#I think it is about the repetition I think.

[corvidcrossbow]

~•♡•~ I Like It Long

➳ Summary: While out on a run, you and Michonne start lightly teasing Daryl for having his hair grown out. But there's a hidden reason as to why he won't cut it. (Daryl x Fem!Reader)

➳ Era: Alexandria, post Savior war

➳ Word count: 1.4k

➳ C/W: Just smut n hair pulling

➳ A/N: This spawned from me writing the context plot of another fic and I was like… wait (And thank yall for the attention on that Mother's Day post??? Yall are so sweet 😭🫶)

My hair is really similar to Daryl's when it's partially or almost dry and it's actually my favorite thing about myself like xbsosjdjdneisnsiasjebeiisjabajissn

You loudly banged your forearm against the glass door of a long abandoned drug store, not hearing any noise inside. Vines and weeds had grown through cracks in the concrete, winding up the sides of the building.

“Sounds pretty clear,” You shrugged, holstering your bow and opting for hand-held blades as Michonne pulled open the handle. You, her, and Daryl were clearing through a nearby town while out on a supply run, opting to make quick work of the task in favor of getting home.

You three entered the building, keeping your guard up in case of any straggling walkers that weren't roused by the initial attempts to lure them towards you. The interior wasn't large, so you could comfortably split off from each other and still be close.

“Seems mostly ransacked. Not much left,” Michonne commented, katana lowered but out in front of her. This had begun to grow repetitive and boring, energy matching the grayness of the lighting.

She took a pair of hair cutting shears off the shelf in front of her, holding them up to your gaze a few isles over. “Think he could use these?” She asked as a smile played the edges of her mouth, nodding back towards Daryl, looking for mischief. His hair had grown quite long over the course of the last two years, the tawny blond darkening into a rich brown, accompanied by a shaggy cut.

“Oh definitely. Jus’ gotta determine which onna us can hold him down long enough to cut it,” You replied with a chuckle, eyes following hers to where the archer stood at the endcap of another lane.

“Shuddup, will ya?” Daryl scoffed, shaking his head with grunt. His gaze didn't break from the advertisement in front of him, trying to ignore your antics. “Ts'fine.”

“Gotta make use of whatever supplies we find, no?” You continued your teasing, trying to hide the grin on your face at his reaction. “You were sweatin’ like a pig all summer, hair tangled all over yer face ‘n what not. When was the last time you cut it?”

“Don’ kno’, don’ care,” He grumbled, and you eyed Michonne again. It's definitely been since the prison, at least. He moved on from the stand. “Plus, winter up ‘ere's gon be colder. Will keep me warm.”

“Daryl, you're ‘bout the only one who didn't freshen up since we got to Alexandria. Don't you at least want a trim?” Michonne pestered, raising her eyebrows at him and shifting her weight to one leg. “You remember Rick's whole hobo-beard.”

“Ain't got no ‘hobo-beard’.”

“But you do look like the only ‘scissors’ you know is the recently searched on your go to porn site,” Michonne chaffed, barely able to contain herself.

Daryl froze for just a second, face flushing as his head whipped to stare back at her. And you two burst out laughing, to which his expression soured.

“Give it up, alrigh’?! Ain't nothin’ wrong with mah hair!” He snapped, accent thick with embarrassment, bowing his head slightly in an effort to obscure it. He readjusted his hold on his crossbow. “Gon shoot tha botha ya.”

“Ay, ay! Jus’ sayin’. Rick scrapped the beard and… maybe you'll finally get some play too,” She winked, followed by a lighthearted snicker.

Daryl groaned again and rolled his eyes, beginning to walk off, but caught your gaze for just a second.

It's not that he didn't want to cut his hair - he didn't care about it – but he wasn't really allowed to either way. There was one major, sexy, moaning reason he didn't cut his hair.

❥-》》—————➣

“Oh, god, Daryl! Fuck! Don't stop… god don't stop,” You cried out, hands clutching his shoulders as your nails began to dig into his flesh. His grip on your hips was bruising, keeping you steady as he pounded up into you at a relentless pace. That grip was the sole thing grounding you in the reality of the present moment.

“Ain't gon stop,” He affirmed, voice gravelly. You moaned wildly, head weakly falling to his chest with exacerbated breaths, his own heaving against your temple. He leaned closer when he could, harshly sucking at your clavicle and boobs, leaving behind a litter of hickeys and little bites that colored you in reds and purples.

The springs of the bed beneath you sounded like they were gonna fold in on themselves, headboard sporadically banging against the wall as Daryl shifted down a little to hit into you at an angle, your clit brushing against him with each thrust. Your back arched overtop of him, shoving his dick into your belly.

“Baby, please… fhuuuckkkk.” You couldn't even think, every thought consumed by the feeling of him. The way he just destroyed you like it's an art he'd mastered, tip brushing against every sweet and sensitive spot inside you, walls desperately trying to cling on, balls hitting up against you, clit grinding on him, slickness coating his pelvis and your inner thighs, his clutch on you just so fucking strong.

You pulled yourself together, lifting your head to see him. His long hair was dark and dampened with sweat, matting up as it stuck to his forehead, obscuring part of his vision. But he was too focused on using you to fix it, didn't dare to remove his hands unless God willed him to.

You moved up, swiping it away, and his blue eyes instantly connected with yours, pupils blown with lust. He (somehow) sped up, starting to slam your hips up and down to meet him instead of just keeping them stationary, now just beating your cunt.

