#I don’t know any magical way of becoming good other than that

[somerandomdudelmao]

how are you drawing so well in the notes app???

Practice. A LOT of practice

[pyrrhiccomedy]

A DM’s Fair Play Guide To Plot Twists

I love running a game with a lot of surprises. The challenge to pulling this off well is that, unless you’re playing a one on one game, your players outnumber you: and between them, they have a good chance of figuring out what’s going to happen, no matter how sneaky and clever you are.

The first way of dealing with this - which I’ll just call the bullshit way - is to not give your players the information they need to solve the mystery. Don’t let them find out about the secret society until it’s too late. Don’t give them any reason to suspect that their NPC ally is planning to kill them. Don’t let them find the murder weapon, don’t let them locate the witnesses, don’t give them the chance to skip to the end of their investigation.

This sucks, and if you run your games like this, you’re going to piss off your players. Because it isn’t fair.

In mystery literature, a “fair play mystery” is one where the reader is given all of the information they need in order to figure out the solution before the Big Reveal. It’s what makes the reveal good: that GASP, the “oh shit, the knife! the knife from the party! that was hers! I forgot!”

Pulling off a twist in a fair play game is an incredible feeling. Your players will think you’re a genius (or an absolute dick bastard, which is just as good) and they’ll respect it more when they land in hot water that they plausibly could have avoided. So how do you run a fair play game without your players figuring out the twists ahead of time, given that you’re definitely not smarter than all of your players put together?

By fucking with their expectations.

Here are some things that I keep in mind, to keep my players guessing. And it’s important, with all of this, that if your players see through something, let them have it. They should figure out a lot of things on their own! But if you’re regularly seeding your stories with all of this stuff, eventually your players will miss something. Those are somethings you can build on. The same way that a low level enemy who gets away once can keep coming back again and again until they become an important antagonist, a misapprehension your party proves to have a blindspot for can grow and develop until they get smacked with a breathtaking twist. 

What’s a twist if not the sudden overturning of an assumption you never thought to question?

1: Make your powerful friendly NPCs know a lot...but not as much as the players think they do.

Player characters often end up with powerful allies. It would be very convenient for the party if those allies always had accurate information. Make sure they don’t always enjoy that convenience.

It’s a balancing act: you want your powerful NPCs to be powerful. You want this alliance to be meaningful and beneficial to your players. But give your NPC an Achilles heel of some kind, when it comes to the information at their disposal. The Noble General commands powerful forces and knows the lay of the enemy’s land well...but that doesn’t mean he knows what every squadron and scouting party is up to. The Political Mastermind may know the ins and outs of the court, and have keen insight into the motivations of others: but he has an enemy who pisses him off so much that he loses all objectivity around her. The Powerful Wizard can call upon great magic to aid the party: but his divinations aren’t as accurate as he thinks they are, and he’s prone to finding, in his signs and omens, what he wants to see, more than what’s actually there.

Most of the time, their information should be good! That will make it more likely that your players will trust them the one time when it isn’t.

2. Let (apparently) less powerful NPCs sometimes know more than the players think they do. 

Most NPCs aren’t the Noble General or the Powerful Wizard. Most NPCs are Daves, designed to get the players from place to place. Most of those Daves know about as much as you’d expect them to. But some Daves have plans of their own.

You don’t always have to signpost with big blinking lights which of your NPCs are ‘important,’ and which ones are ‘unimportant.’ Sneak in a crafty Dave from time to time. That assistant they talk to, every time they go to see the prince? That bitch knows everything, and she’s almost ready to make her move. 

3: There is no such thing as a completely reliable witness. 

If the players only get information from one person, that information should be flawed in at least one, potentially small, but important way. Smart players will seek a second opinion, or at least allow for the possibility that their information may be incomplete. But even smart players get out over their skis sometimes.

4: Let your NPCs be aware of the power of a first impression. 

If an NPC gives a strong first impression of being a particular kind of person, it’s because they’re comfortable giving that impression. That might be because it’s who they are. But maybe not.

One of the first characters the PCs met in a VtM campaign I ran was Gawaine. Gawaine was a good old pine-scented man’s man, with salt and pepper stubble and a blue Ford truck. He listened to AC/DC, and talked about the war. He was affable and honest and willing to lend a hand. You already know Gawaine. Everybody knows a Gawaine. Gawaines are trustworthy, salt of the earth types. You don’t necessarily think to question a Gawaine.

That’s exactly why Gawaine was such a useful persona for Krystiyan, the Tzimisce Voivode, a cruel and alien sculptor of flesh who “never left his haven.” There were plenty of clues that they were the same person, but that campaign was in its endgame before the players put them all together.

5: Sometimes, dangerous and villainous NPCs should be helpful and cooperative. 

Not even necessarily because they’re manipulating the players, or even deceiving them about their true natures, but because their interests and the players’ interests genuinely align...for the moment. 

One of the easiest levers in your players’ brains to exploit is the expectation that people who help you are your friends. Even if your players know, consciously, that they shouldn’t trust this person, most of the time they kind of can’t help it, if the NPC is genuinely helpful to them and at least a little charismatic. 

6: Sometimes, good and valuable NPCs should be unhelpful and uncooperative. 

No matter how mature your players are, there’s a natural tendency to react to uncooperative NPCs with a reflexive, “Hey, fuck you! We’re the protagonists! This guy is an asshole!” so from time to time have a helpful, honest, good-aligned NPC have a wholly justified but as-yet-unknown-to-the-party reason to flatly refuse to deal with them.

7: Every NPC should have a secret. 

Not necessarily a bad secret. Were it to be revealed, it might even make the party like them more! But for their own reasons, the NPC does not want their secret to come out, and they will lie to the party to protect it. Players go crazy when they realize they’re being lied to, and often jump to some wild assumptions about your NPC’s motivations. I’ve had an NPC lie about the opening hours of a shop, and had the PCs assume that they were black market dealers for the villain when the dude just wanted to be able to close early so he could go smoke weed in the park.

8. As a DM, it’s polite to remind your players of the common knowledge their characters would possess...even when it doesn’t reflect the truth.

We all know it’s tedious when the DM calls for a roll when you’re just asking for common knowledge. I shouldn’t have to make a roll to know the dumb space word for plastic in a Star Wars game. I shouldn’t have to make a roll to know who the Holy Roman Emperor is in a game about medieval vampires. The DM should supply common knowledge for free, whenever it comes up.

That doesn’t mean common knowledge is true.

This is different from just lying to your players, because you don’t put the weight of DM word-of-God behind it. It’s not “You would know this guy is a Ventrue, based on XYZ.” It’s “it would be a common assumption that this guy is a Ventrue, based on XYZ.” He might not be a Ventrue. It might in fact be extremely important that he is not a Ventrue. But if it is commonly assumed that he’s a Ventrue, that is - word for word - something you can share with your players. If they don’t look any deeper than common knowledge, that’s on them.

9. Obviously untrustworthy NPCs provide great air coverage for less obviously untrustworthy NPCs.

The obviously untrustworthy NPC might or might not be planning to betray the party. But if you introduce two untrustworthy NPCs in the same storyline, and one of them seems normal and cool and has a genuine plot-related reason to be there, and the other one is Jaffar, Jaffar’s gonna get clocked, but Susan over there will probably slip under the radar, and might even get tapped to help out with the whole Jaffar situation. They might get Susan’s number, by the end of the session. Susan might become an ‘ally.’ Susan might even get romanced by a party member. Play your cards right, and Jaffar might just end up a footnote in the introduction of Susan, Scourge of Worlds and most hated NPC in the entire campaign.

10. Your villains should always have a secret plan B.

Your villain isn’t stupid, right? And your villain probably isn’t so arrogant that it is inconceivable to them that their plan might fail. They’ve been planning this ritual for ten thousand years, after all. It’s always possible that some plucky band of heroes could show up at the last minute and murder your high priest, or steal your amulet, or seduce your second in command. So what does your villain have in his back pocket to make the players go, “Oh, shit - he planned for this!”

This may mean that there is a whole separate plot happening, running alongside the main story. This is great, because when weird things happen, the players have to figure out whether this is part of Plot A or Plot B, and working out who did what and why gets a lot more interesting. If they end up foiling Plot A, great - your villain was also secretly behind Plot B the whole time, and will transfer all of his resources over to that. 

Sometimes your players will figure out that Plots A and B were both the same plot the whole time, with the same villain at the head, and they’ll feel like the smartest people on the planet, and it will be their favorite moment of the entire game. That’s great! You gave them that!

Sometimes, they won’t. And when the villain of Plot A, apparently defeated, starts laughing and reveals that he was also the mastermind behind Plot B, which is now too late to be stopped, that will probably be your favorite moment of the entire game.

[devine-fem]

This is the post about Damian Wayne being whitewashed that will probably go ignored because it dives deeper than pointing at a Damian Wayne and urging DC to draw him darker. I don’t particularly care about likes but I feel like we should emphasize whitewashing in detail and not just pointing at Damian and being like “he should be darker than this!”

What is whitewashing?

Whitewashing is deeper than the color of someones skin, it boils down to the way they act, are perceived and is portayed over all. If you take away a character’s cultural roots in any way then you are whitewashing them.

-

Let’s start with The Brave & The Bold. No one talks about this but this is a perfect example of whitewashing. In the Brave & The Bold writers took Damian Wayne and just emphasized the Wayne in his name. Damian’s culture did not fit their narrative so they entirely erased it.

Bruce Wayne married Selina Kyle and after had a baby, no, that baby was not Helena. It was Damian. Damian Wayne and only Wayne. He had no connection to Talia whatsoever. They erased Talia and the Al Ghuls entirely from Damian’s story.

This is an example of how his whitewashing goes deeper than skin. He’s now entirely white, drawn as white and lives as a white kid. They changed the way he acted, was perceived and portrayed.

Then because that’s not enough. His identity was a very blatant copy of Tim Drake. He takes Tim Drake’s suit, he takes Tim Drake’s backstory and he takes Tim Drake’s iconic catchphrases, its extremely jarring. This is another example of whitewashing, taking away his personality and to fit a white character.

The Tim Drake curse.

Another example of whitewashing would be the continuous attempt to make Damian Wayne more relatable by watering down his personality and making him reflect Tim Drake. Tim Drake was Robin for so long and so loved that it has a lasting effect on other characters as well. As long as Damian wears that “R” that was celebrated at its highest when the character wearing it was fair skinned then I doubt he’ll ever escape this. This is whitewashing because erasing his personality is also erasing his roots on the most basic level. In his stories, he becomes an average highschool student, pursues romances, indulges in feel good family fun, gets bullied, and wears suits and changes his hair once again to reflect Tim Drake. I don’t even have to mention how light he is.

The Three Horsemen of The Pale-skinned Apocalypse.

On the left we have a portrayel of Damian Wayne with light skin and blue eyes. Not only that but in this comic, they didn’t even get his culture right… the writer must had thought he was japanese… he’s not… he’s part Arab and Chinese but genetically dominant and visually POC.

In the middle we have a Damian Wayne called “Ian.” It’s just Ian. This is an example of whitewashing because if you didn’t know; Talia named Damian after the word “Damianos” which means ‘to tame’. To erase his cultural roots in his name then you are whitewashing him. And Jonathan Kent, a visually and socially white character regardless of the immigrant-kryptonian allegory, did not get this treatment. Those characters seem to never get this treatment as we know.

On the right, we have Damian’s newest installation, the one DC twisted their comically large spoon into their Witch’s caucasian cauldron and used their magic to zap Damian with that Tim Drake curse. Damian’s eyes are green, not grey or blue and his hair is thicker than that, not straight and thin. Nor does he act like this. This is an example of whitewashing. You are changing how he acts, is perceived and portayed.

How to avoid this?

It’s simple actually, just exercise the way he was originally portayed which sadly has never been wrote exactly right since he was first introduced but as you can see:

This Damian Al Ghul-Wayne flaunts his culture in the way he dresses and acts. This Damian Al Ghul-Wayne speaks his native languages when it’s convenient to him. This Damian Al Ghul-Wayne is connected to Talia and grew up in the league of Assassins. This Damian Al Ghul-Wayne made his own Robin suit.

He has brown skin, he has soft green eyes, and look at his monolids, his hair is also thick and his face is dinstinctly shaped as well. The easiest way is just to portay Damian as he is; An Arab-Chinese kid.

For example, this artist made a conscious decision to study the way Damian Wayne looks before drawing him. Even adding distinct features like a nose bump which we never get to really see from him.

Why does whitewashing happen?

The idea that a person of colors’ features and culture are not appealing to the audience and needs to be altered to fit the norm in order to be palatable.

In fandom.

If you portray Selina Kyle as Damian’s mother then you are whitewashing him. If you change the way he acts in fanfiction because you don’t like it then you are whitewashing him. If you draw Damian Wayne lighter than what he’s supposed to be than you are whitewashing him. If you demonize the Al Ghuls and put the batboys in place of them then you are whitewashing him. If you change the meaning of Robin for him then you are whitewashing him (this does not include reverse robin AU’s for example) and if you make him do any action that’d align him with what an American kid is supposed to be doing then you are whitewashing him. But let’s say you make a AU where the point is his personality is different or his upbringing is different, this is not whitewashing, this is having fun. To have an initial subconscious mental bias when it comes to a POC character is different, entirely different.

