#I might make this into an actual drawing sometime in the future

[therandomfando4]

Hey, so I think I might have figured this code out in the newest Smg4 video, maybe?

Okay, so, this is the original code.

11-12-1-19 2-1-11: 2

First, I changed the numbers into letters by using the alphabet. 1 being A, 2 being B, 3 being C, and so on. Which gave me this:

K L A S B A K B

Which confused me until I changed two letters around. Making this.

K L B S B A K A

Swapped 2 & 1

11-12-2-19 2-1-11: 1

I immediately tied this to Smg3 as he says "Baka," a fair bit in Smg4. But I wasn't convinced it meant anything until I figured out that almost all of the numbers were doubled except for 12 & 19.

I figured 12 out pretty fast. But 19 took me a while to figure out. With 12, I remembered something about the number being in the 3 timetables, and that it was the 4th number.

3 × 4 = 12

34..

When I figured this out, I was still doubtful. Since I knew the creatives on the show sometimes fuel the ship, why is it being hidden like as though it's important? On a classified document, and with Mr. Puzzles?

So I just thought it was some kind of coincidence and that it was something deeper or that the code ultimately meant nothing and that I was just wasting my time on it. Besides, 19 didn't mean anything, right?

Yes and no.

I was right about the number itself, not meaning anything until I used additions.

What two numbers made up 19?

9 + 10..

After seeing those two numbers, I instantly thought of a certain meme.

Now it was 21.. I searched up what time tables could go into 21, the two numbers being 3 and 7.

3 × 7 = 21

I first thought about the number 3, which I realised was kinda stupid of me once I remembered the numbers that made up 7 were 3 and 4.

3 + 4 = 7

Either these somehow are 3 coincidences, or really is about Smg34.

Now, unless there is more that I'm missing in this code. I have a few guesses. (If anyone can think of anything else, I'd love to know.)

The classified document is most likely an image or YouTube thumbnail.

If it's a thumbnail, I believe it could be either:

A. Wotfi 2023

This one is because Mr. Puzzles had a YouTube thumbnail of the Puzzlevision movie, and I was thinking about how wotfi 2023 was the last big event before Puzzlevision. As well as Smg3 and Smg4 being the highlighted characters in it.

B. Snowtrapped..

Okay.. I know it has been milked to death by people submitting it for the Wotfi 2024 challenges. But, I feel like it could explain why it's in the document and considered classified. I'm not a fan of this one.

C. A thumbnail for a future episode.

Idk if it would make sense, but eh.. it could be cool.

Now, just some or one of the images that could be in the document.

A. Smg3's notebook.

An image of it or the physical book itself.

B. The drawing at the end of Smg3's notebook

Because it's still a secret to everyone that Smg3 drew a picture of him and Smg4 hanging out together.

C. An image of Smg3 and 4 hanging out or doing something that would be considered gay. Something that would embarrass Smg3 and/ or 4 probably.

Either way, if none of these options are right, I'm hoping we actually get to see what's in the document or that the code is foreshadowing something.

I also used pager codes mixed with the baka I found before. I found these sentences, but I don't know if the creatives behind Smg4 meant for someone to use pager codes.

Swapped 2 & 1

(11)-(12-2)-(21) 2-1-11:1

K L B U B A K A

You. I want you. Home. Baka.

Swapped 2 & 1

(11)-(12-2)-(19) 2-1-11:1

K L B U  B A K A

You. I want you. Yes. Baka.

Or

You. I want you. Hug. Baka.

As I said, I have no idea if the pager codes were planned or coincidental.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Anyway, I'd like to hear what other people think about my findings. And if others have found anything of their own.

This took me a while. If I find out this was a waste of time, I'm going to be so upset. /hj

Have a good one, guys.

[sunnytheopossum]

I got my Operator plushie today! I have a full collection now (minus Alex because I missed the announcement for him and I am NOT willing to pay 200+ USD for a second-hand plush of that horrible little man).

Also look I made them kiss

[nguyenfinity]

Every time I draw Mamagi it does AoE damage (I am also in the area of effect)

Lighthearted bonus:

[foxgloveinspace]

Contemplating spending money to have a small set up to try and make a pixel art comic…….

[itaipava]

— lando norris falling in love with you

he is actually timid about liking you and tries to treat you like just another friend because he doesn’t want to be too obvious; but the more he tries to hide that feeling, the more he feels.

he gazes at you a lot; he looks at you with his eyes shining because for him you are the most beautiful artwork ever. he never tires of admiring you. and he also likes to learn your little quirks and habits, and he finds them so, so cute and unique. but he quickly looks away when you look back at him.

he loves making you laugh; making silly faces from across the room, or making comments in your ear about something he noticed. he laughs along with you or stares at you with major heart-eyes while you laugh until your cheeks hurt. he also always laughs at your jokes — whether they’re good or bad.

he becomes more talkative and tends to ask a lot of questions about you. he tries not to overdo it but he’s just genuinely curious and interested about you; and he genuinely loves to hear you talk, it could be about anything, he puts his chin in his hand and looks at you fondly, encouraging you to say more and more.

he also hangs on your words. one day, you casually complimented him by telling him that he looks good in blue and you were pleasantly surprised to see he wore different shades of blue for the next whole week. even when you make a passing comment that you want to go to a certain artist’s concert, he goes online to check and secretly buys two tickets in advance so that he can surprise you.

he becomes more physically affectionate. there’s a sense of innocence in the way he touches you, whether it be something small like; touching your hand when you walk side by side, or knees touching under the table or a playful, casual pet on your head

he also tries to find excuses to hold your hand; subtly holding your hand a little longer after a high-five or asking for your hand so he can “read your palm” or compare the size of the hands for the hundredth time, or also to draw a small heart on the palm of your hand - letting you do the same to him later, so you guys have the same ‘tatoos’

he likes to look at what you’re listening to on spotify or what you’re saving on pinterest; because that way he learns a little more about your favorite things. and whenever he gets the opportunity, he starts talking to you about it, and he’s completely in love with the face you make when he asks you about your favorite band or something.

he also tries to like the same things as you, to understand you a little more and so that you have more to talk about; he always gives another chance for that movie or song he hated but you said you loved.

he constantly includes you in his future plans. he wants to hang out with you more and in hopes of you sticking around, he makes plans in advance, sometimes a few days in advance, sometimes a week, sometimes a month, sometimes even a whole year as he talks about about how he’ll help you decorate the christmas tree next december. and he’s always so conscious about whether you’re having fun to the point it seems he might be trying a little too hard and when you bring it up and reassures him, he sheepishly says, “i don’t want to bore you i guess, i want you to keep me around,“

he starts wanting you to stay the night. and he starts holding your hand more because although words may not leave his mouth, he really wishes for you to stay — to stay the night, to stay with him, beside him. and he holds your hand a little tighter each night and starts developing a habit of squeezing your hand before every goodbye.

[victorianbatman]

ATLA/LOK incorrect quotes

F, M & GN reader | every scenario without the readers gender being specified is Gender Neutral.