“Tha's it girl. Jus’ keep takin’ me good like tha’.”

His words made you shiver, and you partially fell forward again, nestling your face beside his and snaking an arm behind his head. Your fingers weaved through his messy hair, tangling at the scalp, then tugging harshly as another wave of pleasure ripped through you.

And he whined. There it is. His breathy gasps and grunts mingled with strained whines, and whimpers, as you pulled tighter and tighter at the roots of his locks. His face contorted, eyes nearly squeezing shut, that one vein bulging from his neck, directly on the verge of so much.

“Daryl… inside.., Dar-” You panted, cut off as everything went white and you hit your peak. Your whole body felt electrified, tensing, twitching, walls spasming, toes curling and claws clinging to his frame.

Daryl tipped over the edge almost immediately after, having just been waiting for you to cum first. He desperately pumped into you a few more times, before curving up once more and simultaneously ramming you down as he came deep in you, the warmth of his release spreading through your core, and he threw his head back with ragged breaths.

You were both left a sweaty mess, gasping for oxygen, feeling full and satisfied. Your muscles couldn't keep you up, and you collapsed onto him, loosening your hold at his scalp, his hold on your hips doing the same.

He recovered a bit quicker than you, bringing a hand up and brushing your own messy hair away the second he had the energy to do so.

“Ya alrigh’, sunshine?” He asked between hitches, hoping he hadn't been too rough. He soothingly rubbed his palm over the curve of your body where bruises were sure to form.

You nodded faintly, moving your head so you could breathe better, and you could feel him relax beneath you from the reassurance. He held you tenderly for a while, giving you time to regain your composure. Your eyes were closed in bliss. Few things beat the feeling of Daryl under you, rising and falling with his torso, hearing his low humming as he steadied himself – his softening cock still buried deep inside you, cum ever so surely beginning to dribble down.

You lazily remained in his arms, not wanting to deal with getting up, or the shower you two definitely needed. You took a strand of his hair, affectionately curling it around your finger like a tendril, then letting it go and repeating.

“Ya actually want me tah cut ma hair?” He eventually asked, thinking back to your light mocking from earlier, how you'd laughed as Michonne layered it on. It didn't matter much to him, he'd do whatever pleased you.

“Fuck no. Was just messin’ with you, Dixon,” You replied, kissing the skin of his collarbone right below you, and moving up to find his lips. “You know I like it long.”

The long hair suited him, he looked good with it. You loved to wash and play with it, brush and braid it while he laid in your lap. But mainly, it was easy to grab at, pull on – and close to nothing in existence sounded better than those whines and whimpers every time you did so.

©corvidcrossbow 2024. I do not give permission for my works to be copied, modified or adapted to other platforms. My work may be translated only if asked and with proof of given consent.

[lesbianphan]

The Myth of Sisyphus and PHILosophy (lol) - a brief essay on two nerds playing a game that might not be that deep but hey who's gonna stop me from pushing this boulder up the hill of writing this?

Disclaimer: it's finally my turn to use my useless degree that included a lot of literary analysis for something extremely important to society: analyzing Dan and Phil content!!! yay!!! This is about to be incredibly nerdy and waffly, but like what else are you doing with your time anyway on phannie tumblr?? (pls read it, I just reread Camus for this for the first time in years okay I'm dedicated to my craft)

"The struggle itself towards the heights is enough to fill a man's heart. One must imagine Sisyphus happy." Albert Camus

As a part of Camus' essays on absurdist philosophy, The Myth of Sisyphus deals with the pointlessness of existence, through retelling the story of the greek myth about the titular character who, as a punishment for defying Death, was condemned to spend eternity pushing a boulder up a hill just to watch it fall back down. That may sound bleak, such is the futile nature of getting up every day and doing tasks, after all.

However, that's not really what the essay conveys. As the quotation provided in the beginning shows, Camus' takeaway about the myth of Sisyphus isn't about how easy it would be to take the option of not engaging at all with the repetitive tasks that make life what it is, or even focusing on how disappointing this pointlessness is. It's about how the journey of getting up everyday and motivating yourself to hit the peak of the hill is all there is to life, really. The absurd conclusion is, ultimately, that pushing the boulder up the hill everyday is what true revolt against the senselessness of the universe is. If there is no reason, we make the reason by climbing up with our rock everyday.

We choose to be happy every day and appreciate our rock, our hill, our existence as a whole. We choose to believe Sisyphus is happy, and, as disappointing at it may sound at first, it's worth it to live your existence, as long as you decide to appreciate your present more than your future (the destination, that elusive peak of the hill).

In Dan's words, you decide to have "just one good night" together every night on tour, you appreciate the journey of climbing out of that mental health hole again. You climb up that hill again and again, because it's worth it, and there are things - bigger than yourself or your personal boulder or even your destination, - that are worth fighting for every day. You embrace the void, and have the courage to exist today, not tomorrow atop the hill.

As Camus' Myth of Sisyphus was, admitedly, one of the inspirations behind We're All Doomed (and it shows!), it makes it even more intriguing to inquire about how much of their reactions to that particular game about Sisyphus informs their perspectives on the world and their personal philosophies.

As a disclaimer, I must add: I don't claim to know Dan and Phil personally, and I only have acess to the parts of them they decide to share, the performing side of them. So, quite obviously, I can be fully off the mark on this one. Still I think it's interesting to dive into, if not for accuracy, at least for better understanding of the personas they portray online, and how their worldviews bleed into it.

