#Liquid red Mercury

[pachooba]

Shoutout nile-red for the cool video that i sampled

[602919066]

真我永恒:

hg #mercury #HydragenumHebei

Teshang Technology Co., LTD., the main products 99.999% mercury, if necessary, Various washing raw materials, please contact Email: info@chemical-ts.com 问WhatsApp：+8615131115018 Jenny +8615131115068 liLy +8617333480574 Amy +8615613970255 Jack

hg #mercury #HydragenumHebei

Teshang Technology Co., LTD., the main products 99.999% mercury, if necessary, Various washing raw materials, please contact Email: info@chemical-ts.com 问WhatsApp：+8615131115018 Jenny +8615131115068 liLy +8617333480574 Amy +8615613970255 Jack

http://www.ts-chemicalteshang.com http://www.chemicalteshang.com

[docsrelated]

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Click Here For More Info!

[mercurywholesale]

Available Premium Quality Red Mercury Wholesale

Red Mercury Wholesale offers Silver Mercury of premium quality. Purchase Silver Mercury now and enjoy convenient delivery options. For more details, visit https://www.redmercurywholesale.de/

[toprankexpress-blog]

https://roteschemies.de/

Since 1992, Roteschemie has been manufacturing / producing red mercury 20/20 258 99.9999999% (N9) and (N5), silver liquid mercury, and Caluanie Muelear oxidizers in Germany. Roteschemie is the oldest German manufacturer of red mercury, with 83 employees and sales of 9.5 billion euros in 2021. This article summarizes the company's services, products, and certifications.

[roteschemiede]

Caluanie Muelear Oxidize: Controversies, Risks, and Responsible Practices

Caluanie Muelear Oxidize is a chemical substance that has recently gained popularity. It is a dark brown, oily liquid that is used in a variety of industrial operations, including the creation of paint and resin, as well as metal cleaning and polishing. It has, however, been rumored to have other questionable uses, such as in the illicit mining sector, where it is supposedly used to break down gold-bearing rocks.

The origin of Caluanie Muelear Oxidize is shrouded in mystery due to a lack of information regarding its history and growth. It is thought to have originated in the United States in the mid-20th century, although its precise roots are unknown. What is known is that it is a highly toxic material that, if it comes into contact with the skin or is consumed, can cause significant harm to living tissue.

Uses of Caluanie Muelear Oxidize

Caluanie Muelear Oxidize for sale is widely used in the illegal mining sector, where it is utilized to break down gold-bearing rocks. This is known as "artisanal gold mining," and it involves small-scale operations that mine gold from the earth using crude tools and procedures. Many of these operations take place in distant locations with little to no oversight, and the use of hazardous chemicals is frequent.

Caluanie Muelear Oxidizes’ use in artisanal gold mining has been connected to a number of health and environmental issues. If consumed or inhaled, the substance is highly poisonous and can cause significant damage to the liver and other organs. It can also contaminate water sources and harm the natural ecosystem, causing soil erosion, deforestation, and other environmental issues. Roteschemie.de is the manufacturer of Caluanie Muelear Oxidize in Germany.

Notwithstanding these concerns, Caluanie Muelear Oxidize is still widely used in artisanal gold mining in many parts of the world. This is largely owing to the huge demand for gold and the chemical's low cost in comparison to other extraction processes. But environmental and human rights organizations are growing concerned about the impact of this practice on local populations and the wider environment. Buying Caluanie Muelear Oxidize from the manufacturer roteschemie.de in Germany is of a higher advantage for people that buy Caluanie Muelear Oxidize at wholesale prices.

Cruelty to animals is another contested utilization of Caluanie Muelear Oxidize. In various regions of the world, the chemical has been used to torture animals, particularly dogs and cats. Forcing the animal to consume the substance causes serious internal damage and might result in a long and agonizing death. This practice is banned and generally denounced, but it persists in some locations.

Caluanie Muelear Oxidize for sale is utilized in legal industrial operations in addition to its questionable usage. It is extensively employed in the creation of paints and resins, where it aids in the breakdown and emulsification of the ingredients. It is also employed in metal cleaning and polishing, where its strong oxidizing properties help to remove rust and other impurities from metal surfaces. It is good to purchase Caluanie Muelear Oxidize from the manufacturer roteschemie.de in tons if you are a large company that utilizes this product legally.