And about other races… Damian Wayne is one of the few Arab-chinese portrayels in Media, please do not alter this, even if its to make him any other variant of POC. Damian Wayne is Damian Wayne and if that’s not interesting enough for you then use a different character that is that race. <- do not fight me on this.

We as a collective should focus on portaying Damian Wayne. It’s deeper than skin. It’s crazy because its really not that complex…

In conclusion, be mindful of why you were invited to this Damian Wayne function…

[fumifooms]

Rin, smiling, and nagging

Rinsha Fana’s character is summarized in a couple facts thrown here and there. Because she worries for him, she follows Kabru to help his cause and protect him, and to nag him. She’s a grumpy angry tsundere, but it seems not only rooted in her attitude but on a deep rooted physical level, to the point where any intense emotion she feels will make her frown and scowl even if it’s genuine joy. Her childhood was half spent ostracized in the tallman community her family lived in and half with the elves, where she’s said to have been treated like an animal.

We don’t know how she was raised exactly or who it even was, but knowing she was "treated like an animal" by the elves taking care of her…

Elves are shown to have a highly hierarchical society, not only with their concern with status such as nobility and the purity of bloodlines but also reflected by its social culture imo. They have high society and etiquette, upmost devotion to the queen, very role-oriented, like cogs in a machine, and as such, it’s a bit skewed since most of what we see of the elves is in a military context with military people but they seem to value having emotions under lock and key to be efficient and not bring dishonor, Flamela is an interesting character on this. Don’t be a bother and do your job until you’re called on, fulfill your role, everything else is extra at best inconvenient at worst.

Personally I do think the canaries kept Rin, it’d make sense that whichever canaries got stuck with the job at the headquarters would be barebones with her and treat her like an ‘impounded article’, they couldn’t find another place for her and this way they can get her report on the events whenever she can speak again in however many years, and this way it makes sense that she could keep in touch with Kabru too. They’re used to prisoners, not kids. Being raised in a military context rather than at some orphanage would shape her further.

All of this to say…

She’d already seen the world’s harshness to those who don’t conform in her hometown, but with the elves? Her disdain for those who had formal education at a magic school?

Wouldn’t she become very concerned with proving she is not an animal, proving that she’s smart and skilled in her own right on her own merit, even without schooling. And to do this she nitpicks and nitpicks, because even being pristine isn’t enough to be respected, but at least it’s not giving others reasons to disrespect and dehumanize her. Learning to school her emotions, to scowl as a defense mechanism because anything else makes her vulnerable, because they don’t care about her as a person with feelings, because showing other expressions was dangerous or punished in some way: because it was fit in or don’t fit in and that’s the difference between having your house burnt down and being tolerated, between getting her food or having her questions answered and being yelled at to shut up… Because all her life she’s been surviving in hostile social environments and at the mercy of others, but unlike Kabru she doesn’t become a people pleaser but becomes very self-reliant and wary of socializing.

So she nitpicks and nitpicks and nags, because she’s worried. Because flaws are dangerous. So she has a hard time smiling and laughing, because it’s dangerous to allow yourself to feel safe in being authentic.

It would be nice…

Is my red, red enough? I'm waiting for your teeth at my throat. It’s only good manners. -Stephanie Valente 

[charliedawn]

Heyyy :) glad your back 🖤🖤🖤 I don’t know if your doing requests or not but if you are could you do, how would the slashers flirt with nurse? (Particularly five since he is like a old man I thought that would be funny) no worries if you can’t, I love your work ❣️❣️❣️

Warning: Highly suggestive.

Bo Sinclair :

"Well…Hello there, sugar pie. Ya lookin’ mighty alone. Mind if I change that fer ya ?"

Captain Smooth and Sailing. Bo knows how to be charming and he’d just waltz in with the biggest grin on his face and lean back before shooting you a smouldering gaze.

He knows what he wants and will go to any means to get it. And I mean any…

Bo *sneaking up on you from behind and wrapping his arms around you before giving you a kiss on the shoulder* "…Good mornin’, sunflower…How ya doin’ ? Good ? That’s great…" *whispers in your ear* "Bet I could make it better fer ya though."

He can be smooth, but also filthy. Depends on the day. One day he’ll be whispering sweet nothings into your ear, the next he’ll be slapping your ass and calling it a day.

Pennywise:

Pennywise doesn’t touch. And doesn’t like being touched. His flirtation will be very limited and subtle. It’ll mostly be grins and cackles and mocking huffs…

Pennywise: "Well…Hello there, beautiful. Do you know that your hair is a mess and you look more like an asylum patient than a nurse today ?"

You *roll your eyes and start walking away* "Good morning to you too, Pennywise."

Him *snickers behind you* "Good morning indeed. If I still had to spook children to get my food, I’d certainly take your morning face…That’d do the trick."

Yeah…That’s Pennywise flirting. He wouldn’t flirt with you face to face…but he’d still do some things from time to time.

For example, you may find breakfast magically appearing on your desk, or a cup of (h/d) next to you when you finally sit and take a break.

Penny :

Penny *hugs you tightly and refuses to let you go*

You : "…Penny. I need to work."

Penny *squeezes you harder*

Yeah…You won’t get any work done. That’s for sure. Penny is stubborn. He will not leave you alone and will keep holding you until he has enough.

That’s his way of flirting.

But…He has another side to him.

He bites. He can use it to show affection. He does it sometimes with his brother and the other slashers, but he’d be extra gentle with you and be careful not to hurt you.

He’d bite your wrist, your neck, your cheek…Just to say that he appreciates you. And even if it’s just to say hello. That’s Penny flirting. He doesn’t use words, but actions.

Vincent :

He takes pictures of you. They were pretty innocent at first. He’d take pictures of you walking around the hospital and taking care of the patients. The staff even used his photographs to advertise the hospital.

But quickly…the photographs became recurrent and more intimate. He’d follow you around and almost beg you to pose for him.

He’d become obsessed and bring you some of his morbid art pieces for you two to simply talk and be close to you.

And you try to deny him attention ?

The man knows how to get what he wants. He’s similar to Bo in that way, but where Bo is demanding ? Vincent is all about begging and whining.

He’d go down on his knees and grab the hem of your shirt to pull you towards him and beg you to let him take photographs of you and keep them. Take some for his…personal use.

Vincent flirting is desperation.

He’d beg you until you give him the time of day.

Michael Myers :

Michael *wordlessly pats his thigh*

The seat is all yours if you want it.

Kidding. Or not.

*cough cough*

Michael likes to cook and he’d fix you meals to cheer you up and listen to you if you need to. He’d be the perfect gentleman and even though he can’t talk, he’d make it obvious that he likes you through other means.

He’d protect you and make sure you are happy.

Unfortunately, because he can’t help bu want to kill you all the time, it’d be very difficult for the both of you to actually go on a date or go more than flirting basis. But, he’d still try to let you know that he likes you sometimes.

Michael *takes your hand and pulls you into a tight hug*

Michael may look or sound unapproachable at first, but it is because he is afraid of giving into hate and just lose control over the little humanity he has left…

Freddy Krueger :

"Yo. Wanna bang ?"

Freddy is NOT subtle. He’s a slimy and sleazy little goblin who loves nothing more than touch, grab, grope and squeeze.

He’d follow you around like your personal horny demon.

"Coooome on ! I know ya wanna see what’s in my pants ! Just say yes, sweetheart ! See how daddy does it !"

Filthy language and sleazy smirks all the way. He’d be whistling after you and tip his fedora at you or lick his lips while looking you up and down.

To make it short: Flirty is his middle name and he’d just make sure to let you know that he is ALWAYS available and ready.

Freddy *smirks and takes your hand before dancing with you* "COME ON ! Move those curves, lovely !" *cackles*

Freddy may look and sound like a scumbag most of the time, but he is capable of being romantic. He only lets special people see it.

Jason :

Jason is shy and will never be confrontational when it comes to flirting.

He maybe waves at you and hugs you sometimes, but not enough for you to understand what he means.

But, he is good with his hands and soon enough, goes to work.

Jason leaves you gifts. On your desk, on your nightstand, or any place he thinks you and only you would find them.

He carves little wooden figurines, mostly of frogs that he leaves around for you to find. And you always do. You then put then on a special shelf in the living room for everyone to see and admire.

It may not have been the initial goal, but he is happy to see you smile. And that is all he needs…

Norman Bates :

"My darling…Would you…Would you do me the honour of going on a special outing with me ? Just the two of us ?"

Norman was an anxious wreck. He had sweaty hands and an nervous smile on his face. He wanted you to say yes. He had been thinking about a way to approach the matter with you for weeks…

You smiled back and when you accepted…he was overjoyed.

Norman is rather old-fashioned. His way of flirting is asking you out and treating you like a princess (or a prince)

He’d be more than happy to compliment you all day long and simply brush his fingers against yours while you stare deeply into each other’s eyes.

Five Hargreeves :

"Tell me, Y/N. Are you alright ?"

You glanced back at him and blinked twice at the child who just asked you that question.

"…Last time I checked. Yes."

You then focused back on your work and tried to forget about it, but then Five sat down on your desk to look at the papers you were signing.

You didn’t think much of it until he rested his hand on the back of your neck and his thumb traced circles there.

You looked up at him, and he stared right back. You knew he was technically older inside but…You still swapped his hand away.

"Okay. What do you want ?"

"You. Me. Drink."

Your eyes widened and you looked around.

"How about you come back to me when you are…say…15 years older ?"

Yeah. He may be older in his mind. But his body is still very much the one of a child so…Wait and see.

Patrick Bateman :

"Y/N. It has come to my attention that we haven’t had sex yet. Care to explain why ?"

That man has the ego of a mansion. He wouldn’t be flirting, he’d be practical.

Who needs feelings ? Who needs flirting ? He knows you find him attractive. And you know he finds you attractive. Why waste time on things like flirting ?

Patrick Bateman is a business man.

He sees a relationship as unnecessary as long as it doesn’t bring him anything.

So, if he starts showing interest in you ?

…

..

.

Run.

[thebibliosphere]

From what I've seen, I think the Batkids would like your book.

Hunger Pangs? You flatter me.

But also, yes thank you for this particular strain on self-indulgent brain rot. I am going to be absolutely abnormal about this.

I’d like to imagine Dick picks it up at an airport somewhere on his way back from a trip and becomes hooked on the “clever, pretty, jumps-from balconies-for-the-thrill-of-the-fall vampire and goes, “oh, same.”

The fact that it’s got a rugged, soldiery werewolf with a heart of gold who enforces self-care as a form of kink-play is also doing stuff to his brain. (That’s a thing? He can… he can ask someone for that? Who does he ask for that? It’s been weeks since he slept more than a few hours and ate more than cereal for dinner. Seriously, who does he ask? How much is it? He’s got money. He’ll pay.) The uh, the need for validation and the budding praise kink is also hitting a little too close to home.

As is “all powerful witch with the power to pick you up with her mind and throw you around like a rag doll.” (LiStEN, he spent a large chunk of his formative years surrounded by tight spandex suits, villains with sexy mind control pollen and getting kidnapped and tied up every other week. It’s not his fault he’s Like This.)

He’s not mad about it, though.

*

Babs catches him re-reading it during downtime. She’s not even that interested, more asking what it is to be polite, but the way Dick jumps and turns red, like he didn’t even realize she was in the room is… intriguing.

“I can see why you like it,” she says, several days later, casually drinking her coffee while Dick stares straight ahead, willing the floor to open up and swallow him whole. “Magic, politics. Saving the world from certain doom with the power of knowledge and ecological preservation.” She glances sideways at him. “Vlad’s got some interesting quirks.”

“Shut up.”

“Are we sure you’ve not been compromised?”

“Babs, I mean it.”

“Mean what?” Tim appears in the kitchen as though from nowhere, pouring a red bull into the coffee pot.

No one tries to stop him.

“Dick’s reading a new book,” Babs says, ignoring the murderous look Dick sends her way.

“Oh? What book? Is it any good?”

“Uh, yeah, uh.” Dick rubs at the back of his neck, glaring daggers at Babs as she rolls out of the room, cackling. “It’s uh, romance. Kind of silly actually…”

“Oh?”

Dick nods. “It’s got a vampire and a werewolf. Two guys. And a… well she’s just sort of magic. They break into a library to save the world from ecological disaster. They’re all bi. Together. Or they will be in the next book. This one’s more about the vampire and the werewolf getting together. Um...”

Tim’s gone very still in the way he does when his brain has caught hold of something and he’s absolutely about to let it consume him. “Oh?”