The first big point a lot of people brought to the table is the shift in Dan's philosophy ever since writing and performing We're All Doomed and (most likely) a lot of therapy and work on himself over the years. Gone are the days of existential crises being treated as a joke, or mental health in general being discussed without care for what the audience may take from it. During the video, it's quite apparent that he tries very hard to mantain that voice of reason (sometimes breaking it out of frustration, which is fair!), to somehow guide us into an understanding of what this philosophy means to him personally and to his self-proclaimed magum opus WAD.

This is relevant, of course, insofar as this becomes the thesis of the video, silly gameplay and jokes aside. So I couldn't not mention it here, as it's extremely noticeable and commendable of him to now have a different kind of perspective towards the topic of mental health, in this more mature era of their content. You can tell it's relevant to him to try to get the point of the myth across, in a way that tells his audience, as much as it tells himself, that giving up isn't a choice. You must keep pushing that boulder and you must believe that Sisyphus is happy, and so will you be during that journey up the hill. Even when it falls down again and you meet frustration, you pick yourself back up and keep trying to enjoy the present once again.

Secondly, regarding Dan's behavior during the gameplay, it's notable that he gets extremely frustrated when the boulder falls down (who wouldn't?). However, he always tries to catch it and put it back in the path upwards, instead of throwing his hands and giving up like Phil seems to do. This shows, very loosely, how he handles frustration in his own life: trying to fix things and get them right on path again. It's sometimes the most difficult choice to make, but it's extremely corageous to just keep trying in face of extreme frustration. We've seen it all over gaming videos, but also on his own personal projects getting shut down, and Dan still insisting on carrying on creating things that are personal to him, even in face of rejection.

Phil, however, seemed to give up out of frustration extremely easily, so much so that Dan kept pointing it out how he'd let go of the controls and let it happen. It might not mean much, but since he himself claims he gives up on things that are too difficult, it might just be an aspect of his personality to literally let go in face of things he perceives as impossible to achieve.

It is also notable that when he made a mistake, no matter how competitive they usually are on the surface, Phil decided to ask Dan for help, or try to tag out entirely and hand it over. This may not only be related to frustration, but also to knowing how to ask for help, and also a belief that Dan is "the strongest one out of both of us" and he will be there always to help (quite adorable). Dan's tenacity in front of difficult situations is a great complement to Phil's anxious eagerness to hand over the controls when things get overwhelming.

It's interesting to point out how their personal worldview influenced their gameplay as well. Dan was focused, sharp, driven to get to the top of the mountain by keeping in complete control of the boulder at all times. He held on tight to the challenges and kept going, and he wasn't afraid to run back and catch himself enough to try again. Phil's style showed something very interesting about him that is notable in gaming videos in particular: Phil's propensity for making little goals and celebrating the little things in the path to a goal.

Getting through one obstacle that was once difficult is enough to make Phil seem content with his progress. He celebrates every little step of the journey and, in that way, it's easier for him to appreciate it naturally. He's focused on the little tasks more than the big picture, and that makes the experience more enjoyable. His goals shift, of course, as they progress through the level, and the difficulty ramps up. Even so, he's still more likely to point out that's the farthest they've gotten and, hey look at this ramp, let's get through this ramp and then we've won, because that's my goal right now, and that's enough to make me happy in the present.

This counterbalances Dan's more bleak outlook wonderfully as well. While Dan is focused on making it to the top of the hill, and gets extremely discouraged seeing there's a lot more ahead they'll never get to experience, Phil's view is that they got through that one challenge and, surely, next time they'll get through one more, and so on and so forth. Focusing on smaller things is, ultimately, a good way of finding happiness in the process of pushing up that boulder.

Moreover, Phil's brief comment about how you could "make up little stories in your head" is also extremely telling of the kind of person he is. As Camus' philosophy claims: the only way to live with an absurd world is by living through it and learning what it means to be happy in a world that doesn't make sense. In Phil's mind, a bearable way to get through the harrowing experience of every day existence is making up stories, which matches up with his creative mind. Art and creation are indeed things that can make life worth living, and it seems that even subconsciously, that's the path he'd choose against the pointlessness of repetition. The joy of creation is, certainly, and extremely human and beautiful way to find meaning in life.

The most interesting point I'd like to raise, though, is how they got through that game together: as much as Dan accused Phil of distracting him, it was interesting to see that he didn't notice that's entirely the point. The boulder falling down is nothing compared to the stories we share, the conversations we make. What is important is the journey you take, and hearing about your best friend's weird school inter-sports anecdotes, even if you have to start over because you got distracted.

And that's entirely the point I'd like to leave this of with: pushing up that boulder is only worth it if you learn to live, if you learn to love, if you learn to enjoy the present moment, instead of focusing on that ever elusive destination. Therefore, what makes not only the video interesting, but also the game bearable at all, is their interaction with each other. Much like in life as partners, Dan and Phil would, obviously, climb that hill together. They would find the joy in the little moments together, laugh, yell, get frustrated, pick each other back up again in moments of frustration, and keep going up that hill together.

