#I edited the background to be nighttime

[greenplumbboblover]

Not-a-tutorial - Lighting (Basics)

I really loved @nocturnalazure Storytelling tips, and figured I'd add one more chapter that I, personally, feel can be helpful to add the mood or maybe a bit more 🌶 to your pictures! (with or without reshade ;))

But first, go check out these tips by Nocturnalazure!

Camera Shots

Dialogues Part I

Dialogues Part II

Things to note before beginning:

This technique can be used with and without reshade/gshade/sweetfx or even editing images. (but I would recommend it!)

Make sure you're playing with at least "Lighting and Shadows" to highest settings. Otherwise this won't work.

All of the images in this post have been taken without being edited/haven't used reshade/gshade for them. (So, just the good ol' C button 😉)

A lighting mod can already go a long way! So, if you haven't yet, go find one before reading!

All Base Game compatible! No EPs/SPs needed

I'm in no way a colourist! But it may be cool to check the science behind it if you want to go more advanced on this :)

And with that said... let's get to it!

What do we need?

1. "Wall Area Light 1x1", (since it's simpler for sims)

You can find it under BuyDebug on (But first make sure you have Testingcheatsenabled true on!).

Pssst! I would recommend adding it to a catalogue! I made a "story" catalogue and added it so it's much easier to find it!

How to use lighting, the very basics:

Here we have Lolita Goth, outside with no lighting except for the world's.

Not to bad, eh? Well. there are a few reasons why we want to add lights to this scene.

Lolita's face is quite dark.

The reader will be very focused on the background AND the sim. (I personally keep looking at the bench, and less at Lolita right now.)

It's interesting, partially because of the lighting mod installed, but we can make it even more appealing.

NOTE: These techniques will work no matter if your sim is facing the sun or facing away from the sun! The results will always be the same with the lights.

Setup:

The basic setup is simple! You'll need 3 lights. One behind your sim(s), one sideways and one in front.

Back light = used for darker colours (blue, red, green, purple, orange)

Sub light = Used as helper colour for Back light. Can remove if not necessary. (helper in the sense of: Backlight is blue, adding purple can help being more interesting).

Front light = always white, flame, orange.

An example with the 3 lights used.

Setup:

Backlight = Red

Sub-light = Orange

Front Light = White

Why can't I just use the front light?

While it's not a bad approach in certain scenes, often the result is a bit too... tense:

(Left is with backlighting, right is with only front-light).

Personally I find the left image much more appealing, and more interesting to look at. But if trhe right picture is more your cup of tea, the feel free to use it!

Here's an example with the same principle but at night:

(Left is with backlighting, right is with only front-light).

Here, I think it shows it even more, how nice backlights can make something more captivating!

Now that we know about the basics of setting up our scenes... Let's get into the details a bit more!

How to use lighting for nighttime (Outdoors):

Here we got a scene with Lolita and Gunther Goth in a dark spooky graveyard, having a gothic-y picnick. In-game, this is the lighting setup as of right now:

It's lit up enough, right? While in regular gameplay this is definetly true, in a story setup we can actually make this much more interesting! But before that, here's our scene image:

The thing though is... while there is light, currently the eyes aren't drawn to Lolita's face at all:

So... how do we fix this?

There are a few ways. But all require our Wall Area Light!

Setup 1:

One light can go a long way! In this instance, I added only one light, and used "Dimmed" so it still shows as if they're in the dark. (To select different light settings, use Shift + Click to see them ;))

There are scenes where this would be enough (though, having 2 facing from different directions would work better), it dosn't really in this instance.

The problem, however, is that it almost feels like there's a spotlight that is facing them. The scene may have got a bit more interesting (as we are more focused on Lolita's face), but just isn't there yet.

Setup 2:

By adding in a blue colour, facing the back and a little bit the front of our subject(s) we get a much more "fake" nightlight representation.

Though, a few thoughts here:

While in this scene I personally liked making the back colours blue, we can always experiment a little and change one of the blue into purple!

Now, the part of Lolita's face that isn't blue, we do want a non-blue colour. For this, I like to cycle through the following colours:

White

Flame

Orange

(Rarely! But sometimes red).

See result here:

This all depends on your preference, and if you want a deeper colour. Or maybe, to even set a certain dramatic effect! (this is where red may be nicer).

Make sure to also play around with the intensity settings of each light! This can really change things up!

Currently, I've set up the intensities like so:

Blue 1 = Bright

Blue 2 = Bright

Orange/white/flame/red = Dim

Though, if Blue 2 is purple for you, I'd recommend setting this one to normal or even dim.

How to use lighting for Daylight (Outdoors):

This one is much easier, and more straightforward! While backlighting is important here as well, it's less of a necessity in this setting.

Okay! So you've posed all the characters, set up objects, etc... and now we're ready for the lighting! Here's what I currently have:

Not bad, not bad at all without any lights... but what if we add them!

Here I added a White-dimmed light.

Better! In fact, if this is the kind of lighting you want in your scene, then feel free to leave it here!

What about a little more complicated lighting... sort of what we did with our night scene?

Here the left light is a white-dimmed light, and on the right we got a orange dimmed light.

it's not much, but it definitely added a nice shade to the scene! :)

Let's get to how we do this same thing, but indoors!

[sirfrogsworth]

Photo Restoration Project - Part 1

A long time ago, Katrina sent me some old photos of her family I could restore. Her parents have been helping me from afar for years and I really wanted to do something nice for them. Unfortunately my dad got much worse and I pretty much forgot about this project for quite some time.

But then I decided to visit Katrina in Orlando and we discussed having dinner with her parents and I remembered these photos. So I thought I would fix them up so I could present them as a gift in person.

The first and most important photo was from her parents wedding.

Old photo prints can fade over time due to UV light exposure. From what I understand, different colors fade at different rates and red/orange tones tend to be the least susceptible to this fading. Thankfully all of the color information is still there, it's just that the darks are not as dark and the lights are not as light. The dynamic range got squeezed like an accordion. However, if you do a levels adjustment on the red, blue, and green channels individually, you can unsqueeze the accordion and balance everything back to the way it was.

