#I start terrible and bad

[bigfatbreak]

Birds of a Feather previous / next

[screamsinsilver]

when your mates absolutely need to interrupt your twitch stream with an urgent house update + the guys all trying communion wafers

i think about this clip regularly (jesse is the funniest guy in that house)

[robby-bobby-tommy]

The parallels that hurt so much

They both jinxed the most important event in their lives trying to help...

They both lost their closest friends to this....

And both were abandoned and hurt in the worst way possible by the sibling they've looked up to....

They had good intentions, they were so young......

And they're the monsters others have created.

[canisalbus]

i've returned for 2 seconds to tell you that they're not leaving my head. (sort of unrelated but i've been thinking as well. what if vasco died before machete ? what would go down)

.

[polaritydisturbed]

Conrad, idk how to tell you this but you're not recording, you're playing audio. You wanna click the red circle instead of the sideways triangle.

(psh if you want a full breakdown of just how bad he is at this I made a full post here)

[starliteonearth]

You know Ghoulcy has become a very serious threat when antis are literally forgetting that their ship IS the main cannon ship. Because what do you mean you'll cry if Vaultknight doesn't become real?? They ARE real. Did we somehow slip into an alternate reality where they aren't canon? Like please be so serious right now 😭😭

[koipudding]

imagine!!! imagine if you will…

contains: menstruation | gn! reader | reigen | might be ooc

i just needed some comfort :/

Reigen massages your legs and stomach when you’re on your period. He runs warm, so warm that his hands are a bit clammy at times but perfect for when chills wrack your body. Plus, he has an older sister, so he knows exactly what to buy you: various pads (or tampons, both on some weeks) , snacks of every flavor profile and extra tea and heating pads (she’s thrown enough fits at home that he remembers it all).

“I’m home.” You throw your bag to the side, and slump onto the couch.

Work was terrible, and running around all day had led to more aches and pains. Your thighs press together, trying to prevent any leaks that might result of your fidgeting. Your boyfriend walks from the kitchen over to your side, kneeling and brushing your hair out of the way. Maybe you should swat him away; get rid of his insistent poking and prodding.

“Rough day? Let me help.” Reigen pulls your shirt up, and hushes you by pressing a warmed up rice ball to your mouth.

You take the little onigiri, and nibble on it as his hands rub up and down your sides and abdomen. He digs them into your back, hitting every spot before he returns to gently rubbing soothing circles over the front.

Just a few days of unbearable irritation and feeling unlovable. You can deal with it. But it doesn’t stop the tears from filling your eyes, and soft whimpers to escape your mouth when the one man who always sees you as your worst treats you so kindly, as if you're his favorite person.

“So pretty, y’know that? Adorable, really.” Reigen winks at you, his hands slowly warming up your bloated stomach.

He doesn’t comment on your sullen expression, but a quick peck on your jaw is all you need before you sink back down.

“‘Taka, at this rate I’ll fall asleep.” You yawn softly, feeling the warm darkness pull over your vision as you swallow the last grains of rice.

“Sleep. I’ll take care of you, always,” Reigen brings his hands to your face, massaging the temples and your forehead, “i love you.”

Reigen whispers little reassurances, pulling you up to sit on his lap as he runs a hand up and down your back.

“You’re so good, my favorite person. I cant ask for anything more; you’re everything to me.” A kiss on the crown of your head.

“Do you need me to grab anything? hearing pads? ibuprofen?”

you shake your head, a yawn bubbling up. Reigen laughs and kisses your nose.

“You’re so cute. I love how your nose scrunches up.” A pinch on your side.

You swat his hand away with a small pout, “don’t do that.”

"You're smiling again, I'm glad. You were so tense before." He wipes the tears off of your face, and picks you up.

"Sleep. I'll make you radish and pork bone soup? Or congee?"

You hum your answer noncommittally, the warm cologne that had seeped onto your shared sheets lulling you to bed. The last thing you feel is a warm rag over your face, and an arm around your waist.

a/n: needed some comfort… been having a rough patch :/ reigen makes me happy tho! i hate politics but it’s important that i stay informed. and i hate it all :3 stay safe out there dears :3

my parents made me white radish and pork bone soup :3 it's very comforting!!!!

rushed but this was very self indulgent.

[crossbackpoke-check]

blessed be (lorscher bienensegen) | telling the bees (wiþ ymbe)

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie

[hijinxinprogress]

12 year old tim realizing robin’s not coming back to gotham and deciding that it’s Batman’s fault so he has to ruin the little bit of sanity and peace of mind Bruce has managed (read: struggled) to keep in his grasp:

[somegrumpynerd]

Horror's nightmare

Horror doesn't think much on his past anymore, but his nightmares often resurface the guilt he's buried about the idea that he could have prevented it all somehow, even if it came at the cost of his own life.

Thankfully, Nightmare is here to make him a hot drink to calm his nerves and promise him a visit to his brother when the sun is up, because Papyrus will always be very glad to see his brother alive and visiting (and as sleepy as ever).

[dinomintz]

gamer palu is funny to me

edited the text bc I didn't see all the TYPOS!!!!

[stuck-in-the-ghost-zone]

for the record. i think it's like. okay to be annoying. you're gonna be annoying sometimes. it comes free with being a human fucking being. it shouldn't be the end of the world when someone says "hey this thing you did kind of annoyed me. you don't need to stop doing it just know that I'm not gonna interact w it much" like. that seems like a reasonable thing to me. everyone (yes, even your friends) have pet peeves that sometimes you will set off. this is fine and it will not ruin a friendship unless you. like. make it a bigger deal than it needs to be, because thats when things tend to get ugly and bad. not everyone is gonna like everything you do and that's fine? not everyone has to be so enthusiastically hyped for things that you like. you'll never be happy if you start thinking like that.

[angelpuns]

Everything is very horrible today in an autistic meltdown kinda way so either I'll pop off and draw a lot or lay face down in bed doing nothing for several hours we'll just have to see

[gothicrepetitions]

I feel because of Jinx and Viktor’s popularity in fandom (having some of the most annoying fans in Arcane fandom) and the attention they receive in the show itself, people forget/don’t realise how bad they were done by the writers in s2

[thenamesapollo]

nightmare and his stupid mascot that is basically him but with even less redeeming qualities.

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.