Bolin, on the phone with Mako: Mako, I need you to come pick me up.

Mako: Why?

Bolin: Y/n is busy passive-aggressively doing the dishes they asked me to do 6 hours ago.

Bolin: This house is not safe anymore.

-

Mako: Hey, whats for dinner?

Bolin: I cant tell you, its a soup-rise.

Mako: Is it soup?

Y/n: We soup-ose is could be.

Mako: Enough with the soup puns you two.

Bolin: Aww, you never soup-port our jokes.

[Five minutes later]

Mako: It was fucking tacos.

-

Mako: The stars look really pretty tonight.

Y/n: Yeah, they do.

Mako: You know who else looks pretty tonight?

Y/n: Asami.

Mako, at the same time: Korra.

Y/n: What?

Mako: What?

-

Toph: Do you do anything other than whine like a little bitch?

Y/n: Sometimes I whine like a BIG bitch.

-

Mako, not looking up from his book: What did she(Kuvira) do now?

Y/n: SHE SMILED!

Mako: At you?

Y/n: No, at her dumb friends, but she looks like an angel.

Mako: Go away, Y/n.

Y/n: Shut up, I watched you pine after Korra while in a relationship with Asami.

Mako: Go on.

-

Korra: We can bake these cookies at 400 degrees for 10 minutes or 4,000 degrees for 1 minute.

Lin: That’s not how you make cookies.

Y/n: FLOOR IT!

Bolin: How about 4,000,000 degrees for 1 second?

Lin: yOURE GONNA BURN THE HOUSE DOWN!!

Korra: IM GONNA HARVEST THE POWER OF THE FUCKING SUN TO MAKE COOKIES!!

Y/n&Bolin: DO IT!

Lin: NO-

-

Korra: I’m small, but knowing.

Tall!Y/n: You dont be knowing what the top of a shelf looks like though.

Korra: …

Tall!Y/n: …

Korra: Bitch.

-

Bolin and Mako watching Y/n from a distance chase a squirrel.

Bolin: Thats the person I see myself married to in the future.

Bolin: Thoughts?

Mako: …

Bolin: …

Mako: ..and prayers, bro.

-

Y/n: My autistic friend(book 1 zuko) is my favourite person on the planet. I asked if he would still be friends with me if I got a mullet and without looking up he said “we are not friends” like ok bestie.

-

Korra: Theres only one thing worse than losing.

[Tips over paper saying ‘losing Y/n’]

Y/n: Me.

Korra: No-

-

Y/n: Are you sure you’re ok?

Zuko, crying: Yeah, it’s just these onions, man.

Y/n: …

Zuko: …

Y/n: Those are potatoes.

-

[Asami, puts on chapstick]

Y/n: What flavour is that?

Asami: oh its [chapstick flavour].

Y/n: Lemme taste.

Asami: Sure.

[hands chapstick]

Y/n, kisses Asami

Y/n: Shit it does actually taste like [Chapstick flavour].

[Asami blushing like crazy]

-

Y/n: Aang, why do good people die young?

Aang: When you are in a garden full of flowers, which one do you pick?

Y/n: The ugly ones.

Aang: Exactly- wait wait what, why?

Y/n: Because ugly bitches dont belong in my garden.

-

Toph: Hi, im your doctor today, I’ll be drawing your blood as soon as I’m done with my capri sun.

[Misses the hole four times before finally getting the straw in]

[Y/n, sweats profusely]

-

Sokka: I have the sharpest memory, name one time I forgot something.

Y/n: You forgot me and Suki back in the fire nation 3 weeks ago.

Sokka: I did that on purpose, try again.

-

Y/n: Listen to me, love is a scam.

Bolin: You’re making a valentines card for Mako right now.

Y/n, points glue gun at him: You’re on thin fuckin ice.

-

Zuko: Whats with the napkin on the glass door?

Y/n: Aang keeps walking into the glass door, so I thought this might help.

Aang: Oh cool, a floating napkin!

[Walks into glass door]

[habken]

Izuku and Katsuki Hospital Comic - Thoughts and Process

I wanted to talk about the process and my thoughts while making this comic! Cause it was A Lot of planning and I feel like talking about how I went about it could maybe be helpful for other people who wanna make comics too ?

Also I just like talking and I've had So Many thoughts about it over the last few months, I just need to get them all out lol

everything is under the cut (it's Very Long) ↓↓↓

Initial Thoughts

I started planning the comic in January, around the time the chapter with the second user's plan to transfer ofa to shigaraki came out. I remember feeling so anxious and sad seeing how devastated Deku was to lose the 'gift' that All Might had passed to him :'((

It made me start thinking about what it would be like to not only go from having all this insane power at your fingertips back to nothing, but also how it would feel to lose the vestiges, which had been his advisers, yapping in his ear and keeping him company for months. How it would feel to go from constantly having people looking over your shoulder back to silence.

Then I thought about what that would mean for his and Bakugou's relationship, which has developed so much over the series. How Bakugou would feel about Deku no longer having ofa, how the two of them would wrestle with old feelings now that Deku would be quirkless again. Bakugou having to face the kid he bullied and Deku going back to a state where the world saw him as "useless" with dreams too big for somebody without a quirk.

I feel like sometimes it's not really taken into account how Deku's past affects him in the present, and that goes for in the actual series as well. Considering he's the main character, it's funny that we never really get too much of a peak inside his mind lol, especially not recently, which is most likely intentional, but I digress.

What I really wanted to do for this comic was circle back to Deku's question to All Might at the start of the series, "can I become a hero without a quirk" because while yes, deku can be a hero, he had to get a quirk to do so. So what happens now that he no longer has it? After all of Bakugou and Deku's development, would Bakugou's opinion on deku pursuing his dreams while quirkless change?

I really didn't want that answer to be no. I didn't want to believe that Deku would have to give up and "be realistic" again, it just didn't feel right for that to be the answer after 400 chapters.

So I wanted to make something that would encapsulate those thoughts! And I felt like the best way to fully get that out was through a scene in the aftermath of the battle, the two of them in the hospital with nothing to do but talk about their feelings.

It was important to me that the doubts they both felt about the future were stomped out, and for there to be reassurance that things between them wouldn't snap back to how it was before UA. That Deku could still reach his dreams even if they did become harder to obtain.

I also felt like narratively it would be a good parallel if Bakugou were to lose something tied to his power too, and with his arm being so bad off in canon, I thought it made sense that there was a chance he could lose it forever.

So it's like they're both coming out of the final battle worse off with huge losses, but no matter what, they're going to fight to achieve their dreams, and they're going to do it side by side :')

At its core, it’s very self indulgent lmao, I didn’t think that we’d get something that sappy and gross in canon (😳) so I wanted to make something for myself :')

Planning

So then I made a first draft!

When I’m making bigger comics, thumbnails are super helpful! They help me see the full picture of what it could look like, and let me change things without putting in too much commitment. So most of the drawings are loose, but occasionally I’ll put in a little extra detail into things that I want to make sure are included in the final work.