The only way to live is if one imagines Sisyphus happy. The only way to exist is if you decide that, no matter what, you'll create your own meaning. The only way is to find joy in the now instead of later. The only way to make those grueling day to day tasks happy and fun, is by choosing hapiness. Dan and Phil have, in every sense, decided to keep climbing up that hill of existence together. It may be slow and clumsy and loud at times, but it's their own experience. Ultimately, the only way to experience that gaming content is by imagining Dan and Phil are happy to make it for us, and that we can all share a little bit of our hill in moments of laughter and community. That's what makes life worth it in the end.

A/N: this may be the weirdest thing I've ever done, pls accept me for who I am, thank!

[sciderman]

Do you have any random/ weirdly specific headcanons for ur favs? I like to think Peter and Wade watch Adventure Time together and Pete started saying “Aw brains!” unironically

i do think wade and peter have watched uncanny amounts of spongebob squarepants together and can recite episodes off by heart, definitely

weirdly now there's just the thought floating in my head that nathan is unreasonably into garfield, because of this stupid ufckign post

i don't know . there's something profound about it. the man who is all about the future and the betterment of mankind and all these grand purpose things finding joy in something as meaningless and repetitive and formulaic and mundane as the garfield comics . in a cat who hates mondays . i think there's something there . if you think on it. i could probably write an essay abou

[tuliptired]

One-shot for Egon? Egon and the reader that constantly throws him off guard with their flirting?

Shut Up, You're Stupid, Just Kiss Me

Pairing: Egon Spengler/Gn!Reader

if you saw me post this to the wrong ask you actually didn't

better formatting on Ao3 😔

Another one of these benefit-things. Egon understood the whole spiel- show up and look nice so the city doesn’t shut them down and a few nonprofits can look generous. But they got repetitive quickly. He didn’t even know why they were invited to this one. But, Ray insisted that it’d be good for them- and possible investors. Everyday sacrifices.

Ray and Winston always handled the networking part of the night, while Peter sat next to him at the bar, absolutely bored out of his mind as he toyed with an empty glass, head in his hand. Egon didn’t drink, but for some reason these bars were the only seats in the entire ballroom. It never made much of a difference, as he always spent the majority of his time observing the guests or the bottles on the wall, or wondering what he’d do when he got home. 

“Egoooooon,” Peter whined for the 10th time that night as his head hit the bartop. “I don’t know what to do.” They’d been through this. 

“Do what you always do. Get drunk. Talk to women.”

Peter’s cheek lay against the wood as he turned to face him, eyelids lower than usual. “But I miss my girlfriend.”

“Halfway there.” Egon righted his forgotten glass as it threatened to roll off the bar.

“You don’t get it, man. I’m committed now.” If that was a solemn vow or a complaint, it was hard to tell. 

A pair of women stood next to them at the bar, giving quick apologies for the close proximity. Peter notices Egon’s shoulders square, and suddenly becomes very interested in tonight.

He perked up quickly, leaning into Egon. “Y’know what would make my night? Seeing you take a chance. Don’t shake your head- you know I’m right.” Egon shut it down silently, shrugging off Peter’s hands. Peter was right, he hadn’t “taken a chance” in what felt like forever. Peter’s voice continued to try and convince him, as it was tuned out into a low vibration of sounds. 

Romance- or love, didn’t scare Egon. He was a grown man, after all, and he figured he understood it well enough. But that was his downfall. Person A is attracted to Person B, and they start dating- it was a simple equation. Peter and Dana defied the equation at times. But they put themselves back into it. Louis and Janine bent the rules of the equation. Could he do that? Could he break the rules, make new ones, to law that evolves every moment? Peter’s voice turned into a ring. This didn’t matter. People didn’t look at him.

He first experienced that realization in high school, the week of a dance. Big ears, big glasses- but Peter had a date. Peter always had a date. Did he want a date? Someone to hold when it was dark? To blush with as they got dressed up together? He was only human. But would he ever get that? All signs pointed to no. So, he stopped worrying about it all together. It was easier to ignore while his nose was in a book. 

Peter was practically draped over his shoulders. “Do you want me to die, Spenges?” 

“Can’t you bother someone else?” He didn’t mean to snap. It was just an unpleasant moment of awareness, it always was. 

Peter was unmoved. “Oh, Egon. Is it ‘cause they’re girls?” He jumped from his stool as Egon decided to remove himself from the bar. “Sit, sit, sitsitsit. I’ll go and find Ray. I think you need a nap, anyway.” Peter disappeared into the crowd before Egon could join him. 

Loneliness. Maybe he really should start drinking. Or, coat tailing after Peter found Ray to get out of here sooner.

He couldn’t stew in his increasing misery for long, as he felt a presence behind him. As he turned around to be freed from tonight, to stick to Ray or Winston’s side like a lost kid, he was met with a different sight.

Oh god.

“Mr. Spengler!” Your cheery face beamed. “It’s been a while. Is anyone sitting here?” Not anymore, you were already lowering your butt into it. 

He remembers you well. He was required to take an Humanities class, something about ethics and morals in STEM students. You were a TA, the professor explained  not necessarily going into that field, but taking the opportunity anyway. Egon considered himself to be well-rounded academically. But you were near tyrannical. In a class of liberal arts, english, and history majors, he stuck out like a sore thumb. You picked on him relentlessly, engaging in back and forth discussion that the rest of the lecture watched on. Even the professor.

Independent analysis- each student assigned a poem and asked to dissect it. “But, Mr. Spengler, surely you’re not insinuating that the speaker didn’t grow throughout her poem?” Your voice was loud, though the hall was smaller than normal and his seat was much closer to the front than he remembers it being yesterday.

