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sweetkpopmusings · 2 months

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stray kids soulmate aus | k. seungmin <3

a/n: these days i am QUITE the seungmin simp & it shows :,-) i had a lot of fun writing a very classic kpop fic meet-cute with this one ! if you need me, i'll be watching seungmin compilations <333 pics not mine~

content: fluff, soulmate au | wc: 1.9k | warnings: none really! | pairing: soulmate!seungmin x gn!reader | requests: open

on your 18th birthday, you receive a stack of sticky notes on which you can write to your soulmate. there is one note for every day leading up to when you meet.

˚ʚ♡ɞ˚

you settled into your desk chair, eager to see what anecdote seungmin has chosen for you today. it was always a thrill to get a peek into his daily life, and it was especially entertaining when he removed context from the situation to make you laugh. over the years, he developed a knack for telling stories just the way you liked them.

we went shopping today, in that area that always smells like ice cream cone batter. i bought a cool phone case. you better compliment me on it when we meet. i know it’s only ten days away, but i encourage you to put a reminder on your calendar, so you don’t forget to appreciate my taste in accessories.

-yours, seungmin

you scoffed. he was always extra sassy when he was excited about something. you tapped your pen against your desk, devising the perfect reply to seungmin’s daily update.

i promise i’ll tell you the phone case is cool, if and only if it actually is. we must be on the same wavelength because i went shopping today too (it didn’t smell like ice cream cone batter where i was though). i picked out new clothes for the day we meet, so you better compliment me on it as soon as you see me. should we make a joint calendar event since you’re quite forgetful?

-yours, y/n

not even 30 seconds passed when you saw seungmin’s handwriting appear near the bottom of the sticky note. you smiled, feeling his playful energy infect you.

like a wise person said, i’ll tell you the outfit is cool, if and only if it actually is. i’d love to make a joint calendar event, but we can’t share contact information yet, remember? i’ll have to trust you won’t forget the phone case…i guess that’s more important than remembering a basic rule about soulmates, so i’ll have faith in you :-)

-yours, seungmin

with another roll of your eyes, you wrote your last message to seungmin for the night.

you test my patience, kim seungmin. get some rest now. i know you’re working hard on your comeback, so i’ll be rooting for you!

-yours, y/n

you smiled at the tiny heart seungmin drew in the bottom corner of the page before you peeled the sticky note off the stack. electricity ran through you every time you noticed how much it shrank. soon, very soon, you would be teased by seungmin in person. you hoped that you’d deliver the perfect eye roll in response to his snarky comments, as a way to show him you truly loved him.

staring at the note, seungmin laughed at his desk, right when felix walked by.

“what’d y/n say?”

“none of your business.”

despite the nature of the retort, seungmin’s tone was lighthearted. felix laughed and left seungmin alone to place the completed sticky note in his not-so-secret box, where he kept every word you’ve ever exchanged safe from the rest of the world.

˚ʚ♡ɞ˚

hi soulmate~ let’s see if our tastes match. tell me your ideal meet-cute.

-yours, seungmin

you felt a blush on your skin at seungmin’s cute tone. you imagined he was feeling particularly sweet as your meeting was only three days away. you took your time mentally ranking the best meet-cutes you’d witnessed in books, movies, tv, and real life.

hi seungmin~ there are a lot of good ones, but i have to stick with the classic: locking eyes across a crowded room. what’s yours?

-yours, y/n

you stared at the note, eager to see whether seungmin had a romantic side after all. you laughed in disbelief when you read his answer.

wow, no “hi soulmate~”? rude :-( my favorite trope is spilling coffee on someone. i’d enjoy that as long as i’m not the one getting spilled on. let’s hope your outfit isn’t too cool!

-yours, seungmin

you imagined seungmin was laughing at his own joke, which balanced out his vague threat to spill coffee on you.

you’re such a menace :-( i’m about to revoke “soulmate” from your nicknames, as a matter of principle.

-yours, y/n

seungmin, despite himself, blushed at the thought of you having different nicknames picked out for him. his heart fluttered, feeling extra sweet because of you.

i’m YOUR menace. see you soon! i’ll be the handsome man holding two coffees <3

-yours, seungmin

you sighed, knowing there was a real chance he’d carry two coffees around that whole day. if there was one thing about seungmin, he’d commit to the bit.

i’ll run away from you, and i hope you spill one of the coffees on yourself while you chase me. at least we’ll be matching <3

-yours, y/n

from miles away, you and seungmin laughed at the same time. similarly, you both played out different meet-cute scenarios for the rest of the night. seungmin would never admit this to you, but he’d love to see the excited look on your face if your chosen meet-cute was what fate had in store.

˚ʚ♡ɞ˚

though you returned home later than usual, you were still surprised to see the sticky note halfway filled up by the time you sat at your desk.

my schedules start before sunrise tomorrow, so i have to go to bed early, like a grandpa. chan says this is a good time to go to bed…what else would we expect though? anyways, i’m sorry i won’t get to write back tonight. tell me about your day! i’ll read it as soon as i wake up. i promise. :-)

sleep well, and i’ll see you tomorrow~

-yours, seungmin

your heart sank a little at the fact you wouldn’t be able to interact directly with seungmin the night before the long-awaited day. however, the butterflies in your stomach reminded you that there was plenty to be excited about.

hi soulmate~ i’m jealous you’re sleeping so early. i was out late because i had to get everything ready before attending the live show recording tomorrow (i still can’t believe i won that ticket lottery!). i’m worried i won’t be able to sleep well from the excitement.

don’t forget about my outfit! just look for the best-dressed person and you’ll find me :-)

i’ll be sending you the strength to get through your schedules! i can’t wait to see you tomorrow~

-yours, y/n

you smiled to yourself, feeling in your heart that seungmin would start his day off happy, as you finally gave him the greeting he’d been waiting for.

˚ʚ♡ɞ˚

from the second he read your note, seungmin couldn’t wipe the smile from his face. everyone noticed the way he beamed, so it didn’t take long for them to put together that he’d be meeting you today. his members were painfully obvious about trying to catch a glimpse of you wherever they went. seungmin was in such a good mood that he didn’t even tease them that much.

realizing that the live show recording was almost definitely where you’d meet, seungmin noticed that his palms were sweatier than normal. he shook them out, taking deep breaths to calm his heart rate. this may not have been the first stage for their new song, but it was the first stage you’d be at, so the stakes were high.

despite the nerves from the night before, you were happily enjoying yourself at the show. of course, every performance was incredible, and the crowd was energetic. by the time there was only one act left, you felt your body start to grow tired. an adrenaline rush hit you full force, however, when you saw the name “stray kids” light up the stage.

jaw dropped, you were silent while the rest of the crowd screamed. your eyes raced to find seungmin. he was on the opposite end of the stage, giving you at least a chance at composing yourself before he saw your face. the music started, and you joined the crowd’s cheers. seungmin’s stage presence and vocals in person were breathtaking, and you felt a swell of pride knowing that your soulmate was so talented.

as though he could sense you were thinking of him, seungmin turned his head to the area where you stood. the second you locked eyes, seungmin grinned like an excited puppy. he waved to you, feeling giddy enough to make a heart with his hands. you matched his energy, smiling widely and bouncing from the magic of it all. there he was, just across the room, saying “hi” to you and only you.

per the instructions seungmin mouthed from the stage, you waited in your seat for a bit until a staff member brought you backstage. despite the recording being done, the halls were crowded with bustling employees and idols alike. all of the noise was drowned out by someone calling your name.

“hey y/n! i like your outfit!”

you turned around, seeing seungmin waving again. he beamed, and you rushed over to him.

“you remembered!”

seungmin laughed at your excitement, “i did forget my coffee though. it looks like your meet-cute won in the end.”

his eyes twinkled as he looked at you. rather than feeling nervous, you two chattered endlessly. you giggled at the way seungmin blushed when you complimented his performance. in turn, seungmin giggled at the way you blushed when he called you pretty. being able to have a conversation that exceeded the character limit of a sticky note left both of you with the zoomies, much to the entertainment of seungmin’s eavesdropping members.

“seungmin!” hyunjin yelled from a suspiciously nearby spot, “we have to leave soon!” hyunjin waved at you, “hi y/n!”

you waved back, and seungmin told you to ignore hyunjin, which made you laugh. as you exchanged contact information, you kept your promise and examined seungmin’s phone case.

“i like your phone case, seungmin! it matches your style perfectly,” you pointed at the object in his hand.

“thank you!” seungmin grinned for the umpteenth time that day, proudly holding the phone out for you to see, “this is the best part, if you ask me.”

you were surprised to see a sticky note in the back of his phone case. you leaned closer to examine it, and you felt a wave of fondness wash over you. in his hand, seungmin held one of your earliest sticky notes. on it, you had drawn a picture of what you thought seungmin looked like, purely based on how he wrote. you were way off, which you learned once you saw a picture of him online. it did accurately capture seungmin’s personality, though, so seungmin was quite proud of your artistry.

“it’s a one-of-a-kind drawing, so i wanted to show it off.”

seungmin’s tone was teasing, but you could feel the compliment, “you’re so sweet, seungmin! maybe i should have a matching one?”

he nodded, “i better see the portrait i drew of you in your phone case next time i see you.”

you laughed, “understood! i feel chan staring at us, so you should get going. call me when you get home?”

“of course!” seungmin smiled, “promise me one more thing?”

“hmm,” you feigned deep thought, “it depends on what it is.”

“next time you come to watch us perform, sit by my side of the stage.”

“only if i can see lee know too.”

seungmin glared at you momentarily, breaking into a laugh because he was so endeared by the pout you gave in response. after you said your goodbyes, you watched seungmin bound down the hall to meet his members. before he went around the corner, he turned to wave to you again, mouthing goodbye, soulmate!

˚ʚ♡ɞ˚

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elodieunderglass · 6 months

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Hi! I was wondering if you could help me out with a word I've forgotten? I'm trying to remember the name for a concept that (I think) talks about how people better understand or process Things once they have vocabulary to describe it - I've heard it talked about in regards to the colour orange, or coercive control, etc.

long story short i've just read a paper saying ancient Greeks and Romans weren't racist bc they had no word for racism and am trying to form an argument against!

(no worries if this is unanswerable, i'm aware its a bit of a long shot but you struck me as a person who Knows Things)

That’s extremely kind and funny of you. i don’t know much but i am ok at synthesis.

I think you might be thinking of the concepts loosely called the “Sapir-Whorf hypothesis”, which describes something called “linguistic determinism.” This idea has been “disproven”, as it is just too reductionist as a concept - people are clearly perfectly capable of having experiences that are tough to describe with words. There will be plenty of papers showing how this reasoning is applied.

but it is still commonly thrown around and still considered a useful teaching framework. That’s why you’ll see it referenced online as if it is fresh, new, and applicable - people learn about it every year in college. Also, elements of the framework are probably perfectly sound. It definitely seems to be the case that language shapes brains; it just doesn’t seem to be the case that humans who don’t have specific words for them can’t experience orange, or the future.

(Many things in college are taught using teaching frameworks that may not be, technically, true; the framework is intended to give a critical structure for interpreting information. Then, when we later find evidence that disproves the hypothesis, that single piece of information doesn’t destroy our expensive college education; what we paid for is the framework. This is mostly frustrating in the sciences, when fresh crops of undergraduate students crash around on social media, grappling with their first exposure to (complex concept) and how it’s DIFFERENT to what they learned BEFORE and their teachers LIED TO EVERYBODY and they’re going to save the world from POP SCIENCE by telling the TRUTH. You’ll notice that these TOTALLY NEW INFORMATION reveals map along the semester schedule. The thing here is that getting new information, or information being different from what you were previously told, does not cancel out the fact that you are getting what you pay for - an education. Learning new facts that change our relationships to hypotheses isn’t a ✨huge betrayal ✨ , but the expected process of academia. Anyway.)

You have an interesting response here, and can start by looking at the ways that Sapir-Whorf has been disproved. There will be loads of literature on that.

However, it would be interesting to look at the argument as an unpicking of the other side’s rather weird, ritualistic superstitious belief that a behavior doesn’t exist if the creatures doing it can’t describe it. It is not on the ancient Greeks and Romans to categorise and interpret their behavior for a modern educated audience. They do not have the wherewithal to do so. They are also fucking dead. We can name the behaviors we see, and describe their impacts, however the hell we like.

Sure, the ancient Greeks used “cancer” to refer to lumpy veiny tumors. We can infer that they still had blood cancer, because their medical texts describe leukaemia and their corpses have evidence of it - they just didn’t know it was cancer. But we do, so we can call it cancer. Just because Homer said “the wine-dark sea” in a flight of girlish whimsy doesn’t mean he was unable to distinguish grape juice from saltwater, which we know, because we can observe that he was an intelligent wordsmith perfectly capable of talking about wine and oceans in other contexts. We are the people who get to stand at our point of history with our words, and name things like “this person probably died of leukaemia” and “poets say things that aren’t necessarily literal” and “this behaviour was racist” and “that’s gay” and “togas kinda slay tho” despite Ancient Greeks having different concepts of cancer, wittiness, prejudice, homosexuality, and slaying than we do today.

Now just to caveat that people do get muddled about the concept of racism. Our understanding of racism from here - this point of history, with these words, probably from the West - is heavily influenced by how we see racism around us today: white supremacy and the construct of “whiteness,” European colonial expansion, transatlantic chattel slavery, orientalism, evangelism, 20th century racial science, and so on. This is the picture of racism that really dominates our current discourse, so people often mistake it for the definition of racism. (Perhaps in a linguistic-deterministic sort of way after all.) As a result, muddled-up people often say things like “I can’t be racist because I’m not a white American who throws slurs at black American people,” while being an Indian person in the UK who votes for vile anti-immigration practices, or a Polish person with a horrible attitude about the Roma. Many people genuinely hold this very kindergarten idea of racism; if your opponent does as well, they’re probably thinking something like “Ancient Greek and Roman people didn’t have a concept of white supremacy, because whiteness hadn’t been invented yet, so how could they be racist?” And that’s unsound reasoning in a separate sense.

Racism as the practice of prejudice against an ethnicity, particularly one that is a minority, is a power differential that is perfectly observable in ancient cultures. The beliefs and behaviors will be preserved in written plays, recorded slurs, beauty standards, reactions to foreign marriages, and travel writing. The impacts will be documented in political records, trade agreements, the layouts of historical districts of ancient towns.

You don’t need permission to point out behaviours and impacts. You can point them out in any words you like. You can make up entirely new words to bully the ancient romans with. You are the one at this point of history and your words are the ones that get used.

Pretending that “words” are some kind of an intellect-obscuring magical cloud in the face of actual evidence is just a piece of sophistry (derogatory) on the part of your opponent here. It’s meant to be a distraction. You can dismiss this very flimsy shield pretty quickly and get them in the soft meat of them never reading anything about the actual material topic, while they’re still looking up dictionary definitions or whatever.