But you can't always save everything and there may be other damage that needs fixing. If something becomes pure white, there is no way to restore that detail. Thankfully I was able to use the new generative fill feature to bring back detail in the dress, the flowers, and the tuxedo shirt.

And because I hate front facing flash and how it makes colors look ugly and sterile, I may have also added a marble floor and pillars.

Next up was a photo of Anastasia, Katrina's mom, protesting Henry Kissinger on behalf of her home country of Greece. This suffered from the same color fading issues.

What made this one a little more tricky was an uneven fading. The left side had to be adjusted independently and the top was even more faded. I had to isolate the trees to bring back their color. And the protest signs were difficult to read, so I enhanced those as well.

Next we have this lovely photo of Anastasia tending to some house plants.

This photo was actually in decent shape. It lost a little contrast, had a little bit of fading, and her top retained almost no detail I could recover. Recovering accurate skin tones is probably one of the most important skills I learned when restoring these photos. I wanted to keep that filmic look of the era while avoiding making people look jaundiced or pale. Lightroom's new masking feature that let's you isolate every aspect of the people it detects in a photo. This made fixing skin tones much easier. I could isolate just her face or her lips or her hair or her eyes and make precise individual adjustments. This process could have taken a great deal longer without this feature. But, I brought back proper contrast and color, added a little bit of detail to her top with gen fill, and hopefully got fairly accurate skin tones as well.

Next up, forward facing flash strikes again in a photo of Mike and Anastasia during Christmas.

Film did not do well in low light. If it was indoors and nighttime, you pretty much had no choice but to use flash. But a flash is a very small, bright light source and this causes a very unflattering result on humans. Today we have much more powerful flashes with rotating heads. We can bounce the light into the ceiling or off a wall and increase the size of the light source to get a more flattering result.

In this photo I wasn't able to do much, so I just balanced the skin tones and brought out some hidden detail and called it a day. It's still a lovely memory and thankfully film has such character that it negates a lot of the unflattering aspects of direct flash.

Next up is some cuteness...

A big priority when editing photos is to make sure the subjects are the star of the photo. And in this one their faces were a bit obscured in shadow. There was also a lot of haze in the background hiding the beautiful vista. Not to mention when I cleared that haze, there was this super faint hint of something in the sky. I can't tell if it was a rainbow, but I decided to believe it was a rainbow. The only thing that I am still struggling with, and this seems to be common with a lot of old photos, is green. Getting a good, saturated, natural green to look right has been very difficult. Everything I try ends up looking toxic or fake. The only thing that ends up looking right with the rest of the photo is more of a yellow-y brown. It's something I'll have to work on as I learn, but as long as the overall photo looks balanced and natural, I'm okay with not perfectly nailing the greens.

Up next we have a lovely scene on a Greek dock...

As far as editing goes, this was pretty basic. I just undid the fading, adjusted the skin tones, replaced the blown-out sky, and made the colors pop. But I think this is actually one of my favorite before and after shots. I just love how such a simple fix brought this scene to life.

A new car is a big deal and Anastasia looks so proud here...

This image has another common issue in addition to the typical fading of colors. It has a yellowish orange color cast. This could have been an issue with the film used or the development process or a chemical reaction on the print. A color cast is a lot like looking through colored glasses. It's like a translucent color material was put on top of the image. This can be a little trickier to deal with, but if you know your color theory, you might already know the solution. Blue is the opposite of yellow/orange on the color wheel, so if you introduce blue to the image it should balance out. Also, add a sky if it was missing.

Next up we have a landscaping project...

This one wasn't too tricky, but there was one interesting issue I had to address. All light has a color temperature. Daylight has a temperature of around 5500K. But the inside of the garage was being lit by reflected light and so that light took on the color temperature of the things it was bouncing off of. So I had to mask out the people and the car and address the color temperature inside the garage to make everything look balanced. Also, the green fought me hard on this one. And with the theme of this picture being plants, I felt I really needed to find a tone that worked. I think I finally got there, but I spent way too much time in the color picker doing trial and error of green tones. Also, new sky.

With this next one I actually did a pretty thorough explanation of how I edited it. But this was probably my favorite puzzle to solve from this collection of photos.

I'll do the abridged explanation...

The physical photograph was printed on a paper with a very heavy texture. And when it was scanned, the light from the scanner bounced off that texture and created a pattern of unwanted highlights.

I was worried this was impossible to fix and I almost gave up on this photo. But after one final Google search I discovered something called "Fast Fourier Transform." It's a mathematical formula that can be used to detect patterns. And the image editing software Affinity Photo, just so happens to have a filter called FFT denoise that helps you remove unwanted patterns from scanned photos.

And thanks to that filter, I was able to remove a substantial amount of that pattern...

Then I did my standard clean up techniques...

Oh, and I decided to try learning how to colorize.

Photoshop has a new set of experimental filters and a colorization tool is one of them. It is not great yet, but it is a great starting place. Instead of having to hand paint every single thing in the photo, Photoshop gave me a base to work with and I could take it from there with traditional techniques.

That's all I have the energy for today, but there are a bunch of cool restorations to talk about. Hopefully you all find this interesting. It was such a great gift to give to Katrina's parents. And spending that time with them and making them happy felt like I was with my own parents again. So we all got a gift in that wonderful evening.

Part 2 coming as soon as I have the energy!

[criticalgale]

Okay posting a new version of this because it completely didn't occur to me to give it a nighttime background until now!

Edit: OMG my sister pointed out that I forgot BOO so I’ve updated the photo and here’s a close up ❤️

[bloomshroomz]

Bambi-sexual flag

Definition of bambi-sexual

Bambi-sexual, also spelled bambisexual or simply shortened to bambi, is a term for people who prefer nonsexual touch over sexual touch. The term originated in the 1980s or earlier.