There’s three main things I consider when thumbnailing for comics; expression, composition, and dialogue. Each of these things have a huge influence on each other, so keeping them all in mind when roughing out your drawings is important!

How it usually works is I play out the scene in my head like a movie and roughly come up with dialogue, then I draw characters and expressions based on that dialogue and the visions I had. Simultaneously I plan out approximately where those drawings will go/how much space they'll take up and finally, I add in the dialogue and move things around as needed so everything fits nice together.

Having the dialogue there in the draft lets me know around how big the speech bubbles are gonna be which is a massive help when figuring out paneling. It lets me plan around the bubbles and make sure nothing is too squished!

General tips:

Something I learnt from storyboarding is that establishing a setting for your scene at the start is really important! Most of my comics will start with a long shot or include one early on for this reason. It’s good for making sure readers aren’t confused on where everything is taking place!

Having a variety of shots is good for keeping your story engaging! This comic has a lot of closeups, but I tried to add variety where I could and used a lot of different angles to keep things entertaining even if there isn't that much going on

Final thoughts on this draft:

At this stage, the ending was really different from the final version I ended up with. It was a lot more focused on Bakugou's losses too and the vibe was kinda "well we're both nerfed now but that's chill we can still be heroes." I axed most of that cause I thought it was dumb and wasn’t really the conclusion I wanted lol

After the rough draft, I started sketching everything out and adding in panels based on the composition from the og thumbnails. I also changed the dialogue as I went, focusing on making it sound more natural and easy to read.

This is where the nuances in movement and expression became a bit more refined and speech bubbles where better planned out.

At this stage, establishing clarity and imagining how readers are going to move their eye along the page is really important. Comics are generally read left to right, but you can’t just assume people are going to automatically read it in the order you want, which is why panels and speech bubble locations are so important.

Tips:

A general rule is that along with going from left to right, speech bubbles should be in descending order. This can be broken a bit, but it’s important to remember that the rule is there in the first place for clarity's sake. So if you do plan on breaking it, make sure it's not at the sacrifice of legibility. The human eye is lazy and will jump to whatever seems most logical, so planning things out in a confusing manner is going to make your comic hard to read!

This is another thing I picked up from storyboarding, but keeping in mind the 180° rule is good for clarity as well! In the simplest of terms, if you have two characters in a scene, it’s good to keep character A on one side and character B on the other, and not switch those sides willy-nilly, otherwise it can get confusing. This isn't as important in comics as it is in film/television, but I still like keeping it in mind.

Final thoughts:

I hated the original ending but I couldn't exactly figure out how I wanted it to go, and I was too busy at that point to dedicate the time I needed towards it, so it stayed as these four panels for while :’)

During the period I stopped working on it, Deku lost his arms which had me panicking lmao, so much of the comic was devoted to his emotions and body language, specifically in his hands. I just went "am I gonna have to redo everything? Do I give him prosthetics?" and I was fully ready to rework the entire thing but Eri came in clutch for Deku (and me) <3

After Deku started getting hurt, I didn't really like the idea of him being discharged and sitting with a still injured Katsuki, and wanted it to be clear that they were both still in the hospital, so I had to axe poor Deku's "hospital gown" shirt for actual hospital garb </3

At some point during april-ish, I finally added in a new beginning and end, which took the comic from four pages to seven. I felt like the new parts added a lot more levity and humour which were needed, and I think it helped make Izuku and Katsuki feel closer than before.

For these pages, I skipped the thumbnail stage and jumped straight into full page stuff, which felt easier because they were kind of just add-ons.

Something I specifically liked were the first two panels in the last page. Fun fact, but a few days after I sketched those out, horikoshi released that art of to two of them smiling together and I went !! That's the vibe I wanted !! Me and Horikoshi are on the same wavelength! That was a good day lmao.

At this point, though, while new parts added a lot more to the story and brought it closer to the vibe I wanted, they also messed with the tone and overall pacing and it ended up feeling really off. Deku was now doing this weird 180 from being super sad and upset to then immediately joking around and goofing off with no acknowledgement of anything Katsuki was saying, which had been fine enough when it was just 4 panels, but very off-putting once I made the comic longer

...So I decided to add even more panels :')

I went back to my original ideas, and part of what I wanted to get across originally was the doubts about Izuku's future from here on out, and the worry that things would go back to how they were before he got ofa. I realized those initial things which had fueled the comic were no longer really part of it, and I wanted to change that.

When I thought up the idea of visuals surrounding their middle school selves, I felt so smart LMAO. I think it ended up being the thing that brought the entire comic together.

Izuku reverting back to that anxious, unconfident state, spiralling into himself, and mumbling out all his insecurities, including his fears about losing Katsuki's friendship (and yet still somehow more worried about Katsuki's feelings than his own). And in turn, Katsuki remembering and seeing Izuku as that kid again, and his own fears of becoming a bully once more.

It better explored what I wanted to originally get across and delved more into their feelings, so that the jokes and levity at the end felt like they were earned, rather than being a rapid shift in tone.

(The only other thing that changed was the some of the panels in the first page. I changed up the speech bubbles and got rid of a panel so it would be less cramped and easier to read.)

At this point, I was still having trouble figuring out how to tie everything in and segway pages 6-7 into the ending organically, so it sat like this for around a month.

Then chapter 423 released and the battle was over and I realized how little time I actually had to get the comic out. I knew that the next chapter could possibly make my entire comic obsolete, so I hauled ass :D

These were the final plans before I cleaned everything up! I changed around some of the panels to make the story flow better, I figured out how to tie everything in, and I finalized the dialogue!

At this point all the panelling was redone because I wanted more space in between them. Before, it felt really cramped and I think adding in more breathing room made it feel slightly less overwhelming for readers.

The biggest changes from the previous draft:

First, obviously, I finished the middle school stuff and figured out how to get from one part to the next. This was the hardest part of the planning, but I ended up deciding that Deku would spiral, Bakugou would kind of bring him out of that, they'd hug and then Bakugou would reassure him. I also included motifs relating to their childhood to be reminiscent of The Apology, and Katsuki's thoughts going back to them sharing the special All Might cards, them at the lake, etc. As if this was another healing moment for each part of them; their current selves, their MS selves, and their childhood selves too

I then changed some of the panels in the first page. I switched the direction of the diagonal line in the first few panels because I thought it made it more clear which way to start reading and made the comic flow better.

In the fourth page, I added a panel after Deku starts crying, because I felt like it worked better with the dialogue, and brought in more of Katsuki's POV into the story

The sixth page doesn't really look different, but there was a lot of resizing going on panel-wise. The bottom panel doesn't take up as much space and the panels up top are a little bigger

The final big change was the eighth page. I added in an extra panel and changed up a lot of expressions/dialogue so there was more of a natural transition between the heartfelt moments and the two goofing off

I then made some final changes and drawover notes before I started a week of cleanup and colouring!