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serpenlupus · 7 months

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About Wyll and his horns (and what they mean)

Let's say I was writing a part of my Tav's story with Wyll directly connected to the dialogue he has during the tiefling party, and while struggling with this bit, I've realized there's quite a few misconceptions floating around. I felt compelled to add information to the table that might clear them, so here we go.

First, what exactly happens to Wyll when he disobeys Mizora in act one? Well, he doesn't get turned into a devil, he certainly doesn't get turned into a tiefling, he's not a half fiend, not a demon, none of that. Wyll stays human, but he has horns and red eyes (and other features we can't see on his model as of now).

(Everyone has their race listed, Wyll's remains "Human")

This is because when a warlock fails to uphold some part of their contract they can suffer a certain number of consequences, Wylls is “The character grows horns, a tail, or some other devilish features that can't be removed by any means short of divine intervention. As long as these marks persist the character detects as a fiend when subjected to Detect Evil and Good spells or similar magic.” ( from Baldur's Gate: Descent into Avernus, page 214)

And I’ve come across some people that think it wasn’t so bad of a punishment, that he was being racist towards the tieflings, or just not being justified in being upset after having his body forcibly changed against his will. I think they are missunderstanding just how insidious Mizora’s actions were, and here I just want to give some context to maybe bring a better understanding to the situation. Your conclusions are up to you.

Gonna start by using a not exact analogy, but I think it’s going to make the explanation easier. Stick with me for a minute.

Remember Jack Sparrow in Pirates of the Caribbean? He had a branded “P” on his arm that marked him as a pirate. A murderer, robber, criminal, etc. in the eyes of the society he was a part of. What did Jack do to earn the branding? (if you don’t know this I suggest you look up the “people aren’t cargo mate” scene) He refused to transport slaves and later freed them, and Beckett had him marked as punishment.

Then, in the first movie, he saves Elizabeth, a woman he didn’t know, from drowning. Right after however, when Norrington sees he has a branded “P”, he’s like “alright, off to jail with you, and then hanging”, no other option crosses his mind. Again, Jack doesn’t know Elizabeth, isn’t indicated to think he is going to be rewarded for helping her, he just sees a drowning person, sees that no one else is going to help, and chooses to save them. That is a pretty selfless/good aligned thing to do, for no other reason that he was the one able to do it, yet the branding in his arm overrides any good action he could ever do, marking him as a criminal for execution and no further thought.

In a way, that’s what Mizora did to Wyll; she forever visibly branded him as someone that has made deals with devils, and that in the world of DnD is a VERY BAD THING. Personally I really like the mod that gives him more devilish features, but at the same time I think there was something clever about choosing to leave him looking more human. He can’t be confused with a tiefling, he doesn’t have the ears, the claws, the tail, all those features that characterize them. He looks kind of uncanny, and that would be like a red flag for anyone in that world. (Beyond the already existing hate for tieflings that I’m not gonna tackle on here because it’s a complicated thing that deserves its own post). And Wyll wants to do good, he wants to help people, to be a positive force in the world so, so badly. This dude got abducted by a nautiloid, got tadpole’d, and the first thing he did right after that was come across the Tiefling refugees and be like “Oh you need help? No worries let me teach you self defense. Oh you being attacked by goblins? Let me blast them real quick”. His way of saying fuck you to all the awful things that have happened to him is being aggressively good and kind. Mizora knows this very well, wants to see him suffer for her amusement, wants to remind him he can't escape her claws, so her choice of punishment was to forever taint his future interactions with mistrust and suspicion. Some people can go real fast from “oh thank God they saved me” to “oh no, are they gonna rob me, are they trying to trick me, are they in cahoots with the ones that attacked me first?” just because of outward appearances. Especially in DnD world. And that deserves its own conversation, but we're focusing on Wyll here.

(Mizora, when I catch you Mizora)

“Well, maybe he shouldn’t have made a deal in the first plac- - “ He was seventeen, alone, preyed upon by Mizora and put in an impossible situation. Please PAY ATTENTION to the story you’re witnesing.

Anyway.

About the tieflings. I know it’s easy to think his words can be derisive towards them, but it’s less about the horns and more about his body being changed against his will. Imagine instead that he got half his face burned, or something that disfigured him. I think his feelings at the moment were closer to that, and yeah they are pretty insensitive words to say to someone with a similar condition (horns or disfiguration), but when feelings are fresh and raw like that it’s easy to say insensitive things. Not saying it was ok for him to say them, but there was no malice in his words. I’ve also seen some people share that they think Mizora wanted to change him more to make him unrecognizable to his original self, the Wyll Ravenguard kid, and I think there is some truth to that too. She wants to make sure that Wyll remembers that he belongs to her, there's no question to that.

(MIZORA, WHEN I CATCH YOU MIZORA)

Whether the Tieflings refugees would feel unsettled by Wyll or not? Yes. In a way, they would. From reasons aside from the ones I explained above, remember that these specific tieflings come from Elturel. If you didn’t pass the History check or don’t remember, Elturel is a city that was literally ripped from the land and dragged to Avernus, First layer of hell (it left a hole on the ground and everything) because their mayor made a deal with the Archdevil Zariel some decades back in the timeline. He sold the souls of all its citizens and the city itself.

This was probably one of the worst times of their lives. Some even got captured and forced to participate in the blood War, like Dammon as a mechanic. And after Elturel got returned to the surface, the tieflings lost their homes because they reminded the other citizens of the literal Hell they’d just gone through, and they kicked them out. And remember, they met and saw Wyll as a human, and then saw him with horns. It’s not unreasonable to think that by looking at him they would be reminded of all the events that led them to the awful situation they’re in. Because of someone that was making deals with devils, just like Wyll. Even if his situation is completely different. And Wyll knows that, that’s why he tells you the tieflings are unsettled by him and chooses to stay away during the party.

It was never just about the horns.

And I know Wyll calls himself a devil but I think it’s because it’s the closest thing he looks as; devils are a whole different race with their own intricacies, although humans can be turned into devils ONCE their souls go to Avernus and they start climbing the power hierarchy there (Mizora and Raphael are cambions/ half-devils btw, which is a different thing, there are plenty of videos exploring those details more in depth).

Do I think Larian should have made some of this information clearer/easier to access? Maybe? but to be fair, it's a game focused and dedicated to a crowd that was already somewhat familiar with the source material, that blew up waay out of what they originally expected to reach. Hopefully they’ll add some clarifications like they did to other quests.

Anyway these are my two cents to the conversation, have a nice day, and don't hesitate to add your two cents if you feel like it!

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yuukiiqwq · 6 months

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Dandelions: Sukuna Ryomen x Reader

His heart beats only for you while yours beats for someone else, so he made a wish on a dandelion, hoping it would come true.

Context/Warnings: Fem!Reader, Soft!Sukuna, swearing, unrequited love, flower language, a bit suggestive

Wc: 2.7k

Part 2

It's not like he wanted to fall in love with you. It was actually your fault. You weaseled your way into his life and then his heart. If only you had left him alone, then none of this would have happened. But you were too god damn stubborn to leave him alone. It was all your fault.

It was so stupid how he fell in love with you. Sukuna absolutely hated cliché stuff. And here he is going through the stereotypical cliché plot. He even told you how much he hated it. He remembers telling you how he rather die than read those stupid romance books you like to read. They were full of stupid plot with disgusting mushy feelings. Basically, it's the same thing in every story. He always felt like his ears were going to fall off listening to you talk about those stories. Recently, you started to read this one-shot called Dandelion. Something about a guy having unrequited feelings for a girl for years and the girl liking someone else.

Absolutely fucking ridiculous.

Sukuna remembers how he met you. It was a few years ago, back when they were still in school. He was minding his own business and then you fucking popped out of nowhere. He wouldn't tell you but you scared the shit out of him when you suddenly appeared.

"Yknow, smoking is bad for you."

He turned around to see you at the door smiling.

"Y'know, not minding your own fucking business is bad for you," he scoffed. "Get out of here. This is my spot."

You walked up to him and snatched the cigarette away. You tossed it onto the ground and put out the light.

"They can cause many health problems," you say as you crossed your arms. "And I don’t see your name anywhere on this rooftop."

He glared at you– "Listen here, you brat. What I do has absolutely nothing to do with you. So skip along to your friends and go bother them instead."

"What if you are my friend?" You said smugly. Your eyes were shining with mischief. "And since you said to go bother my friends, that's what I'm doing."

"You must think you're so fucking funny," he snarled at you.

You put your hands on your waist– "I am actually very funny."

He took a step towards you and towered over you. "Leave."

You looked up at him with a deadpan expression.

"No."

"Last warning. Leave."

"Make me."

News flash – He wasn’t able to get rid of you. He was unsuccessful no matter what he did.

You decided to bother him every single god damn day. Somehow, you always showed up at the rooftop whenever he was there. You just wouldn't leave him alone, so he decided to ditch the rooftop. To say he failed was something he didn’t want to admit. He didn't fail. He just decided to ignore you. But then you showed up in front of his classroom. You somehow found his classroom.

He clicked his tongue in annoyance and quickly tried to leave before you could catch up to him.

Mission escaping the brat– failed.

You were a fast little thing. You immediately caught up to him and were now walking side by side with him. This caused a lot of people in the hallway to stare at both of you. You two were an unexpected duo to see together.

"Sukunaaaaaaa"

Great. You even found out his name. Amazing. Whoever told you his information is dead. He's going to kill them.

"Sukuna, if you keep looking like that, you'll end up being super ugly. No wonder you don't have a girlfriend."

Sukuna turned around to face you– "You trying to pick a fucking figh–"

He wasn’t able to finish his sentence as you stuffed a mochi in his mouth. Where the fuck did that mochi come from?!

He quickly chewed the mochi and swallowed.

"Did you fu–"

"Was it good?" You quickly interrupted. "It's a new flavor that came out recently. A friend gave me some to try."

"I don't car–"

"It was a limited edition sale. My friend camped outside the shop for a whole day just to buy all the stocks."

You continued talking about it, and Sukuna wanted to just smack you. You were so annoying.

"I am going to smack you if you keep talking."

You immediately stopped talking and walking. You looked up at him and grinned mischievously.

"Wow, Sukuna. Didn't know you were kinky like that. It's ok, though! I like it rough, but take me out to dinner first. Bedroom activities can come later~"

This caused him to explode in anger. You were teasing him. He immediately stomped away from you. He could hear you laughing as you tried to catch up to him. Fuck. You were annoying as hell. Sassy and challenging him in every way.

Your eyes were gleaming with mischief. Did you have to say that? Now he wanted to put you in your place. Bend you over under him and–

Oh fuck. Now you implanted a curse in his head. Fucking minx.

After months of you constantly pestering him, he grew used to your presence. He started to enjoy it. Wait, no. He meant he was just tolerating you.

Yeah. That's right. He's just tolerating you.

"Sukuna! Stop!!!"

Sukuna immediately halted– "What's goin–"

"You almost stepped on some dandelions," you say as you knelt down to the floor.

Sukuna felt like he was going to pop a vein. He can't believe you stopped him for a weed. Can you let he walk to a restaurant in peace?! It was fucking Saturday. He should have never allowed you to follow him home back then.

"Are you fucking joking with me right now?" He looked down at you as you pluck the dandelion. "You stopped me for a fucking weed?"

"First of all, it's a flow–"

"It's a fucking weed."

"It's a flower!" You huffed. "And it's a wishing flower! You make a wish and then blow away the seeds!"

"Great, now you've gone crazy. Just the thing I need from you. As if you're not annoying enough."

"I have not gone crazy! People make wishes on dandelions!"

"And do you know if any of them got fulfilled?" He raised his eyebrow at you. "And I'm sure the people you talk of are kids."

"Well um–" You try to think of something to say as a comeback but come up with nothing.

He smiled smugly– "That's what I thought."

"That's not the point!" You quickly shoved a dandelion in front of his face.

"Get that weed away from my face. I'm starving for food, and you're stopping me for a weed."

"Geez, stop being a party pooper," you sulked. "Make a wish! Maybe it will come true and prove you wrong!"

"I am not going to do something so childish," he said as he pushed your hand away.

"I'll buy lunch!"

Sukuna stopped and thought about it for a second before saying– "And dinner."

If he was going to indulge in your childish antics and look like an idiot, he better get something out of it.

You reluctantly agreed, and he snatched the dandelion out of your hands. He made a wish and then blew the dandelion seeds away.

"There. Made my wish. Now I hope your wallet is ready."

"Whatever, you glutton! What did you wish for?"

"None of your fucking business brat."

The two of you spent a lot of time together. You eventually introduced Sukuna to your other friends. Which surprised Sukuna because at this point, with the amount of time you came and bothered him, he believed that your friends were imaginary.

A girl named Shoko Ieiri, who looks like she's sleep deprived. A guy named Suguru Geto, who, in his opinion, looks weird. Why is he smiling like that!? And finally, a guy named Satoru Gojo. He was the worst out of all your friends. He didn't do anything to him, but just looking at him makes Sukuna want to get rid of him. Cut him in half. Sukuna didn't understand exactly why until he looked at you, looking at him.

Although Sukuna personally knew nothing about love, he knew what he saw. He seen enough people do what they do when in love. He heard enough about the stupid love stories you like to read. He can see it in your eyes when you look at your friend. You liked him.

The way your eyes light up whenever he comes toward you. The way your cheeks start to turn red with a small blush. The way you nervously play with your hands. The smile you give whenever you're around him. A smile that can rival the sun. He felt a pain blossom in his chest as he clenched his fist. These are things he has never seen or gotten from you before.

He hated everything that was going on right now. He hated the way you would sneak glances at him when you think no one was looking. The way you lean into his touch. The way you looked at him with pure adoration and love.

He absolutely hated it.

It took a while for Sukuna to understand why he hated Gojo so much. Why just the sight of Gojo annoyed him. And it's all your fault.

He didn't even know when these feelings started. Was it when you guys first met and you stood your ground with him? Was it when you teased him? Was it when you kept bothering him? Was it when you guys would go out for lunch or dinner together? Was it when he took care of you when you were sick? Did he fall for your looks? Your personality? Was it because of the times you've spent together?

Fuck. He was pissed. Here he is, catching those disgusting mushy feelings for you. Something he sweared would have never happened, and he doesn’t even know how it even happened.

"Fucking hell," Sukuna sighs as he run his hand through his hair.

It should be fine, right? He'll just ignore this. Move on like he didn't realize he fell in love with you somewhere along this journey. These feelings won't last anyway. It will disappear soon. You liked someone else, too, so it should be easy to move on. Right?