You were always on the side of emotion and subtext, him on the side of logic and literalism. “In 6 stanzas, she wrote about flowers. I’m insinuating that her perspective did not grow in those 6 stanzas.”

You turned your back to him, moving to the large chalkboard. “Are you sure you’re not dancing around the fact that your assignment was an allegory for sex?” The class broke, and his face flushed into a bright, knowing red, as you flashed him a bright, knowing smile.

Relentless torture. You’d stop him before he could leave the hall, a timed essay in your hands that you’d returned to everyone but him.

“Interesting topic,” you offered, after an hour of grilling him. As he reached for the paper, you pulled your hand back.

“Your writing is improving. You do exceptionally well when it’s something you enjoy.” You let him take it.

You start for your things by your desk, before calling out into the empty room. “And you’re cute when you actually try!”

So he decided that he hated you. It was the only plausible explanation. He left your debates cherry pink , stumbling over his own words. He could have sworn that he was beyond intelligent. But when he stepped into that room with you he became a bumbling idiot. And hate was a powerful thing. He found himself contemplating what would occur that day as he made his trek across campus. He was sure he’d understood the essay he was assigned to the point of being able to recite it. That would show you. But you shut him down, and up. No matter how calculated and practiced his responses were, you tore down his guard with your comments. How could someone who made him feel so stupid say such…things? He sat alone at night, pondering his ailment. You confused him to an intense degree. Sweaty palms, increased heart rate- this was hate, white and hot. 

The morning before he graduated, preparing to return in the fall for his doctorate, he appeared in the desolate classroom, as you cleaned out filing cabinets. 

You looked up from underneath the desk, the smile he’d seen for a whole semester spreading on your lips. “Your reception outfit is nice, Mr. Spengler.”

God damn it. Why was he here again? The grip on his bag tightened as he scoured through his brain for any recollection. You had a box in your arms, simply passing him.

“Don’t change,” and the door shut behind you.

How he hated you. 

“It’s nice to see you again,” you managed to order a drink while talking directly to him.

“Of course.” Sweaty palms, increased heart rate. 

You sipped your glass. “You finished your doctorate? No more school?”  

He adjusted to spontaneous conversation, albeit slowly. He didn’t face you as he responded. “No more school.” You let out a noise of surprise.

“Doctor Spengler. I like that.” His ears burned. 

“And you’re doing the ghost-thing?” Oversimplification. But he found himself not caring when the words fell from your lips. 

“Full-time.”

“I get your ads 24/7. You look great in a jumpsuit.” His long legs jerked against the underside of the bar, and he heard you stifle a laugh. His stomach soared. Vitriol.

There was a hand on his arm. That commanded his attention. If he wasn’t full of…rage then, he was now. 

You murmured. “I don’t still make you nervous, do I, Dr. Spengler?”  He couldn’t breathe. As he opened his mouth, the only sounds that came out were stammers. You just laughed, squeezing his arm as you rose from the stool.

“I’ve gotta get going. Goodnight, Dr. Spengler.” You were gone before he could blink.

Nights later in the firehouse, in the safety of his lab, he couldn’t focus. How ironic? As he trotted down the steps for fresh air, the phone rang out. Janine was out for her lunch, and the others were still on the road from a last minute job. He sighed.

“Ghostbusters.” 

“Hey, Dr. Spengler. I enjoyed seeing you again and,” He held the phone to his ear with two hands. “I was wondering if you’d like to get dinner tomorrow night?”

He hated you. He’d show you just how smart he was by hanging up, ending this (one-sided) college feud.

“We’re back,” Ray’s voice startled him as he leaned against the desk’s edge staring at nothing. “Did we get a call?” He looks to the phone, resting on the tabletop rather than its proper place. Egon swallows.

“Just one.”

“Okay?” They wouldn’t accept his answer. He averted his eyes.

He conceded, letting himself lean back against the desk again. “An old TA.”

Ray’s eyebrows shot up. “The one who used to needle you all the time?” Ray had never met you, but he recalled Egon’s bad moods after having left your class. 

“Egon’s got a bully,” Peter directed at Winston as he did something in his own open office, behind Janine’s desk. “What’d they want?”

He took a short breath. “Dinner.”

Peter whistled. “Gutsy,” Winston offered as he sent Peter a look of shared surprise. Ray kept his attention on Egon.

“Good on you for saying no.” Egon was silent.

Peter reappeared. “You said no, right?”

More silence. Egon was a weak, weak man. Peter put him in a headlock, pulling him in tight as Ray’s eyes blew out, wide, and Winston laughed in disbelief. 

“Spenges is a big fat masochist!”

A woman walked in for an in-person consultation, confused at the sudden spectacle.

“Would you be quiet?”

You were (fashionably) late. 5 minutes and 23 seconds, to be exact, but he wouldn’t mention it. Not while you were going on about losing your house keys before you were about to leave. As you talked, he couldn’t help but notice how nice you looked in the warm lighting of the restaurant. Jealousy, perhaps?

So he let you talk. And talk. But he didn’t find himself searching for other stimuli like he normally did with characteristically chatty people. You seemed nervous, cringing a bit after every poorly measured story or unintentional confession. He had a bit of an upper hand. He smiled to himself, albeit small.

“What?” You grinned back, probing him. 

“Nothing,” he took a sip from the water he’d been nursing in place of wine. His expression was smug, hidden behind the lip of the glass.