Cleanup/Colouring Stage

Cleaning up my sketches usually just means duplicating the layer, putting the original layer at 5% opacity and.. cleaning it until it looks nice lol. It's the easiest way for me to work because I hate doing lineart.

This is what my sketch vs final usually looks like. The biggest change was adding in bandages into all the drawings lol.

For speech bubbles, I drew them all by hand, created a flat colour layer underneath in white, duplicated that and filled it in with black and shifted it with the transformation tool to make a drop shadow effect.

It took me two days to colour the whole thing :')

Usually when I colour, I work in a pretty painterly way, but I thought flats/cell shading would be a lot faster for this. I was right but it still took Very Long.

The smartest thing I did was put colour swatches of each colour I was using on a separate layer above everything else so I could easily use the eyedropper and get the right colour without having to reference them from another page. It was a big time saver!

I colour all on a single layer so I don't have progress photos to show, but for each drawing, I roughly added in all the colours in the approximate locations they'd be, and once I did that for every single panel, I went back and cleaned them up one by one.

And that's that! After colouring was done, I added my signature, posted it, and took the nap of the century.

Final, Final Thoughts

I worked... Very Hard to get the comic out before leaks night and even if it was just a few hours, I'm so glad I was able to do it cause when I saw the actual chapter I lost my mindddd

I feel like as the comic progressed, Katsuki's feelings took a backseat and if I was to redo it, I'd probably put a bit more emphasis on that than I did in the final version. I feel like his ~inner turmoil~ didn't fully come through the way I wanted it to. I didn't want it to be an immediate acceptance — I wanted the fact that he was struggling with his past to be evident too — but with the focus being so heavily on Izuku, Katsuki's inner thoughts get a bit lost which is too bad </3 Good thing is Horikoshi had the exact opposite idea as me, so it all worked out :D

I'm really proud of how the comic turned out, and I'm so happy to have gotten such a positive response to it! Thank you for reading if you got this far and thank you for reading my silly self-indulgent hospital comic :)

[fishtrouts]

I'm noticing something interesting about Swordfish, and what I noticed seems to tie into the recent lore you've revealed about Avoryx and what she believes Hopper is going to end up doing someday. (The whole eating all her friends and terrorizing the countryside thing.)

It seems plain to me that Swordfish doesn't value material things, and instead is fascinated with the living, breathing creatures of the world. Hopper contrasts by loving all things associated with being a 'true' dragon such as material wealth and magical artifacts. All I've done thus far is state the obvious, but here's my actual point:

Could Swordfish's destiny be to right the wrong that is Avoryx's legacy of avarice, murder, and cruelty, by showing Hopper (even if Swordfish's curiosity and interest in the smaller, ordinary fauna of the world is childish now and not rooted in any kind of 'personal philosophy') that there are things to value other than hoarding inert trinkets, that the little wonders of living are worth cherishing and guarding too?

WOW!!! I very much enjoyed reading this analysis! It's such a joy when my silly comics invoke deeper thoughts and theories like this. Both Swordfish and Hopper are a part of me and my experiences, so many of their adventures are directly or indirectly inspired from my life. And many times I don't realize these parallels myself. Sometimes I just draw and write what I subconsciously know, but don't acknowledge to myself out loud. How parents, siblings, friends can affect you, shape your future etc. How every generation is hopefully better than the last. Your take is absolutely correct in that Swordfish's influence could change Hopper's future, but in the end it's Hopper who makes the choices. She admires her mother so much that she might be blinded to paths other than the traditional dragon tyranny.

But they're just hatchlings atm, so nobody knows what the future holds :P

[tofupixel]

Thank you for getting me to finally try pixel art! I‘ve always wanted to get into pixel art but I never knew what to start with and always ended up procrastinating. Your blog and the post you made on learning pixel art were what finally pushed me to give it a go. It was really helpful and I managed this little animation in Libresprite.

I definitely want to improve and your art is like the ultimate goal lol. Do you have any tips or instructions for how to get better or on what to focus on in the future? I‘d appreciate any kind of criticism/input you are willing to give! How do you manage to make such gigantic and beautiful landscapes?

thank you!! and i'm so happy you decided to give it a real go, you're doing great already!! the rendering on the body and the pink shading is really nice.

i can help a little with animation stuff but i'm not an expert, ill write something out about backgrounds at the end

i hope you don't mind but i edited the sprite a little, just to illustrate some stuff

🤺Animation stuff

i added an extra frame near the top of the arc so it slows down. this is called ease or slow in/out and usually happens at the beginning and end of movements. u can do even more slow but this is just a quick version

i also removed the middle frame (where the tail is straight down) to make the swing appear a bit more powerful. this could be the principle of timing in the same video. you can exaggerate smears if you do this, its up to you!! lately i tend to exaggerate stuff a lot, things arent super noticable in motion

i also got a good bit of advice from nickwoz that helped me, basically when you begin to animate, it really puts the rest of the sprite being still into focus. try to think of how you could animate other parts of the body, even subtly. and sometimes if individual pixels stay still they can catch the eye in an unintended way as well, just keep it in mind!!

if you want to learn animation more, you could take a look at duelyst sprites, they have incredible idle and ability animations, i study them a lot

heres one i downloaded a long time ago. i recommend just downloading stuff you like and looking at it!! i have a huge collection of pixel inspo. slowing animations down can really help you understand whats going on. its just a bunch of simple elements put together that makes it look so good.

IF U WANT MORE RESOURCES/ARTISTS I REOCMMEND TO GO AND STUDY LMK!!! IM LIKE A WIKIPEDIA, I AM A BIG FAN of pixel art and love to share

🌿 OK lets talk about landscape stuff

it looks like you have art experience already, but im gonna talk as if youre a complete noob cos it might help some other people who read this!! ur doing great 👍

❓ how to learn: study (and practise a lot)

what i mean by study: draw it, copy it, try to understand it. you can try to change characteristics about it. changing the angle or lighting can help u understand how something works in 3 dimensions.

sometimes it takes time, dont worry, you will figure out your own style through doing studies, its all a process

❓ how to draw landscape details?

study pixel artists and how they do it recommendations: fool, slym, jubilee, deceiver

also please look at real world references!! you got to build that visual library

❓ how to learn composition?

study traditional artists or animation. i did a ton of studies of ghibli backgrounds which i think helped my growth a lot recommendations: arcane, studio ghibli, traditional painters

im gonna break down a piece as well and maybe that will help. this is one from 2022 but its still one of my most popular and its pretty simple too!!

if we remove all the fancy stuff what we have is actually really simple. just a few large, overlapping shapes that all point towards our focal point. it's the brightest area with the most contrast and many edges point into it.

go to pinterest or google and just search "pretty landscape" or "mountains" or something and you can see what i'm doing is nothing special or unique!! break it down into bigger shapes to begin with, its just different areas of material mostly.

and heres how you can make any landscape from any colours. purple sky or mountain? orange grass? ok !! it all works, it doesnt matter. i just blend the colours.

when parts of the landscape are in the distance they become closer to the sky colour as there is more "sky" in between you and it. its called atmospheric perspective. so if the sky was red, the clouds would fade towards red.