Fucking wrong. He's never been more wrong in his life.

All of you have graduated and are now doing your own thing. You all meet up regularly to hang out. Although Sukuna made an effort to see you daily as much as possible–

Wait, no. Correction: He sees you daily because he knows you'll do something stupid if he wasn't watching over you. Nothing else, really.

It's not like Sukuna had trouble moving on. He's not dreaming about you daily. He doesn't want you. It's not like that at all. He obviously moved on from you while you still liked Gojo. No point in these feelings since they're a nuisance.

Deep down, even if he ignores it, he knows he still likes you. But it's not like you'll ever look his way like the way you look at Gojo. Unless an opportunity arrives and it just so happens to arrive. That opportunity came knocking at his door, and he isn't going to let it slip away.

After years watching you love someone else, now he is watching you get your heart broken by that same person. Honestly, he never understood why you fell in love with this guy. That guy was a child in a man's body. Like, who even drinks those sugary, coma-inducing drinks??

But here you are smiling through the pain. He saw small tears forming in your eyes before you quickly wiped them away and said there was dust in your eyes. Others may not notice it, but he does. He saw the hurt in your eyes when Gojo told them that he fell in love at first sight with someone.

Great. Now he wants to murder Gojo even more now for hurting you.

However, he can't help but feel happy? Relief? He doesn't know what he felt. He just knew that an opportunity was given. But he isn't going to be a shitty person and confess to you right when you got your heart broken. He'll wait until you heal. If you ever will. After all, he had already kept his feelings to himself for years. What's wrong with waiting a bit more?

He could make you happy. He would give it his god damn all to make you happy. He would never hurt you. He wouldn't make you cry. At least not cry in a sad way. You crying under him, though, is a different story–

He quickly shakes his head to get rid of that thought. He's getting distracted. You got him wrapped around your fingers, and you don't even know it. He couldn't help but sigh. He really is still in love with you.

He watches as you and Geto try to give Gojo advice on how to win over the person he likes.

"You're an idiot," he interrupted.

He stared at Gojo as he said it, but it was meant for you and himself, really. Both of you two are idiots. Both of you have unrequited love, like in those shitty stories you read. He really is living in the stupid cliché plot he hates. And it's all your fault.

A few months have passed since then. He knew you had mostly moved on. He can still see the hurt sometimes, but it's fading. He knew he should make a move soon. After all, if he doesn't, what if someone else approaches you? But he also knows that just because you moved on doesn't mean you'll see him as he sees you. So he's willing to wait for that day. The day you look at him the way he looks at you.

So here he is. Standing in front of a flower shop. Looking extremely out of place. If you told his past self that he fell in love with you and is now trying to pursue you, he can see his past self attempting murder. He really can't believe he's going to order flowers.

He took a few deep breaths and walked in.

The minute he walked in, a florist greets him– "Hello sir! How may we help you today?"

"Can you make me a boutique?"

"Of course, sir! What type of flowers would you like for the boutique?"

He wanted something to convey his feelings and message. He's done some research about flowers and their meaning. Many websites showed different things, but he eventually settled for one.

"I want..."

When he finally finished ordering the flowers, he went home. On his way back home, he noticed a dandelion.

"...it's a wishing flower! You make a wish and then blow away the seeds! ...People make wishes on dandelions!"

He stared at the dandelion for a few minutes before he clicked his tongue. He bent down and plucked it. He then made a wish and blew the seeds away. He didn't know why he did it. It's not like the dandelion would make his wish come true.

"Tsk. Can't believe I did this. It's fucking stupid."

You really made him a god damn softie so it's about fucking time you take responsibility.

A few days later, he asked you to meet him at your usual spot. A place that only the two of you knew. When he arrived with the boutique, you were already there. You were sitting on the bench, looking over the city.

He quietly stared at you for a while. You were so beautiful sitting there. If angels did exist, you'll be one of them. But then again, your personality was more like a devil. You cast a curse on his heart, and honestly, he didn't mind it. You can curse him for his entire lifetime as long as you accept him.

"Hey, brat. Look behind you."

When you heard the sound of his voice, you quickly turned around. You looked at him and smiled until you noticed the boutique in his hand. You gasped as your eyes widened.

Red chrysanthemum and astilbe. I love you and I will be waiting for you.

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starryluminary · 7 months

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♪ Jane Doe - Alicia Keys

The EX Files finally!! The episode where Cody and Noah face the consequences of their actions (the consequences they frankly don't deserve)

I hope this is coherent. I had to add and change some things last second to tie it together and I reeeeally hope I managed to have it read well

Notes about this episode under the cut! (There’s extra detail I couldn’t fit in the doodles and needed context for future episodes, so skimming them is recommended!)

* (It’d be funny if Noah had a black eye this episode from Sierra’s backhand.)

* It starts off with Sierra crying and Courtney and Heather making Cody comfort her, which he does reluctantly.

* Cody's not entirely sure what to say to try and calm her down, but she retorts with “Whatever… it’s not like you're in love with him.”

* Sierra looks back at him… and he’s frozen. He doesn’t know how to respond.

* Sierra can take a guess, though. “…No you aren't.” She harshly grabs him by the arms and yells at him, desperately, “NO YOU AREN'T!!”

* Heather grabs Sierra and Courtney grabs Cody to separate them. Cody promptly runs away and Sierra promptly gets yelled at by Heather (not because she cares, but because Cody being injured would make him a liability.)

* On Team Chris’s side, Alejandro, Owen, Duncan and Tyler are huddled discussing the incident. Owen tries his best to be on Noah's side, defending him, but Alejandro twists the story to paint Noah as the one in the wrong. Owen doesn’t want to admit he’s making sense. Duncan is completely against Noah, backing up Alejandro. Tyler however doesn’t participate until Noah gets fed up of the not-so whispering and storms out of first class.

* Cast regroups for the challenge rules and Noah joins Cody's side, quipping something I can’t remember. Cody quips back. Sierra pushes Noah to the ground in response, pretending to be in on the joke.

* The “Courtney throwing challenges” bit is replaced by Tyler watching/paying extremely close attention to Noah to determine if Noah’s situation is sympathetic or immoral. Noah gets more mad the longer the episode goes on cause Tyler isn’t exactly subtle.

* Cody finds the cloning pod and makes Alien Cody like in canon. [I’m making him a bit more curious and a bit less initially threatening, like he has Cody’s thoughts and opinions and feelings.] Alien Cody approaches the real Cody slowly, and Sierra finds them. She’s shocked at first: “Two Codys?” Then she starts wondering, and asks the Alien Cody a question. “Do… you love me?” Alien Cody sticks its tongue out at her and scurries away.

* Once Sierra and Cody are alone together, Sierra tells him she’ll forgive him. Cody is confused. Sierra explains. “Obviously Noah got into your soft, easily manipulated mind, and that was wrong of him!” She grabs Cody’s face. “But don’t worry.” She leans in and puckers her lips. Cody looks at her horrified. “I can fix it.”

* Before Noah and Cody find each other, Noah finds Alien Cody. He thinks it’s the real one at first, approaching it casually. He then notices the messy hair, green tinted skin and the eyes (which I’m making entirely black cause these are pencil drawings with no color) and becomes more cautious towards it. “You’re not Cody. What… are you?” ET finger touch.

* Duncan sees this from afar and yells at Noah: “Are you *seriously* messing with Cody right now?!” Noah tries to respond: “I’m not! This isn’t-“ Alien Cody interrupts him with a growl directed at Duncan. He charges towards him with malicious intent and Duncan punches him, making him explode into goop. Noah does not falter. “Way to kill our winning ticket, idiot.” Duncan does not hesitate. “I’ll kill you. I swear I’ll kill you.”

~ *[Events of the comic]* ~

* Team Amazon makes it back to Chris with an artifact first and win the challenge. Cody looks back at Noah (whose team was only slightly behind his own) sympathetically. Noah looks back with understanding. I want to say Sierra’s slightly too loud and exited about NOT the Amazons winning, but of team Chris losing. Tyler (who’s paying way too much attention now) notices and comes to a conclusion.

* Owen gets voted off this episode for being dead weight, and he and Noah hug before he jumps. Owen tells Noah to “win for him” and Noah replies that he makes no promises… but he’ll try.

Sorry that’s. Like a lot. The story kinda got away from me

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mareastrorum · 2 months

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I love villains, and I especially enjoy Brennan Lee Mulligan’s take on them. His version of Asmodeus in EXU Calamity and Downfall really highlights the reasons why.

A villain is the embodiment of the wrong conclusion. They aren’t always an antagonist; they aren’t necessarily meant to obstruct the protagonist of a story. Hell, they might even be helpful. Villains don’t even have to be evil, per se, they just have to be on the wrong path in the context of the story.

Asmodeus is a brilliant villain and as evil as it gets. He’s the Father of Lies, and he indulges in it deliciously. The lies are always half truths so that the protagonist fills in the blanks with assumptions and gets it wrong. He matches their energy to give them what they want to hear. He plays along with naivety and hope. He doesn’t take anything from people other than lives; they give the rest willingly because they want to believe him. Asmodeus finally reveals his deception when he has someone cornered because he wants them to know they did it to themselves. Asmodeus wants everyone he hurt to come to the realization that “I knew better and let this happen anyway.” He did it to Vespin Chloras, Zerxus Ilerez, and Sarenrae.

From EXU Calamity episode 4, after Zerxus realizes he’s been had:

Asmodeus is the embodiment of the desire to punish, and he’s the villain because he’s wrong. That mentality is rooted in hatred. He is convinced that everyone deserves eternal torment, and he wants everyone to agree with that conclusion.

The purpose of Asmodeus is that we shouldn’t inflict punishment based on some idea that the person deserved it. Yes, revenge and victory feel good. Yes, there are often valid reasons to be angry or defensive. Yes, we can come up with a reason to justify punishment. But hurting people because they deserve it is exactly what Asmodeus does. There is always a way to rationalize that someone deserves punishment—so the right answer is that this feeling cannot be a sufficient reason to do harm. That isn’t good enough.

It’s so easy to say “they deserve it” when we know the end result is that Aeor will be destroyed and the surviving legacy is ruins full of monsters. It feels good when we think people deserve to suffer and then we get to see it happen. It feels righteous.

Vespin Chloras deserved to be remembered as a traitor because he was arrogant enough to think he could replace Asmodeus—in an age where another mage already replaced the god of death and yet another mage created a machine that killed two primordials. Zerxus Ilerez deserved to be a thrall of Asmodeus because he chose to take up the mace and contributed to the problems that got him in that dilemma—because he so fervently believed that under all that hatred was a person who needed a chance to change his mind. Sarenrae deserved to lose her followers because she decided to trust the Father of Lies—because she loved her brother and offered him mercy.

It’s so easy to conclude that someone deserves pain. Asmodeus is here to remind us specifically that it’s not the right way to handle anything.

Asmodeus is also a rather effective villain because he is supposed to be irredeemable. Archetypal villains are wonderful tools for setting audience expectations. Whether Brennan plays that straight or decides to subvert it, there isn’t as much work needed to persuade us that Asmodeus is that evil or cruel. We already believe that he’s capable of doing the worst things imaginable. Toying with those expectations is a great storytelling exercise.

Asmodeus didn’t shock us in EXU Calamity because we didn’t expect him to be evil. He was shocking because he is such a skillful liar that we wanted to believe him. It would be such a satisfying story that a well-meaning paladin was the first person to show kindness to the Father of Lies and managed to atone him. Brennan’s portrayal made us want that subversion so badly even though we knew better. Asmodeus lured us into the same trap as the characters, and then we saw the outcome: punishment—because Asmodeus will use any reason to justify it and every opportunity to inflict it.

In Downfall, Brennan could have easily rationalized that the protagonists wouldn’t agree to the truce if Asmodeus was on the infiltration team. The audience would have absolutely found that plausible. He didn’t have to be here. The decision to include Asmodeus on the side of the protagonists gives us a heads up that the story will grapple with questions about punishment.

What do I need to see before I am justified in destroying a city with no survivors? Do I have to concern myself with bystanders? Do the fearful deserve to die for choosing to oppose me? Don’t they deserve it for creating such objectionable technology and magic? Don’t I deserve the chance to live without fear of those lesser than myself? Don’t they deserve to die for corrupting those I loved? Don’t they deserve it for being loved more than me?

Why isn’t hatred a good enough reason to hurt someone?

Again, villains are tools to highlight the wrong conclusions. Asmodeus is involved to highlight that the desire for punishment isn’t a sufficient reason to destroy Aeor. The other characters, villains or not, are here to show us what other justifications there might be. Their interactions are going to brush across these themes over and over again.

I fucking love villains, and no one plays a villain quite like Brennan does.

#critical role #brennan lee mulligan #downfall #exu calamity #asmodeus lord of the nine hells #post script: also he’s just fun #just an unreprenant asshole on every level #love it

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noneorother · 1 year

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All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part 1*

The Bonkers Meta Series part 2: Electric Boogaloo.

I so rarely get a chance to misuse my experience in classical music, but here we are. When I realized on my most recent watch-through of the series that the David Arnold score was brilliant, but also really wonky in some parts and I couldn’t put my finger on why, @embracing-the-ineffable suggested I listen to the album soundtrack to compare.

And when I tell you what I found hidden in there, you’re going to need Eccles cakes...

1) The Song is the Clue

So right up top we have this banger. The 12th track on the album is the orchestral backdrop to the scene in the Job minisode where Aziraphale reveals Crowley’s crow/goats. The duration is 2:22 (the only track with multiples on the album), and if you look at the track by itself it doesn’t mean much. But the song just before it is actually from this fucking scene:

You know, the one where there’s a song that’s a clue to a mystery. Except Clue is capitalised, and Aziraphale pronounces it. I’ve seen guesses that this is a reference to the movie Clue, but I would put a lot of money on the fact that we are supposed to read the title of the song currently playing at that moment in the show *as a Clue*, which is super convenient, because the word Clue is capitalized in the track listing.

Seems like the overlords of Good Omens have a message for us : The song is the Clue. It’s what God wants. Cool cool cool. WHAT SONG?

2) Symmetry in all things

Before I straight up tell you, we have to go back and look at season 1.

Now I’m far from the first to notice tons of parallels between the story, details and even lines in both seasons. It got me thinking that maybe there are some fun synch-up parallels between the two season’s soundtracks, seeing as they are both 6 episodes long. Here’s the end of S1 and then S2

Oh that’s a bummer, I thought to myself.

They don’t even add up to the same number, or playtime, and neither of them is exactly 60 tracks. But do you want to hear a secret? S2 is actually missing 3 tracks on the album. And because there are 2 discs in S2 (cute), the numbers of the tracks start over again from 1. Remember how much God likes sevens? Check out where all the weirdness is happening in disc 2 (I’ve added the missing track listings in red to add context):

After checking each track with the show and listening side by side (for reasons that will become clear in another post) I can definitively say that there is something *very weird* going on at the end of episode 4.