The term was featured in The Alyson Almanac, which was originally published in 1989, with its second edition published the following year. In The Alyson Almanac, the following definition was given:

BAMBI-SEXUALITY. Physical interaction centered more about touching, kissing, and caressing than around genital sexuality.

Bambi-sexuality is often associated with lesbians (i.e. bambi lesbians), but is not exclusive to them. The term can be used by straight people, gay men, nonbinary people, aromantic people, and people of any other orientation and gender, so long as there is a preference for nonsexual touch.

Bambi-sexual people may or may not be additionally interested in sex. Bambi-sexuality also may or may not be an asexual/ace-spec sexuality, depending on the individual.

Explanation behind the flag

I based the colors on Bambi, from the 1942 Disney film by the same name. Each stripe also has its own additional meaning.

Yellow represents light and/or nonsexual forms of touch

Orange represents energy, joy, and warmth

Red represents nonsexual passion and intimacy

Purple brown represents asexual and ace-spec bambis

Yellow is a light color, which feels fitting to represent touch which does not involve genital contact, as genital touch/sex is often associated with darkness (dim lights, nighttime, etc). The lightness of the yellow can also allude to touch which is, in and of itself, considered a "light" form of touch, such as gentle caressing.

Orange commonly represents energy, joy, and warmth. This stripe highlights some of the positive emotions that can come with physical intimacy, whether of a sexual nature or not.

Red is commonly depicted as a fiery, passionate color. It is often used to represent things like love, sex, and intimacy. In this case, this is nonsexual passion and intimacy.

Purple brown represents asexual and ace-spec bambis because purple is commonly used to represent asexuality, and there is a lot of overlap between asexuality and bambi-sexuality. Some consider bambi-sexuality to be somewhat of a precursor to asexuality; people who identify as asexual now may have identified as bambi-sexual a few decades ago. While I'm not asexual/ace-spec myself (I'm just a bambi), I felt that this was important to include.

On a similar note, I decided to use only four stripes, specifically so it would look good/blend well with the asexual flag, due to the overlap in communities and identities.

LPS flag and bambi pride backgrounds for fun!

[snackugaki-jestsjapesjokes]

blep blah, here have some old ass backrooms doodle content when the topic of "the beach episode" concept came up bluhp blooh brain nyooming but art hand isn't arting

i think what is super cute in modern fandom expression that I've seen is that in terms of making OCs or AUs is that sound seems to have a bigger role now than from what I remember when I was young. which I'm thinking has a lot to do with being able to clip audio easily or being able to make multi-track playlists whenever. y'all out here with reels of your art with voice claims and some of the most thoughtfully and artfully crafted soundtracks-- not even playlists, some of that shit is a straight up soundtrack level be real

89% tempted to try one of those shady "free" video/audio editing programs to make a LoFi chill beats study girl visualizer playlist with my iteration's boys ...

anyway gonna contemplate music headcanons for my iteration under the cut

From Turtle Tracks fan letter section, Archie run, #24

so real quick, my iteration is literally just them chilling, hanging out, being together in their mid 30s- early 40s, and then sometimes flashing back to their child/teen years in the 90s because tl;dr i have miiiiiinor beef my childhood turtles weren't quite as "90s" as they "could have been" (nvm I'm cackling at the milennial pop culture refs in Mutant Mayhem drop kicking me back into my adolescence)

but mehehehehe, keeping that they listened to Public Enemy and The Jungle Brothers

and aside from Top 40 musicians of the time... I feel like being outsiders themselves, having to sneak around to explore and learn about people and what's above the sewers had them eavesdropping into a lot of nighttime venues and getting into the underground and various niche subculture scenes that daytime Top 40 didn't play.

cannot tell me the lights, thumping and noise from bands playing hardcore or house or hosting cyphers or raves didn't attract these curious and funky little green dudes like moths to a flame

... Leo definitely fell in deep with the gregorian chant phase, soothing sounds of nature fads , a big fan of Orbital and he fell into that electronic, house, trance, eurodance rabbit hole right after. he also got into Celtic folk music but when his brothers caught his ass studying Michael Flatley to incorporate Riverdance footwork into his ninjutsu he got teased so mercilessly that he took great care to hide listening to it... which just made his stealth better so joke's on them heehoo

Not to mention they're from New York City, the underground music scene is always bangin' no matter the decade; feel like rap and punk got a lot of tracks on their mix tapes back in the day

Raph getting into the metal scene in his own exploring the city trips, and then progressed to music with that boom bap sound (cuz baby boy needs a way to come down off those high intensity moods idk ijs)

Donnie... just the amalgamation of his brothers, he needs that background noise while he's chewing on schematics and protoype development, he would definitely have been the mixtape maker/recording bootlegger (along with Mikey)

Mikey absolutely tagged along with his brothers sometimes whenever they went to their spots for music, though he himself backflipped into ska 'cuz Mikey is always for the people

my tmnt  iteration (where everyone made it past their 20s, splinter’s alive just old, venus is here, and they deserve some goddamn respite and shenanigans)

tmnt  iteration part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7 | part 8 | part 9 | part 10 | part 11

tmnt  iteration omake 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11

lny visit 1 | 2

Keep reading

[laughroditee]

Thinking about the COD urban fantasy AU that I will be writing a fic for. I have a background in fine art and comics and have experience with video editing, so because of this, this fic came to me as a movie trailer, which I plan on making an animatic of. (If I can get my husband to learn how to voice the characters, I may include voices as well.) But it came from the idea:

What if there was a necromancer who would raise your loved one, but if you didn't pay them, they'd take control of them?

And that leads us to the

"Repossessed" Trailer Script, starring necromancer!graves

(please note that I do not have any formal training in actually formatting scripts so these are just my notes for the animatic. Filmmakers, don't come for me.)

(OPEN on a cityscape at sundown, cue music, if any.) Voiceover: "The name's Graves."