“Yeah.” Dick shrugs. “It’s got some kink in it,” he warns, not wanting to expose his younger brother to something he’s not ready for. Which is ludicrous because he’s Robin. And from the way Tim’s not drinking his ‘coffee’ he can tell this is only going to go one way no matter what he says. He brightens, remembering something. “But there’s, like, a non smutty version too? Or a less smutty version, I guess? I don’t know, I haven’t read it yet. I could, we could go to the bookstore, maybe stop at the art store too…”

“I’ll meet you in the car.”

*

“So,” Jason says, and Dick can already tell where this is going by the shit-eating grin on his face. “Vampires, huh? Or is it more the werewolves you’re into?”

“Who told you?” Dick bemoans. “Was it Babs?” He bets it was Babs. Fucking Babs.

“Oh, no one told me anything Boy Wonder. Tim found out the author has a go-fund-me for some medical shit that exceeded his monthly allowance and he’s been harassing Bruce to “fix it” for several days now. He’s down in the cave making a nuisance of himself right now. Apparently he quote “needs more of the bisexual monster books Dick told him about” unquote, and the author can’t do shit if she up and fucking dies because this country’s a fucking for-profit shit hole.”

Dick places his head in his hands. “Oh, God. Is Bruce mad? He’s mad, isn’t he?”

Jason shrugs. “Couldn’t tell you. Last I heard, Tim was playing him the audiobook over the bat computer to make his case.”

Dick let’s his head thump against the table. This is it. This is his villain origin story. He’s going to run away and join the Rogues. Or maybe he’ll go back to the Circus. Either option is better than the idea of having to meet Bruce’s eye later over the dinner table.

“Personally, I thought the plot was a little weak but the characters are compelling,” Jason says, sipping his herbal tea. “I liked the chill necromancer doctor. I feel like he’d be able to fix me.”

[m0nsterqzzz]

Something Stupid

pairing: Wanda Maximoff x reader

summary: and then she goes and spoils it all by saying something stupid like...."I love you."

content: absolute teeth rotting fluff. pining for each other but wandas is much more intense? tiniest bit of blackhill if you squint.

a/n: had this idea for a while, and I actually kinda like it??? idk. first time for everything. reader is referred to as "sweets" like twice just because I love the nickname. it's what my boyfriend calls me. anyway. love yall!!

-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-

Wanda Maximoff loves you.

She’s known that for years.

She’s known it since she first became an avenger and felt a strange urge to gain your forgiveness over everyone else's after what her and her late-brother Pietro did during the battle against Ultron.

She knew it when you became her best friend, teaching her how to control her magic and really just how to enjoy life.

She knew it when she had to watch as you got ready for dates with people that would never live up to your standards. Not she thought she would live up to your standards- no, she knew she couldn't- but she did know she treat you better then any of those no good pigs who are just looking for a fuck buddy ever good. The witch wouldn’t go up against your suitors though, just standing on the sidelines as her heart slowly breaks faster and faster the more you don’t see her in the same light you do them.

Little she did she know, she was the only one you truly wanted.

So finally, Wanda worked up the courage to ask you out so she no longer had to cry into her pillow while you were out sucking face with someone else.

Surprisingly, you agreed easily. The only thing you had to say was that she had to promise it wouldn’t change anything between you guys for the worse. If it didn’t work, you guys couldn’t become like Natasha and Maria. (those girls can’t be in the same room as each other for more than 2 seconds without making a backhanded comment about their four week long situationship)

The Maximoff girl agreed, eagerly setting up a dinner date.

It had quickly gone wrong.

The reservation was somehow not in the book despite the fact that Wanda called the fancy dinner place with insane prices about six times in the hour-long drive there. So you told her it was fine, that you’d be happy with some food from the delicious Thai place down the road as long as you were with her. But they were out of your favorite and Wanda ate so much that she felt ready to barf as you guys walked out of the restaurant- that was before she actually did barf in the parking lot. 

Finally, you guys headed to a bar near the Avengers tower for a quick nightcap, but that quickly turned into you both downing two drinks each before stumbling onto the dance floor.

A sweet looking old man who’s been reading a comic book in the corner sees you two and decides to put his own change in the jukebox and press play on a slow, but peaceful song. He sends you guys a smile, winking Wanda's way before he continues to read about some cool looking superheroes.

Wanda’s hands fall to your waist, gently gripping them as you both sway. Your head falls to lay on her shoulder, arms wrapped around the back of her neck as the music fills your ears. Her breath is on the back of your neck, warm, but it doesn’t even begin to compare to the feeling of her lips as she places a gentle kiss in that same spot. 

Then she goes and spoils it all by saying something stupid like, “I love you, sweets.”

You roll your eyes, thinking back to how many times people have told you that during first dates just to get in your pants. Though you will admit that when you hear Wanda say it, it brings a small, warm, fluttering feeling to your chest, and you manage to let out a small giggle before you say, “No you don't. You don’t love me Wanda. You like me. There’s a difference.”

She fights the urge to tell you that she knows there is a difference between love and like. She knows that because she’s felt both those ways towards you. Why can’t you just understand that so she doesn’t have to find a way to put it into words?

-*-*-*-*-*-*-*-*-*-*-*-

After a few days of her saying the same thing and you never believing her, the witch realizes she has to put it in words. Nothing else is capable of explaining how she feels about you. How she’s felt for so long.

So she recruits Natasha and Clint for help, and they spend the day working on some speeches. By 2pm, she has this;

“Are you from Tennessee? Cuz you’re the only ten-I-see.” - A line from Natasha which she used on Maria who was passing by at that moment just to prove to Wanda it works. (Natasha left and was found leaving the agents room an hour later. Apparently that’s back on)

“I love you.” - Clint Barton, the stupidest man on earth. There is a reason people call him bird brain. They were there because the three words are not enough to describe what she feels towards you. Did he even read what was on the brunch invitation? It clearly stated; “fixing Wanda's love life; no I love you’s, no magic town in which she controls so she can make Sweets fall in love with her against their will.”

“Hey, do you have wifi? Cuz I’m really feeling a connection.” - Natasha. She once again used it on Maria and was gone for another two hours. Can someone please address this?

“Start listing facts about the baby turtles you saved. Always gets the ladies.” - from Tony, who was walking by the living room and decided now was the best time to interrupt. He has never once gotten close enough to endangered animals to be able to ‘save’ them, but we can pretend if he wants too.

“Are you a beaver? Cuz dam.” - Natasha. (someone needs to restrain Maria from jumping the redheads bones. She is literally needed at this meeting.)

So, as we can see, no one is any help. 

She decides after that to just go with her gut, and her gut is telling her that you’ll know when the time is right, and hopefully will send her a sign.

Maybe the sign is sooner rather than later.

The witch spends about an hour in her bedroom in front of her mirror, trying on every outfit from sweats and a t-shirt to the 10,000 dollar dress Tony bought her for her birthday. Which clothes would draw your attention to her? She thinks about that alot, which is why she wears different outfits everyday simply in hopes of you sending her a small compliment. She always spends countless amounts of time planning the perfect outfit just to hear you say, “You look pretty Wans.”

Why is this happening to her?

It’s when she sets up a cute little picnic under the stars with all your favorite foods and snacks and a makeshift tv screen with a projector to watch your favorite film do you realize that you are deeply and utterly in love with Wanda Maximoff.

She’s sweet, and pretty. She can always make you laugh when you truly think you no longer can.

And besides all that, she’s your best friend. The one that will stick with you through thick and thin simply because she wants to be beside you.

You can’t help but feel your cheeks beginning to heat up every single time she even glances in your direction, let alone actually speak to you. You can feel your stomach flutter with a mix of excitement and nerves as she just… exists.

You don’t tell her that though, afraid of getting your feelings hurt.

You just sit down on the nice thick blanket with her, grabbing some grapes to give a few to her and a few to herself as she presses play on the movie. It’s silent other than the sound of the movie, but she can hear your thoughts louder than any film. It’s not like she’s trying to read your mind. The witch vowed to herself to never use her magic on you unless it was necessary or life saving. That includes mind reading. Your thoughts are too loud though, and even with the amount of control she has over her powers, they still fill her head as she tries to focus on the movie.

“I love her.”

“She says she loves you.”

“She doesn’t mean it.”

“Yes she does.”

“No she doesn’t.”

“It doesn’t matter. I love her.”

Your internal battle on if she truly does love you or not breaks her heart into a million pieces, though she doesn’t want to call you out on it and make you feel uncomfortable. So you guys continue silently watching the movie. She doesn’t mention your loud thoughts, and you don’t mention that you can feel her eyes burning into the side of your face as she stares.

When the movie is over and the projector turns off, you guys sit in the darkness of the night. There are stars dressing the night sky, so you silently look at them as Wanda turns on her side so she can gently pull you closer to her. 

The moment is perfect; looking up at the stars in each other's warm embrace, your back pressed against her front and she moves around until she snuggles her head into the crook of your neck, so close to you that your perfume fills her senses and puts her into a peaceful bliss. Your truly happy as is she, and this time, as she says the tree words, you find yourself believing her;

“I love you.”

She doesn’t regret it or cringe out of embarrassment when she says it like she did last time. The witch just lets the words hang in the air. If you choose to say them back, you do. If not, at least you'll understand how much she truly means it.

“I love you.” You whisper back with new found confidence, and her chest fills with warmth and pure happiness. You finally believe her. Her words sounded so sincere and simple, not like the drunk words she said a few days ago. It’s the only reason you feel okay telling her the truth. You love Wanda Maximoff.

“I love you.” She mumbles, leaving a chaste kiss on your cheek.

“I love you.”

“I love you.”

“I love you.”

-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[thehighladywrites]

ACOTAR MEN X READER, BEING THEIR SNEAKY LINK

☀︎ — summary: sneaking around with the acotar men👀 How long does this go on?

☀︎ — warnings: 18+, nsfw themes, tw beron🤢 mentioned

☀︎ — amara’s note: had this idea for a while, let’s bring this to life😈oh to be sneaking around with them🙏🏽💔

Rhysand

With him, no one finds out until you tell everyone

He is able to keep the links sneaky for sure, also he masks your scents so that no one can tell

No one really suspects that ur sleeping together because he isn’t paying any suspicios amount of attention to you.

He makes it up later though👀

At first, it was just a way for him to recover from Under the Mountain, so he sought you out for help in order to gain back some controll.

And he got better and began to carefully heal, yet here you both were, still sneaking around years later.

Yeah, years bc that is how good he’s able to keep secrets.

Oh, he gets jealous too and masks it as being a good friend and high lord when asked about it by the rest of the inner circle.

His favorite trick is telling the ic he’s sending you on a mission so they think ur gone, then he suggests them eating out while you’re gone then tells them he can’t make it so he stays at home and then you guys can stay at the house unbothered and alone

Since he gets jealous, he gives you hickies or make your legs so sore you can’t walk

Rhys looooves the attention you get during morning training for the others

“Are you okay, did you trip or something?”

“No, no Az,I’m fine. I was just doing some stretches and I think I overdid it.”

Rhysand just stands there happier than ever as you glare at him

Azriel

Guys, let’s be so real. Azriel ain’t getting caught, ever💀

He teaches you tricks on how to hide better when you’re coming over to his room

And it’s usually his room you hook up in bc he has trained himself to notice anything being off. Like if a book has been moved like a millimeter, he knows so it’s the safest and least risky place for you to be.

Because he is so attentive and sneaky, he is incredibly risky

He loves risky sex. Bro will fuck your brains out knowing people are close bc he knows he’s able to cover it up

Azriel also uses his shadows on you in broad daylight.

You’re out for dinner w the inner circle and his shadows teases and rub your clit under the table. You use your magic to suppress your arousal but it’s kind of hard to not squirm and all that

Az just sits there cocky as fuck knowing that he makes you react like that without even touching you

So so so soooo much jealousy on your side bc Azriel gets hit on all the time, males, females, youngsters, oldies, bro everyone wants him

People don’t hit on you tho because Azriel is always standing behind you, exuding that scary aura and energy that has people running the other way

Even after you two become official, you keep it under wraps. You don’t want anyone or anything ruining it for you so it’s all very hush hush

Only years after, when your friends ask why none of you date people, do you spill. You tell them you and Azriel are together already but it’s a private relationship

They were a little pissed but they let it go when they saw how happy you were and how good your dynamic is

Eris

He is sneaking around with you because of both your parents

You’re the daughter of one of B*ron’s🤢 close advisors so you and Eris spend a lot of time together

Eventually it develops into a secret relationship with a lot of sex

You both know your parents would hung you both if you ever got exposed but you still do it.

You both act like you’re somewhat of enemies or don’t like each other in public so that no one can even rise suspicions againt you.

Behind closes doors he sluts you out like crazyyyyy, i’m talking any type of sex, rough, soft, different positions, different places, new things added, toys, rope, cuffs this man is kinky I KNOW ITTT

like he has no controll over his life bc of b*ron 🤢 so he likes taking controll in the bedroom and dominate, yum👀

It all becomes more interesting and exciting when your parents decide it’s high time to get engaged and married.