First is track 7, Zombie dressing room, which seems to actually reach over two distinct scenes of the photo evidence in the dressing room and then Shax in hell even though it only has one title.

But *between* these two scenes we get an eerily silent wine date with Aziraphale & Crowley.

There’s really no music or even sound here besides the dialogue and room tone (until after the cheers), and it seems like a very intentionally silent version of a ritz date from season 1.

My best guess is that we are supposed to divide that track into two tracks of 7, before and after the date to get a second track 7. Or maybe the silent one is missing music? The third track number 7 is the weirdest one. It’s this scene here, when Nina parks her bike, and Aziraphale parks the car at the end of S2E4.

If you take a close listen to the music, it’s a jaunty little piece, with an oom-pah base in 3 ⁄ 4 time. The thing is, this music does not exist in any Good Omens album. Please feel free to correct me, but I’ve tried to find any part of any song that this could even be a reprise of, and I Shazammed it to be sure it wasn’t anything else. This song does not exist anywhere except in this scene. (It quickly morphs into a reprise of the original theme once Nina leaves Aziraphale). It’s an invisible song.

So we have 3 tracks at the end of S2E4: a long one, a silent one and an invisible one. Only one of which is numbered 7, but that all fit into that place in the track listing.

Which, when we add the two extras to the original total of fifty-nine we get... sixty-one! Hey wait a minute.

How are we going to get to 62?

3) The real missing track.

So the real reason we had to go back to the S1 album was because it contains the missing track that God is talking about. Let’s compare the last tracks on each album.

I’ve highlighted the mismatch between the in-show music and the album in S2, which means I had to add A Nightingale Sang in Berkeley Square back into the S2 album because guess what, it’s not in the S2 album. Even though it plays in the show.

You want to know how not in the album it is? Amazon had to track it in the show as a season 1 song. They had to give Tori Amos credit for her song on Good Omens in the X-ray bonus features because that’s how not in the album this song is.

So my fellow beings, if the song is the Clue, then It’s what God Wants.

And if God wants a happily ever after with Aziraphale and Crowley on their own side, then by Job, I think Neil is going to give it to her.

-----------

And there's more where that came from! Part 2 coming shortly.

#good omens meta #art director talks good omens #go season 2 #good omens 2 #go2 #good omens prime #good omens season two #go meta #good omens season 2 #go3 #good omens 2 meta #crowley x aziraphale #aziraphale #anthony j crowley #good omens spoilers

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vaguely-concerned · 6 months

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Ever since watching The Wire for the first time, my brain has doggedly kept working away at the Especially the lies of it all, and specifically at how much the structure beneath the different stories Garak tells contributes to the overall meaning of what he’s trying to say. While the contradicting narratives of course expertly obscure the factual circumstances of his getting exiled, using them also allows him to tell aspects and facets of the emotional truth I don’t think he ever could have, if he’d simply told the actual story of what happened. (It’s very Varric-core of him honestly.)

The first story — the ‘oh, you think you know me?’ story — says I have done things that would sicken you if you knew any detail of it. It’s clearly meant to scare Bashir away so he’ll leave him to die shamefully in peace already lol. But it’s also one of his (probably much-needed lbr) little lessons to Julian that are so frequent in the beginning, given while Garak still has some hold on himself — “Don’t be so quick to forgive me if you don’t even know what I’ve done; what would you do if this really were the sum total of what I am?” (And Julian seems to surprise him by going ‘Well, exactly the same thing, because no matter who you are I am a doctor. But I sort of take your point.’)

The second story — the letting the orphans go story — says I have failed to smother my soul in its cradle when it was required of me, and I regret that more than anything I’ve done. To my ears this is the one most shot through with active self-loathing too, which is interesting. He’s officially lost the control he’s been clinging to and it’s about to get ugly. His TL;DR is ‘Sentiment is the greatest weakness of all’, even all the way back here. (Which is the one lesson Julian steadfastly refuses to learn, which I think in turn does some serious rearrangement of Garak’s soul over the course of the show haha. Get uno reversed into the process of loving and being loved without shame asshole.) This is also where he builds up to admitting to having any sort of need for companionship or closeness at all and — so much worse — that Julian’s role in his life actually has fulfilled some of that need, and he’s DRIPPING with defensive venom over it b/c well I get it Garak vulnerability is scary it can take a person like that.

(I also feel there’s something honest and forbidden in ‘Suddenly the whole exercise seemed utterly meaningless’. I suspect ‘actually… why the fuck are we even doing this???’ is not a welcome sentiment in an Obsidian Order water cooler environment, no matter what you’re saying it about lmao. The very first seeds of him deconstructing the things he’s been taught about Cardassia and his work might be hinted at here, though they of course take a looong time to come to any real fruition.)

The third story — the ‘Elim was my best friend’ story — says hey, remember that thing you said once, about how sometimes, you have to be loyal to yourself before you can be loyal to anything else? Well. guess what. I couldn’t even be that lmao. It also furthers that thread of being divided from yourself, split, that having ‘Elim’ as a separate person around in all versions of the story brings in. He’s in control of himself again, but he essentially hands his life and soul over to Julian to decide what should be done with them.

I’ve done horrible things and it finally caught up with me, I’m getting what I deserve → I let sentiment master me and the fact that I’m too weak to do what’s needed of me shames me more than the evil I’ve done → I fucked up. I betrayed myself and everything I held to, all for nothing, and I have no one to blame for it but myself. But it’s very nice that you’re here anyway, Doctor. (Wow. I didn’t realize quite how isolated and lonely that last one was before right now. The way Tain has shaped him really has just… locked him completely into himself, huh.) We can also see a movement through from a completely professional context in the first story, to an intensely interpersonal and internal context in the last one — even his fake stories spiral in towards intimacy, which I think is what he longs for here even if he can’t quite like. Touch that without the stories as a buffer yet, it’s clearly like touching a hot stove for him to interact with it too directly.

And you know what I find incredibly interesting the whole way through? Even on his deathbed, where he’s dying from the thing Tain had put in his head, he’s protecting Tain. He puts all the blame for where he is on himself (‘My future was limitless, until I threw it away’), even if he has to employ a strange twisty logic where he’s split himself into two to do it. Don’t get me wrong, Garak has done horrific things all on his own haha, but it’s notable that he almost isolates Tain from that. ‘Tain was the Obsidian Order. Not even the Central Command dared challenge him. And I was his right hand.’ Tain in Garak’s stories is this infallible implacable weirdly distant figure, even now. Indeed, as will make a lot of sense with the revelations further down the line, more than anything it seems the gaze of an abused child desperate for recognition looking up at an idealized (if not in any way nurturing) parent.‘He was retired at that point; he couldn't protect me’, Garak says, as if what he’d need protection from in the first place isn’t Tain himself lmao, as if Tain had no active part in any of this. He never lets blame touch Tain at all. At this stage he would rather consider himself a broken flawed tool than accept that the hands that have wrought and wielded him have ever had any fault in them. AND in the middle of it all, with plausible deniability, on death’s door and knocking meekly to be let in before he must finish the mortifying ordeal of being known and test the even more daunting possibility of being loved, Garak at the same time manages to drop the breadcrumb trail of clues to make it possible for Julian to find Tain if he so chooses and gets in the ‘sons of Tain’ thing too for future dramatic irony purposes. Truly he is the Michelangelo of lying. Every falsehood a multifaceted masterpiece. Elim ‘achieving a state of intertextuality in real life is possible if you work hard and believe in yourself’ Garak. I love him so much.

I think all of this is why “I forgive you. For whatever it is you did,” works so well, because it too works on a structural level. It’s such a deceptively multilayered response — it has the syntax of a joke, in a way, and it is kind of funny even under the circumstances, but delivered with such earnest warmth and fondness. It’s both recognition and acceptance (forgiveness!). It’s saying ‘I finally understand enough of what you’re trying to tell me beneath and through all that, in whatever way you’re capable of, I see you’ and ‘my answer hasn’t changed (bitch)’. The forgiveness Julian offers here is complete — on principle, and out of personal feeling and empathy (only one of which Garak deigns to respond to during the second story, where he calls it ‘smug Federation sympathy’, placing it more completely on the principle side than it probably is. ‘Dude you’re my friend please don’t just lie down and die in a completely avoidable way on me, who else is going to not only tolerate but actually gleefully enjoy me being annoying as fuck over lunch’ seems to be the subtext that’s a lot harder to acknowledge and invite in for both of them. And yet Tain seems perfectly clear on the fact that Julian is Garak’s friend, which, y’know. Must be fun living with the knowledge that Tain has eyes everywhere looming over you every day haha guess you’d just have to tune that out.)

Most of all — ’Don’t give up on me now, Doctor’... and he didn’t! He didn’t. Augh. Ow.

#garashir #elim garak #julian bashir #star trek ds9 #ds9 #star trek #ds9 meta #S2EP22 The Wire #alternate title: baby's first brush with unconditional love through unreliable narration lol #I'm not sure I got to say everything I want to in this/found the exact right words in places or hit all the nuances #but god help me I so desperately need this out of my brain to free up some disc space so go forth little meta haha be free #I'm sure I'll come back to you in time #meta #enabran tain #(derogatory)

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graceshouldwrite · 1 year

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The Most Powerful Hack to Make Your Readers Cry

You’ve seen it all: show, don’t tell, plant a visceral image in the reader’s brain of the environment/character, write a complex character arc with lots of growth and setbacks, establish deep relationships, high stakes, etc.

All the advice for making readers cry I’ve seen so far is basically that list. But, while those things are absolutely important, I find that the thing that always does the trick, whether as a tipping point or in and of itself, is this:

THE CALLBACK!

Before we move on, this is an ANALYSIS heavy post, so all the book + show examples contain spoilers!!

So, what do I mean by a “callback?” Think of Chekhov’s gun, but, here, you use the gun to pierce your reader’s heart. As a refresher for anyone who needs it, Chekhov’s gun is just a rule in writing that anything you introduce in the book should play some role in the plot.

Specifically, the name comes from the example that if a reader introduces a gun in the first act, it MUST go off later, (maybe, say, in the third act). For example, in the TV show Breaking Bad, the protagonist Walter White prepares a vial of poison (ricin) that he wanted to use to eliminate an opponent early on in the series. After the assassination attempt falls through, the ricin makes an appearance again in the very last episode of the show, when Walt finally uses it to kill another opponent.

Got that? Alright, onto the examples of successful, tearjerking callbacks:

1. The Last Olympian (Rick Riordan); “Family, Luke, you promised.”

Context: The character Annabeth says this line. Years ago, Annabeth had run away from home, and Luke had effectively adopted her into a found family with another kid named Thalia. Common reason for leaving home = parental trauma! Yay! He promised Annabeth that they would be each other’s “family” from now on.

Now: Kronos, the antagonist titan, has possessed the demigod Luke and uses his body to strike Annabeth, injuring her. She’s also holding a dagger that Luke had given her when she joined his “family.”

Significance: her words + the dagger are a mental + physical reminder to Luke of his promise. They force him to recognize the sheer degree of his current betrayal by bringing him back to a different time. The fact that their found family only happened because of parental trauma bringing them together makes it worse—Luke felt abandoned by his Olympian father, Hermes. Now, he realizes that he basically did the equivalent to Annabeth by joining the titans.

2. Les Miserables (Victor Hugo); Jean Valjean’s death

Context: At the beginning of the book, the bishop had caught Valjean trying to steal candlesticks to sell. Instead of handing him over to the police, the bishop told the police that he had given them to Valjean, saving him from arrest and showing him mercy. This changed his life forever, kickstarting his character redemption arc.

Now: Jean Valjean dies surrounded by his loved ones, remembered as a benevolent man who bettered thousands of lives. He’s surrounded by light from candlesticks that once belonged to a bishop.

Context: Valjean had once taken in an impoverished woman named Fantine, showing her mercy and promising to take care of her daughter, Cosette, after Fantine died. Valjean then rescued Cosette from abusive quasi-foster parents (it’s a long story), raising her as his own daughter. This furthered his arc by allowing him to finally understand how unconditionally loving someone feels.

Now: Valjean describes Fantine to Cosette, who never knew her mother.

Significance: Both examples throw readers back to much earlier points in the story before the completion of Valjean’s character arc. In a way, this final scene feels like an external manifestation of his kindness paying off; both he and the reader feels a sense of accomplishment, relief, and just a general “OMG WE MADE IT.” Readers don’t feel cheated, because they were with Valjean every step of his 1,400 page arc. The weight of it all just crashes down on you...

3. Your Lie in April (anime); Kaori’s letter after she dies

Context: Kaori’s entire plot significance is that she helps Kousei, a piano prodigy who can’t play piano anymore due to traumatic parental memories associated with it, play again—but also, just to help him enjoy life again after a turbulent upbringing. She meets him a year before she dies of a medical condition, and her free spirit + confidence influences him to find beauty in life and music again. They basically do a crap ton of crazy funny stuff together lol

Now: Kaori has died, and she leaves a letter to him. Among other general confessions and thoughts, she references things they did and memories they shared: she says, “sorry we couldn’t eat all those canelés,” reminisces about jumping with him off a small bridge into the stream below, “racing each other alongside the train,” singing Twinkle Twinkle Little Star as they rode the bike together, etc.

Significance: Yes, the nature of the letter is just sad because she’s revealing that she loved him all along, apologizing for not being able to spend more time with him, lying that she didn’t like him (to spare his feelings b/c she knew she would die soon), etc. BUT, these small details highlight exactly how many experiences they shared, and the depth of their relationship. Thus, they emphasize the significance of her death and the emptiness it leaves behind.

4. Arcane (show); “I thought, maybe you could love me like you used to, even though I’m different.”

Context: Character Jinx says this in the last episode to her now estranged older sister, Vi. Without going into the crazy complex plot, basically, orphans Vi and Jinx used to care for each other before a bunch of crap went down that got them separated. They then grew up on opposite political sides; Jinx grows up on the side of the underbelly city rebellion, and Vi grows up working on the side of the richer city that essentially oppresses the undercity. Thus begins the development of their opposing viewpoints and work environments, to the point where they always meet on opposite sides of a political battle, never able to come together as a family or understand each other again.

Now: After a super dramatic confrontation, Jinx reveals that although she wants Vi to love her like she did before their separation, she knows it’s not possible because “[Vi] changed too.” She finishes with, “so, here’s to the new us” before blowing up a political council meeting a few blocks down filled with people Vi sides with. Oops! This cleanly seals the fate of their relationship as something basically irreparable.