Despite its numerous applications, Caluanie Muelear Oxidize is an extremely hazardous material that should be handled with extreme caution. If it comes into touch with the skin or eyes, it can cause severe burns and other damage, and it can be lethal if consumed or breathed. As a result, only trained specialists in appropriately equipped facilities should use it.

[ultraglobalsteelbuildings]

Find Mercury Suppliers. Get latest factory price for Mercury. Request quotations and connect with European manufacturers and B2B suppliers of Mercury. Germany red mercury ☆ Find 4 Germany red mercury products from 2 Germany manufacturers & suppliers at ☆ Choose quality red mercury

[batnoise]

[ 🦇 / march 2024 ] for @destroudomov !! 💀🔥

[ID: a digital drawing of a monstrous grey anthro character with a mix of wolflike and reptilian features, with a stylized canine skull for a face with sunken eyes. the skull is charred on the left (viewer's right) side, and this eye is silver with small rings around the iris. he has a wide gait and a heavyset build with somewhat short legs, and a large reptilian tail with a black and white mane running down it. he wears a buttoned up vest with a large black coat on top and a conductor's hat. three vials of liquid mercury are attached to his belt. he holds the brim of his hat with one hand, beckoning towards the viewer with his other hand, which is made of orange and red flames with smoke billowing off of it, stars dotted throughout the flames, and a menacing eye in the palm of his hand. the background is a blend of black and red with orange sparks. /end ID]

[lua-magic]

Numbers secrets that brings good luck.

Avoid using numbers eight and four in your mobile, or even in bank account number because eight represents 🪐 SATURN and Saturn has the energy to slow down things, avoid using symbols of Saturn as well ie infinity ♾️ because it represents loop, it will keep you in a loop and give you result after hard work.

Four is the number of Rahu, Rahu is an illusion, it keeps you stuck in desires without giving you result, Rahu is smoke, so Rahu makes you hallucinate and delusion which keeps you away from reality. Avoid using symbols of Rahu such as snake and Dragons, as I have observed many people get such tatoo and Rahu turns their life upside down.

So, avoid using numbers like 888 and 444 because you are only giving strength to Rahu and Saturn, as I have seen Many people uses such numbers thinking it is good luck, but until and unless Rahu and Saturn are well placed in your chart avoid eighth and four.

You can choose numbers like one(sun) which represents success and authority.

Two(Moon) which is your creativity and imagination.

Three(Jupiter) which knowledge and higher learning.

Five (Mercury) which skill and travel.

Six(Venus) Which luxury and beauty.

Seven (ketu) Untill and unless you want to go deep into Astrology and occult don't use this number as ketu gives you isolation but great idea comes only when you are isolated.

Nine(9) Nine is number of Mars, Mars is good as it gives you lot of energy and passion but also makes you accident and injury prone so don't overuse this number.

Certain combination of numbers you need to avoid that is 24 because two is moon and four is Rahu and moon and rahu are enemy planets. Again this number when add comes on six which is number of Venus, but instead you can use 51.

Next is 26 because when you add two and six it will come on eighth which also represents Saturn.

Avoid using 🖤 black colour, because it is colour of Saturn.

Blue is Rahu, and Red is Mars, use in minimal quantity, especially in your House.

Don't use red bedsheet and black bed sheets it will effect your sleep and married life negatively. Avoid using blue and grey as well, as grey is ketu.

Your bed room is Venus, so use more white colour in bedroom and rose fragrance.

If you facing problems with liquid cash then your moon is afflicted, increase water elements in your house, like keep an Aquarium, or a fountain.

If you want name and fame then use picture of sun in your house.

If you want to increase energy of Mars, then use tortoise symbol at home, because tortoise symbolises strong back which can take the load.

Tortoise symbol is good, if you are facing problems in job.

If you want to increase Jupiter energy that for knowledge and guidance then use more yellow colour in house and keep temple inside your House and keep it clean.

Avoid using half cut photos or symbols because it represents ketu.

If you have any idol or there is someone like whom you want to become, keep his/her photo in North eastern corner, because north east is your subconscious mind

Keep north east corner always clean and avoid keeping anything there

Remember, choose your idols wisely our subconscious mind is extremely powerful so if your idol's married life is mess even your married life will go for a toss, so choose very wisely whom you follow, don't follow any successful person mindlessly.

If you want to increase energy of Mercury, or if you are facing problems in your business then keep more green plants at your home and use more green colour..