(NIGHTTIME. cut to a scene of a man, back to us in a cemetery. Close in on headshot, he turns to face the camera.) V/O: "Phillip Graves."

(INTERIOR OFFICE, DAYTIME. Graves is seated behind his desk, feet up, leaning back in his chair, maybe playing with a Rubix cube or something, speaking with a client, whom we can't see yet.)

Client: "Phillip Graves? As in 'fill up graves?' That's a bit… on the nose isn't it?"

Graves (smirking bc he's a cocky mf): "I don't so much fill ‘em up as I do empty ‘em out nowadays."

(Cut back to scene of Graves in the cemetery where a green, eldritch light glows from his hand.) V/O: "As a necromancer, I can bring anyone back from the dead."

(Cut back to Graves in office, looking at client.) Graves: "For a Price."

(Graves leans forward, cocking his head): "What would you pay?"

(Flashes of the deceased, happy.) V/O: "What would you do...?"

(Flashes of the deceased and the client together, loving etc huehuehue) V/O: "...To have them back with you?"

(Cut to Graves sitting behind his desk, holding up photo of the deceased between two fingers, looking at his client, cocky and eager.) Graves: "Pretty little thing like this? What's it worth to ya?"

(Cut to John Price seated in the chair opposite the desk, looking grief-stricken, desperate, and determined): “Everything.”

(cut to black, dramatic pause if there's music)

(Cut to first person POV, looking up at Graves, giving you a hand.) Graves: “Welcome back, darlin', to the land of the living.”

When I post the art (storyboards and eventual video) for this, it will be on my art blog @momokeen and reblogged from there. (I try to keep my 18+ stuff here separate from my main blog, even though I update more here, currently.)

Issues I know I will have:

Time - my chaotic brain always has a billion projects going at once, which is why I wanted to at least put this much out. I have at least four other fics that need attention, not to mention actual real life, and running a small business. I will be doing it though. It may not be good, but it will be done, eventually.

Finding the right music. Currently I'm looking for good epic trailer music. I have zero money to commission someone to compose something custom, otherwise I would ask my friend if he'd take the job.

Voices (because I want them 😩)

The decedent. I had planned on writing the fic as a "x you" POV, but if I'm including a visual trailer, done in the way that I want, obviously I have to pick one way the decedent looks, which I know will leave many people feeling left out. This is why I tend to make OCs, as it's easier for me to make decisions that my OCD and trauma brain won't let me make otherwise, because "this person is their own person and this is how I've developed them." (Also I'm new to fanfic, pls forgive me. I know OC x Canon is the less-liked option here. I really struggle with trying to make everyone happy, to the point that it's debilitating and I honestly don't know what to do.)

And finally, ✨mental health✨.

But yeah, that's it. That's a thing I'm gonna make. This was step one. Thanks for reading. 🖤

[the-chessboard-is-personal]

why i should be allowed to time travel:

imagine. it's not that far into 1997. you've been hearing stories from that one rich (by comparison) kid in your school about this wonderful game called Super Mario 64. you tell your parents. eventually, they manage to buy you a Nintendo 64 and a copy of the game. perhaps it's christmas, perhaps not, doesn't matter. What matters is you now own an N64, and can play the game that one kid seemed so exited telling everyone about.

you play the game and it's amazing! It's insanely massive and wait, have you gotten farther in the game than that rich kid? They never told you about this level, and wait, where's that ghost level in the courtyard? Why does the castle go on and on and Mario doesn't sound like he did in the recordings the rich kid took of them playing their copy. in fact, there's hardly anything similar! Where's Bob-Omb Battlefield? Where's Whomp's Fortress? Why can't you long jump? Why does no one believe you when you say the star at the bottom of the snow level reappears if you go down the slide?

You get lost in the game, whenever you die or collect a star you're suddenly in a completely different part of the castle. The rich kid didn't tell you about pressing A on the pause menu to fast travel. They didn't tell you that the castle seemed to change sometimes. Did your health meter always look like a piece of bread? Is it supposed to be nighttime in the castle grounds? Even as more people in your school get the game, even as your friends get the game, no one tells you about the golden toad statue behind the castle, or the Yoshi that tells you your deepest fears are inside that cave. You don't go in that cave.

One day your friend comes over to your house and you show them your copy of the game. They're confused, saying it's wildly different than theirs and you must've gotten a limited edition copy or something! How exciting!

The geometry in this part of the castle could only be described as "polygonal chaos". You're scared. Your friend is scared. The game sounds like it's screaming in the only way it can, with soundfonts in background music. Nothing makes sense. You leave and don't go back there for years.

As you grow older, you find people who had similar experiences playing the game. Rumors of a yellow switch float around and you finally venture into that cave. A sign tells you you're escaping reality, asks if you're okay. You jump into a pit and the game tells you it hurts but hey you're back in the castle grounds. You find Luigi, drowning in a red pool. You find the sewers and accidentally anger what resides there by venturing too close. The ground turns to lava.

People say these strange, massive copies of the game are an early beta build, before Nintendo removed "something" due to hardware limitations. You don't find out what this "something" is. People make theories, conspiracies, ideas that would sound completely insane if there wasn't some sort of vague, disjointed proof. Personalization AI sounds so impossible, yet everyone with one of these beta copies seems to experience the game a little differently. Truth is, some time traveler replaced 1 in every hundred or so copies of the game with a ROM dump of B3313 lol

[chibishortdeath]

General Simon brainrot sketch page :3, as per usual, explanations under a cut. Apologies if my posts tend to be kinda huge and difficult to scroll past, I try to do the cuts to make sure they do the least inconvenience to anyone! (>-< ;)

Just the whole page in full ft. My thumb lol

Expression practice! Simon is feeling the weight of his situation rn alas :(. I’ve always imagined him being panicked the whole game; the overarching entire game timer really gives a pretty good feeling of dread imo. The two doodles at the bottom were attempts at multiple ideas I’ve seen floating around about the curse, but they’re kinda bad in execution looking at them no tbh. But the first one is based on the idea that the curse gives some vampire traits like sharp teeth and would probably lead to proper vampirism if he were to die from it. The second was general attempt at like skull practice and comparing facial features to skull structure, but oh my god the page kept smudging and I tried making it look ok with some random blood on there but it just made it look even sillier 💀.