Significance: This callback isn’t through literal flashbacks or items like in the previous examples. Jinx’ lines are enough to bring back images of their childhood to the audience’s mind. Now, the audience subconsciously places this image of: 1) two sisters so different, hurt, and torn apart, right next to 2) the image of two sisters as innocent children who loved each other and would care for each other no matter what.

Why do callbacks work so well?

If you’ve noticed something in common with all of them, you’re right: they remind audience of a time BEFORE the characters have come so far on their arcs, developed, and put on so much more emotional baggage.

Callbacks force the audience to SUDDENLY and IMMEDIATELY feel the weight of everything that’s happened. The character’s anguish and overwhelming emotions become the audience’s in this moment. Callbacks are a vehicle for the juxtaposition of worlds, before and after significant development.

This works because we, as mortals, fear IMPERMANENCE the most. We fear LOSS. For us, time gone is time we will never get back; callbacks make us face that exact fact through a fictional character. A lost moment, time period, or even part of oneself may hurt as much as losing a loved one, and nothing makes humans grieve more than the realization of a loss. A callback slaps the audience in the face with the fact that something was lost; loss hurts so much because almost 99% of the time, what’s gone is gone forever.

Of course, a good callback requires good previous character development, stakes, imagery, and all that jazz, but I thought I’d highlight this specifically because of how under covered it is.

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

I’ve been binging general media lately: I finished Death Note, Your Lie in April, and Tokyo Ghoul all within like a month (FIRST ANIMES I”VE EVER WATCHED!!), reread lots of Les Miserables, analyzed a bunch of past shows like Breaking Bad, watched a bunch of My Little Pony, worked to fix up my old writing... and that’s not even all! The amount of times I’ve CRIED while enjoying the above media and so much more honestly just inspired this post.

Like, no joke, my eyes were almost always swollen during this period whenever I hung out with my friends and it was so embarrassing help

Personally, I just find that this method works super well for me, and I watched a bunch of reaction videos to these above scenes (and read book reviews on the book scenes I mentioned), and it seemed that just about everyone cried during these parts. That’s when I realizes that the callback might also just be a universal thing.

Anyway, this post is long and dense enough as is. SORRY! As always, hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333

Happy writing, and have a great day,

- grace <3

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artist-issues · 10 months

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Yeah, again, you can tell that the creators of Wish wanted certain moments to be impactful and to hit as hard as any other animated Disney movie’s moments did. But they didn’t. Because there was no convincing build-up for the moments to peak on.

You can tell which moments they are.

When Asha and the King sing “At All Costs” - If you listen to the song on its own, and you have no context (which is to say, you make up the context on your own) it is moving. Because it’s a pretty-enough song with vaguely passionate lyrics, once you assign meaning to them. But the movie doesn’t build up why this song should be an impactful declaration for either Asha or Magnifico. We already knew that Magnifico made it his job to “protect” the wishes (which are the subject of the song.) Asha, on the other hand, has only just been introduced to us, and we know she “cares too much,” so we already knew she’d protect people’s wishes. The song isn’t giving us a deeper understanding of them, or a more interesting angle to look at their motivations.

But, that’s not really the problem. The problem is that the wishes are the subject of the song. And that whole concept, of wishes being tangible objects that hold the most important and beautiful part of people’s hearts, but when they’re tangible, they remove that part from the person, is bad. It’s not good to try and build a story of stolen-treasures on.

Because that’s how they’re treated. Like treasures that the king is hoarding, after manipulating the people of Rosas into giving them up. And you know what? That’s a terrible thing to sing a protective love song to.

Just think about it this way: the story is about a King who takes everyone’s favorite keepsakes (family jewels, ornaments, old photos) and promises to protect them, but in actuality…for some reason…the moment they hand the keepsakes over, they forget whatever made the keepsake important to them. And then the King and a young woman sing a heartfelt song to the photographs and old brooches about how they will love and protect the photographs and old brooches.

Do you see why this song is pretty but not impactful in the story? They shouldn’t be singing to the wishes. Even Magnifico. They should be singing to the people. The movie plays it as if that is what they’re doing—singing a heartfelt promise of protection to a person, or a people. But that’s not what they’re doing, and do you know why?

Because the people have forgotten their wishes.

By definition, the actual human beings in Rosas cannot care (believably) about the bubbles in King Magnifico’s tower. They can only vaguely care about the chance of being happier than they are now, someday, if the wish they don’t even remember is granted. And what a terrible lesson, never mind plot point.

Anyway.

I digress. The point is, for a personally-worded, vow-of-protection-song to hit the audience meaningfully, it needed to matter to the person receiving the vow. But there is no person receiving the vow. Because of the narrative and lazy concept, only Asha and Magnifico care this much about the wishes. Because the people who made them have forgotten them. (More on this when I talk about Asha’s mom.)

When Sabino’s wish is not granted - This is supposed to be like a “Tiana’s restaurant gets taken away from her when she’s outbid” moment. The character is crushed when the thing they wanted and really believed they would finally get is taken away.

Doesn’t work in Wish, though. Because of a few things, but the main two are:

The audience has no reason to believe this means so much to Sabino because he hasn’t been shown really longing for his wish to come true.

This movie avoids any vulnerable emotion in facial expressions.

When Tiana loses her chance to have her wish come true, it is also unfair—she was already promised the property, but the brokers accepted a larger offer anyway, and it’s implied to be because of racism. Similarly, everyone acts like Sabino is entitled to (“promised”) having his wish come true because he’s so old and it’s his birthday. Plus we, the audience, know that Magnifico isn’t rejecting his wish for good reasons, and that Sabino’s wish is unselfish. So it’s meant to feel unfair and sad when he doesn’t get it, but it’s not. Not like it felt with Tiana.

Not only does the lazy concept of wishes and forgetting them once they’re tangible hamstring all of this—but the fact that Sabino has had nothing but a handful of sparse lines (ones like “we don’t know for sure that I’ll get my wish granted”) to convince us that he really cares about this hamstrings it, too.

When Tiana loses her restaurant property, it’s only about 24 minutes into The Princess and the Frog, and we have already had:

1 - A song about how hard she’s worked for it. 2 - An opening scene where her relationship with her father connects the restaurant to a deeper, more personal meaning for her.

3 - Several scenes where she is shown doing drastic things to get enough money for it; her drawer full of tip money; the two jobs she works with only a minute’s sleep in between; her friends asking her to come dancing but reiterating the fact that she often loses time for fun and their good feeling toward her because “all she does is work.”

4 - We are also shown that people don’t believe she’ll get it. The cook at her job mocks her for her wish, which makes it all the more important to the audience that she gets it—to prove the jerks wrong.

Of course, it doesn’t hurt that the restaurant is directly tied to Tiana’s character flaw AND her strengths, at the same time, so that it’s killing two birds with one stone—we’re shown who Tiana is, and we’re convinced to empathize with her when something sad happens to her.

Sabino has zero of those things going for him. No character details or set pieces to hint to us that he wants the wish to be granted so badly—no speeches about what it means to him—no memories tied to how he began to wish for this thing—because there can’t be. Because he’s spent 82 years not wishing. Because he’s lived the majority of his life totally forgetting what he wanted. You couldn’t logically show any evidence that he wanted it that much, then, could you?

So Sabino can’t be shown caring too much about not getting his wish. Therefore the audience doesn’t care either. We’re shown a glimpse of his sad face, and Asha’s sad face, and then told, “now feel sad!” But the work wasn’t put in to make it happen.

They cut their legs out from under themselves.

Now you could say, “well it wasn’t really about Sabino’s disappointment, it was about Asha’s disappointment.”

Yeah, but that doesn’t really hold up either. I’ll explain how in the next moment-that-should’ve-made-us-feel-something failure:

When Asha’s family doesn’t believe her - This scene is very clearly supposed to be like the one where Mulan has an argument with her family about her father going to war, and knowing her place, and he yells at her and she runs out distraught.

You definitely feel for Mulan and care about how she’s feeling in this scene—you might even cringe at the part where her dad yells at her. Part of that is because the scene is so well-done—there’s the buildup of tension as the camera cuts between each family member quietly drinking their tea, refusing to talk about the day’s devastating events. Then Mulan bursts out by slamming her teacup down and starting the yelling, herself, in outrage. Her dad stays quiet and steady like he has the whole movie up till now, so then when he stands up and shouts at her, about the exact thing she has been so upset over since the Matchmaker’s, the audience really feels the impact.

You don’t feel the same way about Asha, and it’s not just because her family argument scene wasn’t done as well—it’s also not just because, as you can see above, the movie keeps tiptoeing away from emotional vulnerability in the way the characters look.

It’s mostly because there’s been no impactful buildup to this scene. Again.

When Mulan has an argument with her father, you know what it means to her to have him yell at her about doing what’s right in her own place—you’ve had the whole first few scenes of the movie to convince you of it.

Mulan is upset because she wants to find her place and she loves her father very much. But she does not, ever, say the words “I love my father so much.” She doesn’t even outright say things like that before the argument. She doesn’t say to the Matchmaker, “Won’t you please give me another chance? My father has been praying about this for weeks, and I can’t bear to disappoint him. My father is a great man; he fought for the Emperor and was wounded in the wars; for his sake, can’t you help me?”

Asha does. Asha says to King Magnifico (but really, to us, the audience) “My grandfather’s wish! It’s beautiful.” And “Your Highness, couldn’t you grant his wish?” And to her friends, and to her mother, and to her grandfather himself—over and over she just reminds us with flat, “okay-we-get-it” dialogue and exposition of what she wants.

Whereas Mulan shows us. She convinces us. She runs up to her father, in the very first scene, and we’re shown that even though she has trouble remembering what she’s supposed to say to the matchmaker—even though she has trouble remembering what time it is and getting her other chores done—with this one part of her life, her father, she can remember exactly what the doctor said about how much tea he needs to drink. And she is prepared for her own clumsiness to make sure he gets it.

And even after she doesn’t get what she wants, and is shown to be so ashamed she can’t even look at him (because that’s how much she loves him and cares what he thinks) the only thing that makes her feel better is when he carefully compares her to a late-blooming flower and basically promises that he believes in her, anyway. We know how much Mulan cares about her father because we’ve been convinced by the way the movie artfully and carefully shows it.

We also know that she cares about knowing her place, specifically because of her family’s wishes for her. So all of this combines to prove to us that having her father shout at her about knowing his place and why he’s going to die willingly is a devastating thing for her. Enough for her to run out of the house sobbing and cling to a pillar as if she can’t hold herself up.

But when Asha runs out of the house (barely sobbing, just kind of breathing fast, because there’s no vulnerability in this movie) and stumbles up to a tree in the same way, we don’t really believe something so devastating has happened to her.

Everything happened too fast. She just kept saying she cares about Sabino’s wish coming true, and that she loves him. When he explodes at her (and really out-of-nowhere asks if she wants to “break his heart”) it’s the first time he’s shown any kind of intense emotion, either toward her, or about his wish.

There is no build-up. So it just feels awkward, and kind of like a high school production where one of the kids hasn’t even been trying to act, but in one scene, he suddenly starts yelling because that’s what his character is supposed to do. And it’s just cringe because you haven’t seen that level of energy, happy or sad, good or bad, at all up until now.

And that’s a problem because it leads right into Asha’s “This Wish” song, which is supposed to be like her “Mulan riding off to war” moment. But it’s not set up well by the emotions tied to the family argument, or the emotions tied to the conflict with the King, so you don’t really care.

Moving on to the next emotional-moment failure:

When King Magnifico threatens Queen Amaya - I don’t have much to say about this one; I think you’re getting the point. When there’s nothing but bland words and one-liners spoken to convince us that the characters are thinking and feeling how they’re thinking and feeling, moments like this one just feel boring and forced. And try-hard.

Like, the lighting? The music? Fine. Good. When he points his new magic wand at her threateningly, and clearly appears ready to betray her? All that stuff is fine. It just hasn't been built up to, so it doesn’t hit.

It’s like, “that’s it?” He just says one line about, “Are you betraying me?” And she pours forth a bunch of lines like “no I’ve always believed in you and in Rosas.” And then he’s basically like “okay, I’m convinced, moving on” which of course is him already knowing that she’s betrayed him and already having a plan to trap Asha…but still. From Queen Amaya’s point of view, there’s nothing emotional here.

We’re supposed to believe they’re madly in love and that she trusts him wholeheartedly, so that when he falls to dark magic and she chooses to side with Asha it’s this big moment. But it happens so fast.

There’s no moment where Queen Amaya grieves her husband. There’s no real sense of loss, or even of impactful betrayal. The voice actress delivers every line like she’s trying and failing to feel what the character feels as she reads the lines to a 5 year-old who needs every concept spoon-fed to them.

And King Magnifico drops her like a bag of dirt instantly. No sense of loss from him, either. He’s not even condescending to her, like, for example, Mayor Lionheart was to Dawn Bellwhether in Zootopia. Or like Jafar was to Iago. All of those things would’ve made their quick severing of bonds to each other make more sense.

But we’re not shown that Queen Amaya has sensed any darkness building in her husband over the years, and is just now realizing that this is the last straw and maybe he was never the man she thought he was. She treats him like she adores him (blandly) for the whole first half of the movie. No hint of doubt. Even when he goes for the forbidden book the first time, she easily convinced him not to and then wandered away like “well, took care of that.”

When Asha’s mother loses her wish - The biggest problem with this moment is still lack of buildup, and that is because the tangible-wish forgetfulness thing is stupid as we’ve established. We don’t believe she feels grief, even when she says she does, because we don’t know this woman at all. We don’t know what she wants, or how badly she wants it—we certainly don’t feel that she’s been missing her wish.

But the other offenses are worth mentioning. When Asha’s mother’s wish is broken by Magnifico, she just…gasps. And her father-in-law says her name, and Asha yells something typical like “no!” She looks a little weak in the knees, like maybe she can’t walk for a second, so the 100 year-old man supports her.

But the cameras spend no time on how this is affecting her. The shots of the family escape in the immediate aftermath of this world-shattering thing don’t let us see Asha’s mother’s face. Not that her facial expression is that devastated, anyway. It’s just “typical sadness” expression. There’s a shot where they’re going from the house to the stolen horses and if I remember correctly, Asha’s mother has her back to the camera the whole time; I was looking at her because I was like “something devastating just happened; this is the most interesting part of the scene.” But there was nothing to see.

They could’ve had her visually turn grey. They could’ve had her go mute, stare off into space, suddenly become scarily unreachable. They could’ve had her weeping uncontrollably. They could’ve just had her go catatonic—after all, we’re supposed to believe that even the chance of having “the most beautiful part of her” returned to her heart was just destroyed. Wouldn’t that logically make a person…cold? Calloused? Unfeeling? Uncaring? But no. She’s as just keen to express concern for Asha and apologize for being wrong about Magnifico and urge Asha to keep believing in herself, passionately, as she would’ve been before. No big deal, just lost the most beautiful part of myself forever.