Your suitors always wonder why you’re late and messy, what they don’t know is that you were busy getting bent over by eris

anyways when b*ron 🤢 dies and eris takes over, the sneaky link ain’t sneaky anymore. The man fully claims you, even making you his high lady.

Ugh i love him💔💔💔💔

Lucien

You’re Cassian’s sister and you’re hooking up with him on the down low

Lucien caught your eye when he and Feyre came back from Spring.

He seemed uncomfortable around everyone and kept to himself, until you started spending more time with him

Time turned your companionship to a secret relationship

Please, we all know how charming Lucien is, I mean, shit I’d fall for him too🫨🫨

Sorry @thelov3lybookworm but your man is so fuckable💗

Anyways, he is super charming and silver tounged and that makes you jump his bone immediately

This guy is amazing with his tounge, head game goes CRAZYYYYY

At first it’s just sex, but then instead of fucking then leaving, you begin to stay during the nights and talk for hours.

Eventually you realize the depth of your bond and how much you love one another.

You were quite nervous when telling Cassian bc Illyrian’s are super protective and possessive over their family but he is fine with it bc he knows that there aren’t better males than Lucien

Anyways, you keep sneaking around bc you don’t want to outright make out infront of the inner circle so you sneak away at parties, meetings and dinners.

This man is a risktaker just like Azriel. I know he sneaks up from behind, saying crazy and stomach flipping things, waiting for your reaction then fucks you in whatever place you are

Cassian

You’re Lord Devlon’s daughter and you sneak around with him.

No one knows about your magic from your mother’s side that you use to remove any trace of cassian

At first you hated him bc of your father and bc he manipulated you into thinking cassian and his friends were dangerous

There is banter and mean words exchanged between you that only makes the sexual tension between you even stronger

One night you both snap and have hate sex and that one night becomes the start of years of secret meetings and rendezvous.

Whenever he's in Windhaven, you two have a blast. To dodge curious eyes, you've got this genius plan: throw a party whenever Cassian conveniently has a meeting or mission there. With everyone a bit tipsy, it's the perfect cover for linking up

After a while you’re caught by Devlon himself and all hell breaks loose. Rhysand has to come down and solve everything before blood spills

Devlon disowns you and would have killed you had it not been for Cassian protecting you from your father

So he takes you to Velaris where you live with him and eventually become an advisor for Rhysand since he hasn’t lived there for years and would benefit from someone who was so close to Devlon

You have so much fun and yeah, that’s how you went from hate sex, fuck buddies, in love and eventually mates

[tragedybunny]

Fun Astarion idea:

Tav finds a wish spell (does the Deck of Many Things behind Astarion's back and gets insanely lucky), and offers to use it to cure his Vampirism.

He would probably be annoyed at them for risking that, at least.

This one ended up short and sweet anon, but I didn't want to belabor it because I think it would be gilding the lily.

As requested, Tav draws from the Deck Many Things, Astarion is less than thrilled.

Gambles and Wishes - F!Reader x Astarion

“Astarion,” you pound on the door to your home’s library until you thought it would break. 

“I’m still not talking to you,” he shouts back, not even getting close to the door. 

It was locked from the inside and you consider an unlocking spell for a moment but stop. The lock was a boundary, and you hated to cross his boundaries, he didn’t get to have any for so long. Instead you opt to groan in frustration. “Please, this isn’t the healthiest way to solve our problems.”

“Neither is lying, but that didn’t stop you,” he shoots back and you cringe because he’s technically right. 

“It wasn’t lying so much as not telling. And see, you’re talking to me so why don’t we stop shouting through the door.” To be honest, it was starting to make you nervous, he’d never been angry at you for this long before. Maybe your good intentions had taken things too far. “Please Love, Starry Sky,” your voice shakes. 

The noise of the lock opening causes your heart to leap, but you're not sure if it’s dread or elation, so you just stand there, arms crossed around yourself until the door opens. Astarion stares at you with watery red eyes, “is that really how you want this relationship to work?”

“No, you’re right, but the possible reward was too great to deny.” Why can’t he understand, you’d do anything for him?

“So was the risk, you pulled a card from the Deck of Many things. You know magic, you know what could’ve happened.” He’s not shouting anymore, it’s so much worse. He’s barely whispering the words, and the tears are finally starting to spill over. “And you didn’t even consult me, we’re supposed to be equals in this.” 

So much for those boundaries you didn’t want to cross, the realization started to eat you up inside. Protecting him wasn’t a good excuse anymore. “I’m so sorry. It’s just that I would risk anything for you and I knew you wouldn’t let me.” 

Even amidst all the pain, the two of you find yourselves holding onto each other. “Sunlight, that’s because you always take risks for me. You need to worry more about yourself sometimes.” He sniffles into your shoulder, and you hope his tears are drying as you stroke his hair. 

“I know, last one I promise. But I got what I wanted, one Wish spell, we can have the life we thought was impossible.” The life you wanted so badly to give him, the life he deserved. 

Stepping back from you, he appraises you seriously. “Are you sure this is what you would use it on? You could have an Empire, become a Goddess. Not that you aren’t already, especially when it comes too- ” he smiles lasciviously. 

“Astarion,” playfully you smack his shoulder, “behave yourself. And yes this is the only thing I could think of using it on. I couldn’t wish for anything more than you.”  

“You’re still a silly girl who’s too nice to me.” New tears appear in his eyes you notice, but for an entirely different reason. “Well then I accept, on one condition of course.”

“And what is that?” 

“You promise you’re stuck with me as long as we both live. I’m not used to being alive of course, I’m going to need someone to keep an eye on me for a long time. And let’s be honest, you’re the most qualified. I don’t think any of our friends would really be able to handle it.” 

He’s rambling but you know it’s because he’s nervous, so you lean over and kiss him softly. “Deal. Now let’s make you an un-undead Love.” 

[amongemeraldclouds]

spoiler alert

Life can be complicated when you possess a rare kind of magic: the ability to see your future with someone upon meeting them. A chance encounter with Mattheo Riddle reveals more than you bargained for.

(Choose your own ending)

Mattheo Riddle x f!Reader

Warning: Mostly angst, some fluff, no use of y/n

✿ Masterlist | 1k words

You cradled the warm cup of tea in your hands as you made your way up the Astronomy Tower, careful not to spill any drop. It was a clear evening, the cool breeze floated lazily through the sky and the stars twinkled brightly. It was the perfect spot to unwind from the pressures of the day.

As you neared the arched balcony, a small orange glow caught your attention. Someone else was here, smoking. He turned upon hearing your footsteps approach.

“Hey stranger,” he called out. You took in his features, curly hair and bright eyes with a lopsided smirk, he was adorable.

“I’m Mattheo, care to smoke with me?” He asked, offering a fresh one from his pack of cigarettes.

You felt it then, magic coursing through your veins from the encounter. Time slowed down as it always did, vague images flashed in your mind and the all knowing voice of your future self spoke to you:

I tried to find all the words to tell you about this boy and how much you’ll love him. Oh the adventures you’ll have together and all the ways it will break your heart. One day you’re sixteen and you’re falling in love for the first time. Everything feels new and exciting. The warm buzzing in your veins when Mattheo bumps into your shoulder and runs his hand through your hair to brush off a leaf that fell. As if, as if. You’ll know it’s just an excuse but you won’t mind it at all. You’ll spend countless evenings in the Astronomy Tower, you with your tea and him with his cigarettes. You’ll talk for hours even though you’ll never remember every word you exchange. It’s enough to get to know him and hear his voice, a melody you’ll want to keep as the soundtrack to your life. You’ll find yourself spinning at the Yule Ball in a lovely dress feeling like the most beautiful girl in the world. You’ll laugh with him, his hand placed perfectly on your waist, bodies flush as you danced in sync, as if you were made just for each other. His other hand in yours, firm and warm as if he’ll never let go. Of course you had grown up with magic, it belonged in the air like oxygen and it sang in your bones. So you’ll wonder how it’s possible that the world is even more magical when you’re around him? Fast forward to when your wedding dress is tucked away at the back of your closet and his vows are on a crumpled paper in a drawer somewhere.

He’ll be good at forgetting dates and breaking promises. Too busy with his plans and ambitions, none of them will seem to include you anymore.

You’ll be good at forgiveness and do overs. After all, his jagged words and actions will be served in bite sized pieces so you’ll think you can stomach it all. You won’t realize it until your friend tells you that you smile less and stopped talking about your goals. You’ll figure out too late that you hacked away who you were to fit into his life, a wild hedge now perfectly manicured in his front lawn. You’ll tell him what you need, afraid you’re asking for too much. That you are too much. He’ll reassure you he can do better and for a while he does. Spoiler alert: it never lasts long. But here now, you are sixteen and evergreen. The stars are bright and so are your eyes. Your heart burns with dreams unrealized and passions you have yet to discover. Don’t take it for granted. My love, life is short but if you stay where you’re unhappy, life becomes insufferably too long.

You blink as the quiet returned and time resumed its course. The cool wind caressing your face brought you back to the present. You took a deep breath, warding off the looming nausea in your head. You’ve never seen that far off in the future before, someone potentially so significant in your life.

A crossroad: Do you choose to stay or leave? Scroll down for your answer.

Stay

“Well hi Mattheo, it’s nice to meet you,” you say as you walked towards him and introduced yourself. You take him up on his offer and held the cigarette in between your lips. Mattheo lit it for you so you inhaled the smoke, the first of many, and watched the wind carry away your exhalations. The air hummed with possibilities, romance, and heartbreak. That’s the thing about your visions, there was no way to know for sure if it would play out exactly as you’ve seen it. Where does one draw the line between destiny and our influence on the outcome? If you considered yourself seriously, you could say you’re an adventurer aspiring to chart her own course. But if you were more honest, perhaps you were simply in denial. Either way, you made your choice. You turned to Mattheo and watched him expertly take a drag from his cigarette. You studied the flex of his jaw and the curve of his lips. How can one stranger grow into something more and take up so much space in your life? Soon, you’ll be in love and dancing at a ball. You’re about to have some of the best years of your life and some of your worst. But maybe it’s worth it.

Leave

“No thanks,” you replied to the boy with curly hair and eager eyes and waved goodbye. You walked away without glancing back. Mattheo simply shrugged and returned to his cigarette, lost in his own thoughts once again.  You retreat down the stairs, each step distanced you from a future of bliss and grief. No boy had to be worth your dreams, you thought. It was better this way. As you swivel back to the corridor, your mind swam in the power of choice as future regrets faded from your periphery. You yelped when you stumbled onto someone’s hard chest and warm tea spilled down his shirt. “Shit, I’m sorry,” you exclaimed, far too exhausted with the evening’s surprises. “It’s okay, nothing a little magic can’t fix,” said the boy with perfectly wild hair and a kind smile, already casting a spell to return his shirt to its once pristine condition. You didn’t know him personally, but you recognized him as Lorenzo Berkshire. 

“Now about your spilled tea, can I help you get another one?” he asked. You smiled back at him as magic thrummed in your veins and time started to slowed down.

✿ Masterlist

Author's note:

✿ Based on the question, “if you knew how things would turn out, would you still make the same choices?”

✿ Another moment I was in my feels and spilled ink instead of the alternative. May have spilled the alternative anyway.

✿ If you chose to leave, of course I had to sneak in my sweet and lovely Enzo in there ♡

[lacollectionneuse1967]

remembering you - part 2

Theseus Scamander x Reader

summary: the truth of your and theseus's shared past comes to light at a very public venue.

fem!reader. theseus scamander x reader.

category: romance.

warnings: brief but GRAPHIC descriptions of gore (war flashback).

part one / part two

“I don’t think I’ve ever done anything that wasn’t expected of me.” The curse of the good son. The thought comes to Theseus unbidden. 

Even joining the magical resistance at the beginning of the war felt like some preordained line of reasoning that he only had to follow.

He’d vowed to his parents that he’d always do what’s right for his community. He’d been asked to help, so he did. In all realms of life, he tried to be helpful and do what was asked of him.

He didn’t have to think about it. 

But then: You.

Y/N swept into his life and spun his head around, turned his whole belief system upside down. He can only think of one other girl who struck him so profoundly, reached inside his chest and tugged him back into his body and the present moment, but that was years ago, and their encounter had been so brief… 

The principles by which Theseus lived his life were simple ones.

Restraint. Generosity. Order.

All dashed to pieces with the touch of your lips. When you'd asked him to kiss you his only thought had been "Mercy." He’d started undressing you by instinct. He’d taken you on his desk, it seems more like an unwieldy fantasy than a memory. 

He’s at home now. Dumbstruck at his kitchen table, glass of whiskey untouched.

He has the strangest desire to call his brother.

Newt, of all people! But he was probably galavanting around the world looking for Wrackspurts or trying to teach a Doxy to play fetch. They hadn’t spoken in so long, and Theseus had been negligent when it came to showing interest in his brother’s work besides that. He couldn't call on him now.

Theseus just needs someone to tell him what to do. 