These next two are based on two random like liminal space images I ran into on Pinterest and I drew them mostly because I suck at backgrounds and idk Simon’s Quest itself is like Castlevania: Liminal Space Edition a lot of the time, so it fits X,,,,D. The first one I really liked the composition of the path on the far side contrasted to the trees. Imagine the water is the purple cursed swamp :3. Hopefully Simon has laurels just standin around in there.

This second liminal space for Simon to be in was this neat nighttime photo of a graveyard! Trees are HARD TO DRAW, especially just in pencil and a solid black background. There’s blood on the ground and stuff cause he was just fighting some monsters, probably those two headed lizard guys. It’s the awkward stillness after clearing out an area of enemies.

The pose for this one is based on the LOL~lots of laugh Miku figure lmao 💀💀💀

Simon is very fun to put in exaggerated poses! Especially cause you have to exaggerate them more to get the same ratio of pose to negative space because muscles and armor. I had no idea how to make metal belt armor thingies sit in a like legs up floating sort of pose like this so they kinda bend a little weird but eh he looks cute otherwise. The other doodles present are one that says “brainrot” which is kinda making fun of my own dedication to an NES character 💀 and also cause haha rot like the curse. Also, teeny tiny Simon with a heart!!! :3

Yippie! Simon posing again! I think the first pose was inspired by this like random old anime style angel figure??? Idk I think she was just an original character figure and the pose was pretty different, I just used the reference mostly for the arm position. Anyway, he’s vibin, just sitting curled up and momentarily comfy. Alas, the horrors persist in the second doodle that was an attempt at showing how the curse kinda deteriorates him but he just kinda ended up having a scarily snatched waist and it looks more stylized than like sick. Also the armor kinda bends around him in a way that makes it look like it shrunk with him which is so dumb lmaooooo (XwX). I’ll have to revisit the concept eventually idk, just look at his face for this one XD. Hahaha tiny doodle based on Larval Rin on the left there, nothing to see here—

The main doodle is just Simon looking into the distance bewildered and holding the whip, standard stuff. There’s also a side profile doodle and an attempt at drawing crying again cause I was getting kinda rusty at both of those things.

Simon Belmont but if he was 2000s anime lol. A fun little style experiment, I might keep this as like another secondary art style. There’s also some doodles of a hanged man skeleton, the eyes of Vlad, a skeleton hand, and a couple little chibi Simon’s of various expressions.

More 2000s anime Simon, but in a more silly way like the art style change for joke sections. One is him just goofily holding up Dracula’s head, but it’s contrasted immediately with a more gritty usual art style doodle of him with harsh shading lol. Get you a man who can do both I guess 💀

I gotta practice more on backgrounds and composition and stuff, probably also get some curse effects consistent augh. Lately I’ve been on and off working on random things or just staring into space tired, getting back to using social media is hard and an exhausting uphill battle unfortunately (_ _ ;). Sometimes I feel like I should probably split these up into multiple posts to make things more visible and to put more focus on specific drawings, but idk I don’t really want to, it just feels weird to me breaking up a doodle page like that, if that makes sense??? Eh idk.

[blogthebooklover]

Two weeks until Kingdom drops!!!!

DO NOT REPOST WITHOUT PERMISSION

Here’s Raka and Noa, recreating the Rafiki and Simba scene from Lion King (and a nonhuman primate meditating is always hilarious)! 😂🥰

Noa’s saying either “You knew Caesar?” or “Raka, we don’t have time for this.”

I painted the background for this one. I did some editing on my phone to make it look more like a nighttime scene. This is actually my second time drawing Raka.

Edit: I added the reference photo below, it's a 4K HD version I found, so it might look a little off on some screens.

Reference Photo

[askdaisydandfriemly]

Happy (belated) Pony Prom 2023!

Background by BonesWollbach on deviantArt with lanterns, dance floor, and nighttime edit by me.

@annualponyprom

@ask-luciavampire

@ask-forestville

@asktheartpone

@twila-bloggin

@ask-gadzooks

@asksnowblizzard

@nox-lunarwing

@aerialaim

@ask-shutter-ghost

Better late than never, right?

Tried to include everyone I could find with outfit references- sorry if I missed you!

[theender36]

Recently watched Superman: The Movie (1978) for the first time in well over a decade and it really is a great movie so I got some thoughts that I want to put somewhere before I forget.

The cold open of theater curtains showing a mockup of an old Superman serial featuring Action Comics is a great nod to the character's past. Then the title flying out of the old theater screen is a fantastic visual as well as a good transition to kickstart the credits sequence accompanied by the iconic music

The set design of Krypton is phenomenal; the glowing clothes, the crystalline look, and the streamlined technology feel alien and futuristic in a unique way, although it is a little odd that everything is so white except for Kal-El's baby blanket.

The trial of Zod, Ursa, and Non has the striking combination of visuals that are the trio being held in a spotlight by spinning rings and the stern Kryptonian judges' faces being projected onto the otherwise dark dome surrounding them

Marlon Brando keeps pronouncing it "Kryptin" for some reason. Like when I'm joking about watching "The Batmins"

Genuinely very sad goodbye scene from Kal's parents

Pretty much every wide shot in Kansas is super beautiful

As is the custom, Ma and Pa Kent bring Clark up right. I appreciate the moment where Clark tells Pa about how he gets so mad at bullies that he wants to tear them apart because first off, you can tell from how he says it that he knows it'd be wrong to do that. And second, Pa doesn't yell at him for having those feelings, he tries to help him deal with them.