[rottenpumpkin13]

What do you think Sephiroth’s diet is like? His metabolism coupled with his stature makes me think he’d be eating at least 6,000 calories and a crap ton of protein. I could just imagine him putting a whole chicken in a blender and liquidating it then throwing it back like a shot. (Inspired by what actors/bodybuilders say they do to get in shape for a role or competition.)

Sephiroth's diet is well known and marketed by Shinra to sell their protein supplements and dietary products. His diet emphasizes a high protein intake and a balanced array of natural foods, vitamins, and calories to maintain his build. Hojo ensures Sephiroth follows his diet by having him log his daily food intake. Sephiroth doesn't mind his diet, for the most part. It's strict, and he's grown used to it, but he also enjoys all the meals.

The problem is that Sephiroth's appetite is heavily influenced by his emotions, and too much stress causes him to lose his his appetite completely. Also, the independence he gained after moving from the labs and into his own apartment changed his diet completely, because now he has the freedom to, say, order takeout and keep an entire gallon of chocolate milk in his fridge.

So the things Sephiroth eats when he's not lying to Hojo include:

• He once ate nothing but sushi for a month and to this day nobody knows how he didn't get mercury poisoning.

• No, he's not obsessed with pasta. He enjoys his favorite food like any other person—eating 23 servings at once.

• Blessed be instant noodles and the cupboard space Sephiroth has to store them.

• "A chocolate bar is a meal, Angeal, judging one's dinner is distasteful."

• Forgetting to eat due to existential dread™

• "If I throw this burger into a bowl, it becomes a salad."

• You'd be surprised at what a person can do with a fork, fire materia, and a pack of marshmallows.

Genesis: I see you're having your protein shake of the day.

Sephiroth: You fool. This is a milkshake.

• "Red meat is unhealthy" too bad he'll eat an entire 80oz steak on his own.

• Coffee for breakfast, lunch and dinner until Angeal finds out and forces him to eat a meal.

• Angeal's katsu curry and Genesis' apple pie are the reason he believes in friendship.

[sirenjose]

The Proof of Azoth's Theorem - (Concept Art) Analysis

(About Philosopher's Stone, Stibnite, Maria's Axiom, Philemon's Altar, Azoth, and a few of the symbols on each of their outfits)

Philosopher’s stone: the goal of turning base metals like iron into precious metals like gold or silver. It was also said to provide the elixir of life, which could cure any illness or bring longevity. It was considered the most pure and perfect of all substances.

Stibnite: an ore that is the primary source of antimony

Described in Basil Valentine's 1st Key (the image Fool's Gold is holding). This depicts purifying gold using melted stibnite.

Impure gold dissolves in melted stibnite. Metals besides gold are turned into sulfides and rise to the surface, while a white allow of antimony and gold sink to the bottom. Roasting this alloy causes the antimony to evaporate, leaving only the purified gold behind.

In the image of the First Key, stibnite is likened to a hungry wolf in the First Key due to how quickly stibnite dissolves (devours) metals.

In German, stibnite is called “spießglanz”, which means “spear shine” due to its shiny “spear” like crystals, thus why the First Key says “on account of his name, is subject to bellicose Mars”, as a spear is a weapon and all weapons are subject to Mars (the god of war).

This is like what is described by Nicholas Flamel, where silver is combined with mercury and antimony then distilled and cohobated (repeatedly distilling a liquid then pouring the distillate back onto the residue to extract more of the desired substance) to produce red power.

Maria’s Axiom: “1 becomes 2, 2 becomes 3, and out of the 3rd comes the 1 as the 4th” (also described as “1 becomes 2, 2 becomes 3, and by means of the 3rd and 4 thachieving unity, thus 2 are but 1”)

Carl Jung uses this as a metaphor to describe the process of “individuation”. This refers to the process of self-discovery to become our true, unique self.

This involves finding your identity outside of the roles and expectations imposed by the outside (society, others, etc…). The goal here being to achieve a sense of “wholeness” and “unity” with yourself.

1 is the 1st matter, or prima materia, containing everything you need. This is then divided (into opposites), with each element purified by itself then united again (reconciliation of opposites) into a complete whole more perfect than the starting matter, the philosopher’s stone.

Philemon’s altar: may refer to Jung’s Philemon, which is based on Philemon and Baucis from Ovid’s Metamorphosis and Goethe’s Faust.