He doesn’t know what happened in his office. He just wanted to put his hands on you and then, once he did, he started burning up inside and couldn’t stop. 

Y/N, Y/N, Y/N….

Your name was like a drumbeat driving him to insanity. A trance-inducing chant. 

“What’s become of me?” he thinks, helplessly, head in his hands. “I’ve gone mad.” 

He was supposed to marry well, unfussily and unremarkably. Find a respectable woman from a good wizarding family after building up his reputation as an Auror. He’d never touched a woman the way he'd touched you, so brazenly, so honestly, so entirely overcome with desire.

He’d never thought much of love. 

Even before today, he’d been distracted at work. Powerless, really. Writing to you occupied his every thought. Even when you took a little longer to respond, what he felt wasn’t impatience but agony. He hung onto your every word. His default daydream had become storming down to the Department of Magical Games and Sports and standing before you, making you see him, he loved you and he wanted you to deal with it too.

“Tomorrow,” he thinks and it eases some of the tension. He blows out the candle floating above his kitchen table and gives up on the whiskey, snatching the glass and pouring it down the drain.

Tomorrow he’s decided to tell you that he needs you, that he loves you, although he’s not sure what it means yet. Maybe that will help him clear his head, silence that roaring need. Confessing to you will be like letting blood. 

Yesterday your beauty had taken him by surprise, discomposed him, yes. But he reminds himself that he knows you. From your letters. 

He loved you then too.

And, aside from his feelings, he doubts there are any real secrets now between you.

-----------------

You want to ask Theseus if he dreams about the war too.

You wonder how many people in Britain return there, to that same reeking, muddied place lit-up with gunfire, in their dreams every night. You wonder if you could meet him there.

But no, Theseus wasn't in the trenches. He wouldn't know about how the mud is different there. Evil. Cursed. You'd long given up on trying to describe it to your sister, make her understand.

No wizards, not even those a part of the underground resistance, were in the trenches.

Your powers were wasted down there, how silly and indulgent magic seemed with people dying everywhere, dying badly, with less dignity and honor than stray dogs.

You remember trying to use magic wherever you could anyways. You remember your hands and your medical knowledge being, shockingly, more useful. When a man's limbs are shattered in opposite directions, when a man's face has been shot off, when a man is bleeding out, when a man....

You remember that first night, after Theseus and your family had left you, the numb-shock of seeing a man's brains for the first time. The sensation that came over you was less startling and more like paralysis or ice water. They were grey and had splattered onto your face and the ground before you. The men shoved his body over the top of the trench, throwing him at you to save him, not realizing he had a hole in his head. You stared at the soft, grey chunks on the floor and your mind unfeelingly conjured up images from the kitchen: chicken hearts, boiled ground meats, uncooked egg whites. It was so random you'd almost laughed.

War made the grotesque banal.

And all for what? That pointless tract of wasteland. Bodies at various states of decay, laid out like a rotting carpet.

You wonder what Theseus did to get called a war hero, you didn't think there were any heroes in the Great War. To you it was a tragedy of gross political malpractice.

They made a grave of your home in France. You couldn't have returned there, not ever.

You only ever went back there in dreams, where you couldn't seem to remember that the war was over.

It made you feel guilty in a distant, half-realized way, how you never wanted to talk about it or think about it in your waking life. When your siblings wrote down your name in a tribute to the combat nurses at last year's Armistice Day, you'd been blind with rage. Inconsolable with a nameless, blooming betrayal. "Nameless" because you couldn't say what they had betrayed.

Which is why this year's Armistice Day, today, you'd resolved to avoid all grief celebrations and talk of glory and war and to think only of the future. Of happy things. Of Theseus.

Theseus.

Yesterday you'd slept with him.

You'd actually taken him into your arms and body and then just let him take and take and take. You'd only asked for a kiss, but you'd found yourself unable to say anything but yes and please to him.

This fact made you blush the whole way home. Made you unfold his "goodnight" message from days before and read it again and again just to see the ink of his writing on paper, just to prove that what existed between the two of you was real.

At work yesterday he'd kept writing to you, just like he promised. Afterward, at the end of the day, he came to your desk and walked you to the Atrium, kept his hands in his pockets and looked at you fondly when you spoke, with an attention like sweetness. He was a gentleman--what happened in his office aside--indisputably so. You'd felt good and safe by his side. Like you belonged there.

Until you got home.

It was your mistake to open up to your sister. It didn't help that she kept saying that she couldn't believe you, that she'd kill him, that "it's all so unromantic."

You spared her the details, but you wanted to just blurt out and admit that it was the both of you begging for the other at intervals.

He'd gotten down on his knees, for crying out loud! He didn't coerce you into anything. All he coerced were inappropriate noises from your mouth, but, no, you couldn't tell your sister that...

Your argument continues in the morning, picks up where it left off right after breakfast.

"I just feel like you gave up more than you bargained for, Y/N. Because you like him so much you're more at risk of-"

"I didn't 'give up' anything! God, I can't believe you."

"I didn't mean it like that."

"No, it's fine, really!" You're grabbing your keys and shoving them into your purse with force, pointedly not fine. "For the record, he was the one who said he liked me. And I was the one who asked him to kiss me, again! I'm not a child. The only thing I'm at risk of is finally getting what I want."

Your sister cries easily, famously. You can see it mounting now in the tremble of her lip. It almost topples over into a sob when she whines, "I love you Y/N! I don't want you to get hurt."

"He likes me! He's my friend. We've been talking for weeks."

"What if he..." your sister hesitates and for some reason it humiliates you, her censoring herself for the sake of your feelings.

Your shoulders go rigid.

"What?" you snap. "What if he what?"

She shakes her head but when you don't relent she speaks grudgingly.

"What if he does this a lot? Casual sex. Spontaneously sleeping with women. Maybe even coworkers. I just want to be sure you're on the same page, Y/N. He means so much to you, I know that, and he always has. But he doesn't even remember you...."

Sick. You feel a swaying illness in your chest and gut. For a moment you taste bile.

Her words hurt so bad that you don't even feel pain, the fight in you just dies instantaneously.

He doesn't even remember you...

"Okay," you say, staring blankly at her. "Okay..."

"Y/N-" your sister stands from her chair suddenly, but you jerk away from her.

"It's fine. Theseus can do what he pleases. Thank you for your concern, but I don't want to talk about it anymore."

You leave for work.

------

The chaos at the Ministry mirrors the chaos in your head, which isn't any real consolation.

Whizzing baubles and streaming banners are still being put up in the Atrium, the center of which lies a hulking, rectangular platform, scattered hauntingly with red poppies. It sort of reminds you of gallows, though you doubt anyone else would appreciate the humor in your observation.

The Ministry always did some sort of luncheon or memorial for Armistice Day.

Speeches, honors, sometimes a little parade, sometimes, conversely, observing four minutes of silence. The thought of being asked to go on stage horrified you more than the Western Front had.

As you walk to your desk, you think about Theseus again. You think about the war. Both inevitable, given the circumstances.

You think about the service he rendered your father and your siblings that night. You think about the chivalry he demonstrated in letting you hold onto your girlhood for a bit longer, his hand framing your face as he left it untouched and denied you a kiss.

You think about him letting you stay for the Battle of Verdun, and how it never made sense to you and it still doesn't now...

You have to know.

"I'll tell him," you think. "I'll tell him today."

------

There's a memo waiting for you at your desk. It makes your heart patter in gross relief.

"He likes me. He likes me," you remind yourself.

Your sister's words this morning must've really gotten to you.

"Urgent matter for the Interdepartmental Liaison of the Department of Mysteries!!!"

You roll your eyes. You're smiling stupidly at the paper as you write your response.

"Theseus, you can't keep writing 'URGENT' at the beginning of all of your memos. It's cryptic and dishonest and it loses its intended effect."

"Okay, fine. I was just going to ask if it would be terribly uncouth if I asked you to meet me in my office before the memorial so I could kiss you a bit?"

The thought of him putting his hands on you affects you more than you'd ever admit. You look around the office, blushing, as if anyone could read the paper from so far away. This man was driving you insane.

"Well, that's one way to honor the troops. You are a veteran so I suppose there's no turning you down."

You want to see him, you do. But you have a mission today from your Department. It couldn't wait and he couldn't know.

You're hoping to use the Armistice Day events to talk to Mr. Bragg, the Head of the Department of Magical Games and Sports, or maybe sneak into his office. Too much time has elapsed already, you need to find out whether or not he is really betraying the Ministry for Grindelwald.

Theseus's reply is surprisingly earnest.

"Huh, I always thought today was more about honoring the fallen than honoring the veterans."

"True. Maybe no kissing until it's over?"

"Deal. I'll see if I can write you into my schedule."

"Not funny."

"If you want to see me so bad you could always commit a crime and I'll come arrest you?"

"Hey, you're the one who asked to see me!! And threatening me with a good time is beneath you."

You see a lone blot of ink fade-in from where his quill is pressed down onto the paper on his end. He's trying to decide what to write.

When the words come at last they are so simple and candid and enticing. Theseus has never been afraid of honesty or affection.

"I like you so much."

You laugh aloud. If he was here you'd kiss him breathless.

"Yes, you said that already."

"Forget the kiss, I'd kill even to hear your laugh in person. To see your face."

"I like you so much too."

-----

You're the last person from your level to make your way down to the Atrium for the Armistice ceremony. The noise from below sounds more like a motorcade than a memorial. Honking trumpets, trilling drumroll, applause. Funnily enough, you think your coworker Ana is the one speaking now, snatched the microphone from the Minister of Magic himself.

In fact, by the looks of it, you might've missed some of the ceremony already.

The Atrium is packed with people. Ministry workers brought their spouses, some their entire families. Well-dressed witches and wizards not affiliated with the Ministry have also come in droves.

You scoot along the edge of the room, moving sideways towards the stage, craning your neck to find Mr. Bragg.

The periodic sound of applause crashes down like heavy rainfall, the way it drowns everything out. It's a bit stuffy from all the body heat, and your clothes cling to your body uncomfortably.

As you approach the stage, you stop pushing forward and look up in shock to see Theseus's face. He doesn't see you, and you're glad for the chance to just look at him outright. God knows you could look at him forever.

He's waltzing down the steps of the platform smiling broadly. His gait is relaxed, he's comfortable in his skin despite the attention of being on stage, which is something you envy. There's a ribbon on his lapel and a red flower stuck in his suit pocket, a few men and women are trailing behind him.

They must have just honored the wizards who fought.

Next would presumably be some ceremony for the Ministry workers to honor their dead. Last year they'd done a magical memorial with floating lanterns. This year you'd been told it would involve stones, or maybe it was flowers? You didn't want to stick around.

It was painful enough carrying your losses inside of you, seeing loss and grief paraded and exploded all around you didn't feel therapeutic or healing for you the way it seemed to feel for the rest of the nation.

"Y/N!"

You turn without grace, neck jerking painfully. The sight of Mr. Bragg's face startles you, makes you feel found out. It's difficult for you to rein in your surprise. You have to shout over the sound of Ana talking onstage.

"M-Mr. Bragg!"

The older man smiles. He's with his department friends and his cheeks are rosy. Drunk, maybe. They're holding the flask between them like schoolboys, drawing more attention to it really.

It seems disrespectful to you. Most Ministry workers waited until after the memorial ceremony to start celebrating the end of the war and drinking to "peace."

But Mr. Bragg and his colleagues look positively jubilant.

"My girl! I was just telling these gentlemen how we have a real Unspeakable in our midsts now! Tell them how good the Department of Magical Games and Sports has been treating you, why don't you? Better than the Department of Mysteries, eh?"

The men he's with laugh and jostle him, they're about to turn back to the stage.

You're still reeling, sputtering from surprise, but you have to spit it out now, take your chance.

"Mr. Bragg! Wait!"

His colleagues' eyes go wide in delight, one of them looks as if he's about to bark an inappropriate comment. Mr. Bragg looks taken aback at your newfound attention.

It was nearly 1930 and some of the men in the Ministry still had such backward ideas about women, even coworkers, it took everything in you not to roll your eyes.

"Yes, darling?" Mr. Bragg's answering smile is eager and smug. Self-satisfied.

Gag.

"Um, I was hoping to talk to you in your office after the ceremony? About my position as liaison." He looks suddenly bored, turned off, so you give him your most flattering smile and add, coyly, "Alone. If you're not too busy, that is?"

That seems to gratify him. He adjusts his jacket impressively in front of his colleagues. One of them wriggles his brow indiscreetly and nudges him.

"Of course, Miss Y/L/N! It's about time you and I had a good talk, one on one."

Again, gag.

You smile, and it's a strain to, before bowing your head in thanks and moving on.

Well, at least that was settled. You could drill him with questions after the ceremony and, during the ceremony, you could poke around in his office for evidence of betrayal. It was perfect.

Too perfect.

It was your mistake for lingering near the stage. For coming at all, really.

It sends a jolt of liquid panic down your spine when you hear your name, magically amplified for the whole crowd to hear. It booms throughout the entire Atrium. It's bizarre to the point of feeling dreamlike.