OKKK i dont know what else to say so i hope that helps!! honestly 90% of what i do is intuitive and hard for me to really explain, so you dont have to know The Rules, you just kind of pick up stuff as you go.

GL and thanks so much for showing me your art!! please keep going!! 💕💕💕💕

[starlight-bread-blog]

The Fortune in The Fortune Teller

This is an isolated look into this specific episode.

The Fortune Teller is the 14th episode of book 1 of Avatar: The Last Airbender. It is famous for supposedly developping the show's romantic subplot between Katara and A\ang. The episode does two things: A\ang attempts to flirt with Katara, and Katara is finally willing to consider him as more than just a friend.

However, I believe that this episode could have masterfully foreshadowed the pair not getting together in the end. In this essay I will detail how each step the episode takes towards a Kat@ang endgame is actually foreshadowing the opposite.

1. Katara and the Nature of Destiny

In the beginning, the Gaang meets a person getting attacked by a bear. He is acting incredibly passive, simply dodging the bear's attemps at his life. Then, A\ang and Appa interfere to help the man. When the Gaang questions him on why he was so passive, he says it's because the Fortune Teller told him he'd have a safe journey. They then have the following exchange:

The man's logic is obviously flawed. If the Gaang didn't interfere, if the man continued to passivaly dodge, the bear would have attacked him. Fortune and destiny come from agency – from actively shaping them.

However, Katara is delaited at the prospect of seeing the future. Her and the Gaang go to meet the Fortune Teller, Aunt Wu. Aunt Wu tells her she'll marry a very powerful bender. Later, she comes back asking more details about her future husband. Remember her excitment, fantacising about her future husband:

After that, Katara becomes somewhat reliant on Aunt Wu's prophecies. She goes as far as to ask her what she should eat.

And she obeys her "prophecy", despite not wanting to. She became like the man from the beginning. She knowingly follows the fortune even though it doesn't make sense. She had given up on forging her own destiny.

Although by the end of the episode, she is no longer in this state of reliance, she still believes in the prophecies. Then, Sokka says that A\ang is a very powerful bender. This reminds her of what Aunt Wu said about her future husband. I don't want to cherry pick, so I took 4 different pictures of her face when she realizes A\ang might be the powerful bender she is to marry:

With the look in her eyes, with her mouth tilted down and with the ominous music, this could easily be read as disappointment. Especially when remembering how she fantacized about the powerful bender earlier in the episode. She doesn't smile, but looks concerned. As if she doesn't want this. Earlier in the episode, she says this:

A\ang is like the papaya. The fortune says he's right for her, but Katara doesn't want him. Now, she isn't like the man, passively dodging the bear attacking her. She shouldn't sit and wait for the prophecy to come true point blank. She has the agency to shape her own destiny and not to choose A\ang as her future husband.

2. A\ang, Meng, and First Crushes

In this episode we're introduced to a girl named Meng. Aunt Wu told her she'd end up with someone like A\ang, and so she developped a one sided crush on him. Throughout the episode she attempts to talk to him, all to no avail. Because A\ang is not interested in her.

Interestingly, her one sided crush is directly paralleled to A\ang's crush on Katara.

Exhibit A:

Exhibit B:

Exhibit C:

Please note that in exhibits B and C in particular, there is an emphasis on the other party not reciprocating their feelings.

In this parallel the show draws, A\ang is Meng, the younger, shorter one the one who is in love; and Katara is A\ang, the older, taller one who... *checks notes*... doesn't reciprocate.

But in the end, A\ang and Meng have a heart-to-heart.

Sometimes you'll like someone, and they aren't going to feel the same way, and even though it's hard, it's okay. They're young, just kids having a crush. A\ang responds to this with "I know what you mean". Because he, just like the audience that watched the parallels, knows that Katara likely doesn't return his feelings.

———————

In conclusion, The Fortuneteller could have been brilliant foreshadowing to Kata\ang not being the endgame couple, and it would have done so through beautiful, mature lessons about first loves and destiny. Thank you for reading.

[inklessletter]

Congratulations, first of all, for reaching the milestone 💐💐💐 you deserve every single follower, and then some. Your art is always so pretty and I love how you bring us along during your process.

Secondly, would you like to make art based on this fic of mine? I'm thinking right at the beginning, when Eddie falls to his knees on stage and he and Steve have their "moment".

Thank you for hosting this fanart party ❤️

Steve tilts his head, and Eddie prepares for a kiss. He gets no lips, only tongue; Steve licks his mouth, from one corner to the other.

🎸🎸🎸

@2btheanswertothequestion

This one was SO MUCH FUN TO DO. I had trouble finding good references for the ambiance, but I love the result. Please, go read the fic, it's so good.

I know that I don't know many of the users that sent me requests a few weeks ago, but I've got a tiny story to tell about this one (I'm getting to know you little by little and I'm falling for every single one of you, you talented fuckers). They are the reason I am in Tumblr. It happens that I created an account many months ago, and didn't know how to use this, I just clicked "follow" to the tags and the blogs ST/Steddie related that posted fics and arts, and on my way to work, in the bus, I read the first chapter of a fanfic that made lose my stop (literally, I got late to the office that day).

Sad thing is the next time I opened the app, the fic was gone. I just remembered a few things and god knows that the search bar in this site works... well, works. Sometimes. I couldn't find it. I made it my personal goal to actually find this fic again, and this user, whose name I didn't catch because, again, I didn't know how to use Tumblr. This user pulled a full Cinderella on me, reading with intent every fic until the shoe fit. And I found it by mere coincidence, because they posted the third part, and I was like "WAIT IS THIS IT?". And it was it.

In the meanwhile, I actually completed my account, like you know, trying not to make it look like a bot (that I learned that it was a bad thing that could get me blocked), I put a profile picture, I made it decent, I learned how to use Tumblr (a bit). So, you see. This user, my beloved @2btheanswertothequestion is the one to blame that I actually stuck in this place. If you're wondering which one was the fic that got me so hooked up it was November Paramedic. (Here the AO3 link). Go read it, you're gonna love it.

(I'm kinda mad that they didn't asked me to draw the actual picture of the calendar, though. I have some ideas, I might draw it the future, because when I say that I hold this fic very close to my heart, I mean it.)

I really, really hope you like it, I worked hard on it and I did this with every bit of love stored in my heart ❤️❤️❤️

[turtlecleric]

[runs through your wall at full speed like the coolaid man] FOR THE DIALOG-ahem, sorry. screaming. for the dialogue prompts 👁👁 may I humbly request number 2 with rise leo por favor mi amor 👁👁

Hiiiiii Keishaaaaa 💕 anything for you, my dear!

-

“Come here, dumbass.” with rise!Leo

AU where future!Leo came to the past with Casey Jr.