With Ovid, Jupiter and Mercury are disguised knocking on houses but not shown kindness until they meet Philemon and Baucis, an old, poor couple. They let them live while killing everyone else (the wicked), with the couple’s house being transformed into a temple.

With Goeth, Faust is building a city on land reclaimed from the sea and asks the devil Mephistopheles to move Philemon and Baucis, but Faust is horrified to see the demon burn their house down with the couple still inside. Faust then decides he needs to atone for his crime.

Philemon was a figure in a dream of Jung's, a wise old man that represented superior insight and wisdom. For Jung, Philemon symbolized the “artifax” or skilled alchemist, with the goal to purify and perfect materials (transform base materials into noble ones like gold).

On a spiritual level, the goal of the artifax is to purify and perfect the human soul, achieving enlightenment (becoming a higher/whole human being).

Over Jung’s gate he put the inscription: “Philemon’s Shrine – Faust’s Repentance”. This involved integrating the moral questions raised by with the spiritual goal of alchemy via the opposing figures of Philemon and Faust (so acknowledge necessity of confronting evil on the path to individuation, atoning for Faust’s crime, and affirming the goal represented by Philemon).

Azoth: Considered to be a universal cure or Elixir of Life that could be created by the philosopher’s stone.

It is also essential agent of transformation in alchemy.

As the Universal Life Force, it's the energy responsible for the drive towards physical/spiritual perfection

Azoth is called Prima Materia in Latin. This was the first matter, the starting material required for the creation of the philosopher’s stone. It is the primitive formless base of all matter similar to chaos, the quintessence or aether.

It is the 1st matter at the beginning as well as its perfected essence (philosopher’s stone).

It relates to unity, wholeness, and synthesis of opposites

Alchemy Symbols:

Philosopher’s Stone:

triangle = fire

triangle in a circle = Wheel of Fire (Ignis Rotae)

entwined snakes = likely Hermes Caduceus (Hermes as Hermes Trismegistus was closely associated with alchemy)

Stibnite

upside down triangle = water

hexagram?() = represented the reconciliation/union of opposites (fire and water)

Philemon:

- triangle with a line through it = air

Maria's Axiom:

- downward triangle with a line through it = earth

- symbols on her dress and floor for Mercury/Quicksilver, Venus/Copper, Moon/Silver, Saturn/Lead, Jupiter/Tin, Mars/Iron, and Sun/Gold

There were several bits that looked like they could be symbols but I haven't been able to identify them yet (I've already spent so long working to identify everything. I'll try to add more if I identify them later).

Also I did notice/wonder how that shadow thing has eyes that appear around it could relate to Hunter Norton's weapon, which almost looks like an eye. Matthias also might have something on his boots but it's hard to be sure.

[syllvane]

a dwindling, mercurial high- nikolai lantsov x reader

“You could’ve left, with Tolya and Tamar, y’know.” Nikolai said, his words slurring ever so slightly and you looked at him amused.

You couldn’t remember the last time that you had been sober enough to remember him getting plastered.

“I know I could have, silly.”

He smiled at you and you forced yourself to look away from him, looking for anything or anyone out of place.

“Then why did you stay?”

“Someone has to keep you from getting killed.” You said, only half-joking.

It wasn’t a large celebration, only close friends and family of the soon to be monarchs invited to gathering.

Alina was on the other side of the room, nursing a glass of kvas and talking with Zoya and Genya. 

Tolya and Tamar had told Nikolai that they wouldn’t be able to attend, some business with stopping slaver ship. Mal had given no word to Alina.

Hence, the kvas.

“You have so much confidence in me.”

“More confidence than I have in most people.” You replied quickly, taking an opportunity to look at him.

His golden cheeks were flushed red with alcohol and his eyes were focused on you, looking at you like he should’ve been looking at his fiancée.

“You should go socialize with Alina and the others. People might get the wrong impression if you’re talking to the Captain of your guard all night.”

“And what impression would that be?”

That you love me. That I love you. That the most selfish parts of me want you to pick me over the entirety of Ravka.

“I don’t know, that there might be an emergency or something- Nikolai.”

He stood up and cleared his throat loudly, commanding all of the attention in the room.

“My fellow countrymen, I just want all of you to rest assured that there is no emergency going on. My good friend and head of guard thought that us having a conversation might give that impression, so calm your nerves and enjoy the drinks.”