"Oh, and is that Y/N? Miss Y/L/N! Please join us on stage! Everyone, how can we forget to honor our wartime nurses?"

This isn't real. If the crowd hadn't parted to stare at you after all of Ana's pointing, you would've continued walking away.

A man jumps off-stage to escort you to the staircase.

You're past the point of being able to speak or object.

Once onstage you stare out at the crowd unseeingly. The tops of so many heads. You'd rather be at the summit of some great height, looking out at some cloudscape. Your fear of heights seemed healthy, whereas your stage fright was a simultaneously useless and formidable thing.

You regret befriending Ana. You regret telling her about the war, telling her anything about yourself at all.

You are sweating.

And, impossibly, Ana is still talking.

"-and at only sixteen years old! As a volunteer wartime nurse, Y/N Y/L/N stayed for the entire ten months of brutal fighting at the Battle of Verdun in Northern France. 300,000 dead and 400,000 wounded. She saved countless lives, muggle and wizardkind alike, indiscriminately. These combat nurses were the foundation of-"

Her last commendation draws some uncomfortable shifting and impressed gasps from the crowd. It's a mixed reaction, as views of blood purity were equally mixed.

Ana, in an asinine but expected turn of events, is still talking.

But you're no longer listening. You can't.

There are so many people in the crowd, but your gaze locks on Theseus almost immediately. You see his expression change in realization, his eyes widen and his jaw flexes, almost undetectably.

When he tears his gaze from Ana to you, you turn away.

He knows. Even if he doesn't remember, he knows.

You only know Ana's finished talking because of the crashing noise of applause, like the shore breaking on a cliffside. Your ears burn. You keep your head low as you exit the stage.

This isn't how you wanted it to happen.

You're torn between wanting to explain yourself and wanting to escape. Heart hammering, cutting through the crowd, you choose the latter.

You make for a secluded alcove of the Atrium, far from the crowd at its center, and sit on a marble bench.

You never lied to Theseus. If anything he was the one who lied. He said he'd remember you. He'd promised.

"It's okay," you repeatedly run your hands over the material of your skirt, over your thighs. It's meant to be reassuring, grounding. You don't feel like it's working. "It's okay, Y/N."

You'd like to say it was the stage fright at work, but no. It was the way he looked at you that was so upsetting. He looked at you like the earth was shattering.

"Y/N!"

Your head lurches upwards from where it's bent over.

It's shocking to you, the sight of him. As shocking as it was to see him in his soldier's uniform, standing in your doorframe on that night all those years ago.

"Y/N," Theseus walks over with heavy footsteps. He looks winded and undone, like he'd run to find you. His voice is weak. "It's.... How can it be you?"

There's a desolate longing to your returning stare. Your chest hurts. You're shaking your head, trying to dispel some of that tightness in your heart.

"You said you didn't need a name to remember me...."

"Did you remember me?"

"Of course," you're speaking so fiercely, he doesn't deserve it but you can't help it. "Right away."

Why is it more embarrassing to be the one who remembers? It's even more embarrassing than being forgotten.

"That's why I stopped writing to you that day," you add pathetically. "After I saw your face at the Ministry, I'd put the pieces together. All it took was once glance."

Theseus sits down beside you on the bench, still looking adrift. At a loss of what to do with this information.

"You must be disappointed," he says at last. "And you must think me a fool."

"Well... I don't think you're a fool," you hope that doesn't reveal your disappointment, but his pained wince suggests the opposite.

"I should have known," he says with newfound vigor. "You really haven't changed, have you? Even after your coming-of-age, you're still as stubborn as ever."

That makes you laugh, dreary as the sound is.

"I didn't come of age I just sort of... came through."

He laughs at that. "You know, I've seen far more of your siblings."

"Really?"

"They didn't tell you?"

"No, not really..." None of you liked to talk about your father's death or the period surrounding it. Too painful.

"Well, I spent a good week with them. With your father too, obviously. I had to make sure he was receiving proper care."

"Did you speak to them?"

"Your sister didn't understand much of what I was saying, the same for your father. But I spoke with your brother often, his English wasn't half bad."

You groan. "What did you talk about?"

Theseus seems pleased. Eager to demonstrate to you how much he remembers.

"Of course I asked him if you really were a combat nurse, had to make sure I didn't just send a teenager to her death," Theseus explains. "So he told me about the first time you came to help out in the trenches. Some story about the men catcalling you, telling you ways to make yourself prettier, and you shouting 'It's not my job to be beautiful!' at them and tightening the tourniquet of the man you were working on. Your brother told me he yelped so loud that none of the other men dared to bother you again."

You laugh breathlessly. It's so strange to hear the memory come out of Theseus's mouth. Everything about this feels impossible. Ridiculous.

"Did my brother share any other anecdotes about me?" You turn to Theseus with a wry look on your face.

This is oddly pleasant. Doesn't feel so awful anymore, unearthing the past together.

"I wish," Theseus's smile is toothy and endearing. Sly look in his eyes. "Naturally I asked almost exclusively about you. When he talked about you he called you by some pet name? I tried to use it to find you after the war before I realized it was only a nickname."

That makes your heart stir.

It was stupid. Impossible.

An unhappy coincidence. Those were all that seemed to keep you apart.

Theseus had tried to find you.

But [your brother's name] was so young at the time, he'd only ever thought of you as [your nickname] and never "Y/N." It wasn't his fault.

"I was so curious about you," Theseus continues. "Although I was proud of myself for not kissing you... You were too young. And I was relieved it was me who left last and not one of the other poor sods who came along, who knows what they would've done if a girl like you asked for a kiss."

"I wouldn't have asked them!" you protest, and his smile as he shirks off your playful hit splits your heart, you love him so.

Theseus raises an eyebrow, still smiling. "No? I thought you just wanted your first kiss before the battle. Didn't matter from who."

You shake your head.

"No.... I didn't even think to want to be kissed until I saw you. And until I realized my life was going to change forever. I'm an opportunist, I guess..."

The last part is meant to be a joke but he's not reacting accordingly anymore, he's hanging onto your every word.

And he's definitely looking at you too seriously for you to admit that you found him severely attractive. And kind. Observant and receptive, like he saw through you. Mostly handsome.

"I just," you cringe at yourself. Cower away from his searching eye-contact.

"What?" he prods. His smile is teasing this time, like he's hoping to charm the truth out of you.

"I just wish..." you wince at the words as you say them. "That you would've remembered me. It sounds silly, but I used to think about that night a lot as a girl. I handed over my siblings and my father to you, and I would've given you my first kiss, and more than that maybe... I still don't understand why you let me stay and fight in Verdun. I suppose it makes me feel even more silly, knowing it didn't mean as much to you."

The more you speak the more you watch his expression dampen. Theseus purses his lips unhappily.

"I'm new at this, Y/N."

"New at what?" You don't know what he means.

"And I'm already messing it up, aren't I?"

"Theseus," you say. "I haven't any idea what you're talking about."

"I just," he dips his head back in frustration. "I have thought of you and that night, often. I just never imagined you as a grown woman, Y/N. During the war, you'd become something like a guardian angel in my mind. Forever sixteen. But when I met you two days ago, I knew..."

It's so difficult for him to find the words it seems. He keeps grimacing and shaking his head to himself.

"I knew when my body reacted that way to seeing you. Every part of me rejoiced when I saw you sitting at your desk. It wasn't like meeting you for the first time, it was uncanny. Like... immediate recognition. It felt like I was remembering you, Y/N."

You place a hand over his sympathetically. It's warm under yours. It still makes your head spin, touching him at all.

"You made such an impression on me, Y/N," he reassures.

"I was just a girl," you say, dismissively. "I was naive."

"You were courageous, more than me or any of my men. Braver than all the British Ministry. It shook me, meeting you. Reminded me why I decided to fight, I'd become so jaded."

You have nothing to say to that. He fills in the silence.

"So you didn't want to become a nurse after all then? After the war, I mean."

"I never wanted to be a nurse, I just..." Death all around you. You just wanted to stop feeling helpless. "I wanted to help."

"I never wanted to be a soldier," Theseus offers congenially. "I just wanted to do what's right. That night you reminded me why I was there in the first place. You reminded me to be brave. I was ashamed of how little I thought of the muggles. And there you were, going off on your own, risking your life for them. Before you, I just wanted to minimize losses. But you made me want to save people."

Your lip wavers. You're staring into his eyes, into that pure blue, that dark sea. It's entirely inappropriate, but you'd like very much to kiss him now. You won't ask this time. You'd like to press yourself against his suit, no words can articulate what you feel for him, but maybe you could show him.

But then he speaks again.

"Y/N," there's a guarded, defensive edge to his tone that makes you hesitant. "I'm sorry, you don't have to answer this at all, but I have to ask. Was that your first kiss yesterday? In my office."

You can't help but bristle. You're embarrassed. The look on your face reveals everything, so there's no use in hiding it. Damn him.

"Yes," you admit, hotly. "Was it obvious or something?!"

He groans, looks pale. His reaction horrifies you further.

"I shouldn't have done that," he's saying, he looks like he's going to be sick. "Falling all over you like a dog---I should've made it gentle. Sweet. Demonstrated an iota of self-control-"

"It's fine," you raise a hand, made shy by his self-deprecation. "We didn't do anything wrong."

That does give him pause. Theseus stops mid-sentence, mouth hanging open. He has to recompose himself.

"You're right," he relents with a gentle shake of his head. "We didn't. I just mean... I would've made it good for you, Y/N."

"It was good," you insist. You're not sure if he's talking about kissing anymore.

"Let me try again, I'll get it right this time."

Your heart races.

You wonder when you'll get used to this, the knowledge that he wants to touch you, that he's going to give you what you want. Wonder when your body will stop reacting like a prey animal's every time you're near him, so strong is his effect on you. You want to run. No, you want to bare your neck, submit. Let love kill you.

Your sister's words from this morning are the only thing stopping you.

You have to close your eyelids before speaking.

"Theseus, do you...."

"Yes?" his smile is almost too dazzling for you to formulate a response.

"With other women... Do you do that sort of thing often? Not that it matters..."

For a stunned moment he doesn't react.

Then he is laughing at you. It startles you and hurts your feelings.

"Y/N, I don't--Oh, Y/N!" He hurriedly moves to reassure you when he notices the look on your face, reaching out and grabbing your arm. "Oh, no! I wasn't laughing at you, I swear."

"Theseus," you groan, hiding your face, humiliated.

"No, no," he says again, trying to gently pull your hands away so he can look you in the eyes. His hands are firm and persistent. He's still half-laughing as he speaks. "It's just that I've never done something like that before. Y/N, I don't know how to say it better, but I am dreadfully in love with you."

You look up sharply, instantaneously, to read his expression. It is serene and sincere.

No sign of a prank, no sign of a psychotic break.

Oh god. Your stomach plummets. He loves you.

He loves you.

"Theseus, I-"

"Y/N!"

Once again, Mr. Bragg has taken it upon himself to surprise you. You jerk away from Theseus on the bench.

Theseus closes his eyes and doesn't turn to greet him, his wrath is only barely veiled.

"Mr. Bragg!" You stand abruptly. "What-What are you..."

"The ceremony is over!" He seems annoyed that you don't remember, his pride bruised. "If I'm not mistaken you and I have a date in my office?"

Theseus makes a comically disgusted face, looking between you and Mr. Bragg in rude astonishment. If you weren't afraid of offending you might've been amused.

"He means an appointment, Theseus," you hiss in clarification. That seems to sedate Theseus if only slightly.

"And yes of course," you say to Mr. Bragg with a placating smile. "I'm all yours."

---

next part here

-----

author's note: part 3 (LAST PART) incoming! i had to break this part into two because it was getting too long :(

hope you enjoyed! more drama and smut in part 3

(spoiler: mr. bragg sucks + drunk!Reader and caring!Theseus)

[aesethewitch]

Ghosts 101

Spirit work has always been the ultimate base of my spiritual and magical practices. Some of my earliest clear memories are of encounters with spirits, and I’ve always had a talent for sensing them. In a horror movie setting, I’d be that person who gets the weird feeling in the hallway right before all the doors slam shut at once, feeling the shift in the air before whatever ghoul’s around makes its mischief.

I mention this right out of the gate so that you, the reader, know that most of what I know about ghosts (and spirits in general) comes from personal experience. Not books, not videos, not other people’s work. There’s a lot of UPG in this little essay. Just keep that in mind as you read.

If there’s something you disagree with or have different experiences with, I’m not surprised! Everything in the realm of spirits, including ghosts, can really only be theorized about. Disagreeing opinions, experiences, and theories are very, very welcome. Drop ‘em in the replies, reblogs, or my inbox. Or, if you want, make a post of your own and tag me in it. I want to see them!

Anyways, with that lengthy UPG disclaimer out of the way, let’s get to the good stuff.

What is a Ghost?

I think it’s important to note, though kind of obvious, that ghosts are a sub-category of spirit. All ghosts are spirits, but not all spirits are ghosts. But what is a ghost, exactly?