Clark doesn't just bail on Martha to go find himself, and he makes sure she'll have help on the farm while he's gone

The sequence of the Fortress forming itself has amazing practical effects and editing

Maybe it was because I was watching the Blu Ray version with extra scenes but the abstract montage of crystal Jor-El teaching Clark about the universe and his abilities and giving life lessons ran a little long but it was cool

Clark is very much playing up his meek, clumsy identity but him being Reporter Clark Kent as a person is not totally an act. He makes sure half his paycheck goes to Ma back home because he wants to make sure she's taken care of and he tries to be polite and helpful around the office, which tracks with who he is at his core

I think Lex being a business tycoon/scientist is pretty integral to the character but I don't mind this version's "Napoleon of crime" shtick. I like that Gene Hackman's hair being a wig in-story is hinted at when Otis is poking around the spa and he finds a spare hairpiece

I know everyone knows this already but Christopher Reeves is a perfect casting choice and he does an amazing job at making Clark and Superman superficially different but obviously the same person at heart. Even when he says something a little corny as either one, there's so much sincerity to it

Clark feeling a little guilty about enjoying being a hero is on-brand. I like that Jor-El reflects Johnathan Kent by encouraging him but also giving guidance so he doesn't lose who he is.

The moment of Jor-El saying "I've sent them you. My only son." is veering very close to the common Superman-as-a-Jesus-allegory mistake but it's the only time in the entire movie I remember it doing that, so I can't harp on it too much

Lois is just a force of nature and the only reason Clark can keep up with her as Superman is because she's starstruck

This version of Superman and Lois are down just HORRENDOUS for each other

The flying date scene is great and I think the poorly-aged flying effect is countered by the nighttime background and the chemistry between the characters. That being said, the "can you read my mind" poem is just. What. Why is this

The scene of Lex, Ms. Teschmacher, and Otis attempting to tamper with the nukes and then having to do it again because Otis screwed up is so goofy I forgot they were villains

Great moment when Superman shows he can be intimidating by just staring down Otis.

I like that Superman is saved by Ms Teschmacher because she believes in him which is a surprise to Lex because he only believes in himself

Really great effects in the scenes of the destruction from the San Andreas fault

This shot is underrated

The moments of Superman realizing Lois is dead have so much weight to them and are amazingly shot

I kind of wish they explored the consequences of him "interfering in history" because otherwise it is sort of just a convenient deus ex machina

Everything ends tied up very nicely (except the Zod squad but after two hours, nobody's thinking about that) and sometimes that's all a movie needs

It's astonishing really how much they manage to fit in this movie considering they give a lot of scenes more time than you'd expect

Overall, movie good.

[hungrydolphin91]

@magicmetslogic well since you asked so nicely ^^ I have to warn you though, it's mostly just a messy outline:

Tales of Vesperia and Evasive Language:

A while back I was feeling nostalgic and started watching an old stream archive of Vesperia Definitive Edition from back when that came out out, and I noticed how the three guys playing it for the first time didn’t always understand what was happening in a scene until halfway through it because the characters were speaking evasively. The more I noticed it, the more I realized just how often Vesperia in particular uses this type of language to add drama and depth to the story and characters, and even support the game’s themes of justice in regards to compliance versus disobedience. Specifically, that evasive language is used in this game to get around laws, for better or for worse, and even by characters that are otherwise lawful (looking at you, Flynn).

I’m not talking about lying or deceptive language, but more of a roundabout, masked language. The characters in this game tell half-truths or speak about a subject without ever saying directly what they mean, but leave enough context for the others to figure it out. Sometimes the "others" refers to other characters, but it can also mean only the audience, creating drama and foreshadowing. For example, lines like Yuri’s ominous “He will get what he deserves” in Capua Torim after Cumore escapes or Judith promise “I will uphold the guild’s laws. But in my own way,” are not lies, but they’re certainly dodging the character’s true intentions– imagine if they had just said “I’m going to murder that guy” or “My reasons for destroying blastia are actually good, but society isn’t ready for that conversation yet.” These examples, though, are more like writing tools meant to be understood by only the audience to keep them curious rather than covertly communicating with another character. Most of the evasive language is used in a less meta context.

The characters most notable for using this language are Yuri and Judith as mentioned before, but also Flynn, Rita, and Raven. Conversations between these characters often require a lot of reading between the lines, like Yuri and Flynn’s early arguments and Yuri and Judith’s one-on-one nighttime chats. The game even seems to encourage the player to look closely at their lines by calling out their evasive personalities, like Estelle saying several times that “Yuri isn’t very good at expressing his feelings” or Judith claiming she’s “not very good at lying” when they actually are, just in a more coded way.

Sometimes they speak this way to protect a secret, like Judith’s reasons for destroying blastia

Judith doesn’t REALLY lie, she just dodges targeted subjects. In a way she’s even more suspicious than Raven, but I think maybe her charisma helps keep the party (minus Yuri, who knows her background) from suspecting her to be up to something

Other times they talk like this to conceal their own feelings, like Yuri, Rita, and sometimes Flynn. Eg. Yuri’s “Catch up to him? Easy for him to say” or Rita’s tsundere-isms to hide that she just wants to travel more/be with Estelle

And of course there’s Raven, hiding his assigned agenda with evasive language but usually doing such a poor job of it that every party member finds him suspicious as hell. Once he’s actually in the party he straight up lies convincingly rather than beating around the bush

(Though part of his successful deception may rely on him being SO suspicious that he couldn't ACTUALLY be as sus as he seems 😅)

But the most prominent example of evasive language being used to advance the themes of the story is the frequent fluctuation between following the letter of the law vs the spirit of the law, used as both constraints and loopholes, by parties under both the Empire and the Guilds. (Eg. Flynn's 'If I don't return you'll have to take my place' vs. Karol's 'everyone in the guild should be punished because technically we're all kinda responsible' etc.)