Doesn’t help that we never knew what the mom’s wish even was, so even we can’t miss it.

So when she gets her wish back at the end, and she’s like, “come home.” It’s just…cringey.

When Asha convinces the crowd to wish for Magnifico’s defeat - The idea of the movie is that “the power of the stars is in you because we all came from stardust, so keep wishing and working toward it even when it’s hard.” So this moment is supposed to be impactful.

But it isn’t. Because that kind of thing isn’t impactful. They literally sing a song, glow, and Magnifico is defeated. Even if we were supposed to believe Star was dead, and this is bringing him back like Tinkerbell coming back to life, it’s still not impactful. Because one, it happens way too fast. And no character really emotes about it, like Peter did when he thought Tink was dead.

Two, that hasn’t been the point of the whole movie; the main character never had trouble believing that she was powerful enough to enact change. She barely doubted her own wish. If they wanted us to be excited that she could win based on the stardust in her heart, and in the kingdom’s hearts, alone, then they should’ve given us several scenes where it’s like “Asha is relying too much on Star’s power.”

But no, doubt and disbelief and reliance were never character flaws of hers for this moment to overcome. She doesn’t really have any character flaws, let’s be honest.

Even if you want to say “well sure, Asha didn’t doubt her own power, but the kingdom did! Otherwise, why would it’s citizens have put so much reliance on King Magnifico?” Okay, that’s nice, but 1) that is never solidly or impactfully alluded to in the story, beyond jokes about how handsome they think the king is and the literal plot point of trusting him with their wishes. And 2) having a whole kingdom of background characters believe something false and then get their minds changed in a split second is not nearly as impactful as having the main character’s mind changed first—and then she passes that knowledge on to them.

Like Judy Hopps learning to try to understand Nick, then encouraging all of Zootopia to try and understand each other. Like literally any good story where a whole kingdom needs to realize something.

Also it is never a good idea to defeat your villain just by singing about how you want to defeat your villain. Nobody should have to tell Disney that. They wrote the book on this.

But this movie was made by a company that no longer knows itself.

I could say more, like about the moment where Asha supposedly is at her lowest, or the part where Star “leaves,” or when her friends work together, or the “Knowing What I Know Now” song, but it’s all the same problems.

#Wish #Disney’s wish #character analysis #meta #Mulan #Disney’s Mulan #Disney #wish Disney #wish movie #animated movies #spoilers #review #Valentino #Asha #ariana debose #Disney’s the princess and the frog #the princess and the frog #Tiana

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modanisgf · 4 months

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016. MANIAC (WRITTEN)

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‘this was a mistake.’ was all that ran through hanni’s mind as she continued to sit in some random persons house, her friends next to her laughing their asses off.

she wasn’t sure how they had managed to convince her to tag along to this, hanni hated parties the thought of them making her gag. who wanted to sit around and get drunk with a bunch of people you don’t know?

the only people in their group sober were haerin and hanni, haerin occupying herself with danielle leaving hanni alone. with her thoughts of course, the worst time in her life for her to be overthinking.

to give more context one of matthew’s members decided to throw a party for his birthday, not notifying the friend group until a bit after their personal party had ended. hanni remembered it well, too well even as if it wasn’t hours ago now.

the group was sitting on minji’s couch, watching various movies when matthew got a call.

“hey ricky what’s up?” he said, his expression noticeably changing once ricky spoke.

“and you didn’t tell me until now? i’m already busy—“

“matthew half of the industry is going to be there, can’t you just continue your little hangout tomorrow?” ricky said loudly, allowing the whole group to hear.

matthew sighed in irritation, “fine but next time don’t tell me twenty minutes before.”

matthew hang up the phone after that, before turning to everyone.

“so basically ricky decided to throw me a party and not tell me about it, so now he wants me to be there in like twenty minutes.” matthew explains, confusion being left on everyone but gunwook’s face.

“we’re actually going? i mean, how far away is the venue?” minji asks.

“fifteen minutes..” matthew mumbles.

“bro we don’t have time for this, speak up.” gunwook chimes in.

“fifteen minutes?”

“are you serious?!”

yet they still ended up at the venue on time (ricky’s rich cousin’s house ?), much to hanni’s dismay. she never really explicitly stated she wanted to go, but she knew her friends needed a supervisor just in case haerin got distracted.

the main thing hanni was concerned about though was you, she knew if danielle was here there was no way you weren’t and after your argument a couple days before— hanni wasn’t sure if she was ready to see your face again. you had being nothing less of a bitch to her that day, making sure she knew you didn’t care about her which hadn’t left her mind since.

hanni wanted nothing more than to get over her feelings for you, but even after all that happened she couldn’t truly say she hated you. sure what all you did was unnecessary, but behind everything you said you seemed hurt.

if you truly wanted to hurt her, why would you feel bad? hanni didn’t miss the build up of tears on your waterline as you argued, making her feel the slightest bit of sympathy for you.

but overall and to the public eye, she wanted nothing to do with you. so hanni made it her mission to keep away from you at this party. and her mission ended now, your kuromi bag entering her sight causing her heart to drop. at this point the only person by hanni's side was haerin but she was too busy in conversation with danielle to save her.

you were presumably walking over there to collect danielle, sunoo trailing behind you. sunoo looked hanni in the eyes, the eye contact becoming uncomfortable as he glared at her. obviously sunoo didn't know the full story, of course you wouldn't let your friends in on how horrible you were to hanni.

you and sunoo seemed to be in slow motion in hanni's eyes, every step closer making her more anxious. she fought the urge to nudge haerin, realizing it would only make her closer to you the exact opposite of her goal at the moment.

the two of you made eye contact, the sharp look on hanni’s face making you sad. she seemed like she was doing well without you, unfortunately.

“danielle, our ride is here.” you say, noticing her perk up.

“oh okay, bye haerin!” dani waved to the girl, haerin waving back.

sunoo and danielle quickly walked away, but hanni noticed you linger a bit longer before picking up your feet and trying to catch up with your friends.

haerin raised a eyebrow at the way hanni eyes stayed fixed on where you once were. hanni wasn’t getting over you anytime soon, it was obvious to anyone at this point.

“hanni.” haerin called out to her.

“yes?”

“you need to get over her.”

a silent pause between the two proved haerin’s point, the latter sighing.

“i’m being serious, she’s destroying you.” haerin says.

“what are you gonna do once your off hiatus? aren’t you set for a tour later this year once your albums out?” haerin asks.

“i don’t know haerin, all my shits pushed back now.” hanni says, relaxing against the counter behind her.

“might not even get off of hiatus.” hanni says quietly, but loud enough for haerin to hear.

“don’t say that.” haerin warns, “hybe wouldn’t give you up.”

“are you sure? it seems like they already have.” hanni starts.

“it’s been forever now haerin.”

“hanni…”

“no don’t even say anything else, i’m just gonna get out of here i can’t do it anymore.” hanni says, grabbing her stuff.

“watch the others and tell matthew i said happy birthday and something came up.” hanni says, to which haerin nods.

haerin wasn’t going to fight with her anymore, they both knew well what was probably going to happen to hanni’s career.

haerin just wanted to keep postive.

hanni had no clue what she was thinking when she left that party. she had no ride, no hoodie to at least somewhat hide her appearance, and it was pouring rain outside.

hanni couldn’t break down out here, there was no telling if any paparazzi were around and she was already in trouble. she didn’t know what she would do if a headline got out, would it even matter anymore?

so she just sat there, staring at the ground before hearing footsteps. a voice perked up, presumably speaking to her.

“hanni what the hell are you doing—“ a familiar voice said, concerned.

“yn?” hanni said looking up.

“shit, i was hoping you wouldn’t recognize my voice.” you say.

“i don’t get drunk ever y’know that, wait nono— get away from me what did i tell you?!” hanni says in a panic.

“hanni, it’s late at night and it’s raining like crazy. can you at least let me take you home?” you say, to which she shakes her head no.

“i’ll wait for my friends.” hanni says, stubbornly.

“you can’t be serious.” you mumble, hanni not missing it.

“okay fine..” hanni says, she knew you didn’t have bad intentions.

“just don’t tell anyone, okay?” hanni warns.

“i won’t don’t worry, my friends are gone already anyways.” you say.

“then why are you still here?”

“i had a feeling.”

“what?”

“i had a feeling you would want to leave early.” you mumble.

“how did you have a feeling—“ hanni starts, getting cut off by you.

“okay maybe, i didn’t have a feeling.. i just knew, you don’t seem like the type to party.” you say, shaking your head.

you see hanni fight back her smile, making you laugh a bit.

“but anyways, here’s my car." you say, opening the passengers door for her.

"i have to sit next to you..?" she asks.

"okay." you sigh, you had done this to yourself obviously but it still hurt.

"get in the back then." you say closing the door, making your way over to the drivers.

“are you not gonna open it for me?”

“hanni.”

“okay sorry i’m getting in.”

the ride to hanni’s apartment building was silent, hanni on her phone the entire time ensuring haerin she found a ride home.

soon they reached hanni’s building and she got out.

“thank you.” hanni says, making you smile.

“anything for you.” you say quietly.

hanni walked off after, yn waiting to make sure she got inside safely before driving off. she knew hanni hated her bad, so the least she could do was keep her safe.

yn finally understood her feelings, she was in love with hanni pham.

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fairysluna · 1 year

Text

what should've been.

Aegon has always been in love with his loyal childhood companion, so when King Viserys proposed a betrothal between them, he's absolutely blissful with the idea, although his happiness wouldn't last long.

MASTERLIST | Epilogue

PAIRING — Aegon II Targaryen x Arryn!Reader.

TAGS/TW — friends to lovers, fluff, angst, death by illness, grief, cursing, teenage!aegon at the beginning, mentions of infertility, 'i hate everyone but you' trope.

AUTHOR'S NOTE — (2nd repost) small context, Aegon was named heir and reader is daughter of Lord Arryn who in this story is Maester of Law in the Small Council. this was a request, and ngl i loved this even tho it broke my heart... pls enjoy!!🤍

WORD COUNT — 7.6k

FEEDBACK, SHARES AND COMMENTS ARE ALWAYS WELCOME!!

Aegon's head was on her lap.

The girl was leaning back on the Weirwood tree while Aegon was listening to her reading. The book on her hand was about the Andals, and she looked genuinely interested in the lecture while Aegon couldn’t help but to follow the movement her lips did with every word she pronounced. It was hypnotizing, as if they were begging to be kissed by him.

While one of her hands was holding the old book, the other one was on his hair, stroking the strands of it with such delicacy and care that Aegon would have fallen asleep right there, but he forced his eyes to be open only to stare at her, and the flower that he had left in her hair a few minutes ago.

"... The Vale of Arryn is where is located the purest Andals' blood as it was the first place they reach in their arrival to Westeros, and where their invasion started-"

"So you are a pureblood then?" Aegon asked, teasingly interrupting her lecture. "I'm a pureblood too."

"Pureblood?" She repeated, closing the book and leaving it on the side. "What are you, a wolf?"

"I'm a dragon, love." He sat up and leaned forward, getting closer to her face. “The blood of Old Valyria runs in my veins, and the blood of the Andals runs in yours, perhaps we should mix them and make beautiful pureblood children." He teased her, moving his eyebrows up and down in a suggestive manner.

Lady Arryn laughed loudly at his antics, pushing him away by putting her hand against his chest. Aegon just smiled at her reaction, being mesmerized by the sound of her laughter. Her cheeks soon started blushing thanks to his shameless comment and he enjoyed the view, loving how she would get flustered whenever he said those kinds of things.

“I thought you did not wish for children.” She remembered him.

“Oh, I definitely don’t.” He shook his head, “But perhaps the process of making them would allow us to have some fun.”

The girl slapped the Prince’s arm, and he dropped his mouth, offended by the gesture.

“Aegon!” She scolded him.

“You just slapped the arm of the heir!” He jokingly said, “I can cut your hands for it.”

"Why would you say such a foolish thing?" She spoke between chuckles.

"It's not a 'foolish thing', it's a proposal." He clarified, "You will be my wife someday, I’m telling you."

"You're too confident." She claimed, "Due to your queer family customs, you will probably get married to Helaena."

His smile vanished almost immediately. His horror face was such a sight; his eyes widened and his eyebrows frowned exaggeratedly while his upper lip curled up. It was a hilarious scene that had the Lady chuckling quietly.

"Don't speak too loud, the Gods might hear you." He warned. "You are giving them ideas to punish me."

"You should stop giving them reasons to punish you."

"I don't do that!" He said offended. The girl stared at him with a serious semblance. Aegon smirked, "What? Does loving you so deeply be considered a sin?"

He leaned forward once again, this time he managed to kiss her cheek. The girl looked down, trying to hide her embarrassed face. No matter how many times Aegon would make those comments towards her, no matter how many times he would kiss her not-so-far from her lips; she just could not stop reacting that way. It is as if her body was trying to publicly show her feelings towards the Prince.

“You are a fool, Aegon.” She whispered, feeling his closeness. “Now, step back before someone sees us.”

“Why?” He looked around, and then looked back at her. “There’s no one here and I’m comfortable.”

“My honor would be doubted if they see you this close to me.” She explained with a subtle smile, “Step back, now.”

“But I love admiring your beauty from this angle.” He muttered, getting closer and closer.

“Aegon…” She pledged, feeling her heart beating faster.

“If you wouldn’t want it, you would stop me.”

She could feel his breathing crashing against her lips, she could sense the waves of the sound of his sweet voice; she was weak, she was panting as soon as she realized that just one push would be enough to feel his lips against hers for the first time; just a tiny push, but she didn’t have the guts to do it, she was too scared.

His hand fell on her soft cheek, Aegon felt the warmth of it and smirked. Her eyes were glistening and he knew for sure that his were too. He was so close to her that he was able to smell the scent of her hair, so sweet and delicious.

“I want to kiss you.” He said, brushing his lips against hers.

“Do it-”

“Prince Aegon.” Said a male voice behind them, interrupting the moment abruptly. Suddenly all the magic was gone.

The Lady pushed him away once more, this time it took him by surprise making him roll over until he laid on his back against the grass. He cleared his throat and composed himself quickly before looking at Ser Criston, who was curiously staring at the both of them. The poor girl was so flustered that she could not even look the guard in the face; she looked at the book in her hands instead.

“Lady Arryn.” He greeted, “The Queen wants to see you both.”

“Both?” She repeated, scandalized. “Why?”

“I’m afraid I’m only a messenger, my Lady.” Ser Criston replied, while offering his hand to her so she could stand up without problem.

“I was going to do that!” Aegon complained, but Ser Criston ignored him.