CWs: blood, death, technically reader death but also not? 

-

Leon catches himself staring, sometimes. He'd thought that maybe his memory had put you on a pedestal after he'd lost you, painted you as kinder and more lovely than you actually were - but no. You're just as he remembers, with that laugh that makes his heart flutter and those eyes that make it impossible to say no if you look up at him just right. It's so strange, knowing a version of you that doesn't know him. A you that doesn't seek him out. A you that belongs to someone else. 

Well. It's not really someone else, but… in all the ways that matter, it is. 

It has to be karma. Some sort of twisted punishment from the universe. That's all it can be, really, when he has to watch his younger self act like a complete and total jackass around you. Flirting with you constantly but never actually making a move. Making you blush and laughing it off. Cracking jokes and pushing your buttons and making Leon lose his fucking mind because he knows so much better now, knows that you deserve better. 

He's got to keep it together. 

It's movie night, now. Leo is sitting next to you. Pressed against your side, with an arm around your shoulders like it means nothing. Like Leon wouldn't give anything to so casually hold you in his arms again. 

Leon tries to focus on the movie, but he can smell the faint scent of your shampoo from here. He keeps looking back at you, unable to stop himself, and when Leo's fingers idly caress your shoulder, Leon catches the pretty pink that dusts your cheeks. 

It reminds him of… certain memories. Memories he really shouldn't be thinking about right now, in the same room as a much younger version of you. Although, you were about this age when he and you first started to-

Leon breathes slowly. Forces his gaze back on the movie. 

“Are you cold, hermosa?” Leo murmurs in your ear, drawing Leon's eyes to you once again. Leo's mouth is right up against your ear, and his fingers continue to trail slowly up and down your arm. “You've got goosebumps.”

You swallow, breathing a little fast. Leon gets a little lost in the movement of your throat, then in the way your lips part as you speak. “I'm okay. Thanks.”

Leo hums, watching you intently for a few more moments, then shrugs and turns back to the movie. “If you say so.”

Leon wants to punch the smirk off his stupid face. 

By the time the movie ends, Leon has long since given up trying to stop himself from glaring. He can tell that you've noticed, but Leo is acting like everything is fine. He might even be enjoying Leon's quiet rage, if that cocky smile he gets every time he glances at Leon is anything to go by. 

Leon wonders what it would mean for him if he strangled his younger self to death. He won't know unless he tries, right?

He's joking. 

Mostly.

Movie night ends. You say goodnight. Give everyone a hug. Everyone but Leon, of course. Respecting the boundary he's put in place, even if you don't fully understand why. You give him a little wave instead. It's still too much, but he nods in response, trying to ignore the way his chest tightens at your clear disappointment. 

How could he possibly explain?

He waits until there's no doubt that you're out of earshot to confront Leo. “Stop messing with her.”

There's that cocky smile again. “I don't know what you're talking about, Viejo.”

Leon takes a deep breath, trying to quell the rage that simmers beneath his scales. “She doesn't deserve your bullshit, Leo. She deserves to be treated with respect.”

“Come on, old man, what happened to you?” Raph hisses Leo's name. A warning that Leon himself has heard a thousand times. A warning he's missed having, wished he could've heard just one more time, a thousand more. And just like he always did, Leo pushes forward anyway. “What? I'm just saying, he's blowing this way out of proportion. What's the big d-ah!”

Leon grabs Leo's mask tails, yanking him closer and snarling, “Come here, dumbass.” He holds Leo there, glaring into the wide, shocked eyes of his younger self, and before he can think better of it-

Their eyes glow blue when the mind meld connects. 

An odd echoing, familiar but warped. Looking into a mirror in a dream. A flurry of thoughts, a maelstrom of emotions. Flashes of color blurring into images into memory into

He's calling your name. You always answer when he calls. Always. So why aren't you answering? Why

Screeching. Screaming? Each footfall sends a jarring impact through his bones. He needs to find you. Where

Everything stops. Spins, tilts, then settles into place, but it settles wrong because it's you but 

He says your name, but it's like a question he doesn't want the answer to.

He rushes over, tripping over his own feet. Clumsy, Leo, what is he

It's you but

You're stuck, lying flat in the dirt. Impaled by the claws of a dead hound. Of course you took the fucker out with you. Of course you

“Leo. Can't- can't breathe.”

Your hands reach for him. Slick with blood. Panic, his, yours, choking, choking

When he removes the hound you shriek, sobs ringing in his tympana. Gasping. Begging.

“I know baby, I know. I've got you, okay?” He needs to get you back to the base. Get you patched up somehow. Ignore the red. Ignore the

“H-hurts.” He can barely hear you. He gathers you in his arms, wincing at the choking screams. He knows it hurts, he knows. “Leo. Leo, please-”

His hands are sticky. Almost home. “Shhhhh, I've got you. It's okay, it's okay, just keep breathing.”

They're everywhere. It's so loud, but you're so

Quiet. Why are you

Movement. Sound. Impacts that fall too close, making him stumble, but he still makes it through the portal, makes it to the medbay, places you on the cot. You're staying so still for him while he works. You always were a good patient, but this is

Wrong.

“Leo.”

“Donnie, get me a bag of O neg, I need to-”

“Leo, stop. Please.”

Slick hands. You're so quiet. You're

They're pulling him away, but he's not done. He has to patch you up, can't they see that you need

“Leo, stop!”

You're

The connection snaps like a frayed string. Leo staggers backward, his shell colliding audibly with the wall, and he slides to the floor. His plastron heaves with every breath, his eyes wide and horrified, and Leon watches quietly as tears streak down Leo's face. The cocky smile is gone, and he can't find it in himself to feel anything but hollow satisfaction. 

Someone says something, but Leo is focused only on his younger self. Surely, surely, he understands now. He stalks forward, crouching and grabbing Leo by his sash to pull him closer. “She. Deserves. Better. Get your shit together. I won't tell you again.”

Leo stares up at him, eyes somehow widening further. He's visibly shaking, and all Leon can think is good. 

After a long, tense moment, Leo nods. Leon releases him and stands, glaring down at Leo for another few seconds before he's fully satisfied. He turns on his heel, going straight to his room without another word. 

No one follows.

