doesn't have all the memories Danny has.

this slowly turns into horror. into rage. sorrow, mourning a life he never got and will never get to have. forever trapped behind the eyes of someone else, never able to interact with the world. Phantom's rage eventually boils over until it allows him short bursts of taking over Danny's body. it starts out small–a stray hand moving without his consent, knees locking up, ghost abilities going awry. Danny can start feeling emotions that don't belong to him. get vague impressions, almost hears a voice inside him.

and eventually, Phantom is able to fully take over. this is when Danny “transforms". at first, Danny blacks out because his consciousness isn't used to being shoved into the back seat. but eventually, he's awake for these “episodes", trapped in the back of his mind while Phantom controls his body. this only happens when ghost stuff is happening, when Phantom feels threatened enough. he's not protecting Danny, he's protecting himself. Phantom knows instinctively that if Danny dies, he dies too. he's not a normal ghost, he wouldn't be freed. he'd simply disappear.

at one point after a fight, Phantom can feel Danny struggling to take back control. and he talks to Danny for the first time, acknowledges he's there. asks how it's fair that Danny is the one that gets to exist. but Phantom is tired and weak, he slips back into the passenger seat.

over the next few days, he's able to start talking to Danny even while he's not driving. though he's not chatty, it's only when necessary. and Danny knows, can feel it across the link between them–Phantom hates him. the ghost he created is desperate to find a way to take over completely. and as time goes on, Danny realizes with horror that it might actually be possible for Phantom to do that. he grows stronger every day, can stay transformed longer, controls Danny's body with much more ease.

it's only through a chance meeting with Frostbite that Danny and Phantom fully learn what happened to them. Danny feels sympathetic towards Phantom now. this isn't a malevolent ghost, it's a person who was never given the chance to live. who's trapped. who has to watch someone else live a life they're just as deserving of.

and Phantom feels that emotion from Danny. is so shocked by it, he doesn't know how to handle it at first. it takes him a while to contemplate, to talk to other ghosts like Frostbite. until one day, Phantom realizes… he feels sympathy for Danny, too.

neither of them asked for this. both of them deserve to live. Danny didn't do anything wrong. they're both villains to each other's story. and if anything… doesn't Phantom owe his life to Danny in the first place?

Phantom takes over less often. Danny doesn't feel hatred from him anymore. anger, yes–but not aimed at him. in fact, Phantom starts controlling their body in little ways in order to protect Danny from things that aren't even dangerous. just to avoid pain that would only affect the human tethered to him.

it isn't long before they're separated, either thanks to another ghost or Danny's parents. they're thrown apart in the middle of a horrific fight, and when Danny sees Phantom's equally shocked expression, he's terrified.

this ghost that hated him for so long–at best, Phantom would leave him defenseless. at worst, surely some part of Phantom still wants to kill him for stealing away his chance for autonomy.

and yet, when fire rains down on them, Phantom risks it all to grab Danny and get them both to safety. they're still both shaken and stunned this is even happening, but Phantom is able to nervously be like shit shit shit okay stay here don't go anywhere or I can't protect you, okay?

after the fight is over and dust settles, Phantom offers Danny his hand. they stare at each other and god if this isn't the weirdest thing. like, uh, okay, what now? they decide to go see Frostbite, who confirms that they're fully separate now. they ask if there's any chance of merging again and Frostbite assures it's impossible.

Phantom asks, even if I overshadowed Danny? or stay real close? yes, it's nothing to worry about. they leave, and back in the quiet of Danny's room, they talk. Phantom isn't sure what to do. now that opportunity is in front of him, he feels paralyzed. Danny does his best to let Phantom know that… they might be separate now, but if he ever wants help or even just a friendly ear, he's here for him.

Phantom is quiet for a while. then says maybe he just needs to rest first. he'll think about it tomorrow. they're both exhausted and injured. Phantom asks quietly… if he could rest in Danny for the night.

Danny's shocked, and–really confused. Phantom blushes and is like I don't know what my haunt is yet, I don't know where to go, but I know… you're kind of my home. now that I know I can leave whenever I want, it's not something bad anymore. I miss feeling your heart next to my core, just a little bit.

and Danny is just as surprised when Phantom overshadows him, then quietly nestles into the passenger seat again. he didn't realize how he got used to feeling Phantom with him. it's a feedback loop of contentedness, and Danny sleeps easily. (they also find out while sharing a body, Danny gets to reap the benefits of Phantom's supernatural healing)

anyway that's all I got for now thank u for coming to my ted talk

[yesokayiknow]

do you ever think about how one of doctor who's most famous time loop episodes (heaven sent) isn't a time loop. like the fact that time is passing normally is a huge plot point

[ratislatis]

I'll find you. For the love of god, I'll find you. Wait for me.

hee hee hoo hoo AUUUUGHHHHHHHHHHHHHHHH PAIN PAIN SUFFERING PAIN IN ALL DIRECTIONS!!!! TO HELL WITH IT (LITERALLY)!!!!!!!!!

[spacebubblehomebase]

*push lucifer to make Lucifer kiss alastor*

...

*runs for her life*

JELWLWKRIEBVWOWBOWBEPBW

No need to run.

I'll just get CHARLIE to do it! XD

All they need is a little push~

Ok. Maybe we didn't even need Charlie's help for that. A pat on the back well earned.

-Bubbly💙

[a2zillustration]

My BG3 run is quickly devolving into a messy dating sim (sorry)

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[flowersandfashion]

hot twink is tied up and penetrated

A Collection of Homoerotic Paintings of Saint Sebastian

Carlo Saraceni, c. 1610 /// Nicolas Regnier, c. 1620 /// Guido Reni, c. 1625 /// Louis Finson, c. 1613 /// Gerrit van Honthorst, c. 1623 /// François-Guillaume Ménageot, c. 1760 /// Guido Reni, c. 1615 /// Jose de Ribera, c. 1650

[iwasbored777]

The worst thing Miguel and Jessica did to Gwen wasn't even threatening to send her home if she ever visits Miles, it's forcing her to choose their side during the chase scene and make Miles never want to see her again and once the chase scene ended they kicked her out. That's the kind of evil that the Spot was trying so hard to become.

Edit: just in case you forgot - they knew that prison and dead dad were waiting for her when they send her back home