As with most things, theories differ. In general, ghosts are thought to be… well, dead people. Some folks think that ghosts are the soul, essence, or spirit of a person who has died. Others believe that ghosts are just a fragment of a person’s spirit. But I’ve also seen theories stating that ghosts aren’t really ghosts, they’re echoes or imprints of human energy that once existed in a place.

Then, there are folks who think ghosts don’t exist at all. I can’t really blame them; empirical, repeatable proof of ghosts is tough to get in order to be satisfying in a scientific way. The only reason I personally believe in ghosts is because I’ve had several encounters that can’t otherwise be explained. Plus, for me, it goes hand-in-hand with other types of spirit work. Ghosts being real just makes sense with the framework I use to engage with the world.

So, obviously, there isn’t one single, concrete answer as to what a ghost is. We can only theorize.

My Theories

My personal theory aligns more or less with one of the more common theories. I think that ghosts are the lingering spirits of living beings who have died. Note I say living beings — some people think that only humans can become ghosts, but I think that any living thing can become one. In the case of plants and trees, ghosts behave somewhat differently than animals; but that’s a whole other conversation to be had. For the sake of this post, I plan on focusing mainly on human ghosts.

The way I understand it, ghosts are the whole, complete essence of a person that lingers in the physical realm for a time after their physical body no longer functions. I believe there are also energetic imprints — energy left over from the living, often (but not always) caused and fueled by strong emotions and lingering ties of memory in a place. These imprints can seem like a haunting, but the key difference is that they aren’t sentient. They may echo when you call, but they won’t give answers that are intelligent or timely according to questions asked or stimulus provided by the living. Sort of like recording a ringing bell; playing the bell’s chime back doesn’t ring the bell again. It just plays the sound it knows.

Now, death does funny things to the mind. Depending on the circumstances of the death, a ghost might have full awareness that they were alive, have died, and are now a ghost. I find this is most common for people who died of old age and long-term diseases: people who knew they were nearing the end, for one reason or another.

Ghosts formed from more sudden deaths, on the other hand, are likelier to not know what happened. They may figure it out given time, or they may never learn the truth. As with most other things dealing with individuals, the exact circumstances vary. No two ghosts are exactly the same. Some people don’t become ghosts at all, I’ve found! They simply move on.

Another important aspect of my theories on ghosts is that I think they fade. Unless they’re continually tied to a space, fed a steady supply of energy, and purposely kept in the physical realm, I believe that they can’t sustain a form here. Without a physical body to keep the spirit, soul, consciousness, or whatever we are, a ghost is gradually pulled into the more ethereal side of things. The astral plane, the other side, the afterlife, et cetera; I’m not sure, personally, where they end up. Maybe it depends on what they were attached to in life, maybe it doesn’t. Who knows!

I think this is where I draw the distinction between ghosts and ancestor spirits. “Ancestor spirits,” in my practice, aren’t individual people from my past. Rather, they’re a sort of collective consciousness made up of all the people who came before me who are connected to me through familial, cultural, and blood ties. I like to believe that ghosts become part of that collective when they fade out of the physical world. All this is to say, ghosts are just people who are dead. They won’t be around forever unless they’re bound and kept “fed.”

On Hauntings

The first half of the things everyone wants to know is: How do we know when a ghost is actually present? It’s a good question, one that’s hotly debated in ghost hunting circles. For the sake of argument, I think we need to define the word haunting first.

To be clear, a haunting isn’t just when a ghost is present. A ghost just passing through or lingering for a little while doesn’t necessarily make a haunting. That would be better described as a presence. A haunting, in my opinion, is a long-term, sustained presence of a ghost or imprint.

And the first step to dealing with a haunting is to determine whether the place you’re in is actually haunted. You don’t have to have super sensitive psychic powers to detect the presence of ghosts. Some folks might have an easier time of it than others, but anyone can learn how to discern when a ghost is hanging around.

It’s important to note that commonly-reported signs of ghost presences and hauntings are also symptoms of other issues like mold, electrical issues, pressure changes, carbon monoxide, stress and anxiety, noisy neighbors, animals outside or in the walls (including bugs), sleep apnea or insomnia, and more. It’s important to consider mundane reasons before leaping to magical, spiritual, or ghostly ones.

With that in mind, let’s say that you’ve ruled out all the mundane possibilities, and you’re still left wondering whether that place is capital-H Haunted. How can you tell?

In my experience, there are a few signs that will stick out:

Disembodied sounds, such as voices, knocking, and walking

A pervasive chill or prickling feeling, particularly on parts of the body that are covered

A feeling of being touched, poked, or prodded

Visual disturbances like mist or shadows

Sudden smells that can’t be explained, such as perfume, tobacco, or food

Batteries in things like phones and cameras draining very quickly

Now, note that even with these signs, a lot of these things can happen with spirits that aren’t ghosts. The only way to know for absolutely sure that you’re dealing with a ghost and not a mischievous, physical-realm-poking non-human spirit is to make contact and ask.

My fellow sensitive individuals may experience other signs during a haunting. Depending on where your abilities lie, you might experience stronger sensations or detect signs of a haunting earlier than others who haven’t trained these senses.

What Causes a Haunting?

It’s hard to say. Some people (particularly ghost hunters with big TV shows who need to make those viewer numbers go up) say that ghosts stick around because they’re pissed off or had some tragedy befall them in life. Trauma ties them to their surroundings, trapping them between life and death as a specter, or something like that.

Honestly, all that tells me is that these guys are trying to sell you something (their show). I’ve met maybe two ghosts that were like that, and they had extremely good reasons for it. That’s not to say there aren’t traumatized ghosts out there; just that they aren’t nearly as common or the only explanation for a haunting.

I’m personally not sure what causes some ghosts to linger over others. I think it does partly have to do with emotion, but it may also have to do with the amount of energy the person had left when they died. For example, the ghost of my great-aunt faded within a couple weeks after she died, because she was old, tired, and ready. On the other hand, the ghost of a guy I went to school with who died in an accident a few years ago is still lingering on the train tracks where it happened. It’s an extremely individual thing.

Another part of lingering ghosts and hauntings, I think, is interaction with the living. Without a physical body, the ghost has no native source of energy. Part of working with ghosts, for me, has been learning how to share energy (mine or from other sources) with ghosts to help them communicate, interact, and continue existing. When the energy runs out, they fade. With a steady supply of energy sources, a ghost could theoretically haunt a place indefinitely.

So, what causes a haunting? I don’t really know for sure! What causes a haunting to linger? A steady source of energy, I think.

Making Contact

So, you want to talk to a ghost. Cool! You’ve got a ton of options at your disposal.

There are the witch-typical methods of spirit communication, most of which would work fairly well for talking to ghosts. I’ve talked a little bit about spirit communication methods before in a more general sense, but I find that ghosts don’t always respond well to divination.

In my experience, simpler tools are better. Unless I knew for a fact that a person understood tarot in life, I would be unlikely to use it to talk to their ghost. Tools you can easily explain that provide clear answers would likely serve you best for most ghosts. My biggest suggestions are pendulums, which are easy for ghosts to understand and manipulate, and ouija boards. Yes, yes, I can hear the gasping and booing already.

Listen. Ouija boards are not evil. Ouija is a game. But talking boards really are good tools for talking to ghosts. Again, they’re easy to understand and manipulate. Plus, you can get really clear answers from a talking board if your ghost is chatty.

There are other tools that have been popularized by ghost hunters that may come in handy, too. Personally, I’ve had success with voice recorders catching EVP (electronic voice phenomena) and, on one notable occasion, a ghost box.

Honestly, I’ve had little use for tools like these outside of ghost hunting scenarios where we’re trying to prove ghosts’ existence in a scientific sense. Voice recorders catching wisps of voice in the background are super cool, and I definitely would suggest having one on hand when doing a ghost adventure. But they’re not great for in the moment communication, since you have to stop a recording to listen back to it and then react who knows how long later.

Where ghost boxes are concerned, I’ve only had the one opportunity to try it out. We were in a location I knew to be haunted thanks to previous visits, and it did seem to work okay. I’d like to try it again sometime to see if it was just a fluke or if it’s an actual, viable thing to use. With any tool commonly used in ghost hunting TV shows (or that’s otherwise Popular By Spectacle), I always approach with serious skepticism. Those shows are all about creating a reaction that can be captured; and when they don’t receive a response, they’re liable to make shit up for the cameras. It’s annoying, especially when a tool might really be useful but it’s shrouded in the very necessary skepticism around these shows.

Now, my personal go-to method to connect to ghosts is to just… talk to them. I don’t usually need to use any tools for it. But I’ve spent many, many, many years honing the skills needed to do this. It’s worth learning how to do if you plan on working with spirits, but it does take effort to get good at, even if you have an innate talent for it. If you can, take some time to develop a sense for spirits. Learn what spiritual presences feel like for you. You may not get immediate results at first, but the skill of sensing energy can apply across the board. And even if you get no “real” response, you can still talk to the ghosts.

When you go to communicate with a ghost, just remember that they’re still a person. They’re not a spectacle, though they are fascinating. Not all ghosts are going to want to talk to you. Not all ghosts are going to like you. Be respectful. Treat that ghost like you’d treat any stranger out in the wild. Don’t be an asshole.

On Mediumship

This is mostly just a brief note, since it’s an adjacent topic that I’ve gotten questions about before.

Not everyone who talks to or works with ghosts is a medium. A medium is a particular career or path that describes someone who acts as a connector between the living and the dead. I tend to think of mediums as the telephone in a conversation — relaying messages back and forth. I used to do medium work all the time. It’s an exhausting path that requires a lot of self-discipline and solid boundaries dealing with both the living and the dead. I don’t do it anymore, though I do still communicate and work with ghosts regularly.

Just keep in mind that you don’t have to take on the title or mantle of “medium” in order to talk to, work with, or research ghosts.

Ghostly Q&A

I received a handful of questions about ghosts in the run up to posting this; thank you everyone who sent in a question! If you’ve got a question and want my perspective on it, feel free to drop it in my inbox or in the replies/reblogs of this post.

From @moonmargaritas: “How do you tell the difference between nervousness at discerning the presence of a ghost (new practitioner who still gets jitters 🤙) and sensing actual hostile intent?”

This is a really great question! This is something I had to work through myself when I got started. And honestly, I still get jitters sometimes many years later! It can be scary, even when you’re used to it.

The biggest piece of advice I have is to learn how your body experiences nervousness or anxiety. Where does that sit in your body? What kind of feelings to you experience?

For me, nervousness is a sort of itchy tingling around my shoulders and tightness around my ribs. It also manifests as the feeling of being watched or observed too closely. It’s easy to misattribute those feelings to a ghost’s presence — tingling and feeling like something’s watching? Those are classic ghost interactions! But I know that’s what anxiety feels like. That’s how I feel when the lights go out too fast or I hear a branch snap in the distance.

Once you know, you can work past those feelings and focus on what’s actually happening with the ghost (or spirit). I think of it like knowing when someone’s mad at me. Are they mad, or am I just anxious? It’s the same idea.

And, as a note, ghosts with hostile intent are few and far between. I personally don’t think that most ghosts, even the nastiest ghosts, can actually hurt you; they don’t have the energy resources for it. The ones that do are obvious, and you won't really have to question their intentions. However, you can always work with the communication methods mentioned above to determine the ghost’s feelings and intents. If you’re worried about negative interactions, a bit of salt and rosemary in a little pouch placed in your pocket goes a long way for protection.

From anonymous: “What’s an unusual way people could use to communicate with spirits? Like an expected divination tool or something we should pay more attention to.”

Hmmmm! Honestly, I think that classic, actual call and response is underrated specifically when it comes to ghosts. Yeah, we’ve all seen the Ghost TV Guys call out for a knock or a word or whatever, but when they get a response, they wig out and don’t do anything with it. It’s annoying!! Because genuinely, saying “tap once for yes, twice for no” and asking questions is a really, really solid way to communicate with a ghost when you have no other tools that will work on hand. I’ve had ghosts lead me to important places and objects within houses doing this. I think more people should give it a try without falling prey to the over-the-top reaction of “DID YOU HEAR THAT?!”

From anonymous: What advice would you give someone dealing with a haunting?

For a run-of-the-mill, regular old haunting? Let it run its course. Most hauntings, when left alone, will fade. However, if you’re inclined to talk to the ghost(s), get them to leave quicker, or get them to be less intrusive in your life, there are a few things you could do.

To talk to them, choose a method of communication and try to reach out like I described above. Get to know them if you can, and set some ground rules. If they won’t (or can’t) communicate with you, and you really want them gone, I would probably recommend a gentle banishing ritual. Something that doesn’t scream “get out” so much as kindly say, “It’s time to move on.”

Or, if you don’t want the ghost gone, just a little quieter at night or out of your bedroom, you could set up wards or activity-dampeners around specific spaces. Choose ingredients and spells that protect against unwanted spirits or just unwanted activity. Keep it activated all day long or just at night while you’re trying to sleep.