-

Tag list: @yorshie @luckycharms1701 @khayalli @mxalmighty @justalotoffanfiction @thelaundrybitch @shakeyourtrees @silverwatergalaxy

[azure-cherie]

𝑷𝑨𝑪 : 𝑻𝒉𝒊𝒏𝒈𝒔 𝒚𝒐𝒖 𝒅𝒐𝒏𝒕 𝒌𝒏𝒐𝒘 𝒂𝒃𝒐𝒖𝒕 𝒚𝒐𝒖𝒓𝒔𝒆𝒍𝒇

Pile - 1-2-3

Please choose with your intuition. Only take what you can relate to as this is a general reading

🕊️Masterlist

🕊️Paid services

❦︎𝓟𝓲𝓵𝓮 1:

Hii dear pile 1 I hope yall have been well . No matter how much you like to be in the shades or how much you are of an introvert , did you know that you make n excellent leader , that under your guidance, finest of the lillies shall bloom . You might think that you ar a thinker but my dear , your gut feelings are stronger and lead you better , you better start acknowledging them , don’t lose your command on who you actually are , your gift can save you . You're well balanced , being a little more organised is something you really wanted to be for a long time, and you don’t have to sabotage yourself thinking youre not already , you are really doing good and you will continue to do it , sometimes its okay to leave room for unpredictability . You sometimes feel scared of things , get into the depth of this matter , is this coming from an older thought you have . Are you letting go of an important material prospect excusing saying its because you have been spiritually involved . For ex : even though you have to save up for the month , you tend to buy weed , just an example tho . Youre going towards something coz you think you like it , in this case it might be a relationship , but do you seee this person reciprocting or are just going mindlessly into the abyss , spirit wants you to take some time and evaluate your choices . Please don’t sabotage yourself into thinking that your struggles are less than anyone elses , recognise and accept that you have toxic parents and that life can go wrong . You bring people with so much clarity about themselves , like you are a start for spiritual awakening for people .you might have suffered a great loss and might be lowkey right now , but to lt you know , these people hold no grudge and judgements and they already love you , think youre confident and outgoing , this applies for family and close friends .

❦︎𝓟𝓲𝓵𝓮 2 :

Hii dear pile 2 I hope yall have been well. You right now might have been isolated because you confronted someone for their ill doings , you did what should be done and it has left you alone and you might be confused about what has happened and why , but don’t worry this thing that has occurred is a building block to what you are becoming in the near future. You are really a loyal friend , do not worry about what others say or do. Youre very abundant and you draw so much inspiration from everything around you , what others don’t see , you see , you do it so well . You might be overusing your resources , to a point where you could face problems so be head on about where and how you are spending your money . You're intuitive , you might be a witch , someone from your blood line was one , you are also blessed with those powers . They try to give you signals through your dreams , learn to see the meaning behind those common looking words . You have achieved a lot , almost to the point of satisfaction , now you want to call people over and celebrate so mote it be you are a party girl and its amazing . Youre analytical , perfectly intelligent and logical and at times you feel shy to accept compliments but that’s just who you are so accept and cherish it . Lastly I get you might be obsessing over something and ignoring whats already there , already handed to you , don’t loose what you have because of a delusion .

❦︎𝓟𝓲𝓵𝓮 3 :

Hi dear pile 3 , hope y'all have been good . You don’t know that youre in love , because of something that has happened in the past has lead you to close your heart , youree beautiful but broken , but I don’t see that as being much of a concern for you right now as youre very slef assured and satisfied with what you do , a change is necessary . For the other lot of you , this is a confirmation for you to get married , yes the love has carried on , don’t be afraid of commitment . You have a very good communication style and people value what you have to say . I also get that some of you might be dissociating bad, like not realising that something has happened to you , being one of those people who shut themselves when something happens to them . Open your eyes youre not what they made you , you will be what you choose to be , you think the damages are irreversible but you got a long way to go , chin up bestie . You have achieved my dear you must treat yourself with something , maybe velvet cake or cheese cake , that’s what I get specifically . Take a break and leave for a vacation alone you have worked so hard already . Some of you here are starseeds , indigo children , you should connect to your soul family , they are always rooting for you . If you are a person who stays in the middle of arguments in work area , its okay that doesn’t give you less personality , infact you are benefitting by being in the middle as most of the people in your work place are too opionated or too judgemental . Your focus should definitely be you always.

Thank you so much for reading i hope this resonates

love love 💕

[disneyprincemuke]

build me up * ls2

two hit men, one target: each other. the problem? you're soulmates.

pairings: logan sargeant x fem!reader

trope: soulmates destined to kill each other

wc: 1.2k

(f1 masterlist) | (falling in reverse)

logan’s not a murderer per se. well, he kinda is. but with a purpose; he’s not just going around killing people for no reason.

there’s always a reason.

but when he’d been assigned to take down an assassin of some sort, he almost hesitated. because it was you and well, the bias is very simply explainable: you’re very beautiful.

he’s a hitman — not a robot. he can still find people attractive.

he’d been contracted to take out the person sneaking up on the big people he’s working for. naturally, they’d want you taken out.

he’s followed you around for a couple of hours now, trying to find a perfect time to lunge at you and make it quick. there wouldn’t be much to admire seeing when the world is still very much monochrome in his eyes.

he wondered, watching you devour your dinner just an hour ago, if there was somebody that would mourn your death. not in a psychopathic manner, just in a sense that he’s also all alone.

ever since he’d taken the genius career path to be a hitman of some sorts, it’d been easier to be by himself. nobody to look after, and nobody in danger from the things he’s gotten himself into.

his want to eventually meet his soulmate and see the world in colour would have to wait. it might even need to be scratched off from his list completely.

when he comes home to an empty apartment, nobody in it but his dog happily wagging its tail up at him, he gets the urge to drop everything to pursue the life he wanted. a nice home somewhere discreet with his soulmate and maybe kids.

his picture perfect future gets the best of him sometimes. he’s got his letter of resignation collecting dust in the bottom of his email drafts but whenever he comes close to hitting send, there’s hesitation.

because what if he doesn’t actually ever find his soulmate? does that mean that he would have to go about life in black and white all by himself?

so logan doesn’t ever send the email out. he will just have to eventually find the time to deal with the inevitable loneliness looming over him.

it’s not an easy lifestyle: trying to be a hitman for a big corporation and desire for normalcy.

logan follows behind you, slowly and quite a distance, into an alleyway. he keeps a hand against the cold material of the gun stowed away underneath his jacket — for comfort — and to finish you off fast.

your sigh echoes in the empty alleyway as your footsteps come to a slow halt. you kick the ground slightly and drop your head, starting to dig for something in your bag.

and that’s his cue.

but just as he launches to get you, he finds himself frozen when he hears a click. there’s a barrel of a gun pointed right at him with your back still turned to him.

instinctively, he draws his gun out, pointed right back at you. and he finds himself in a situation.

“do you think i’m stupid?” you mutter with sarcasm. “i know when i’m being followed.”

you whirl around and logan almost drops to his knees. he finds the boring black and white motif that he once thought he would never get rid of, slowly fading away. he can decipher the warm glow of the orange lights in the alleyway and the colour of your skin and the colour of your hair.

you don’t mask your shock very well. you flinch and your hand falters when the bright green of logan’s eyes greet you when you turned and locked eyes with him.

your gaze softens as you try to figure out what’s happening. only then it hits you that this man who has a gun pointed right at you is your soulmate.

you steady your arm immediately and tighten your grip on the gun. “i noticed you the minute i stepped out of the restaurant,” you say lowly, “why are you following me?”

logan lifts both of his hands in surrender, his gun pointed into the air. “are you just going to ignore what happened?”

the colour of your eyes mesmerises logan. to hell with his task, there’s a more pressing matter: he can see colours.

colours that seemed like a mere myth, growing up with parents who would describe it to him all the time with the biggest smiles. he wonders now if his eyes are as beautiful as his mother would tell him when he was growing up.

if he cared to ask you, you would say they’re the best thing to be greeted with. but that’s not important.

just like every other kid, growing up, he always thought what it would be like to meet his soulmate and watch the world transition to something he’s only ever heard his friends talk about growing up.

it wasn’t until the reality of losing a soulmate struck him when he was 19, when he lost his mother. and eventually watched his father grieve, and then lost him too.

and friends of friends bear stories of losing their soulmates, describing it as the most devastating feeling. he decided at 20 that he wouldn’t be on the receiving end of that pain.

so logan distracted himself training at some shooting range down the street. some burly man liked what he saw and recruited him.

and now here he is.