Several chuckles went around the room and conversations slowly resumed as he sat back down, looking quite pleased with himself.

“Are you happy now?” You asked and he looked at you, a smug smile on his face.

“Very. Are you done trying to convince me to talk to other people?”

“Odd way to describe your fiancée, ‘other people’.” You retorted. 

“You could just call her Alina.”

“Or moya tsaritsa.”

He took another sip of his drink, shaking his head.

“I don’t get it, you liked Alina when you first met her, on the Volkvolny.”

You wished more than anything that Tolya and Tamar were here, or that you could at least drink.

“I do like her. You're the one who hasn’t spoken to her all night.”

“And would you rather that I go over to her and play the part of the adoring husband? That I hold her closely and whisper in her ear?” He taunted and you scoffed, looking anywhere but him. He grabbed your hand. “I’d rather be here as well.”

You looked at your intertwined hands, unable to focus on much beyond how his skin felt on yours, suddenly glad that Tolya and Tamar weren’t here, painfully aware of how fast your heart was beating.

He let go of your hand, standing up again.

“Well, friends, I think I’ve had enough revelry for tonight- please, continue to indulge yourself. As difficult as it might be, the party must go on.” He said, winking at his guests, all of whom smiled at him kindly.

He turned towards the door and started walking.

You signaled the other guards of Nikolai’s to move, glancing over the room once more to see Alina looking at you.

She smiled at you warmly and you did your best to return it, still thinking about how his skin felt on yours.

You turned around, following Nikolai out and when you and the other guards on duty arrived to his chambers, Nikolai motioned for you to follow him inside.

The doors closed.

“You’re the one that I love, you know.” He said, pouring himself another drink. You watched the liquid slosh into the glass cup, watched as he took a sip. “If that’s what marriage was about, it would be you I would marry.”

You stayed completely still.

“Nik-”

“I love you. I love you, and I’m sorry that it took so long for me to say it.”

“Why are you telling me this?” You asked miserably, and he looked at you, taking a step closer.

“Why did you stay?” He asked softly and you shook your head. “Please. It’s the last thing I’ll ever ask of you.”

You closed your eyes- you didn’t know when tears started streaming down your face.

“Because I love you.” You said as if it was the worst thing in the entire world. “I love you and as much as I hate everything about this, you’re still in my life. And I will take whatever life I can get with you.”

You opened your eyes and he looked at you sorrowfully, his hand hovering over your cheek as if to caress it, to wipe the tears away, before it dropped back to his side.

He closed his eyes and took a step away from you.

“I’m sorry.” He said, his voice barely a whisper. “I should get to sleep.”

You nodded professionally, as if tears weren’t actively streaming down your face, taking a step away from him and turning.

“Right, moy tsar. You have a big day coming up, you need all the rest you can get.” He flinched at the title- not that you noticed, facing away from him. “Have a good night.”

“You too.” He said hoarsely.

[naamahdarling]

For distraction questions: if the planets were hard candies, which one do you think would taste best?

Jupiter. For sure. They aren't all hard candy though.

Mercury would be like...dirt or something, not even candy. What's a bad candy that's like...dirt? Real bad.

Venus...Swedish Fish, unsatisfying, tough and gummy, nice citrus flavor but not really enjoyable.

Earth is mint chocolate.

Mars would be a red cinnamon ball.

Jupiter would be some sort of firm gummy candy with a soft semi-liquid center. I know it's gas, but it looks biteable. Fruit flavors.

Saturn would be very crunchy with fizz. Nice lemon flavor.

Uranus is the mothball you accidentally mistook for candy. Sorry. :/

Neptune is a blue raspberry Jolly Rancher type hard sugar drop.

Pluto is a nice little violet pastille. Sweet and delicate.

Bonus: Luna is marshmallow.

I like this question.

[ghoulodont]

Cardiac Action Potential

The birds and the bees, for a ghoul, are the tria prima and a human sacrifice.

Relationship: None... yet Characters: Dewdrop, Rain Words: 1.3k

Read below or on AO3

Six ghouls wait silently at the locked door of the chapel. On the schedule tonight is the summoning of a singular addition to their lineup, a bass player.