“How’d you stay single, with a face like that?”

He choked on his water, setting the glass down as he coughed into his elbow. You had your head in your hand, leering at him like he was food. “I beg your pardon?”

“When you were post-grad? Guys and girls lined up outside your office to speak to you. And it wasn’t for your brain.”

You were messing with him, like you always were. But he’d bite. “They were eager to learn.”

You drew your hands up, incredulously. “Yeah, eager to learn what you looked like naked.” For the first time in his Jewish upbringing, he felt compelled to utter the name Jesus Christ.

The night went on for a bit longer. Against his better judgment, he started to find you funny. And witty. And incredibly alluring. You strung him along for 10 minutes about a classic of fiction, only to reveal that it was a personal story of your sexuality. And then you did it again, this time making a comment about his rear end. He couldn’t help but be startled every time.

You let him go on a tangent about his studies at one point, watching and listening intently. He felt the feeling rise in him again. This must have been full revulsion, because he couldn’t stop bouncing his leg. His cheeks began to grow sore from prolonged, uncontrollable smiling- what he considered to be himself reverting back to primal reactions from how hot his hatred burned. You fell into your old ways, going back and forth about a classic he’d read between then and college. He felt like he did in that lecture hall, temperature increased and body leaned towards yours.

“Assine point of view, Dr. Spengler,” you crossed your arms. The name made him feel like he’d collapse onto the floor every time you said it, however the scene was made in a fancy restaurant. 

Begrudgingly, he spoke up, voice weaker than it had been in hours. “You can call me Egon.” He absentmindedly picked up his glass.

You shook your head, twice. “Dr. Spengler is fine. It's pretty fun to say in bed.”

The glass in his hand shattered in his white knuckled fist. That’s how you both were escorted out the establishment, partially for the glass now strewn into the carpeting as well as his palm, in addition to his failure to react to the staff shaking him around. You guided him outside, the cool air doing him some good as his hand was wrapped haphazardly in white napkins.

“Sorry. About your hand.” You broke the silence, assuming an arbitrary direction as you continued in the path of your apartment. 

He was in his own world. Nay, his own universe. He stopped you as a cool wind blew through the sidewalk, rustling a nearby tree. 

“I don’t understand. I don’t know what I know anymore. I hate you. And you hate me.” 

His face was one of desperation, while yours was one of dismay. He continued.

“When I talk to you- when I see you. I feel the intense-st emotions, most of which I never thought I’d experience. I sweat. Too much. I forget what was on my mind. I look like an absolute moron. And- I never knew what that meant. So it had to be hate. That’s why you treat me the way you do- you laugh and smile and call me an idiot while calling me handsome because you hate me, too.”

He never vomited his soul out like that to anyone. Only a handful of times, really, to his closest friends. You only blinked, before a new expression drew over your features. Your face melted into a smile, to his surprise, as your arms suddenly found their way around his neck. 

“Come inside, Dr. Spengler.”

He woke up the next morning- in your bed as you slept soundly. How he hated you.

[jesuisici33]

another vertigo/911 post because I haven't stopped thinking about it

so a big thing in vertigo is repetition: madeleine's necklace, heights, the color red and green, spirals etc just off the top of my head, so with this in mind I assume repeititon is going to play a huge thing with the Eddie and Kim arc. we even got a hint of that in the last episode with Eddie being bombarded with memories of Shannon. so I bet we're going to be seeing a lot more memories of Shannon whenever we see Eddie in the next coming episodes. and with the red and green colors in vertigo being so central to Madeleine/Judy in the movie I bet yellow (Shannon) and whatever color is going to represent Kim (which looks like blue?) is going to come into play as well.

if you haven't seen vertigo, the reason the necklace plays a huge part is because it shatters the illusion for Scottie on who Judy is to him. (it's a long story to put in this post) so I bet since we're going see a lot of memories of Shannon from Eddie's perspetive, and only the good bits, then when the shit hits the fan he'll finally realize that things were never good with Shannon like he thought (a really good gifset shows that here).

anyways that's all I have right now. if any other people who've seen vertigo caught something I missed let me know

[pursuitseternal]

“Take My Milk for Gall:” an upcoming WIP from PursuitsEternal 🔥 UA Astarion x Fem!OC

UA Spawn Astarion x Delilah | Explicit | TBD

Summary: “I’ve taken a turn as a hero and adventurer” Astarion may not have found the slavers he’s contracted to hunt this time, but he has found one fiercely determined and mysterious female. Her tenacity is only outmatched by her secrets. But she might be just what he needs, for this quest and for more reasons than that alone.

CW: Tired, jaded hero Spawn, no Tav assumed, fem!OC is new mother, stretch marks, blood, and breast milk included, tragic past hopeful future, found family, future adoptive Dadstarion…

Tease below the cut…

Against her obviously better judgment, she tried to strike up a conversation a few times, but a terse response and a glare was enough to quiet her meager attempts. Perhaps it was the reflection of his own past, his own scars and abuse and self-loathing that made him avoid looking at her much. It wasn’t until he could hear actual tears in her voice that he stopped to listen to her pleas.

“I hear water ahead, a river. Once it’s dawn, could we stop please, I need to bathe and rest…” She looked exhausted, tired, and now pathetic.

But it did pique his conscience enough to reply. “We do need to make camp before sunrise, same as our quarry, and I do think we’ve gained on them.” He nodded to an outcrop of rocks in the hills, “I’ll make camp in this cover. Head east. The river isn’t far.” He could almost feel her relief in her bones as he directed her to find the rest she had been whining for.