“i’m not fucking around with you.” you keep your guard up walking towards him and logan doesn’t move another inch. “i know you’re not here to mug me, so what gives?”

logan’s eyes trail down to the gun barrel now pressed against his chest. he lifts his eyes with a small smile. “would it help if i said i think you’re pretty?”

you dig the barrel into his chest. logan stumbles a step back. “i will kill you without thinking twice.”

“okay!” logan whines. “i was… i’m being paid to kill you.” he watches the annoyance on your face grow. “but please, acknowledge what just happened.”

you look up at him, trying to figure out if he’d just make an attempt for your life either way. you snap your head at the item still in his hand and he follows your stare. “i’ll unarm it,” he offers. “please, let’s just talk.”

“one wrong move, i’ll shoot you in the leg,” you threaten, gesturing your head towards the ground.

you weren’t shy of falling victim to great love stories of meeting your soulmate. you watched your best friend and her soulmate tear each other to the brink of insanity trying to make it work, evidently throwing in your face how it’s all just an illusion, and gave up on it.

the story of how you landed a job as an assassin is a long story, deriving from your childhood and your parents’ businesses growing up. all there is to know is that you’ve been here almost your entire life, courtesy of your parents.

given the brutality of all of your lines of businesses, you often think about how they managed to make their marriage work.

seeing colour has always been emphasised in yout society. it’s a magical moment, you’ve heard people say. but nobody ever tells you what to do when you’re meant to kill the other.

and you’re curious… you’re thinking, what now?

frankly, logan is thinking the same thing.

gen taglist: @33-81 @darleneslane @nikfigueiredo @happy-nico @localwhoore @namgification

series taglist: @vicurious28 @c-losur3 @lozzamez3 @haikyuu-carat @bicchaan @ @cinnamongirlontv

[valeriehalla]

Hello! I was reminded of your webcomic Goodbye To Halos recently and wanted to let you know it had a pretty big impact on me. I read it during my teenage years and I think it really helped me to contextualize and make sense of some feelings I was going through about - well, teenage stuff. Change, I guess, mostly. Changing bodies, changing genders, changing role in society, changing relationships with others - your comic helped me process a lot of my fears about those things.

Your comic was probably my first exposure to nudity that was neither sexual nor comedic. It really stuck with me how your comic has characters in states of undress fairly casually. Not like "walking down the street" casual, they're always in a safe place like a bedroom or a bathroom or something, but still. As someone who was raised Catholic it was really powerful to see nudity portrayed as so... not-shameful. Nudity is just a state the characters pass in and out of; they're nude after taking off their clothes like they would be wet after taking a shower. There's no shame in it. And that's really the way it ought to be, right? We were all born nude, it shouldn't be such a Thing as society makes it out to be.

That's just my little input on what impact your art has had on me. It was a good thing that I read it when I did. I wish you luck on all your future endeavors.

that's extremely kind of you, and very well-said, and thank you, and also that's absolutely wild for me to read.

i actually had to remind myself just now that there was in fact a sequence of (counting) eight pages where enae had her tits out. i didn't think a ton about it at the time. i do remember debating mentally whether to slap a "warning this page has boobs in it" label on the social media posts: i chafed at the idea, and i think i didn't do it? or only did it for some of them? i didn't want to because to even put such a warning immediately prompts the reader to think "oh something Sexualle is going on here," putting them on high alert and making it into a whole Thing. and it was not a Thing.

i always thought that some day, if ever i found the right moment, i wanted to have a page where fenic was fully nude. my idea of the "right moment" for that was that it would have to be at a juncture in the story where it made sense for her to be nude, and also where it would feel to the reader like there was absolutely no "point" to her nudity. the one page in the comic where fenic is topless was sort of a prelude to that idea: that might have been the moment, if there had been any reason at all to include her lower body in those panels, which there wasn't, so i didn't.

it's a fine line to walk. i think it's fairly obvious that there were many panels in that comic where the reader absolutely was meant to think "wow this character's attractive" (if they could get past my art back then lmao). i peppered those in liberally, sometimes because it was personally fun for me to draw, but always because it just seemed, i don't know, honest? for this story about young queer adults who are sort of omnidirectionally horny for one another to have a gaze reflecting that--for the reader to feel like they're "in on it" too, not in a leering sort of way, but as if they're just, like, sharing in it with the characters themselves. but then to have that, and then to also have full-on nudity, and for that nudity to feel at home with that sensation, but also purely incidental, and not in and of itself sexual, is a lot of objects to juggle, especially if one indeed (like me) wants it to not feel like there is a "Point" being made. so, it's cool to hear that it worked for at least one person. sorry for writing 999 words about this

[speaching]

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I have been being told to share this for so long so ✨️Tada✨️

Wrapping paper finger spelling "Hapoy Holidays" with the hands of the main 4 Robins

In order using the word "Happy"

H: Dick, A: Jason, P: Tim, P: Damian, Y: Dick

More about me making it ⬇️

I think most people have seen the Target ASL wrapping paper at this point? If not, ere you go

I did want to get it, but my family doesn't celebrate Christmas. So I decided to make my own and design it in a way that I thought would be more fun and personal

I spent over a month drawing and designing this wrapping paper

Each hand was completely drawing from scratch and even the hands signing the same letter (Like Tim and Damian signing "P") are both individually drawn because I wanted them to all have unique and sizes and shapes.

I also gave them glove designs that would easily read as their character

I wanted to get this actually printed as wrapping paper but it was too late into December by the time I'd finished and I definitely didn't have the money for that. If I had the opportunity and money I totally would but currently I do not.

My mom and actually my ASL teacher, along with others are trying to get me to sell this but that requires money.

I'm always really hesitant to share my things like this because I want them to stay my own things and ideas but I've been told a lot to share this, so I am.

I actually have a lot of ideas for other ones like these I'd like to make in the future that I might work on sometime soon? My schedule willing though they'll probably just live on my computer.

But maybe if I get a way to do it I'll make this and other designs I do available :D until then please keep in mind this is a very personal work to me even if it might not seem that way

Fun fact! The presents on the wrapping paper actually represent some of the other Batkids also including Babs and Steph!