Thanks for Reading!

Posts like this are usually put on my Ko-Fi as exclusives first, but since the questions in this one came from Tumblr, I decided to post it in both places at once! (:

With that said, if you did enjoy this post, consider throwing a couple dollars at my tip jar. Tips, commissions, and shop purchases get you 30 days of access to my entire backlog of exclusive posts and upcoming ones. Monthly members get continuous access plus extra benefits! All support helps me keep the lights on, so it's very much appreciated.

If you've got Ghost Questions, shoot 'em my way! My inbox is open.

[kifkay]

I love when magic has an effect on the body & soul of its caster. like!! you don’t get to be a reality-bending demi-god and walk away with no strings attached. there’s always a price.

Bloom’s dragon fire consumes her from the inside, leaving lightning-like tissues of scars along her limbs - be careful, rumbles the Great Dragon from within, don’t let your emotions consume you. Bloom wails from the pain and clutches whoever is in the vicinity - but cannot fully stop it. just prevent it or treat the aftermath.

Musa gets migraines. Stella becomes ill when she doesn’t get her daily dose of sunshine. Aisha’s senses get muddy sometimes, almost as if she’s submerged underwater. Nabu experiences uncontrollable tremors in his arms, when he creates too many of his phantoms. all of those are - yes, horrible to experience but manageable enough for the school (and the Magic community at large) to tell them to just suck it up and weather through.

once you get your enchantix though, you start developing… unique abilities. almost like, in achieving the final fairy form, you became one with your brand of magic.

Bloom starts producing smoke. Like - she snorts at something funny Riven or Sky say, and literal puffs of smoke emerge from her nose. It’s jarring at first (“Bloom Peters, when did you start smoking? do you know that it kills??”) but quickly becomes endearing once they realise it’s not life-threatening in any way (after speed-running through like fifteen Magix apothecaries). Among her other ‘oddities’: too hot to cuddle with (only Stella can stand the high temperature, since she has a resistance to heat), becomes strangely overprotective and a little possessive, her eyes sometimes become a startling orange hue as if she’s embodied by the great dragon himself (it’s just a party trick).

Stella becomes more ethereal. In certain lights, her skin looks translucent - like a mirage weaved with moonlight. Her hair glints in the sun, almost too bright to like at; her touch feels phantom-like. She becomes even more beautiful, but less - human, earth-bound, Stella-esque. A curse and a blessing, that one.

Musa’s hearing gets really fucking good. She has a steadily growing dossier of blackmail on every student in Alfea - simply because shut doors or longer distances are no longer obstacles for her. It’s annoying too, because she can’t exactly turn it off - and now she gets to hear all the things people say about her, behind her. but here’s a consolation - she can influence other creature’s emotions through the melodies she hums! like how in canon, she pacified the bird Roc and brought mirth to the arguing fairies.

Flora gets much sturdier. Her skin harder than bark; her body able to withstand thirst and hunger for much longer than the rest. It’s honestly so intimidating. Here’s this sweet young woman — known to cry for trampled flowers and cut weeds!! — absolutely bodying a sharp ass ice shard that Icy attacked her with. It just — crumbles upon colliding with Flora’s body. insane and frankly so so hot for others to see.

As per the negatives… I like the idea of Flora being able to connect to the memories of nature around her and literally absorb the pain/fear/anguish of whatever she witnessed.

Aisha and Bloom are similar, in a sense that both of them are vessels to primordial divinities of their universe — Bloom is the holder of the Dragon Flame, and Aisha is the child of the Infinite Ocean. therefore, both experience a more extreme transformation than their girl friends. like, Aisha’s dreams are infiltrated by visions of past and future; memories of those who were lost to the Ocean. she dreams of Politea, of Tritanus, of her mer cousins and ancestors, and even those who were not yet born. if Aisha was not so mentally wilful, she might’ve folded under the weight of those prophesies.

Aisha can also breathe under water and her body gets the musculature it needs to be on par with her mer cousins while swimming, because why the fuck not?

Tecna - I frankly have no ideas for and would love to hear suggestions!

[ironunderstands]

I’m having some Aventio thoughts.. :3

Possessive Aventurine urghhh Aventurine who won’t let Ratio out of his sight for more than 10 minutes when they are out together out of fear, Aventurine who is terrified he will lose someone else he loves and will hold Ratio’s hand at any opportunity he gets, Aventurine who mildly and vaguely threatens anyone who so much as looks at Ratio badly…. AAAAAAAAA

Like usually I don’t enjoy the “you’re mine” kinda trope/mindset, but Aventurine has lost practically everything and everyone close to him so I can see him being extremely, well, possessive, of Ratio. However he would still obviously respect the others boundaries (especially due to his trauma), it’s just I can see him keeping Ratio as close as he possibly can.

I think that’s why I like writing fics where Aventurine is rescuing/saving/protecting/etc Ratio because he needs the ability to care for someone like that just as much as Ratio needs the ability to just let go and be vulnerable

Like Ratio already spends all his time trying to help others so having someone else do it for him is a welcome change, and Aventurine constantly has all eyes on him, so not having to be the center of attention for once is freeing..

..which is also why I probably prefer dom aven/sub ratio when it comes to nsfw/suggestive content of them. It’s more interesting than the alternatives to me because it’s a dynamic that would benefit both of them and help work out their issues in canon. Not saying it’s some magic fix it or something but yeah I think Ratio needs to give up his control sometimes and Aventurine needs to gain some. I feel like people downplay how sex can be used to explore character dynamics and I know this is kinda off course for what I usually write/talk about but I just haven’t seen anyone discuss it so I thought it was worth mentioning.

Moving onwards, I really love writing Ratio when he’s not in a normal state of mind. Drunk, injured, sleepy, a fucking owl (IM WORKING ON THE FIC THANK YOU @aurae-rori FOR HELPING ME BETA ITS AT 6.3/~10k WORDS IM GONNA TRY AND FINISH IT SOON I PROMISE), etc.

Whatever one of these you decide to inflict upon Ratio allows for some really interesting characterization to be enabled, because well, the man’s a tsundere, and it’s kinda hard for him to keep that up when he doesn’t have the capacity to. Honestly I view his tsundere-ness as being half voluntary/a choice and half just the way he is because he’s not very good at expressing his emotions or dealing with other people’s emotions.

However if I were to say, make him drunk, a good portion of that barrier breaks and Ratio’s true self gets exposed, and he nor Aventurine nor anyone really know how to deal with that. It’s so much fun to just put a character out of their element and see what they do next, and I think messing with Ratio’s mental state is the epitome of that, because now he has to confront the fact that he IS hiding parts of himself, and that’s scary (in a good way).

I also think Aventurine dealing with the fact that someone just genuinely lives him but is too afraid to really show it would be compelling. Would he blame himself? Would he dig into it and accidentally cross Ratio’s boundaries, then feel horrible about it? Would he doubt that it’s really real until it becomes transparently clear that Ratio does love him? Oh the possibilities..

Would he see Ratio being kind to someone in a similar way that Ratio is to him and get jealous? Would he worry that maybe he isn’t special to him and is just selfishly imagining everything?

They make me insane.

[magic-hcs]

If your requests are still open, can I ask for some hc's from the guys from HT and HF where the reader praises them and kisses their scars? these poor boys need more love 😭😭♡

These boys so do need more love! Thank you for being patient with me, I enjoyed writing this!

Warnings: light angst, insecurities, low self-esteem, mentions of trauma

Bear: Horrortale Sans

Bean: Horrortale Papyrus

Rust: horrorfell Sans

Thatch: Horrorfell Papyrus

Time to cast some magic and see what we’ll get!✨

✨✨

Bear: The purrs are loud with this one as your lips sweetly press against the little cracks and dents in his bones. At least, as long as you stay away from the gaping hole in his skull. It’s way too sensitive for your lips, not to mention, the edges are sharp. Bear would feel so bad if you accidentally cut yourself on it.

Don’t get me started on when you start to throw praises and doting on him with words into the mix, my will be man is a goner plain and simple.

Of course, in the beginning when you start to do this, Bear short-circuits and needs to process what you just did. But he will always accept any affection you want to give him. Only when you move on or leave Bear to his own thoughts do the intrusive little buggers start to plague him with insecurities.

They range from jabs at his conditions, his appearance and past. Trying to pick him apart and disprove all the praises and love you’ve just given him. Ever the stubborn man who struggles with it internally, refusing to burden anyone else with it, tries to push through it and ignore his thoughts. Which has never helped him at all - one would think he finally gets that it's not healthy or helpful behavior after so long of doing it and it backfiring in his face.

Luckily, Bean is observant and perceptive, knowing his dear brother like no other, helpfully nudges him open. (By playing the we-will-always-be-truthful-to-each-other-card…No one ever said that Bean doesn’t play dirty. If it helps his brother in the long run, he’s making use of it). And of course, it helps. Once he opened up to you about it and you two found a way to not trigger his intrusive thoughts - by spreading your praises and scar kissings throughout the day instead of all in one go - Bear will always readily accept any affections you give him.

✨✨

Bean: At the start of the relationship - when monsters haven’t surfaced all that long ago - Bean noticed you had gotten way more affectionate towards him than you had been before. Which, of course, isn’t a bad thing; everyone is different and some people just get more touchy and lovey when in a romantic relationship. But it did lightly trigger his skepticism like a knee-jerk reaction.

Back in the underground…well, let’s just say that Bean has a good reason why he looks for meanings behind certain actions and behavior thanks to some who acted nice not out of the goodness of their soul or heart.

It’s not your fault of course, nor could Bean be at fault.

Just something from the past that Bean took with him to the surface.

You don’t have to worry however, he knows you well enough to know that you don’t have any ulterior motive with your affections. So for Bean it will be easy enough to push those reflexive skeptical thoughts aside, or rationalize them.

Once he gets used to it, he’ll return the favor. You want to kiss Bean’s scars? Go right ahead, while you’re doing that, Bean will place skelekisses on your marked skin. Tracing his phalanges sweetly over the dents and lighter or darker lines on your body, while he himself shivers slightly as your lips press against the cracks on his bones. It’s a very sweet and domestic quality time between the two of you. It becomes even better when either one of you had been having a tough day, building each other up with each tender kiss.

Bean cannot quite imagine a life without your sweet, sweet kisses. He treasures them and you deeply.

✨✨

Rust: It’s a healing feeling that Rust at first didn’t know what to do with. He stood there, frozen while you kissed his scars. Trying to process what’s going on inside him and what you’re doing. There had been times when Rust stared at you with his sometimes unnerving unblinking gaze before asking “…why?”.

It’s a slow progress of him getting used to it, but it’s so worth it in the end.

Now, Rust knows and been with you long enough to know when you’re about to shower him in praises and kisses. To say he adores those times is an understatement. He wants to completely lean and sag against you as you nuzzle him. Whispering sweet nothings in his non-existent ear while you kiss every crack, scar and dent that litters his face.

But there’s a time that is his favorite when you decide to pamper him like this. And that is when the two of you lie in bed together, either when waking up in the morning, or going to sleep or just cuddling together. With you either snuggled up to his side or lying on his bare chest (yes he has shoved some pillows inside his ribcage to make it more comfortable for you. And yes it feels weird to have those things inside his ribs but anything for you, not that he would say it out loud.)

It feels warm, it feels intimate. The way you look at him in the eyelight, murmuring so sweetly as you stroke your fingers across his scarred ribs and bones. And you do without a motive, you just want to do this. Showing Rust love and care he had never thought he’d wanted, desired, craved or needed. And oh, how he needed and craved it. Your love is like a silky cloth that gets softly pulled across his bones like a gentle wave. It’s a liquid warmth that fills the cracks and mental scars putting him back together like one does a treasured vase with golden glue.

✨✨

Thatch: Oh, oh gosh… Thatch doesn’t know what to do with this, honestly. His mind cannot really wrap around it? After all, how could he deserve such love from you that you just want to shower him with praises and kiss the cracks in his face and ribs? How is he supposed to function when you take his prosthetic arm and hand in yours and kiss the fingers and knuckles so tenderly? Never taking your eyes - that are full of so, so much love that he is undeserving of - off his own sockets.

You know of his past, he knows you do, he has told you himself that night full of so many tears and vulnerability. So Thatch can’t really grasp that despite it all, despite you knowing what he did, the monster that he is in every single way possible, you still hold him as if he deserves something. As if he deserves to be loved, that he deserves to be reassured.

You’re breaking him in even tinier little pieces, unraveling him at the seams, slowly but surely, until all that's left of him…and you’re putting him back together with such care and gentle hands and lips with every touch, with every kiss and words of praise.

It’s after a long time that Thatch slowly starts to be able to mentally accept the affections you wish to bestow upon him. And it’s after an even longer time that he manages to push the little voice in the back of his mind that whispers; ‘they don’t truly mean that, they don’t truly love you. It’s just pity,’ away.

✨✨

✨✨

Thank you for participating in this spell, I hope it was to your satisfaction.