The streamers and I both were relishing that scene in Capua Nor where Yuri’s party agrees to break the law and sneak into Ragou’s manor in order to give Flynn’s unit the authority to enter under emergency protocol because all of this is established in evasive language-- no one is admitting to the plan verbally but it's established anyway via loopholes and coincidences. It’s definitely illegal by Imperial law, the Knights shouldn’t be collaborating with a known criminal in order to achieve their ends, but since their enemy (also under the Empire) has twisted the laws to suit him perfectly, they all have to bend the rules a little to enforce justice. This ties in marvelously with the themes of the game, that sometimes in order to stop corruption you have to resort to some underhanded methods yourself, yet also exemplifies how this corruption happens in the first place, with Ragou only being able to run his wicked schemes because he has the authority to go above the law.

The guilds actually operate under the same principles as the Empire, maybe even more so. A guild’s laws are its pride, as karol says, and this is shown to be true with how the Don was executed because “eye for an eye” is ingrained in guild law. But shortly after Brave Vesperia is formed, they’re already looking for loopholes to do things like take on more than one job. The scene at the Atherum employs more of that evasive language, this time with Rita deciding to deliver the clear ciel crystal for Estelle’s sake since the guild can’t take another job. 

It’s just interesting to me how quickly they’ve all started finding loopholes to their own rules even though creating their own guild outside of the Empire's laws was so important to them. What they’re doing isn’t wrong or underhanded, but it is illegal, and thus they resort to hypothetical suggestions and coincidences.

[twstunes]

I am OBSESSED with your colored in manga pages!!! They’re beautiful I can’t stop thinking about them, how do you do your TWST page edits??? I’m really wanting to color the chapters too! It looks so fun!

I downloaded the pages (of chp1) straight from where I read them, and edited over (im using krita! Maybe photoshop would be better??) but I can’t seem to make them look the way I want them to. The line quality is nowhere near yours, yours looks so professional! I hope I’m not stepping on your toes by asking but I feel like I’m missing something 😭 would you mind explaining where/how you download the pages with such high quality? Do you turn them transparent like coloring books or edit overtop of them? I hope this ask isn’t too much!!

XOXOXOXO I hope you’re doing well!! You’re easily one of my fav twst blogs!

kicking my feet and giggling,,,,,, I hope you're doing well too!! you're not stepping on my toes at all, don't worry!

The pages I've been using for color edits are from turtlesoupscans' uploads – they're a scanlation group focused on TWST, and currently have stuff up for the manga (both the main story + anthology comic) as well as translations for the official novel. To my understanding, their scans ARE okay to use for color edits, but not for re-translations or mass-reuploads.

I do all my edits in photoshop using a lot of multiply & lighten layers! The coloring book method u mentioned is so enticing yet so traitorous…in photoshop, the selection + erasing method tends to damage the lineart, and the inverted channel method for removing white backgrounds quickly will keep a 'film' if the background isn't pure #ffffff. (Maybe krita has a more effective solution? 👀)

(Also bc I brought up using photoshop I'm ethically obligated to mention that photopea, an online equivalent to photoshop, exists and is free to use)

I've never used krita before, but from what I'm seeing of its layout/capabilities, the process I use should translate over fairly well–

(Added a black bg to the "fill" portion to make it easier to see)

First come the "fill" layers, which are for covering up halftones & similar shading techniques. This step isn't super necessary (and sometimes involves a lot more editing to replicate halftone gradients/patterns), but I heavily recommend it for scenes that involve a lot of dark colors. Leaving halftones in can cause colors to look darker & grayer than they should, the latter of which you specifically want to avoid when making color edits of darker-skinned characters. (They can also be really good for conveying texture tho, which is why I left the statues' shading alone in this example.)

Next are the color layers, where the bulk of the editing happens. As I mentioned above, I use a ton of multiply layers for this so I can just draw over the image. Darken layers also work, but I've found they tend to affect line density & smoothness. The shading and highlighting here is done using masking layers for individual objects/structures – I think quick group + choosing inherit alpha for the mask layer is the krita equivalent? Layers for darkening the overall lighting (like for nighttime scenes) would also go in this section.

Finally, the lighten layers are solely for the lineart. This is to help "soften" the the lineart, so to speak, making the scene feel a little more 3D/fleshed-out. This step is especially important when dealing with hard shadows, like on the Dark Mirror's frame, Pomefiore's windows, and Ignihyde's central pillar-thing. What I do is put down a bunch of lighten layers, typically at 50% or 75% opacity, and color-pick the darkest part of whatever feature I'm editing the lineart for. Because I'm using a darker color, the surrounding multiply layers will usually go unaffected by the lighten layers – if not, I just gotta zoom in and be careful about it. These layers need to be on top of/closer to the 'front' than the color layers, or else the multiply effect of the color layers will apply to the lighten layers as well.

Thanks for bearing with my kinda long-winded explanation! I've been learning as I go, so there might be easier/better ways of doing things that I haven't stumbled across yet.

I hope this helps & that you have fun doing color edits!!

[adamwatchesmovies]

Gargoyles the Movie: Heroes Awaken (1994)

Back in 1995, I distinctly remember seeing a VHS of Gargoyles: The Movie at the video rental store. I picked it as my movie of the week and was disappointed when I realized it was only the 5-part series premiere edited together. This means we’re not really talking about a movie here, but we sort of are as well. Let's consider it a made-for-TV movie for this review's sake. As that, how does this fare?

In 994 A.D., Scotland, Castle Wyvern repels any invaders thanks to its stone gargoyles, which come to life at nighttime. Despite his frightening appearance, their leader, Goliath (voiced by Keith David) desires only cooperation between his clan and the humans who defend them while they are petrified during the day. Following a betrayal from within the castle walls, most of the gargoyles are destroyed and the few survivors are frozen in stone until the castle they defend rises above the clouds. A thousand years later, in Manhattan, billionaire David Xanatos (Jonathan Frakes) has moved the castle above his headquarters. Awoken in an unfamiliar world, they find a friend in Elisa Maza (Salli Richardson), an open-minded police detective.