The both teens walked behind the guard with the white cloak in silence. Aegon would purposely brush his hand against hers only to make her smile; she would look at him with accomplice eyes in return for his silly action.

Once they arrived at the Council Room, Queen Alicent, King Viserys and Lord Arryn were waiting for them. Ser Criston bowed swiftly before going to a corner of the room. The three adults were showing serious semblances that put the teens into distress, unsure of what they would say.

“My King.” Lady Arryn said, bowing. “My Queen.” She repeated the action, and then she went to her father to whom she greeted with a soft kiss on his cheek.

“Why are we here?” Aegon asked.

“We have some important news we would like to share with you both.” King Viserys explained. “Please, be seated.”

They listened obediently, sitting right next to each other. Lady Arryn’s leg was jumping out of nervousness, thinking that someone might have seen all those times when Aegon tried to kiss her and she didn’t push him back, or that some maid could have started a rumor that put her honor in disgrace. She was tormenting herself with her ideas, getting more anxious by the second. Aegon noticed it, and he placed his hand over hers in order to calm her down a little. It worked.

“We all know how close you have been during your entire childhood and even now.” The King explained, “We also know that House Arryn has been loyal to our House since the days of Aegon the Conqueror, which is something I am truly grateful for.”

“We had a conversation during a Small Council meeting about your future as King.” Alicent spoke to his son, “And we have decided that it is time for you to marry with a good and decent Lady that could provide you with an heir.”

“And we have chosen you, Lady Arryn.” Viserys announced. The girl looked over the table to find her father smiling pleasantly, “Your father has just given us his blessing in this union and we are already getting the preparations for the wedding.”

“You’ll be married in a fortnight.” Said the Queen with a kind smile. “I hope this union makes you both equally happy.”

The girl could’t react at first, it felt like a dream. She has been in love with Aegon since she learned what it truly means to love someone; that thin, platinum haired boy has stolen her heart since they first met, and now she was getting married to him. To her Aegon.

Aegon was also so thrilled about the news that an incredulous smile formed on his face as soon as he heard the news. He looked at his mother and mouthed a subtle ‘thank you’ which made her smile. He was not used to getting what he wanted. He never did, actually. But this, the fact that he would get to spend the rest of his life with the girl he was deeply in love with, was more than enough for him.

He started to thank the Gods too for listening to his pledges, for giving him a chance to be happy. His heart was beating fast, and he didn’t know if it was because of the excitement or because he felt the eyes of his beloved on his face. He turned around and saw her softened haze and her sweet smile, it was impossible to ignore it.

“I told you.” Aegon said, “You will be my wife.”

Their wedding was beautiful. Lady Arryn wore a beautiful white gown with golden embroidery with the shape of pansies; her favorite flowers. Aegon's eyes were lost with her beauty that day, he could not believe his luck. Seeing her walking down the aisle with her father on her right arm and enormous bright smile on her face was enough for him to realize that he had everything he had ever dreamt of.

They were still too young to understand what marriage and forever truly mean, but they were excited to learn about those things together.

Aegon could not be separated from his wife during the whole night; he could not stop kissing her in front of everyone, for she was finally his. His sneaky hands were touching her body everytime they would go and dance in the middle of the whole; Alicent would send warning stares at her oldest son,but he would just ignore them, he was way too happy to even care about what she might say about his attitude. Besides, she was already his wife.

He forbade the bedding ceremony, claiming that the only man who deserves to see Lady Arryn naked is him. When the night arrived, she was too shy and nervous while Aegon was almost jumping with excitement. It was her first time, but not Aegon’s, and yet he felt as if he had never felt pleasure before, for there was no sensation in the world that could’ve been compared with what he felt once he saw her naked for the first time.

He was soft and caring, touching her with such delicacy that even he surprised himself with it. She was so soft, so beautiful and mesmerizing. Aegon saw himself as the luckiest man in the entire world because he would get to spend the rest of his life contemplating the beautiful woman he has as his wife.

Four years passed after their wedding night, and both were living through their twentieth name-day. Their love was still present, as strong as it ever was. Aegon was still smiling as a teenage boy everytime she would enter the room, and she would still blush when he whispered unholy comments in her ear. They were living in a paradise made only for them.

However, they hadn’t been able to conceive an heir yet.

At first, both of them were not enchanted with the idea of having a child, there was no rush either. King Viserys was still healthy, there was no war, no threats that might put their lives in danger, so they just decided to wait. Lady Arryn would drink her moontea in the mornings after spending the night together and wait until her time of the month would arrive.

Then, she started to show herself a bit more open about it, after she met her nephews and nieces on a trip to the Eyrie. Aegon and her were married for two and a half years when she started to have desires for motherhood, but she knew that even though she felt ready, Aegon did not feel the same. The pressure of inheriting the crown was too much already, too many responsibilities that would not let him live as freely as he wants; having a child would add another duty in his long list.

“Don’t hate me for it.” Aegon begged after explaining himself to her. “All I’m asking for is a few more years. We’ve been doing fine on our own, we can keep doing it for a couple years more.”

Lady Arryn looked at him with her haze softened, caressing his cheeks with her thumb in sweet movements that would relax his body. His eyes were looking down at her with worry, scared that she might get angry at him for not giving her what she wanted; but she only nodded, accepting his deal with a subtle smile.

“How could I ever hate you, my love?” She spoke softly. “I will wait, there’s no reason to hurry.” She shrugged, downplaying the matter. “Besides, we are both still young.”

“Are you sure you’re not mad at me?” He asked, insecureness was heard in his voice.

She cupped his chubby cheeks and brought him closer to her so she could kiss his lips in a tender way. Her lips were moving softly and slowly against his, while his hands positioned themselves on the curve of her hips.

“There is no reason to be mad, my love.” She clarified after she leaned back. “This family will also be yours. We both must be ready to start it, not just me.”

And that is what they did.

They were avoiding the constant questions of the Lords and Ladies that would grow curious by the absence of a child after three years of marriage. Aegon would not listen to those comments, but he would realize her reactions towards them; she would put on the fakest smile he had ever seen, and just shrug with a saddened look on her eyes. Even though Aegon did not worry about it, he eventually did.

In one of their trips to the Eyrie, Aegon saw his lady wife playing with her nephews while her nieces braided her hair. Her smile was so genuine and big that made him whole. He noticed how happy she was whenever she was around those children, and then he realized that his wife has always been so attentive, kind and loving towards him, she never pushed him to do something he did not want to do, not even when she wanted it so bad.

That is when he decided that it was time. He wanted to make her happy, to make himself worthy of her love, so he told her that he was ready. He wanted to give her a child.

However, the Gods did not seem to be so pleased with the idea, because after months of trying —and they definitely were trying—, she would not get pregnant.

Lady Arryn was starting to lose hope, feeling guilty about the situation. She married the King’s heir in order to give him an heir, and she was miserably failing in her duty as wife. Aegon consoled her one night when he found her crying beside the bed. Her eyes were closed, she was kneeling and her hands were intertwined; she was praying to the Mother.

“My love…” Aegon spoke up once he got into the room.

The girl looked up, her teary eyes were enough to break his heart. Her cheeks were glistening with the tears that had previously fallen down her face. Once she saw her beloved husband, she started crying loudly; he immediately kneeled beside her and hugged her tightly, comforting her in her pain.

“I’m so sorry, Aegon.” She whined in his ear. “I’ve tried, I swear it. I’ve been praying to the Mother but she refuses to listen.”

“Sh, sh.” He said while brushing her hair with his fingers. Hearing her voice so broken made him tear up too. He couldn’t handle seeing her in that way. “No need to apologize, my love. This is not your fault.”

“My womb is useless.” She said. “I haven’t been able to give you an heir. It is my duty and I couldn’t fulfill it.”

“Nonsense.” He whispered softly, cleaning the tears on her face and looking at her with a loving haze. “The Maester says we just need to keep trying.”

“He’s been saying it for months, Aegon.” Lady Arryn whined. “Nothing happens yet.”

“We just need to be patient.” Aegon tried to cheer her up. “Besides, it’s not like we are not enjoying the process, is it?”

She tried to smile, but she just couldn’t. The sorrow on her heart was too big, the thought of letting Aegon down was tortuous, heart breaking even. He had been such a loving and good husband, he deserved to be a good father too.

“I’ve failed you.” She whispered. “I’m so sorry, my love.”

“Don’t you ever say that again, y/n.” He warned. “You have never failed me. Never. Not even when I was a foolish boy.” He cupped her face and left a soft kiss on her lips. “You’ve made me the luckiest man alive, and I love you.”

“I love you too.” She managed to say between sobs and sighs.

“You were praying now, right?” She nodded. “This is what we are going to do; we, together, are going to pray to the Mother, we are going to pledge a little of her compassion, and we are going to try again.” He held her hands, left soft kisses in them before positioning in a prayer position. “Go on, love.”

Her shaky voice was heard around the room while she started to sing the Mother’s hymn. Aegon closed his eyes and started to pledge. He was not a full believer, he would just pretend to be praying when his mother blesses the table before eating; but now he meant it. He put his whole heart out, offering the Gods thousands of things in exchange for a child for his beloved wife.

Six full moons later, there was still no positive outcome, and even though the Maester had given her hundreds of teas and infusions to make her more fertile, the results were the same. So Aegon decided to send her to the Vale in order to spend time with the small children of her brothers, thinking that the trip would cheer her up a bit, after so many months of not having good news. Aegon had to stay on King’s Landing in order to attend the Council Meetings, his father was starting to get older.

Lady Arryn was away for at least a month when she decided to come back in the arms of his beloved, who would escape in Sunfyre’s back to see her at least once a week. He just couldn’t stay away from her for so long.

When she arrived back in the Capital, Aegon ran into the main entrance with a big smile that soon faded away once he set his eyes on her. He had flown to see her a week ago, and she looked completely different from who he was looking at now. She could barely get out of the carriage by herself, and she fainted when she put her feet on the ground.

Aegon yelled in despair, asking for a Maester while he carried his wife all the way towards the room they shared. He was scared. Her face was paler, there were purple circles around her eyes and her skin was burning. He didn’t know what was going on with her, a few days ago she was just fine.

The Maester was quick enough to wake her up, but the fever was already putting signs of illness on her tired face. Aegon asked the old man a million times about the health of his wife, concerned, desperate and scared. Of course he didn’t have the answers to it yet.

“Is it a babe?” Aegon asked hurryingly. “Is she- is she finally pregnant?”

“My Prince, these are not symptoms of a healthy pregnancy.” The Maester informed, “I’m afraid I should send some letters to the Citadel in order to find out.”

“Well, then fucking do that!” He screamed in his face. “Why are you still waiting?!”

“Aegon…” A soft voice was heard, the man turned around to see his wife waking up and trying to stand up. “Aegon, my love.”

“It’s okay, I’m here.” He rushed to her side and soon grabbed her shaky hand. “What happened? Tell me, what do you feel?”

A maid walked towards her with a wet cloth and a bowl filled with cold water. Aegon grabbed those things and started to clean her face, trying to make the fever go away.

“We stopped to eat in a canteen on the way here.” She informed him, “The food was delicious.”

“Was it?” Aegon asked with a small smile on his lips, she nodded. “How are you feeling?” He asked.

“A bit tired.” She said, “And thirsty.”

Aegon hurried to the nightstand and grabbed a cup to fill it with fresh and cold water. He helped her drink it, lifting her chin with two of his fingers and pouring the water inside her mouth.

“I guess we won’t be able to try for a baby tonight.” She lamented, jokingly. That made him chuckle.

“We can do that tomorrow night, there’s no hurry.” He leaned to kiss her forehead, feeling how sweaty and hot was her skin. “You must rest now.”

“Will you stay by my side?” She asked, closing her eyes once again.

“I will always, my love.”

He did as promised and never left her side. He was there, on a chair by her bed the entire day and the night that followed it. The maids would try to convince him to go and eat something, they promised him that she was in good hands, but he refused. He would not leave her, not like this.

Her father went to see her, Lord Arryn stroked her hair for a while before saying goodbye as he must travel to Essos in the name of the crown. He thought it wasn’t something serious, he thought that she would be fine within days, but Aegon knew that wasn’t the case. He knew from the beginning that something was wrong.

Alicent went to see her daughter in law, and she brought food for her son. He received it, thanked her for it, but he did not eat it. He was not hungry, he was not tired; he was worried. He had never seen anyone in that state, and something inside of him was telling him it was not normal.

The next day she woke up first. Her head was aching and her body was covered in chills making her shiver with the cold wind. Aegon’s hand was wrapped around hers, and she squeezed it three times to wake him up too. The silver haired man opened his eyes tiredly and soon a groan came out of his throat for the backache that was produced by the uncomfortable and hard chair. He stopped complaining as soon as he saw his wife’s eyes staring at him.

He yawned before giving her a sweet smile, kissing her hand and then her forehead. Her skin was still burning.

“Good morrow, my sun.” He greeted her, “Did you sleep well?”

“I did.” Her voice sounded weak, but Aegon tried to ignore that. “Did you?”

“I didn’t.” He answered annoyed, “This is a fucking castle, how can it not have comfortable chairs around?”

She laugh weakly.

“You still have a fever, don’t you?” Aegon asked.

“I do, and I’m cold.” She complained.

“I know, my love.” He replied, “But the Maester says it’s not good to put so many blankets on you, your fever can go worse.”

“And what about my husband’s arms?” She asked teasingly. Aegon just smiled, “Did the Maester forbid that too?”

Aegon took his shirt out of his body and made his way on top of the thin white bed sheet that was covering the shivering body of his beloved. She quickly cuddled under his arms, and hid her face on his chest, feeling the familiar warmth. Aegon did not care about how sweaty her body was, he just cared about making her feel comfortable and safe. She fell asleep once again; the fever was consuming her body.

The Maester walked in a few minutes before and almost choked when he saw the scene. A scandalized grin took over his wrinkled face and looked at them with horror.

“Oh, no, my Prince!” He said, pulling Aegon’s arm and forcing him to get out of the bed.

“What the fuck you think you’re doing?” He raised his voice, Lady Arryn woke up.

“My Prince, you should not be this close to you wife, she-”

“She’s my fucking wife, what did you expect?” He angrily protested.

“My Prince, whatever illness the Princess has, we are not sure whether it is contagious or not. We cannot put your health at risk.”

Aegon was about to yell again, his face was red with anger because the Maester had woken up his wife. His hands were turned into fists, ready to punch him in the face, but the sweet voice of his beloved spoke first.

“I’m sorry, Maester Orwyle.” She said lightly, “It was my suggestion, not the Prince’s.”

The Maester walked towards her and she tried to sit up but her arms were too frail to hold her weight, so she fell back onto the mattress. Aegon frowned, but she gave him a smile of reassurance.