Decades of repetition, some with companions, some all alone, his body made camp without a single thought about it: fire made, bedroll laid out, weapons cleaned and sharpened, tent pitched in the darkest parts of the rocky crag to keep the sun off his flesh. Supper would be dry fare for her, just some things he had scrounged from the village stores that weren’t tainted with soot. As for him, he sniffed the air looking for something warm and soon-to-be-prey, when another scent caught his nose.

Fresh blood. Female blood. The kind that came monthly, the kind he hadn’t been so exposed to since his days on the road to fight the Absolute. Yet, there was something off. “Delilah?” he called, heading towards the riverbank. He pushed through massive ferns, that scent growing stronger, now edged with something sweeter, something he had never scented before. Hurrying, his arms brushed back the thick leaves, calling her name one more time.

Her body stood in the waters, the tops of her thighs still above the surface. Dark brown and red stains covered the insides of her legs, a sight he knew. Old blood and fresh dripped down. The curves of her hips, the crest of her belly was covered in stretch lines, her skin slightly loose but no less supple. Voluptuous even. Slowly she rounded to face him, her figure in the moonlight bright against the rippling water. Her breasts, two full mounds glistening with droplets of water, achingly full, nipples hard and ripened pink. It made his mouth water against his better judgment. Her hands worked at her breast, and there was that other sweeter, strange scent.

A cup in one fist, thick streams of milk spurted into it. His eyes went wide, the shock of seeing something foreign, intimate, and… confusing. Her dark eyes sparked, almost like two nebulous voids as she locked into his gaze, but even that mysterious darkness couldn’t mask her determination.

It was a clear picture, a young mother, recent from labour and absent a babe. A long inhale is what he took as he drew towards the river’s edge. “Where’s your child?” he asked, bile and gall rising in his throat to think of the possibilities.

“She’s safe with a friend, another whore who got too ripe for business,” came the casual reply, her hand tossed the full cup of milk into the water around her naked body. Then her hands began to work the other breast. The sound of expressing milk rang against the side of the little metal cup. “I know my lass is fed and safe, but little good it does me on the road. Gotta keep myself relieved or I fear I’ll burst,” she smiled, but grin and laugh both rippled with the dark reality of their circumstances.

Astarion turned his back, apologizing. “I’m sorry… I…”

“Well, now, my hero knows why I am so desperate for my brother, and why I despair so at my… misfortune. I was to bring my babe once I had settled a bit with my brother. But with Cainan enslaved, I have no one. I have nothing.” She tossed the cup of milk into the running water again. “I don’t even have a babe to give this milk to feed,” she couldn’t hide the sigh in her throat. “What a waste.”

That tone, that despite and spite… It was too familiar, too haunting. “We won’t let it be a waste. We won’t let those slavers win,” his voice growled, an edge of ice that hadn’t lined it since Cazador’s death by his hand. “You’ll get your freedom for you and your child,” he added. And whether or not he meant it to be a vow, something settled with determination in his heart.

[odinsblog]

“I'd say a couple of things. One actually goes directly to the comparison to the Holocaust. I think that maybe I was very focused from afar on the part of the comparison that deals with numbers.

What I think is a deeply cynical way of phrasing the description of October 7th as the largest massacre of Jewish people since the Holocaust. And the reason I think it's cynical is because, you know, it does all this sort of normal, for that kind of thing, things of conflating Israel and Jews, framing the Hamas attack as an antisemitic attack, which I don't think it was. It was an anti-Israeli attack.

And of course, drawing that line directly to the Holocaust, what I think I wasn't hearing was the other part of the comparison, which has to do with defenselessness. And I was interviewing someone who said that they were watching the first videos early on October 7th and seeing Jewish people once again as naked without an army. I find that very interesting and compelling because of course, the Holocaust is not only the number of people who were killed, it is also the experience that went on for six years of a people without an army.

And if you read contemporary thinkers, like for example, Hanna Arendt, a lot of her essays written during the war were about the need for a Jewish army. So that, you know, the light bulb went off for me that, oh, this, you know, this comparison, in addition to the sort of the, what I think of it as kind of cynical dimension also has an experiential dimension. That fear of being naked without an army.

And, you know, that didn't make me change my mind about what I think of its political uses, but it made me understand better the emotional experience behind it. I think the other thing that I saw when I was in Israel a few weeks ago that I didn't realize was just the extent to which it's still October 7th in Israel, and the extent to which that helps Israelis not see what's happening in Gaza. Because of course, everything that is happening in Gaza, that has happened in Gaza, has happened in the last now almost seven months that have elapsed since October 7th.

But if you are living in October 7th, then it's not just the media that aren't facilitating you're seeing what's happening in Gaza. It's like you're stuck, the calendar is not letting you see what's happening in Gaza.

…I should have made it more clear that when I was talking earlier about not seeing what's happening in Gaza, I was referring to Jewish Israelis. I think the experience of Palestinian citizens of Israel is completely different. They're living the daily events in Gaza.

They wake up in the morning to check whether their friends and family are still alive and to read all the different telegram channels and watch Al Jazeera and really to keep following in minute detail what's happening there and add to that the growing violence and poverty in the West Bank that is also very much a part of their daily reality.