Originally, it was a lead guitar ghoul that the group needed, but the clergy had noted Dewdrop’s proficiency on the guitar, his drive to learn an instrument he wasn’t summoned to play, and offered him an opportunity. After some deliberation, it was decided. The lead guitar ghoul role was filled, and the bass ghoul role was empty.

Dew liked the old lead guitar ghoul, and they had great chemistry together onstage. But he wasn’t continuing with the band. That’s life, Dew supposes. Or, that’s undeath, or however a ghoul’s state of being should be classified.

Regardless, because of this change of plans, the final summoning of this iteration of the band had been slightly delayed. Now that it was confirmed they did indeed need a new bass ghoul, they are ready to proceed.

Eventually the door creaks open, pulled back by a single sister of sin. When the ghouls enter, she closes the door behind them and twists the deadbolt shut with a heavy thunk.

Inside is a chapel designated specifically for summoning. It’s rarely used, but immaculately maintained. If you were to see it between rituals — and you wouldn’t, unless you were tasked with its upkeep, because it’s otherwise kept securely locked — you would hardly know its purpose. One of the only subtle hints is the coffin shape of the stone altar at the center of the raised sanctuary.

Another is the circle surrounding it, painted on the floor with something dark red, its circumference lined with intricate sigils. That might be a hint too.

The altar is bare, pristine, except for six black candles, flames glowing steadily, one at each corner. Copia stands at its head, hands clasped behind him.

Copia, only a cardinal, taking on the role of a pope. It’s all very non-traditional, but it’s not like Dew has much experience with anything else. It’s not the only atypical feature of this summoning, anyway.

The ghouls file into the pews along one side of the sanctuary. The matching pews across from them remain empty. The small nave is mostly empty too, save for a row of sisters.

When the ghouls sit, Copia nods to the sisters, who proceed up the single step into the sanctuary and make their way to the altar. Each of them holds a ritual item, cradled carefully in two hands.

Dew has seen all of this before. He just recently saw it three times in quick succession. It doesn’t get any easier to watch. He’s not sure what the purpose of the existing ghouls’ presence is anyway. It must just be tradition.

The necessary items for the ritual were prepared beforehand, ingredients carefully measured into their own little containers, oddly like the mise-en-place of a cooking show on TV. The first three sisters each hand a small bowl to the cardinal. He takes them, one at a time, and pours the contents of each onto the altar, along its long axis, each reagent in its own place.

The first is a fine yellow powder, a tiny, dusty mountain on the stone surface — sulfur.

The second is a shiny, slippery liquid, forming a little round puddle — mercury.

The third is a white and crystalline substance, pebbles of it tumbling down the sides of its pile — salt.

The penultimate sister is holding a black wooden box, intricately carved and inlaid with gold. She lifts away the lid and Copia removes from it a human heart, which he places on the altar, two thirds from the top, at its widest point.

The final sister hands him a chalice filled with a deep red liquid. This, Dew has been told, is blood, once belonging to someone who is now no longer alive.

Briefly, Copia holds the chalice aloft. Then he lowers it and pours its contents across the altar in a wide, splattering stripe, drenching it and all of the prepared items upon it. The liquid spreads, rivulets reaching the edge of the altar and running down its sides to the floor.

There is a tense beat of silence. Then, the salt sizzles, the mercury bubbles, and the sulfur erupts into bright blue flame.

When the reaction fades, the reagents are gone. The only thing left on the altar is the heart, unmarred. The chapel is silent and still, as if maybe that’s all that will happen, and it’s already over.

But, moments later, the main event begins. Blood vessels sprout from the top of the heart and grow, snaking, across the altar. They twist and branch into a vaguely humanoid shape, a shadow over the stone.

Individual organs congeal, wet and shiny, each budding from nothing and blooming into something recognizable — lungs, liver, kidneys. A brain. Ducts and vessels reach out to one another.

Bones form, the biggest ones first. They start out spindly like twigs and grow in length and diameter, creaking as they expand. They lie disjoint from each other, draped over the existing viscera in a loose semblance of a skeleton. As the first ligaments are created, they begin to pull together. Arms slide into shoulders, legs into hips. Ribs attach to a sternum and vault over the organs of the chest cavity.

Muscle and sinew forms, layer by layer, a macabre, meaty papier-mâché. As flesh connects to bone, the ghoul twitches. His limbs jerk unceremoniously, like a marionette.

One of his flailing arms knocks a candle off the altar and onto the marble floor of the sanctuary. Hot wax pools under it, but the flame continues to burn, rising perpendicular from the wick.