“You still have a fever, Princess.” The Maester pointed out. “How is your body behaving? Have you got any chill sensation? Cold, shivers, or a headache perhaps?”

“All of them.” She answered with one breath.

The man took a weird looking tool and put it against her chest. He put his ear on it and asked everyone to be quiet. His eyes soon narrowed with worry, but he tried to downplay the situation by hiding his face from the Prince’s intense haze. His attempt failed.

“What?” Aegon asked harshly, “What happened, why would you make that face?”

“My Prince-”

“What is going on?” He insisted, “Fucking answer me!”

“The heartbeats sound a bit weak.” He explained, “Too slow and too soft for someone for her age.”

“Well, then fucking do something about it!”

“I’m going to prepare an infusion of herbs for the Princess, that might do well.” He said before leaving the room.

The two of them stayed alone in the room once again, Lady Arryn looked at her husband and stretched her arm so he could grab her hand. He did, and he kissed it, sitting on the uncomfortable chair beside the bed.

“Don’t be so mean to him, my love.” She said, “He is trying to help.”

“He’s the Grand Maester, if he cannot do his job then we must find another one that can.” She stared at him with a scolding gesture, Aegon sighed, rolling his eyes. “I want the best for you, if I have to travel all over the world to find something to make you feel better, then I will.”

“I’m going to be fine.” She assured him, “In a week I’ll be out of this bed and we can start trying for a child again.”

“Don’t stress your mind thinking about it.” He told her, shaking his head. “We’ve talked about this before; there’s no hurry.”

“But-”

“No ‘but’, my sun.” He interrupted her, “We need to focus on your health first.”

And she nodded, giving an end to the conversation.

Aegon wished to say his wife was getting better, but it was not the case at all. Everyday it seemed as if someone was sucking the life out of her body. She lost a lot of weight, Aegon was able to see her ribs marked on her chest; she barely ate anything, she did not have an appetite to satisfy. Everyday she would speak less too, and her voice would get breathy as if she was getting exhausted by just saying some words. Aegon then stopped making her answer, she would just nod, refuse or smile at him. It was better that way.

She didn’t have the strength to sit up either, so Aegon had to give her water with the help of a dropper. She would complain every time she swallowed, which alarmed him even more.

When Aegon thought he was going through the worst, a terrible thing happened. He was ranting about the Maester and how he hasn’t found a solution to her illness even though it has been days since she was in that state. He was furious, spitting words of rage and nuisance while his wife just looked at him with tired glossy eyes.

And then she started to cough.

At first, he did not pay too much attention to it, thinking that it was just that; a simple cough. But then, the white bed sheets were stained with small drops of blood. Aegon jumped out of the chair and helped her sit up while desperately calling for Maester Orwyle. She did not stop coughing, it was like she was choking on her own blood.

Aegon’s eyes widened in terror, and an exasperating sensation took over his body when he saw that no one was coming to help her. Where the fuck was everyone? He thought, while he was on the verge of tears. He almost ripped his throat apart while screaming and demanding the presence of the Maester, who minutes later walked inside the room and quickly approached the Princess who had just stopped coughing.

She had her eyes closed, and it seemed as if she was in pain with every breath she took.

The Maester gave her milk of the puppy just so she could stop complaining about the tortuous pain her weakened body was suffering, and once he was ready to leave Aegon grabbed his arm with a firm grip, his eyes were teary and filled with rage.

“What is going on with her?” He demanded an answer, his voice shaking. “Answer me!”

“We don’t know what is going on with her, my Prince.” He stuttered, “We have never seen a case like this before. The Citadel-”

“I don’t give a fuck about the Citadel.” Aegon spat, “You need to tell me what is wrong with her, why is she not getting better? It’s been days!”

“I’ve tried every method I know.” He confessed, “It seemed as if her body is rejecting everything. I’m not sure if she will make it.”

“What the fuck are you saying?”

“My Prince, your lady wife state is alarming…” He spoke with care, as if she was walking between dragons. “She could not survive-”

Aegon grabbed him by his collar, making him gasp out of the impression. His nostrils expanded and he was breathing fast and hard, he was fuming.

“If my wife dies, you will die too.” He threatened him, “You must save her, I don’t care what you have to do, but you will save her.”

The old man left quickly, and again it was just him and his dying wife. Aegon felt tears running down his face. He hated seeing her like this, so weak and sick. He would see her eyes for glimpses of time, he would take the opportunity to see them whenever she would open them, and it was enough for him to notice how they were not as shiny as they usually were; they were drained, with so little life.

Alicent arrived in her room a few hours later, she saw his son grabbing her hand and the dried tears in his eyes. She walked closer to him and caressed his back in a motherly touch that made him shiver.

“What did the Maester say?” She asked worried.

“He doesn’t know what is going on.” Aegon replied with a shaky voice, proof that he had been crying. “He is an incompetent. How the fuck is he even a Maester if he doesn’t know how to heal people?”

“He’s trying his best.” Alicent consoled him, “He had sent multiple letters to the Citadel already, the answers might take too long to arrive.”

“But I need it now.” He muttered. “She is sick now, look at her!” He scalped, making Alicent flinch. “She is burning! The fever is killing her!”

“It is not, my child.” She said, in a failed attempt to calm him down. “Y/n will be fine… you just have to pray for her health and wellbeing. You won’t even notice and she’ll be healthy again.”

Then, Aegon broke. He stood up from his chair beside the bed and went to hug his mother, hiding his head on the crook of her neck and leaving traces of tears all over her green dress. Alicent hugged him back, stroking his hair and whispering words of consolation.

“I’m scared.” He confessed, whispering. “I can’t lose her, mother. I cannot live without her.”

“You will not lose her.” She said, “She will be fine.”

“She’s not getting better.” He pulled away and looked at his mother. “The Maester even told me, she is too weak already.”

“I’ve seen people living through worse and surviving.”

“You didn’t see what I saw.” He shook his head, “She was coughing blood, mother. Blood!” His lower lip trembled, making his voice sound unsteady. “She’s dying.”

Alicent held his hands, “We should pray together, wouldn’t you like that? Y/n is devoted to the Seven, perhaps this is what she would want.”

Aegon nodded and his mother gave a sweet kiss on his forehead before going at the end of the bed and grabbing their hands. He gave a glance to his wife, she was sleeping soundly, covered with the bedsheets and her hair was spreaded on her pillow. Aegon whined once he saw her poor state, and soon he forced himself to close his eyes and pray with his mother.

He begged them. He asked them to return her health in exchange for everything he had. He offered his title; he never wanted it in the first place, he offered his dragon; he could live without him but not without his wife, he even offered his own life because he knew hers was more worthy than his. She did not deserve to die so young, she was always so full of life, always smiling and laughing, so kind and thoughtful. If someone deserved to die it was him, not her; so he begged the gods to take him instead.

When the next morning came, he woke up in the same chair as always, covered in the same blanket and holding the same hand, but something was different. He could feel it.

He squeezed her hand three times as usual to wake her up, but she did not squeeze it back. Aegon frowned and tried again; the outcome was the same. He tried not to panic or have an early reaction, so she stood up and quickly sat on the bed, right beside her.

“My love?” He said softly, “My love, is time to wake up.” Aegon softly shook her body, yet there was no answer. “Please, my love, let me see those beautiful eyes. Wake up.”

Nothing. Not even a sigh.

Aegon grew desperate by the second and the tears soon started to gather in his eyes, knowing the meaning of this. He never gave up, he was still calling her and moving her body begging for her to react.

“Y/n, please, wake up.” He pledged once again, sobbing, “I need you to wake up, I need you, please! Please!”

His hand went to her hair to caress it, and he felt the coldness of her forehead. All these past days, her skin was burning, but now it was as cold as ice. Aegon widened his eyes and his hands cupped her face.

“No, no, no.” He muttered, sniffing and whimpering. “Please, don’t. Don’t leave, my love. Please wake up.” His tears fell on her pale face, and he sob loudly. “Y/n, my love, please!” He started to yell, “Don’t do this to me! Wake up!”

His shouting started to concern the guard outside the room, he entered and saw Aegon crying on top of his dead wife’s body, holding her head and stroking her hair while he was uncontrollably sobbing. The guard saw what was happening and he was quick to call the Queen and the Maester, who appeared in the room within minutes.

Alicent gasped once he saw the heartbreaking scene, and soon she started to cry too. Aegon was now holding her body while his face was buried on her chest. He never stopped crying and begging her to wake up. Soft ‘please’ were heard, he was whimpering pledged to her and the Gods, but neither seemed to listen.

“My Prince-”

“Don’t touch her!” He shouted at the Maester once he tried to put his hands on her. “Don’t you fucking dare!”

“Aegon,” Alicent walked towards him, rubbing his back and trying to not sound as if she was crying. “The Maester needs to do his job, please-”

“He killed her!” He accused him, “I will put your fucking useless head on a spike, you idiot cunt!”

“Aegon, that’s enough.” Alicent warned him, “You must let her go, please, my child.”

A group of Silent Sisters entered the room and Aegon’s whole body froze. The ladies started to walk towards the bed while Alicent was pulling him away from it. He started squirming under his mother’s arms, not wanting to be separated from his beloved.

Soon, two guards entered the room and grabbed his arms, forcing him to leave his wife.

“No! No!” He started to move harshly, trying to be set free. “Please, don’t take her! Please! Mother, please!”

“I’m so sorry, my child.” His mother answered.

Aegon saw how her face was covered with the white sheet, and how the Silent Sisters grabbed her body and took her out of the room, he was still fighting against the strong grips that were holding him back.

“Let me go! Please!” He begged again.

Once the Silent Sister left and the bed was empty, the guards let him go. He felt onto his knees, seeing the shape of his wife still marked on the mattress they used to share and the tears came back. His mother stood by his side, and he hugged her hips gripping the gown of her dress and moaning out of pain.

He lost her, the love of his life was gone and there was no one to blame. The Stranger looked back at him with a mocking face and took his wife, leaving him completely alone.

Hours later he found himself staring at her body being wrapped in bandages in order to realize the funeral. He had one bottle filled with wine in his hand, and a piece of bread in the other. He was stumbling because he was already drunk. The Silent Sisters were working, and Aegon was lost in his own grief, looking at the corpse of his wife.

He did not care if she was not a Targaryen, her funeral will be under the Old Valyrian traditions.

“Aegon, you should not be here.”

Aegon did not answer, he did not even bother to look at his mother who just arrived on his side.

“It’s bad luck to see the face of the dead, we cannot be here.” She warned.

He scoffed, taking a large sip from his bottle and then taking a bite from the piece of bread in his hand. He shrugged as if he did not care. And in some way, he didn’t.

“I don’t give a shit.” He muttered, “They have already taken everything from me. They may as well take me if they are merciful enough.”

“Don’t say those things.” Alicent said. She turned around to not look at the corpse anymore, facing his child whose eyes seemed to be stuck on her wife’s body. “Y/n would not like you to die.”

“And what do you know?” He asked mockingly, “You knew nothing about her. None of you did!”

“Aegon, please be quiet. The Gods-”

“Fuck the Gods.”

“Aegon!” She scolded him.

“No, no. Fuck them.” He spat furiously, his eyes were a mixture of sadness and anger. “I begged them, mother. Me and y/n begged them for their mercy.” He started crying again, “When we wanted a child, we begged every fucking night to the Mother, to have a little of compassion towards us and give us the child that we deserved- that she deserved!” He sniffed, looking now at his mother. “Then I begged all of them for her life. And none of them heard me, none of them did!”

“My child…” She tried to hug him, but he took a step back.

“They made me believe that I was safe.” He muttered, “They made me meet her, love her and marry her. They gave me this happiness just so they can steal it away!”

He laughed, a bitter laugh that made Alicent sink in her place. Aegon took the last sip from his cup and threw the bottle away, not caring about the uproarious sound it would make once it fell onto the ground. Then, he turned to his mother once again.

“I couldn’t-” He sighed, trying not to cry. “I couldn’t even give her a child.” He scoffed, “It was all she ever wanted and I couldn’t give it to her.”

“It wasn’t your fault, Aegon.” She tried to console him once again.

“I have nothing left from her.” He said bitterly, “Not even a child that would help me to remember her face. Nothing at all.”

He threw the piece of bread in his hand on the floor, and he left for the gardens; the place where they were always gathered during their youth.

Aegon saw everything with nostalgic eyes filled with tears. His head was aching, his throat too. He had a watery nose thanks to the tears and his heart was feeling shattered. He looked around, finding the tree where they always used to read, the benches where Aegon used to sit down while Lady Arryn would braid his hair. Although the flowers were his breaking point.

He walked close to the small mauve pansies that she always loved. He would always steal one and put her on her hair every time they came to the gardens. She would blush and laugh nervously for the gesture, but he always ended up receiving a small kiss on his cheek for it. That’s why he always did it.

He took one and looked at it with attention, remembering the same petals on her white wedding gown during the happiest day in his life.

He couldn’t help but cry at the memory.

The day of the funeral Aegon did not speak with anyone. Lord Arryn and his other sons —y/n’s brothers— arrived within a week, and then everything was ready for the ceremony.

Sunfyre was in the hills, waiting for the signal of his rider to set fire on the wrapped body. They were all expecting for Aegon to give a speech, to say something about the wife he claimed to love so deeply, but he just couldn’t bring himself to do it. He was too broke, too lost in his grief.

He had a small mauve pansy in his hand, Aemond had told him that it represented the lost love which gave a whole different meaning to it. Aegon heard the speech of his father in law, who was devastated for not taking her illness seriously and leaving her without his company on her last days. Aegon could hear the guilt in his voice, and he would be grateful that at least he was with her during her last breath.

When the time arrived, everyone went silent. Aegon had to pronounce the word, but instead he walked toward the body and stood beside them, letting himself cry in agony for his suffering. Minutes passed and he found himself staring at it for too long.

He took the flower and left it where her ear was supposed to be. This time, however, he did not feel her soft lips against his cheek.

“I will always love you, my sun.” He whispered before walking back to where the rest of the people were.

Aegon stood beside his mother, who rubbed his back in the instant he was close. He took a deep breath and saw the body one last time. He tried to imagine a life without her, without her smile and laughter, without her rosy cheeks and nervous muttering. He couldn’t. A life without her seemed almost impossible.

He imagined a future with her instead, and a thousand pictures would come to his mind. Her raising a child that would be as beautiful as her, her dancing with him on their children's name day, her having long conversations at night with him. He thought so easily about those things because that was what should’ve been; a long life by her side.

But now he was standing in front of everybody, crying and sighing with an agonizing pain on his chest. His voice refused to come out in the first two tries, but on the third, he cleared his throat and accepted his miserable future, without the woman he so deeply loved.

He took a deep breath, and finally said,

“Dracarys.”

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