Don’t expect the visuals to rival a theatrical production or even something like Nickelodeon’s The Last Airbender. While the characters are consistently on-model, I spotted at least one coloring error in the second half of the picture and there is more than one instance of the stone gargoyles looking pretty different from their awakened state - the "statues" are painted as static background elements so the stone texture and the angles of their muscles/limbs are much more detailed than anything in the moving foreground. Finally, this is a pilot so while it is self-contained, many threads will only pay off in later seasons, such as the gargoyle eggs Goliath leaves with Princess Katharine (Kath Soucie) and her wizard (Jeff Bennett) (not sure why he did that, in hindsight). That said, this is a strong debut.

There are many characters in this story and the gargoyles other than Goliath - they name themselves Lexington (Thom Adcox Hernandez), Hudson (Ed Asner), Brooklyn (Jeff Bennett again), Broadway (Bill Fagerbakke), and Bronx (Frank Welker) - are more established than given character arcs. This makes Goliath the protagonist and the others supporting characters. I’ve found that in most children’s television series, the leader turns out to be the least interesting member of a team but that’s not the case here. Goliath is at once trusting of humans and wary of opening up. He can be calm and collected but is also prone to fits of rage and frequently talks of vengeance against those who’ve wronged him. He adapts well to his new setting but shows no affinity for modern-day tech like some of his comrades. He's many things at once, which keeps you watching and wondering what's next. There are no obvious character arcs within him.

Gargoyles rather elegantly uses the limitations imposed upon it as a boy’s property to its advantage. All of the gargoyles in Manhattan are male, guaranteeing there won’t be any weird “should we start repopulating?” discussions. It also adds an extra level of tragedy to the story by making them the last of their kind. Conveniently, this makes Elisa the lone female hero of the show/film without making her a token. If there’s a secondary protagonist, it’s her (which gives you a bit of a Beauty and the Beast vibe) and unlike other shows, her status as a colored woman does not make her feel like a quota. It should also be noted that Xanatos is a person of color as well, making this a show with more POC than Caucasians. It may be because most of the cast are non-humans but that’s still something I feel is worth noting.

The story features plenty of varied action. There are battles set in 994 and others in the present as well - some of which don’t include the gargoyles at all and allow the human characters to shine. There are twists and turns as allies become enemies and new partnerships are formed. The general tone is tragic and adventurous with a few bits of comedy thrown in here and there. Best of all, this is a wholly original property. The show was conceived as an answer to Batman: The Animated Series but rather than dig up some available superhero property (this was years before Disney acquired Marvel), it's is something new.

My favorite scene of the film is an interaction between Goliath and his mate, Demona (Marina Sirtis), who managed to survive the thousand-year slumber. During a mission for Xanatos, she prepares to throw an unconscious guard out of an airlock to his death but is stopped by Goliath. “The centuries have made you weak, Goliath,” she says. The thing is, very little time has actually passed for the winged warrior. He’s been frozen in stone. He HASN’T changed but that one sentence shows how much she HAS. It’s a nice subtle exchange.

I am coming into this review biased. Though I haven’t seen the show in years, I remember it well and certainly, remember how it made me feel in 1994. It played right into my fascination with mythology & monsters and I attribute my affection for Shakespeare (the series draws inspiration from Macbeth, A Midsummer Night’s Dream, among others) to the show. It had a lasting impression on me and I believe it has the power to enchant young audiences once more. (July 28, 2022)

[midnightfreeway]

BBS anniversary rewatch 2024: Episode 4

A year ago, I had no idea who any of these actors were. Now I'm like, oh look, Satang's doing some background acting in this scene.

Ah yes, one of the age-old mysteries: When did Pat tell his friends he likes someone in Architecture? How did this come about? I am still wondering.

Baby bpai bpai bpai, truly iconic, I love this scene.

I feel like 30% of this show is just Pran sheepishly apologizing for causing a disturbance in public, lol.

Pat should consider becoming a figure skater. That's a decent waltz jump he does right there on the rugby field. If only he landed it on one foot... (Edit: Watched it again and I'm impressed by how good his takeoff is, lmao. If he worked on the rotation, he might be able to land a single axel.)

Pat needing to cuddle something (or someone) in order to sleep makes me think of Our Skyy 2. We love a consistent characterization. The chilly nighttime temperatures of 18 degrees Celsius still make me laugh.

"Don't even think about it." You're the one thinking about it, Pran.

The sleepover scene is still so good. It was the point of no return for me and it's easy to see why. Poor Pran.

This was the episode that made me really like the show. Queer pining/longing is my catnip so it's not really surprising.

[ettawritesnstudies]

[image ID: a book cover graphic on a beige background surrounded by a list of tropes. The book cover shows two silhouteed figures, one feminine and one masculine against a forested nighttime background and a rising full moon. In golden sans-serif text the title reads "beyond the darkness" in all caps. The tropes list includes psychic powers, multi-generational war, mysterious dreams, change is a choice, found family, dual protagonists, and sci-fi for people who don't like scifi. At the top of the graphic in gold text it reads "releasing January 7th 2025!" End Image ID]

I'm so excited to help reveal the cover for @avrablake 's upcoming release!! They're a great friend and helped me so much with beta-reading-almost-developmental-edits for Runaways and I can't appreciate them enough. You can read the synopsis for the book below! Be sure to support this awesome writeblr indie author!

---

For decades the Military and Syndicate have been locked in a war for power. Both sides are desperate to gain the upper hand through any means necessary—including performing dangerous experiments to discover and enhance the strongest abilities.

Thea is a victim of these experiments. After her escape from a Military Research facility, her struggles to control her abilities put her in danger of being found. With both the Military and Syndicate after her, she finds help from an unlikely source.

A traitor and a war criminal, Nix is a wanted man on both sides of the war. He’s been running from imprisonment for years. Meeting Thea means he can’t run anymore. In order to help her avoid capture he’ll have to face his biggest regrets along with his worst fears.

With mysteries to unravel and secrets to reveal, both must learn to trust the other—and forgive themselves. If they don’t, they may end up with even more regrets.