…Well, you know, you asked me about things that struck me when I was in Israel, and one thing that struck me was that even people on the left, whom I held to be sort of, generally speaking, accurate perceivers of the world, had really bizarre ideas about what was going on on American campuses, like this idea that American campuses are hotbeds of antisemitism, seem to have been very well communicated to everybody.

Ayelet Waldman discussed this, so some of this will probably be a little repetitive, but I think the points that she made were that, no, these are not hotbeds of antisemitism. They are crazies and outliers in every movement.

But very rarely do crazies and outliers in a movement, especially widespread social movements such as this one, get separate articles in the New York Times the moment something emerges. This idea that these protests are antisemitic is wrong, misguided, counterfactual, and promoted by mainstream American media, unfortunately.

But, you know, and I'm not saying that there are no antisemites in these protests. And I'm not saying that there were zero antisemitic incidents. I'm saying it's a hot mess.

And we know for a fact that there's a lot of spinning of these protests as antisemitic that doesn't reflect the bulk of what the organizing is about the views of the individuals involved and the messaging coming out of these campuses. And most of these kids, at least on a campus like Columbia are Jewish, not on a campus like City College of New York, which has almost no Jewish students, but Columbia, which has a lot of Jewish students, has a majority of protesters who are Jewish.”

—Masha Gessen, the descendant of Holocaust survivors, discusses student protests (part 1 of 3)

[sailforvalinor]

No listen because can we talk about “Peter.” Can we please talk about “Peter.” Because there’s something about that song that makes it more and more gut-wrenching to listen to on each repetition

[poorly-drawn-mdzs]

Having the Pool Dream again, handsome?

[chirpsythismorning]

Say it’s likely there will be a Brokeback Mountain reference in s5 and nobody bats an eye.

Say it’s likely that the final byler fight will be inspired by this scene and society goes wild.

[runningfromevil-mp3]

One of my favourite parts of Slay the Princess is hearing Voice of the Paranoid in the save menu. I don't usually notice if music is playing in pause menus, I'm sure it probably is playing on the menu in this game too, but it just stuck with me and I had to sit there for a few minutes just... thinking about it. The fact that Voice of the Paranoid is keeping you alive in the menu. That you're still there. You've not escaped. That his actions to keep you grounded and calm are just part of the environment... I can't word it well enough but it just stuck with me. There was something so uniquely personal in that moment for me.

[kanansdume]

I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.

The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.

Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.

But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.

So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.

[jouno-s]

the sheep do not deserve the absolute shredding they get from the fanbase 😭 it isn’t generally the fault of the fans, i blame it more on whatever the fuck bones studio did to fifteen in the anime adaptation bc fuck knows that was all over the place, but man i wish people were a little more sympathetic towards them

yes they absolutely ordered chuuya around like a dog and yes they stabbed him. we can agree that was bad. but i feel like you really have to consider the context

the sheep are separate from other organisations in bsd in that they are formed entirely of young orphans who are likely mostly traumatised. they live on the streets and also have to cope with larger organisations like the mafia lurking around— they are scared and rightfully so

i always think back to the lines in storm bringer where it mentions the sheep drinking alcohol under a bridge. they’re clearly all very troubled kids who are struggling just to survive

yeah i don’t think that cornering and stabbing chuuya was right but i don’t hold much blame over their heads for the things they did when it’s obvious that it’s their situation making them so scared and paranoid. the sheep weren’t just some average toxic friends that were out to get you, they were traumatised kids trying to survive

[chickenstrangers]

Moonlight Chicken (2023)

Original Trailer // Episode 12

[clambuoyance]

[DC] no girl don’t sell urself to the media youre only 2 weeks old 🥺

So these are based on the whole teen celeb thing he had going on in his early years, I just kind of paraphrased the dialogue 😭 I have a lot of thoughts vis a vis superboy’s personal struggle with identity and I don’t think signing your name to a contract and galavanting around tv screens helps with that 🤔 And it doesn’t help if you’re fresh out of the tube and can’t recognize that these people just want to use you for clout 😔 It’d be interesting if the comics actually did more with that stuff imo bc I think it could have been some cool commentary on media entertainment , esp later when he kind of stops being the hottest topic on tv. Also the last one is based on a recurring gag where he says smth jokingly “just hit me w a bus or smth 🙄” and then it happens.

[swampsiren-piratefairy]

Nona the Ninth spoilers

When Gideon Nav, Kiriona Gaia, first lays eyes on Nona, in Harrowhark Nonagesimus’s body, she looks at her “in such a mute, helpless appeal” and Nona knows exactly what Gideon wants and gives it to her: Nona kisses her.

Poor Gideon’s want must have been deep and desperate and so clear to Nona. And Nona, kind and loving Nona, just wants to help and Gideon reacts with a face that is “ridged with shock and disbelief.” Because by kissing her, Nona immediately shows Gideon that Harrow is not here. Harrow’s body has been inhabited but Harrow is gone.

And Nona, always so perceptive, is absorbed by watching the way Gideon moves. She’s “never seen anyone move like that before.” And it’s not for many pages that we learn what’s so interesting about Gideon’s movements.

Gideon is so sad. She’s sadder than anyone Nona has ever seen before, and Nona lives in a war torn refugee city.

Gideon gave her life for Harrow. Harrow didn’t accept the gift, and Gideon was devastated.

She felt so rejected. And now, Gideon must have thought, “finally! here’s Harrow again.” And had that hope is immediately squashed. No wonder she’s so fucking sad.