He lets out a low, breathy groan, whatever air was in his lungs pushed out by the contraction of his brand new diaphragm.

Final layers of adipose and skin cover his raw, exposed tissue. As all of his bodily systems come together he continues to twitch, smaller movements but more of them now, until he’s almost vibrating.

Then he flops limp on the altar, motionless.

Copia reaches down and feels for the new ghoul’s pulse, placing two fingers into the juncture between his neck and his jaw. When he nods, the waiting sisters flurry over to lift the ghoul’s body off the altar. As two of them raise his upper body into a seated position, his head first lolls back and then snaps forward, like he’s suddenly awake. His eyes fall open.

Dew watches him take a deep, gasping breath. His first.

Two more sisters join to help pull him up until he’s standing. A fifth drapes a blanket over his shoulders. He’s taller than all of them. The sister with the blanket stands on her tiptoes.

They lead him to sit on the opposite side of the sanctuary. If he were summoned when he was supposed to be, he would be sitting among other newborn ghouls. Instead, he’s alone. At least he doesn’t have to sit through any more summonings right now, to witness his first and only memory as an outside observer before he’s had any chance to get his bearings.

No, Dew wouldn’t wish that experience on anyone.

Dew isn’t listening while Copia says the closing rite. He’s watching the new ghoul. His replacement, yet he’s still here to witness this. It hasn’t ever happened before, at least not that he’s aware of.

The ghoul is pulling his blanket around himself. His head is drooping forward slightly, like it’s too heavy for him to hold up. He’s breathing hard enough that Dew can see the rise and fall of his shoulders from the other side of the sanctuary. When Copia dismisses them all, the sisters return to his side and help him file out of the chapel with everyone else.

Tonight, they will go their separate ways. This new ghoul will be whisked off for further initiation rituals, and then closely monitored for a few days as he builds strength in his new body.

Dew watches as he’s led down the hall in the opposite direction. He looks like a baby deer, unsteady in an endearing sort of way. Something about his proportions adds to the image — he’s all legs under his blanket.

As they turn the corner and continue out of sight, Dew wonders what his name will be.

[rubberizer92]

The room was filled with the intoxicating scent of sweat and musk, the air thick with anticipation and desire. A dozen rubber-clad bodybuilders stood shoulder to shoulder, their chiseled physiques glistening with a sheen of perspiration. They had just finished a grueling month of intense muscle growth routines, pumping their bodies full of steroids while enduring endless hours of workouts and continuous mind control sessions that kept them in a perpetual state of arousal. Now, as they surveyed the room, they couldn't help but feel a thrill coursing through their veins.

The centerpiece of the room was a long, polished table adorned with an array of intricately designed toys. At its head, a tall, commanding figure stood, their face obscured by a full-body latex suit that gleamed like liquid mercury in the dim light. The figure raised a gloved hand, signaling for the bodybuilders to approach. With a collective gasp, they all knelt down on the plush red carpet, their massive, rippling muscles straining against the tight latex as they obeyed the unspoken command.

A row of kneeling, sexy rubber gimps lined the edge of the room, their supple bodies encased in shimmering, form-fitting suits. Their heads were bowed submissively, hands clasped behind their backs as they waited eagerly for the bodybuilders to arrive. The tension in the air was palpable as the bodybuilders slowly began to make their way down the line, each one taking in the sight of the gimps with hungry eyes.

As each musclebound behemoth reached the end of the line, they paused for a moment, taking in the submissive figure before them. They could feel the power emanating from their massive frames, the unyielding control they wielded over these helpless beings. And then, with a low growl, they reached out and grasped the gimp by the collar, pulling them roughly towards them. The gimp eagerly arched their back, offering their lips to the bodybuilder as they were dragged closer. The anticipation of what was to come hung thick in the air, making the room feel electric with desire.

[clementine-kesh]

something that does make me go a little bonkers is thinking about the alien landscapes that exist out there in our universe unseen by living eyes. towering spires of rock and ice under dying red suns. purple skies over tide pools of liquid mercury. mountains higher than everest crumbling into oceans unimaginably vast and deep. diamond rain and storms the size of continents. even if there isn’t any life out there, or if it’s so far away that we’ll never reach it, there’s still so much beauty and wonder and strangeness and a part of me will always be sad i’ll never be able to see it for myself