WIP New muse
NAME: Ashe Samuels.
FANDOM: Original / crime / GTA.
GENDER: Female. She/her.
AGE: Mid-twenties to early thirties.
HISTORY: Ashe grew up with wealthy absent parents and started street racing as a hobby way back when at like 15. When she was following her ex-boyfriend around everywhere and paying for whatever he wanted but she was played by him and then, disowned by her family after they used her to rob them and picked up by a man whom she'd never seen called Mr. X. He came exactly when she needed it with a fulltime job driving. Bank heists mostly and that's been her thing for a while but she wants to dip her foot into more of the criminal underground and make a lot of money so she can buy a big house, fill it with all her favorite things, and travel.
APPEARANCE: Tall, lanky, red hair, hazel eyes and freckles everywhere.
PERSONALITY TRAITS: Sarcastic, flirty, blunt, and as grumpy on some days as she is energetic on others.
5 notes
·
View notes
I’ve been obsessed with the Olympics for the past week, and obsessed with Dick Grayson for longer, so here’s the crossover we all deserve.
Plus, gorgeous sweaty acrobat in gymnastics poses? Only positives.
11K notes
·
View notes
Of the 19 hijackers who carried out the Sept 11 attacks:
15 were from Saudi Arabia (a powerful/oil-rich country the U.S. works hard to maintain diplomatic relations with)
2 were from the United Arab Emirates (also a powerful/oil-rich country the U.S. works hard to maintain diplomatic relations with)
1 was from Egypt, 1 from Lebanon.
None of the hijackers were from Iraq.
None of the Sept 11 hijackers were Iraqi.
None of the 9/11 hijackers were from Iraq.
33K notes
·
View notes
I love how the TARDIS had a human form with eleven and she was like "my thief, my thief, I love my thief" BUT FAILED TO MENTION THE GOD OF DEATH HAD BEEN IN HER BACK FOR DECADES.
5K notes
·
View notes
Finally done! Ladies and Gentlemen: My first Mini comic here! It wasn't meant to be one, but after finishing the illustrations I really wanted to add the first 3 doodles for fun ^^
I better put the next image under a cut MDNI 🕵️♂️
next up is as requested Dart Maul ^^
3K notes
·
View notes
do you know what?
I miss long seasons.
I miss seasons that had 20 episodes and half of them could be cut and nothing would be lost to the story.
I miss the episodes where nothing fucking happens but you get to see the main cast goofing around with one another. You get to see their interactions, their relationships develop, their day-to-day lives and how they all fit together in them.
You get the Christmas/halloween/valentine's special -is it needed? certainly not. but is it good? is it entertaining? does it give the show and characters life? do we, the viewers, enjoy it? YES!
give me long stories!! give me little quarrelling spats between characters that can be resolved in one episode with no need to have an impact on the greater story! make these stories real!
let me enjoy them before they end!!!
I absolutely love Hazbin Hotel and the little world that's been created, but I can't help but feel disappointed we're only getting two seasons of 8 episodes.
back in the early 2000's 16 episodes would have been ONE season, never mind the entire thing.
show my angel dust and husk and nifty and sir penthouse living their daily lives in the hotel! show me Charlie brainstorming ways to redeem sinners! give me Charlie forcing the hotel staff to do cringe-y exercises! give me an entire episode of Vox trying to follow alastor through security cameras! Give me husks typical day! Give me a special through the eyes of nifty on a mission to irradiate the hotel of bugs! Give me sir penthouse and the egg boys up to no good!
give me something other than the bare necessities to make the story flow
6 months have nearly gone by in the hotel, and it feels like 1 month.
6K notes
·
View notes
the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
15K notes
·
View notes
A flash of confidence followed by the immediate fear of ruining something dear. On the other hand, the ready reciprocation and the disillusion of a deeper meaning.
Continued
1K notes
·
View notes
the older and weirder i get the more i'm beginning to realize that i was actually a very cool kid who had no shame or fear until i was taught that i'd be punished for it and everything since then has been a slow uphill battle to get that part of myself back
20K notes
·
View notes